<figure><img width="3072" height="2048" src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/2022111410114/6372048a9c7e80680e0b2869jpeg.jpg" alt=""/><figcaption>All photos: MONIKA DEUPALA</figcaption></figure>Under a canopy of prayer flags and electrical wires, a quiet backstreet of Thamel is reinventing itself to be the new epicentre for Nepali art.Away from the bustling main roads of this tourist quarter of Kathmandu, along a narrow winding alley is Kathmandu Art House, a four-storeyed block with large lower-case letters on the facade: ‘art st’. Art Street is not an immediately obvious facelift, the building has been around for years. Nevertheless, it aims to provide Nepali artists with a platform to work and showcase their creativity in a one-stop shop.It is perhaps fitting that Art Street is adjacent to Kathmandu Guest House which became a catalyst in the 1970s for the evolution of Thamel as a backpacker destination, replacing Jhonchhe which was known in the Hippie era as ‘Freak Street’.Thamel got branded as a place for budget travellers, and with the renovated Kathmandu Guest House and Art St is reinventing itself to be more upmarket. <img width="3072" height="2048" src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/2022111410114/6372048d9c7e80680e0b286ajpeg.jpg" alt="">“This side of Thamel lacked identity, which is why I came up with this idea,” explains <a href="https://www.nepalitimes.com/opinion/dipesh-nepalis-dark-light/" data-saferedirecturl="https://www.google.com/url?q=https://www.nepalitimes.com/opinion/dipesh-nepalis-dark-light/&amp;source=gmail&amp;ust=1642485493170000&amp;usg=AOvVaw0TfezBaSHqvzymsqrV8uqz">Rajan Sakya</a> of <a href="https://archive.nepalitimes.com/news.php?id=19686#.YeTpxy8RqLc" data-saferedirecturl="https://www.google.com/url?q=https://archive.nepalitimes.com/news.php?id%3D19686%23.YeTpxy8RqLc&amp;source=gmail&amp;ust=1642485493170000&amp;usg=AOvVaw1zMHnSd00FWtHrrRnDzb5p">Kathmandu Guest House </a>who also established the nearby <a href="https://www.nepalitimes.com/banner/nepals-first-private-art-museum/" data-saferedirecturl="https://www.google.com/url?q=https://www.nepalitimes.com/banner/nepals-first-private-art-museum/&amp;source=gmail&amp;ust=1642485493170000&amp;usg=AOvVaw1lNXYRgoQYKXs7PaZFa6Jp">Museum of Nepali Art (MoNA)</a> and turned the courtyard of Kathmandu Guest House into a permanent exhibition space for sculptures. Showing a visitor around, Sakya says, “We have plenty of malls in Kathmandu but we lack an avenue for intellectual entertainment. Art is as much a part of our identity as mountaineering and trekking, which is why I wanted to create an environment rich with artistic expression.”Each room at the Kathmandu Art House is rented out at up to Rs25,000, a dozen prominent Nepali artists like <a href="https://archive.nepalitimes.com/article/Nepali-Times-Buzz/Erina-tamrakar-returns,3560" data-saferedirecturl="https://www.google.com/url?q=https://archive.nepalitimes.com/article/Nepali-Times-Buzz/Erina-tamrakar-returns,3560&amp;source=gmail&amp;ust=1642485493170000&amp;usg=AOvVaw2R_gswiHJ1Byhsie3Cjoky">Erina Tamrakar</a>, <a href="https://www.nepalitimes.com/banner/between-the-lines-with-sujan-dangol/" data-saferedirecturl="https://www.google.com/url?q=https://www.nepalitimes.com/banner/between-the-lines-with-sujan-dangol/&amp;source=gmail&amp;ust=1642485493170000&amp;usg=AOvVaw1k2zprQsEFI0vS5q5cDV4V">Sujan Dangol</a>, <a href="https://www.nepalitimes.com/review/between-an-ancient-past-and-anxious-future/" data-saferedirecturl="https://www.google.com/url?q=https://www.nepalitimes.com/review/between-an-ancient-past-and-anxious-future/&amp;source=gmail&amp;ust=1642485493170000&amp;usg=AOvVaw07RF3Jpz3ZuNjkwqvqElD2">SC Suman</a>, Roshan Dangol, Raj Prakash Man Tuladhar have set up shop here. The names of the artists are emblazoned on the street-side facade next to the ‘art st’ sign. <img width="3072" height="2048" src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/2022111410114/637204909c7e80680e0b286bjpeg.jpg" alt="">The artists all have their very own private atelier where visitors can browse through their works, talk to them about their craft, and even purchase their favourite pieces.Artists in Nepal often complain that not many people buy Nepali art, let alone go to exhibitions and view paintings on show. “This is not indicative of a low volume of output, as it is of a smaller market,” he says. “To say Nepali art is not appreciated enough is directly related to how