On Friday, former prime minister Pushpa Kamal Dahal posted a message to his official TikTok account @cmprachandaofficial. He wished a Happy Dasain to all Nepalis, and wished them good health and continued progress. But almost exactly a year ago, his own Maoist-Nepali Congress coalition government <a href="https://nepalitimes.com/news/rattled-by-criticism-nepal-bans-tiktok">banned the app</a> claiming that it ‘disrupted social harmony’. By then, TikTok had seen a meteoric rise and media surveys showed it had overtaken Facebook. &nbsp; The real reason for the ban was that the established parties were spooked by <a href="https://nepalitimes.com/editorial/nepal-populist-party-balenist">newer, alternative leaders</a> and <a href="https://nepalitimes.com/news/street-politics">pro-monarchist forces</a> using the platform and social media to gather followers. But in June this year, the Maoists were ousted from government, the UML joined the Nepali Congress coalition. K P Oli was appointed prime minister for the third time, and in August he unbanned TikTok as suddenly as it was banned. Since then, TikTok has not wasted any time to make up for lost ground in Nepal. Last week it held a pre-Dasain ‘Grow with TikTok: A Masterclass for SMBs’ at the Marriott Hotel in Kathmandu aimed at helping small and medium business enterprises to grow their business. “Humour works best on TikTok, it leads to crazy engagement,” one presenter advised the rapt audience. “Write scripts, have a strong opening, and stand in front of a window sideways for good lighting.” He stressed the need to upload frequently and experiment widely to find out what works for any particular brand.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20241014081036_b86a6707bdb76b2776c24807e1973360e4f891be2c114b35f534191f4db23d82.jpg" data-media-id="editor_3" data-image-id="20241014081036_b86a6707bdb76b2776c24807e1973360e4f891be2c114b35f534191f4db23d82" data-rendition-name="original" width="1000" height="666" loading="lazy" alt="TikTok in Nepal"> <figcaption>The conference was attended by business owners and TikTok influencers</figcaption> </figure>  While TikTok is mostly used by Nepalis to lip-sync or dance to song-snippets, one of the tips at the conference was the need to be authentic: to take a trend and make it work for users and their businesses. “I started out by just making videos about what was really happening in my life, and people liked it,” admitted Anjana Aryal, whose achar business sells thousands of jars every week of 22 pickle varieties, employing 15 women. At last count, Aryal had 608,000 followers, and posts every day, mixing content about her pickles with videos of her dancing, shopping, or just talking. Aryal was in a panel of four successful Nepali TikTokers slash business owners, all female, who spoke about how to sell well on the app. A fashion business, makeup studio, and an online store were the other presenters. All four have been using TikTok since 2020 and had the same advice: be consistent, figure out your niche, be genuine, do not take internet hate personally, and find your voice. Taranidhi Regmi runs the Tokha bookstore KitabKiro and has used TikTok for the last two years, reviewing books on video and encouraging people to read. He takes orders through a website and Whatsapp, and has shipped Nepali books to more than 48 countries. “Initially, I didn’t like TikTok, I thought it was quite degenerate,” admits Regmi. “I was annoyed when my nieces were on it, but then I realised the benefits of the app by staying away from the nonsense.” The conference also had a session on how TikTok handles safety issues, moderating content that may be mature and inappropriate, and how it deals with addictive and dangerous activities or products. TikTok executives admit that theirs is a relatively new platform, and they are still learning as they go along. They tried to deflect some of the harder questions about balancing moderation and free speech, and about flagging videos as problematic that would be completely fine in a Nepali context. TikTok says it is implementing ‘community guidelines’ without going into detail about how that works.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20241014081040_e6b9e3ca5ce842810d5fbbf190471e4fa8cdf6f7770514abb933f09fa84b7b3f.jpg" data-media-id="editor_4" data-image-id="20241014081040_e6b9e3ca5ce842810d5fbbf190471e4fa8cdf6f7770514abb933f09fa84b7b3f" data-rendition-name="original" width="3000" height="2000" loading="lazy" alt="TikTok in Nepal"> <figcaption>There were sessions on video creation, security guidelines, and expert panels.</figcaption> </figure>  “For the nine months that TikTok was banned in Nepal, we could not &nbsp;really get clarity on it except the official explanation that it disrupted social harmony,” says Imad Jaffer of TikTok South Asia during a visit to Kathmandu last week. “We were more than open to dialogue, but the government was not responsive at all.” Nepal was not the first to ban TikTok. India has banned it, and it has been closed temporarily in Pakistan four times. US President Joe Biden signed a bill that could lead to a nationwide ban on TikTok unless its Chinese parent company ByteDance sells it to an American entity by 19 January 2025. The main reason is geopolitical, and sensitivity about personal data getting into Chinese hands “In the Pakistan case, we understood that they had concerns about vulgarity on the app,” says Jaffer. “But the Nepal ban was the strangest. We got no explanation for it even though the public sentiment towards the app was overwhelmingly positive.” Despite the ban, about half the Nepalis <a href="https://nepalitimes.com/opinion/comment/tiktok-ban-won-t-stop-nepali-netizens">TikTok users</a> just continued posting through VPNs. In some ways, the app is a victim of its own success — it is highly addictive algorithm that can create a feedback loop of content that <a href="https://nepalitimes.com/editorial/jail-the-messenger">has strong political influence</a>. Nepal’s <a href="https://nepalitimes.com/editorial/democracy-s-discontents">populist anti-establishment politicians</a>, monarchist and Hindu nationalist RPP were using the app successfully to gather support, and spread the word about their rallies just before the ban. The Maoist-NC coalition could have felt threatened. After the coalition switch, the Cabinet earlier this month reinstated TikTok &nbsp;under four conditions: <ol> <li>Help promote Nepal’s tourism</li> <li>Invest in digital literacy&nbsp;</li> <li>Support public education system&nbsp;</li> <li>Be ‘mindful’ of content &nbsp;</li> </ol> Experts say that the government has no grounds to make these demands to TikTok, and the conditions are as vague as the original reason for the ban. Yet, the other side to it is that many Nepalis are <a href="https://nepalitimes.com/here-now/huge-uptick-in-tiktok-during-nepal-lockdown">hooked to the platform</a> which at one point before the ban consumed one third of all internet traffic. Young Nepalis were matchmaking through TikTok, it was <a href="https://nepalitimes.com/here-now/nepalis-dying-in-someone-elses-war">used to recruit Nepali mercenaries for the Russian Army</a>, and despite age restrictions young people are exposed to graphic content. But bans and restrictions never work. The TikTok ban was seen as an <a href="https://nepalitimes.com/news/talking-about-tiktok">effort by the government to encroach on freedom of expression</a>. It was like parents taking away internet privileges from their children, which actually ends up increasing the attraction for its content.

