The year is 2001, the place: somewhere in the city of Nirmal Pradesh in India. It is an auspicious day. A newly married couple takes leave from the bride’s house. The journey to the groom's village is an extended voyage that requires a boat, a bus, a train, and another bus ride. Right off the bat, viewers cannot help but draw relevance to Nepal. We have the same class and caste system. Women are bound by the patriarchal society that treats them as less than equal and takes away their life choices. The practice of dowry is still prevalent in these parts of the world.&nbsp; The only difference: we don’t have the extensive railroads like India. Back to the story: on the train compartment, our couple encounter two more newly married pairs, the brides similarly attired with a veil covering their faces. When the train reaches his station, the groom gestures for his wife to get off. &nbsp;Only after reaching the village— when his mother unveils his bride to the waiting family– does the groom realise that the woman he has brought along from the train is not his wife. Laapataa Ladies starts with this rather bizarre premise that can only happen in movies. But the presence of three brides– all donning bridal red, all veiled, all of them in the same train compartment– gives enough plausibility for the audience to be engaged. A satirical approach to the patriarchy and the deeply-rooted customs that have oppressed women, the film is a wittily crafted piece of art. Adapted from Biplop Goswami’s story Two Brides, director Kiran Rao has made Laapataa Ladies a story about how getting lost helps two women to find their individual selves. The character of Jaya (Pratibha Ranta)– who ends up getting off the train with the groom Deepak (Sparsh Shrivastav), &nbsp;and Phool Kumari (Nitanshi Goel)-- Deepak’s wife who gets left behind–are two ends of a spectrum. Phool is the idealistic daughter– bright-eyed, naive and proud of the homemaking skills she has been taught. Jaya, on the other hand, is what the patriarchy would label ‘rebellious’ because she would rather go to college than be married. While Phool is the kind of person to live within restrictions that forbid women from uttering their husbands’ name out loud, Jaya is defiant of such limitations.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20240619100624_adc3650769df398de6fe7f5730fe1150c30f7118cfef1c36907256bf214fd1ab.jpg" data-media-id="editor_0" data-image-id="20240619100624_adc3650769df398de6fe7f5730fe1150c30f7118cfef1c36907256bf214fd1ab" data-rendition-name="original" width="1668" height="1000" loading="lazy" alt="Laapataa Ladies review"> </figure>  Without celebrating any definition of what women have to be – either by conservative or progressive standards, the film centres around how the two women each navigate and make their own place in the patriarchal world. Apart from the simplistic storytelling, the film’s highlight is its portrayal of female relationships. In a world where many films are still about heroes and heroism, seeing women, women-led stories and the depth of their relationships is a rarity. And unlike how women are stereotypically portrayed in films to drag each other down, the film does just the opposite. Rao’s Laapataa Ladies is thus a breath of fresh air. The relationship Jaya and Phool develop individually with supporting female characters makes the viewer’s heart full, like the friendship that gradually flourishes between Jaya and Poonam, the eldest daughter-in-law of the house Jaya is not supposed to be in. Poonam has a knack for sketching but does not think much of it. It is Jaya who encourages her to draw and realise her potential. And while Poonam might never take up sketching professionally –that part is never dealt with within the film– that her skill was validated and appreciated is a meaningful detail. Meanwhile, everyday casual conversations that take place between the women in the film also have a deeper meaning. And though it is set in rural India, the issues the women face seem universal, especially to women across South Asia and the global south. A scene that stands out is a conversation between Manju Mai – who runs a food stall at the train station where Phool is stranded – and Phool. Phool is cooking for Manju Mai and when Manju asks if she would be okay cooking in a kitchen foreign to her, Phool replies, “As women, we are only taught to embrace a kitchen foreign to us”. Laapaata Ladies might come across as preachy at times, but aside from that, this two-hour-long film is a reflective, thought-provoking piece about women finding their place in the world. Laapaata Ladies is streaming on Netflix.

Pinki Sris Rana

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A tale of two brides in Laapataa Ladies

