Near Pimbahal Pokhari in Patan is a vast courtyard lined with historic Newa houses. At the centre is the two-tiered pagoda of Ratneswar Mahadev.&nbsp; The original carvings on the windows, doors, cornices date back at least to the 14th century. However, radio-carbon analysis of a sample taken from the western doorframe of the temple suggests a date somewhere between 1020 and 1210 CE, making the 8m-tall temple one of the oldest tiered structures in Kathmandu Valley. Sixteen beautifully carved wooden struts support the temple roofs, and most of these were stolen in the 1970s and 1980s, along with the other wooden carvings of the temple. The struts depicted the distinctively stylised and elongated figures of Salabhanjika: standing full breasted slender figures, with wide hips and crossed legs, holding a tree branch with one hand. They stood above the yaksas, their male counterparts, who are by contrast stout and unrefined.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2023051714054_8367e31a8ae034d0f61889f1cb360d696f2c0229b98f4c2ddda0e4423eca6c1b.jpg" data-media-id="editor_0" data-image-id="2023051714054_8367e31a8ae034d0f61889f1cb360d696f2c0229b98f4c2ddda0e4423eca6c1b" data-rendition-name="original" width="3259" height="4888" loading="lazy" alt="Australian galley returns stolen strut to Nepal"> </figure>  By the 1980s, the temple had further deteriorated, the roof had collapsed and all but two of the temple’s original primary struts had been stolen. Those only survived because one was buried in debris inside and another was taken by a sympathetic neighbour for safekeeping, and both are currently on display at the Patan Museum. One of the stolen struts was finally returned to Patan this week from Australia’s Art Gallery of New South Wales (AGNSW) where it was located in 2001, almost 50 years after it was stolen.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2023051714054_1229837934f7f8770a9da7281b640b5172b35912cedfddf20be3bfecf3869bdd.jpg" data-media-id="editor_1" data-image-id="2023051714054_1229837934f7f8770a9da7281b640b5172b35912cedfddf20be3bfecf3869bdd" data-rendition-name="original" width="3259" height="4888" loading="lazy" alt="Australian galley returns stolen strut to Nepal"> </figure>  AGNSW Director Michael Brand formally handed over the strut to Heramba Raj Rajopadhyay, the head priest of the Ratneswar Temple on 16 May 2023. In attendance were Australia’s Assistant Foreign Minister Tim Watts (see interview, below) and Mayor of Lalitpur Metropolitan City Chiri Babu Maharjan. Watts said at the ceremony: “In 1975, thieves took it, illegally removed it. A collector acquired it, treasured it. When he died, he donated it. It sat in an Australian art gallery, which exhibited it, honoured it. People came to see it, were moved by its elegance and craft. But it didn’t belong there either – that wasn’t its home.”  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2023051714054_8e1507cca47cdba601fa25db3cfd484c6f0cc6a0436094d36dbc8adccf335d2a.jpg" data-media-id="editor_2" data-image-id="2023051714054_8e1507cca47cdba601fa25db3cfd484c6f0cc6a0436094d36dbc8adccf335d2a" data-rendition-name="original" width="2859" height="4288" loading="lazy" alt="Australian galley returns stolen strut to Nepal"> </figure>  Thousands of stone, metal and wooden heritage have been stolen from the Kathmandu Valley since the 1970s and, as with many of these artefacts, how this particular strut was smuggled out of the country remains a mystery.&nbsp; What is known is that in the intervening years, the strut changed hands until it reached Alex Biancardi, an Australian-British collector of Asian art. Coming from an old family from Alexandria in Egypt, Biancardi arrived in Australia in 1947 after a stint in the air force, where he became a textile trader. He returned to France in 1962 but would frequently revisited Australia. He died in November 1998, bequeathing much of his collections to the AGNSW, including the Ratneswar strut in 2000. In 2001, scholar Mary Slusser informed the gallery that she had taken photographs of the struts in 1969 before they were stolen. The gallery began its own research to find out more about where it came from, but because of the turmoil in Nepal after the royal massacre could not return it.&nbsp; Brand first visited Nepal with his brother in 1973 when he was only 15 and met architectural conservator John Sanday who was then leading restoration work on the Hanuman Dhoka.&nbsp; Read also: <a href="https://www.nepalitimes.com/review/remembering-nepals-lost-and-the-found">Remembering Nepal's lost and the found</a>, Ashish Dhakal He told Nepali Times: “Nepal changed my life, and ultimately led to me studying the art of South Asia before becoming a curator, and then an art museum director.”&nbsp; Brand would then later join the J Paul Getty Museum in Los Angeles in 2005 as its director. In 2010, the Getty was under extreme pressure from the Italian and Greek governments to return Italian, Greek and Etruscan antiquities.&nbsp; Getty returned 45 artefacts to Italy, signing an agreement for cultural exchange, which allowed for the museum to borrow on long-term loan other objects.&nbsp; So, when heard about the Ratneswar strut at the AGNSW, Brand was already experienced in working through these issues and realising what the best approach would be. “The number one goal for me to protect artefacts from looting no matter where it stays,” he says.&nbsp; Back in Nepal, restoration of the temple began in earnest in 1992 by the KVPT and World Monuments Fund (WMF). Replicas of the stolen struts were designed based on Slusser's photographs and the caretaker's memories by Indra Kaji Shilpakar in 1998.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2023051714054_1179ac406a52a64d07796476b00bc0310ae9522cd11ab9cb6f8c2cae1a123c32.jpg" data-media-id="editor_4" data-image-id="2023051714054_1179ac406a52a64d07796476b00bc0310ae9522cd11ab9cb6f8c2cae1a123c32" data-rendition-name="original" width="2933" height="4399" loading="lazy" alt="Australian galley returns stolen strut to Nepal"> </figure>  But immediately after the first restoration, one of the strut reproductions and the toran were stolen, with the most recent theft 10 years ago. Slusser then wrote: ‘Attempts to steal the modern reproductions from the temple made it clear that the (AGNSW) strut had best be left on loan to Australia.’&nbsp; Between 2001 and 2006, the Gallery and the KVPT investigated options for returning the sculpture and agreed that, for safekeeping, the Gallery would retain custody of the strut. Roshan Mishra of Nepal Heritage Recovery Campaign notes that Slusser however did not have the authority on where the strut should stay, that say belonged to the community of Sulima. On a visit to the AGNSW in 2019, Mishra found that the gallery displayed the strut, specifying that it was originally from the Ratneswar temple in Patan, which he says was unusual for galleries and museums to do.&nbsp; The discussions between the gallery and Nepal government were once again hampered by the 2015. But the strut was formally deaccessioned by the gallery in 2022, and the governor of New South Wales signed off on the return.&nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2023051714054_0e8bd039620dfb76662ed1dc1d9ef189cbe47aa278fdbb58544c22bb035369ff.jpg" data-media-id="editor_5" data-image-id="2023051714054_0e8bd039620dfb76662ed1dc1d9ef189cbe47aa278fdbb58544c22bb035369ff" data-rendition-name="original" width="3071" height="4606" loading="lazy" alt="Australian galley returns stolen strut to Nepal"> </figure>  Brand adds that the return and his trip to Nepal are important to build a relation with curators, scholars, the Department of Archaeology, the ministries, the community in Nepal and Australia. “Nepal is fortunate to have such fantastic culture that people are interested in,” he says. Two other struts from the Ratneswar Temple have since been located by Lost Arts of Nepal: one in the collection of Chino Roncoroni, and other with Theresa McCullough in London. The return of the strut is among the many stolen cultural heritage returned in recent years from museums, galleries and collections abroad. On 11 May 2023, the American Homeland Security Investigations handed over to the Embassy of Nepal in DC 40 artefacts, including 39 engraved and painted wooden panels and a carved wooden shrine dated to the 19th-20th century. Earlier, stone statues of Uma Mahesvara, Chaturmukh Shivlinga, Nagaraja, Padmanpani and Shakyamuni Buddha were repatriated and wooden statues of Nritya Devi and standing stone statue of Lord Buddha. &nbsp;&nbsp;&nbsp;&nbsp; Read on: <a href="https://www.nepalitimes.com/banner/faith-stolen-lost-in-nepal-found-in-america?fbclid=IwAR339kc1dVacPz-FtNvJMdX7wBCk68KWkYD9EYasJsPphlbsQdwG-cfMkSg">Faith Stolen: Lost in Nepal, found in America</a> <h2>"The joy of returning it to the place it belongs"</h2> Australia’s Assistant Foreign Minister Tim Watts attended the historic handing over of the stolen strut from Patan’s Sulima Ratneswar temple on 16 May. He spoke to Nepali Times after the ceremony. Excerpts:  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2023051714058_031d022cf7263778751f47e9e3fdee9583729390136a17354b103d83df40f521.jpg" data-media-id="editor_7" data-image-id="2023051714058_031d022cf7263778751f47e9e3fdee9583729390136a17354b103d83df40f521" data-rendition-name="original" width="1600" height="1066" loading="lazy" alt="Australian galley returns stolen strut to Nepal"> <figcaption>The Australian Assistant Minister for Foreign Affiars Hon Tim Watts, MP, in conversation with Mayor of Lalitpur Chiri Babu Maharjan at the handing over ceremony for the Ratneshwar Mahadev strut on Tuesday. Photo: TIM WATTS MP/FACEBOOK</figcaption> </figure>  Nepali Times: How did you come to find out about the strut and why did you want to visit Nepal for its return?