
Centred on the artists’ interpretation of the various facets of human life, each painting highlights an individual’s personal struggles as well as the social, and in Nepal mostly political, contexts within which they occur and must be dealt with.
Although both Shahi and Dangol’s paintings are shown together, the stylistic approach between the two couldn’t be more different. Shahi’s paintings, like Smile with me and Inside out, focus on appearance and reality. He uses masked figures of the Joker, symbolising humour and laughter, with faces tainted with red. A superficial smile plastered on a raging person illustrates the multiple levels on which humans must operate. Never mind inner angst, Shahi seems to suggest, we must constantly put up an act to hide our vulnerabilities and show whoever is watching that we are strong enough to shield ourselves. His canvases narrate the stories of lost souls who have been transformed into clowns in their own circuses and are bound to constantly put on a show (pic, above).

Together, the series highlights the transition of life from childhood to adulthood and ultimately to old age and how perspectives and aspirations change with time.
Ayesha Shakya
Proceeds from the sale of two paintings from each exhibition will be designated for future artists in affiliation with the Australian Himalayan Foundation.
‘Smile with me’ and ‘Through my stories’
An exhibition of Anil Shahi and Sujan Dangol’s paintings
Siddartha Art Gallery, Babarmahal
Runs until 7 March,
