<figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221109151112/636bb61c9c7e80680e07bc42jpeg.jpg" alt="" width="1228" height="850"/><figcaption>Bagmati River in the 1950s.</figcaption></figure>“As far as I know, there is no one conducting the ritual these days,” began Ganesh Maya Khadgi as she gazed out from her home on the banks of <a href="https://archive.nepalitimes.com/page/encounter-with-bagmati-river" target="_blank" rel="noopener noreferrer">the Bagmati River</a> to the grey, slow-moving water just outside her door.She is referring to Naworatri, a ritual practiced by the Newas of Kathmandu during first nine days of <a href="https://www.nepalitimes.com/editorial/dasain-once-more/" target="_blank" rel="noopener noreferrer">the Dasain festival</a>, which this year fall in end-October. When she was young, she would join crowds of worshippers at two or three in the morning and they would walk together to the tirtha, holy sites on the banks of the river.On each day of the nine-day festival, they would travel to a different tirtha to cleanse themselves with holy water and offer puja to the river in the form of flowers placed on chaitya, small mounds of riverbank sand.“Why would anyone participate in this ritual anymore?” Ganesh Maya’s friendly, open face clouded over as she further poured out her disappointment.The communal pilgrimage along the rivers facilitated contact with the sacredness of <a href="http://archive.nepalitimes.com/article/Nepali-Times-Buzz/the-ecology-of-worship-bagmati,3380" target="_blank" rel="noopener noreferrer">the holy river</a>, she says, but due to the highly degraded quality of the water, even the most devout worshippers no longer want to make that connection. In some places, worship is not possible due to the accumulation of solid waste on the banks.Even if people are willing to make the holy ablutions with <a href="http://archive.nepalitimes.com/blogs/thebrief/page/15/" target="_blank" rel="noopener noreferrer">the polluted water</a>, Ganesh Maya says that there is not enough sand left in the riverbanks to construct the chaitya. She speaks fondly of her memories of conducting the rituals despite the pain she feels from their loss.Neither her children nor her grandchildren have visited the tirtha for Naworatri, but she understands their reasoning for changing their ritual practice. Due to river pollution, the entire purpose of the ritual has been lost.***<figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221109151112/636bb61f9c7e80680e07bc43jpeg.jpg" alt="" width="1362" height="1322"><figcaption> </figcaption></figure>Across South Asia, rivers are regarded as sacred and are often worshipped as gods and goddesses, revered for the way they link heaven and earth. Some believe the rivers are homes to the divine, while others pray to the life-giving power inherent in the water. Because of this, rivers have historically played an essential role in the daily functioning of the communities built upon their banks.This is especially true in Kathmandu where the history of life in the valley is intimately connected with the rivers that define the landscape, so much so that its residents have often been referred to as members of the ‘<a href="https://archive.nepalitimes.com/page/resurrecting-bagmati-the-river" target="_blank" rel="noopener noreferrer">Bagmati Civilisation</a>’.Early settlements within the valley were clustered on <a href="https://www.nepalitimes.com/banner/time-capsule-of-kathmandu/" target="_blank" rel="noopener noreferrer">hilltops with farmland below on the river floodplains</a> to utilise the natural flow fluctuations of the monsoon. Despite the way that the rivers served agricultural functions, they were perceived as more than as natural economic assets.Instead, people saw themselves as living a balanced life with the environment, a belief that was reinforced by the traditional rites and rituals that have historically been tied to the rivers. Therefore, a harmony that emphasised co-existence and regeneration existed in the name of culture and religion.Now, however, those ties are being severed due to pollution and ideas about modernisation that relies upon the <a href="https://archive.nepalitimes.com/regular-columns/Comment/rivers-fighting-back,993" target="_blank" rel="noopener noreferrer">exploitation of natural resources and spaces</a>. But what happens to the Bagmati Civilisation when its people can no longer bear to stand on the banks of their sacred river?***<figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221109151116/636bb6239c7e80680e07bc44jpeg.jpg" alt="" width="2048" height="1365"><figcaption> </figcaption></figure>Tej Maya Maharjan also grew up going to the rivers for ritual events, watched this change occur throughout her life. She was elderly at the time of this interview, and has since passed away. Tej Maya visited the Kankeshwori Temple almost every morning for 70 years, and said the time she spent there was the highlight of her days.These visits were essential parts of both her religious and social life. She was widowed at a young age without children, and spent most of her life as a single woman. Instead, she found a family and a sense of community at Kankeshwori Temple. Tej Maya and her friends would gather along the river at the temple and whether they were singing songs, performing puja, or gossiping about their daughters-in-law, these morning trips for religious and social connection brought her joy throughout her entire life.Tej Maya emphasised the importance of conducting rituals at the temple for their role in childhood development. From a very young age, she would join her friends at the Bishnumati River every day during the Newa month of Yalaato collect Nil La:, sacred water, and make chaitya.“We would collect leaves from the pipal tree which had fallen on the ground. We would put some rice grain, tika power, and flowers on the leaf and twist the top and bottom ends, light a wick on the leaf then put it on the flowing water and watch it flow down the river. Then we would all walk to the temple with Nil La: to offer it to all the shrines present in the temple and offer puja,” Tej Maya said.<figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221109151116/636bb6269c7e80680e07bc45jpeg.jpg" alt="" width="640" height="853"><figcaption> </figcaption></figure>For Tej Maya, conducting this ritual was the first time she and her friends had done puja or gone to the temple unaccompanied by adults, and therefore, they learned the procedures of the rites and how to take responsibility for the rituals on their own. Because children are no longer spending time at the rivers and riverside temples, with or without family members, Tej Maya and many others say that the youth of Kathmandu does not have the same understanding of the rituals or how to conduct puja.Although religious activity continues, increasingly, people say that the rituals are often conducted simply because they are tradition but there is less consideration for, or knowledge of, the meaning behind the actions being performed. This has a fundamental impact on the practice of religion and some of the most foundational tenets of the Bagmati Civilisation.One example of this is the way that the practice of bara (gufa halne in Nepali) is shifting. In a Newa girl’s life, the bara has traditionally been one of the most important and celebrated milestones. In this marriage to the sun, girls who are approaching puberty are kept in a dark room for eleven days, during which they cannot be exposed to the sun, nor see any men. This is not a period of isolation though, and instead, the days are filled with visits by female friends and relatives.<figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221109151116/636bb62a9c7e80680e07bc46jpeg.jpg" alt="" width="2048" height="1365"><figcaption> </figcaption></figure>In the past, parents would bring pebbles from the nearby river to the room for the girl to play with. But these days, since there are no pebbles in the river, people use construction gravel instead. After the marriage to the sun was completed on 12th day of the ritual period, the girl would return the pebbles to the river on 13th day and perform puja on the banks, using her newfound knowledge to give thanks to the river for all that it provides.Increasingly though, families are sending their daughters to monasteries for a few days where they are taught the rituals by religious practitioners. In this changing practice, there is no connection with the river, and many say that a key component of bara is lost. Instead of being a coming-of-age period for elders to teach young girls about womanhood and religious practice that culminates with puja on the riverbank, the ritual is now frequently celebrated in banquet halls and party palaces staged for Instagram-worthy spectacles.Just as elements of bara are changing partially out of convenience and partially to distance the ritual from the polluted riverbanks, residents of Kathmandu, both religious practitioners and lay people, have observed a gradual shift in conceptions of the water that can be considered jal, or holy water.Chudamani, a Bajracharya priest, explains that river water is the purest of all forms and sources of water and has therefore traditionally been considered the only source of jal. “But instead of trying to preserve and restore river water, which is so essential for religious purposes, people are making changes in their cultural rituals due to the pollution,” he continued. In practice, this means that the definition of what counts as sacred water has expanded as an adaptation to changing environmental conditions.Macha Bhai Maharjan is a Niti Puja Pujari meaning he performs puja daily to the deity of the Kankeshwori Temple. He has spent innumerable hours at the temple and on the banks of the river, collecting sacred water for cleansing the temple. The river was a source of life for him but after he saw human feces floating in the water when collecting jal for a ritual, he says he has never returned to the banks of the Bishnumati.<figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221109151116/636bb62d9c7e80680e07bc47jpeg.jpg" alt="" width="640" height="853"><figcaption> </figcaption></figure>https://www.youtube.com/watch?v=GCnPUqlrZJcMacha Bhai’s experience is not an anomaly. As <a href="http://archive.nepalitimes.com/article/Nepali-Times-Buzz/when-it-comes-to-water-pollution,3196" target="_blank" rel="noopener noreferrer">the rivers became more polluted</a>, people began sourcing jal from wells bored near the river, their proximity affording the water extracted from them the same ritual significance as the river water once held. However, due to the rapidly depleting groundwater table, many of those wells have gone dry, or have become just as contaminated as the rivers that worshippers were trying to avoid. Once again, the devout were forced to search for alternative sources.***In the Hindu belief system, while river water is considered the most sacred, all water that is moving is pure. Under this definition, people could interpret the water coming out of the taps and dhunge dhara also as jal. Initially, water stored in tanks was not considered to be suitable for ritual purpose, but for many, this has changed once again. Now every temple has a tank that is filled by the municipality and there is no longer a need to visit the river.Macha Bhai’s experience with contamination in the Bishnumati was the moment he says he realised the sacred river no longer held its religious significance. He too uses water sourced from a tank at Kankeshwori Temple for his daily puja. While changes like this are upsetting to Chudamani, he says that despite his role as a priest, he and the others in his lineage profession “cannot do anything about it” and that he too limits his exposure to the once sacred water.The dissociation from the rivers, which have historically been considered the lifeblood of the city, happened gradually over a couple of generations. Just 30 years ago, many residents of Kathmandu remember swimming in the rivers and creeks that cross the valley. The rivers were wide and shallow with sandy bottoms that they could wade across. But a population growth rate that places Kathmandu among the fastest-growing cities in South Asia, coupled with the widespread adoption of water-intensive household and commercial amenities including flush toilets, washing machines, and solar water heaters without the construction of adequate wastewater treatment infrastructure has resulted in vast amounts of grey and black water end up in the riverways. Additionally, direct solid waste dumping, encroachment, and illegal and uncontrolled <a href="https://archive.nepalitimes.com/page/crushing-tale-of-Chure" target="_blank" rel="noopener noreferrer">sand mining have all contributed to the degradation of the riverscapes</a>.<figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221109151116/636bb6309c7e80680e07bc48jpeg.jpg" alt="" width="2048" height="1365"><figcaption> </figcaption></figure>When this period of urban development first began in the 1980s, sewer and stormwater lines were directed to the Bagmati River intentionally with the idea that all pollutants would be washed away. Although the Bagmati naturally experiences wide fluctuations in flow rates because it is a seasonal, monsoon-fed river, now regardless of the season, the dilution capacity of the river is so low, and the level of contamination is so great, that the flow is predominately wastewater. In many places in Kathmandu Valley, the river is considered dead, meaning it can no longer support biodiversity. Many say that with the death of the Bagmati, the Bagmati Civilisation has also been lost.Despite the biological and spiritual death of the Bagmati and its tributaries, the rivers have become points of focus for infrastructure development in the name of modernisation. Currently, the construction of walled river corridors, managed by the Kathmandu Valley Development Authority (KVDA), is used as the primary intervention to address <a href="http://archive.nepalitimes.com/article/editorial/deep-water,3883" target="_blank" rel="noopener noreferrer">flooding in the urban core</a>. These corridors are also meant to help improve the flow of traffic and to reduce congestion in other parts of the city.Now almost every stream and river in the valley has been straightened and confined by concrete walls, the widths of which are set as per the 20-year flood provisions. But due to changing monsoon rainfall patterns and the concretisation of the valley, 20-year floods are occurring every five years or less.The riverbeds have also long since been depleted of sand, mined for concrete to fuel the construction boom of the metropolis. Now that the rivers contain few natural resources, some have gone as far as to advocate that they are covered completely in concrete. In some places, they already have been.***<figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221109151116/636bb6339c7e80680e07bc49jpeg.jpg" alt="" width="2048" height="1365"><figcaption> </figcaption></figure>Shiv Kumar Basnet, the Executive Director of the Water Resource, Research, and Development Center at the Ministry of Energy, Water Resources and Irrigation says that encroachment on the rivers and settlement in the rivers’ right-of-way has made it so that normal flooding events now cause property damage and seem even more devastating.“Constraining the rivers is like putting a bird in a cage,” Basnet says. He thinks that from an ecological standpoint, as well as when considering what is best for urban development, the rivers ought to flow freely.Many agree with him, including <a href="https://archive.nepalitimes.com/article/nation/Hutaram-Baidya-passes-away-at-93,994">the late Huta Ram Baidya</a>, a prominent social activist who spoke extensively on the need to save the Bagmati to save its civilisation. Baidya used to say: “The river is our nature, we should never destroy with nature, but live side by side with it. Instead of controlling its rivers, Kathmandu must work to conserve them.”When Huta Ram Baidya looked out across the Bagmati from his home near its banks at Thapathali, he wondered about one thing: “Can modernisation exist without culture?” For truly sustainable development of cities such as Kathmandu, the centuries-old cultural rites and rituals associated with the rivers, which incorporate knowledge of both spiritual beliefs and sustainable land-use practices accumulated over thousands of years, must be preserved to help the city grow in harmony with natural ecological systems.<figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221109151116/636bb6369c7e80680e07bc4ajpeg.jpg" alt="" width="2048" height="1365"><figcaption> </figcaption></figure>Rajani Maharjan is an environmental anthropologist affiliated with the Small Earth Nepal (SEN), an environmental research group.Madison Wrobley is a 2019-2020 Fulbright-National Geographic Storytelling Fellow who studies water insecurity, primarily in Kathmandu Valley, and is now based in Colorado.

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How the Bagmati Civilisation is becoming uncivilised

<figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221109101116/636b70569c7e80680e060072jpeg.jpg" alt="" width="2088" height="1474"/><figcaption>Aerial view of Baudha</figcaption></figure>Swiss geologist <a href="http://nepalitimes.com/news.php?id=2692#.VRzIePmUdQ4" target="_blank" rel="noopener">Toni Hagen</a> first came to Nepal in 1950, crisscrossed the mountains and plains on foot to find out the kind of rocks the country was made of. His detailed stratigraphic cross sections of Nepal for the first time gave us an idea of what lay beneath our feet.Along the way he also took thousands of photographs and film which have been carefully archived by his family in Switzerland. <a href="http://archive.nepalitimes.com/news.php?id=2692#.XhlEIy2Q0Wo" target="_blank" rel="noopener">Toni Hagen died in 2003</a>, but the images represent a time capsule of the land and people, and show us the way we were.<figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221109101116/636b70599c7e80680e060073jpeg.jpg" alt="" width="2000" height="1327"><figcaption> </figcaption></figure>Some of these photographs were included in the multiple editions of <a href="http://nepalitimes.com/news.php?id=19173" target="_blank" rel="noopener">Nepal</a>, the classic book about the country first published in 1962 which <a href="http://archive.nepalitimes.com/regular-columns/So-far-so-good/a-serious-swiss-toni-hagen-nepal,888" target="_blank" rel="noopener">introduced Nepal to the world</a>, and through its Nepali language edition, to Nepalis themselves.Now, the Nepal Heritage Society has published another collection of Toni Hagen’s photographs of Kathmandu Valley, some of which were included in <a href="https://archive.nepalitimes.com/page/kathmandu-valley-then" target="_blank" rel="noopener">an exhibition at the Nepal Art Council</a> in 2015 on the <a href="https://archive.nepalitimes.com/article/Nepali-Times-Buzz/tony-hagen-kathmandu-exhibition,3946" target="_blank" rel="noopener">centennial of Toni Hagen’s birth.</a><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221109101116/636b705c9c7e80680e060074jpeg.jpg" alt="" width="640" height="423"><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221109101116/636b70609c7e80680e060075jpeg.jpg" alt="" width="640" height="423">Vishnumati flowing clean and blue with Langtang peering over Shivapuri ridge. The Bagmati at Thapathali with a monsoon cumulus looming above Pulchoki.Toni Hagen: Photos of Kathmandu Valley 1950-1960 is edited by his physician daughter, Katrin, with extended captions by history professor Poonam Rajya Laxmi Rana. The book contains photographs that have not yet been published combined with accompanying historical text. This is an important work that shows us Kathmandu in aerial photography 70 years ago, neighbourhoods and street scenes that have long gone, but there are also plenty of reminders of how the inner city bahals and squares have not changed much in the six decades since the photographs were taken.<figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221109101116/636b70639c7e80680e060076jpeg.jpg" alt="" width="2638" height="1778"><figcaption> </figcaption></figure>‘The photos and films by my father have immense value not only for the archives but for the studies of glaciers, as many of them have changed due to climate change,’ write Katrin Hagen in her preface. ‘The pictures of the old days are somehow a cultural heritage … there was no water supply, no sanitation facilities. But the water of the Bagmati was clean, there was no plastic waste.”<figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221109101116/636b70669c7e80680e060077jpeg.jpg" alt="" width="2000" height="1267"><figcaption> </figcaption></figure>Indeed, the book allows us to travel back in time to a Kathmandu where the Bagmati reflects the deep-blue monsoon sky, dark rain-heavy monsoon clouds draping the familiar outline of Pulchoki, the green paddy terraces  encircling towns with earthy brown sloping tile roofs. And, possibly because he was from Switzerland, almost all of Hagen’s photographs have as their backdrop snow mountains in the background.Buffaloes wallowing in Chapagain have Dorje Lakpa in the background. Oxen pull a plough with Ganesh Himal glistening on the horizon. Women in Not Danda carry firewood, with the entire panorama of the Central Himalaya on the horizon. In one photograph from Sanga on a clear day, you can see clear across Nepal to the Annapurnas.<figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221109101116/636b706a9c7e80680e060078jpeg.jpg" alt="" width="2000" height="1301"><figcaption> </figcaption></figure>Hagen chartered a six-seater Haviland biplane in Patna and flew it into Gauchar to take the first ever aerial photographs of Kathmandu Valley in 1950. One black-and-white photograph from above Hanuman Dhoka looking east towards Tundikhel shows just how much the city has changed and how much of it remains the same. There is Tundikhel with the khari tree in the middle, the temples of Kathmandu Darbar Square, Bhugol Park, the open space around Dharara and the two-storey buildings of Khichapokhari.<figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221109101116/636b706d9c7e80680e060079jpeg.jpg" alt="" width="2000" height="1347"><figcaption> </figcaption></figure>Ambica Shrestha, President of the Nepal Heritage Society that published the book, says in an introduction: ‘Sharing these photos reminds those who witnessed Kathmandu’s past, and those who did not have the good fortune to do so, to see and experience the scenes and atmosphere of the time.’Rana’s explanatory text provide the background to the images, giving he historical context. The words accompanying the rare aerial photograph of Singha Darbar, for instance, traces the history of neo-classical Rana architecture. There is one anecdote about Jung Bahadur being asked by a foreign visitor why his palace did not have an indoor toilet. His answer: “We do not go to the toilet, the toilet comes to us.”<figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221109101116/636b70709c7e80680e06007ajpeg.jpg" alt="" width="2000" height="1318"><figcaption> </figcaption></figure>Toni Hagen: Photos of Kathmandu Valley 1950-1960Edited by Katrin Hagen, Text by Poonam Rajya Laxmi RanaNepal Heritage SocietyVajra Books, 2019176 pages     Rs4,000<img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221109101116/636b70739c7e80680e06007bjpeg.jpg" alt="" width="640" height="451">For more photographs from the book <a href="https://archive.nepalitimes.com/page/kathmandu-valley-then" target="_blank" rel="noopener">click this link to the 2015 exhibition</a> of Toni Hagen’s photographs.

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Fenerbahçe Beko won the Turkish Airlines EuroLeague finals in Abu Dhabi, held 23-25 May, defeating Monaco 81-70 in the final. Olympiacos, who defeated Panathinaikos 97-93, finished the series in third place. The Most Valuable Player (MVP) of the final match, Nigel Hayes-Davis from Fenerbahçe Beko, received a prize of 1,000,000 Miles&amp;Smiles from Turkish Airlines’ Chief Commercial Officer Ahmet Olmuştur. The carrier has been the title sponsor of the Turkish Airlines EuroLeague, a top tier tournament, since 2010.

Turkish Basketball

Thousands of Nepali students dreaming of an American education have been forced to look elsewhere as the Trump administration’s visa restrictions make their future uncertain.
The US was long considered a top destination for higher studies, making Nepal the 10th biggest country of origin for international students in America.&nbsp;
However, that number has seen a significant decline with the total for Nepali students now at 16,482. Some 8,000 Nepali students obtained no-objection certificates to study in the US from the Ministry of Education in the past year.&nbsp;
India, Australia, Canada, South Korea, United Kingdom and Japan are the other popular destinations for Nepali students. There are no clear numbers for Nepalis going to India, but a slight decline was noted this year after the deaths of two female students.
The US State Department has issued a circular to its embassies not to issue new visas to applicants until further notice. US Secretary of State Marco Rubio in the directive stated that the department planned to expand the screening of applicants' social media.&nbsp;
While new applicants are barred including those applying for visitor visas, students with scheduled interviews are allowed to proceed.
“Many of our students are affected by the new restrictions, but those who had applied for student visas earlier have got interview dates,” one Kathmandu-based college counsellor told us.
Meanwhile, even foreign students with spotless records already in the US have not been spared, as visa scrutiny intensifies under the new policy. In a move that underscores the growing sense of insecurity, many US colleges advised international students to carry their passports and documents at all times, even when traveling locally.
“Me and my friends did not go home this summer because we were not sure we would be allowed back, so we just went to Niagara Falls,” said a Nepali undergrad in Ohio, who like many interviewed for this report did not want her name used for fear of repercussion.
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Nepali students have adopted a cautious stance, with many choosing not to return home during summer vacation due to fear of visa revocations as well as travel bans. Meanwhile, over 7,000 Nepalis with Temporary Protected Status (TPS) will have to come back to Nepal by 5 August or face deportation. Thirty-seven were flown back to Kathmandu on Omni Air last week.
