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Jazz as healing music

Heads swinging in the air. Shoulders jiggling. Hands and feet taping in time with the rhythm. People humming along. This was a common sight throughout this week’s Surya Nepal Jazzmandu. The guitar, drums, piano, flute, sarangi (even tapping feet) and other musical instruments fused on stage every evening, producing soulful melodies to keep the audience warm through Kathmandu’s autumn chill. This was the 20th edition of the jazz festival which started on 24 October featuring international and national artists including the likes of Swiss-French trumpeter Erik Trufazz, Aussie Owen James Newcomb, jazz saxophonist, flamenco singer and composer Antonio Lizana, our very own Cadenza Collective and artists from the Dhrupad Gurukul in Kathmandu.&nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2024110104114_e35518cd86adafbd72e0bec4936baad9e81b14ebc911f71aff1d13fe2a2d5b7b.jpg" data-media-id="editor_0" data-image-id="2024110104114_e35518cd86adafbd72e0bec4936baad9e81b14ebc911f71aff1d13fe2a2d5b7b" data-rendition-name="original" width="1656" height="1370" loading="lazy" alt="Jazzmandu 2024 NT"> </figure>  “I really like it here in Nepal, people are friendly, there is virtually no road rage,” Erik Trufazz told nepali Times during one of the parties ahead of their performances. “I have known about Jazzmandu for a while, my sound technician has been with the festival for a quite some time but only this year did everything align for me to be here too. The audience has been warm and receptive.” The annual event (except for the Covid years) first started in 2002 at the height of the Maoist insurgency with the intention of uniting people through music and simultaneously prioritising cultural interaction, music education and promoting tourism in Nepal. “The first edition was rather easy. Everything fell into place. It was as if destiny was leading the way,” says Navin Chettri, one of the founding members of Surya Nepal Jazzmandu who is also the vocalist and drummer of Nepali folk Jazz band Cadenza Collective. “What is harder is to maintain the legacy.”  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2024110104114_79936cc630c834b1d4ff1dd16d23c748ea7e3e6f6bc4e69a567b0a7de9bfa391.jpg" data-media-id="editor_1" data-image-id="2024110104114_79936cc630c834b1d4ff1dd16d23c748ea7e3e6f6bc4e69a567b0a7de9bfa391" data-rendition-name="original" width="1261" height="1000" loading="lazy" alt="Jazzmandu 2024 NT"> </figure>  &nbsp;The jazz scene is ever-evolving and so is the festival but in the recent editions, it is clear that cultural interaction has been more prominent with the collaboration that have taken place between national and international artists. “Jazzmandu has stayed true to the essence of what it was,” says Owen James Newcomb of Australian Jazz band Afro Dizzi Act who was here for the first edition in 2002 and was back this year. Nick Aggs of the same band has been performing in Jazzmandu for the past six years, and agrees: “Kathmandu has become a fertile land for music to flourish. The cross-pollination of music that is happening here says it all.”  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20241101011124_58251b3af8fcca39887a1a772f9a59f12d9afd789bd0af8459089661dfafa6bf.jpg" data-media-id="editor_2" data-image-id="20241101011124_58251b3af8fcca39887a1a772f9a59f12d9afd789bd0af8459089661dfafa6bf" data-rendition-name="original" width="1333" height="1000" loading="lazy" alt="Jazzmandu 2024 NT"> <figcaption>Photo: PINKI RANA</figcaption> </figure>  Jazz has often been credited for embracing culture and diversity, and is known for collaborating with different genres of music. Here in Kathmandu, the festival has taken a step further to blend jazz with eastern music genres. For example this year a Spanish flamenco performer tap dances to the beat of classical Nepali tabla. “We’ve been performing jazz all over the world and the perception of jazz can be sectioned. The open mindedness people here in Kathmandu when it comes to jazz is the most exciting,” said Shannon Sol Carroll of Afro Dizzi Act speaking to Nepali Times before their &nbsp;finale at the Malla Hotel on Wednesday. The demographic of the audience is also changing. While expats and tourists still make up the majority of the audience, younger Nepalis are now a significant presence. There are others like Zoe Meister, 20, who is in Kathmandu as part of her exchange programme. The first experience has already left her wanting for more.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2024110104114_d052567ac67050ef3024b8e02e7171ba1ba480fe8df8a279ef358908d6b7dd17.jpg" data-media-id="editor_3" data-image-id="2024110104114_d052567ac67050ef3024b8e02e7171ba1ba480fe8df8a279ef358908d6b7dd17" data-rendition-name="original" width="1486" height="966" loading="lazy" alt="Jazzmandu 2024 NT"> </figure>  Women still remain a minority in the Jazz scene globally. But this edition of Jazz Festival featured an all female band Sheroes from the US and highlighted singer Alma Naidu and her quartet from Germany and classical singer Jonisha Paudel from Nepal.&nbsp; Paudel’s high notes (shall we call it ‘ragajazz’?) underlined the amalgamation of eastern and western music. On initial hearing, the music did come off as Hindustani Classical but as the gig progressed, the sound of tabla, sitar fused with trombone and bass guitar to enhance the symbiosis. Her performance at Yalamaya Kendra on 29 October brought the house down.&nbsp; On the same day, Sheroes sang its own version of My Favourite Things from the 1965 musical The Sound of Music. Seeing the majority of women perform on the same stage made the performance even more inspiring. As the 20th edition of the jazz feast comes to an end, Chettri says, “When the younger musicians come up to me and tell me they are inspired seeing artists in our festivals, I believe we have been successful in setting up jazz culture in Kathmandu and our legacy.”  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2024110104114_4510825ab497a488fd46a9d0c0b76f76ed7e6d0772002d9d0e8f698ed988cb8f.jpg" data-media-id="editor_4" data-image-id="2024110104114_4510825ab497a488fd46a9d0c0b76f76ed7e6d0772002d9d0e8f698ed988cb8f" data-rendition-name="original" width="1194" height="832" loading="lazy" alt="Jazzmandu 2024 NT"> </figure>  <h2>Jazzing up Gokarna</h2> The third day of Jazzmandu, dubbed Jazz Bazaar, took place at Gokarna Forest Resort. This was the longest day, starting at 3PM and running until 10 at night unlike most days of the jazz festival that happened exclusively in the evenings. The stage and the stands for food and drinks were set up in an open meadow at the expansive Gokarna Forest Resort. The stage was the first thing on the left, and the bars were set up opposite that a bit further away. Further in the area there were food stalls presumably set up by the hotel selling food like chowmein, chicken wings, and paneer pakodas. There were bonfires set up which provided quick bursts of much needed warmth in the chilly October evening. Perhaps owing to the location, the crowd seemed much younger than at most of the other days of the festival. There were many children and young adults, both Nepali and foreign. Many seemed to be tourists from South Asia, Europe, the USA, or Australia. The audience either sat in chairs or benches set up opposite the stage, or on mats on the floor right in front of the musicians.