I can’t really claim I had a well-developed political understanding at the age of six years when the Emergency was imposed by Prime Minister Indira Gandhi in 1975. But I do have a visceral political memory of the times, the black cloud of suffocation as well as the spirit of defiance. That I should have such a clear recollection of the politics of the times is entirely due to the way politics was always central to our family.&nbsp; If the freedom struggle politicised our family, future generations carried that understanding into post-colonial authoritarianisms. The centrality of politics to our worldview was sharpened by my mother’s work as a journalist and seeped into everyday life.&nbsp; Conversation at home was peppered with references to political developments, and my grandmother, who had been incarcerated by the British for her part in the freedom struggle (by then both her parents were in jail), was particularly pithy in her scathing comments on the Prime Minister – ‘Mrs G’, as she was known in our house – and her many political depredations.&nbsp; But the memory of the days of the Emergency owes its sharpness to the very specific workplace my mother was then employed in – the Indian Express – a newspaper that was front and centre in the media resistance against the Emergency.&nbsp; As the child of a single parent, I spent vast amounts of time in the Bahadur Shah Zafar Marg office of the newspaper, travelling with my mother, Modhumita Mojumdar, each morning during holidays. Entire school vacations were spent in her shared office space, my presence tolerated with benign affection by her colleagues.&nbsp; In the way that children imbibe and have an astute understanding of their milieu, instinctual rather than intellectual, I understood the Emergency and had a clearly felt sense of its injustice. It was that tangible sense that flooded me when I walked into the exhibition of cartoons marking the birth centenary of the Indian Express’s cartoonist of those times – Abu Abraham. A sense of politics, but also oppositional journalism, tied in with the smell of newsprint, ink, and the long-lost letterpress.&nbsp; The centenary exhibition that is travelling, opened at the India International Centre in Delhi on 6 November, following its inauguration by another stalwart dissenter, historian Romila Thapar. The 1975 Emergency remains a pivotal moment in India’s post-colonial history, the apex of an elected leader’s growing authoritarianism, a dark chapter against which Indians would compare all future excesses.&nbsp; It exacted a terrible price from many, but was also a time of preferment for those who became collaborators, their competitive jousting for new ways to express loyalty echoing eerily in these times.&nbsp; This stark divide – between those who fell in line and those who resisted – was perhaps seen most clearly in the sphere of journalism, the nature of the medium making it public and visible.&nbsp; In a phrase that would continue to haunt Indian journalism, LK Advani – the then president of the Bharatiya Jana Sangh – would tell journalists, “You were asked only to bend, but you crawled.”&nbsp; The verdict, however, was not completely fair. Many journalists were in jail, and for the thousands of column inches of print that served as propaganda – print being the only non-government media at that time – there were also those who used every inch of uncensored space to report on reality and published blank newspaper pages and columns to protest against censorship.&nbsp; Amongst the foremost of them was The Indian Express – and the biting satire of its cartoonist Abu Abraham is a significant part of that storied history.&nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20241110151128_caad280f-1570-4fe3-8e77-a5fb9272a615.jpg" data-media-id="editor_0" data-image-id="20241110151128_caad280f-1570-4fe3-8e77-a5fb9272a615" data-rendition-name="original" width="3060" height="4080" loading="lazy" alt="Abu Abraham on Indian emergency"> </figure>   <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20241110151128_30f2b8e285cb83f5a9c4d65d2a717745b0cf64d54325ed0dad421f5b6c627b92.jpg" data-media-id="editor_1" data-image-id="20241110151128_30f2b8e285cb83f5a9c4d65d2a717745b0cf64d54325ed0dad421f5b6c627b92" data-rendition-name="original" width="4080" height="3060" loading="lazy" alt="Abu Abraham on the Indian Energency"> </figure>  Whatever the elisions at that time, the Emergency is no longer an unexamined period in India’s political course. Dozens of books, hundreds of articles, research papers, and academic tomes have mapped every aspect of its political trajectory. It has been captured in theatre plays, films, and music, and in the current political climate, it has evolved into a veritable cottage industry of its own.