Pottery has deep history in the <a href="https://nepalitimes.com/banner/bringing-silicon-valley-to-kathmandu-valley">Kathmandu Valley</a> civilisation, the clay soil of the former lake bed perfectly suited for terracotta ware, bricks and tiles. It is a <a href="https://nepalitimes.com/banner/life-and-livelihood-in-remote-nepal">livelihood</a> that builds on <a href="https://nepalitimes.com/opinion/borderlines/nepal-s-soft-power-is-its-heritage">heritage</a>, especially in <a href="https://nepalitimes.com/banner/clash-of-cultures-in-bhaktapur">Bhaktapur</a> and Thimi where <a href="https://archive.nepalitimes.com/article/nation/a-time-to-every-purpose-occupation,3023">traditional potters</a> (कुमाल) have been moulding and firing <a href="https://archive.nepalitimes.com/news.php?id=6805">clay vessels</a> for centuries.&nbsp; Beyond its role in daily life and rituals, pottery blends functionality with the cultural and spiritual, and continues to thrive in new ways. Moulding clay on a potter’s wheel has become a tourist attraction and therapeutic escape for those stressed by the pressures of <a href="https://archive.nepalitimes.com/news.php?id=3362">modern life</a>.&nbsp; Crafting objects from clay is a <a href="https://nepalitimes.com/multimedia/reviving-nepal-s-craft">tradition passed down through generations</a> for the Newa people of Bhaktapur, particularly the Prajapati and Awal clans. Modern machinery has allowed the craft to develop new products and practices.&nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250302090356_df489d3cafa6b737050a38644eab62af1af367fedd9007767c8fd34c17b002e4.jpg" data-media-id="editor_8" data-image-id="20250302090356_df489d3cafa6b737050a38644eab62af1af367fedd9007767c8fd34c17b002e4" data-rendition-name="original" width="1499" height="1000" loading="lazy" alt="Happy to just potter around in Bhaktapur NT"> <figcaption>Photos: SUMAN NEPALI</figcaption> </figure>  Most have broadened their product range by including glazed ceramic and refined clay products, opened showrooms and conducted classes for enthusiasts. &nbsp; “<a href="https://nepalitimes.com/review/nepali-artist-at-miami-art-week">Ceramics</a> are more in demand since they have longer life and alternatives to plastic,” says Ratna Prajapati of Cera Nepal.&nbsp; Ceramic products are used in crockery, while clay cookware is regaining popularity. Once solely a <a href="https://archive.nepalitimes.com/news.php?id=10000">traditional craft</a>, pottery is now a <a href="https://archive.nepalitimes.com/regular-columns/Economic-Class/waiting-for-an-industrial-revolution,784#google_vignette">modern business </a>offering people a hobby, a pastime and even <a href="https://nepalitimes.com/news/a-life-devoted-to-healing">healing</a>. Read also: <a href="https://nepalitimes.com/banner/the-art-of-healing">The art of healing</a>, Sewa Bhattarai  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250302090356_efddfb64dc1a876788ad234b74da680cc0e45f0534db53a984c8e1dd9669c78b.jpg" data-media-id="editor_14" data-image-id="20250302090356_efddfb64dc1a876788ad234b74da680cc0e45f0534db53a984c8e1dd9669c78b" data-rendition-name="original" width="1000" height="667" loading="lazy" alt="Happy to just potter around in Bhaktapur NT"> </figure>   <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250302090356_478dd00a2163d974151a3708fff18e845717441d43d2eb96b626e031995937e5.jpg" data-media-id="editor_15" data-image-id="20250302090356_478dd00a2163d974151a3708fff18e845717441d43d2eb96b626e031995937e5" data-rendition-name="original" width="1000" height="667" loading="lazy" alt="Happy to just potter around in Bhaktapur NT"> </figure>  “People prefer to use ceramics for cookware rather than plastic and other products,” says Riya Prajapati of Prajapati Ceramic in Boudha. &nbsp; The pottery industry faced hurdles during <a href="https://nepalitimes.com/here-now/how-they-kept-nepal-in-the-dark-ages">times of prolonged power cuts</a>, and the 2015 earthquake in which Bhaktapur was particularly badly hit. However, the Covid-19 pandemic was a turnaround, as <a href="https://nepalitimes.com/banner/take-to-pottery-during-the-pandemic">many people picked it up as a pandemic hobby</a>.&nbsp; Ratna Prajapati recalls many students and Kathmandu-based expats started reaching out for pottery classes at the time.&nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250302090356_b05fa054431b7bcc28c793c27d1b16e73b30eab6b5b6d5700e6710318cc3080b.jpg" data-media-id="editor_18" data-image-id="20250302090356_b05fa054431b7bcc28c793c27d1b16e73b30eab6b5b6d5700e6710318cc3080b" data-rendition-name="original" width="1000" height="667" loading="lazy" alt="Happy to just potter around in Bhaktapur NT"> </figure>   <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2025030210030_07c7c65d53473b8a8e5fbd2ca2a1060847b0a10278498d989cba925fc40a9e71.jpg" data-media-id="editor_19" data-image-id="2025030210030_07c7c65d53473b8a8e5fbd2ca2a1060847b0a10278498d989cba925fc40a9e71" data-rendition-name="original" width="1000" height="667" loading="lazy" alt="Happy to just potter around in Bhaktapur NT"> </figure>  Previously, it was mostly foreigners who were interested in pottery classes, but more and more Nepalis are enrolling for hobby or &nbsp;relaxation.&nbsp; The Pottery Training Centre at Bhaktapur currently has the capacity to train 10 people at a time, but is enlarging its studio to accommodate 30-40 students. &nbsp;&nbsp; “I started pottery when I was 9. Initially, we used to make पाला (ceremonial clay cups for oil lamps), but we have expanded to mugs and other ceramics,” says Sajan Prajapati of the Pottery Training Centre. “Age is not a barrier to learn the craft and art of pottery.” &nbsp;&nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2025030210030_fa35e24803163de8034d8df079b9b11f1a8b6b17f8f9a6d9729912baf3299e7d.jpg" data-media-id="editor_20" data-image-id="2025030210030_fa35e24803163de8034d8df079b9b11f1a8b6b17f8f9a6d9729912baf3299e7d" data-rendition-name="original" width="1000" height="667" loading="lazy" alt="Happy to just potter around in Bhaktapur NT"> </figure>   <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2025030210030_3931e2274e14478244531089480b026453296f09850a96f57be8873ecb22448d.jpg" data-media-id="editor_21" data-image-id="2025030210030_3931e2274e14478244531089480b026453296f09850a96f57be8873ecb22448d" data-rendition-name="original" width="1000" height="667" loading="lazy" alt="Happy to just potter around in Bhaktapur NT"> </figure>  Pottery is a blend of <a href="https://nepalitimes.com/business/making-nepal-tranquil">relaxation</a>, self-expression, and ultimately delivers a sense of achievement. It has been proven to offer solace to those facing emotional challenges, while also boosting self-confidence and a sense of self-worth, as individuals create something from shapeless clay.&nbsp; Read also:<a href="https://nepalitimes.com/opinion/comment/practicing-mindfulness-in-schools"> Practicing mindfulness in schools</a>, Basu Gautam&nbsp; It also provides a nonverbal way for people to process their feelings, giving them a sense of control and a creative outlet.