few galleries there are in Nepal at present and platforms.”Raj Prakash Man Tuladhar, a traditionally trained painter of paubha, completes only 2-3 paintings each year, given the meticulous detail that goes into creating them, and yet he does not have space at home to display them. <img width="3072" height="2048" src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/2022111410114/637204949c7e80680e0b286cjpeg.jpg" alt="">“Thanks to the art house, I have a studio that is also my exhibition space,” Tuladhar says, gesturing to walls lined with vibrant paubha depicting fierce and benevolent deities. “Earlier, I could only tell people about progress in paintings, now they get to see me at work, and my entire collection in one place. This allows me to develop a closer connection with art lovers.”This is a feeling shared by Roshan Dangol, another artist-in-residence at Kathmandu Art House. “I was first introduced to this place by fellow artist <a href="https://www.nepalitimes.com/opinion/the-compassionate-white-tara/" data-saferedirecturl="https://www.google.com/url?q=https://www.nepalitimes.com/opinion/the-compassionate-white-tara/&amp;source=gmail&amp;ust=1642485493170000&amp;usg=AOvVaw3LwdyBsFdvuQO2K2oHT8P1">Samundra Man Singh Shrestha</a>, and it was a good move,” he says. Two windows in his studio frame trees and buildings outside in a canvas of their own, letting in ample sunlight and birdsong. An easel stands in the middle of the room with a work-in-progress spread. “There is a creative environment here,” Dangol says, “I find the greenery outside and engagement with other artists encouraging and inspiring.” <img width="3072" height="2048" src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/2022111410114/637204979c7e80680e0b286djpeg.jpg" alt="">Dangol,30, was recently commissioned by <a href="https://www.nepalitimes.com/here-now/what-next-for-reinhold-messner/" data-saferedirecturl="https://www.google.com/url?q=https://www.nepalitimes.com/here-now/what-next-for-reinhold-messner/&amp;source=gmail&amp;ust=1642485493170000&amp;usg=AOvVaw0CCP8BZGlfI8JdgtjLirK6">mountaineer Reinhold Messner</a> during his recent visit to create two artworks for the Messner Mountain Museum in Italy. Dangol credits the exposure to Kathmandu Art House: “I probably would not have found the same level of national and international recognition otherwise.”Earlier, Dangol’s charcoal drawings would often lie rolled-up or stacked in his home studio, gathering dust. Here, many have found room on the walls, all framed as in an exhibition. “When people come to look at my art,” he adds, “I no longer have to try and explain them with words. Here, I can show my different styles and experiments, and my paintings are right in front of them to view in one space.” <img width="3072" height="2048" src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/2022111410114/6372049a9c7e80680e0b286ejpeg.jpg" alt="">Thamel was chosen for this new initiative primarily because of the large footfall of tourists, both domestic and international, that it receives annually, making it a prime location for people to be acquainted with the artists and their works. “We cannot wait for the government to come along and declare this spot as an art zone,” says Rajan Shakya. “We have to take the initiative ourselves and help reach Nepali art new heights and gain widespread recognition.”Read Also<a href="https://www.nepalitimes.com/banner/nepals-first-private-art-museum/" target="_blank" rel="noopener noreferrer">Nepali art finds  new home</a>, Shristi Karki

Ashish Dhakal

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Thamel’s new Art Street

<figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/2022111016114/636d13489c7e80680e0a9915jpeg.jpg" alt="" width="3360" height="2240"/><figcaption>All photos: MONIKA DEUPALA</figcaption></figure>A vast circle is crammed with densely packed houses stacked on top of one another. Drawn in black ink, their edges merge as they jostle in space.The narrow strips between the houses have fluid shadows, but in the middle of this urban universe is a white hole. “That is a doughnut,” says a visitor, at the Siddhartha Art Gallery where artist Sujan Dangol’s meticulous line drawings are on display at the <a href="https://www.siddharthaartgallery.com/exhibition-events/342-tale-of-a-city-invitation">Tales of a City exhibition</a> till the end of the month.