&nbsp; But in the line drawings of Abu – in an exhibition curated by the cartoonist’s daughters to mark his centenary – we are brought close to the moment with an immediacy that is more than memory. In the yellowing sheen of newsprint, the imprints of the stamp of the censor, there is a tangible recall of those days, tactile and palpable, and the sharp sense of the fierce intellectual community of opposition that stood against the depredations on our democratic fabric.&nbsp; Interestingly, Abu’s role as a biting satirist of the Emergency was not inevitable in the early years of his career. The cartoonist’s candid comments about his own life – he also wrote regularly, if not prolifically – have been excerpted as part of the exhibition and allow us to track the course of his political journey.&nbsp; Born in 1924 in Alappuzha in Kerala, Abu’s student years spanned the last decades of the British Raj in the Kingdom of Travancore. Though influenced by the exhilaration of the Independence struggle, Abu is candid about not being an active participant. When he joined the nationalist Bombay Chronicle in 1946, it was not missionary zeal but the fascination of print, he later admitted, that was his impetus.&nbsp; We have cause to be thankful for this lifelong fascination – not only because it led to the production of a brilliant oeuvre spanning more than half a century – but because Abu preserved print, original copies of hundreds of his cartoons and drafts, a substantive part of which still remains, in archives and with his family. &nbsp; While Abu is best known here in India for his trenchant cartoons on Indian politics, especially the Emergency, a substantive part of his early career was with British papers – a decade with the Observer and three years with the Guardian. His cartoons during this time cover not just British politics but consequential global events, such as the Eichmann trial in Jerusalem. He would later return to travel through Palestinian refugee camps.&nbsp; If it was unusual for a brown man to become the first political cartoonist for an established British paper, there was more to come in Abu’s career that was unusual.&nbsp; For one, ‘Abu’ was not the name Attupurathu Mathew Abraham signed his first cartoons with. The name Abu – by which he was known for most of his working life – was coined because David Astor of the Observer, felt ‘Abraham’ as he used to sign his cartoons would be “taken as a Jew and all my cartoons would take on a slant for no reason, and I wasn’t even Jewish”, wrote Abu. What was more, the Middle East was beginning to boil at that time, with Nasser dominating the scene.&nbsp; The boiling Middle East may have also been responsible for ending Abu’s career in British journalism, according to Michael Foote, who is <a href="https://www.theguardian.com/news/2002/dec/07/guardianobituaries.india" target="_blank">quoted</a> in the Guardian’s obituary: “Some years later, as I recall, it was an argument about the worldwide racist disease which persuaded him to return to his native India. A cartoon that he did for us on the subject of the Israeli-Palestinian conflict had been denounced by some of our readers as racist. Never was the slander more ill-judged.” Abu returned for good to India in 1969 to join the Indian Express at a time that would turn out to be a defining moment in Indian history – with the split in the Congress party.&nbsp; At a discussion to mark the exhibition at the Bangalore International Centre in August, historian Janaki Nair, who has annotated an accompanying booklet on the exhibition, emphasised the significance of the Lal Bagh Congress session of 1969, which led to the expulsion of Indira Gandhi from the party and the eventual split.&nbsp; Explaining the impact of the moment on Indian journalism, journalist and author AS Panneerselvan said it marked the end of a post-colonial period during which there was a “consensus on self-censorship in the interests of nation-building”. The Lal Bagh Congress broke that compact, and the role of the cartoonist was key, he said, to opening up the space for criticism by journalists. A self-declared Nehruvian, Abu’s cartoons of 1969 and for some years thereafter reveal his sympathy with Nehru’s daughter, seen then – in one of Indian politics’ gargantuan mistakes – as a powerless marionette.