&nbsp; “A student with a disability once visited our studio with a group, and she made better shapes from clay than others,” recalls Ganesh Hari Prajapati, Riya’s father. “Children are naturally restless and always on the move, and pottery helps them concentrate. Even while they wait for their turn, they play with lumps of clay.”&nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250302090356_9ec7c5a022b1c61b454748ddc50dde0622e3cfe3f1b9d9c924395e7e2a827960.jpg" data-media-id="editor_24" data-image-id="20250302090356_9ec7c5a022b1c61b454748ddc50dde0622e3cfe3f1b9d9c924395e7e2a827960" data-rendition-name="original" width="1000" height="667" loading="lazy" alt="Happy to just potter around in Bhaktapur NT"> </figure>   <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250302090356_c1b905546aacf51f0db4ba9d3a064c49e4d300eadfe0fa87456181640bf6c968.jpg" data-media-id="editor_25" data-image-id="20250302090356_c1b905546aacf51f0db4ba9d3a064c49e4d300eadfe0fa87456181640bf6c968" data-rendition-name="original" width="1000" height="667" loading="lazy" alt="Happy to just potter around in Bhaktapur NT"> </figure>  In addition to regular product sales, Bhaktapur’s new clay entrepreneurs now process bulk orders from hotels and restaurants looking for more <a href="https://archive.nepalitimes.com/news.php?id=19006">eco-friendly solutions</a>. A traditional terracotta water jar, for example is naturally cooled by evaporation as water seeps through the porous clay. Subin Suwal, 28, is also with the Pottery Training Centre in Bhaktapur and conducts regular classes for individuals and groups of Nepalis and expats.&nbsp; He says, “Nepalis typically join shorter classes, while tourists opt for longer, more detailed sessions to immerse themselves in the craft. Interest is growing because it can be a stress reliever, and participants get a sense of satisfaction seeing the end product.”  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250302090356_1eca5da35c0408db4a20ec86dae3149110670a84c1ae07f9fc26389b169a613a.jpg" data-media-id="editor_27" data-image-id="20250302090356_1eca5da35c0408db4a20ec86dae3149110670a84c1ae07f9fc26389b169a613a" data-rendition-name="original" width="1000" height="667" loading="lazy" alt="Happy to just potter around in Bhaktapur NT"> </figure>   <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2025030210030_1a2f55669492355a35794f84cd2d598899e2f3034dc3f2b674769c886254ddb7.jpg" data-media-id="editor_28" data-image-id="2025030210030_1a2f55669492355a35794f84cd2d598899e2f3034dc3f2b674769c886254ddb7" data-rendition-name="original" width="1000" height="667" loading="lazy" alt="Happy to just potter around in Bhaktapur NT"> </figure>  Some of Ratna Prajapati’s student customers have bought their own wheels and now make products at home, and even sell <a href="https://nepalitimes.com/here-now/the-art-of-living">handmade ceramic products</a> to augment their cash income. Pottery helps improve focus and can calm the mind. Ratna Prajapati says he notices this among some of his customers who initially look like they are going through tough times because they are distracted and uninterested. But after watching their friends enjoy moulding clay at the wheel, they are drawn to give it a try themselves.&nbsp; “We see their moods instantly uplifted, they brighten up and suddenly take an interest in their surroundings,” he adds. “Pottery as a hobby helps people when they feel a disconnect with life.” This becomes more important with mental health becoming a major priority, and the spread of mobile phone use among younger people.&nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2025030210030_314c46f42440f86b0bb2ac6fce6553469e5690c974b678c2259e196337f74d47.jpg" data-media-id="editor_30" data-image-id="2025030210030_314c46f42440f86b0bb2ac6fce6553469e5690c974b678c2259e196337f74d47" data-rendition-name="original" width="1440" height="894" loading="lazy" alt="Happy to just potter around in Bhaktapur NT"> <figcaption>The Pottery Training Centre at Bhaktapur currently has the capacity to train 10 people at a time, but is enlarging its studio to accommodate 30-40 students. Photo: POTTERY TRAINING CENTRE</figcaption> </figure>  Prajapati Ceramic, for example, takes pottery to the next level by offering <a href="https://nepalitimes.com/banner/raising-children-can-be-therapy">therapy </a>using the GEM Method, (Guide, Engage, and Motivate) to improve mental health and restore focus in younger visitors. The Studio combines pottery making with music and counselling conversations with customers. &nbsp; While pottery classes can be a respite from <a href="https://nepalitimes.com/banner/so-you-want-to-quit-facebook">social media addiction</a>, pottery business owners themselves are taking to mobiles and <a href="https://nepalitimes.com/opinion/comment/surveying-nepal-s-digital-landscape">digital media</a> to grow their businesses through networking and collecting online reviews. Riya at Prajapati Ceramics adds that most customers these days come to her studio after seeing online reviews and videos that she puts up on Instagram and other platforms.&nbsp; She says, “I feel digital outreach is important, we get out to a large number of people, and sharing the positive impacts of pottery is just a &nbsp;click away.” &nbsp; <h2>Pottery History&nbsp;</h2>  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2025030210030_a928e8aa67cfe641f624efc2f4cf576cb94071a739a5bde7a1735a43e00e1282.jpg" data-media-id="editor_34" data-image-id="2025030210030_a928e8aa67cfe641f624efc2f4cf576cb94071a739a5bde7a1735a43e00e1282" data-rendition-name="original" width="1000" height="667" loading="lazy" alt="Happy to just potter around in Bhaktapur NT"> </figure>  Pottery making is nearly as old as human civilisation, with the first terracotta objects found in archaeological sites dating back at least 10,000 years. Potters fired moulded clay into objects for everyday household use.&nbsp; Later, terracotta was used as building material for bricks, tiles and even sewers. A different type of clay was then developed to shape porcelain objects, either as utensils or art. Some of the earliest porcelain was fired in China 1,500 years ago. Pottery arrived in Kathmandu Valley probably from both the Indus Valley Civilisation and China about 5,000 years ago. The fine clay found in the lake deposits was an ideal raw material for household objects, and most early buildings in the Valley were made from bricks and tiles by firing clay in kilns. Pottery flourished as an art form and reached its most creative peak during the Malla Period (12-18th century CE) when all the kingdoms in the Valley competed to build grand temples and monasteries. Pottery also took on an artistic function in rituals and continues to have deep cultural significance. &nbsp; Read also: <a href="https://nepalitimes.com/multimedia/hari-the-potter">Hari the Potter</a>, Aayusha Pokharel