&nbsp; Tim Watts: As the Australian Assistant Minister for Foreign affairs, we often say that Australia’s foreign policy begins with our identity. Australia is one of the most multicultural countries in the world: half of Australians are either born overseas or have a parent born overseas. This connects us with every corner of the world which can look at Australia and see it reflected. We can look into ourselves and understand the world better. The Nepali Australian community is the fastest growing in Australia, with about 130,000 Australians having Nepali ancestry. I was interested in the Australia-Nepal relations in that context. I understand the deep importance of faith and culture for our diaspora community, and maintaining that connection with their country of origin. I became aware through the Embassy of Nepal of the discussions between the AGNSW, the Department of Archaeology in Nepal (DoA), and the Ministry of Culture, Tourism and Civil Aviation about the investigation into the provenance of this tudal (strut) from the Ratneswar temple, and its potential repatriation. And I thought this was enormously praiseworthy of the gallery and this was a model of the ethical practice in international obligations and wanted to show my support. The credit here goes to the AGNSW because they were the ones, when made aware of the potential problematic provenance of the tudal, engaged in the investigation, worked with the authorities in Nepal, and arranged for the repatriation. And my presence here is to throw the spotlight on [the repatriation] as the best practice and saying that the Australian government supports and endorses it. What can be the process for this best practice? Each artefact will have its own cultural context, its own history and present-day circumstance that will impact what the best practice is for it. Its safety is an important consideration, the changing cultural contexts of governments on both sides matter as well. There is not only one appropriate response. The momentum we have been seeing around the world for governments recognising where it is best to repatriate is a really positive thing that we want to show our support for.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20230517140516_f801b6b3dc2661f380f13fa6b23c378cf737753d0f5956c5206b31689e4b1f8e.jpg" data-media-id="editor_8" data-image-id="20230517140516_f801b6b3dc2661f380f13fa6b23c378cf737753d0f5956c5206b31689e4b1f8e" data-rendition-name="original" width="4888" height="3259" loading="lazy" alt="Australian galley returns stolen strut to Nepal"> </figure>  Like Australia, Nepal is also a multilingual and multicultural country. How does it feel to witness the handing over? I found it to be enormously meaningful and a moving celebration, for a number of reasons. Firstly, being there on the ground, it was really clear how much this tudal meant to the local community, to see the joy of returning it to the place it belongs to them. It was not just a historical artefact but a living expression of culture. It was also meaningful to me as a representative of the Australian government that puts our identity at the heart of our foreign policy. I know how meaningful acts like this are to our Australian Nepalis. I had a number of meetings with the Nepali communities in Australia before I came here. The word that this happening had gone around, and people were really proud that Australia was the kind of country that returned cultural artefacts and didn’t unjustly hold on to them. Obviously, there are many cultural contexts of removal, et cetera, and it’s difficult to generalise. But in this particular instance, the best practice was to return it and I was proud to have been part of that. I was aware of an increasing number of artefacts returning to Nepal in particular, largely from the US, and I think that the momentum behind the returns is a really positive thing. That is part of why we were very keen on holding a public celebration of this repatriation, to draw attention to this as a model of the best ethical practice and international cooperation. It is important to us Australians to see that we not just repatriate the artefact but we model to the world on how we do this. A reason behind this is that many Australian cultural artefacts are held in institutions away from Australia, and more egregiously the remains of Indigenous Australians held in academic and cultural institutions. We have often sought the return of these to Australia because they are incredibly meaningful to Indigenous Australians who have a profound connection with the place and country they come from and it is enormously distressing for them when they are removed from the country. What does the repatriation of this strut from Ratneswar mean to the Australia-Nepal relations? There was intense cooperation between the Nepali and Australian governments, the embassy, and the DoA. I think that as a multicultural country, Australia has a lot of experience in the importance of cultural heritage to our diaspora communities. There is this phenomenon where the further you are from your mother country, the more intensely you value, celebrate and want to preserve that culture. As such, this is doubly meaningful for the Nepali-Australian community because it validates and supports their cultural practices and connects them to Nepal, and also gives them pride in their Australian identity – that they are a member of the country that does the right thing with respect to cultural artefacts. There is nothing more Australian than celebrating our multicultural identity. Read more: <a href="https://www.nepalitimes.com/here-now/how-nepali-antiquities-got-to-chicago-museum">How Nepali antiquities got to Chicago museum</a>, Alisha Sijapati

Ashish Dhakal

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Australian gallery returns stolen strut to Nepal

<figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/2022111414110/63723cbc9c7e80680e0c9634jpeg.jpg" alt="" width="3000" height="1422"/><figcaption>Interior of I-Baha Bahi. All photos: LOST ARTS OF NEPAL.</figcaption></figure>One of the oldest Buddhist monasteries in Patan is I-Baha Bahi. Official records date it to 1418 CE, but its history goes back millennia.The two-storey structure with a finial on top is located along the holy route of the annual Machindranath chariot procession, and is also known also as Rajashri Mahavihar or Singha Varna Mahavihar.Guarded by two large stone lions at the entrance, the vihar retains much of its original mud, brick and wood structure, which was renovated in 1995 with support from the Nippon Institute of Technology of Japan.Daily rituals are performed in the mornings and evenings by initiated members of the sangha who take turns every month. Rajashri Mahavihar also used to host the grand Bahidyo Bwoyego festival every year when sacred paintings, artefacts and statues of the gods used to be brought out for display during the holy month of Gunla in August.The whole community, and devotees from further afield, used to attend this parade of the gods, making offerings, chanting stotra and singing hymns.<figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/2022111414110/63723cbf9c7e80680e0c9635jpeg.jpg" alt="" width="3000" height="1422"><figcaption>Amoghapasa Lokeswar and Dipankar Buddhas on display in I-Baha Bahi.</figcaption></figure>But one day in 1970 when sangha members were busy preparing for the ritual, they discovered that the sacred treasury above the main shrine had been broken into the night before, and the gods had been stolen. No written record existed of what was lost: there were only the memories of elders and caretakers.The Jesuit scholar John K Locke in his 1985 book <a href="https://archive.org/details/BuddhistMonasteriesOfNepalSurveyOfBahasAndBahisOfKathmanduValleyByJohnK.Locke">Buddhist Monasteries of Nepal: Survey of Bahas and Bahis of Kathmandu Valley</a> writes: ‘The bahi originally had quite a collection of old wood and terracotta images but most of these have disappeared in the last ten years and what remains is thrown in a corner near the entrance, damaged and unattended.’Then in 2015, almost as though the gods themselves ordained it, a colour photograph was discovered. It was taken in 1969 by scholar Mary Slusser and published in her article <a href="https://www.asianart.com/articles/paubhas/index.html#23">Conservation Notes on Some Nepalese Paintings</a> published in 2003.