&nbsp; As Indira Gandhi marched towards her position as the unchallenged supremo, Abu’s sympathies remained – for the time being – with her. “In Abu’s cartoons, the dynamism of Centre-State relations and the challenges posed by regional powers and politics is examined largely from a Union Government perspective,” points out Nair in the annotated booklet.&nbsp; But while Abu’s fluid lines and sharp caricatures capture the politics, characters, and vividness of the moment, viewing the cartoons decades later with the luxury of space and time gives us a birds’ eye view of the themes running through the political preoccupations of those times.&nbsp; The cartoons capture the resistance to growing centralisation of power, contentious centre-state relations, federalism, Assam and the citizenship issue, the challenge to the constitution from authoritarianism, and the role of caste politics in elections. The enduring power of these themes in our current times is striking as we view the cartoons now.&nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20241110151136_14d6928a4cdf9c4ae03b1b525c3678d0cc14fd19b20dd0d2eb34bac25ecae2f8.jpg" data-media-id="editor_3" data-image-id="20241110151136_14d6928a4cdf9c4ae03b1b525c3678d0cc14fd19b20dd0d2eb34bac25ecae2f8" data-rendition-name="original" width="4080" height="3060" loading="lazy" alt="Abu Abraham on federalism"> </figure>   <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20241110151132_e866a9bef9f3940ca49e6d9a70f5a84eeaf570b1a618da3033c8c4e998f36e40.jpg" data-media-id="editor_4" data-image-id="20241110151132_e866a9bef9f3940ca49e6d9a70f5a84eeaf570b1a618da3033c8c4e998f36e40" data-rendition-name="original" width="4080" height="3060" loading="lazy" alt="Abu Abraham on Assam citizenship"> </figure>   <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20241110151132_2612015b8def3484168f75d6983b926b35cf9ff411c326140553fcc173b51a16.jpg" data-media-id="editor_5" data-image-id="20241110151132_2612015b8def3484168f75d6983b926b35cf9ff411c326140553fcc173b51a16" data-rendition-name="original" width="4080" height="3060" loading="lazy" alt="Abu Abraham on Indian elections"> </figure>  Abu’s cartoons also captured the continuities in global politics – IMF pressure, the global arms trade, and issues which have acquired added or more urgent layers of meaning now – the Israel-Palestine conflict, the cold war in Afghanistan, and the struggle for the creation of Bangladesh.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20241110151136_29af7fcfbb5ba14ec9ebac61d345d752a7d3c76432226a2befd4af4841bf3beb.jpg" data-media-id="editor_6" data-image-id="20241110151136_29af7fcfbb5ba14ec9ebac61d345d752a7d3c76432226a2befd4af4841bf3beb" data-rendition-name="original" width="4080" height="3060" loading="lazy" alt="Abu Abraham on IMF and India"> </figure>  In India, whatever sympathy Abu may have had for Indira Gandhi (he was nominated to the Rajya Sabha in 1972) – appears shredded after the imposition of the Emergency. The biting satire of his cartoons – those which were censored and those which were not – would be a critical part of the reputation of the Indian Express for standing up to power during that period.&nbsp; The curators of the exhibition – his daughters Ayisha and Janaki Abraham – have, astoundingly, been able to showcase the original cartoons, which had to be submitted for pre-censorship to the government, and the drafts, stamped, signed, and marked for approval, or “NOT TO BE PUBLISHED”.&nbsp; Interestingly, six months into the Emergency, the Censor allowed the Indian Express to publish a cartoon that depicted the then President Fakruddin Ali Ahmed signing an ordinance in his bathtub, the many layers of servility dove-tailing neatly into the allusion of the emperor with no clothes. But it balked at a rather more innocuous cartoon that punned: “Don’t you think we’ve got a lovely censor of humour”, and, in a clear exhibition of its own lack of humour, marked it “NOT TO BE PUBLISHED”.&nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20241110151136_7d40d3918d78374e7ec8edbe15f342092d83614b8d669a7b28444c9e239d1850.jpg" data-media-id="editor_7" data-image-id="20241110151136_7d40d3918d78374e7ec8edbe15f342092d83614b8d669a7b28444c9e239d1850" data-rendition-name="original" width="4080" height="3060" loading="lazy" alt="Abu Abraham on Fakkrudin Ali"> </figure>  While Abu’s daughters deserve kudos for putting together this exhibition using their resources, the legacy of Abu Abraham needs far wider support, including for the very real challenge of preserving brittle paper that records a rich seam of our nation’s history. If the visceral nature of the material – the paper, the notations that relate to the size, display, and even the white-out used to correct the cartoons – give us a physical sense of the cartooning process and the newsroom of those times, then the sharp satire is a pungent intellectual insight.&nbsp; Unlike text or image that tells a story to a recipient audience, a cartoon, at its sharpest, is a riddle, forcing the viewer’s engagement to puzzle out what is being said and what the joke is. By making the viewer complicit and forcing us to think, it changes the relationship of viewing from one of passive spoon-feeding to a political act.&nbsp; Aunohita Mojumdar is a journalist who has lived and worked in India, Afghanistan, Nepal, and Sri Lanka. She is the former editor of Himal Southasian and currently lives in Bengaluru. Republished with permission from Newslaundry. Read the <a href="https://www.newslaundry.com/2024/11/06/from-satire-to-defiance-the-political-power-of-abu-abrahams-cartoons">original here</a>.&nbsp;

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From satire to defiance: The political power of Abu Abraham’s cartoons

Earlier this month, Nepal received Rs1.6 billion from the World Bank as part of its <a href="https://nepalitimes.com/news/will-nepal-ever-be-paid-for-saving-trees">Forest Carbon Partnership Facility (FCPF)</a>, rewarding the country for increasing its carbon sink capacity. Nepal is the first in South Asia to benefit from this facility, and it is specifically to recompense the country for increasing forest cover in 13 Tarai districts between 2018-2024. “We are also trying to get another Rs13 billion from the facility while also preparing for free market-based carbon trading in the international market,” says Nabaraj Pudasaini of the REDD (Reducing Emissions from Deforestation and Forest Degradation in Developing Countries) Implementation Centre. Big emitters of greenhouse gases are under pressure to reduce their carbon emissions, and many have signed agreements to do so by investing in decarbonisation projects in developing countries. Countries that emit more than a specified amount of carbon would be able to buy emission rights from countries that emit less. Nepal is internationally known for its community forestry program which has been largely credited for <a href="https://nepalitimes.com/banner/tree-mendous">increasing tree cover to over 45%</a> in less than three decades. But this achievement had not been adequately recognised or rewarded internationally before. Forests, especially in the tropics, absorb and store large amounts of carbon while releasing oxygen in a process known as photosynthesis. <a href="https://www.fao.org/forest-resources-assessment/en/">Preventing deforestation</a> and increasing canopy cover is considered a much more achievable goal than reducing emission in the scale necessary to limit global average temperature to 1.5°C above pre-industrial levels. COP11 in Montreal in 2005 first proposed reducing carbon emissions by improving forest quality by halting degradation. By 2015, a new mechanism of financial assistance was created to help less developed countries with sustainable management of forests <a href="https://www.un-redd.org/">(called REDD+)</a>. Under this new mechanism, countries receive aid based on their efforts to prevent forest degradation and increase carbon sink, and in 2021 the World Bank was entrusted with implementing it. Nepal’s FCPF receipt this month was calculated on the basis of 2.4 million tons of carbon stored at a rate of $5 per ton. In the second phase, Nepal will receive more than Rs4 billion within the next year for storing an additional 7 million tons of carbon. Eighty per cent of this amount obtained from carbon trading needs to be spent on local beneficiaries and indigenous communities.&nbsp; But carbon trading is not easy, Nepal needs to prove that protected forests will not be destroyed in future.