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Happy to just potter around Bhaktapur

Hari Chandra Prajapati was only 14 when he started learning how to mould a lump of clay into a work of art just like his forebears did.&nbsp; There was something about shaping wet clay into everyday items that fascinated the teenager, and inspired him to follow his ancestral trade at a time when his peers were more into video games and movies.&nbsp; By age 15, he had taken over the family business in Thimi started by his great-grandfather. Read also: <a href="https://www.nepalitimes.com/multimedia/take-to-pottery-during-the-pandemic">Take to pottery during the pandemic</a>, Monika Deupala  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2023073005074_da63f4e3c952981b4a03b830df523bf3dcc3f639d0aa5b3648a7be8ce1749054.jpg" data-media-id="editor_1" data-image-id="2023073005074_da63f4e3c952981b4a03b830df523bf3dcc3f639d0aa5b3648a7be8ce1749054" data-rendition-name="original" width="1500" height="1000" loading="lazy" alt="Pottery NT"> </figure>  Today, Jwojolapa Ceramics, tucked away in a narrow alley of this ancient town is a showroom, and a training centre.&nbsp; Beginners and professional pottery makers all come here to revive a millennia-old tradition that Thimi is famous for. Kathmandu Valley used to be a lake till as recently as 10,000 years ago, and when the water drained away it left fertile alluvium ideal for agriculture and pottery.&nbsp; Read also: <a href="http://archive.nepalitimes.com/news.php?id=330">Casting years in earth</a>, Abha Eli Phoboo&nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2023073005078_2462bdf8a60ae2a4f75eb241266bef1b1eaaeabd162fc794bc141647b8e10cea.jpg" data-media-id="editor_3" data-image-id="2023073005078_2462bdf8a60ae2a4f75eb241266bef1b1eaaeabd162fc794bc141647b8e10cea" data-rendition-name="original" width="1800" height="1200" loading="lazy" alt="Pottery NT "> </figure>  “Nobody is ever perfect in the art of pottery, but we all carry on the legacy of our ancestors and also innovate with ceramics,” says Prajapati. Nepal’s handmade ceramics have been replaced by mass produced items from India and China that are more durable.&nbsp; But ceramic kitchen items and household pottery products are experiencing a renaissance in Nepal, as demand grows for more home and hand-made articles with artistic designs.&nbsp; Read also: <a href="https://www.nepalitimes.com/banner/bhaktapurs-potters-adapt-to-survive/">Bhaktapur's potters adapt to survive</a>, Monika Deupala  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2023073005078_7804092c54015b2a900afb5647f0f0139df1c20f5cce70dbca819f808f06d023.jpg" data-media-id="editor_5" data-image-id="2023073005078_7804092c54015b2a900afb5647f0f0139df1c20f5cce70dbca819f808f06d023" data-rendition-name="original" width="1500" height="1000" loading="lazy" alt="Pottery NT"> </figure>  Clay pots and earthenware have always been extensively used in religious rituals, now people are eager to incorporate them in their daily lives as well. “As more people become aware of its significance, they are relearning and reviving this art, which makes me happy,” says Prajapati, who is also a certified pottery and ceramics skills trainer having taught in Korea and many schools in Kathmandu Valley. Many who visit Prajapati’s shop to learn pottery do so because they consider it a form of therapy as they let the fingers shape the oozing clay.&nbsp; Read also: <a href="https://archive.nepalitimes.com/news.php?id=6805">Feats of clay</a>, Alexandra Alter  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2023073005078_caae5a4f1d40383d0943a1da7937f3e1de84546d6cf6c99fbc8b2564fc519c42.jpg" data-media-id="editor_7" data-image-id="2023073005078_caae5a4f1d40383d0943a1da7937f3e1de84546d6cf6c99fbc8b2564fc519c42" data-rendition-name="original" width="1800" height="1200" loading="lazy" alt="Pottery NT"> </figure>  With help from the Association of Craft Producers, Prajapati has connected with buyers from all over the world. Business suffered after the 2015 earthquake and during the Covid lockdowns. Prajapati tried his hands at other businesses but it was inevitable that he would return to a profession he was passionate about. &nbsp; Large objects like flowerpots are still fired with wood, but electric kilns have simplified the process and most pieces are glass-glazed. Read also: <a href="https://www.nepalitimes.com/banner/coming-out-of-the-woodwork?preview_nonce=9d7ef77938">Coming out of the woodwork</a>, Kunda Dixit  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2023073005078_65e6ae633debc7fca43a423af12ff0622ed4ef6c41235d3bd00daf1e24d80af3.jpg" data-media-id="editor_9" data-image-id="2023073005078_65e6ae633debc7fca43a423af12ff0622ed4ef6c41235d3bd00daf1e24d80af3" data-rendition-name="original" width="1500" height="1000" loading="lazy" alt="Pottery NT"> </figure>  “We used to turn the potters’ wheel with our hands in the past, but it is easier now with an electric motor. I can focus better on the designs,” he says. Raw clay has become difficult to source because Kathmandu is getting more built-up. Prajapati used to truck in clay from Sintitar, but the place now has apartment blocks, so he has to venture further afield to Sankhu.&nbsp; Despite challenges, Prajapati is excited for what the future holds for the handicraft art form. He says, “It makes me happy to see the enthusiasm of the younger generation in traditional craft. Now we can preserve our cultural heritage and create opportunities for future generations.” Read also: <a href="https://www.nepalitimes.com/here-now/crafting-a-heritage">Crafting a heritage</a>, Shriluna Shrestha

Hari the Potter

<img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221109181116/636be0ca9c7e80680e083e10jpeg.jpg" alt="" width="640" height="426"/>The festival of light is upon us this week, and the Prajapatis of Bhaktapur are busy with their ancestral occupation of moulding clay to make earthen lamps called pala.This week, the courtyards and sidewalks of old town of Bhaktapur were covered in clay lamps and other pottery including piggy banks soaked in coloured water, and drying in the sun until they can be fired.<a style="font-size: 15px; letter-spacing: 0.01em;" href="https://www.nepalitimes.com/banner/take-to-pottery-during-the-pandemic/" target="_blank" rel="noopener noreferrer">Take to pottery during the pandemic</a>, Monika Deupala<img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221109181116/636be0cd9c7e80680e083e11jpeg.jpg" alt="" width="640" height="426"><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221109181116/636be0cf9c7e80680e083e12jpeg.jpg" alt="" width="640" height="426"><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221109181116/636be0d29c7e80680e083e13jpeg.jpg" alt="" width="640" height="426">Prajapati families are expecting to make a decent income selling clay lamps for the festival despite the pandemic. And while modern LED garden lights from China have largely replaced earthen lamps in many households, people still regard the clay oil lamps as auspicious for Laxmi Puja, Mha Puja and Bhai Tika, which fall from 14-16 November this year.Entire courtyard and toles are alight with clay lamps and decorated with colourful mandala on the main Tihar days.<a style="font-size: 15px; letter-spacing: 0.01em;" href="https://www.nepalitimes.com/banner/bhaktapurs-potters-adapt-to-survive/" target="_blank" rel="noopener noreferrer">Bhaktapur's potters adapt to survive</a>, Monika Deupala<img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221109181116/636be0d49c7e80680e083e14jpeg.jpg" alt="" width="640" height="426"><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221109181116/636be0d69c7e80680e083e15jpeg.jpg" alt="" width="640" height="426"><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221109181116/636be0d99c7e80680e083e16jpeg.jpg" alt="" width="640" height="426">There is however a genuine concern about the future of this dying profession. Most young people have gone abroad for education or jobs, or have taken up other professions so there is no next generation to carry on the tradition.Moreover, there is now a growing shortage of special black clay required to make pottery because of haphazard urbanisation. Pottery production shifted from Lalitpur and Kathmandu in the first place because they ran out of proper clay. Now Bhaktapur is turning into a concrete jungle with houses and buildings built over farmlands and former clay pits.<a style="font-size: 15px; letter-spacing: 0.01em;" href="https://archive.nepalitimes.com/article/nation/a-time-to-every-purpose-occupation,3023" target="_blank" rel="noopener noreferrer">A time to every purpose</a>, Sahina Shrestha