<img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/2022111414114/63723cc39c7e80680e0c9636jpeg.jpg" alt="" width="3000" height="1422">In the picture, five large wooden sculptures can be seen, along with four empty pedestals. Two other pedestals that had small miniature sculptures which did not belong there originally were also in the photo.This image was the starting point in our long saga of tracking down the sacred objects stolen from the Rajashri Mahavihar in 1970: three Nrityadevi images, one Chintamani Lokeswar, and one standing Tara.We showed Slusser’s photo to 84-year-old Saraswati Tamrakar who lives just behind the vihar in Patan (pictured above). She told us: “The deities used to be displayed on the ground floor during Gunla and the corridors would be filled with different gods. It was a sight to see.”Using Slusser’s in situ photograph, we at Lost Arts of Nepal began our investigation, scouring auction sales, private collections and museums across the globe.<figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/2022111414114/63723cc69c7e80680e0c9637jpeg.jpg" alt="" width="2160" height="2652"><figcaption>Colour in situ photograph by Slusser of the three Nrityadevi, one Chintamani Lokeshwar and standing Tara with their matches in the collections of several US museums.</figcaption></figure>Eventually, the Chintamani Lokeswar (No4) was traced to the Los Angeles County Museum of Art (LACMA), but the picture in the database of the collection did not match the one in Slusser's photograph. The Lokeswar in her picture held a tree branch with the proper-left hand while the deity in the museum's catalogue held it in its proper-right hand. The statue had been donated to LACMA by Anna Bing Arnold in 1984.We thought the Lokeswar in the photograph in Slusser’s book and LACMA could have been part of a pair. We posted the photograph online, titled 'Lost Twins' in March 2018 to get some response from the museum.Photographs from the University of Michigan Archives taken in 1988 of the LACMA collection were then discovered. Among these was another picture of the same Lokeswar which matched perfectly with Slusser's picture. The photograph on the museum website turned out to be a mirror image, and LACMA later corrected it on its website.Meanwhile, the search for the three Nrityadevi took us to the Metropolitan Museum of Art (The Met) in New York. This is a rare and unique subject in Nepal’s religious iconography, so it was easy to identify. One of the three from Slusser's photo was a perfect match for an image in The Met catalogue, complete with a broken proper-left hand (No5). The statue came to The Met collection from the Zimmerman family in 2016.Another Nrityadevi (No3) was discovered in 2019 when it was announced as an item for sale at the Bonham's Auction in New York. It had been acquired in New York in 1982 and was part of a private collection in Florida of an individual who had once served as a diplomat to Nepal. Their identity has been kept anonymous as they are willing to repatriate the statue to Nepal.The standing Tara (No1) was then located at the Art Institute of Chicago. This was a tough one to match, since in Slusser’s photograph it was wrapped in ceremonial garb with only its head and unique facial expression visible. The statue was gifted by the prominent collector of Himalayan art, Marilynn B Alsdorf, to the Institute in 2014.The Alsdorf collection had other stolen Nepali artefacts, and many of them still remain at the Art Institute, including the <a href="https://www.nepalitimes.com/here-now/how-nepali-antiquities-got-to-chicago-museum/" target="_blank" rel="noopener noreferrer">Taleju necklace dating back to the 17th century</a> CE from Hanuman Dhoka, stolen 46 years ago.The last remaining Nrityadevi (No2) was tracked to the Philadelphia Museum of Art. It had been purchased by the museum with the Stella Kramrisch Fund – named after another prominent scholar of Nepali art – in 2000.<figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/2022111414114/63723cc99c7e80680e0c9638jpeg.jpg" alt="" width="3000" height="1422"><figcaption>Interior of I-Baha Bahi</figcaption></figure>Ever since the deities were stolen 52 years ago, Gunla at the I-Baha Bahi has been a forlorn affair, and sangha members feel orphaned. Chaturatna Shakya of Patan remembers another instance in the 1980s when a large gilt copper image of the main deity of the vihar, Ashobhya, was stolen from the sanctum sanctorum at midnight.Another witness, Kanchha Shakya remembers, “There must have been more than 10 people. It was a heavy object, and the thieves had to drag it across the floor and down the steps to a waiting vehicle, leaving behind marks all along the way.”A police report was filed in the morning, but the culprits were never found. Instead, police interrogated sangha members, suspecting them of foul play, and to deter them from pursuing the matter. Many first-hand witnesses from the time have now died. Only stories and rumours remain, but a new generation is eager to know the whereabouts of the gods of their ancestors, and want them returned.<img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/2022111414114/63723ccc9c7e80680e0c9639jpeg.jpg" alt="" width="2880" height="2880"><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/2022111414114/63723ccf9c7e80680e0c963ajpeg.jpg" alt="" width="2880" height="2880"><figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/2022111414114/63723cd39c7e80680e0c963bjpeg.jpg" alt="" width="3000" height="1420"><figcaption>Wooden fragments in the vihar. On top, match made by Lost Arts with the two photographs taken by Mary Slusser at the vihar which she wrongfully attributed to Yampi Mahavihar near the northern Ashok Stupa in Patan.</figcaption></figure>Besides the photograph of the five statues from I-Baha Bahi, Slusser took two more photographs around the same period, wrongly attributing them to Yampi Mahavihar near the northern Ashok Stupa in Patan. The wooden fragments, multiple wooden pedestals and broken limbs in the photos are actually from I-Baha Bahi.When Nepal opened up to the outside world, and the first visitors started arriving, observation and curiosity about Kathmandu’s ‘exotic’ culture eventually led to the objectification of spirituality. Statues of deities and sacred items that were still being actively worshipped, were reduced to objets d’art on their shopping lists.It signified a sense of superiority, a status symbol for Western museums and individuals to hold stolen cultural relics from the far ends of the world.In those days, people in Kathmandu Valley neighbourhoods would often wake up to the news of yet another god which had vanished in the night. They would go to temples for morning worship, and the deity would be gone. The gods that were supposed to protect communities, needed protection themselves.Over three decades, Kathmandu Valley was plundered, often with the connivance of local authorities, to meet the demand of art connoisseurs in the West. The gods that remain are still being stolen to this day. But unlike Grecian or Roman antiquities, these were not museum pieces, but represented the faith, identity and way of life of a vibrant culture that lives today.Many of the stolen objects were too big to be smuggled out in a suitcase. How could they have crossed borders, passed through customs and ended up in museums in America, Europe or Australia? It would not have been possible without the involvement of an organised art trafficking ring.<figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/2022111414114/63723cd69c7e80680e0c963cjpeg.jpg" alt="" width="3264" height="2184"><figcaption>The exterior of I-Baha Bahi in Patan, more popularly known as Rajashri Mahavihar.</figcaption></figure>It was pure luck that Mary Slusser's photograph was found. All five artefacts in it have been now identified and tracked to museums in America. According to the Department of Archaeology, 93 stolen gods have been returned so far, but the work does not end there: the gods need to be returned to Nepal and reinstated to their original shrines and purpose.Many stolen deities have been replaced with replicas, but for the communities it is not the same. They were a consecrated part of a much larger culture that lives and breathes, and their return can help us understand the legacy left by our ancestors.One day, at I-Baha Bahi the gods will all be on display again for the Bahidyo Bwoyego during the holy month of Gunla.Lost Arts of Nepal is an anonymously-run social media campaign dedicated to locating and assisting in repatriation of stolen gods of Nepal from museums and collection abroad. Begun formally in August 2015 as an awareness initiative, Lost Arts have succeeded in locating over 50 stolen artefacts.