2023 was a year when the Marvel Cinematic Universe (MCU) and big blockbuster movie formula finally stopped bringing crowds to the cinema. It took the Barbenheimer cinematic event earlier this summer to revive the industry which has been on a constant slump post-pandemic. The second half of the year saw some exceptional films from across the world, most of which were overshadowed by the combo of Barbie and Oppenheimer. Here is a pick of some notable movies of the last few years ahead of the holiday season for you to enjoy over any number of your favourite streaming platforms. <h2>Barbenheimer (Barbie + Oppenheimer) </h2>  <figure><img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20231224071232_58f1fa1ac867739c65e877ed65833e907c811f42d4c5fe805aa1e27d900686b3.jpg" data-media-id="editor_0" data-image-id="20231224071232_58f1fa1ac867739c65e877ed65833e907c811f42d4c5fe805aa1e27d900686b3" data-rendition-name="original" width="1600" height="1200" loading="lazy" alt="2023 movies NT"></figure>  No 2023 film list would be complete without the obvious mention of Barbenheimer, the seemingly oxymoronic double bill of Greta Gerwig’s Barbie and Christopher Nolan’s Oppenheimer. Nolan’s epic stars Cillian Murphy as the “father of the atomic bomb”, Robert J. Oppenheimer, as the film takes the audience through quantum theory, Oppenheimer’s journey from struggling student to Los Alamos, and existential cold war anxiety. Rather than a dramatic reenactment, Oppenheimer feels like more of a character assassination, a meditation on the dangers of moral indecision, and the absurdity of power and those who wield it. With the reignition of nuclear anxieties most markedly triggered by Russia’s invasion of Ukraine, Oppenheimer is more than just a reflection but a warning. Oppenheimer’s monochromatic cinematography is in complete contrast to the burst of neon that is Barbie. However, remarkably, these films are not too dissimilar in that both are tinged with existentialism. Through various shades of pink, Gerwig tackles the question of what it means to be a woman in our modern society and the patriarchal pressures that distort women’s sense of self. It is unsubtle but smart, accessible yet witty. It is not an arthouse intellectualisation of the human experience but it does touch on pertinent themes, and more importantly, it is an incredibly fun watch. More than capturing the zeitgeist of our post-covid, late-stage capitalistic world, these films marked the return of cinema or rather catalysed the refound joy of cinema-going. <h2>The Boy and the Heron</h2>  <figure><img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20231224071228_d802632e263ee5cd8f8945ef02725a75cc2a65dab9f4d6d78e303aad10047925.jpg" data-media-id="editor_1" data-image-id="20231224071228_d802632e263ee5cd8f8945ef02725a75cc2a65dab9f4d6d78e303aad10047925" data-rendition-name="original" width="1000" height="1463" loading="lazy" alt="2023 movies NT"></figure>  A decade after announcing his retirement, acclaimed Japanese animator Hayao Miyazaki made an unexpected comeback to cinema this year with the release of The Boy and The Heron. Studio Ghibli’s latest masterpiece touches on familiar themes such as grief, the moral ambiguities of war, childhood memories, nostalgia, nature, and nationalism all presented via the prism of magical realism and mystery. A film that was almost certainly worth Miyazaki breaking his retirement for. <h2>Close </h2>  <figure><img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20231224071228_27085c2a3e391a0e5377e4321beababa814ad33d8260020fffdda7d43d33f003.jpg" data-media-id="editor_2" data-image-id="20231224071228_27085c2a3e391a0e5377e4321beababa814ad33d8260020fffdda7d43d33f003" data-rendition-name="original" width="2025" height="3000" loading="lazy" alt="2023 movies NT"></figure>  It is a heartbreakingly beautiful film that captures the tragedy that is the end of childhood naïvety and the silent dangers of societal norms and conformity. An overt description would fail to capture the poignant essence of this Belgian coming-of-age film which won the Cannes Film Festival Grand Prix. The rich cinematography and lush backdrop of flower fields perfectly balance the raw emotive performances, leaving a taste in the audience that is beyond bittersweet. <h2>All the Beauty and the Bloodshed </h2>  <figure><img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20231224071228_0573a0e0276c14541996b668086c2d5da6311ee149bfe0ce4eec973fdb0577f0.jpg" data-media-id="editor_3" data-image-id="20231224071228_0573a0e0276c14541996b668086c2d5da6311ee149bfe0ce4eec973fdb0577f0" data-rendition-name="original" width="1642" height="2461" loading="lazy" alt="2023 movies NT"></figure>  This gripping Oscar-nominated documentary follows Nan Goldin, one of the greatest photographers of the last century, and her battle to hold the Sackler family accountable for their complicity in the American opioid epidemic. Goldin herself narrates the film as she recounts her dysfunctional childhood, her journey through New York’s underground scene, the fight against AIDS, and her struggles with opioid addiction. This film is poignant yet empowering and a strong reminder of the often-forgotten power of an individual’s courage and community pride. <h2>Wes Anderson’s adaptations of Roald Dahl</h2>  <figure><img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20231224071228_5f544b7b89ba58c09565e3905fa47473a3bfd58890aee6ae888807930d7d0646.jpg" data-media-id="editor_4" data-image-id="20231224071228_5f544b7b89ba58c09565e3905fa47473a3bfd58890aee6ae888807930d7d0646" data-rendition-name="original" width="462" height="699" loading="lazy" alt="2023 movies NT"></figure>  Netflix was graced by Wes Anderson’s quartet of reimagining of Road Dahl’s lesser-known short stories. Wes Anderson and Roald Dahl can only be described as a perfect match with Anderson’s eccentric yet measured style perfectly capturing the ridiculousness that is the crueler side of humanity. These full-bodied featurettes may be short but they are far from sweet. <h2>Cairo Conspiracy (Boy from Heaven) </h2>  <figure><img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20231224071236_08f7cd05a6a1fa6a7a9553229591b2ac6aae2f3d4b33108932597b188c374934.jpg" data-media-id="editor_5" data-image-id="20231224071236_08f7cd05a6a1fa6a7a9553229591b2ac6aae2f3d4b33108932597b188c374934" data-rendition-name="original" width="1920" height="2560" loading="lazy" alt="2023 movies NT"></figure>  This Palme d’Or nominated, Arabic political thriller is a co-production between Sweden, France, and Finland, and follows the naïve son of a village fisherman as he is unwillingly made a pawn in a political-religious power game for the future of Egypt after being accepted to study at the prestigious Al-Azhar University. This film is beautiful and gut-wrenching making it clear why it won the best screenplay at Cannes. <h2>Past Lives</h2>  <figure><img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20231224071228_f739b85eca6b3768f19dbf4f062e9c91d62e99583344b17aa6862129c6a94e96.jpg" data-media-id="editor_6" data-image-id="20231224071228_f739b85eca6b3768f19dbf4f062e9c91d62e99583344b17aa6862129c6a94e96" data-rendition-name="original" width="972" height="1440" loading="lazy" alt="2023 movies NT"></figure>  Celine Song’s A24-produced directorial debut took the film world by storm this summer and for very good reason. It follows childhood sweethearts Na-young (Nora) and Hae-sung who reunite years after Na-young’s emigration to North America. In some ways this “What if?” film is very much reminiscent of Linklater’s “Before Sunrise” but is also a meditation on cultural identity, memory, nostalgia, and migration. A must-watch. <h2>L’immensita (The Immensity) </h2>  <figure><img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20231224071228_742f8454c3e18560e2bd2c570491cacc9755607500df7fd6a1b9587e82800d3f.jpg" data-media-id="editor_7" data-image-id="20231224071228_742f8454c3e18560e2bd2c570491cacc9755607500df7fd6a1b9587e82800d3f" data-rendition-name="original" width="2764" height="4096" loading="lazy" alt="2023 movies NT"></figure>  Penelope Cruz stuns in this turbulent Italian drama. While this film touches on pertinent issues such as gender dysphoria, sexism, abuse, and gentrification, it is more of a demonstration of the strength of a mother’s love and the power to embrace unconformity even if it requires sacrifice. L’immensita is heartbreaking but joyful and Cruz’s performance is truly a tour de force. <h2>Kathal </h2>  <figure><img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20231224071228_b9aa000d50b1d5deb28577f9a7c2f6f647f9675d163db692ae6138198f96c03b.jpg" data-media-id="editor_8" data-image-id="20231224071228_b9aa000d50b1d5deb28577f9a7c2f6f647f9675d163db692ae6138198f96c03b" data-rendition-name="original" width="450" height="630" loading="lazy" alt="2023 movies NT"></figure>  Kathal (Hindi word for Jackfruit) is a Netflix-produced Indian satirical comedy film that follows a small-town police inspector as she investigates the missing Jackfruits of a local politician. This lighthearted film is more than just a quirky comedy and elegantly touches on prevalent issues including corruption, caste discrimination, gender inequality, fake news, and class dynamics.