&nbsp; One of the main acts of the night was Swiss-French trumpeter Erik Trufazz and his band, a quartet also including keyboard, bass and drums. Trufazz and the band were exceptional with a strong rock element to their act and soon the audience were bobbing their heads or tapping their feet to the music. They were followed by the Antonio Lizana Quintet, spearheaded by jazz saxophonist, flamenco singer and composer Antonio Lizana. The quintet was made up of Lizana on saxophone, a guitar, a bass, drums, and a flamenco dancer. The dancing, done by a member of the five called El Mawi, provided a strong performance aspect to their set and was visually drawing. The tapping nature of the dance also added a quick rhythm on top of the drums. There was also a performance by artists from the Dhrupad Gurukul in Kathmandu. Dhrupad is an ancient Hindustani classical musical tradition characterised by ragas and swaras. The group had sitar and flute players as well as percussion, on a big two-sided Indian drum called the pakhavaj. Their music was accompanied by trippy visuals. Vishad Raj Onta

Pinki Sris Rana

East meets West at Kathmandu jazz

Right after Dasain festivities, the Surya Nepal Jazzmandu is back in town and this time it is celebrating two decades of the jazz festival. Also known as Kathmandu Jazz Festival, the annual music fest which started in 2002 will run from 24-30 October this year. Over the years, it has established itself as a premier jazz event, pioneering and cultivating the taste of jazz in Nepal.&nbsp; Much like the previous editions, the organisers aim to bring together jazz musicians of different backgrounds and origins, substantiating a platform for cultural interaction simultaneously.&nbsp; “Jazzmandu is an act of love for our city, our audiences, and for the music – and we’ve still got lots more love to give,” says Samir Chettri of Kathmandu Jazz Festival.&nbsp; This year’s five-day musical symposium features a lineup of artists celebrated from across the globe. They specialise not just in jazz but infusing it with different types of music. Eastern Classical featuring Jonisha Paudel, Santosh Bhakta, Roshan Putwar, Nimesh Kapali as well as Gandharva music are something to look forward this edition. <h2>Erik Truffaz (Switzerland)</h2>  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20241023071012_ec1d5abbf4f3be74f7a3298985ff38022f3f4f54627fd8ac51294fa63f24bd0c.jpg" data-media-id="editor_0" data-image-id="20241023071012_ec1d5abbf4f3be74f7a3298985ff38022f3f4f54627fd8ac51294fa63f24bd0c" data-rendition-name="original" width="1200" height="800" loading="lazy" alt="Erik Truffaz"> </figure>  Jazz trumpeter Erik Truffaz’s music has pushed the boundaries of what trumpet-led jazz can be. In his decade-long career, Truffaz has seamlessly blended hip hop, rock and roll and dance music with jazz. Truffaz entered into the jazz scene in the early nineties but it was the 1998 album ‘The Dawn’ that gave him his breakthrough– establishing him as a pioneering force in contemporary jazz. From recording in India on the banks of the Ganga, to collaborations with indie rockers, Truffaz has showcased his ability as a peerless all-rounder and ceaseless innovator. He has given scores to symphony orchestras, and has also written and composed music extensively for cinema.Truffaz is in the ranks of European jazz royalty, continuing to inspire a new generation of musicians and music lovers. Erik Truffaz – Trumpet | Alexis Anérilles – Keyboard | &nbsp;Marcello Giuliani – Bass | Raphael Chassin – Drums <h2>Sheroes (USA)</h2>  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20241023071012_ce7ebb7d4bac391253c5cebfae761dbd2eb027df30b57579c156791d3248ca3f.jpg" data-media-id="editor_1" data-image-id="20241023071012_ce7ebb7d4bac391253c5cebfae761dbd2eb027df30b57579c156791d3248ca3f" data-rendition-name="original" width="2560" height="1369" loading="lazy" alt="Sheroes"> </figure>  This all-female band is an anomaly in the jazz scene where women still remain underrepresented. Sheroes was the brainchild of pianist, composer and arranger Monika Herzig who wanted to bring women jazz musicians together and provide powerful role models on stage and break the lingering gender stereotypes in jazz. The band is celebrating its 10th anniversary this year. The Sheroes ensembles over time have brought together an extended network of talented women jazz musicians. Together, the musicians create music as they navigate their individual skill and style while showcasing an undeniable chemistry. Sheroes continues to elevate some of the top composers and players in jazz.&nbsp; Monica Herzig – Piano | Jamie Baum – Flute |&nbsp; Reut Regev – Trombone | Gina Schwarz – Bass |&nbsp; Rosa Avila – Drums <h2>Alma Naidu (Germany)</h2>  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20241023071012_655281cecef3a041aa0abde2f66cb39deba3a323b37020ae15e01613131a1113.jpg" data-media-id="editor_2" data-image-id="20241023071012_655281cecef3a041aa0abde2f66cb39deba3a323b37020ae15e01613131a1113" data-rendition-name="original" width="2375" height="2560" loading="lazy" alt="Alma Naidu"> </figure>  Described as “one of the most promising singers on the German scene” by Süddeutsche Zeitung, a daily newspaper in Germany, Alma Naidu is a singer, composer and lyricist based in Munich. Naidu boasts an enviable collection of top prizes honouring rising German jazz artists, and has also appeared in various musical theatre and opera productions.