“I cannot impose my concepts or ideas on viewers, their interpretation is just as genuine and appropriate because they view it subjectively as their own background, thoughts and feelings come into play,” Dangol explains in his studio in Koteshwor. Light bounces off his round glasses as the 40-year-old artist's gaze turns to the large window on his left.<figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/2022111016114/636d134b9c7e80680e0a9916jpeg.jpg" alt="" width="3024" height="4032"><figcaption> </figcaption></figure>The studio is an open space with sofas, bookstands and tables about. In one corner is a large painting — “A friend is working on that one,” Dangol says — and metal and clay sculptures sit on various shelves. He is dressed in a long, brown corduroy shirt, and his hand hangs above a work in progress: another large canvas, nearly filled to the brim with tiny houses and streets.It is clear that the drawings depict the tremendous transformation that has turned Kathmandu Valley’s rich urban-agro civilisation into <a href="http://archive.nepalitimes.com/news.php?id=19765#.YZDL21VByJA">a concrete jungle</a>. Dangol’s sketches represent dizzying, densely packed towns with teetering temples and dilapidated homes, almost like a cartoon, or satire.For Dangol, art is a three-point collaboration between an artist, the object and the viewers who exist in the space between the abstract and the real. The experience is incomplete even when only one of the three is missing. The drawings feel at once familiar and foreign — the sprawling urbanscape is part of our daily lives, but they have also acquired an almost metaphysical aspect.A giant vajra, for example, looks as though wrapped in a shawl of windows and roofs — and Dangol invites the viewers to fill in the gaps, recognise and rediscover their own stories.<img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/2022111016114/636d134e9c7e80680e0a9917jpeg.jpg" alt="" width="3360" height="2240">Sujan Dangol grew up in Mahabouddha near the Kathmandu Darbar Square when the historical towns of this emerald valley were still located along ridges with the slopes down to the rivers below devoted to agriculture.“I still remember the sights, sounds and smells of eating rice on the balcony during the minpachas holiday in winter,” adds Dangol, lamenting that today none of the things he used to enjoy as a child are accessible or possible.The concrete canopy of houses block out the sun, there are no public open spaces for children to run around in, there is the ever-present din of the city’s perpetual motion machine.These feelings of loss and nostalgia permeate all of Dangol’s exhibits. The artworks are rigorous and complex: each cityscape is meticulously drawn in pen and ink, filled with stark emotional and intellectual intensity. He recreates history and architecture in a visual language that is uniquely his, built on the bedrock of his own memories and infused with elements of <a href="https://www.nepalitimes.com/banner/the-legend-behind-the-myth-of-indra-jatra/">folklore</a>.<figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/2022111016114/636d13529c7e80680e0a9918jpeg.jpg" alt="" width="1475" height="1125"><figcaption> </figcaption></figure>Big Bell is a rendition of the one that stands in <a href="https://www.nepalitimes.com/here-now/good-as-old-after-two-earthquakes/">Patan Darbar Square</a>, but its base is crammed with little houses and temples. Dark hills stretch behind, and at the feet of the monument are slabs that look like funeral ghat with black blobs spread about them.It is an ominous piece, foreboding. The sun casts a shadow behind itself and, on closer look, the roofs are bare and have holes in them with wooden beams poking out. The bell itself looks weary, the roof above it is worn out, and it is almost like a deep sigh escapes this 38x48 inch-frame with an overwhelming sense of loss.The other drawings evoke similar pathos. Carved Malla-era windows stand next to neoclassical doors, and somewhere in the middle are tall, flat and bare walls. But between them the galli is quiet and temple eaves have come undone. The ever-watchful eyes on the stupas look aged and tired, perhaps by the desolation they have witnessed.With the touch of pen and ink, Dangol reinvents a visual vernacular of memory and loss. But Dangol does not want the messaging to be too direct or blatant. He says: “I am not a heavily conceptual artist … if I start a piece with too much intention, it disrupts my workflow.”https://youtu.be/eF4hwcbBhsAProud of his Newa heritage, Dangol aspires to develop a new grammar for Nepali contemporary art that builds on the culture and skills that he grew up around and the relics of which are still present. There is no western influence here: the styles are borrowed from gardeners, woodcarvers, tailors, masons and brick-layers, and also the struts, carved windows and exteriors of abandoned buildings.