Reel Rendezvous

<figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221109111152/636b866d9c7e80680e067853jpeg.jpg" alt="" width="1500" height="817"/><figcaption></figcaption></figure>Scroll, scroll, scroll your mouse, gently down the screen. Merrily, merrily, merrily, merrily, life is but a scene.Ever since the first lockdown, <a href="https://www.nepalitimes.com/here-now/nepals-qfx-cinema-needs-a-happy-ending/" target="_blank" rel="noopener noreferrer">cinemas have remained mostly shut</a>. Movies did return to our lives with a bang – but with a deep “ta-dum!” and that dramatic red N on the monitor.Enter <a href="https://www.netflix.com" target="_blank" rel="noopener noreferrer">Netflix</a>: our quarantine companion, late-night friend and biggest supporter of procrastination, with its ‘next episode’ auto-plays and daily notifications of the movie or new season.After getting disenchanted by regular cable tv and learning about how entertainment has moved to OTT (over-the-top) media platforms that thrive on a strong Internet connection, we started asking our friends and relatives living abroad to share their Netflix account with us, so that we could enjoy entertainment that our rupee couldn’t afford. They willingly or unwillingly obliged.But now, with the new $500 allowance per credit card per year from a Nepali bank, you can independently purchase your own memberships to multiple streaming platforms, offering endless entertainment at your fingertips, with remote controls that now come with bright red built-in ‘Netflix’ buttons. This button is proof that tv viewing has changed forever.Back in 1997, Netflix started as a simple DVD-by-mail rental service. In 2007, it launched a movie streaming service, which led to a cultural explosion that turned it into the biggest international streaming giant, with more than 207 million members who pay decent money for unlimited access to quality movies and tv series every month.Users pay from $8.99 (single screen streaming) to $15.99 (up to 4 screens per account at a time) per month for curated feeds that are designed to intuitively offer content that are suited to your personal taste, based on your viewing history.Netflix used to be exclusively for watching movies, but lately it strategically shifted its focus to tv and web series, investing billions of dollars in original content, including record-breaking shows like <a href="https://www.imdb.com/title/tt6468322/">Money Heist</a>, <a href="https://www.imdb.com/title/tt5071412/" target="_blank" rel="noopener noreferrer">Ozark</a> and <a href="https://www.imdb.com/title/tt2442560/" target="_blank" rel="noopener noreferrer">Peaky Blinders</a>.Netflix also bought 83 hours of <a href="https://www.imdb.com/title/tt0108778/" target="_blank" rel="noopener noreferrer">Friends</a>, episodes of which people across ages enjoy watching on repeat, along with other popular programs that people used to follow on traditional box tv sets.There are also award-winning documentaries like <a href="https://www.netflix.com/title/81045007" target="_blank" rel="noopener noreferrer">My Octopus Teacher</a> and one-hour comedy specials like Hannah Gadsby’s <a href="https://www.netflix.com/np/title/80233611" target="_blank" rel="noopener noreferrer">Nanette</a>. Additionally, Netflix offers offline viewing, a feature that is precious to those who want to plan their binge-watching when travelling or entering areas without WiFi.Besides Netflix, there are a few others worth spending on, but in Nepal we may require a VPN to view some of these. <a href="https://www.amazon.com/Movies/b?ie=UTF8&amp;node=2649512011" target="_blank" rel="noopener noreferrer">Amazon</a> is at a similar price point, and trying to beat Netflix’s movie collection with its own. Amazon charges $8.99 per month for a Prime Video membership without any additional Amazon shopping perks.For premium movies, Prime requires you to rent or buy them separately. Currently, Prime Video has roughly 24,000 movies and over 2,100 shows under its belt. Prime also offers select content in 4K Ultra HD quality, making investing in a 55-inch LED Smart TV totally worth it.<a href="https://www.amazon.com/Movies/b?ie=UTF8&amp;node=2858905011" target="_blank" rel="noopener noreferrer">Prime Video</a> is compatible with all browsers and devices, but the best part is, it offers a 30-day free trial (credit card required) so you can explore all you want before investing in it. From Amazon original award-winners like the latest <a href="https://www.amazon.com/Sound-Metal-Riz-Ahmed/dp/B08KZCFW1C" target="_blank" rel="noopener noreferrer">Sound of Metal</a> to all-round entertainers like the classic whodunnit <a href="https://www.imdb.com/title/tt8946378/" target="_blank" rel="noopener noreferrer">Knives Out</a> and everybody’s beloved <a href="https://www.amazon.com/T-Extra-Terrestrial-Henry-Thomas/dp/B009GN6DT4" target="_blank" rel="noopener noreferrer">E.T.</a>, Prime makes sure that once you’re in, you will not run out of movies to enjoy.While Amazon Prime is popular in South Asia, <a href="https://www.hulu.com/welcome?orig_referrer=https%3A%2F%2Fwww.google.com%2F" target="_blank" rel="noopener noreferrer">Hulu</a> ranks second-best in the USA. Hulu’s most basic plan costs $5.99 a month, but without ads it is double. For those with deeper pockets, there’s also Hulu Live TV, a premium service with 60 channels that offer sports, news and entertainment, along with standard content for streaming. Grey’s Anatomy, Modern Family, The Simpsons, Seinfeld, Homeland and American Idol are just some of the hit TV shows that you can happily binge-watch on Hulu, which is more oriented towards TV viewers than movie fanatics. The one downside is that Hulu only allows two streams from the same account at the same time, making it difficult for an entire family to share.The ultimate family-friendly streaming platform is probably <a