“The US is one of the most sought-after destinations for higher education, and the ban will definitely impact bright students,” says Narottam Aryal of the King’s College in Kathmandu.
Indeed, Nepali undergraduates admitted into Ivy League colleges for the 2025 academic year have been asked to look for alternatives. The entire Fulbright Foreign Scholarships Board resigned on Wednesday citing interference from the Trump administration on the selection of this year’s cohort. Some Nepali students already on Fulbright scholarships have noted disruptions, delays and even cancellation of stipends.&nbsp;
The student visa restrictions were initially just for foreign students admitted to Harvard University, but it was later extended to all Chinese students and now to all students. Universities like Columbia which actively recruit foreign students, face sharp enrolment declines, threatening their financial stability and diversity.
An Indian female PhD candidate at Columbia University had her visa revoked by the US State Department, and said she was targeted on the basis of her social media posts on Israeli military attacks in Gaza. Social media vetting of political activism has raised concerns about privacy and freedom of expression in a country where such rights were a given.
Many students have been informed via email that their visas have been revoked for getting speeding or parking tickets, but even others with no criminal record have been affected. The fear of deportation looms large amongst international students, including those from Nepal.&nbsp;
For most Nepalis who migrate to the US for education, the journey is a high-stakes investment. They come largely from middle-class families, often rely on a patchwork of scholarships, work-study programs, loans, or even the sale of family assets to afford fees.
Most Nepali students pursue STEM subjects which offer extended Optional Practical Training (OPT) periods that help fund their education. But with the US backsliding on education and humanitarian matters, countries like the UK and Canada are becoming more attractive despite their own recent stricter controls on student visas.&nbsp;
The UK universities saw a 63% rise in Nepali students’ admissions in 2024. Japan is another popular destination with 64,816 Nepali students enrolled as of 2024.
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Already, China, Hong Kong and Malaysia are poised to benefit from the increased scrutiny of US student visas. Several Hong Kong universities are offering unconditional admission to affected students, while Malaysian institutions are targeting previously US-bound Asian students. China and India have 330,000 and 280,000 students respectively in America, but the numbers for China have seen a sharp drop in the past year.
Elsewhere, branch campuses of American institutions such as NYU in Abu Dhabi, Georgetown in Dubai and Northwestern in Doha are getting more admission applications, and universities in the Gulf region are expanding infrastructure to accommodate those who would otherwise have gone to the US.&nbsp;
Even educational institutions in Nepal are hopeful that the US visa restrictions can be an opportunity to at least keep Nepali undergrads in Nepal, and also attract foreign students from the region.&nbsp;
“Many students might choose to complete their undergraduate degree here in Nepal and then move abroad for their Master’s degree later,” says Aryal of King’s College. “There was a need for quality higher education in Nepal anyway in terms of innovation and opportunities, so this could be the time to reduce our dependence on other countries.”
Nepal’s strategic position between India and China makes it sensitive to US policy shifts. India, a key ally, is also under US scrutiny for potential student travel restrictions. Chinese universities are already offering more scholarships to Nepali talent to capitalise on the US retreat.
American universities have challenged student visa restrictions in the courts. A federal court in Boston revoked the blanket ban on Harvard, and the State Department has ordered the resumption of processing student and exchange visitor visas.&nbsp;
Some are still hoping that President Trump will backtrack on the student visa restrictions, just like he has done with many of his more drastic executive orders.
Even so, the visa see-saw and longer-term uncertainties about living in the United States and its education system means students across the world are making alternative plans.
Says Aryal: “Policies of foreign countries change according to their needs, so excessive dependence was never a good idea. We should work to create different opportunities and choices of higher education within Nepal, so students are retained.” &nbsp;

America no longer prime destination for Nepali students

That winter day in January 1664 marked an exceptional event in the reign of King Pratap Malla of Kathmandu. It was 15 Paush 784 of the Nepal Sambat and for the first time, a historical event was being immortalised on canvas for generations to come.&nbsp; The occasion was the grand Tuladaan ceremony of the King’s youngest son Chakrabartendra Malla from his wife Anantapriya, an Indian princess from Cooch Behar in present-day Assam.&nbsp; During the ritual, the prince was weighed against gold, silver, pearls, and other precious stones, which were then offered to Goddess Taleju Bhavani, the guardian deity of the Malla dynasty.&nbsp; The 170 x120cm painting captures the time of King Pratap Malla in all its splendour and is more than a personal tribute to his son: it is a significant visual historical document. It was evidently completed five years later in 1669, and could be considered a photographic record, with retrospective recreation of the event by the unknown artist. A Tuladaan ceremony is performed to purify one’s karma, quell impending bad luck, or as an act of charity and devotion. Chakrabartendra Malla was not well, and the ritual was performed in hopes of restoring his health. King Pratap Malla had arranged for each of his sons to take turns ruling Kathmandu so they got administrative experience. But Chakrabartendra died just two days after assuming power in 1670 (790 NS). This painting is considered the earliest known example in which the composition is dominated by an architectural landscape: the Taleju Temple. Given the stylistic features such as side-profile facial depictions and the rendering of human forms, it is believed that the Nepali artist was trained by a Rajput master.&nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250615040624_ddad3bc27a327e3f9926c8473287e4f14b53081296c295049009f327a4d97051.jpg" data-media-id="editor_0" data-image-id="20250615040624_ddad3bc27a327e3f9926c8473287e4f14b53081296c295049009f327a4d97051" data-rendition-name="original" width="3248" height="4395" loading="lazy" alt="Tuladaan NT"> </figure>  During that era, there were regular exchanges of artists between Northern India and Kathmandu Valley. The painting is also a melding of Nepali, Tibetan, Mughal, and Rajput art styles of the time. Pratap Malla could have been inspired by a painting of Mughal Emperor Jahangir’s Tuladaan ceremony for his son Khurram in 1607. The Mallas and Mughals shared cordial relations, which is reflected in the cultural influences seen in the art and attire of the period.&nbsp; The clothing of the Malla ruling class, in particular, features colourful tunics, turbans, and jewelry that display strong Rajput and Mughal stylistic elements. The musicians in the upper tier are also dressed in Indian-style clothing, while the ensemble on the lower steps wear local attire, notably without turbans. Their hairstyles also differ, with the lower group wearing their hair tied in a bun at the front. This national treasure is currently in storage at the Collège de France in Paris, and has never been publicly displayed. Nepal’s art scholars like Gautam Vajracharya, Pratap Aditya Pal and Anne Vergati have written about this iconic paubha in the past, but the only detailed study is from the perspective of music history by researcher Richard Widdess who had access to high resolution copies of the original.&nbsp; Widdess from the Department of Music at the School of Oriental and African Studies (SOAS) in London describes the paubha as the most significant and richly detailed documentation of music in Nepali art. He identifies distinct musical ensembles on the terraces of the temple, and remarkably most of them are actively used today. One of them reflects the Mughal naqqārakhāna model — a loud outdoor ensemble typically composed of kettledrums, trumpets, and cymbals, traditionally performed from the gateway of the emperor’s palace to announce his entrances and exits. The depiction of such an ensemble in the tulādāna painting is likely the earliest known representation of a complete naqqārakhāna in Nepal — considered the forerunner of the panche baja, the traditional Nepali ensemble. On the stepped pyramid base of the temple are two groups of musicians playing local instruments: dhimey, bhushya, and dha. They are unmistakably Newar musicians, wearing short skirts and short-sleeved tops, with bare heads and legs—clearly distinguished as local performers.&nbsp; Higher still on the temple pyramid are musicians of apparently higher status, positioned close to the king, and his courtiers, possibly professional court musicians from India, well-versed in rāga and tāla. A dāphā group is also clearly depicted, identifiable by their characteristic instruments.&nbsp; Dāphā bhajan is likely the oldest surviving tradition of Newar devotional singing, and this paubha is the oldest visual record of it. Pratap Malla himself is believed to have composed songs that continue to be performed by dāphā groups throughout Kathmandu till today.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2025061211064_d67636730cdc0ec778c02494817aca0b99654f2950d0fae4b95499a61faf7ef3.jpg" data-media-id="editor_1" data-image-id="2025061211064_d67636730cdc0ec778c02494817aca0b99654f2950d0fae4b95499a61faf7ef3" data-rendition-name="original" width="596" height="768" loading="lazy" alt="Priceless paubha in Paris NT"> </figure>  The artist’s thorough attention to musical detail may be attributed to King Pratap Malla’s own deep interest in music. His inscriptions on this painting and elsewhere proclaim his mastery of all branches of knowledge, including music. He is also known as the author of dance dramas and poems, penning his name as Kavindra (king of poets). Some noteworthy elements of new art techniques stand out: for example, the roof of the temple is filled with realistically rendered white doves, pigeons, and crows. This is a rare feature in paubha, where animals and birds are stylised, mythological forms. This remarkably talented unknown artist has managed to also render an orthographic projection: the front and side view of Nepal’s first architectural paubha. The Taleju Temple, with its staggering multi-tiered structure and numerous steps and platforms, is masterfully translated into layers within the painting. This represents a significant artistic achievement of the time, especially considering that dimensional perspectives had not started in deity-based paubha.&nbsp; The artist has also made a meticulous effort to capture architectural details such as the toran (ornamental arch) and temple struts with impressive precision. There are flickering lamps along the steps and some people carrying what appear to be oil pots.&nbsp; It is a full moon night and the dark sky is adorned with all the gods and goddesses, who are depicted as blessing the ceremony while seated on stylised thangka clouds. There is a lot happening in this painting, with people engaged in various activities. The artist has also rendered a forest backdrop behind the temple, complete with deer, trees, and flowers. Could there have once been a royal garden behind the Taleju Temple?&nbsp; More details and clarity can only be achieved if we are able to view the original or a high-resolution scanned version of the artwork. Many countries proudly display art depicting historical events in their national museums with great reverence. France, for example, has The Coronation of Emperor Napoleon and Empress Joséphine by Jacques-Louis David (1808–1822), along with numerous paintings of the Napoleonic Wars. Many were commissioned by Napoleon himself for future generations to remember.