&nbsp; Her debut album, Alma, was released in 2022 and comprised almost entirely of her own compositions and arrangements. Relatively an emerging artist among the Jazzmandu’s lineup, has previously performed across Germany, the Czech Republic and France with her touring quartet, which features her on the keys as well as vocals. Alma Naidu – Vocals and piano | Andeas Dombert – Guitar &nbsp;| Ferdinand Schwartz – Bass | Florian Stierstofer – Drums <h2>Antonio Lizana Quintet (Spain)</h2>  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20241023071016_1a0138b8a158fc714b22730390d152d4782ef8480dd780d2387df350a3ab3544.jpg" data-media-id="editor_3" data-image-id="20241023071016_1a0138b8a158fc714b22730390d152d4782ef8480dd780d2387df350a3ab3544" data-rendition-name="original" width="2560" height="1097" loading="lazy" alt="Antonio quintet"> </figure>  Antonio Lizana is a jazz saxophonist and flamenco singer and composer who has blended jazz with flamenco and is one of the most celebrated representatives of new flamenco jazz. Lizana’s quintet have performed in more than 30 countries – including at festivals in London, New York, San Francisco, Shanghai, Madrid, Barcelona and beyond – and has worked on Grammy-winning works with artists such as Arturo O’Farrill and Alejandro Sanz. Lizana’s live shows have been described as a “breathtaking journey from flamenco roots to contemporary jazz”, with his soulful lyrics carrying messages of optimism and sincerity to his audiences access the globe. Antonio Lizana – Vocals and saxophone | Adriano Lozano – Guitar and and backing vocals | Ismael Alcina – Bass and backing vocals&nbsp; | Vincent Thomas – Drums | El Mawi – Flamenco dancing and backing vocals <h2>Afro Dizzi Act (Australia)</h2>  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20241023071016_473edf5ef5fdc479f0c6caf7256cecc3084aba72876ad539150693bec2301e04.jpg" data-media-id="editor_4" data-image-id="20241023071016_473edf5ef5fdc479f0c6caf7256cecc3084aba72876ad539150693bec2301e04" data-rendition-name="original" width="1500" height="1255" loading="lazy" alt="Afro Dizzy Act"> </figure>  Born as an adventurous jam band in Brisbane in the late 1990s, Afro Dizzi Act is known to be one of the best fusion bands to ever come out of Australia, and is celebrated as one of the country’s premier festival bands. From an early sound that blended in hip-hop as well as drum and bass, the band took on influences from jazz and world music as its growing reputation took the musicians to new places, arriving at World Beat Festival that comprises a dizzying variety of musical traditions and a mind-opening global perspective.&nbsp; Afro Dizzi Act has headlined top Australian festivals such as the Big Day Out and the Byron Bay Bluesfest, performed in Dubai, toured the Northeast of India, and played at the first edition of Jazzmandu in 2002. This year, to celebrate Jazzmandu’s 20th anniversary, the band will be performing alongside Navin Chettri of the Cadenza Collective to revive early days of the annual jazz festival. Nick Aggs – Saxophone | Shannon Sol Carroll – Guitar |&nbsp; Oj Newcomb – Bass | Navin Chettri – Drums |&nbsp; Matt Ledgar – Percussions <h2>Cadenza Collective (Nepal)</h2>  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20241023071016_dab2e03a9643141a4b1416a6bc00e8fea59840798b07c631a30190a93f39e7b3.jpg" data-media-id="editor_5" data-image-id="20241023071016_dab2e03a9643141a4b1416a6bc00e8fea59840798b07c631a30190a93f39e7b3" data-rendition-name="original" width="857" height="544" loading="lazy" alt="Cadenza"> </figure>  Cadenza Collective, spearheaded by drummer and composer Navin Chettri, has been blending Jazz, Afro-funk, and Nepali folk into an irresistible sound to get your groove on. Formed in 1998, Cadenza was one of the first bands to experiment with jazz in the Kathmandu Valley, at a time when rock and pop music dominated the music scene. Cadenza broke the mould and has evolved into a mature and experienced collective of musicians and music educators.&nbsp; Their music has pumped vitality into the improvised music scene in Nepal and beyond through regular performances with both classical and western musicians. With 5 albums to date showcasing their original music, their latest, Back to the Roots, won Best Pop/Rock Composition for their song “Namaste”, and Best Pop/Rock Album of the Year at the 2014 Nepal Hits FM Music Awards. Navin Chettri – Vocals and Drums | Rajat Rai – Guitar |&nbsp; Samir Chettri – Bass | InapRaj Shrestha – Tenor Sax |&nbsp; Pravin Chhetri – Alto Sax <h2>Samundra (Nepal)</h2>  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20241023071016_18153f12a84a9e1cc890cad600f0ab3a519be2f563db984e984ec5251e4c7d57.jpg" data-media-id="editor_6" data-image-id="20241023071016_18153f12a84a9e1cc890cad600f0ab3a519be2f563db984e984ec5251e4c7d57" data-rendition-name="original" width="2048" height="1153" loading="lazy" alt="Samundra band"> </figure>  Samundra is a band of musicians and sarangi players known for their performances of Nepali folk fusion music. Formed in 2004, the band stays true to the age-old traditional folk music of the Gandharba community. They recompose authentic Nepali tunes in new forms, updating the cherished old music for contemporary taste. They also educate people on traditional music through their YouTube channel, making it accessible for all. Anil Gandharba also teaches how to use sarangi on their channel. This band is passionate about promoting and preserving the rich cultural heritage of Nepal through their music. Anil Gandharba - Sarangi | Arbajo Buddha Gandharba - Sarangi | Ramkrishna Gandharba - Flute/Arbajo | Samsher Gandharba - Madal | Arjun Gandharba - Madal | Raju Gandharba - Percussion <h2>Dhrupad Gurukul (Nepal)</h2>  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20241023071016_ac99f1d13ac3532016a08227a7592381b03c460fc4df13b06a463059ae0fe24a.jpg" data-media-id="editor_7" data-image-id="20241023071016_ac99f1d13ac3532016a08227a7592381b03c460fc4df13b06a463059ae0fe24a" data-rendition-name="original" width="1280" height="960" loading="lazy" alt="Dhrupad Gurukul"> </figure>  <h2> </h2> Dhrupad is a form of Hindustani classical music that is distinguished by its emphasis on maintaining the purity of ragas and swaras.&nbsp; Vishal Bhattarai joined hands with his gurubhai Inoue Sou to establish Dhrupad Gurukul Kathmandu, and the duo has been performing and teaching Dhrupad in Nepal for the last decade. Their performance at Jazzmandu will be joined by the renowned pakhawaj player Mukesh Shakya, and two students currently training under the Gurukul. <h2>SCHEDULE&nbsp;</h2> Jazz for the Next Generation&nbsp; Thursday, 24 October&nbsp; 11AM- 1:30PM&nbsp; Closed Invitation&nbsp; St Xavier’s School, Jawalakhel&nbsp; Groovin’ at Upstairs Thursday, 24 October&nbsp; 7PM – 9PM&nbsp; Rs1,000 Jazz Upstairs, Lazimpat Valley Jams Friday, 25 October&nbsp; 6:30PM – 9PM Rs800 Simultaneously at:&nbsp; Jazz Upstairs, Lazimpat Electric Pagoda, Thamel Eden, Jhamsikhel La Terrasse, Chundevi Hard Rock Cafe, Durbar Marg Jazz Bazaar Saturday, 26 October 3PM – 10PM&nbsp; Rs1,600 Gokarna Forest Resort Sounds of Flamenco Jazz and Afro-Beat Monday, 28 October 7PM – 9PM Rs2,000 Lawn by Nanglo, Jhamsikhel Jazz at Patan Tuesday, 29 October&nbsp; 7PM – 9PM Rs2,000 Dhokaima Cafe, Patan Jazzmandu Finale Wednesday, 30 October 5:30PM - 10PM&nbsp; Rs1,800 The Malla Hotel, Lainchaur&nbsp;

Jazzing up the town for the 20th time