Faith Stolen: Lost in Nepal, found in America

<figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/2022111410110/637203cb9c7e80680e0b2828jpeg.jpg" alt="" width="2560" height="1707"/><figcaption>A Memorandum of Understanding was signed by Bishnu Prasad Gautam, the Acting Consul General (left), and Dr Jorrit Britschgi, the Execute Director of Rubin Museum (right) for the return two wooden art works to Nepal. Photo: CONSULATE GENERAL OF NEPAL.</figcaption></figure>After increased international spotlight on stolen antiquities, the <a href="https://rubinmuseum.org/">Rubin Museum in New York</a> is returning two wooden carvings stolen in the 1980s from Kathmandu Valley temples that were in its permanent collection.Activists had been <a href="https://www.nepalitimes.com/here-now/2-more-nepali-antiquities-traced-to-us-museum/">lobbying for the return</a> of the 14th century flying Apsara/Gandharva stolen from Itum Bahal, and the upper section of the 17th century torana wrenched out of the main doorway of Yampi Mahabihara/I-Bahi in Patan.‘As custodians of the art in our collection, the Rubin recognises that we have an ongoing duty to carefully research the art and objects we collect and exhibit … the Rubin’s collecting activities adhere to the highest standards of ethical and professional practice related to provenance,’ said Jorrit Britschgi, Executive Director of Rubin Museum.<a href="https://nyc.nepalconsulate.gov.np/press-release-the-rubin-museum-of-art-to-return-two-wooden-art-works-to-nepal/">Britschgi signed an MoU with Bishnu Prasad Gautam</a>, Acting Consul General of Nepal in New York on 10 January.<figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/2022111410110/637203ce9c7e80680e0b2829jpeg.jpg" alt="" width="1440" height="1440"><figcaption>The 17th-century wooden Torana Stolen (left) and the 14th-century Flying Gandharva (right) was tracked by the Lost Arts of Nepal in Spetember 2021. Photo: LOST ARTS OF NEPAL.</figcaption></figure>Gautam said the Consulate and the Rubin Museum will “work closely in the promotion of art and culture” from the Himalaya.The Rubin has agreed to bear the cost for returning both the objects to Nepal, possibly by the third week of May. Until then the objects will remain in the custody of the museum.The Apsara, originally from Keshchandra Mahabihara, was added to the museum’s collection in 2003, while the torana in 2010. The online group <a href="https://www.facebook.com/lostartsofnepal/photos/2995487014105084" target="_blank" rel="noopener noreferrer">Lost Arts of Nepal</a> had tracked the objects to the museum’s collection and the <a href="https://nepalheritagerecoverycampaign.org/news/rubin-museum-to-return-nepalese-relics-thought-to-have-been-stolen/">Nepal Heritage Recovery Campaign</a> had alerted the Nepali consulate and the museum in September 2021 about the provenance of the two objects, after which Rubin had promptly withdrawn them from public display.Rubin said in a statement that the two objects – both extraordinary examples of traditional Newa devotional art – were the first in its collection found to have been unlawfully obtained.The Consulate General and the Rubin collaborated to verify the origins of the artefacts, and the museum engaged two scholars of Nepali art to examine and research their known provenance. The scholars found that the Gandharva went missing from Itum Bahal in 1999 and was purchased by the Shelley and Donald Rubin Cultural Trust four years later.According to Sandrine Millet, a spokesperson for the museum, the two artefacts were purchased in private sales, but she declined to name the dealers.<figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/2022111410110/637203d29c7e80680e0b282ajpeg.jpg" alt="" width="1920" height="2560"><figcaption>The Consulate General and the Rubin Museum officials standing next to the Gandharva and the Torana on Monday. Photo: CONSULATE GENERAL OF NEPAL.</figcaption></figure>Speaking with <a href="https://www.nytimes.com/2022/01/10/arts/design/rubin-museum-returning-nepalese-relics.html">the New York Times</a>, Roshan Mishra, the director of <a href="https://www.facebook.com/TaragaonMuseum">Taragaon Museum</a> said, “If museums like the Rubin are actively repatriating their artefacts, I think it will be easier for other museums to follow their lead.”Once in Nepal, the Department of Archaeology will determine whether the objects will return to their original shrines, or to the National Museum. The Gandharva and the torana are among <a href="https://www.nepalitimes.com/banner/who-looted-nepals-gods/">the 55 artefacts</a> currently in the list of antiquities that the Department is negotiating with museums and collections for repatriation.In the past year, six stolen stone and bronze sculptures have been <a href="https://www.nepalitimes.com/banner/nepals-gods-return-from-exile/">handed back to Nepal</a>, including a 800-year-old <a href="https://www.nepalitimes.com/banner/the-enigma-of-arrival-of-nepals-gods/">Laxmi-Narayan statue from Patko Tole</a> in Patan by the Dallas Museum of Art and returned to its original site last month.The 10th century stone figure of <a href="https://www.nepalitimes.com/latest/us-returns-another-antiquity-to-nepal/">Uma Maheswar, stolen from Gaa Hiti</a> in Patan 50 years ago, was also handed over to the Nepal Embassy in Washington DC by the Denver Art Museum in September 2021.Similarly, a 15th century Ganesh was returned by the Manhattan District Attorney’s Office and a 13th century Shivalinga stolen from Kathmandu was returned to the Nepal Embassy in DC by the Art Institute of Chicago.