Vishad Raj Onta

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Taking back TikTok

Baburam Aryal, Advocate, 
Digital Freedom Coalition 
The Nepal government’s decision to ban TikTok is irresponsible and unlawful. Nepal’s Constitution guarantees freedom of expression and the right to information, both for print and online. So this ban is against the spirit of the Constitution. 
 
Kamal Dev Bhattarai, Editor, 
Annapurna Express 
TikTok has good things going on too and one of them is how small entrepreneurs have found success using this platform. This ban has had a damaging impact on these businesses. 
TikTok has also provided space to up-and-coming youth who have been ignored by the mainstream media. The platform has allowed them to unlock their talents and they have gained popularity nationally and internationally. 
 
Smriti Shrestha, Founder, 
Akarsan Skin and Hair Clinic 
Any business requires marketing tools and ours is social media platforms such as Facebook, Instagram, Google, TikTok and Youtube. But unlike other platforms that require you to spend dollars to boost or advertise your business, TikTok doesn’t cost you money. I make content that could go viral and lead to an increase in business without me being required to spend any money. 
TikTok has a viral reach like no other. Earlier this year, Gosainkunda was busy like Asan bazaar because clips of the place were going viral on TikTok and trekkers were visiting in droves as a result. So this ban will also hamper the tourism sector.
Read Also: <a href="https://nepalitimes.com/opinion/comment/tiktok-ban-won-t-stop-nepali-netizens">TikTok ban won’t stop Nepali netizens</a>, Saniaa Shah 
 
Tanka Aryal, Chair, 
Digital Rights Nepal 
The government seems to have taken it as just banning a private company. &nbsp;But it is against the right to information and freedom of speech enshrined by our Constitution. At the same time, people were using &nbsp;TikTok to promote their businesses, the platform has been crucial for the tourism industry and for entrepreneurship. 
As such, this is an ad hoc bad with a very weak excuse that TikTok was creating social disharmony. Is TikTok the only one doing so? Even then, as per our &nbsp;Constitution, we cannot shut down any media platform but we can regulate the content given that hate speech, mis- and disinformation are quite prevalent these days. The state can also work on digital literacy instead of taking this easy route which is a regressive step. 
The ban therefore is against the prevalent law and Constitution of the land. &nbsp;This is also impractical in today's world where technology is an integral part of everyday life. 
 
Santosh Sigdel, Advocate, 
Digital Rights Nepal 
The &nbsp;TikTok ban has a direct impact on digital rights. The most important thing when it comes to digital rights is access to the internet, and for most of the Nepalis that was TikTok. And the ban has curtailed their rights. 
TikTok is very user-friendly and doesn’t need a whole lot of technical know-how which was why its users were increasing exponentially, in turn leading to a huge reach. 
The ban has also directly impacted freedom of speech and the right to information online. 
Then there is the right to employment. A lot of small entrepreneurs were using TikTok for their business. Much of their digital content is lost and so is their means of livelihood. In a nutshell, the TikTok ban curtails a whole lot of basic rights. 
 
Chiranjivi Adhikari, General Secretary, 
CAAN Federation 
The decision to ban TikTok because of security reasons is not scientific. &nbsp;Expecting privacy from social media sites we consume for free doesn't really make sense, our content on these platforms is at the very least on their servers. 
More worryingly, with free DNS and VPN we are seeing a massive increase in TikTok users. Free DNS and VPN are not secure and run malicious codes. If these get installed on our phones and laptops, and especially if we use the same devices for offices, they could destroy the whole network in our workplaces. These devices can also access our banking details and can easily do away with monetary losses for us.
Read Also: <a href="https://nepalitimes.com/news/rattled-by-criticism-nepal-bans-tiktok">Rattled by criticism, Nepal bans TikTok</a> 
 
Dinesh Tripthi, 
Senior advocate 
If we are to ban TikTok we will have to ban the whole of social media. We know that FaceBook, YouTube, Instagram, and Twitter have all been misused and more so. As such, the government will have to ban the internet. People also get vulgar, harassing messages on their mobile phones. This means the ban is not the solution. In a democratic society, a remedy shouldn’t be worse than a disease. Any step that the government takes should be based on the Constitution, and not constrict the democratic space like they have done by banning the platform in Nepal.

