Story of scars and solace

Some seek solitude, some the company of others, still others find a balance between the two. Yet, we all long for someone to go home to and share our smiles and sorrows.

Kalina and Diwas find that someone in each other – most often, it must be said, in sorrow. Their story begins in a school sickroom. Kalina lies curled up with stomach pain, and Diwas stumbles in, bruised and breathless from a fall off the school roof. What starts as curiosity about each other’s pain turns into a friendship woven together with shared ache.

This opening scene of the play Sickroom on the stage of Katha Ghera is a precursor to how, through the years and separate storms, Kalina and Diwas keep finding their way back to each other. In pain, in comfort, and the quiet knowing that even the wounded can become each other’s solace.

Director Akanchha Karki’s Sickroom is an adaptation of Gruesome Playground Injuries by American playwright Rajiv Joseph. The play moves in fragments that shift between childhood and adulthood, echoing the fractured nature of memories and the scars people carry.

After their first encounter in the school sickroom, we meet the two as their older selves. Kalina walks into a hospital room where Diwas lies injured, his eye wounded in a firework accident. Initially, their exchange is hesitant after years of separation. But the distance and time dissolve quickly.

Their bond is stitched together by shared physical and emotional wounds. Diwas bears scrapes and scars from reckless acts, and Kalina struggles with mental health and self-harm tendencies.

Their separate sufferings seem to always find a symmetry of quiet understanding and a desire to soothe the other, even when their own self is hurting. The two broken souls find healing not in saving themselves, but each other. The closeness they share carries the weight of love, and their hearts consistently orbit one another regardless of their partners.

In one scene, an injured Diwas visits Kalina who is distant and withdrawn. It is soon revealed that she has been sleeping with her boyfriend, not out of desire, but in an attempt to dull the ache inside her. She has found a different outlet now, where her vulnerability is violated.

Diwas is against this, and becomes a place of care for Kalina once again. And for him, Kalina’s touch is enough to mend even his deepest wounds. At one point, Diwas tells Kalina, “I am not someone else, I am you.”

Noor Khanal and Abishek Khadka, as the younger Kalina and Diwas, bring an unfiltered innocence on stage, their exchanges so raw that it is like eavesdropping on real life in motion. There are flickers of humour, the scenes unfold with tender music. Akanchha Karki and Sudam CK step in as the older persona, delivering bold performances that show how relationships, over time, shift and knot themselves around personal grief.

Towards the end, in an extraordinary moment, young and adult versions of Kalina and Diwas speak in tandem, transcending time as a young Kalina speaks to an adult Diwas, and adult Kalina to young Diwas. Our present selves are never far from the children we once were, the pieces of our past selves and past experiences linger within us forever.

Sickroom explores Kalina and Diwas’s deep reliance on one another. It also lays bare their inability to fully settle into a conventional relationship because sometimes the aches leave us hollow, in search of no one but ourselves.

Sickroom

Till 12 July

Kausi Theatre, Teku

Sun-Fri except Tuesday: 5:15PM

Saturday: 5:15PM, 1PM