Rubin to return Nepal antiquities

Robert Redford was an A-list megastar who had dominated Hollywood throughout the 1970s, generally considered the high water mark of American cinema.&nbsp; In those days Nepal was a fashionably remote destination, so it was not unusual for us to be looking after celebrity visitors. But Robert Redford was huge by any standards.&nbsp; “Call me Bob,” was the first thing he said to me, with that wonderful embracing smile that had lit up screens and quickened heartbeats around the world throughout the previous decade.&nbsp; We met over a cosy Mountain Travel dinner in Al Read’s brick and stucco house in Dhobighat. The floors were traditional terracotta tiles, the low beams darkly varnished and a cheerful fire warmed the October chill.&nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250921110940_32dd66ba4b578a843bbbf6a74bca7d47f9ac7083c3bf50f8213ac3e5322974fd.jpg" data-media-id="editor_0" data-image-id="20250921110940_32dd66ba4b578a843bbbf6a74bca7d47f9ac7083c3bf50f8213ac3e5322974fd" data-rendition-name="original" width="1396" height="920" loading="lazy" alt="Robert Redford in Nepal"> <figcaption>Robert Redford in 1982 at Meghauli airfield in Chitwan with young Kirsten Annapurna Read, the daughter of Al Read, managing director of Mountain Travel Nepal.</figcaption> </figure>  Our heroes often seem diminished in real life and Redford was shorter than expected, though taller than his friends and co-stars Paul Newman and Dustin Hoffman. But most striking was his pock-marked skin which must have challenged makeup artists over the years.&nbsp; I was disappointed he was not wearing his trademark cowboy boots, but Bob’s fame infused the room with his gentle politeness and low-key glamour. Next morning I picked him up from the Malla Hotel for some light sightseeing around the Valley. Under strict instruction from ‘his people’ that any fuss from fans was to be minimised, I was surprised to see him wearing a Sundance tee-shirt – just in case no one recognised him.&nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250921040916_1674398340a9501127e9f8b6b775f41b35703253f772ee05c6ab064819cd0abb.jpg" data-media-id="editor_1" data-image-id="20250921040916_1674398340a9501127e9f8b6b775f41b35703253f772ee05c6ab064819cd0abb" data-rendition-name="original" width="840" height="1280" loading="lazy" alt="Robert Redford in Nepal"> <figcaption>Robert Redford exploring the Kathmandu Valley in 1982. Photo: GALEN ROWELL </figcaption> </figure>  Unmolested, we walked the ancient streets of Bhaktapur, and Bob was duly entranced by the visual impact of Malla Newar’s enduring culture. Robert Redford’s main purpose in Nepal was to trek in the Khumbu with his friend Galen Rowell, an adventure photographer, conservationist and mountaineer who met a premature death in 2002 in a small plane crash in Bishop, California.&nbsp; There may have been some talk of a film about Everest, but nothing came of it. After the trek, Bob and Galen explored the grasslands and forests of Chitwan, staying with us at Tiger Tops Jungle Lodge to view wildlife from the back of a well-trained elephant.&nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250921110948_7c2339d73cedfcc9e659169d1d1bc2239d3d9973f6c4b1a945bfeb74b9b74d19.jpg" data-media-id="editor_2" data-image-id="20250921110948_7c2339d73cedfcc9e659169d1d1bc2239d3d9973f6c4b1a945bfeb74b9b74d19" data-rendition-name="original" width="723" height="958" loading="lazy" alt="Robert Redford in Nepal"> <figcaption>Robert Redford in Chitwan, with Tiger Tops Manager KK Gurung on 9 December 1982. Photo: GALEN ROWELL</figcaption> </figure>  Confiding that he was not much of a traveller, Bob told us Nepal was one of his first trips outside the USA. Bob preferred his homes in Malibu on the Pacific coast and the wide open spaces of Utah, which he named Sundance after his favourite role.&nbsp; SOARING GRANDEUR With his strong affinity for the outdoors, Redford’s horizons must have been significantly expanded by the soaring grandeur of Nepal's sublime mountains, untamed rivers, and tiger and rhino infested lowlands. Galen’s knowledge and enthusiasm for all things Himalayan made him the perfect person to introduce this prominent novice tourist to Nepal’s wild places. Framed photographs of Bob taken by Galen’s skilled camera still grace tourist lodges on the Everest trail, and I confess to having one hanging in our downstairs loo.&nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250921070932_7bff2986293742e6e97c91c879f2549f2a99095f1f4a98c50e3b74c7f91f7b84.jpg" data-media-id="editor_3" data-image-id="20250921070932_7bff2986293742e6e97c91c879f2549f2a99095f1f4a98c50e3b74c7f91f7b84" data-rendition-name="original" width="1076" height="1624" loading="lazy" alt="Rovert Redford in Nepal"> <figcaption>Robert Redford in snowbound Namche Bazar in 1982.</figcaption> </figure>  His movie classics that defined our youth included the iconic Butch Cassidy and the Sundance Kid, The Sting, All The President’s Men and The Way We Were. With many Oscar nominations, his personal best was Ordinary People, his directing debut which swept the award board in 1980, shortly before his Nepal trip. But Robert Redford was more than just an all American action man actor and successful film director. He chose roles that highlighted his political and social outlook. He was admired as an active environmental campaigner, using his fame to fight for clean air and pure water, serving as a trustee of the Natural Resources Defence Council.&nbsp; Redford once said: “The danger of success is that it forces you into a mould. I prefer independence.” Choosing the wilds of Utah over the jungles of Hollywood, in 1981 he started the Sundance Institute to cultivate controversial and independent movie talent.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250921040916_081aa6b2c1f9f82f3ea6a550c6887d9a991f2983a0a976456d627d711ae8a2e2.jpg" data-media-id="editor_4" data-image-id="20250921040916_081aa6b2c1f9f82f3ea6a550c6887d9a991f2983a0a976456d627d711ae8a2e2" data-rendition-name="original" width="2448" height="3264" loading="lazy" alt="Robert Redford in Nepal"> <figcaption>Robert Redford being shown around Bhaktapur by Lisa Choegyal on 21 Nov 1982. Photo: GALEN ROWELL</figcaption> </figure>  Festival screenings and workshops gave thousands of film people a chance of artistic freedom, nurturing a galaxy of filmmaker greats. At the end of his long life, Redford’s Sundance is widely recognised as having profoundly influenced American cinema.&nbsp; I like to think that Robert Redford’s rare overseas holiday amidst the stunning natural beauty of Nepal’s high mountains, Sherpa villages, living heritage and endangered animals might have opened his eyes and perhaps even sparked his lifelong concern for social and environmental issues.&nbsp;

The Sundance Kid in Nepal