href="https://preview.disneyplus.com/unavailable/" target="_blank" rel="noopener noreferrer">Disney Plus</a>, with movies only up to PG-13 ratings, further emphasising that its focus is on kids’ entertainment. If you are a Marvel movie fan, Star Wars nerd or animated movie enthusiast, this OTT platform is perfect for you. Pixar movies and theatrical productions are also in Disney’s kitty, but it is the Disney classics in its vault (including The Little Mermaid, The Jungle Book, Aladdin and the new age favourite Frozen) that make it a no-brainer for anybody with children. All this for just $7.99 a month, with full access to its library and no ads.Another platform that is clearly aiming for family audiences is <a href="https://www.apple.com/tv/" target="_blank" rel="noopener noreferrer">Apple TV</a> Plus, with a very small content library of over 30 Apple Originals, a variety of content across genres. Apple TV Plus has a fairly generous family sharing plan, allowing up to six family members to use the same account. Even better, they can use their own logins, so you can quietly keep your embarrassing password to yourself.Despite being a big brand, Apple is aggressively pricing its OTT platform at just $4.99 a month. Apple spends on quality, backing big budget productions that provide fresh, original content only, such as the Jennifer Aniston-starrer The Morning Show.Apple hasn’t yet convinced audiences with mind-blowing content yet, but cross-product sales offers do help increase its subscriber base; within 3 months of purchasing a new iPhone, you can avail the offer of a one-year free Apple TV Plus membership.There is one tiny inconvenience: besides Netflix and Amazon Prime Video, which can be accessed from Nepal, the rest of streaming platforms listed above can only be accessed via VPN, so before subscribing to them, you might want to consider spending $5 per month on average on a high-performance VPN (Virtual Private Network).A VPN is beneficial even for Netflix and Amazon Prime viewers because it gives access to a slightly different, wider content feed that, say, viewers in the USA get to see.What exactly does a VPN do? It connects you to a proxy server, becoming an intermediary between your device and the Internet and successfully hiding your IP address so that you can view content that is not accessible to Nepal or the region. VPNs let you break through geoblocks and keep your real location protected, so you can get your hands on all kinds of content, apps and services across borders with unlimited bandwidth. Exciting, indeed!The most highly recommended one that offers good value for money is <a href="https://www.expressvpn.com" target="_blank" rel="noopener noreferrer">ExpressVPN</a>, the top-rated VPN of the year 2021. ExpressVPN has thousands of servers across 94 countries that ensure smooth, lightning-fast streaming and excellent data security. Moreover, 30-day money-back guarantee also makes it a risk-free decision. Other excellent VPN options for Nepali users to explore are <a href="https://nordvpn.com" target="_blank" rel="noopener noreferrer">NordVPN</a> (best budget option), <a href="https://privatevpn.com" target="_blank" rel="noopener noreferrer">PrivateVPN</a> (most secure connection), <a href="https://surfshark.com" target="_blank" rel="noopener noreferrer">Surfshark</a> (rising in popularity), <a href="https://www.cyberghostvpn.com/en_US/" target="_blank" rel="noopener noreferrer">CyberGhost</a> (best for beginner users) and <a href="https://www.ipvanish.com" target="_blank" rel="noopener noreferrer">IPVanish</a> (great for HD streaming).THIS WEEK ON NETFLIXIf you want to dive deep into a movie and feel every moment: <a href="https://www.imdb.com/title/tt5727208/" target="_blank" rel="noopener noreferrer">Uncut Gems</a>, an Oscar-worthy performance by Adam Sandler that makes you sweat, stress and worry as much as the rich, shady characters of the diamond district of New York, shown in the movie.If you want an animated movie that takes you on a fun family adventure: <a href="https://www.imdb.com/title/tt7979580/" target="_blank" rel="noopener noreferrer">The Mitchells vs. the Machines</a>, a Sony Pictures production that gives solid competition to Disney and Pixar with its lovable wannabe filmmaker teenager Katie. Shoutout to her technologically challenged dad, who is, let’s face it, all our dads.If you love a bittersweet dramedy that tells the story of a dysfunctional family through realistic, intelligent writing and relatable adult characters: <a href="https://www.imdb.com/title/tt5536736/" target="_blank" rel="noopener noreferrer">The Meyerowitz Stories</a>, directed by Noah Baumbach of Marriage Story fame. Watch Dustin Hoffman play the father’s role with panache.If you want to get inspired by excellent salesmanship (with questionable ethnics) and enjoy the story of how Ray Kroc made McDonald’s the biggest, most successful burger chain in America: <a href="https://www.imdb.com/title/tt4276820/" target="_blank" rel="noopener noreferrer">The Founder</a>, starring Michael Keaton as a conniving business fox, based on a true story.If you like the idea of a French movie that is funny and far from sophisticated or depressing: <a href="https://www.imdb.com/title/tt6857988/" target="_blank" rel="noopener noreferrer">I Am Not an Easy Man</a>, an out-and-out comedy led by a shameless chauvinist who has a tough time navigating his life when he wakes up to a world where women and men have reversed gender roles and the changed power dynamics make for an entertaining watch.If you miss watching a thrilling Bollywood movie at the movie theatres: <a href="https://www.imdb.com/title/tt7212754/" target="_blank" rel="noopener noreferrer">Ludo</a>, featuring a brilliant cast (Abhishek Bachchan, Aditya Roy Kapur, Rajkumar Rao, Pankaj Tripathi, etc.) that intertwines four totally different stories bound by fate, chance and crime.