A light for Tihar

As Nepal’s lockdown goes into its sixth month, people are taking up new indoor hobbies and finding ways to do more creative and calming activities. One of them is taking up ceramics.And where else to discover one’s talent for the craft than in Bhaktapur, the centre of traditional pottery in Kathmandu Valley. The craft demands patience and concentration as a lump of clay is moulded on the potter’s wheel, fired and then turned into a work of art.Archana Panthi, 25, a theatre artist from Kathmandu used to buy ceramic gifts for friends, but decided to use the lockdown to learn pottery herself.  She enrolled in Cera Nepal when the lockdown was eased, and the experience was so positive that she is determined to go back when travel restrictions are lifted.“The owner gave us instructions, and we moulded the clay with our palms and fingers, and once they were ready we could even take it back with us, it was a whole new experience,” Panthi says.<img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221109141112/636ba7ee9c7e80680e0737b2jpeg.jpg" alt="" width="1500" height="1000"/><a style="font-size: 15px; letter-spacing: 0.01em;" href="https://www.facebook.com/ceranepal1/" target="_blank" rel="noopener noreferrer">Cera Nepal</a> is a company specialising in fine ceramics, and builds on Bhaktapur’s pottery tradition, but instead of just making flower pots or water containers, it tries to be more creative with different items and innovative designs.For Ratna Prasad Prajapati, 47, setting up Cera Nepal Udyog in 1984 was just an extension of his ancestral occupation of potters. He admits that when he was younger he was not so interested in the profession of his forebears, and dabbled in importing and selling TV sets.<img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221109141112/636ba7f19c7e80680e0737b3jpeg.jpg" alt="" width="1500" height="1000">But he switched, and found that innovating and improving on traditional pottery items was actually quite a lucrative business. He started producing crockery sets for hotels, decorative pieces, earthenware, and lately even new designs for terracotta tiles for flooring and roofs.“What we make is still what our ancestors made, we have just tinkered with the techniques by glazing so that the items have a shine, have different colours and designs and also make the items more aesthetic,” Prajapati explains.Unlike other businessmen, Prajapati does not want to keep the skill and craft to himself, but share it as widely as possible, which is why he has started taking on students into his ceramics school. It is a way to not just keep his family occupation alive, but also spread the traditions among other Nepalis who can experiment with new techniques.<img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221109141112/636ba7f39c7e80680e0737b4jpeg.jpg" alt="" width="1500" height="1000"><a href="https://www.nepalitimes.com/banner/bhaktapurs-potters-adapt-to-survive/">Bhaktapur's potters adapt to survive</a>, Monika Deupala“It takes days to see a blob of clay transform itself into a perfectly blended crockery set. That is what is most satisfying, and it is also very soothing work and calms the mind,” adds Prajapati, whose daughter Alina is now managing the company.Due to the pandemic, however, business is down. It was Alina’s idea to offer pottery lessons when the restrictions were lifted in July. The classes were held only on weekends, there was a limited number of apprentices and proper precautions were taken to space them out.Alina Prajapati has been watching her father working on the potter’s wheel from a young age. Like her father, she tried other jobs, but has returned to the family’s pottery business with new ideas and innovation.“I barely see people of my generation going back to their traditional family occupations, but after I saw the potential of cermaics I thought it was high time I helped my father with his business,” says 25-year-old Alina, who hopes that the classes will take off once the lockdown is lifted.<img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221109141112/636ba7f79c7e80680e0737b5jpeg.jpg" alt="" width="1500" height="1000">Subekchya KC, 35 was on her maternity break before lockdown and joined the pottery lessons at Cera Nepal, bringing along her older four-year-old son. She says, “It was a break for me. I forgot all my stress while making a bowl or ceramic plate. And my son found it lots of fun too. I completely forgot about postpartum angst, it was a real stress buster for me.”Pottery making has often been described as being therapeutic. The mind is focused on what one wants to create, and it needs concentration and delicate work. Alina Prajapati says there have been many troubled adolescents who have found it to be useful to relax mind and body.Sushil Shrestha, 34, used to work in an event management company and had a stressful job. It took just one session at Cera Nepal to change his entire outlook on life, friends, work and family.He says, “A day spent in front of the potter’s wheel has taught me to be more patient and concentrated on creating something. It is good therapy to be focused on what you want to do”.<img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221109141112/636ba7fa9c7e80680e0737b6jpeg.jpg" alt="" width="1500" height="1000">For Rajiv Sharma, 37, it was boredom during the lockdown that made him enroll at Cera Nepal. He took his young son along, who was also tired of being at home.“Making something out of nothing was a great experience, it also allowed me to bond better with my son and we enjoyed shaping the clay together,” Sharma says.Both Ratna and Alina Prajapati hope to restart the ceramics classes as soon as the lockdown is lifted. They see it as their responsibility to society to keep their family heritage alive, while giving people a chance to destress during the Covid-19 crisis.Read also:<a href="https://www.nepalitimes.com/featured-videos/out-with-the-old-in-with-the-new/"> In with the old, in with the new</a>, Sewa Bhattarai