One aspect of colonial cartography of South Asia leaps out in this must-see exhibition – while the coastline of India, Ceylon, Burma are extraordinarily accurate in maps made more than 200 years ago, the Himalayan hinterland is wholly approximate and inexact. The accuracy improves as modern survey techniques are introduced by atlas-makers, but even then formidable terrain and forbidden lands thwart precision. Map aficionados will be fascinated by the 40 antique maps from The Rajbhandari Collection on display at the exhibition ‘Imaging South Asia: Nepal in the Making at Kathmandu Art Gallery’ at Baber Mahal Revisited from 13 February - 17 March.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20260211090252_0cbeb88674a97c6292e2b43b2135df219257ca641cbd4723e9aabf5541c2b258.jpg" data-media-id="editor_0" data-image-id="20260211090252_0cbeb88674a97c6292e2b43b2135df219257ca641cbd4723e9aabf5541c2b258" data-rendition-name="original" width="4160" height="3485" loading="lazy" alt="Map Land NT"> </figure>  The first maps were made on clay tablets and cave paintings, but maps improved with Chinese maritime charts of Southeast Asia and beyond. Nautical maps created during the European Age of Exploration used geometry, latitude and longitude. Competition for colonial riches rested on the accuracy of these maps. The Portuguese had the lead in the 15th century, but were soon overtaken by the Spanish with Columbus voyaging to India but landing up in the Americas.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20260211090252_1fb21d20cf29b408119f5279ce666e73dee089356e52277d753a27e3440364eb.jpg" data-media-id="editor_1" data-image-id="20260211090252_1fb21d20cf29b408119f5279ce666e73dee089356e52277d753a27e3440364eb" data-rendition-name="original" width="4030" height="3407" loading="lazy" alt="Map Land NT"> </figure>  European mapping of the coastline of peninsular India &nbsp;began after Vasco de Gama sailed around the Horn of Africa to arrive at what is now Kerala in 1498. The British and French struggled for control of India, and the Carnatic Wars of the 19th century were extensions of their rivalry in Europe.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20260211090252_0fb0969dc3e07c5a77123b4aa5eb0f11d2ffea73c108077f7e4d1892d6bd4bb6.jpg" data-media-id="editor_2" data-image-id="20260211090252_0fb0969dc3e07c5a77123b4aa5eb0f11d2ffea73c108077f7e4d1892d6bd4bb6" data-rendition-name="original" width="2842" height="4160" loading="lazy" alt="Map Land NT"> </figure>  While most of the maps at this exhibition were commissioned by the East India Company and the Survey of India, there are quite a few made by Parisian cartographers and feature Pondicherry and the Danish trading outpost at Tranquebar. Followed chronologically, the maps show improvements in cartographic techniques. The earliest French map L’Inde of J D Barbié du Bocage from 1760 is a copper engraving with hand painted colours demarcating boundaries. ‘Napaul’, ‘Gorka’ and ‘Catmando’ are depicted. The rivers of India are precisely drawn, as is the Brahmaputra (Yarou Tsanpou) even though locations across the rest of Tibet are rough estimates.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20260211090252_486dc1b12f391550516be164f27170d4702a69b5125c1b8c4b10f76fdae4c0b1.jpg" data-media-id="editor_3" data-image-id="20260211090252_486dc1b12f391550516be164f27170d4702a69b5125c1b8c4b10f76fdae4c0b1" data-rendition-name="original" width="1675" height="604" loading="lazy" alt="Map Land NT"> </figure>  The 1781 map Carte des Indes en deçà et au-delà du Gange of Rigobert Bonne has slightly more detail about Nepal with even ‘Pattan’ and ‘Bagmally’ river marked. William Darton’s 1802 map has ‘Nogarcot’ and ‘Mocaumpour’ wrongly placed to the east of the valley of ‘Napaul’. Samuel Arrowsmith’s 1828 map ‘India and the Birman Empire’ has Nepal’s rough boundaries demarcated for the first time within a hand-coloured green border, with the mountain ‘Dholagiri’ and ‘Dhunchi’ appearing for the first time. The 1835 map by Boston-based American cartographer Thomas Bradford has a more precise ‘Burrampooter’ river with ‘Sgigatoe’, ‘Lassa’ and ‘Bootan’ marked. In Nepal, ‘Batgan’, ‘Macwampour’ and ‘Lelit Pattan’ appear near ‘Catmandu’.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20260211090252_5509c8e043a74b3e34e399c0684ca8eef7fc79953ee0dd18aedc738e8189d552.jpg" data-media-id="editor_4" data-image-id="20260211090252_5509c8e043a74b3e34e399c0684ca8eef7fc79953ee0dd18aedc738e8189d552" data-rendition-name="original" width="4094" height="3646" loading="lazy" alt="Map Land NT"> </figure>  One striking landmark appears consistently through a century of map-making from 1760 onwards, and that is the sacred Yamdrok Tso near Lhasa. It is precisely located, although it is drawn as a circular lake called ‘Jamdro or Palto Lake’ till J Bartholomew’s lithographic map in 1893 Constable’s Hand Atlas of India. Bartholomew’s map is also where ‘Mt Everest’ appears for the first time with its altitude ’29,002ft’ after Peak XV was calculated to be the highest mountain in the world by the Survey of India. Meanwhile, ‘Kinchinjunga’ appears in some of the earlier maps from the mid-1800s, north of ‘Dorjeloo’. The maps did not only have locations of towns, rivers and mountains but also other interesting facts about places. History buffs will find much to pore over in these maps.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20260211090252_8280c979b175946a2ac29e22b7a2b2427f7f36f22093c3456524f1f529311498.jpg" data-media-id="editor_5" data-image-id="20260211090252_8280c979b175946a2ac29e22b7a2b2427f7f36f22093c3456524f1f529311498" data-rendition-name="original" width="4160" height="2762" loading="lazy" alt="Map Land NT"> </figure>  Many have sites of major British battles while conquering India. The ‘British India’ map by J Rapkin has dates and times of the ‘Principle Massacres’ during the Indian Mutiny of 1857. The map also shows India’s growing railway network with completed lines and those ‘in progress’. Narrow gauge lines can be seen in successive maps snaking up to the Nepal border to haul sal logs for sleepers for India’s expanding railway network. Many maps were drawn by British military intelligence. One even has the Kuti route of the Nepal Army while invading Tibet in 1791, and the Chinese Army’s advance in hot pursuit through Kerung to Nuwakot.&nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20260211090252_a41ff6a7453f95d1e83c12ed3f831911d65ebd4d2389e0e3b774252dfa037132.jpg" data-media-id="editor_6" data-image-id="20260211090252_a41ff6a7453f95d1e83c12ed3f831911d65ebd4d2389e0e3b774252dfa037132" data-rendition-name="original" width="1173" height="679" loading="lazy" alt="Map Land NT"> </figure>  Pre-1857 maps show the western Tarai as a part of British India, but in later ones the Naya Muluk districts of Banke, Bardia, Kailali and Kanchanpur have reverted back to Nepal. The maps clearly mark Nepal as an independent nation, and represent it differently from Indian princely states. The Atlas of India of 1846 shows the ‘Dominion of the King of Nepal’.