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20241121091132_c8a381c9a95aa86fec558951650d97bb87914741f01766982ba2b086af001f16.jpg" data-media-id="editor_4" data-image-id="20241121091132_c8a381c9a95aa86fec558951650d97bb87914741f01766982ba2b086af001f16" data-rendition-name="original" width="1500" height="999" loading="lazy" alt="Greenbacks for greenery NT "> <figcaption>Photo: KUNDA DIXIT</figcaption> </figure>  Explains carbon trading expert Yugan Manandhar. “Forests should be handed over to the community and shown that they are managed sustainably. Proving this will be particularly challenging; forest encroachment and degradation is rife in the Tarai.” <a href="https://nepalitimes.com/multimedia/nepal-is-going-up-in-smoke">Deliberate forest fires</a> have also added to the challenge because they increase carbon emissions and reduce the sink capacity of forests. The basis for the amount that Nepal received was set five years ago by calculating the carbon reserves of forests in the 13 Tarai districts. In the meantime, sustainable forest management, tree plantation, forest destruction and erosion control were prioritised to increase carbon reserves in those forests. Nepal is signing another carbon trading agreement during the ongoing Baku climate conference. The <a href="https://www.leafcoalition.org/">Lowering Emissions by Accelerating Forest finance (LEAF Coalition) </a>proposes to sell the carbon stored in the forests of Bagmati, Gandaki and Lumbini provinces. For this, Nepal signed the letter of intent three years ago at COP26 in Glasgow. The target is to store 70 million tons of carbon in 32 million hectares of forest in the three provinces per which Nepal will receive Rs13 billion in four years at $10 per ton with provisions to increase the rate if various conditions are met. However, the agreement in itself doesn’t guarantee the amount. According to the targets set by Nepal, forest degradation should be stopped and carbon reserves increased by protecting tree cover. Preparations are also underway for clean air carbon trade because it has offset fossil fuel use by introducing 30,000 electric vehicles. Nepal has been selected for the first round to receive $40 million within one and a half years through the Clean Air System of the World Bank. Given that most of Nepal’s energy mix is from biomass, replacing them with electric stoves can significantly improve health by reducing indoor pollution as well as strengthen the country’s capacity for carbon trade. “Nepal's goal now is to sell carbon in the free market where carbon credits are bought and sold based on supply and demand in an open and transparent manner,” adds Pudasaini of the REDD Implementation Centre. “Nepal can now set its own price and bargain with interested buyer countries and organisations.” Lately, India has been discussing setting up a carbon market. Nepal has exported Rs12.72 billion worth of electricity to India so far this fiscal year, which can be traded under Nepal’s carbon market. “Carbon trading can create significant economic benefits for Nepal, which will help reinvest in development and environmental protection projects,” says Manandhar. “But we must prioritise sustainable management of forests, cutting older trees and allowing regrowth as well as promoting electric stoves and electric vehicles.”

Greenbacks for greenery

Khukri Rum is <a href="http://archive.nepalitimes.com/news.php?id=3719#.WurBk6SFPIU">one of Nepal’s most iconic brands</a>, and is now launching a new Cask Series premium product to sell in Nepal and abroad. The Cask Series Smoked Finish Khukri Rum is a limited edition with only about 7,000 bottles, most of it for export and rest to be sold to rum connoisseurs in Nepal itself. Each bottle is numbered and will mention the cask from which it is derived. “We are working on taking a classic Nepali rum to a new luxury premium brand category, the Cask Series will only be produced this year with new product ranges in future,” explains Subash Lamichhane, managing director of Nepal Distilleries that first started making Khukri rum in 1959 in Balaju and has never stopped. Fermented from molasses in Bara district in the Tarai after the annual sugarcane harvest, the rum is matured for at least eight months during distillation. The distillery bottles the classic Khukri XXX, Coronation Khukri XXX, Khukri White Rum and Khukri Spiced Rum.&nbsp; The distillery is now adding this limited edition of its ‘Cask Series’. While the original rum is stored in huge wooden vats, the rum used for this more exclusive line is in smaller casks made either from oak or sal, with charred insides to give the rum a smoky flavour. The Cask Series rum is indeed smokier than the classic, while the spiced rum tastes toasty and mostly of cardamom. The company has a tasting suite with a master blender and tasters who have to approve the palate test.