Saniaa Shah

How to Netflix and stay safe during lockdown

<img width="640" height="361" src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221108101152/636a26df9c7e80680e043a3cjpeg.jpg" alt=""/>Rap music entered the subcontinent’s musical firmament decades ago, but its essence has never been as well encapsulated as in the new Bollywood film, Gully Boy, that is in cinemas in Kathmandu this week.Right at the outset, protagonist Murad (Ranveer Singh) points out what contemporary Indian rap sounds like: “What kind of song is this? Look, this is my car! Look, this is my girl! Look at all this gold I have!” Yes, those are the rap songs we usually see from the likes of singers like Yoyo Honey Singh in most Bollywood songs.Gully Boy, however, takes us to the origins of rap, born from a need to express and to seek release from pain and suffering, from the need to stay honest and sane in a fake world, a need to seek your own centre in the constant glut of sensations that the world throws at you.It starts with the eponymous Gully Boy Murad (meaning ‘wish’, cleverly named) who lives in a slum with his extended family, just as his father brings home a second wife who is closer in age to him than his father. Murad goes to college so that he does not have to become a chauffeur like his father. But disturbed by everything he sees around him, he writes poetry at night, and is touched one day when he sees a rapper perform the kind of songs he writes.The rest of the movie is more or less predictable, but still a heartwarming tale of his eventual success as a rapper. What makes this movie watchable are the typically Indian characters, and very relatable across South Asia. The one who stands out is Shrikant aka Sher (Siddhant Chaturvedi) who essays the role of Murad’s mentor with the confidence of a seasoned performer, and not the newcomer that he is. Safeena played by Alia Bhatt is another instantly memorable character. Bhatt turns the role of a supportive girlfriend, a role that may have passed in the blink of an eye, into a fiery portrait of a millennial woman. She is studious, but also adventurous. She loves her parents, but does not hesitate to lie to them when she is going out with her boyfriend. She is smart, and keeps her own communication apps well hidden as she outs another girl who is flirting with her boyfriend. Murad and Safeena’s childhood sweethearts may seem too romanticised and unrealistic in other parts of the world. But not here in South Asia, where everyone is familiar with the game of cat and mouse with family, and sneaky ways to hang out. Meanwhile, the movie also manages to portray what life in Mumbai’s slums actually look like. Murad lives in a cramped loft of a two-room shed, and counts among his friend people who steal cars and deal with drugs. Director Zoya Akhtar’s last movie, the glitzy Dil Dhadakne Do that lacked an engaging story, had fallen flat both commercially and critically, and she had almost been slotted into a rich-world storyteller. With Gully Boy, she proves her versatility and her ability to mine all kinds of social strata. Ultimately, the movie succeeds in showing what rap means in India. For those who are alien to the genre and think rap is about ranting whatever comes to the mind (‘JPT’ in Nepali cyberlingo) Sher (meaning ‘couplet’, another clever name) gives a lecture about the centrality of poetry and rhythm in rap. Sher’s constant mentoring, and Murad’s incessant practicing, also break the myth that stars are born. Instead, it shows how much hard work it takes to be good at what you want to do. One of the most memorable scenes is when Murad is arguing with his father about his dreams, and breaks into rhythm naturally, as if he had internalised it with constant practice. Such poetry fills every moment of our lives, and we only need to open our eye and ears to see and hear them. Gully Boy reminds us how each of us have stories to tell, and if we do not tell them, we may just explode. Ultimately, it is a celebration of the human need to spell out our feelings in the form of art, so that we can connect with each other.https://www.youtube.com/watch?v=JfbxcD6biOk

Gully Boy

Fenerbahçe Beko won the Turkish Airlines EuroLeague finals in Abu Dhabi, held 23-25 May, defeating Monaco 81-70 in the final. Olympiacos, who defeated Panathinaikos 97-93, finished the series in third place. The Most Valuable Player (MVP) of the final match, Nigel Hayes-Davis from Fenerbahçe Beko, received a prize of 1,000,000 Miles&amp;Smiles from Turkish Airlines’ Chief Commercial Officer Ahmet Olmuştur. The carrier has been the title sponsor of the Turkish Airlines EuroLeague, a top tier tournament, since 2010.