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20260211090252_52132146d9ee8b922560b98e90d866149715d7f53ced408b5f3af8f3b142a07b.jpg" data-media-id="editor_7" data-image-id="20260211090252_52132146d9ee8b922560b98e90d866149715d7f53ced408b5f3af8f3b142a07b" data-rendition-name="original" width="4149" height="3682" loading="lazy" alt="Map Land NT"> </figure>  Visitors will be curious about Nepal's claim to Limpiyadhura and Lipu Lek. A map by Mason &amp; Payne from 1846 clearly shows the ‘Kallee River’ as being the border between Nepal and British India, with Kalapni within Nepal. The Lipu Gad tributary (which India claims is the border) is not marked. Some other maps, however, seem to show the border not following the Kali river to Limpiyadhura but the tributary up to Lipu Lek.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2026021112024_9a1b6055a9fbecca7b64c3882c205efb336aac03e64ecf43a2044cb079cd699f.jpg" data-media-id="editor_8" data-image-id="2026021112024_9a1b6055a9fbecca7b64c3882c205efb336aac03e64ecf43a2044cb079cd699f" data-rendition-name="original" width="875" height="1215" loading="lazy" alt="Map Land NT"> </figure>  Imaging South Asia: Nepal in the Making&nbsp; Kathmandu Art Gallery, Baber Mahal Revisited&nbsp; 13 February – 17 March For guided walk-throughs and curatorial tours: +977 1-5318048 Panel discussions: -Cartographic Practices from the &nbsp;Gorkha Polity to the Present with Buddhi Narayan Shrestha and Kanak Mani Dixit&nbsp; Friday, 13 February, 4pm -Mapping Beyond Borders with Akhilesh Upadhyay and Amish Raj Mulmi Wednesday, 25 February, 4pm&nbsp;

Map land

The arrest on 25 January of six people on charges of insurance fraud has brought the scandal of fake helicopter rescue of trekkers in Nepal to the fore once more, denting the image of the tourism industry. Trekking companies, helicopter operators and hospitals were said to be in cahoots to carry out medical evacuations that were not necessary. In some cases, even the rescues were said to be fake with false names of ‘patients’ and their ailments. The six who were arrested were charged by the Central Bureau of Investigation (CIB) with <a href="https://asia.nikkei.com/business/travel-leisure/nepal-s-rescue-helicopter-scam-casts-doubt-on-tourism-credibility2" target="_blank">cheating insurance companies</a>of millions of dollars in the past four years with more than 300 <a href="https://nepalitimes.com/multimedia/heli-rescue-fraud-tarnishes-nepal-s-image" target="_blank">fake chopper medevacs</a> from the base of Himalayan peaks to hospitals in Kathmandu. Nepali personnel of three companies, Nepal Charter Service, Everest Experience and Mountain Rescue were accused of heavily overcharging &nbsp;for fraudulent rescues, faking or inflating medical bills, and claiming payment of over $18 million over the years, the CIB said.&nbsp; In some cases, trekkers themselves who do not want to walk back along the same trail to Everest Base Camp or other routes, and pretend to be sick, are also said to be involved in the scam. “Tourism will attract opportunists, that is true everywhere,” explains Raj Gyawali of <a href="https://socialtours.com/" target="_blank">socialtours</a> and a partner of <a href="https://ethicaltravelportal.com/" target="_blank">Ethical Travel Portal</a>. “Our responsibility as an industry is to weed them out, protect what matters, and keep tourism rooted in passion, integrity, and long-term value.” The scam got <a href="https://www.nytimes.com/2026/02/03/world/asia/mount-everest-helicopter-insurance-fraud.html" target="_blank">wide international attention</a>, and tainted the reputation of Nepal’s mountain tourism sector that employs up to 1 million people. International media headlined allegations that trekker food was spiked to cause diarrhoea to force evacuations. Despite the bad publicity, tourism operators see a silver lining. It shows that Nepal is cleaning up its act and the system is working. Besides, the cheaters are in a minority in an industry that provides some of the best organised and most experienced mountain tourism service in the world.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20260210040232_141217f8e5dc8a584642f7cb8d130de1a05cdcf149467334f9ab4e392f7d67aa.jpg" data-media-id="editor_5" data-image-id="20260210040232_141217f8e5dc8a584642f7cb8d130de1a05cdcf149467334f9ab4e392f7d67aa" data-rendition-name="original" width="1584" height="1500" loading="lazy" alt="Helicopter medevac scam NT"> </figure>  “After years of talk and investigation, we are now seeing arrests and it’s encouraging to finally see action. This didn’t happen overnight,” Gyawali says. “The post GenZ interim government works with much less politics, we are seeing a functional system for the first time in decades in Nepal.”&nbsp; This is not a new story. <a href="https://archive.nepalitimes.com/article/nation/Insurance,361" target="_blank">Nepali Times first covered </a>trekking insurance scams in 2013, following up on an investigation by the British Mountaineering Council in <a href="https://www.thebmc.co.uk/" target="_blank">Summit magazine</a> about insurance fraud involving fake helicopter rescues. In <a href="https://nepalitimes.com/multimedia/heli-rescue-fraud-tarnishes-nepal-s-image" target="_blank">another news item</a> published in this paper in 2018 cited an investigation by insurance watchdog <a href="https://www.travellerassist.co/" target="_blank">Traveller Assist</a> which showed that a third of the 1,600 helicopter rescues in Nepal that year were fraudulent, costing up to $4 million. Insurance companies gave the Nepal government <a href="https://nepalitimes.com/banner/nepal-trekking-industry-in-damage-control-mode" target="_blank">an ultimatum</a> to clean up its act, and an investigation committee was formed and 13 companies said to be involved were named. It now looks like although insurance fraud declined, it was still continuing to some extent till 2025. In the cut-throat competition in Nepal’s mountain tourism industry, companies undercut each other, and there are some trying to make a quick buck. These rotten apples spoil the whole barrel. Given Nepal’s remote terrain and extreme weather along Himalayan trekking routes, helicopter rescues are vital in saving hundreds of lives every year, rescuing trekkers and mountaineers suffering from acute mountain sickness, stomach or lung infections. “Nepal has a unique advantage over other Himalayan countries like India, Pakistan, or China because it allows private helicopter companies to conduct rescues,” Gyawali says. “This makes rescues faster and more accessible, often life-saving.” The real problem is that sometimes rescues take too long because of &nbsp;permission needed from multiple government agencies to conduct rescues near the Chinese border, which is considered sensitive. Last year, a mountaineer died on Himlung Himal because a helicopter company could not get clearance in time for a rescue.

