Dowry Stress: Rakesh, played by Madan Thakur, and his daughter, Manika, played by Rina Yadav |
I know of women in the UK who pretend to be less successful, less clever, less happy than they are just to make their menfolk feel better. I know of professional women in Nepal who change personality in front of their parents-in-law. There are others who refuse to play that game. What happens then? Listen to the BBC's Katha Mitho Sarangiko radio series to find out.
Binita lives in Kathmandu. She's westernised, educated, intellectually hungry. She defies tradition, marries out of her ethnic group, and wants to write the greatest thesis on Gandharba music known to mankind.ÂÂ Compare her story with Manika's. She lives in the Tarai. She has no love interest. She has more modest aims: she wants to study beyond SLC and stay with her widowed father. She bows to tradition when the pressure to marry her off builds up.
Binita's father is dead, she has no brothers, and although her mother grumbles at her behaviour, she lets Binita have her way. Binita has the choices of a modern urban woman, but these choices are not easy to manage. Her privileged lifestyle buys privacy; privacy leads to pre-marital sex with her boyfriend, Ashish, and an unplanned pregnancy.
This being modern, urban Kathamandu, love wins through and they get married. It's not long, however, before Ashish is under pressure from his large and dominating family to produce a boy. Alas for Binita, she gives birth to a daughter. When she gets pregnant again, Ashish suggests a scan to find out the sex of the baby. 'We can always try again if it's a girl,' he says softly, and Binita realises he sees abortion as a possibility.
Tension: Binita, played by Shivani Singh Tharu who also wrote the story, with Khagendra Lamichhane as Ashish. |
Her world collapses around her. From being a serious student of folk music, she now feels reduced to a boy baby-producing machine. But she doesn't take it lying down. She complains, she protests, she stops being a compliant wife. Small domestic issues become the focus for bitter recriminations. The marriage becomes toxic, and when Ashish turns to drink and forces himself drunkenly on Binita one night, she retaliates with accusations of marital rape. The marriage has reached rock bottom.