Talking about Tiktok

Unnerved by the rise of rightwing religious groups, Nepal’s coalition cabinet decided Monday to clamp an immediate ban on TikTok, saying the social media platform is spreading social discord. The popularity of the Chinese social media platform rose dramatically in Nepal since the Covid lockdown, rivalling the reach of Facebook, and political pressure groups had started using it to multiply their reach. “The cabinet decided to ban TikTok because of its impact on social harmony,” Minister of Communication and Information Technology Rekha Sharma said. “We are overseeing the prompt implementation of the closure.” Sharma, who is also the government spokesperson, said, however, it could take some time to shut down the platform in a smooth manner. The announcement was obviously timed for the Tihar holiday period, when the government might have expected criticism of the move to be muted. However, most of the immediate reaction on social media (and also on TikTok itself) was of outrage and ridicule with most commentators seeing it as a sign of a shaky coalition that has been spooked by the rise of the religious right and pro-monarchy forces. The last<a href="https://nepalitimes.com/here-now/nepal-s-interface-with-information"> media survey</a> conducted by Sharecast Initiative in 2022 showed that 56% of a sample group of Nepalis who were on the Internet said they used TikTok. The platform was launched by the Chinese technology company ByteDance in 2016, and saw a spurt in users in Nepal after the pandemic lockdowns. “TikTok’s aggressive algorithm makes it highly addictive, and that is the reason for its rapid spread in Nepal,” explains Sharecast Initiative’s Madhu Acharya. “But there has been concern about cultural invasion through its content, and the government appears to be worried about it being used by those opposed to the secular and republican &nbsp;constitution.” Acharya is preparing a new media survey this year, and extrapolates TikTok’s user base to have now grown to 85-95% to rival Facebook and YouTube.&nbsp; Many critics of the move have seen the TikTok ban as the first step in what they see as a government design to muzzle freedom of expression and an independent media in Nepal, which is currently the most open society in South Asia. "TikTok represents freedom of expression. Banning it is to curtain freedom of speech. How will the government be accountable if there is no criticism?,” says Constitutional law expert Bipin Adhikari. “As long as there is no incitement to violence or criminality, or encourage religious strife, the government has no right to ban free expression.” Opposition parties have been scathing in their criticism of the government move, saying it exposes the fragility of the 8-party coalition government led by Prime Minister Pushpa Kamal Dahal of the Maoist Centre with the Nepali Congress and other smaller parties.&nbsp; Even some dissident members of the Nepali Congress have taken to social media to voice their opposition to the TikTok ban announcement. ‘If you have a boil on your neck, you don’t chop off your neck,’ wrote Bishwa Prakash Sharma of the Nepali Congress who is with a faction opposed to party president Sher Bahadur Deuba. ‘Identify those who are misusing the platform. But shutting down TikTok is undemocratic.’  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20231113131112_b7c68b593d4d601406a2fb754d6010db8d03fa17fee17b9129cd6c576fc9f370.png" data-media-id="editor_1" data-image-id="20231113131112_b7c68b593d4d601406a2fb754d6010db8d03fa17fee17b9129cd6c576fc9f370" data-rendition-name="original" width="1192" height="676" loading="lazy" alt="tiktok"> </figure>  Another NC General Secretary Gagan Thapa said the TikTok ban reeked of authoritarianism: "This is a sign that the government wants to clamp down on freedom of expression. The government has taken a wrong step." <div class="embed-block"><div style="max-width: 550px;"><div style="left: 0; width: 100%; height: 0; position: relative; padding-bottom: 56.25%;"><iframe src="//cdn.iframe.ly/api/iframe?app=1&url=https%3A%2F%2Ftwitter.com%2Fthapagk%2Fstatus%2F1723976965810688154&key=87ca3314a9fa775b5c3a7726100694b0" style="top: 0; left: 0; width: 100%; height: 100%; position: absolute; border: 0;" allowfullscreen></iframe></div></div></div> A spokesperson of the independent RSP which is also in the opposition said that if there was a problem with TikTok it could be regulated, and an outright ban was overkill. One immediate concern that the government had appears to be over businessman Durga Prasai who has mounted a vocal campaign on TikTok against mainstream parties for the reinstatement of a Hindu monarchy in Nepal. He had made a call for 100,000 people to rally in Kathmandu on 21 November. Prasai, who is heavily in debt after having borrowed to start a hospital in eastern Nepal, has also been leading a public campaign to refuse to pay back bank loans. Many see his anti-establishment political stance as a way to magnify his movement. Nepal is not the first country to ban the app. India imposed a nationwide ban on TikTok in 2020. Along with a looming ban in the US, other countries including Australia, Belgium, Canada, Denmark, New Zealand, and Norway among others have also banned the app on government devices.&nbsp; While for many of these countries, the issue seems to be the Chinese ownership and user data security, the Nepal government has cited social harmony as the main reason for the move.&nbsp; The ban closely follows the recently introduced ‘Directive on the Operation of Social Networking 2023’ which says that social media platforms operating in Nepal now have to establish offices in the country. It also has a list of 19 things users are not allowed to do on social media including creating and engaging through fake IDs, posting media or text that spreads animosity against any community, caste, gender, religion, indulging in hate speech and defaming others. To be sure, internationally as well as in Nepal, Tiktok has become a breeding ground for hate speech. There have been <a href="https://www.tandfonline.com/doi/abs/10.1080/1057610X.2020.1780027">studies</a> on how TikTok is being used to spread racist, sexist and homophobic content.&nbsp; There are instances in Nepali Tiktoksphere where clips of individual users who have made <a href="https://www.tiktok.com/@chhabilalsubedi.official/video/7298021488991522050">questionable comments around certain communities</a> have gone viral starting a thread of spat between the communities. Some have also indulged in morally questionable behaviour including a recent case of a female CPN Maoist Centre cadre exposing herself during a TikTok live. It has also emerged as a platform for online gambling, and the app’s rising popularity also means that it has become a medium for spreading fake news, misinformation and disinformation. But it is difficult to say the same does not happen or has not previously happened on other social media apps. &nbsp; Instead of regulating what technology a person uses or how they choose to use it, critics say a more nuanced approach like addressing specific issues and promoting digital literacy is required. A more creative way would be to utilise TikTok itself to tackle the extremist ideologies in collaboration with the social media platform and foster dialogue both on and offline.&nbsp; Even when developing and enforcing legal frameworks, it is important to ensure that these are in line with international human rights standards and do not infringe upon or restrict freedom of expression.&nbsp; Says advocate Baburam Aryal of the Internet Governance Institute, "Today it is TikTok, tomorrow it could be Kantipur, the next day it could be Onlinekhabar, there is a danger that all media will be muzzled. This is how authoritarianism begins."