This text has been updated. Ten days after being nominated caretaker, Prime Minister Sushila Karki has added four more members to her Council of Ministers: Magsaysay winner Mahabir Pun, tv anchor Jagadish Kharel, former Justice Anil Kumar Sinha and Samata Foundation chair Madan Pariyar. Karki was under pressure to complete her compact Cabinet quickly. But it appears that her attempt to find professionals with non-political background, integrity, a record of professionalism while making the selection inclusive has not been easy.&nbsp; Several candidates that Prime Minister Karki had approached is said to have refused to join the interim government. Some have political ambitions and were worried that they would not be able to campaign ahead of early elections called for 5 March 2026.&nbsp; Among those who opted out for various reasons include famed ophthalmologist Sanduk Ruit who said his main responsibility was running his Tilganga Institute of Ophthalmology. Also considered for the role of the Health Minister was cardiologist Bhagwan Koirala who is thought to have declined because of his association with Min Bahadur Gurung, owner of Bhat-Bhateni supermarket chain who had pledged Rs410 million to his Kathmandu Institute of Child Health. Twelve Bhat-Bhateni stores across the country were looted and set on fire during the GenZ protests on 9 September.&nbsp; The Prime Minister had finalised public health expert Sangita Kaushal Mishra for Health Minister, sending her name to the President's office along with the other Cabinet picks on Sunday evening. But the PM withdrew Mishra's name from the list on Monday after it emerged she was under a corruption investigation.&nbsp; Mahabir Pun of the National Innovation Center is the new Minister of Education, Science and Technology. Tv talk show host Jagadish Kharel who runs a popular current affairs program will lead the Ministry of Communication, while Anil Kumar Sinha seems set to be named Minister of Law, Justice and Parliamentary Affairs. Sinha and Mishra are from the Madhes. The new ministers will be sworn in on Monday. The names of the new ministers were finalised in consultation with the representatives of the GenZ protesters. Appointments of new ministers last week, especially of advocate Om Prakash Aryal as Home Minister, was rejected by Sudan Gurung of Hami Nepal, one of the GenZ campaigners, who even demanded resignation of the newly appointed Prime Minister Sushila Karki because his group was not consulted. Last week, advocate Om Prakash Aryal was appointed Home Minister as well as Minister of Law, while former CEO of NEA Kulman Ghising as Energy Minister Urban Development Minister and Minister of Physical Infrastructure, and former finance Secretary Rameshwore Khanal as Finance Minister last week and were sworn in on 15 September. The new ministers have their work cut out as Prime Minister Sushila Karki has set elections for the House of Representatives for 5 March 2026. Electoral reform such that Nepalis outside the country could vote remains a challenge due to time limitation and because of the dissolution of Parliament. The interim government could ask for two more months beyond the initial six to prepare for voting.&nbsp; KNOW THE MINISTERS Names of possible ministers and their portfolios: Mahabir Pun, Minister of Education, Science and Technology  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250921150956_5e04418c4d79e283ac66932fbe9cffa8bfdccb8973c7ba867b3a241d0a5c19a4.jpg" data-media-id="editor_0" data-image-id="20250921150956_5e04418c4d79e283ac66932fbe9cffa8bfdccb8973c7ba867b3a241d0a5c19a4" data-rendition-name="original" width="2365" height="3143" loading="lazy" alt="Mahabir Pun"> </figure>  He is the founding chair of the National Innovation Center which was set up in 2012 and most recently restored 484 medical devices including ventilators, dialysis machines, X-rays and autoclaves worth Rs243 million in government hospitals.&nbsp; Pun, 70, is the recipient of the prestigious Ramon Magsaysay Award for community leadership in 2007 for his effort in connecting rural Nepal with wireless internet. Jagadish Kharel, Minister of Communications and Information Technology  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250921150956_25b90f5febc65782a3e74a288212175d075b4078802cdd1c0fe16767cf9dd95c.jpg" data-media-id="editor_1" data-image-id="20250921150956_25b90f5febc65782a3e74a288212175d075b4078802cdd1c0fe16767cf9dd95c" data-rendition-name="original" width="1920" height="1080" loading="lazy" alt="Jagadish Kharel"> </figure>  He is a tv journalist with nearly 20 years of experience. He is currently the news head of Image Channel as well as the host of the show Hot Seat, and is known for in-depth political and government policy analysis and commentary. Kharel was previously thought to have been invited to join Rabi Lamichhane’s Rastriya Swatantra Party (RSP) after it emerged as the fourth biggest party in Parliament after the last elections. Anil Kumar Sinha, Minister of Industry, Commerce and Supply; Minister of Law, Justice and Parliamentary Affairs; Minister of Land Reforms, Cooperatives and Poverty Alleviation  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250921150956_ba224a8c2d4c4434ed6e08e858d798b382a06c8606583841c935f927acb5d2f4.jpg" data-media-id="editor_2" data-image-id="20250921150956_ba224a8c2d4c4434ed6e08e858d798b382a06c8606583841c935f927acb5d2f4" data-rendition-name="original" width="1200" height="710" loading="lazy" alt="Anil Kumar Sinha"> </figure>  Anil Kumar Sinha was appointed as a Supreme Court Justice in 2016, and retired in 2023, after reaching the age limit of 65. Home Minister Om Prakash Aryal was formerly also given the responsibility of leading the Ministry of Law. Sinha specialises in tax and corporate law. Most recently, Sinha was a member of the Supreme Court bench that issued a verdict allowing an investigation into misappropriation of government land at Lalita Niwas in Baluwatar. Sinha played a significant role in the eventual impeachment of the then chief of the Commission for the Investigation of Abuse of Authority (CIAA) Lokman Singh Karki ion 2016 over legality of his appointment. He also resolved the dispute concerning the first dissolution of the House of Representatives by then-Prime Minister KP Sharma Oli on 20 December 2020. Madan Pariyar, Minister of Agriculture&nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250921180928_83a9a885704826f04b439cf5096063a0596544a750f78b5ff02ee82df43ca0cf.jpg" data-media-id="editor_3" data-image-id="20250921180928_83a9a885704826f04b439cf5096063a0596544a750f78b5ff02ee82df43ca0cf" data-rendition-name="original" width="640" height="640" loading="lazy" alt="Madan Pariyar"> </figure>  Madan Pariyar is a scholar with notable research contribution in several fields including poverty alleviation, inclusion, good governance, agriculture, industry resource management. He obtained his doctorate and master'sin enginerring from the Asian Institute of Technology in Bangkok and Bachelors of Science in Agricultural Engineering from the Allahabad Agricultural Institute in India. Bcck in 2011, the government appointed Pariyar the chair of the State Restructuring Commission (SRC) which was tasked with advising the Constitutional Assembly on the best possible model of federalism to be adopted for Nepal. Pariyar is also the chair of Samata Foundation that advocates for the rights of the Dalit people and their capacity building.&nbsp; OTHER NAMES Ajaya Bhadra Khanal, research director of the thinktank Center for Social Innovation and Foreign Policy (CESIF Nepal) is likely to be appointed the chief adviser to the Prime Minister. GenZ campaigners have also suggested the name of veteran Nepal Airlines aptain Vijay Lama for the Minister of Culture, Tourism and Civil Aviation. Rights activist Mohna Ansari, heritage conservationist Ganapati Lal Shrestha and Mansi Bhattarai, daughter of former Maoist prime minister Babauram Bhattarai have also been floated for various ministries. PM Karki has said she will limit her cabinet to 11 members for 22 ministries. Karki is likely to handle two or more ministries herself. At present, Kulman Ghising is leading three ministries while Om Prakash Aryal has two.&nbsp;

Nepal PM expands her Cabinet