&nbsp; For Nepal, the equivalent is the Tuladaan paubha which is a visual record capturing a historic moment involving one of Kathmandu’s greatest kings, on the very day the event took place. Sadly, we await the day when this masterpiece is displayed, shared in high resolution for detailed study, or more rightfully — repatriated to its homeland, where it truly belongs. &nbsp; Shaguni Singh Sakya is the Director of the Museum of Nepali Arts (MoNA) at Kathmandu Guest House in Thamel. <h2>Gods homeward bound</h2> The Nepal Heritage Recovery Campaign and Nepal’s Department of Archaeology are convening the first international conference on the Recovery of Cultural Heritage from 16-18 June in Patan. The conference will address urgent issues of theft, illicit trafficking, the campaign to repatriate looted cultural artifacts, and explore how the return of sacred antiquities contributes to justice, healing, and reconciliation for communities and nations affected by cultural loss. American art crime professor Erin L Thompson and Saubhagya Pradhananga of the Department of Archaeology will deliver the keynote. Meanwhile, author and Nepali Times publisher Kunda Dixit will lead a conversation on Illicit Trafficking: Public Opinion and Role of Media with Erin Thompson, Amr Al Azm, associate professor of Middle East History and Anthropology at Shawnee State University in Ohio, as well as Bradley J Gordon, a lawyer based in Phnom Penh. There will be sessions looking at repatriation perspectives from Cambodia, India, Vietnam, China and Poland, international frameworks for repatriation, emerging digital technologies in the repatriation of cultural heritage, cultural property agreements, museums as well as trends in the art market, and heritage diplomacy and the role of media.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2025061211068_59cfccfa8f5d73bfe8b4c5811a7f53abc09ea04e8cb7c638933d62e5283efdf6.jpg" data-media-id="editor_2" data-image-id="2025061211068_59cfccfa8f5d73bfe8b4c5811a7f53abc09ea04e8cb7c638933d62e5283efdf6" data-rendition-name="original" width="1080" height="1350" loading="lazy" alt="Heritage recovery NT"> </figure>  <h2> </h2> Some of the other highlights include James K. Reap, a professor in the Master of Historic Preservation Program at the University of Georgia who has a session on the US response to illicit trafficking. Art historian Lea Saint-Raymond is taking on “Gods at Auction: The Market for Himalayan Artefacts”, while lecturer of criminology at the University of Glasgow Emiline Smith is delving into transformative approaches to heritage ownership and repatriation. Helena Arose of Antiquities Coalition and Melina Antoniadis of NOSTOS Strategies that specialise on the return home of cultural heritage as well as Hao Liu of International Cultural Heritage Law at the School of Law at Shandong University are some of the others attending. The Nepal Heritage Recovery Campaign was set up in 2020 to develop a coordinated movement to reclaim Nepal’s stolen gods and goddesses, with an aim to ensure that recovered items are returned to their original shrines, niches or sanctums. Ahead of the conference opening organisers have arranged for a film screening of Loot &amp; Return: 4 Documentaries at YalaMaya Kendra in Patan Dhoka between 14-15 June. Following the conference is a multimedia exhibition titled Absent Gods: Nepal’s Lost Heritage from 31 July to 4 August at Patan Museum.

Priceless paubha in Paris

While Nepal was hosting the Sagarmatha Sambaad international climate conference in Kathmandu this month, on Mt Everest it was pretty much business as usual.&nbsp; The signs of climate breakdown are all there: a river now runs through Base Camp in summer, the Khumbu Icefall is more unstable, and there are more &nbsp;frequent avalanches. When expeditions arrived in March, the mountains were bare: it had not snowed since September, but then blizzards dumped unseasonal snow in May. And despite climate worries, such is the pull of Himalayan mountaineering that the Everest Industry showed no signs of slowdown. More than 600 international climbers and their Nepali guides had made it to the summit of the world’s highest mountain. At one point there were an estimated 2,000 people in the tent city on the Khumbu Glacier. All the ropes and ladders on the Icefall came down on Thursday, marking the official end of the spring climbing season, and just in time to avoid a monsoon cyclone approaching from the Bay of Bengal. It has been an action-packed season. One factor could be that Everest fees will go up from September: each foreign climber needs to pay a $15,000 royalty, up from the present $11,000. The cost for a Nepali climber on the South Col route will also go up: from Rs75,000 to Rs150,000.&nbsp; The fee to climb Everest in autumn is $7,500 (up from $5,500), but most climbers still prefer spring. Winter permit fee (December-February) is only $3,750 per person and the mountain is now also open for monsoon (June-August) climbs, when the fee is ever lower at $2,750. The revised rule also makes it mandatory for every two climbers on an 8,000m peak to hire one Nepali mountain guide.&nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2025053004050_67f856fe52714e4bdcf21ae7d45c6f18c82117b9d0a5f73ed1efa04c96de1046.jpg" data-media-id="editor_0" data-image-id="2025053004050_67f856fe52714e4bdcf21ae7d45c6f18c82117b9d0a5f73ed1efa04c96de1046" data-rendition-name="original" width="931" height="732" loading="lazy" alt="The Everest Industry graph 1"> </figure>  In addition, climbers also have to pay for porters and guides, equipment, Base Camp costs, Ice Fall and fixed rope team fees, so climbing Everest does not come cheap. But such is the draw of climbing the world’s highest peak that some say the increased fees will not diminish the crowds next year. The government has tried to spread expeditions out to other seasons and other 8,000ers, but with not much success. Earlier this year, Nepal unilaterally increased the number of 8,000m peaks to 14 by adding six more sub-summits to broaden the choice for climbers. Added were: Yalung Kang (8,505m), Yalung Kang West (8,077m) &nbsp;Kangchenjunga Central (8,473m), Kangchenjunga South (8,476m), Lhotse Middle (8,410m) and Lhotse Shar (8,400m).&nbsp; The announcement could go against the accepted topographic criteria that a stand alone peak has to be at least 300m higher than an adjoining prominence, and at more than 3km isolation from it. The UIAA (Union Internationale des Associations d'Alpinisme) still recognises only 14 mountains as eight-thousanders, and only eight of those are in Nepal, or on the border with China. Nepal’s revised mountaineering regulations also increased the insurance coverage of high-altitude workers to protect porters and high altitude guides who usually take more risks on the mountains. Rescue teams and clean-up campaigners to collect trash and remove bodies of dead climbers up to Camp IV of Mt Everest do not need permits.