Fake rescues hurt Himalayan tourism

This is the 83rd episode of Diaspora Diaries, a Nepali Times series in collaboration with Migration Lab providing a platform to share experiences of living, working and studying abroad. Spain is regularising over 500,000 undocumented workers, and Nepalis come to me inquiring about the program. Those who benefit from it will be very lucky, as it is a life-changing opportunity. I know because I too benefited from the last large scaled regularisation program back in 2005. I left Nepal in 2000 and went to Germany, Belgium, France before landing in Spain. Things were pretty bad in Nepal back then with the Maoist conflict and strikes.&nbsp; Our business was impacted. There was not much hope. When you leave Nepal, you want to make something of yourself and support your family back home. But you have to dream in phases.&nbsp; The first dream is to get ‘kagaj’ or a temporary residence card (TRC). Only then can you focus on your actual dreams. Whether it was because the countries I traveled were not a good fit or because the chances of getting the document was low, I kept country hopping until I reached Spain in 2004. I have not left since.&nbsp; In Spain, I felt at home. The European dream had brought me here, salaries were higher than Gulf which I thought was too strict. Then there was the possibility of traveling to seven European countries back then with the Schengen visa.&nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20260210150228_b57c873801361755cf25048f294b2d1d0574796ef70a0e270531ced2508f64ed.jpg" data-media-id="editor_0" data-image-id="20260210150228_b57c873801361755cf25048f294b2d1d0574796ef70a0e270531ced2508f64ed" data-rendition-name="original" width="2048" height="1536" loading="lazy" alt="Nepalis in Spain"> </figure>  But mostly, I just wanted a secure life for me and my family. What I valued the most about Europe was free healthcare and education. This is very important because in other parts of the world including Nepal, people from our background are just one small disease away from losing half our capital and we spend a significant amount of money on educational expenses. Nepali dais back then told me it would be best to go to either Italy, Spain or Portugal if we wanted to establish ourselves as paper work was relatively easier there than in other European countries. My initial days in Spain without the paper work were difficult. Not concerns about being raided or deported because if we had our apartment, even police let us be.&nbsp; But it was because of unfair pay. You could not go home. It made you tense and irritable. It affects your mental well-being. Some are smart enough to invest time in skills as they wait that will prove useful. Others get depressed. The main reason we migrate is to support our family and when you cannot do it properly and are uncertain about when things will get better, it bothers you. This happened to me too, sometimes I would be staring at the TV and would flinch when other Nepalis asked me what is wrong, and why I look so lost.&nbsp; The newspaper Canarias also interviewed us about our conditions (pictured). I had not gone home since five years, and there was no way to. There was no social media like now to talk to family. Calling home from booths was expensive, just once every three weeks. You did not talk. It was just to hear voices, pass the phone around to say a quick hello.&nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20260210150232_8af8b6f6acb1252e0d67a43556e21ff8074543acfcc318c985816479c6146fd9.jpg" data-media-id="editor_1" data-image-id="20260210150232_8af8b6f6acb1252e0d67a43556e21ff8074543acfcc318c985816479c6146fd9" data-rendition-name="original" width="2048" height="1536" loading="lazy" alt="Nepalis in Spain"> </figure>  When you are undocumented, you don’t get fair wages. But you make that sacrifice because my bigger goal was to establish myself and in the meantime, to support family with whatever I could earn with my wages. All we could do was wait for a regularisation program to open. When Spain initiated such a program in 2005, we were so relieved. We were relatively new so did not understand the language. Other Nepalis guided us and were well-versed in the latest updates via news and consultation with immigration lawyers which they would pass on to us. This time, the regularisation program will come through within 30 days, but back then it took time. I had to wait for nine months. Those nine months felt like nine years. I would keep visiting the cyber café to check my online status. When friends got their notification, I would get even more anxious and wonder if I would get rejected. Maybe today? Maybe tomorrow? It was a long wait. I wanted to know what it felt like to hold the card in my hand. Then I could hold my five-year-old baby back in Nepal in my hand. She was born after I left for Europe. When I finally got it after nine months, I could not be happier. I informed my family. I thanked God. Even when I was having food, I would put the card right in front of me on my table. Food never tasted better, I would eat twice the amount with happiness. It was a different kind of elation — it opened the doors for me to think about my dreams, my targets and how to realise them.&nbsp; There was no stopping me now, I was going to go far. But mostly, I could go home. In that flight back to Nepal after six years my heart swelled and I knelt on the tarmac to pay respect to my motherland. The minute I saw my parents, I touched their feet for blessings. My wife and I cried. My daughter was scared of me and would run away - it took some time for her to get comfortable with my presence. I still break down when I think about it.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20260210150232_beba1745d845e219eaeaaf1bc33e0a02c07748ebd80bcc74a467c933cc5602e3.jpg" data-media-id="editor_2" data-image-id="20260210150232_beba1745d845e219eaeaaf1bc33e0a02c07748ebd80bcc74a467c933cc5602e3" data-rendition-name="original" width="2048" height="1536" loading="lazy" alt="Nepalis in Spain"> </figure>  A few trips to Nepal later, I brought my family to Spain after I had fulfilled various rules for family migration. As expenses rise for a migrant, the choice is to either work extra hours or start your own business. Since I got the TRC, I have done it all: various jobs, businesses from selling handicraft from India to a cyber cafe, and the restaurant business.&nbsp; As an entrepreneur, I have seen highs when I could open a second restaurant branch or earn enough to buy an apartment. I have seen lows where I closed down businesses and sold apartment. I have gone from an entrepreneur to a wage job to recoup the losses I made by working extra hours. When I felt comfortable enough, I have gone back to starting a new business.&nbsp; I have met wonderful people who have supported me when I started my business either by providing me financial help or as business partners. I have been duped by my own business partner or worked with colleagues who did not want me to prosper. I now run a handicraft shop, an Indian restaurant and a café. The struggle never ends. There are many Nepalis like me who are running businesses here and have bought property. Back in 2004, Nepalis were mostly working in jobs and for a slight salary bump, we would keep switching jobs. Now, they run their own businesses and have bought property. The power of honesty and hard work that Nepalis are known for helps in businesses. Malaga is incredibly beautiful and reminds me of Thamel. The brilliant weather and beautiful beaches attracts tourists. The houses are kept small to preserve the culture and civilisation.&nbsp; I miss Nepal. I especially miss my father who passed in 2020. He was my biggest cheerleader as I struggled thousands of miles away, and always reminded me that he was here for back support. My mother reminds me to keep at it without worrying.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20260210150232_2cea4b66ad47c15859980c696446362603b10981a1b471ab5e076a22a58727b1.jpg" data-media-id="editor_3" data-image-id="20260210150232_2cea4b66ad47c15859980c696446362603b10981a1b471ab5e076a22a58727b1" data-rendition-name="original" width="2077" height="1433" loading="lazy" alt="Nepalis in Spain"> </figure>  Sometimes I ask myself, what did I leave behind to earn money and provide a good life to my family? I regret not getting to spend more time with my father before he died. I am not sure what would have happened if I had not left Nepal, but I would have figured something out. Whatever determination I have shown in Spain to navigate my life here, I would have used it back home, too.&nbsp; I have missed important milestones like weddings, births, deaths and festivals. I have missed it all. Of my three daughters I missed the births of the first two in Nepal. I was only there for my youngest’s birth, in Spain.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20260210150232_a6295e4f58d73e5b340235caf916b98eba785e3559341ea4622629c262e7b1a4.jpg" data-media-id="editor_4" data-image-id="20260210150232_a6295e4f58d73e5b340235caf916b98eba785e3559341ea4622629c262e7b1a4" data-rendition-name="original" width="1630" height="1125" loading="lazy" alt="Nepalis in Spain"> </figure>  The regularisation program from 2005 that allowed me to raise the living standards of a number of living around me and reunite with my family. This platform was life changing for me, and my loved ones. There are many Nepalis who will be applying for the 2026 regularisation program if they meet the criteria like presence in the country for at least five months before December 31, 2025. Other European countries have tightened their policies so many Nepalis are in Spain. This is a great opportunity for Nepalis. There are many more undocumented workers than the available quota, a majority from Latin America in Spain who want to benefit. The Nepali diaspora is helping raise awareness and provide accurate information about the processes so they can benefit and no one is left out. I do whatever I can to support young Nepalis because I was in the same position 20 years ago.