“The cross-hatching in my drawings are inspired by my wife’s straw mats,” says Dangol. Miniature installations featuring straw mats and seeds by his wife, Sharmila Shrestha are also on exhibit in Tales of a City.<img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/2022111016114/636d13559c7e80680e0a9919jpeg.jpg" alt="" width="3360" height="2240">Sujan Dangol traces the origin of this series to 2012, when as his graduation installation he built a city of 1,500 cardboard boxes and cartons of various brand names in the Nepal Art Council. The installation was complete with streets and roads that people could walk through and interact with. Architecture and heritage have since heavily influenced his art and outlook.“It takes over 500 or 1,000 years to build and develop an urban civilisation, and nurture its language, heritage, culture and <a href="https://www.nepalitimes.com/banner/exploring-nepals-culinary-diversity/">cuisine</a>,” says Dangol. “But when I look at Kathmandu today, I am saddened by the changes in the last 20-30 years, and especially following the 2015 <a href="https://www.nepalitimes.com/banner/lessons-not-learned-from-2015/">earthquake</a>. This is not normal. Development and progress should be gradual, not disorganised.”Houses, says Dangol, are not just places of residence. The traditional brick, timber and tiles of the buildings with their carved wooden columns, windows and doors represent an <a href="https://archive.nepalitimes.com/article/Nepali-Times-Buzz/saving-the-intangible,3303">invaluable legacy and expression</a> of craft, history, experience and expectations that span generations.“Individual houses are just as important as temples,” he says. And a street of houses has a collective ambience, so <a href="https://www.nepalitimes.com/here-now/deconstructing-reconstruction/">heritage conservation</a> must look beyond just monuments to these ordinary neighbourhoods and their old dwellings that are being torn down to be replaced with concrete.”<figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/2022111016114/636d13599c7e80680e0a991ajpeg.jpg" alt="" width="1500" height="1000"><figcaption> </figcaption></figure>The bahal, falcha and hiti are being overrun with selfishness and greed, the accelerated consumerism and obsession with money do not value the history and heritage of Swoinga, Kathmandu Valley.Being passionate about literature, art and architecture, Dangol says depicting these changes in his drawings is an outlet for his aggravation with the accelerated and irreversible change happening all around.One particularly gloomy drawing is Kalki that depicts the deity, one of the ten avatar of Vishnu, with fiery hair and wings, riding a leaping horse above a city as contrails swirl behind him. Kalki looks straight at the viewer with a deeply unsettling expression on his face — the rage in his eyes is shared by his horse which has a chain of skulls looping around his neck.<figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/2022111016114/636d135e9c7e80680e0a991bjpeg.jpg" alt="" width="849" height="1125"><figcaption> </figcaption></figure>Kalki is associated with destruction, and is the prophesied incarnation of Vishnu at the end of the current Kali Yug cycle of existence in Hindu cosmology. The destruction is followed by Satya Yug, when the chaos and darkness end.This is an important metaphor in Dangol’s drawing: destruction looming over a city, heritage on the verge of extinction. But, at the same time, Kalki is also the harbinger of cleansing and renewal.The exhibition ‘Tale of a City’ is open until 29 November at Siddhartha Art Gallery, Baber Mahal Revisted, Kathmandu.Read also: <a href="https://archive.nepalitimes.com/news.php?id=18013#.YZDNdlVByJA">Whose heritage is it anyway?</a>, Marit Bakke<a href="http://archive.nepalitimes.com/article/nation/a-time-to-every-purpose-occupation,3023">A time to every purpose</a>, Sahina Shrestha<a href="https://www.nepalitimes.com/banner/restoring-a-piece-of-nepals-history/">Restoring a piece of Nepal's history</a>, Sahina Shrestha

Between the lines with Sujan Dangol

Who is accountable for teacher-student relationships?