Monika Deupala

Take to pottery during the pandemic

https://www.youtube.com/watch?v=fToB9yl5T44Tihar is right around the corner, but the festival of lights is not going to be a holiday for the Prajapatis of Bhaktapur. They are busy with their ancestral occupation of moulding clay to make earthen lamps called pala.This week, the courtyards and sidewalks of Bhaktapur are covered in clay lamps, soaked in coloured water, and drying in the sun until they can be fired.Das Ram Prajapati has been carrying on the profession of his forebears, and says proudly that his family sold 25,000 clay lamps last year, earning Rs 80,000. But even though modern LED garden lights from China have replaced earthen lamps in many households, the clay oil lamps are still regarded as auspicious for <a href="http://archive.nepalitimes.com/issue/167/Culture/5035#.W9rM_9UzbIU" target="_blank" rel="noopener">Laxmi Puja, Mha Puja and Bhai Tika</a>, which fall between 7-10 Noati clan have started mass producing the lamps with a wheel machine, but the purists still stick to traditional manual chakra to produce potteries the old fashioned way.“I don’t feel good about using a machine to make pottery, my grandfather taught me to use the chakra when I was a boy and I still enjoy using it,” says 74-year-old Lalit Prajapati, the only person making pala the traditional way in the Talako area of Bhaktapur.His skill of turning a clay mould into beautiful pottery attracts tourists by the hundreds to Talako. “It is necessary to preserve our tradition, rather than going for mass production and money. We should not forget why we are making them in the first place,” he adds.Read also: <a href="https://archive.nepalitimes.com/article/nation/a-time-to-every-purpose-occupation,3023" target="_blank" rel="noopener">A time to every purpose</a>, Sahina Shrestha<a href="http://archive.nepalitimes.com/news.php?id=17564#.W9rM89UzbIU" target="_blank" rel="noopener">A healthy tihar</a>, Buddha Basnyat<a href="https://www.nepalitimes.com/here-now/bhaktapur-shows-the-way-by-rebuilding-itself/" target="_blank" rel="noopener">Bhaktapur shows the way by rebuilding itself</a>, Suyog Prajapati<figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221107171132/636933689c7e80680e03df98jpeg.jpg" alt="" width="1400" height="933"/><figcaption>Photos: MONIKA DEUPALA</figcaption></figure>What Lalit Prajapati is particularly worried about is that the young have gone abroad for education or jobs, or have taken up other professions. There is no next generation to carry on the tradition.Also, there is now a scarcity of the special black clay needed for making pottery because of the urban sprawl around Bhaktapur. Shiva Kumari Prajapati and her family traditionally sold pala in the markets of all three towns of the valley before <a style="background-color: #ffffff; letter-spacing: 0.01em;" href="http://archive.nepalitimes.com/blogs/mycity/2014/10/31/tihar-celebrations/" target="_blank" rel="noopener">Tihar</a>. Residents of the Valley sought the Bhaktapur pala because they knew it was the best quality.Dasa Ram Prajapati says pottery production shifted to Bhaktapur because Patan and Kathmandu ran out of proper clay. But now the concrete jungle has spread to Bhaktapur as well, houses stand over former clay pits.Read also: <a style="font-weight: bold; letter-spacing: 0.15px; background-color: #ffffff;" href="http://archive.nepalitimes.com/article/nation/nation-bhaktapur,597" target="_blank" rel="noopener">Bhaktapur's Mithila influence</a>, Bhaskar Koirala<img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221107171132/6369336b9c7e80680e03df99jpeg.jpg" alt="" width="1400" height="934">“I am using my two-year-old stockpile of black clay that I bought for Rs2,000 back then, it is much more expensive now,” he says.Nhuchhe Ram Prajapati sources his clay from Harisiddhi, from outside the Valley, or from someone who is building a tall house that need foundations deep enough to reach the black clay layer.Shumser Prajapati is the owner of Samrat Ceramics, and the only one from his generation to still be involved in the ancestral profession. He has been innovating with design and texture of his clay products. “I see it more as an art than a profession,” says Shumsher, who sells double the number of earthen lamps in Tihar compared to the rest of the year.His pala have better designs and finish, and now come with inbuilt wax and wick already attached. He has also started making scented lamps with wax of different colours. His son Samrat takes the lamps to the Asan market in Kathmandu every morning in a van. The father and son say their greatest problem now is to find suitable clay, not buyers.Read also: <a href="http://archive.nepalitimes.com/article/nation/rebuilding-new-structures-using-old-traditions,2827" target="_blank" rel="noopener">Rebuilding new structures using old tradition</a>, Sahina Shrestha<a href="https://archive.nepalitimes.com/page/tourists-trickle-back-to-Bhaktapur" target="_blank" rel="noopener">Bhaktapur is waiting for you</a>, Peregrine Frissell<img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221107171132/6369336e9c7e80680e03df9ajpeg.jpg" alt="" width="1400" height="934">

Bhaktapur’s potters adapt to survive

Fenerbahçe Beko won the Turkish Airlines EuroLeague finals in Abu Dhabi, held 23-25 May, defeating Monaco 81-70 in the final. Olympiacos, who defeated Panathinaikos 97-93, finished the series in third place. The Most Valuable Player (MVP) of the final match, Nigel Hayes-Davis from Fenerbahçe Beko, received a prize of 1,000,000 Miles&amp;Smiles from Turkish Airlines’ Chief Commercial Officer Ahmet Olmuştur. The carrier has been the title sponsor of the Turkish Airlines EuroLeague, a top tier tournament, since 2010.

Turkish Basketball

Thousands of Nepali students dreaming of an American education have been forced to look elsewhere as the Trump administration’s visa restrictions make their future uncertain.
The US was long considered a top destination for higher studies, making Nepal the 10th biggest country of origin for international students in America.&nbsp;
However, that number has seen a significant decline with the total for Nepali students now at 16,482. Some 8,000 Nepali students obtained no-objection certificates to study in the US from the Ministry of Education in the past year.&nbsp;
India, Australia, Canada, South Korea, United Kingdom and Japan are the other popular destinations for Nepali students. There are no clear numbers for Nepalis going to India, but a slight decline was noted this year after the deaths of two female students.