Dreaming in phases

If nature is left entirely unmanaged, ecological succession will proceed in ways that may undermine conservation objectives. For example, grasslands and wetlands in the lowland protected areas of Nepal have increasingly been overtaken by excessive vegetation growth.&nbsp; Without intervention, grasslands become taller, denser, and coarser, eventually becoming unpalatable to herbivores. Over time, such areas provide shelter and cover but are gradually succeeded by forest. Similarly, wetlands become silted, and open water surfaces are covered by native and invasive plant species.&nbsp; While this may provide cover, it reduces accessibility for several species to graze or browse and limits hunting opportunities for predators. These habitats effectively become ecological ‘blankets’, unfavorable to both prey and predators. Therefore, large herbivores in protected areas are forced to move beyond protected areas in search of succulent forage during lean seasons.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20260211030216_1124883bcd91793f7c916893b80cb0c06ed5012e10e77f2d54f7ef37f110db12.jpg" data-media-id="editor_0" data-image-id="20260211030216_1124883bcd91793f7c916893b80cb0c06ed5012e10e77f2d54f7ef37f110db12" data-rendition-name="original" width="1434" height="806" loading="lazy" alt="grassland and drying pond"> <figcaption>A grassland and a drying pond.</figcaption> </figure>  Stalking the prey, predators come closer to human settlement. Farmers in Nepal’s mountains are leaving agriculture due to crop depredation by monkeys, porcupine and wild boars. Trees are taking over the terraces providing habitat for wildlife. Restriction and absence of youth in villages for fuelwood collection, fodder harvesting, grazing, and timber extraction in forests have contributed to accumulation of combustible forest litter. Higher up, the absence of grazers leads to the disappearance of forb, dominance of grasses, leading to wildfires.&nbsp; Nepal has over 300 days of sunshine, and this dries our vegetation faster. Combined with global warming and strong wind in spring, this has sparked widespread and uncontrolled forest fires in recent decades, destroying biodiversity.&nbsp; Low-intensity surface fires in late winter can control invasive species and stimulating new plant growth, providing forage for herbivores during lean periods. In contrast, crown fires occurring from March onwards when temperature and wind speed are higher, cause severe damage to wildlife, decimating nesting birds, insects, reptiles, mammals, as well as human life and property.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20260211030216_fcd82aa3b2f77fbf271c5b6f8e3145bb4ca3cf1294190d526b3848b5f1bfc420.jpg" data-media-id="editor_1" data-image-id="20260211030216_fcd82aa3b2f77fbf271c5b6f8e3145bb4ca3cf1294190d526b3848b5f1bfc420" data-rendition-name="original" width="4032" height="1816" loading="lazy" alt="A wetland in Chitwan"> <figcaption>A wetland in Chitwan.</figcaption> </figure>  Successful conservation therefore requires strategies to accommodate increasing wildlife populations by ensuring adequate food, water, and shelter within the protected areas and buffer zones. Without such measures, the increased populations spillover into surrounding habitats, corridors, and farmlands and inevitably damage standing crops, human injury or death, and may result retaliatory killings.&nbsp; Efforts are under way for optimising grassland and wetlands. However, more need to be done to upscale harvest to rain water for food security, biodiversity conservation, to fight climate change and to recharge ground water. Retaliatory poisoning or electrocution become more frequently reported. Tiger, leopard and wild elephants are primary cause of human fatalities in buffer zones. Recently Himalayan black bears destroyed standing crops and attacked people. Growing tiger population tends to disperse and establish new territories beyond their natal area, bringing them closer to human activity or vice versa.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20260211030232_c8435e196c512835fdc6a23a30545e75a50608574b3cfaad49a3c553fce90320.jpg" data-media-id="editor_2" data-image-id="20260211030232_c8435e196c512835fdc6a23a30545e75a50608574b3cfaad49a3c553fce90320" data-rendition-name="original" width="1500" height="844" loading="lazy" alt="Leopard"> <figcaption>Leopard.</figcaption> </figure>  Human life must remain paramount in conservation, and addressing human concerns is essential for sustainable and long-term conservation outcomes. Limited areas could support only certain number animals of certain megafauna, one must determine the numeric as an indicator for management, minimum viable population, and the limit of carrying capacity.&nbsp; It is hard to revive an endangered population, but what goes up must come down, and in the meantime, there should be a strategy to retain, relocate, deter, contain, or control the population, to safeguard human and crops for food security. Despite Nepal’s rich biodiversity and ecosystem services, the country generates limited revenue from biodiversity conservation. Although forest cover exceeds 45%, timber imports remain high, reflecting a negative economic growth. If mature timber is not harvested it become susceptible to fire hazard, emitting carbon.&nbsp; More than 23% of Nepal’s land area lies within protected areas, yet only a few derive enough ecotourism revenue. Other protected areas receive very few visitors. Limited entrance access to the protected areas also deprives many outlying communities of tourism economy. It is limiting benefits to local communities despite provisions allowing up to 50% of revenue to be allocated to buffer zone communities.&nbsp; Dhorpatan Hunting Reserve stands out as a successful revenue model, generating high income from low number of visitors through high-value hunting tourism. Hunting permits are auctioned annually, with fees of approximately $6,000 for Himalayan tahr and $5,000 for blue sheep.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20260211030240_1787054e26325b29c18fc62e3062473b2d05f97e781f594911b606a0710da5ad.jpg" data-media-id="editor_3" data-image-id="20260211030240_1787054e26325b29c18fc62e3062473b2d05f97e781f594911b606a0710da5ad" data-rendition-name="original" width="1500" height="958" loading="lazy" alt="Himalayan Tahr"> <figcaption>Himalayan Tahr</figcaption> </figure>  There are no plans to establish new hunting reserves like Dhorpatan despite the growing demand for high-value tourism products. International examples, such as Pakistan’s Astore Markhor, which has fetched bids exceeding $370,000, per animal demonstrates the economic potential of regulated trophy hunting. In Africa, surplus megafauna is hunted to control the population, thereby contributing to national economy and safeguarding ecology, and reducing human wildlife conflict. While US is heavily reliable in hunting, fishing and outdoor activities. They determine annual quota for various wildlife and birds.