Early on Monday morning, a bus from Pokhara to Kathmandu plunged off the highway in Dhading killing 19 passengers. Two weeks ago, another bus fell into the Tama Kosi in Manthali, killing 12. A few days before that a bus crash in Baitadi killed 13 people.&nbsp; In just the month before Nepal's election, more than 50 people have been killed in road traffic accidents. Most of these cannot be called 'accidents'. They are a direct result of poorly maintained highways and lack of enforcement of traffic discipline. Political parties in Nepal have rolled out their election manifestos, and voters are once again presented with a flood of promises. Page after page, these documents list megawatts and microcredit, highways and airports, jobs and investment. In these manifestos, growth is quantified, projects itemised, revenue forecast — and there are even threats to beat up contractors who do not finish their jobs. But when everything is declared a priority the stale promises are empty. The voter is left confused as to where the party’s loyalties really lie. Will any of these plans and pledges actually ever materialise and help Nepalis live longer, safer, healthier lives? The main job of any accountable government is to protect its citizens, not so much from foreign enemies but from domestic mismanagement. And this means the most basic test the new government should be made to pass is whether it can ensure basic well-being and protection for all its people. The problems of safety, health, and survival remain unresolved for most Nepalis, and are quietly eroding their lives. In the past year alone, the country’s <a href="https://nepalitimes.com/news/roadkill">roads and highways claimed more than 2,300</a> lives. An estimated 41,000 Nepalis die each year directly because of <a href="https://nepalitimes.com/here-now/what-is-invisible-is-more-dangerous">air pollution</a>, and their <a href="https://nepalitimes.com/news/air-pollution-killing-season-starts-early">lifespans are lessened by 3.4 years</a>.&nbsp; <a href="https://nepalitimes.com/editorial/poor-health">Non-communicable diseases</a> now account for well over half of total deaths in the country. And even where survival has improved, deprivation remains. Chronic malnutrition continues to haunt communities in <a href="https://nepalitimes.com/here-now/mass-migration-from-muktikot">Nepal’s western mountains</a> despite progress in maternal and child health.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20260223130240_4f4ef83a31c3c4ae36ecdffb33a355e2fa3de9e98244b840a895af2d95c35ac0.jpg" data-media-id="editor_5" data-image-id="20260223130240_4f4ef83a31c3c4ae36ecdffb33a355e2fa3de9e98244b840a895af2d95c35ac0" data-rendition-name="original" width="1024" height="683" loading="lazy" alt="A life-first manifesto for Nepal NT"> </figure>  These are the lived realities of most Nepalis, and it is here that development can deliver its most immediate returns. A rising GDP, in and of itself, does not make roads safer, clean polluted air, or provide enough nutrition to children. Such outcomes demand intentional, granular policies that confront the specific, everyday problems shaping people’s lives.&nbsp; Macroeconomic growth, trade and investment are important, but these alone cannot guarantee improvements health and safety. The word ‘growth’, after all, is also synonymous with malignancy. Economic progress and human protection are correlated only when governance deliberately links them. Impact on life is the unit in which ordinary Nepalis calculate progress. What is needed, then, is a governing philosophy measurable in these same terms: a ‘life-first’ standard where every policy, budget, and reform can be understood and judged by its impact on protecting and extending human life. Such a ‘life-first’ approach would scrutinise three aspects of every policy. First, whether the policy prevents loss of life. A death is termed preventable if better, more coordinated response systems and regulations could have avoided it (vaccines, drugs, road safety, clean drinking water). A newly built six-lane highway <a href="https://nepalitimes.com/here-now/highway-accidents-are-no-accident-in-nepal">can be a death trap</a> due to poor design or lax enforcement of safety rules. If neonatal deaths continue in a district despite hospitals being present, or if malnutrition claims lives in predominantly agricultural regions, they too are failures. Preventable deaths also cluster where accountability is less direct. Just last year, <a href="https://nepalitimes.com/news/suicides-a-pandemic-within-a-pandemic">Nepal recorded 6,866 suicides</a>, with nearly 20 lives lost every day, yet these deaths fail to prompt any serious examination of governance. The same holds for fatalities linked to domestic or communal violence, alcohol and substance misuse, or ‘natural’ disasters, which register as ‘tragedies without remedy’ rather than as outcomes policy can influence. But when avoidable loss of life recurs at scale, isolated incidents become patterns, and patterns reveal systemic neglect. Saving lives, however, is only the first step, and what matters just as much is the quality of years lived. Nepal’s life expectancy now stands at 71 years, yet many citizens spend years in avoidable disability, untreated chronic illness, or mental distress. A life- first government must ask not only whether people live, but whether they thrive. Are citizens able to pursue education, work, and family life without fear of preventable harm? Do communities have access to clean air and water, nutritious food, and basic healthcare? Can a teenager anywhere in Nepal imagine a future not foreclosed by premature marriage, or untreated depression?  