The US State Department has issued a circular to its embassies not to issue new visas to applicants until further notice. US Secretary of State Marco Rubio in the directive stated that the department planned to expand the screening of applicants' social media.&nbsp;
While new applicants are barred including those applying for visitor visas, students with scheduled interviews are allowed to proceed.
“Many of our students are affected by the new restrictions, but those who had applied for student visas earlier have got interview dates,” one Kathmandu-based college counsellor told us.
Meanwhile, even foreign students with spotless records already in the US have not been spared, as visa scrutiny intensifies under the new policy. In a move that underscores the growing sense of insecurity, many US colleges advised international students to carry their passports and documents at all times, even when traveling locally.
“Me and my friends did not go home this summer because we were not sure we would be allowed back, so we just went to Niagara Falls,” said a Nepali undergrad in Ohio, who like many interviewed for this report did not want her name used for fear of repercussion.
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Nepali students have adopted a cautious stance, with many choosing not to return home during summer vacation due to fear of visa revocations as well as travel bans. Meanwhile, over 7,000 Nepalis with Temporary Protected Status (TPS) will have to come back to Nepal by 5 August or face deportation. Thirty-seven were flown back to Kathmandu on Omni Air last week.
“The US is one of the most sought-after destinations for higher education, and the ban will definitely impact bright students,” says Narottam Aryal of the King’s College in Kathmandu.
Indeed, Nepali undergraduates admitted into Ivy League colleges for the 2025 academic year have been asked to look for alternatives. The entire Fulbright Foreign Scholarships Board resigned on Wednesday citing interference from the Trump administration on the selection of this year’s cohort. Some Nepali students already on Fulbright scholarships have noted disruptions, delays and even cancellation of stipends.&nbsp;
The student visa restrictions were initially just for foreign students admitted to Harvard University, but it was later extended to all Chinese students and now to all students. Universities like Columbia which actively recruit foreign students, face sharp enrolment declines, threatening their financial stability and diversity.
An Indian female PhD candidate at Columbia University had her visa revoked by the US State Department, and said she was targeted on the basis of her social media posts on Israeli military attacks in Gaza. Social media vetting of political activism has raised concerns about privacy and freedom of expression in a country where such rights were a given.
Many students have been informed via email that their visas have been revoked for getting speeding or parking tickets, but even others with no criminal record have been affected. The fear of deportation looms large amongst international students, including those from Nepal.&nbsp;
For most Nepalis who migrate to the US for education, the journey is a high-stakes investment. They come largely from middle-class families, often rely on a patchwork of scholarships, work-study programs, loans, or even the sale of family assets to afford fees.
Most Nepali students pursue STEM subjects which offer extended Optional Practical Training (OPT) periods that help fund their education. But with the US backsliding on education and humanitarian matters, countries like the UK and Canada are becoming more attractive despite their own recent stricter controls on student visas.&nbsp;
The UK universities saw a 63% rise in Nepali students’ admissions in 2024. Japan is another popular destination with 64,816 Nepali students enrolled as of 2024.
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Already, China, Hong Kong and Malaysia are poised to benefit from the increased scrutiny of US student visas. Several Hong Kong universities are offering unconditional admission to affected students, while Malaysian institutions are targeting previously US-bound Asian students. China and India have 330,000 and 280,000 students respectively in America, but the numbers for China have seen a sharp drop in the past year.
Elsewhere, branch campuses of American institutions such as NYU in Abu Dhabi, Georgetown in Dubai and Northwestern in Doha are getting more admission applications, and universities in the Gulf region are expanding infrastructure to accommodate those who would otherwise have gone to the US.&nbsp;
Even educational institutions in Nepal are hopeful that the US visa restrictions can be an opportunity to at least keep Nepali undergrads in Nepal, and also attract foreign students from the region.&nbsp;
“Many students might choose to complete their undergraduate degree here in Nepal and then move abroad for their Master’s degree later,” says Aryal of King’s College. “There was a need for quality higher education in Nepal anyway in terms of innovation and opportunities, so this could be the time to reduce our dependence on other countries.”
Nepal’s strategic position between India and China makes it sensitive to US policy shifts. India, a key ally, is also under US scrutiny for potential student travel restrictions. Chinese universities are already offering more scholarships to Nepali talent to capitalise on the US retreat.
American universities have challenged student visa restrictions in the courts. A federal court in Boston revoked the blanket ban on Harvard, and the State Department has ordered the resumption of processing student and exchange visitor visas.&nbsp;
Some are still hoping that President Trump will backtrack on the student visa restrictions, just like he has done with many of his more drastic executive orders.
Even so, the visa see-saw and longer-term uncertainties about living in the United States and its education system means students across the world are making alternative plans.
Says Aryal: “Policies of foreign countries change according to their needs, so excessive dependence was never a good idea. We should work to create different opportunities and choices of higher education within Nepal, so students are retained.” &nbsp;