Rattled by criticism, Nepal bans TikTok

In the black and white photograph, General Wangdu smiles broadly in front of the dusty cactus garden in Kathmandu’s Annapurna Hotel. With an ill-fitting jacket and shaggy hair he looks benign enough, but this was the last leader of the Tibetan freedom fighters who led the resistance against the Chinese from their remote mountain hideouts in <a href="https://nepalitimes.com/here-now/comings-and-goings-in-mustang">Mustang</a>. Five months later, Wangdu was dead. Snapped in March 1974, I had only recently arrived in Nepal. How did I meet this legendary fighter? Possibly with his devoted camp follower, Lynne Klapecki, and probably in the Om Restaurant near Freak Street which was the preferred <a href="https://nepalitimes.com/banner/hippie-trail-nostalgia-in-kathmandu">hippie hang-out</a>. Om Lobsang and his brother Yeshe were <a href="https://archive.nepalitimes.com/page/earthquake-brings-back-memories-of-camps-for-tibetan-refugees">refugees from East Tibet </a>whose cafe offered a friendly welcome and<a href="https://nepalitimes.com/multimedia/momo-loco"> the best momos</a> - they became my in-laws after I married their eldest brother Tenzin, but that was a decade later.&nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2025052403054_4573b34282b0f5395c007243d6bef12c7ba76bfd520419e994cdcea048d795a1.jpg" data-media-id="editor_4" data-image-id="2025052403054_4573b34282b0f5395c007243d6bef12c7ba76bfd520419e994cdcea048d795a1" data-rendition-name="original" width="1000" height="1583" loading="lazy" alt="The last days of the Khampa NT"> <figcaption>Photo: LISA CHOEGYAL</figcaption> </figure>  Wangdu’s English was enthusiastically rudimentary, but even riding around town with him on the back of an aging <a href="https://nepalitimes.com/here-now/kathmandu-s-new-motorbike-museum">motorbike</a>, he was a commanding presence. Always flanked by armed outriders, impressive scars marked his forearms and a pistol hung from the cord around his neck. A charismatic guerrilla leader, Wangdu was celebrated by his followers for his tough commitment and respected for his measured pragmatism. He seemed so young to have shouldered such a responsibility of command, leading hundreds of hardened <a href="https://archive.nepalitimes.com/article/nation/50-years-after-the%20raid-into-Tibet,1012#google_vignette">Khampa combatants </a>through what had been a particularly <a href="https://nepalitimes.com/news/heavy-snowfall-over-nepal-himalaya">brutal winter in Mustang</a>, the last bastion to hold out against the Chinese invasion of their Tibetan homeland.&nbsp; The freedom fighters of Tibet, known as the Chushi-Gangdruk, had emerged to resist the <a href="https://nepalitimes.com/editorial/territorialism">Chinese takeover</a> of Tibet during the 1950s. Estimated to be 80,000-strong at the time of <a href="https://nepalitimes.com/here-now/what-or-who-after-the-dalai-lama">the Dalai Lama</a>’s final escape to India in 1959, the sheer number of Chinese deployed into Tibet eventually forced the Chushi-Gangdruk to retreat to Mustang, From this high Himalayan stronghold, they continued cross-border raids on the Chinese People’s Liberation Army (PLA) throughout the 1960s.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2025052403054_8a4a935ba25ae79dc3a63bb5c14626927020e5ec098093c45ccb9a5982e009fd.jpg" data-media-id="editor_10" data-image-id="2025052403054_8a4a935ba25ae79dc3a63bb5c14626927020e5ec098093c45ccb9a5982e009fd" data-rendition-name="original" width="1114" height="676" loading="lazy" alt="The last days of the Khampa NT"> <figcaption>Guerrillas known as the Chushi-Gangdruk emerged to resist the Chinese annexation of Tibet during the 1950s. Photo courtesy: MIKEL DUNHAM</figcaption> </figure>  Their Kathmandu base was a small discreet lodge in a back lane near Rani Pokhari. Sipping sweet tea from a blue mug with a chipped lid, I sat bemused in a corner of the Mustang Hotel room whilst Wangdu and his cohorts received a battered brown suitcase from their CIA connection, a tousle-haired American in a leather jacket. Heaved onto the dingy bedspread that covered the thin mattress, it was clicked open to reveal piles of neatly stacked dollar bills.&nbsp; I cannot think why Wangdu allowed me to witness this handover but I was clearly no threat, a newly arrived world traveller with no understanding of the stakes nor any Nepali or <a href="https://nepalitimes.com/multimedia/tibetan-music-in-nepals-sacred-valley">Tibetan language</a>. Despite armed guards in the corridor,Wangdu radiated confidence and bravado, and there was a practiced familiarity to the tense transaction. This deadly dance for many years had been funded by the Americans, tolerated by <a href="https://nepalitimes.com/here-now/the-kingdom-within-a-republic">Mustang’s residents</a>, and permitted by King Mahendra and the Nepali authorities who it suited to turn a blind eye.&nbsp; But Mahendra died in 1972, and times were changing. Richard Nixon’s ping-pong diplomacy thawed the cold war and signalled a fresh entente with China. Nepal’s yet-to-be-crowned <a href="https://nepalitimes.com/here-now/if-birendra-was-alive-nepal-could-still-be-a-monarchy">King Birendra </a>was under pressure to curb the irritating incursions against the PLA launched from the Nepali territory of Mustang. Keen to appease his northern neighbour, on several occasions the King summoned Wangdu for peace talks but, despite increasingly overwhelming odds, Wangdu refused to surrender.&nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2025052403054_a8efd5cfb92cd997bd7cb74296a936fef46e2f7428f9cd642b03f1ac4ea11ecb.jpg" data-media-id="editor_14" data-image-id="2025052403054_a8efd5cfb92cd997bd7cb74296a936fef46e2f7428f9cd642b03f1ac4ea11ecb" data-rendition-name="original" width="1055" height="885" loading="lazy" alt="The last days of the Khampa NT"> <figcaption>General Wangdu flanked by two Tibetan resistance fighters in Mustang in the 1970s. Photo courtesy: MIKEL DUNHAM</figcaption> </figure>   <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2025052403054_75969125a745847a2ef82b6fe8b9106c0b21a116d85b8efdf5d2ee89a347bb31.jpg" data-media-id="editor_15" data-image-id="2025052403054_75969125a745847a2ef82b6fe8b9106c0b21a116d85b8efdf5d2ee89a347bb31" data-rendition-name="original" width="1044" height="792" loading="lazy" alt="The last days of the Khampa NT"> <figcaption>King Birendra with General Wangdu (right in dark glasses) taken in 1974 possibly in Mustang after one of their few attempts at negotiation. Photo courtesy: RAJRNDRA KUNWAR</figcaption> </figure>  While I naively rode pillion around Kathmandu in the spring sunshine, Wangdu was in the midst of what turned out to be his final round of negotiations with the Nepal government. Refusing to cease hostilities with the Chinese, Wangdu must have suspected the cost of his decision, making his cheerful smile in the photograph all the more poignant and brave. It was only much later that I appreciated the significance of the moment. Wangdu had been sent to replace the first resistance leader in Mustang, Baba Gen Yeshe, a much derided corrupt character who stole money meant for his troops and exploited fleeing refugees by seizing their treasures. Baba Gen Yeshe never forgave Wangdu,and sought revenge in May 1974 by betraying him and his commanders to the Nepal authorities. Renewed Chinese incursions from the north, active PLA collusion with the Nepali forces under the new King, and treachery from within the Chushi-Gangdrukranks combined to seal their fate.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2025052403054_e0987a7c90d76431b0d7d5e6115ebfe3dbda7ab939e5941e079c18d722e884c0.jpg" data-media-id="editor_16" data-image-id="2025052403054_e0987a7c90d76431b0d7d5e6115ebfe3dbda7ab939e5941e079c18d722e884c0" data-rendition-name="original" width="1400" height="769" loading="lazy" alt="The last days of the Khampa NT"> <figcaption>British television journalists George Patterson and Adrian Cowell embedded themselves with Khampa guerrillas and accompanied them from Tsum Valley on a cross border raid on a Chinese Army convoy in 1964. Photo: ESSAYS ON NEPAL / SAM COWAN</figcaption> </figure>  Mikel Dunham, renowned author of Buddha’s Warriors, writes: ‘It is possible that Wangdu was waiting for some cue from the Dalai Lama’s government-in-exile in Dharamsala, India. It is equally possible – during that last, <a href="https://nepalitimes.com/multimedia/the-human-cost-of-nepal-s-yarsa-gold-rush?fbclid=IwZXh0bgNhZW0CMTEAAR31-Cqw8oyIwMPzf_35e4Skr0ululJvLf3_vDkzHn-AYG2h8uPw2rqqErg_aem_tGVn5coY1-jA7fze_xqhew">desolate winter </a>– that he made the decision to go out in glory rather than admit defeat. Over the last fifteen years, Wangdu had experienced Tibet’s organized resistance being squeezed and shoved around by every conceivable outside force.&nbsp; First they had been pushed out of their own country by the PLA; then they had been refused sanction while on <a href="https://nepalitimes.com/opinion/borderlines/nepal-india-trans-boundary-bonds?fbclid=IwAR0PpJ5zUEbwdug3g_U3ar6FUugngRY0S8Tl2v_7wqzrsHmXWcXsKjvL4t4">Indian soil</a>; then they were abandoned by the Americans because, apparently, Nixon wanted to make friends with Wangdu’s mortal enemies, the communists; then they had been betrayed by the vampiric Baba Gen Yeshe – a Tibetan and, even worse, a fellow Khampa; and now, finally Wangdu’s army was being evicted by the Nepalis. One thing was certain: Wangdu was a warrior. To imagine Wangdu simply giving up and settling down in the pacific squalor of a <a href="https://nepalitimes.com/here-now/elderly-left-in-bhutan-refugee-camp">refugee camp </a>was unthinkable.’  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2025052403054_8fc1ffef4ae751628b90ae781b66e11e51e4fdde2787207c9042efbee345ce49.jpg" data-media-id="editor_20" data-image-id="2025052403054_8fc1ffef4ae751628b90ae781b66e11e51e4fdde2787207c9042efbee345ce49" data-rendition-name="original" width="500" height="746" loading="lazy" alt="The last days of the Khampa NT"> <figcaption>The much derided Baba Gen Yeshe, the first Tibetan resistance leader in Mustang, who betrayed Wangdu for personal gain. Photo courtesy: MIKEL DUNHAM</figcaption> </figure>   <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2025052403054_b1d833cdb00d3ac4416b844d8730475cd88c238caaaf8da69889a584eea229a3.jpg" data-media-id="editor_21" data-image-id="2025052403054_b1d833cdb00d3ac4416b844d8730475cd88c238caaaf8da69889a584eea229a3" data-rendition-name="original" width="500" height="656" loading="lazy" alt="The last days of the Khampa NT"> <figcaption>Aditya SJB Rana of the Royal Nepal Army whose team ambushed Wangdu and his cohorts at the top of Tinker Pass in Darchula, West Nepal. Photo courtesy: GAUTAM SJB RANA</figcaption> </figure>  By August 1974 the game was up. Wangdu and six of his exhausted party were killed on their horses by <a href="https://archive.nepalitimes.com/news.php?id=7270">the Royal Nepal Army</a> on the brink of escape. The officer in charge, Aditya SJB Rana, cleverly predicted their route into India after they failed to silence a police radio in Yari. A carefully laid ambush trapped them near the summit of the Tinker Pass in Darchula,at 5,000 meters the highest military operation of its time. Wangdu’s body was helicoptered to Kathmandu, and a big show made of the royal Nepal victory.&nbsp; The Tibetan armed insurgency against China had reached its end.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250524030520_3ff9c6fc85a65bc9a2c3afe9736d9f5f9413de752e790a5d9dca0981ea94f9b4.jpg" data-media-id="editor_23" data-image-id="20250524030520_3ff9c6fc85a65bc9a2c3afe9736d9f5f9413de752e790a5d9dca0981ea94f9b4" data-rendition-name="original" width="1136" height="702" loading="lazy" alt="The last days of the Khampa NT"> </figure>