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20260223130240_157d72b80b82a07699b6bffbb30036b86f0f767a5674cc3db3d5c20343442940.jpg" data-media-id="editor_8" data-image-id="20260223130240_157d72b80b82a07699b6bffbb30036b86f0f767a5674cc3db3d5c20343442940" data-rendition-name="original" width="2529" height="1427" loading="lazy" alt="A life-first manifesto for Nepal NT"> </figure>  Thriving requires policies that prevent suffering and promote well-being in addition to ensuring survival.&nbsp; Finally, governance must consider graceful aging. Elderly Nepalis should not be left to navigate disease, poverty, or isolation alone. Social systems, healthcare, and community support must enable their continued participation and dignified well-being. Adopting this three-layered standard would gradually reorient how success of any new government is defined. Transportation would be judged by fatalities reduced on the roads. Electricity generation would be measured by whether households can switch from firewood dependence to smoke-free electric stoves.&nbsp; Increase in annual rice harvest must translate into better nutrition, reducing the prevalence of chronic diseases like diabetes. Accountability must follow problems rather than stop at Singha Darbar. Only then will politicians and bureaucrats eventually recognise that their work converges on the same human endpoint. Critics will argue that economies are complex, trade-offs are inevitable, and that governance cannot be reduced to a single metric.But, as Acemoglu and Robinson show in their book <a href="https://ia801506.us.archive.org/27/items/WhyNationsFailTheOriginsODaronAcemoglu/Why-Nations-Fail_-The-Origins-o-Daron-Acemoglu.pdf">Why Nations Fail</a>, the key difference between prosperity and poverty lies in inclusive institutions that empower citizens and create broad incentives for well-being.&nbsp; Extractive institutions concentrate power and wealth in the hands of a few while keeping the majority trapped in neglect. Nepal’s governance has remained a striking example of extraction. If lawmakers in the new Parliament continue to resist changes that would save and improve the lives of ordinary citizens, the same systemic rot will persist for generations to come. A life-first mentality can cut through this inertia by clarifying the moral centre of governance and reminding policymakers that behind every policy failure lies human cost. <a href="https://nepalitimes.com/here-now/epicentre-of-hunger">Every mother in Bajura</a> with a child going hungry at night, every farmer in the Madhes unable to afford medical care, and every family that has lost <a href="https://nepalitimes.com/opinion/comment/saving-kidneys-to-save-nepal">a migrant son to kidney failure</a> understands the true <a href="https://nepalitimes.com/multimedia/dirty-dangerous-difficult-and-dehydrating">value of a life saved</a>. Life is the one metric that transcends ideology, ethnicity, and region. Centering governance on this single, focused metric, can shift an election from a contest of rhetoric to a contest of evidence. Which party ensured access to safe water and basic healthcare? Which made work at home and abroad safer and less exploitative. Which measurably extended healthy years of life for ordinary citizens? Health is wealth. By improving the healthy lifespan of citizens economic prosperity would follow naturally. A ‘life-first’ governance model would therefore compel Nepal to address the underlying structural failures across all sectors, rather than merely alleviating their symptoms. The GenZ protest that toppled the government last September was, at its core, a demand for accountability and a rejection of politics as usual. But as the country edges closer to the polls, that clarity has started to dissipate. Parties are now echoing the language of reform, but the public discourse remains dominated by promises that feel disconnected from Nepal’s most immediate and basic priorities. Every preventable death, every hungry child, and every neglected elder becomes a direct failure of governance and a moral debt the state must answer for. It is how we can make sure we keep the next government in check. The writers are Nepali GenZ students of biomedical engineering at the Hong Kong Polytechnic University.