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20241122131124_10b8ddca93b37b0348bf964b4f09e7fac6ef4e754cca6231368850539cd558e2.jpg" data-media-id="editor_1" data-image-id="20241122131124_10b8ddca93b37b0348bf964b4f09e7fac6ef4e754cca6231368850539cd558e2" data-rendition-name="original" width="1498" height="1000" loading="lazy" alt="Khukri Rum"> </figure>  The packaging for the Cask Series is as special as the process. A sturdy patterned box that opens up to a black glass bottle with gold lettering, and an indication of which cask the rum is from. These are then shipped to premium customers around the world One of the reasons this is the more expensive premium line is because the casks are smaller than the vats and the blenders reject more than half of the rum in the casks when the aging period is complete. The trick for the blender is also to decide when to take the run out of the cask.&nbsp; Says Lamichhane: “If we have 25 casks, we expect to throw away about fifteen.”Over the decades, Nepal Distilleries have created and maintained a brand that feels quintessentially Nepali, and has served as Nepal’s ‘ambassador’ with exports to Germany, Korea, Belgium, Finland, the Czech Republic, besides the existing markets among Nepalis in the US, UK, Hong Kong and Australia. &nbsp;Its unique <a href="https://nepalitimes.com/here-now/khukri-rum-sharpens-its-act">khukri shaped bottle</a> first introduced for King Birendra’s coronation in 1975 has been a collector’s item. The bottle and rum have been a staple for Nepalis and visitors to take as gifts when they leave the country, and is used as decoration on bar tables around the world. Now, nearly 40 years later, even that bottle will soon be getting a makeover with a sharper design and sleeker handle. “Our bottle design has always been instantly recognisable, and it is,” says Lamichhane. The Himalayan restaurant at The Hague, for example, has a Khukri Coronation bottle adorning its bar (page 6-7). In Washington DC Himalayan Heritage Restaurant &amp; Bar offers ‘Nepalese Khukri Rum’ mojito in its drinks menu with fresh mint, soda water, lime juice and sugar syrup, for $12.&nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20241122131124_b9474db3fc83c85845348dddc30c49652ee1f17229531867fa241de50849cedc.jpg" data-media-id="editor_3" data-image-id="20241122131124_b9474db3fc83c85845348dddc30c49652ee1f17229531867fa241de50849cedc" data-rendition-name="original" width="1500" height="1000" loading="lazy" alt="Khukri Rum NT"> <figcaption>Christopher Armes, master blender of the Cask Series.</figcaption> </figure>  A distinct element of the award-winning <a href="https://nepalitimes.com/business/khukri-rum-gets-award">classic Khukri rum</a> is its burgundy colour from caramel sourced from cooking sugar and blended with the raw rum. The spirits are then stored in a warehouse with floor-to-ceiling vats. The vats are not just for storage, the wood in the vats imparts flavour into the rum, and removes a lot of the harshness. &nbsp; On a visit this week, the bottling room was just about to begin for the day and the production line was churning out different shapes and sizes of Khukri Rum bottles. Most of the process is automated, including screwing bottle caps, sticking labels, placing the government seal, and packaging. The only manual intervention is the quality control where bottles are held against the light to check for sediment and colour. A mural on the wall of the distillery in Balaju depicts the rum-making process. A lady slings sugarcane on her shoulder, the molasses is churned in a pot, water is channelled into the distillation process, cinnamon, cloves and cardamom are added to a container, and finally there is a bottle of the classic Khukri Rum against a Kathmandu backdrop.

Khukri goes premium with new rum

Turkish Airlines has introduced a new amenity kit collection designed in collaboration with French fashion house Lanvin for international business class passengers on flights more than five hours. It consists of five pieces designed for sustainability and elegance. Bags are reusable and will consist of Lanvin cosmetic products like hand and body lotions and lip balm. Eye masks and socks are made from recycled materials, earplugs are packaged in paper and the toothbrush is bamboo.