America no longer prime destination for Nepali students

While Nepal was hosting the Sagarmatha Sambaad international climate conference in Kathmandu this month, on Mt Everest it was pretty much business as usual.&nbsp; The signs of climate breakdown are all there: a river now runs through Base Camp in summer, the Khumbu Icefall is more unstable, and there are more &nbsp;frequent avalanches. When expeditions arrived in March, the mountains were bare: it had not snowed since September, but then blizzards dumped unseasonal snow in May. And despite climate worries, such is the pull of Himalayan mountaineering that the Everest Industry showed no signs of slowdown. More than 600 international climbers and their Nepali guides had made it to the summit of the world’s highest mountain. At one point there were an estimated 2,000 people in the tent city on the Khumbu Glacier. All the ropes and ladders on the Icefall came down on Thursday, marking the official end of the spring climbing season, and just in time to avoid a monsoon cyclone approaching from the Bay of Bengal. It has been an action-packed season. One factor could be that Everest fees will go up from September: each foreign climber needs to pay a $15,000 royalty, up from the present $11,000. The cost for a Nepali climber on the South Col route will also go up: from Rs75,000 to Rs150,000.&nbsp; The fee to climb Everest in autumn is $7,500 (up from $5,500), but most climbers still prefer spring. Winter permit fee (December-February) is only $3,750 per person and the mountain is now also open for monsoon (June-August) climbs, when the fee is ever lower at $2,750. The revised rule also makes it mandatory for every two climbers on an 8,000m peak to hire one Nepali mountain guide.&nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2025053004050_67f856fe52714e4bdcf21ae7d45c6f18c82117b9d0a5f73ed1efa04c96de1046.jpg" data-media-id="editor_0" data-image-id="2025053004050_67f856fe52714e4bdcf21ae7d45c6f18c82117b9d0a5f73ed1efa04c96de1046" data-rendition-name="original" width="931" height="732" loading="lazy" alt="The Everest Industry graph 1"> </figure>  In addition, climbers also have to pay for porters and guides, equipment, Base Camp costs, Ice Fall and fixed rope team fees, so climbing Everest does not come cheap. But such is the draw of climbing the world’s highest peak that some say the increased fees will not diminish the crowds next year. The government has tried to spread expeditions out to other seasons and other 8,000ers, but with not much success. Earlier this year, Nepal unilaterally increased the number of 8,000m peaks to 14 by adding six more sub-summits to broaden the choice for climbers. Added were: Yalung Kang (8,505m), Yalung Kang West (8,077m) &nbsp;Kangchenjunga Central (8,473m), Kangchenjunga South (8,476m), Lhotse Middle (8,410m) and Lhotse Shar (8,400m).&nbsp; The announcement could go against the accepted topographic criteria that a stand alone peak has to be at least 300m higher than an adjoining prominence, and at more than 3km isolation from it. The UIAA (Union Internationale des Associations d'Alpinisme) still recognises only 14 mountains as eight-thousanders, and only eight of those are in Nepal, or on the border with China. Nepal’s revised mountaineering regulations also increased the insurance coverage of high-altitude workers to protect porters and high altitude guides who usually take more risks on the mountains. Rescue teams and clean-up campaigners to collect trash and remove bodies of dead climbers up to Camp IV of Mt Everest do not need permits.&nbsp; The Sagarmatha Pollution Control Committee is now using drones to fly down trash in 20kg sacks. Each climber is also required to bring down at least 6kg of waste and not just their own, but this rule is erratically enforced. With five fatalities on Everest and Lhotse, Spring 2025 had a historically low death toll. Another five climbers died on Annapurna, Kangchenjunga and Makalu.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2025053004050_38681de22f0fefb6faa12b01755566d09c5064d0ff84e12ccc7b5d68ea9ba38a.jpg" data-media-id="editor_1" data-image-id="2025053004050_38681de22f0fefb6faa12b01755566d09c5064d0ff84e12ccc7b5d68ea9ba38a" data-rendition-name="original" width="665" height="740" loading="lazy" alt="The Everest industry graph 2"> </figure>  Journalist Ben Ayers who ran the Everest Live social media channel from Everest Base Camp with daily updates credited the low death rate to dramatic rescues of climbers from the ‘Death Zone’ by their Nepali guides and longline helievacs — the visuals all uploaded on YouTube.&nbsp; “Ironically, this perception of safety is bringing more and more inexperienced climbers to the mountain, and they need more rescues,” Ayers said in one of his dispatches.&nbsp; American expedition chronicler and summiteer Alan Arnette suspects there is a lot of under-reporting given that the jet stream and storms were lashing Everest even till late in the season. He told us: “I heard a lot about frostbite and rescues that were not made public. It’s become practically impossible to cover the details on Everest. All the teams report nice news, and they don’t talk about bad stuff to avoid hurting businesses.” Although trash on Nepal’s mountains makes headlines, what does not receive as much attention is the climate impact of so many expeditions. The Sagarmatha Sambaad conference sidestepped this issue, which is ironic given that the impact of climate breakdown is most evident on Himalayan peaks and their glaciers.&nbsp; <h2>Need for Speed</h2> The big stories this year have been about speed-running from their home cities to the top of Everest. Ukrainian entrepreneur Andrew Ushakov flew out of JFK on 15 May at 10:15AM Nepal time, and was on the summit 3 days, 23 hours, and 7 minutes later on 19 May at 9:22AM.&nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250601080640_1c5cc6fc991307861768f07037ed9d30930fb20f35dbb57dc31c9a92a9e1a885.jpg" data-media-id="editor_2" data-image-id="20250601080640_1c5cc6fc991307861768f07037ed9d30930fb20f35dbb57dc31c9a92a9e1a885" data-rendition-name="original" width="1440" height="1800" loading="lazy" alt="The Everest Industry"> <figcaption>Andrew Ushakov at the summt. Photo: ELITE EXPED</figcaption> </figure>  “I could never find the time for the traditional 40-50 days of acclimatisation,” Ushakov explained matter-of-factly. His ‘Everest Sea-to-Summit’ climb was possible because he spent 400 hours in hypoxic sleep tents over the past four years in New York. However, Ushakov did use ropes already fixed, hired four Nepali guides, helicoptered to Base Camp, and used much more oxygen than an average climber. And after the climb, Ushakov was arrested at Kathmandu airport for being in possession of $20,000 of undeclared cash and spent a night in jail and fined $60,000.&nbsp; The other speedsters were Garth Miller, Alastair Cairns, Anthony Stazicker, and Kev Godlington, all former British Army commandos. They left London and summited five days later on 21 May, and flew right back. They also used hypoxic tents to simulate the thin air high on Everest.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250601080644_90c8dd5cc07b4b43f2989b1dc0c0650ab80f10ebb06680c25a6909c519957bd8.jpg" data-media-id="editor_3" data-image-id="20250601080644_90c8dd5cc07b4b43f2989b1dc0c0650ab80f10ebb06680c25a6909c519957bd8" data-rendition-name="original" width="810" height="668" loading="lazy" alt="The Everest Industry "> <figcaption>All four members of the Furtenbach team at the summit. Photo: Sandro Gromen-Hayes</figcaption> </figure>  But more controversial was their use of xenon gas therapy in a German hospital to ramp up the production of oxygen-carrying haemoglobins in their blood. Xenon is banned by the World Anti-Doping Agency for being performance enhancing in sports. Expedition leader Lukas Furtenbach said this rule does not apply to mountaineering, as it is not a regulated sport like swimming. Nepal has no rules about xenon, but the Department of Tourism said it was launching an ‘investigation’ to decide on future policy since it is difficult to ban xenon, but allow oxygen. The controversy has also divided the mountaineering community, with some climbers saying they just want to maximise their chances of survival. Spending less time on the mountain could make climbing safer by reducing avalanche risk. It would also mean less trash on the mountains, but it would reduce the income of Nepal’s expedition industry. It is also unclear how much of the success was due to xenon therapy and whether the ex-special forces were already in good physical shape.&nbsp; The need for speed hides the fact that climbing in the Himalaya is dangerous business, and climbers cannot sprint to the top just by huffing xenon. But ultra-fast climbs could be charged more, and the revenue generated can be used to establish state-of-the-art rescue operations, and increase pay and insurance for guides. Two other speed chasers this season were Swiss-Ecuadorian Karl Egloff and American Tyler Andrews, both on Everest without oxygen. Andrews choppered to Base Camp to catch a weather window, but turned back from 8,500m due to high winds. Heavy snow and wind also forced Egloff to descend from 7,000m. Slow and steady climbers like Anja Blacha from Germany did make it to the summit without oxygen, while Kami Rita Sherpa broke his own record with his 31st Everest summit as he led a 26-strong Indian Army group. There were 468 permits issued for foreign climbers from 48 expeditions to Everest this spring. Nepal’s other eight-thousanders together had only 17 expeditions. Nepal has more than 1,000 peaks above 6,000m, and has opened only 476 of them for climbing.&nbsp;