Nepal’s life or death election

The series Nepal Made profiles Nepali products and the people who make them possible.&nbsp; In the lap of Langtang lie misty meadows that are carpeted with alpine flowers during the monsoon. It was here that Gyalbu Tamang (pictured, right) spent his childhood accompanying his father Pasang Norbu to high pastures, to milk nak and make cheese. Norbu himself was taught to produce Emmentaler cheese by two Swiss experts in the 1950s. Switzerland and Nepal are marking the 70th anniversary of diplomatic ties this year, and the cheese plant in Kyangjin was one of the first the Swiss were involved in.&nbsp; Langtang had surplus milk, and the idea was to turn it into cheese to raise nutrition levels. “The Swiss were very hard-working, and were not used to the laid back attitude of Nepalis,” remembers Gyalbu Tamang, now 50. “The children in Langtang were scared of the tall blonde foreigners, but I got along with them.”  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20260221070240_dd47ceaf71a505e075f4a3628baf70161a40ebd21bcec1b1a2ebe03b28da4293.jpg" data-media-id="editor_0" data-image-id="20260221070240_dd47ceaf71a505e075f4a3628baf70161a40ebd21bcec1b1a2ebe03b28da4293" data-rendition-name="original" width="960" height="720" loading="lazy" alt="Langtang cheese"> </figure>  Gyalbu remembers sleeping outdoors with his father, under the stars and gazing at Langtang Lirung luminescent in the moonlight. After the milk was boiled, he helped carry it down in 40 litre churns to Kyangjin for processing.&nbsp; The plant was handed over to the state-run Dairy Development Corporation (DDC). Norbu Lama retired, but cheese making was too ingrained in him. So he bought a dozen yaks and Gyalbu helped him sell the milk. At 18, Gyalbu joined the cheese plant, and 32 years later, he is still there – now manager. “I had learnt everything from my father, so it was easy for me,” Gyalbu recalls. “Trekking boomed in Langtang and there was high demand for cheese. It raised the income of farmers.” 2015 EARTHQUAKE&nbsp; But all that came crashing down just before noon on 25 April 2015 when the earthquake triggered an avalanche that buried Langtang &nbsp;village. More than 300 people, many of them trekkers, were killed. “My father was grazing yaks, and we found him five days later, thrown off by the avalanche. My mother was buried in the ruins of her home,” Gyalbu says. Fortunately, his wife and three children in Kyangjin were safe in their damaged house.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20260221070240_7c0d512514280965aa72511100a2bda4e515c52c6e6428665dc7dd88c62c7ebf.jpg" data-media-id="editor_1" data-image-id="20260221070240_7c0d512514280965aa72511100a2bda4e515c52c6e6428665dc7dd88c62c7ebf" data-rendition-name="original" width="882" height="661" loading="lazy" alt="Langtang cheese"> </figure>  Twenty-seven herders and 400 yaks also perished. The cheese plant was flattened. Even before the disaster, an ageing population, out-migration, and better education meant that fewer Langtangpa were interested in cheese-making. The DDC’s mismanagement also took its toll, and at Rs80 / litre, it was not feasible to herd yaks anymore. The Swiss stepped in again to help rebuild the plant on condition that the price of milk be raised. The DDC agreed to pay up to Rs110/litre depending on fat content, and that price has remained the same.&nbsp; Gyalbu Tamang was in Kathmandu this week, trying again to convince the DDC to raise the price of milk to make cheese-making a worthwhile occupation for the younger generation.&nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20260221070240_61f302b28a3051006fedba92ac1a88ffab13a1ffb3154603bfc6693aee8fca5d.jpg" data-media-id="editor_2" data-image-id="20260221070240_61f302b28a3051006fedba92ac1a88ffab13a1ffb3154603bfc6693aee8fca5d" data-rendition-name="original" width="960" height="720" loading="lazy" alt="Langtang cheese"> </figure>  There are only three yak ranches left and the numbers of yak, nak and dzo have shrunk. In its heyday, Langtang used to produce 5,000kg of cheese per year. Today, it is down to 800kg. The cheese is sold in Kathmandu for about Rs2,000 per kg, but the plant has no savings to upgrade its 80-year-old equipment. “We are on our own, there is not much help from the government or Langtang people overseas,” laments Gyalbu. “I do not know what the future holds, but I will keep making cheese as long as there is milk, and as long as I am able.”&nbsp;

Langtang Emmentaler

Of the nearly 19 million eligible voters in next week’s election in Nepal, an estimated 5 million are abroad and cannot cast their ballots. Many others within Nepal must travel to their home districts, and might decide not to because of the cost.