The Last Days of the Khampa

Starting 17 September Turkish Airlines will fly daily to Seville, one of Spain’s major tourist draws. This is Turkish’s sixth destination in Spain after Madrid, Barcelona, Valencia, Malaga, and Bilbao. Seville is in the Andalusia region on Spain’s south coast with a rich Moor history. There are approximately 30,000 Nepalis living in Spain.&nbsp;

Turkish to Seville

The newly-formed Himalayan Art Council is set to launch Nepal’s National Art Protection Platform that seeks to preserve <a href="https://nepalitimes.com/banner/the-history-of-heritage">Nepal’s unique cultural heritage </a>using<a href="https://nepalitimes.com/here-now/artificial-censorship"> AI-powered tools</a>. The Council seeks to safeguard <a href="https://nepalitimes.com/banner/nepali-art-going-places">Nepali art works</a> from neglect, theft and counterfeiting as well as preserve existing artwork and celebrate living masters by giving them a cultural space to continue the <a href="https://nepalitimes.com/banner/sacred-survival">sacred art traditions</a>. "We are introducing a new digital platform designed to preserve, verify and elevate <a href="https://nepalitimes.com/banner/nepals-new-generation-of-alternative-artists">Nepal’s art for generations to come,</a>” says a statement from the Council, adding that the digital platform will use AI told for authentication and blockchain to keep track of works of art. Artists can now be protected by <a href="https://nepalitimes.com/multimedia/ayo-ai?fbclid=IwAR1uwmTVq4gUB70ljfRezjzukD9ArWXPuMnUikopeQ8PoiZMjicToPSwhKE&amp;=1">AI tools</a> that detect forgeries, identify their work even when unsigned, and ensure they receive proper recognition and credit. The archives will be searchable with translated inscription and interactive guides. Says curator Meena Lama: “AI and blockchains are tools that give us the power to detect fakes and identify unsigned paintings and track every piece. With these tools we can restore trust, secure authorship and give artists the dignity they deserve.”  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250514170544_2ab58f6313c0458f75114a692b0016bd9efb3b59d5f8f07f0da72e1e37b82f53.jpg" data-media-id="editor_6" data-image-id="20250514170544_2ab58f6313c0458f75114a692b0016bd9efb3b59d5f8f07f0da72e1e37b82f53" data-rendition-name="original" width="1300" height="1000" loading="lazy" alt="Artwork at the Traditional Art Exhibition at Patan Museum."> <figcaption>Artwork at the Traditional Art Exhibition at Patan Museum.</figcaption> </figure>  The Council is also holding an exhibition of Nepali cultural masterpieces with 50 historical <a href="https://archive.nepalitimes.com/article/Nepali-Times-Buzz/Buzz-the-art,671">thangka and paubha </a>by past masters and <a href="https://nepalitimes.com/review/between-the-sacred-and-everyday">contemporary works by current artists</a>. This curated collection is a living tribute to <a href="https://nepalitimes.com/here-now/when-yaks-go-so-does-culture">Himalayan culture</a> with economic depictions of deities, mandala and sacred narratives. The exhibition at <a href="https://nepalitimes.com/multimedia/a-portal-into-patan-s-past-and-present">Patan Museum</a> also provides an opportunity to meet painters and custodians of art and culture. Read also: <a href="https://nepalitimes.com/review/golden-deities">Golden deities</a>, Sewa Bhattarai ‘The exhibition is only the first step in a long journey to ensure that Nepali art is no just seen but fully understood, <a href="https://archive.nepalitimes.com/article/nation/Narratives-of-Faith-and-Memory-Remembering-the-Lost-Sculptures-of-Kathmandu-exhibition,987">protected and remembered</a>,’ the Council says. Artist Kailash K Shrestha of Artudio has spent decades promoting thankha and paubha traditions because of their beauty and devotional meaning. But he also says artists are underpaid, exploited and ignored. He adds, “AI and blockchain are not just buzzwords, they are powerful tools that can protect Nepal’s artists from fraud, verify authenticity and build a permanent record of provenance.” Traditional Art Exhibition Till 17 May Patan Museum