&nbsp; Conservation priorities should emphasise safeguarding ecologically important species, including predators, scavengers, rodent controllers, insectivores, pollinators, seed dispersers, and aerial feeders that regulate growing populations. Economically important wild fish, reptiles, game birds, game mammals, and edible mollusks should be studied for science-based, seasonal, and quota-regulated harvesting from designated areas. High-value species should be identified, protected, and sustainably harvested to generate revenue through premium tourism. The introduction of Russian wild boar in 1976 in Nagarjun and Shivpuri has led to range expansion and significant crop damage has been reported across the central Mahabharat region. Similarly, rhesus monkey populations cause substantial agricultural losses in many hill villages.&nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20260211030236_e508aad200a31d7225c4b26052ff63e60806a29c3fcea7c89a82a82f89263345.jpg" data-media-id="editor_4" data-image-id="20260211030236_e508aad200a31d7225c4b26052ff63e60806a29c3fcea7c89a82a82f89263345" data-rendition-name="original" width="1500" height="844" loading="lazy" alt="monkey paddy field menace meghauli"> <figcaption>Monkeys raiding paddy field in Meghauli, Chitwan.</figcaption> </figure>  Although the government has declared both as pest species, ambiguous regulations have hindered effective population control. Allowing licensed harvesting of invasive Russian wild boar, for example, could create opportunities for farm-based tourism, enhance food security, and generate revenue and reverse the migration of people to rural areas. The sarus crane is an aesthetically iconic species, with lifelong pair bonding, and cultural significance. In many agricultural landscapes, particularly in South Asia, the sarus crane is informally protected by farmers who recognise its ecological and cultural value. Farmers often tolerate crop damage, and refrain from harming nesting pairs, and in some cases actively safeguard nests and chicks. Such community-led stewardship reflects a harmonious coexistence between agriculture and biodiversity conservation. This may not be a case for other species. Science-based research is urgently needed to assess the impacts of pest species on agriculture, apiculture, fisheries, poultry, and livestock, and to develop effective control strategies that also support income generation. Even charismatic and iconic species may require management interventions once populations exceed ecological or social thresholds and begin causing human losses.&nbsp; Various stringent regulations are in place for culprits, however, there should be legal provision for economic incentive to support livelihood from the common, or pest species for the indigenous and people living in remote areas.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20260211030236_22d968ec614761d9684cf4d098db69da0ae591610ceac980dc77cf796507464b.jpg" data-media-id="editor_5" data-image-id="20260211030236_22d968ec614761d9684cf4d098db69da0ae591610ceac980dc77cf796507464b" data-rendition-name="original" width="1500" height="994" loading="lazy" alt="wildife conservation"> </figure>  Lessons from African models, where problem animals are auctioned and their revenues support conservation and community compensation, could offer viable solutions. The National Parks and Wildlife Conservation Act of 1973 provide legal provisions for hunting game mammals, game birds, pest species, and problem animals. And for wildlife farming, but it must be complimented by qualified Zoologists. Problem species are defined as individual or a population of animals posing direct threats to human life and food security within specific areas.&nbsp; Nepal could categorise wild animals for management and conservation and regulations. For instance, IUCN and globally and NPWC Act protected species, nationally endangered and ecologically important animals and trophy hunting species could be regulated under DNPWC and federal government.&nbsp; Provincial governments could take the responsibility of conservation, do inventory and monitor and regulate the harvest of peripheral game species, pest/vermin species and control of problems and harmful to human and crops and health related species. Small predators such as marten, civets, jungle cats and jackals are a nuisance to poultry farmers and goat farmers.&nbsp; A nationwide zoological survey could classify species based on abundance, rarity, economic value, pest status, and conservation priority. There should be an opportunity to include hybridisation with wild stocks to improve domestic breeds, such as wild arna with domestic water buffalo, bison with cattle, and red jungle fowl with domestic chickens.&nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20260211030236_5a6c3b9da5d94979e6189ed0ba8144caa8a08d15dcc5e95b4bc18b7c6d704936.jpg" data-media-id="editor_6" data-image-id="20260211030236_5a6c3b9da5d94979e6189ed0ba8144caa8a08d15dcc5e95b4bc18b7c6d704936" data-rendition-name="original" width="1500" height="844" loading="lazy" alt="Red Jungle Fowl"> <figcaption>Read jungle fowl.</figcaption> </figure>  Monitoring the zoonotic diseases is another field of importance, including Covid-19, Nipah virus, avian influenza, avian cholera, foot-and-mouth disease, swine fever, parvovirus, canine distemper and rabies—to reduce risks to public health and protect the national economy. Producing forensic Zoologists is increasingly important for identifying illegally traded species to determine the species and produce evidence to sentence the culprits.&nbsp; Monitoring bird diversity and fauna in airports is an important task for zoologists to reduce, deter or prevent birds and wildlife hazards in the airport, aircraft and passengers’ safety. International Civil Aviation Organization (ICAO) provides guidelines to induct ornithologists to keep the records to bird strike in the planes and deter birds and wildlife in the airports. If Nepal effectively utilises the expertise of zoologists in all tiers of government in species research, population dynamics, and ecotourism planning, it could strengthen biodiversity conservation while generating revenue and supporting economic development.&nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20260211030240_c7926dad8b93a8aad05fac2e4ec613c0ec450fd4b876821f3216c904c0771fdf.jpg" data-media-id="editor_7" data-image-id="20260211030240_c7926dad8b93a8aad05fac2e4ec613c0ec450fd4b876821f3216c904c0771fdf" data-rendition-name="original" width="1500" height="844" loading="lazy" alt="Jackle"> <figcaption>A jackal in Mustang.</figcaption> </figure>  Over the past five decades, the Central Department of Zoology at Tribhuvan University has produced more than 2,000 MSc graduates. However, very few have been absorbed into government, with most employed in education, pursuing alternative careers, or emigrating.&nbsp; In contrast, graduates in forestry, botany, microbiology, and environmental sciences have secured greater representation in government roles. The Department of Zoology must evolve to meet modern demands with applied research, wildlife management, and revenue-oriented conservation strategies aligned with the regenerative nature of fauna. Rajendra N. Suwal is Vice President of Nepal Zoological Society in Kathmandu.