The Everest Industry

That winter day in January 1664 marked an exceptional event in the reign of King Pratap Malla of Kathmandu. It was 15 Paush 784 of the Nepal Sambat and for the first time, a historical event was being immortalised on canvas for generations to come.&nbsp; The occasion was the grand Tuladaan ceremony of the King’s youngest son Chakrabartendra Malla from his wife Anantapriya, an Indian princess from Cooch Behar in present-day Assam.&nbsp; During the ritual, the prince was weighed against gold, silver, pearls, and other precious stones, which were then offered to Goddess Taleju Bhavani, the guardian deity of the Malla dynasty.&nbsp; The 170 x120cm painting captures the time of King Pratap Malla in all its splendour and is more than a personal tribute to his son: it is a significant visual historical document. It was evidently completed five years later in 1669, and could be considered a photographic record, with retrospective recreation of the event by the unknown artist. A Tuladaan ceremony is performed to purify one’s karma, quell impending bad luck, or as an act of charity and devotion. Chakrabartendra Malla was not well, and the ritual was performed in hopes of restoring his health. King Pratap Malla had arranged for each of his sons to take turns ruling Kathmandu so they got administrative experience. But Chakrabartendra died just two days after assuming power in 1670 (790 NS). This painting is considered the earliest known example in which the composition is dominated by an architectural landscape: the Taleju Temple. Given the stylistic features such as side-profile facial depictions and the rendering of human forms, it is believed that the Nepali artist was trained by a Rajput master.&nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250615040624_ddad3bc27a327e3f9926c8473287e4f14b53081296c295049009f327a4d97051.jpg" data-media-id="editor_0" data-image-id="20250615040624_ddad3bc27a327e3f9926c8473287e4f14b53081296c295049009f327a4d97051" data-rendition-name="original" width="3248" height="4395" loading="lazy" alt="Tuladaan NT"> </figure>  During that era, there were regular exchanges of artists between Northern India and Kathmandu Valley. The painting is also a melding of Nepali, Tibetan, Mughal, and Rajput art styles of the time. Pratap Malla could have been inspired by a painting of Mughal Emperor Jahangir’s Tuladaan ceremony for his son Khurram in 1607. The Mallas and Mughals shared cordial relations, which is reflected in the cultural influences seen in the art and attire of the period.&nbsp; The clothing of the Malla ruling class, in particular, features colourful tunics, turbans, and jewelry that display strong Rajput and Mughal stylistic elements. The musicians in the upper tier are also dressed in Indian-style clothing, while the ensemble on the lower steps wear local attire, notably without turbans. Their hairstyles also differ, with the lower group wearing their hair tied in a bun at the front. This national treasure is currently in storage at the Collège de France in Paris, and has never been publicly displayed. Nepal’s art scholars like Gautam Vajracharya, Pratap Aditya Pal and Anne Vergati have written about this iconic paubha in the past, but the only detailed study is from the perspective of music history by researcher Richard Widdess who had access to high resolution copies of the original.&nbsp; Widdess from the Department of Music at the School of Oriental and African Studies (SOAS) in London describes the paubha as the most significant and richly detailed documentation of music in Nepali art. He identifies distinct musical ensembles on the terraces of the temple, and remarkably most of them are actively used today. One of them reflects the Mughal naqqārakhāna model — a loud outdoor ensemble typically composed of kettledrums, trumpets, and cymbals, traditionally performed from the gateway of the emperor’s palace to announce his entrances and exits. The depiction of such an ensemble in the tulādāna painting is likely the earliest known representation of a complete naqqārakhāna in Nepal — considered the forerunner of the panche baja, the traditional Nepali ensemble. On the stepped pyramid base of the temple are two groups of musicians playing local instruments: dhimey, bhushya, and dha. They are unmistakably Newar musicians, wearing short skirts and short-sleeved tops, with bare heads and legs—clearly distinguished as local performers.&nbsp; Higher still on the temple pyramid are musicians of apparently higher status, positioned close to the king, and his courtiers, possibly professional court musicians from India, well-versed in rāga and tāla. A dāphā group is also clearly depicted, identifiable by their characteristic instruments.&nbsp; Dāphā bhajan is likely the oldest surviving tradition of Newar devotional singing, and this paubha is the oldest visual record of it. Pratap Malla himself is believed to have composed songs that continue to be performed by dāphā groups throughout Kathmandu till today.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2025061211064_d67636730cdc0ec778c02494817aca0b99654f2950d0fae4b95499a61faf7ef3.jpg" data-media-id="editor_1" data-image-id="2025061211064_d67636730cdc0ec778c02494817aca0b99654f2950d0fae4b95499a61faf7ef3" data-rendition-name="original" width="596" height="768" loading="lazy" alt="Priceless paubha in Paris NT"> </figure>  The artist’s thorough attention to musical detail may be attributed to King Pratap Malla’s own deep interest in music. His inscriptions on this painting and elsewhere proclaim his mastery of all branches of knowledge, including music. He is also known as the author of dance dramas and poems, penning his name as Kavindra (king of poets). Some noteworthy elements of new art techniques stand out: for example, the roof of the temple is filled with realistically rendered white doves, pigeons, and crows. This is a rare feature in paubha, where animals and birds are stylised, mythological forms. This remarkably talented unknown artist has managed to also render an orthographic projection: the front and side view of Nepal’s first architectural paubha. The Taleju Temple, with its staggering multi-tiered structure and numerous steps and platforms, is masterfully translated into layers within the painting. This represents a significant artistic achievement of the time, especially considering that dimensional perspectives had not started in deity-based paubha.&nbsp; The artist has also made a meticulous effort to capture architectural details such as the toran (ornamental arch) and temple struts with impressive precision. There are flickering lamps along the steps and some people carrying what appear to be oil pots.&nbsp; It is a full moon night and the dark sky is adorned with all the gods and goddesses, who are depicted as blessing the ceremony while seated on stylised thangka clouds. There is a lot happening in this painting, with people engaged in various activities. The artist has also rendered a forest backdrop behind the temple, complete with deer, trees, and flowers. Could there have once been a royal garden behind the Taleju Temple?&nbsp; More details and clarity can only be achieved if we are able to view the original or a high-resolution scanned version of the artwork. Many countries proudly display art depicting historical events in their national museums with great reverence. France, for example, has The Coronation of Emperor Napoleon and Empress Joséphine by Jacques-Louis David (1808–1822), along with numerous paintings of the Napoleonic Wars. Many were commissioned by Napoleon himself for future generations to remember.&nbsp; For Nepal, the equivalent is the Tuladaan paubha which is a visual record capturing a historic moment involving one of Kathmandu’s greatest kings, on the very day the event took place. Sadly, we await the day when this masterpiece is displayed, shared in high resolution for detailed study, or more rightfully — repatriated to its homeland, where it truly belongs. &nbsp; Shaguni Singh Sakya is the Director of the Museum of Nepali Arts (MoNA) at Kathmandu Guest House in Thamel. <h2>Gods homeward bound</h2> The Nepal Heritage Recovery Campaign and Nepal’s Department of Archaeology are convening the first international conference on the Recovery of Cultural Heritage from 16-18 June in Patan. The conference will address urgent issues of theft, illicit trafficking, the campaign to repatriate looted cultural artifacts, and explore how the return of sacred antiquities contributes to justice, healing, and reconciliation for communities and nations affected by cultural loss. American art crime professor Erin L Thompson and Saubhagya Pradhananga of the Department of Archaeology will deliver the keynote. Meanwhile, author and Nepali Times publisher Kunda Dixit will lead a conversation on Illicit Trafficking: Public Opinion and Role of Media with Erin Thompson, Amr Al Azm, associate professor of Middle East History and Anthropology at Shawnee State University in Ohio, as well as Bradley J Gordon, a lawyer based in Phnom Penh. There will be sessions looking at repatriation perspectives from Cambodia, India, Vietnam, China and Poland, international frameworks for repatriation, emerging digital technologies in the repatriation of cultural heritage, cultural property agreements, museums as well as trends in the art market, and heritage diplomacy and the role of media.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2025061211068_59cfccfa8f5d73bfe8b4c5811a7f53abc09ea04e8cb7c638933d62e5283efdf6.jpg" data-media-id="editor_2" data-image-id="2025061211068_59cfccfa8f5d73bfe8b4c5811a7f53abc09ea04e8cb7c638933d62e5283efdf6" data-rendition-name="original" width="1080" height="1350" loading="lazy" alt="Heritage recovery NT"> </figure>  <h2> </h2> Some of the other highlights include James K. Reap, a professor in the Master of Historic Preservation Program at the University of Georgia who has a session on the US response to illicit trafficking. Art historian Lea Saint-Raymond is taking on “Gods at Auction: The Market for Himalayan Artefacts”, while lecturer of criminology at the University of Glasgow Emiline Smith is delving into transformative approaches to heritage ownership and repatriation. Helena Arose of Antiquities Coalition and Melina Antoniadis of NOSTOS Strategies that specialise on the return home of cultural heritage as well as Hao Liu of International Cultural Heritage Law at the School of Law at Shandong University are some of the others attending. The Nepal Heritage Recovery Campaign was set up in 2020 to develop a coordinated movement to reclaim Nepal’s stolen gods and goddesses, with an aim to ensure that recovered items are returned to their original shrines, niches or sanctums. Ahead of the conference opening organisers have arranged for a film screening of Loot &amp; Return: 4 Documentaries at YalaMaya Kendra in Patan Dhoka between 14-15 June. Following the conference is a multimedia exhibition titled Absent Gods: Nepal’s Lost Heritage from 31 July to 4 August at Patan Museum.