Digital protection for Nepal’s art

<a href="https://www.instagram.com/prabalgurung/" target="_blank">Prabal Gurung</a> left Nepal for New York in 1999 to escape years of bullying, sexism and homophobia, and to pursue his dream of becoming a fashion designer. He <a href="https://www.youtube.com/watch?v=KqN0VaoAI5w" target="_blank">realised his dream</a>, but did not escape discrimination and racism in the new world. Propelled by passion for fashion, Gurung overcame everything America threw at him. He has attained <a href="https://www.vanityfair.com/style/story/prabal-gurung-recalls-his-first-met-gala-when-zoe-saldana-was-at-his-side?srsltid=AfmBOooy-H0oGgxMit864FnW_Pmw8mUnV8rYrh-co-f6OyYK6m2ip5hP" target="_blank">fame and recognition</a> for his haute couture dress designs while remaining true to his Nepali roots, and is even more resolute in <a href="https://www.youtube.com/watch?v=dSmNauyzACk" target="_blank">fighting prejudice</a> in all its forms. Prabal Gurung’s newly-released memoir <a href="https://www.amazon.com/Audible-Walk-Like-Girl-Memoir/dp/B0DG11HCDQ?fbclid=IwY2xjawKZfpxleHRuA2FlbQIxMQABHuZcIJO2OXyXcRm1oq1iG6wzeoF7VJFrQ7GXOFI0YxuZZ4id_CNvSZSZZIna_aem_pG_mOKG73RTnYvN8JaC4fA">Walk Like a Girl</a> is a saga of harrowing abuse in boarding schools in Nepal and India, only finding himself facing a different kind of bullying in the US. He prevails over it all to be where he is today: an award-winning American fashion designer with his own label. Walk Like a Girl was launched last week in New York at a time when everything Gurung fought for — tolerance, inclusion and diversity — are in retreat in his adopted country because of a president who has espoused a culture of bullying. The book is a searing, raw exposé of how cruel and abusive people can be even at a young age in school. On the other hand, it also shows that there are generous, compassionate and open-minded souls out there. In his book, <a href="https://www.youtube.com/watch?v=K4le_uWX7YE">Prabal Gurung</a> calls out those who tormented and tried to hold him back (some of their names have been altered). The moral of his story is: resist, never stop believing in yourself, do not let others define you, never lose sight of your dream, and help those who have been kept out. “Walk like a girl” was a slur used by bullies back in school in Nepal and India for Gurung’s effeminate ways. He fought back then, and he is still resisting by turning those words into something to be proud of.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250519170544_4ffc9c3f565dd2cfa754d10b224816897b82bb31ebaee91b6d79d469fc96f14e.jpg" data-media-id="editor_6" data-image-id="20250519170544_4ffc9c3f565dd2cfa754d10b224816897b82bb31ebaee91b6d79d469fc96f14e" data-rendition-name="original" width="1000" height="1253" loading="lazy" alt="Prabal Gurung NT"> <figcaption>Prabal Gurung at home in Kathmandu in the 1990s.</figcaption> </figure>  “Living through it all was one thing, but writing about it is one of the hardest things I have done in my life,” admitted Gurung during the launch. “I broke down constantly during the six-year writing process.” He continues: “I did not want this to be a victim’s book. I did not want to burden my readers with my emotions. I wanted my struggle to be an inspiration for others facing what I faced. I am grateful to those who bullied me in school, they made me a stronger person ready to face the world.” Indeed, this book is a departure from his earlier one titled simply, Prabal Gurung (Abrams, 2019), which was a lush pictorial autobiography of his career in fashion. Walk Like a Girl is not a typical fashion book, it is an intimate tale of <a href="https://archive.nepalitimes.com/news.php?id=16997">Gurung’s travails and triumphs</a>, and how he willed himself to succeed. Prabal pays a lavish tribute to his mother Durga Rana. We find out she is a descendant of the first wife of the eldest son of Jang Bahadur Rana who was banished to Palpa in the late 19th century. Prabal’s father served in the Singapore Police and that is where he was born before the family returned to Nepal when he was four. Gurung relates with brutal honesty about the violence his mother endured from his father. Durga raises three children as a single mother in Nepal, and Prabal credits her for his fierce determination to resist patriarchy and injustice, which in time manifests itself in his hyper-feminine and subversive dress designs. Writing the book has been a cathartic experience for Gurung, who says he is now relieved of the burdens of his past. It no longer haunts him, and he does not have to prove anything to anyone anymore. Walk Like a Girl has life lessons not just for the <a href="https://www.instagram.com/p/DJmOcSgxdWz/" target="_blank">fashion industry</a>, but for every other profession. How can my job serve a greater cause? Gurung tells us his work is <a href="https://asiasociety.org/blog/asia/why-designer-prabal-gurung-doesnt-want-just-stick-fashion" target="_blank">bigger than just making clothes</a>, it is about making the world a better place because it could do with a lot of improvement.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250519170544_d75296ad8bfdc00d88935f40d23543c6fea3d4d6a10e61a99d6cfc6127f2ee5b.png" data-media-id="editor_10" data-image-id="20250519170544_d75296ad8bfdc00d88935f40d23543c6fea3d4d6a10e61a99d6cfc6127f2ee5b" data-rendition-name="original" width="1516" height="1000" loading="lazy" alt="Prabal Gurung"> </figure>  This story of chasing the American dream may sound familiar to many immigrants: knocking on doors for jobs, rejections, trying to survive from day to day on expensive rent, and dealing with subtle racism in white America. Gurung finds racism is rife, and he is often mockingly called ‘gaysian’. He writes: ‘There was a strong hypocrisy — this idea of independence felt like a marketting ruse … and for all the talk of feminism in America, these high society women were trapped by the patriarchy just like in Nepal and India.’ After a trek to the Khumbu region in 2013, Gurung is inspired to use the colours, palette and textures of Nepal for his collection exhibited on Manhattan’s 8th Avenue. A major buyer tells him bluntly: “Stick to making pretty dresses … if I need to see a collection like this, I could buy a copy of National Geographic.” The New York Times was equally dismissive: ‘The designer tries to draw connections between blistered techo-fabric used to construct it and the topography of his homeland, Nepal. But, at the moment, he has lost his map.’ One potential investor tells Gurung he cannot design for Americana because “you do not look American”. Gurung wants to use expletives, but restrains himself. After a fundraiser in New York for the Nepal earthquake in 2015, some belittled his effort, saying: “Here comes the saviour."&nbsp; Read also: <a href="https://nepalitimes.com/review/prabal-gurung-by-prabal-gurung">Prabal Gurung by Prabal Gurung</a>, Kunda Dixit The Gurkha DNA must be dominant in Prabal Gurung’s genes because he does not take such mistreatment lying down. When asked by a fashion publicist why he was designing clothes for fat people, he snaps back: “Because of people like you.” He joins the Black Lives Matter and #MeToo movements, launches the Shikshya Foundation charity in Nepal, and has powerful allies among celebrities who wear clothes he designed: Michelle Obama, Oprah Winfrey, Sara Jessica Parker, Kamala Harris, Deepika Padukone … it is a long list.&nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250519150556_48a5f4211991a23fa85b64bbd5377575ca7081d97309d7542035591dda5180fe.png" data-media-id="editor_12" data-image-id="20250519150556_48a5f4211991a23fa85b64bbd5377575ca7081d97309d7542035591dda5180fe" data-rendition-name="original" width="1114" height="1534" loading="lazy" alt="Being Prabal Gurung by design"> <figcaption>Nigerian novelist Chimamanda Ngozi Adichie wearing Atelier Prabal Gurung’s design for Met Gala 2025 in which the theme was ‘Superfine: Tailoring Black Style’. </figcaption> </figure>  “I don’t dress women to look beautiful, they already are,” Gurung says. “I try to bring out their innate strength and grace.” <a href="https://www.instagram.com/stories/highlights/17908766880140171/" target="_blank">Admirers</a> tell Gurung he makes it all look so easy, but he used to put up a strong facade to not show his own vulnerabilities in public. “I was closed because of my childhood experiences,” he says. “I was always on guard to defend myself because I never knew where the next punch would come from.” But in <a href="https://www.youtube.com/watch?v=PPVepzPA210" target="_blank">Walk Like a Girl,</a> Gurung comes to terms with his vulnerability, and bares his soul. It has not been easy, it took sustained will power and support from his mother, sister Kumudini and a circle of close friends. “I made unbelonging my power,” he says. “Nepal is where I still have my heart and soul. Nepal grounds you. It is where people go to find themselves. But I escaped.” Recently appointed vice-chair of the <a href="https://cfda.com/about-cfda" target="_blank">Council of American Fashion Designers</a>, Gurung says: “I can’t believe I am here, it feels like it is happening to someone else. Writing this book, the healing has finally begun.” <h2>‘Everything is better in color’</h2> The Met Gala was two weeks later, and my table was an example of everything I’d been fighting for all these years as my guests represented everything I believed in: dynamic, powerful, influential women who were unapologetically original and unabashedly graceful. I was grateful to Anna for inviting me to host and dress a table that reflected my ethos—and for her guidance in doing so. I was also aware of the privilege as one of the first-­ever Asian fashion designers—not just from Nepal, but from the entire continent— to get the opportunity to do so. That fact was not lost on me. I reached out beyond the expected Hollywood celebrities and well-­known socialites to curate a table of exceptional women who inspired me. I invited Deepika Padukone and Alia Bhatt for their first-­ever Met Galas, as well as Michelle Yeoh, Mindy Kaling, Camila Cabello, Ashley Park, Denée Benton, KiKi Layne, Quannah Chasinghorse, and Grace Elizabeth. Together we checked many boxes: Asian, Black, Latinx, and Indigenous, each woman undeniably chic and powerful, a dazzling array of skin tones and experiences that proved my decades‑in‑the-­making hypothesis: everything is better in color. Excerpt from Walk Like a Girl Viking © 2025 by Prabal Gurung  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250519170520_6b91d560e9f072c37d16876901058c073a51ffa05e7ad1b9461d19e1c9c28215.jpg" data-media-id="editor_16" data-image-id="20250519170520_6b91d560e9f072c37d16876901058c073a51ffa05e7ad1b9461d19e1c9c28215" data-rendition-name="original" width="1136" height="702" loading="lazy" alt="Prabal Gurung book details NT"> </figure>   <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250519170520_345240c21be400e2ce2ec629b52bd82bb53890e5bd86fe95b48340d84b5f1748.jpg" data-media-id="editor_17" data-image-id="20250519170520_345240c21be400e2ce2ec629b52bd82bb53890e5bd86fe95b48340d84b5f1748" data-rendition-name="original" width="1136" height="702" loading="lazy" alt="Prabal Gurung book details NT"> </figure>  &nbsp;