The Unstoppables
On a certain February morning earlier this year, we gathered in the drawing room of a friend, reading through the drafts of a set of four books for children, by Luja Mathema. The books, “Unstoppable Women Series” features four Nepali women who are icons of courage, intelligence and perseverance.
It was the first time I was seeing books for children on female figures from Nepal.
Our friend Prawin Adhikari, who also translated the books from English into Nepali, had made available his space so that Luja, Iva Maharjan, and I could join him to proofread the books, created over a period of 18 months. Across a slow day, punctuated by coffees and teas, we read the stories about these four women: Entrepreneur Late Ambica Shrestha, Ani Choying Drolma, Jurist Sapana Pradhan Malla, and Mountaineer Late Pasang Lhamu Sherpa.
The first book I picked was the one on Ani Choying Drolma, someone I had met through my work as a journalist. The first time I saw her, she was sat on the floor of a raised platform inside a hall at Yak and Yeti, performing to an audience to raise funds for the Aryatara School for nuns. I was a rookie reporter and it was one of my first stories. But seated on the floor as Ani’s chants filled the room I felt I had been removed to someplace else. I had been taken on an inward journey, not just one of music but one of profound gratitude.
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I went back to the newsroom, holding three DV tapes to edit, not knowing how I would fit the story of such force in a two-minute broadcast. But I did anyway. Between my news editor Binod Bhattarai and I, we came up with the title, “the singing nun”, for the story. A colleague from The Kathmandu Post came over to watch the tapes and write the story-- he would call her the singing nun, too. Anchor story, Page 1.
The experience of writing/producing a story can shift something in you. Covering Ani's performance was such an experience for me. I came away feeling braver. It is this change that Luja hopes to inspire in children through the books she has written.
Between proofing, I had asked Luja what had drawn her to write the books and she said she had written them for her daughter, because she found that when buying books, she was hardly ever able to find books about female heroes. So, she felt the need to write them herself!
“I want my daughter, as well as the children of Nepal and all over to learn about these individuals and their positive impact in our society,” says Luja whoa lso works as a Gender and Communications consultant outside of her writing career. “I want the children to be encouraged, excited, and hopeful. Having access to such stories at a young age is crucial to increase children’s awareness about all the possibilities in the world.”
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A couple of years ago, I was watching an animated film with my nephew, which had a female ship captain as the lead. I recall how fascinated my nephew was while watching the film. He had many questions about the character. One of the things he asked me was how come he had never watched a film with “girl captains” before?
So, it is these beginnings that count and it is what excites me about Luja’s books. Spending a day proofing her books is the only time I’ve ever met Luja. But in those few hours, I was fascinated by her drive to get the books done and to put them out on the shelves for children to come find them.
“I hope that both children and parents enjoy the stories of these unstoppable women from Nepal,” says Luja.
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The second book I picked to proof from the set was the one on Ambica Shrestha, who was still among us when we were reading together that day. When we come to the part where she arrives in Darjeeling and joins Loreto Convent, there’s an illustration of her looking out through the window of the convent with a friend. At that, I teared up and I suppose there was a catch in my voice.
I had met Ambica Shrestha for the first time at a Loreto alumni meeting. And every time I met her after that, she said hello. What I really took away from seeing her each time was the way she carried herself-- always so tall in the things she did and never afraid. As a fellow alumna, I hoped I had somehow inherited some of her traits.
The common thread that binds the four books is the determination and strength of character of all the four women featured. The text is replete with anecdotes of inner strength that helped them forge unique paths.
The books series by Luja reminds one of the Good Night Stories for Rebel Girls series, stories about girls from around the world who went on to do great things. The marvel in doing so is that even when one might only be doing it for oneself sometimes, the drive and the courage eventually serves as inspiration for others. And while Luja’s attempt in bringing these books together was rooted in the intent to gift them to her own daughter, she has gone on to set substantial precedents for others to create books about Nepali women.
The books are illustrated by artists Prakash Ranjit, Shaili Malla and Nhuja Shakya. Shaili captures some details of Boudha in the illustrations that you would only notice if you grew up in the vicinity. Nhuja’s illustration on the last page of the book on Pasang Lhamu is steeped in pathos, and yet salvages the book from what might have been a dreary ending. And on a personal note, Prakash’s drawings of LC, makes me want to visit Darjeeling.
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What I like most about these books is that they are bilingual. The Nepali and the English text appear alongside each other on each page. From my experience of reading to my nephew at bedtime, I do wish that the font size had been larger and more eye-friendly. Regardless, I can’t wait to bring the books home to my nephew, so I can share with him the stories of the Unstoppable Ambica, Ani, Pasang and Sapana.
The books, published by Nepalaya, will be launched in Kathmandu on September 1, 2024.
Suburban Tales is a monthly column in Nepali Times based on real people (with some names changed) in Pratibha’s life.