A security guard with <a href="https://www.bbsm.com.np/" target="_blank">Bhat-Bhateni Supermarket </a>pleads with attackers not to destroy the store. In the widely-shared YouTube video, the mob can be seen surging ahead to ransack and set fire to the store anyway. Twenty-one of the 28 Bhat-Bhateni outlets nationwide were vandalised and looted, 12 of them were completely gutted. The one at Boudha was smouldering for three days till 12 September. Nepal’s biggest supermarket chain is a target in just about every political upheaval in Nepal. The Koteswor branch was looted in the royalist protest in March. This time, the destruction was much more complete and widespread. What began as a youth-led protest against corrupt leaders turned escalated into widespread looting and arson last week, and Bhati-Bhateni’s prominent blue highrise stores became prime targets.&nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250918110952_d60fbd65ee7fc18d2d0deb74ede8eb5b5f133f32eca13c9281b869e0bd479761.jpg" data-media-id="editor_1" data-image-id="20250918110952_d60fbd65ee7fc18d2d0deb74ede8eb5b5f133f32eca13c9281b869e0bd479761" data-rendition-name="original" width="1319" height="783" loading="lazy" alt="Bhatbhateni burning"> </figure>  Min Bahadur Gurung toured the ruins of his stores over the weekend, and said: “Watching the buildings burn felt painful to the core of my heart. But we will rebuild, we will rise again.” Born in Khotang, Gurung came to Kathmandu in the 1980s to open a small grocery. Gifted with a strong business sense, he expanded this into Nepal’s biggest retail empire, employing 20,000 people which became essential for consumer goods all over Nepal. Gurung was also admired as a symbol of success. A homegrown businessman who has invested in Nepal, creating jobs so people do not have to migrate, Gurung has also donated generously to many charities. He built a 72-bed emergency ward at the Teaching Hospital, funded scholarships for students from remote areas, and recently pledged Rs410 million to Bhagwan Koirala’s project to establish the Kathmandu nstitute of Child Health. But in Nepal, high profile success breeds envy, attracts threats and demands of extortion. To his loyal supporters, he’s a self-made visionary, but protester last week did not see it that way.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250918110948_1ec60e598ed202a4c4d68025707029bed12452121183433ad512d06fcb90964f.png" data-media-id="editor_2" data-image-id="20250918110948_1ec60e598ed202a4c4d68025707029bed12452121183433ad512d06fcb90964f" data-rendition-name="original" width="1583" height="1350" loading="lazy" alt="Min Bahadur Gurung"> <figcaption>Min Bahadur Gurung</figcaption> </figure>  By the evening of 9 September, Bhat-Bhateni stores were in flames inKathmandu and cities across the country. Whatever Gurung’s faults, it is his 20,000 employees, customers, and small vendors who paid the price. At least six bodies charred beyond recognition have been pulled out of the the Boudha outlet and three in Dharan. Some are said to be employees, others could have been looters trapped in the upper floors. But why does Bhat-Bhateni always end up being in the crosshairs? Some in online discourses say it is a symbol of elite privilege and unchecked corporate power. Others say the arson and looting spree was propelled by envy and greed.&nbsp; No matter the motive, the fallout is real: cashiers, stock handlers, managers, delivery staff have lost their income. Suppliers, transporters and small vendors lose sales, the national economy is dragged down, and the attacks could also drive more Nepalis to migrate for work.&nbsp; WIDESPREAD CONDEMNATION On-site, many Bhat-Bhateni staff cleaning up the debris and ash were reluctant to speak to us. It has been too much of a shock. But online, workers have been puring out their distress.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250918110956_749cb4ae348a15cfe5f11e4b821e7aeee06d7270e6b634065da3c1e42f2f186c.jpg" data-media-id="editor_3" data-image-id="20250918110956_749cb4ae348a15cfe5f11e4b821e7aeee06d7270e6b634065da3c1e42f2f186c" data-rendition-name="original" width="1600" height="1200" loading="lazy" alt="Bhatbhateni burning "> <figcaption>Photos: SANGYA LAMSAL</figcaption> </figure>   <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250918110956_90930fa1218b07aa8e4043cd229ca7907c074bfd152559ad2b9799b8d83e2d12.jpg" data-media-id="editor_4" data-image-id="20250918110956_90930fa1218b07aa8e4043cd229ca7907c074bfd152559ad2b9799b8d83e2d12" data-rendition-name="original" width="1600" height="1200" loading="lazy" alt="Bhatbhateni burning"> </figure>  From Biratnagar, store employee Smritee Joshi shared a haunting video of the outlet still burning the morning after, writing: ‘This was just a supermarket for some of you, but it was more than home for every employee out there. It sears &nbsp;me to see tears on our team members.’ A user wrote in the subreddit r/Nepal on Reddit: ‘This is going to lead to a major crisis. Yes, Bhat-Bhateni might have insurance and might take care of employees for some time, but this is massive damage. It’s not just one branch, 12 branches have been have been looted and destroyed. Most employees will lose their jobs just before Dasain, and businesses are ruined, all at the time of Dashain.’ TikTok creator SpeakUp with Sandesh rushed to Bhat-Bhateni Kalanki as it reopened, posting a video saying: ‘You managed to burn down Min Bahadur Gurung’s store, but not his fighting spirit. Bhat-Bhateni is back in business!’ In Pokhara, employee Ansu Aana posted a tearful video saying, ‘Bhat-Bhateni gives so many young people jobs. Min Bahadur Gurung gave us a chance to earn for our studies and expenses. I don’t believe Gen Z did this – just before, many were urging not to vandalise. So how could the same people set it on fire? We don’t know who infiltrated the protests.’ Aana added: ‘Ministers and politics created no opportunities for youth in this country, and the one who did give us opportunities had his spirit burnt.’ In another video, she warned looters that CCTV and online evidence were being collected, urging them to return stolen goods before facing legal action. A TikTok page called ‘BhatBhateni Chor’ has nearly 400 followers, which has since exposed those who misused the protests to rob stores.&nbsp; Ironically, some protestors chanting against corruption just hours before were also caught stealing, a hypocrisy viewers and fellow demonstrators have sharply condemned online. Hundreds have taken to Facebook and other platforms to share their feelings. Noted conservationist Shailendra Thakali recalled the supermarket’s humble beginnings, posting: ‘Nearly 30 years ago, when my family lived in Naxal, we shopped at a small kirana pasal near the Bhatbhateni temple. None of us imagined that modest shop would oneday become Nepal’s largest retail chain.’ He adds: “Many of us still see the story, the struggle, and the incredible success behind it all. And we believe it deserves respect.’  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2025091812090_d07cb4b5681f752235727500bdd20759bc2fa6b0f8785db21f906188298bdaea.jpg" data-media-id="editor_5" data-image-id="2025091812090_d07cb4b5681f752235727500bdd20759bc2fa6b0f8785db21f906188298bdaea" data-rendition-name="original" width="1600" height="1200" loading="lazy" alt="Bhatbhateni burning"> </figure>  The Gurung community has rallied around Bhatbhateni. The Tamu (Gurung) Bouddha Sewa Samit stated: ‘Even after repeated attacks, the supermarket has continued its services uninterrupted. We strongly urge an immediate investigation.’ Likewise, Ekaa Kombucha, Nepal’s first GMP-certified Kombucha brand, declared support: “For countless small and medium businesses like ours, Bhat-Bhateni has been a vital platform, offering space, visibility, and the chance to reach millions across Nepal.’ ‘Amid rising unemployment and capital flight, Bhat-Bhateni has been providing employment to 22,000 youths, not only employment generation, it also significantly continues to contribute to the local economy,’ the Tamu (Gurung) Educational and Career Advancement Network (TECANET) wrote in a statement this week, urging immediate investigation into the destruction of Bhatbhateni and other public and private institutions.&nbsp; Meanwhile, newly appointed Finance Minister Rameshore Khanal visited the heavily damaged Koteswor Bhat-Bhateni on Tuesday, with Min Bahadur Gurung seen walking him through the destruction.

Bhat-Bhateni burning

A week after Nepal’s deadly protests, the country’s three main political parties whose offices were torched have been coming out in public pledging to reform themselves.