&nbsp; The Sagarmatha Pollution Control Committee is now using drones to fly down trash in 20kg sacks. Each climber is also required to bring down at least 6kg of waste and not just their own, but this rule is erratically enforced. With five fatalities on Everest and Lhotse, Spring 2025 had a historically low death toll. Another five climbers died on Annapurna, Kangchenjunga and Makalu.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2025053004050_38681de22f0fefb6faa12b01755566d09c5064d0ff84e12ccc7b5d68ea9ba38a.jpg" data-media-id="editor_1" data-image-id="2025053004050_38681de22f0fefb6faa12b01755566d09c5064d0ff84e12ccc7b5d68ea9ba38a" data-rendition-name="original" width="665" height="740" loading="lazy" alt="The Everest industry graph 2"> </figure>  Journalist Ben Ayers who ran the Everest Live social media channel from Everest Base Camp with daily updates credited the low death rate to dramatic rescues of climbers from the ‘Death Zone’ by their Nepali guides and longline helievacs — the visuals all uploaded on YouTube.&nbsp; “Ironically, this perception of safety is bringing more and more inexperienced climbers to the mountain, and they need more rescues,” Ayers said in one of his dispatches.&nbsp; American expedition chronicler and summiteer Alan Arnette suspects there is a lot of under-reporting given that the jet stream and storms were lashing Everest even till late in the season. He told us: “I heard a lot about frostbite and rescues that were not made public. It’s become practically impossible to cover the details on Everest. All the teams report nice news, and they don’t talk about bad stuff to avoid hurting businesses.” Although trash on Nepal’s mountains makes headlines, what does not receive as much attention is the climate impact of so many expeditions. The Sagarmatha Sambaad conference sidestepped this issue, which is ironic given that the impact of climate breakdown is most evident on Himalayan peaks and their glaciers.&nbsp; <h2>Need for Speed</h2> The big stories this year have been about speed-running from their home cities to the top of Everest. Ukrainian entrepreneur Andrew Ushakov flew out of JFK on 15 May at 10:15AM Nepal time, and was on the summit 3 days, 23 hours, and 7 minutes later on 19 May at 9:22AM.&nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250601080640_1c5cc6fc991307861768f07037ed9d30930fb20f35dbb57dc31c9a92a9e1a885.jpg" data-media-id="editor_2" data-image-id="20250601080640_1c5cc6fc991307861768f07037ed9d30930fb20f35dbb57dc31c9a92a9e1a885" data-rendition-name="original" width="1440" height="1800" loading="lazy" alt="The Everest Industry"> <figcaption>Andrew Ushakov at the summt. Photo: ELITE EXPED</figcaption> </figure>  “I could never find the time for the traditional 40-50 days of acclimatisation,” Ushakov explained matter-of-factly. His ‘Everest Sea-to-Summit’ climb was possible because he spent 400 hours in hypoxic sleep tents over the past four years in New York. However, Ushakov did use ropes already fixed, hired four Nepali guides, helicoptered to Base Camp, and used much more oxygen than an average climber. And after the climb, Ushakov was arrested at Kathmandu airport for being in possession of $20,000 of undeclared cash and spent a night in jail and fined $60,000.&nbsp; The other speedsters were Garth Miller, Alastair Cairns, Anthony Stazicker, and Kev Godlington, all former British Army commandos. They left London and summited five days later on 21 May, and flew right back. They also used hypoxic tents to simulate the thin air high on Everest.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250601080644_90c8dd5cc07b4b43f2989b1dc0c0650ab80f10ebb06680c25a6909c519957bd8.jpg" data-media-id="editor_3" data-image-id="20250601080644_90c8dd5cc07b4b43f2989b1dc0c0650ab80f10ebb06680c25a6909c519957bd8" data-rendition-name="original" width="810" height="668" loading="lazy" alt="The Everest Industry "> <figcaption>All four members of the Furtenbach team at the summit. Photo: Sandro Gromen-Hayes</figcaption> </figure>  But more controversial was their use of xenon gas therapy in a German hospital to ramp up the production of oxygen-carrying haemoglobins in their blood. Xenon is banned by the World Anti-Doping Agency for being performance enhancing in sports. Expedition leader Lukas Furtenbach said this rule does not apply to mountaineering, as it is not a regulated sport like swimming. Nepal has no rules about xenon, but the Department of Tourism said it was launching an ‘investigation’ to decide on future policy since it is difficult to ban xenon, but allow oxygen. The controversy has also divided the mountaineering community, with some climbers saying they just want to maximise their chances of survival. Spending less time on the mountain could make climbing safer by reducing avalanche risk. It would also mean less trash on the mountains, but it would reduce the income of Nepal’s expedition industry. It is also unclear how much of the success was due to xenon therapy and whether the ex-special forces were already in good physical shape.&nbsp; The need for speed hides the fact that climbing in the Himalaya is dangerous business, and climbers cannot sprint to the top just by huffing xenon. But ultra-fast climbs could be charged more, and the revenue generated can be used to establish state-of-the-art rescue operations, and increase pay and insurance for guides. Two other speed chasers this season were Swiss-Ecuadorian Karl Egloff and American Tyler Andrews, both on Everest without oxygen. Andrews choppered to Base Camp to catch a weather window, but turned back from 8,500m due to high winds. Heavy snow and wind also forced Egloff to descend from 7,000m. Slow and steady climbers like Anja Blacha from Germany did make it to the summit without oxygen, while Kami Rita Sherpa broke his own record with his 31st Everest summit as he led a 26-strong Indian Army group. There were 468 permits issued for foreign climbers from 48 expeditions to Everest this spring. Nepal’s other eight-thousanders together had only 17 expeditions. Nepal has more than 1,000 peaks above 6,000m, and has opened only 476 of them for climbing.&nbsp;