Turkish Basketball

In the black and white photograph, General Wangdu smiles broadly in front of the dusty cactus garden in Kathmandu’s Annapurna Hotel. With an ill-fitting jacket and shaggy hair he looks benign enough, but this was the last leader of the Tibetan freedom fighters who led the resistance against the Chinese from their remote mountain hideouts in <a href="https://nepalitimes.com/here-now/comings-and-goings-in-mustang">Mustang</a>. Five months later, Wangdu was dead. Snapped in March 1974, I had only recently arrived in Nepal. How did I meet this legendary fighter? Possibly with his devoted camp follower, Lynne Klapecki, and probably in the Om Restaurant near Freak Street which was the preferred <a href="https://nepalitimes.com/banner/hippie-trail-nostalgia-in-kathmandu">hippie hang-out</a>. Om Lobsang and his brother Yeshe were <a href="https://archive.nepalitimes.com/page/earthquake-brings-back-memories-of-camps-for-tibetan-refugees">refugees from East Tibet </a>whose cafe offered a friendly welcome and<a href="https://nepalitimes.com/multimedia/momo-loco"> the best momos</a> - they became my in-laws after I married their eldest brother Tenzin, but that was a decade later.&nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2025052403054_4573b34282b0f5395c007243d6bef12c7ba76bfd520419e994cdcea048d795a1.jpg" data-media-id="editor_4" data-image-id="2025052403054_4573b34282b0f5395c007243d6bef12c7ba76bfd520419e994cdcea048d795a1" data-rendition-name="original" width="1000" height="1583" loading="lazy" alt="The last days of the Khampa NT"> <figcaption>Photo: LISA CHOEGYAL</figcaption> </figure>  Wangdu’s English was enthusiastically rudimentary, but even riding around town with him on the back of an aging <a href="https://nepalitimes.com/here-now/kathmandu-s-new-motorbike-museum">motorbike</a>, he was a commanding presence. Always flanked by armed outriders, impressive scars marked his forearms and a pistol hung from the cord around his neck. A charismatic guerrilla leader, Wangdu was celebrated by his followers for his tough commitment and respected for his measured pragmatism. He seemed so young to have shouldered such a responsibility of command, leading hundreds of hardened <a href="https://archive.nepalitimes.com/article/nation/50-years-after-the%20raid-into-Tibet,1012#google_vignette">Khampa combatants </a>through what had been a particularly <a href="https://nepalitimes.com/news/heavy-snowfall-over-nepal-himalaya">brutal winter in Mustang</a>, the last bastion to hold out against the Chinese invasion of their Tibetan homeland.&nbsp; The freedom fighters of Tibet, known as the Chushi-Gangdruk, had emerged to resist the <a href="https://nepalitimes.com/editorial/territorialism">Chinese takeover</a> of Tibet during the 1950s. Estimated to be 80,000-strong at the time of <a href="https://nepalitimes.com/here-now/what-or-who-after-the-dalai-lama">the Dalai Lama</a>’s final escape to India in 1959, the sheer number of Chinese deployed into Tibet eventually forced the Chushi-Gangdruk to retreat to Mustang, From this high Himalayan stronghold, they continued cross-border raids on the Chinese People’s Liberation Army (PLA) throughout the 1960s.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2025052403054_8a4a935ba25ae79dc3a63bb5c14626927020e5ec098093c45ccb9a5982e009fd.jpg" data-media-id="editor_10" data-image-id="2025052403054_8a4a935ba25ae79dc3a63bb5c14626927020e5ec098093c45ccb9a5982e009fd" data-rendition-name="original" width="1114" height="676" loading="lazy" alt="The last days of the Khampa NT"> <figcaption>Guerrillas known as the Chushi-Gangdruk emerged to resist the Chinese annexation of Tibet during the 1950s. Photo courtesy: MIKEL DUNHAM</figcaption> </figure>  Their Kathmandu base was a small discreet lodge in a back lane near Rani Pokhari. Sipping sweet tea from a blue mug with a chipped lid, I sat bemused in a corner of the Mustang Hotel room whilst Wangdu and his cohorts received a battered brown suitcase from their CIA connection, a tousle-haired American in a leather jacket. Heaved onto the dingy bedspread that covered the thin mattress, it was clicked open to reveal piles of neatly stacked dollar bills.&nbsp; I cannot think why Wangdu allowed me to witness this handover but I was clearly no threat, a newly arrived world traveller with no understanding of the stakes nor any Nepali or <a href="https://nepalitimes.com/multimedia/tibetan-music-in-nepals-sacred-valley">Tibetan language</a>. Despite armed guards in the corridor,Wangdu radiated confidence and bravado, and there was a practiced familiarity to the tense transaction. This deadly dance for many years had been funded by the Americans, tolerated by <a href="https://nepalitimes.com/here-now/the-kingdom-within-a-republic">Mustang’s residents</a>, and permitted by King Mahendra and the Nepali authorities who it suited to turn a blind eye.&nbsp; But Mahendra died in 1972, and times were changing. Richard Nixon’s ping-pong diplomacy thawed the cold war and signalled a fresh entente with China. Nepal’s yet-to-be-crowned <a href="https://nepalitimes.com/here-now/if-birendra-was-alive-nepal-could-still-be-a-monarchy">King Birendra </a>was under pressure to curb the irritating incursions against the PLA launched from the Nepali territory of Mustang. Keen to appease his northern neighbour, on several occasions the King summoned Wangdu for peace talks but, despite increasingly overwhelming odds, Wangdu refused to surrender.&nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2025052403054_a8efd5cfb92cd997bd7cb74296a936fef46e2f7428f9cd642b03f1ac4ea11ecb.jpg" data-media-id="editor_14" data-image-id="2025052403054_a8efd5cfb92cd997bd7cb74296a936fef46e2f7428f9cd642b03f1ac4ea11ecb" data-rendition-name="original" width="1055" height="885" loading="lazy" alt="The last days of the Khampa NT"> <figcaption>General Wangdu flanked by two Tibetan resistance fighters in Mustang in the 1970s. Photo courtesy: MIKEL DUNHAM</figcaption> </figure>   <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2025052403054_75969125a745847a2ef82b6fe8b9106c0b21a116d85b8efdf5d2ee89a347bb31.jpg" data-media-id="editor_15" data-image-id="2025052403054_75969125a745847a2ef82b6fe8b9106c0b21a116d85b8efdf5d2ee89a347bb31" data-rendition-name="original" width="1044" height="792" loading="lazy" alt="The last days of the Khampa NT"> <figcaption>King Birendra with General Wangdu (right in dark glasses) taken in 1974 possibly in Mustang after one of their few attempts at negotiation. Photo courtesy: RAJRNDRA KUNWAR</figcaption> </figure>  While I naively rode pillion around Kathmandu in the spring sunshine, Wangdu was in the midst of what turned out to be his final round of negotiations with the Nepal government. Refusing to cease hostilities with the Chinese, Wangdu must have suspected the cost of his decision, making his cheerful smile in the photograph all the more poignant and brave. It was only much later that I appreciated the significance of the moment. Wangdu had been sent to replace the first resistance leader in Mustang, Baba Gen Yeshe, a much derided corrupt character who stole money meant for his troops and exploited fleeing refugees by seizing their treasures. Baba Gen Yeshe never forgave Wangdu,and sought revenge in May 1974 by betraying him and his commanders to the Nepal authorities. Renewed Chinese incursions from the north, active PLA collusion with the Nepali forces under the new King, and treachery from within the Chushi-Gangdrukranks combined to seal their fate.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2025052403054_e0987a7c90d76431b0d7d5e6115ebfe3dbda7ab939e5941e079c18d722e884c0.jpg" data-media-id="editor_16" data-image-id="2025052403054_e0987a7c90d76431b0d7d5e6115ebfe3dbda7ab939e5941e079c18d722e884c0" data-rendition-name="original" width="1400" height="769" loading="lazy" alt="The last days of the Khampa NT"> <figcaption>British television journalists George Patterson and Adrian Cowell embedded themselves with Khampa guerrillas and accompanied them from Tsum Valley on a cross border raid on a Chinese Army convoy in 1964. Photo: ESSAYS ON NEPAL / SAM COWAN</figcaption> </figure>  Mikel Dunham, renowned author of Buddha’s Warriors, writes: ‘It is possible that Wangdu was waiting for some cue from the Dalai Lama’s government-in-exile in Dharamsala, India. It is equally possible – during that last, <a href="https://nepalitimes.com/multimedia/the-human-cost-of-nepal-s-yarsa-gold-rush?fbclid=IwZXh0bgNhZW0CMTEAAR31-Cqw8oyIwMPzf_35e4Skr0ululJvLf3_vDkzHn-AYG2h8uPw2rqqErg_aem_tGVn5coY1-jA7fze_xqhew">desolate winter </a>– that he made the decision to go out in glory rather than admit defeat. Over the last fifteen years, Wangdu had experienced Tibet’s organized resistance being squeezed and shoved around by every conceivable outside force.&nbsp; First they had been pushed out of their own country by the PLA; then they had been refused sanction while on <a href="https://nepalitimes.com/opinion/borderlines/nepal-india-trans-boundary-bonds?fbclid=IwAR0PpJ5zUEbwdug3g_U3ar6FUugngRY0S8Tl2v_7wqzrsHmXWcXsKjvL4t4">Indian soil</a>; then they were abandoned by the Americans because, apparently, Nixon wanted to make friends with Wangdu’s mortal enemies, the communists; then they had been betrayed by the vampiric Baba Gen Yeshe – a Tibetan and, even worse, a fellow Khampa; and now, finally Wangdu’s army was being evicted by the Nepalis. One thing was certain: Wangdu was a warrior. To imagine Wangdu simply giving up and settling down in the pacific squalor of a <a href="https://nepalitimes.com/here-now/elderly-left-in-bhutan-refugee-camp">refugee camp </a>was unthinkable.’  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2025052403054_8fc1ffef4ae751628b90ae781b66e11e51e4fdde2787207c9042efbee345ce49.jpg" data-media-id="editor_20" data-image-id="2025052403054_8fc1ffef4ae751628b90ae781b66e11e51e4fdde2787207c9042efbee345ce49" data-rendition-name="original" width="500" height="746" loading="lazy" alt="The last days of the Khampa NT"> <figcaption>The much derided Baba Gen Yeshe, the first Tibetan resistance leader in Mustang, who betrayed Wangdu for personal gain. Photo courtesy: MIKEL DUNHAM</figcaption> </figure>   <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2025052403054_b1d833cdb00d3ac4416b844d8730475cd88c238caaaf8da69889a584eea229a3.jpg" data-media-id="editor_21" data-image-id="2025052403054_b1d833cdb00d3ac4416b844d8730475cd88c238caaaf8da69889a584eea229a3" data-rendition-name="original" width="500" height="656" loading="lazy" alt="The last days of the Khampa NT"> <figcaption>Aditya SJB Rana of the Royal Nepal Army whose team ambushed Wangdu and his cohorts at the top of Tinker Pass in Darchula, West Nepal. Photo courtesy: GAUTAM SJB RANA</figcaption> </figure>  By August 1974 the game was up. Wangdu and six of his exhausted party were killed on their horses by <a href="https://archive.nepalitimes.com/news.php?id=7270">the Royal Nepal Army</a> on the brink of escape. The officer in charge, Aditya SJB Rana, cleverly predicted their route into India after they failed to silence a police radio in Yari. A carefully laid ambush trapped them near the summit of the Tinker Pass in Darchula,at 5,000 meters the highest military operation of its time. Wangdu’s body was helicoptered to Kathmandu, and a big show made of the royal Nepal victory.&nbsp; The Tibetan armed insurgency against China had reached its end.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250524030520_3ff9c6fc85a65bc9a2c3afe9736d9f5f9413de752e790a5d9dca0981ea94f9b4.jpg" data-media-id="editor_23" data-image-id="20250524030520_3ff9c6fc85a65bc9a2c3afe9736d9f5f9413de752e790a5d9dca0981ea94f9b4" data-rendition-name="original" width="1136" height="702" loading="lazy" alt="The last days of the Khampa NT"> </figure>