Pushpa Kamal Dahal of the Maoist-Centre visited his gutted party headquarters on Tuesday and said it would be rebuilt “on an even grander scale”.&nbsp;
Five-time prime minister Sher Bahadur Deuba of the Nepali Congress (NC) and his wife are still being treated for the wounds they suffered while being attacked at their home on 9 September.&nbsp;
In both parties, younger members have said it is time for their seniors to step down as leaders.&nbsp;
K P Oli who was ousted as prime minister last week after the GenZ protests turned violent with a loss of 74 lives, is also under Nepal Army protection in a base inside Shivapuri National Park outside Kathmandu. But his UML party has said it is not looking at a change in leadership at present.
All the main parties have offered sympathies for the lives lost in last week’s violence, and some members said it was time for a generational change within their parties as well. But all sides tip-toed around one crucial point: the GenZ demand for a change in leadership and political culture.
Former prime ministers Deuba, Dahal and Oli have been playing musical chairs taking turns to be prime ministers in 12 coalition governments in the past 10 years — despite their differing political ideologies.
What stands out in the recent statements of political leaders is not what was said, but what was left unsaid: none have raised the issue of transferring leadership to younger figures, let alone democratising their parties internally.&nbsp;
“Parties that do not appeal to the people, especially young people, will stop being relevant,” says Uddhab Pyakurel, a professor of political sociology at Kathmandu University (KU). “However, political &nbsp;parties are an integral component of our democracy.”&nbsp;
The youth wings of the main three parties do not shy away from criticising the impunity of their seniors, but have not been able to bring internal reform within their organisations.&nbsp;
Activists in the GenZ movement that toppled the regime last week say they do not follow any -isms, but Roshan Thapa Magar of the &nbsp;ANNISU (Revolutionary) that is affiliated to the Maoists says: “Ideologies still matter, the sacrifices of the parties in Nepal’s democratic struggles, and what they continue to represent, remain indispensable.”&nbsp;
He admits being taken aback by the way Maoist leaders and their relatives were portrayed in the #NepoBaby social media campaign: “It was disheartening and disappointing to see how power and position misused by our leaders in a party made up of ordinary people. It is now up to us to reform and restructure our parties to gain this trust again.”
Nawaraj Tripathee, a former Nepal Student Union (NSU) member and now the NC’s Secretary of the Department of Natural Resources says: “Only our party embodies the spirit of democracy etched into its core. But we have lost touch with democracy from within, therefore people are frustrated with us and a leadership that has acted with impunity and a tight grip on power.”
But he adds: “But this public disillusionment with us does not mean that we give up on the values of our party, it means we restructure the leadership and renew at all levels so that a new generation can lift the party up again.”&nbsp;
SHOCK THERAPY
Yet both acknowledge frustrations with their own leadership and say that the voices they raised against corruption were not loud enough to be heard. The deadly protests last week should be shock therapy to the leadership — especially if they want to recoup before early elections that have been called for 5 March 2026.
Thapa Magar says student politics has been important for the bottom-up voice of youth to be brought to the leadership level. He says, “If the GenZ organised the protests better, then we would perhaps not see the kind of looting and destruction on 9 September. We in the student wings of political parties know how to mobilise protests better.”
Over at the CPN-UML student wing ANNFSU, chair Sujan Kadariya and Abdus Miya quit their parties in dramatic fashion via Facebook following the bloodbath on 8 September, only to stage equally dramatic returns.&nbsp;
Miya justified it thus: ‘When Nepali youths fell to bullets, I believed the Prime Minister must resign. Even by 2pm the next day, he still hadn’t stepped down, and at 2:01 I declared I was quitting the party.’ KP Oli resigned shortly after that post, putting Miya in a dilemma.&nbsp;
Kadariya also deleted his post: ‘Feeling that the student politics of our entire generation has failed, I resign as President of the ANNISU Central Committee.” Later, he admitted he had posted out of fear for his life and felt ashamed for betraying the party. His final clarification: he had not officially resigned and remains committed to the party.
Miya and Kadariya expose the thin ideological fabric of student politics in Nepal. Their resignations were seen by many less as statements of principle than opportunism, and precisely what is wrong with the mainstream parties.
The Rastriya Swatantra Party (RSP) which was the fourth largest in Parliament, also faced criticism for lacking a clear ideological foundation. The RSP’s former Education Minister Sumana Shrestha at first denied rumours she was leaving the party, but resigned anyway the next day declaring: ‘I QUIT’ on social media. &nbsp;She has also said she is not joining the interim government, it remains to be seen if she goes back on that too.
The RSP’s rapid rise is closely tied to its founder Rabi Lamichhane, whose citizenship and cooperatives scandals and his attacks on media continue to test the party’s credibility. Lamichhane’s jailbreak on the second day of the protests was on his 50th birthday, and on Monday he voluntarily went back behind bars.&nbsp;
LEADERSHIP TRAPS
In the last two decades, Nepal’s revolving door politics has seen only three protagonists: Deuba, Dahal and Oli. Earlier this month, Oli changed the UML rulebook to make way for his third term as party chief. Deuba has headed the NC since 2016. Dahal has been a permanent fixture as the Maoists’ great helmsman for the past 30 years.&nbsp;
With the exception of Youth Congress Nepal, the student bodies of UML and the Maoists have not explicitly called for a change in party leadership. ANNISU (Revolutionary)’s Thapa Magar admitted his Maoist party has not held a central committee meeting to discuss succession, but hoped that a democratic route to new leadership could secure the party’s future relevance.
Some within the NC see Gagan Thapa as a natural heir apparent to Deuba. Both rose up the ranks through the party’s student wings and were jailed during the Panchayat. Nawaraj Tripathee of the NC says: “Gagan Thapa is best suited to lead the party at this time. But leaders cannot save parties unless they have institutional frameworks in place for dissenting voices to democratically replace leaders.”
This issue extends beyond the NC. Absolute power within political parties seems to undermine intra-party institutions absolutely. Unchecked leaders have consolidated power in ways that even impact the functioning of Parliament, and hence governance.&nbsp;
Pyakurel says: “It is evident in last week’s protests and its aftermath that political literacy is not strong in the new generation. Calling politics a dirty game does not encourage meaningful participation. Corruption is corruption, it is not politics. Equating corruption with politics implies that corruption is inherent to politics, but it doesn't have to be so.”
Thapa Magar says: “A party is not just its leader, it is an ideology that its members are committed to. Political parties need to democratise their systems and allow meaningful participation of their members, as some are not in the party to climb up the ranks, but to serve a bigger purpose collectively.”
In the case of Rabi Lamichhane, repeated controversies followed by his victimhood narrative and deflections of accountability have gone unchallenged by his own party leaders, enabling him to act with impunity.
RSP founding member Bipin Acharya says criticism about the party’s ideology is unfounded since democratic governance, inclusion and equity are enshrined in the party doctrine.
“It is not fair to compare Rabi Lamichhane to other party leaders, he has not even completed one term. He is innocent until proven guilty and we trust due process in the new judiciary under the GenZ interim government,” he added about Lamichhane.
Nepal’s political parties have deep roots embedded in Nepali society through a network of institutional bodies and sister organisations,” explains Uddhab Pyakurel. “Yet their relevance now depends on whether they can adapt. To regain public trust, they will need to mobilise these structures in ways that genuinely reflect citizens’ concerns, rather than operate as brokers of political power.”&nbsp;
Ayusha Chalise is a communication and development researcher specialising in how politics is experienced in the digital space.