Flights into Kathmandu these days are full of global Nepalis returning just to vote, but almost as many are leaving for overseas jobs. Most of those coming or going are in the 20-40 age group, and a majority want Nepal to see a change in leadership.
Bangladesh held an election this month in which citizens overseas could vote by mail.&nbsp;
“Bangladesh made maximum use of technology not just for campaigning but also for polling itself. We could have also managed this, so people within Nepal did not have to travel to their home districts to vote,” says Mohna Ansari, former head of Nepal’s National Human Rights Commission who was an election observer in Bangladesh.
A 3-day holiday has been declared so people can travel to their home constituencies to cast ballots. Even if there was not enough time to manage ballots for overseas Nepalis, it could have been done for Nepalis within Nepal.
Former Chief Election Commissioner Bhojraj Pokharel reckons that physical voting in countries with a large Nepali diaspora would have been a logistical nightmare, but in the PR system, using electronic voting machines or paper ballot could have been piloted in some places. It is not possible to manage the entire voting process until we introduce the internet voting system.
“First of all, there needs to be political will to bring the policy and be ready to undertake that level of investment and it is not a one-time cost,” Pokharel says. “A government formed by the GenZ could have atr least issed an ordinance ensuring this right, piloted out-of-country voting where possible, which could have built pressure for the future Parliament and the government. It would have given people hope. It is a lost opportunity.”
All major political parties called for voting rights for global Nepalis in their manifestos, but these very leaders blocked legislation allowing it despite a 2017 Supreme Court ruling out of fear that it would be anti-incumbent.&nbsp;
<h2>Why so late?</h2>
Bangladesh delivered election results in just one day, but the final results of Nepal's last local polls in 2022 including that of Kathmandu constituencies took nearly a month.
Acting Chief Election Commissioner Ram Prasad Bhandari said this week that the results of the First-Past-The-Post (FPTP) ballot counting would “likely” be published within 24 hours of the poll closing at 5PM on 5 March. But many are skeptical.
“I wonder if we lack the capacity or know-how to announce results as quickly as possible,” says Mohna Ansari.
Former Chief Election Commissioner Pokharel says manual ballot paper counting in Nepal is inherently slow because of the large numner of political parties and/or candidates on the ballot, the counting mechanism, the political behaviour of the candidates/parties and some managerial issues during counting.
“Our present policy is to count all the ballot papers at the returning officers' officies, located at the district headquarters. It requires collecting ballot boxes safetly first. This takes time, and there have been cases of ballot boxes being damaged or stolen during transport. In a few highly difficult, geographically remote polling centres, we use a helicopter or transport. But sometimes, accommodating the party and candidates' representatives remains challenging,” explains Pokharel. A solution could be counting ballots at the very booths where they are cast.
Another reason for the delay is simply the number of political parties, and the need for each ballot paper to be examined by booth representatives for consensus. In close races, the smallest difference can lead to tense situations, further delaying results, even though counting centres are protected by metal fencing so there is no disruption.
After this, then it is the turn of Proportional Representation (PR) ballots to be counted. Weeks pass by the time the results of candidates and parties are tallied and verified. But the most common delay is because election officers think ballot counting is a nine-to-five job.&nbsp;
“The efficiency of poll station officers is most important, and they are incentivised for this,” says Ansari, adding that counting can even start within an hour after voting closes.
In remote areas, local resources could be mobilised to make counting quicker, but there is a crisis of trust, adds Ansari.&nbsp;
That could be easily solved with electronic voting which the EC implemented in the 2008 polls but discontinued because political parties felt the machines could be hacked or manipulated.

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