The Last Days of the Khampa

Starting 17 September Turkish Airlines will fly daily to Seville, one of Spain’s major tourist draws. This is Turkish’s sixth destination in Spain after Madrid, Barcelona, Valencia, Malaga, and Bilbao. Seville is in the Andalusia region on Spain’s south coast with a rich Moor history. There are approximately 30,000 Nepalis living in Spain.&nbsp;

Turkish to Seville

The newly-formed Himalayan Art Council is set to launch Nepal’s National Art Protection Platform that seeks to preserve <a href="https://nepalitimes.com/banner/the-history-of-heritage">Nepal’s unique cultural heritage </a>using<a href="https://nepalitimes.com/here-now/artificial-censorship"> AI-powered tools</a>. The Council seeks to safeguard <a href="https://nepalitimes.com/banner/nepali-art-going-places">Nepali art works</a> from neglect, theft and counterfeiting as well as preserve existing artwork and celebrate living masters by giving them a cultural space to continue the <a href="https://nepalitimes.com/banner/sacred-survival">sacred art traditions</a>. "We are introducing a new digital platform designed to preserve, verify and elevate <a href="https://nepalitimes.com/banner/nepals-new-generation-of-alternative-artists">Nepal’s art for generations to come,</a>” says a statement from the Council, adding that the digital platform will use AI told for authentication and blockchain to keep track of works of art. Artists can now be protected by <a href="https://nepalitimes.com/multimedia/ayo-ai?fbclid=IwAR1uwmTVq4gUB70ljfRezjzukD9ArWXPuMnUikopeQ8PoiZMjicToPSwhKE&amp;=1">AI tools</a> that detect forgeries, identify their work even when unsigned, and ensure they receive proper recognition and credit. The archives will be searchable with translated inscription and interactive guides. Says curator Meena Lama: “AI and blockchains are tools that give us the power to detect fakes and identify unsigned paintings and track every piece. With these tools we can restore trust, secure authorship and give artists the dignity they deserve.”  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250514170544_2ab58f6313c0458f75114a692b0016bd9efb3b59d5f8f07f0da72e1e37b82f53.jpg" data-media-id="editor_6" data-image-id="20250514170544_2ab58f6313c0458f75114a692b0016bd9efb3b59d5f8f07f0da72e1e37b82f53" data-rendition-name="original" width="1300" height="1000" loading="lazy" alt="Artwork at the Traditional Art Exhibition at Patan Museum."> <figcaption>Artwork at the Traditional Art Exhibition at Patan Museum.</figcaption> </figure>  The Council is also holding an exhibition of Nepali cultural masterpieces with 50 historical <a href="https://archive.nepalitimes.com/article/Nepali-Times-Buzz/Buzz-the-art,671">thangka and paubha </a>by past masters and <a href="https://nepalitimes.com/review/between-the-sacred-and-everyday">contemporary works by current artists</a>. This curated collection is a living tribute to <a href="https://nepalitimes.com/here-now/when-yaks-go-so-does-culture">Himalayan culture</a> with economic depictions of deities, mandala and sacred narratives. The exhibition at <a href="https://nepalitimes.com/multimedia/a-portal-into-patan-s-past-and-present">Patan Museum</a> also provides an opportunity to meet painters and custodians of art and culture. Read also: <a href="https://nepalitimes.com/review/golden-deities">Golden deities</a>, Sewa Bhattarai ‘The exhibition is only the first step in a long journey to ensure that Nepali art is no just seen but fully understood, <a href="https://archive.nepalitimes.com/article/nation/Narratives-of-Faith-and-Memory-Remembering-the-Lost-Sculptures-of-Kathmandu-exhibition,987">protected and remembered</a>,’ the Council says. Artist Kailash K Shrestha of Artudio has spent decades promoting thankha and paubha traditions because of their beauty and devotional meaning. But he also says artists are underpaid, exploited and ignored. He adds, “AI and blockchain are not just buzzwords, they are powerful tools that can protect Nepal’s artists from fraud, verify authenticity and build a permanent record of provenance.” Traditional Art Exhibition Till 17 May Patan Museum

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