Turkish amenity kit

Nepal now generates a surplus of electricity and it is all from renewable hydropower. Nearly half the country is under forest cover. Despite meeting these decarbonisation goals, Nepal’s hydropower plants are threatened by increased risk due to climate impact.&nbsp; Till <a href="https://nepalitimes.com/editorial/when-it-rains-it-pours-ksqprbu3">28 September</a>, Nepal was <a href="https://nepalitimes.com/news/india-nepal-sign-power-exchange-deal">exporting just over 1,000MW</a> of electricity to power-hungry India, when flash floods and landslides unleashed by historically heavy rains damaged over 30 hydropower plants across the country, temporarily <a href="https://nepalitimes.com/news/power-to-the-people">slashing nearly half the power generation.</a> The 456MW Upper Tamakosi in Dolakha was the hardest hit and it will take six months and Rs2 billion to repair. This has significantly reduced exports as well as domestic generation. Two months later, Nepal has still not been unable to fully keep its export commitment, and is actually paying Rs100 million in fines to India. Thirty-seven existing and under construction projects under the Independent Power Producers' Association Nepal (IPPAN) suffered Rs2.5 billion in damage. One of them is the 22MW Bagmati project in Makwanpur which was almost completely buried in flood debris. Even before <a href="https://nepalitimes.com/news/60-dead-64-missing-in-nepal-floods">record-breaking rain in September</a>, 15 other hydropower projects had been damaged by floods. Last year, floods caused by heavy localised rain damaged 28 hydropower plants. World governments met in Baku for COP29 to discuss the Loss &amp; Damage Fund and the Adaptation Fund, but for countries like Nepal the commas and brackets are meaningless until they are turned into $ and €. And likelihood of adequate compensation for climate-related damage is a long way off, if ever. Nepal’s national strategy is to use its vast hydropower resource as clean energy to spur economic growth, job creation, and boost export revenue. But the plants are located in narrow Himalayan valleys prone to landslides and floods even at the best of times. Now, those <a href="https://nepalitimes.com/opinion/comment/changing-climate-for-investment-in-nepal">risks have been heightened by weather extremes</a> due to climate breakdown. At present, Nepal generates over 3,300MW of clean hydropower, and the target is to reach 12,700MW in the next five years. Projects equivalent to 6,000MW are under construction or ready to start. The Ministry of Energy, Water Resources and Irrigation has an Energy Development Roadmap and Action Plan with the target of producing 28,500MW by 2035 by when more than half of it will be exported.&nbsp; “The climate crisis will further change the rainfall patterns making hydropower generation a big question mark in the future,” Manjeet Dhakal in Baku, who is also the Nepali adviser to the LDC Chair at the United Nations Framework Convention on Climate Change (UNFCCC). “We are building hydropower projects on rivers without evaluating risk. This whole process needs to be reviewed and reconsidered.” The report of the National Adaptation Plan published by the Ministry of Forest and Environment last year mentions that hydropower production, transmission and distribution will be at risk from flash floods, debris flows, glacial lake outbursts and rising temperatures.&nbsp; This risk is not confined to Nepal. Average global temperatures have increased by 1.3°C compared to the pre-industrial era. Worse, the Himalayan mountains are warming faster than the global average by 0.7°C because of elevation-dependent warming. A study conducted by our own Department of Hydrology and Meteorology in 2017 showed that the average temperature in Nepal has increased in the last four decades. Scientists say this is leading to extreme weather unleashing floods and landslides on slopes already destabilized by seismicity.&nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20241124071128_d22901a360e8958f606d80ffa21defba05a671f65afec65539dc21a6885d8345.jpg" data-media-id="editor_5" data-image-id="20241124071128_d22901a360e8958f606d80ffa21defba05a671f65afec65539dc21a6885d8345" data-rendition-name="original" width="1333" height="1000" loading="lazy" alt="Right climate for Nepal’s energy transition NT"> <figcaption>BIBLICAL RAIN: Photo taken during catastrophic rain on 27-28 September at the Upper Tamakosi project site that destroyed the control room, killing four staff and burying the sedimentation tanks. Photo: RSS</figcaption> </figure>  Increased atmospheric temperatures has made the monsoon rains more erratic. It does not rain when it is supposed to, and it comes down in torrents when it is not supposed to. The September floods happened two weeks after the monsoon was supposed to retreat from central Nepal. Kathmandu Valley received half its annual precipitation in just over a day. &nbsp; Winter precipitation has also failed, especially in the high mountains and trans-Himalayan valleys. Thirteen of the past 19 years experienced winter drought. This impacts on dry season flows of the rivers, reducing hydropower generation. Nepal’s power capacity normally goes down by one-fourth during winter, but the gap is widening. The Kabeli corridor could only generate 20MW November-March even though plants there have an installed capacity of 200MW. Similarly, Upper Tamakosi only produced 65MW at most against its 456MW capacity last winter. The Nepal Electricity Authority (NEA) pays producers double the price for winter electricity, Rs8.40 per unit. Even though winter operation is highly profitable the rivers run low and NEA has to import from India to meet the winter demand. “This is not just a weather problem but a serious challenge also for the country's energy future, good climate-friendly design should be combined with policy and effective implementation,” says Subarna Das Shrestha, a hydropower investor and CEO of Sanima Mai Hydropower. “Insurance premiums have gone up as well, and settlement for damage is not timely.” <a href="https://nepalitimes.com/opinion/climate-risk-to-hydropower-investment">Hydropower investment</a> at one time was regarded as having a high rate of return. Now, some investors have become <a href="https://nepalitimes.com/banner/climate-smarter-himalayan-infrastructure">wary of the risks involved</a>. Says IPPAN’s Uttam Blon Lama: “Hydropower projects expected to give stable returns are now looking risky. Not only is climate adaptation design and planning expensive, but future repair and maintenance costs will also skyrocket.” Nepal has only one storage type dam <a href="https://nepalitimes.com/multimedia/rivers-be-dammed">in Kulekhani</a> and another one is being built in <a href="https://nepalitimes.com/multimedia/missing-pieces-of-the-hydropower-jigsaw">Tanahu</a>, but they are also at risk. In September, the sluice gates of Kulekhani Dam had to be opened causing loss of life and destruction downstream. Nepal has to learn lessons from the deadly collapse of the $1 billion <a href="https://nepalitimes.com/news/sikkim-flood-is-warning-to-nepal">Chungthang Dam in Sikkim</a> in October 2023 cause by a glacial lake burst. Glacial Lake Outburst Floods (GLOFs) in Nepal pose potentially catastrophic risk to infrastructure. The <a href="https://nepalitimes.com/here-now/lives-on-the-line-in-the-himalaya">Thame flood in August</a> was a relatively minor debris flow that damaged half of this village in the Everest region when <a href="https://nepalitimes.com/news/climate-breakdown-linked-to-thame-flood">two glacial lakes at 4,760m burst</a>. Luckily there was no loss of life. Of the <a href="https://nepalitimes.com/here-now/lives-on-the-line-in-the-himalaya">47 high-risk glacial lakes</a> in the eastern Nepal Himalaya, 21 are in Nepal and the rest are in rivers in China that are tributaries of the Arun and Bhote Kosi where Nepal has major hydropower plants under construction, or planned.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20241123021128_b596cd8520c57a6c5476031e7a3ea6510f26b464c4d5351d2bc10f6f7d6b70d8.jpg" data-media-id="editor_14" data-image-id="20241123021128_b596cd8520c57a6c5476031e7a3ea6510f26b464c4d5351d2bc10f6f7d6b70d8" data-rendition-name="original" width="871" height="648" loading="lazy" alt="Page 10-11 map #1236 NT"> </figure>  Global temperature rise is accelerating the melting of Himalayan snow and ice, increasing the <a href="https://nepalitimes.com/here-now/living-below-nepal-s-melting-mountains">number and size of glacial lakes</a> so that we do not even have names for them. Imja Tso did not even exist in the old trekking maps until 25 years ago, but is now a 2km long lake. “Natural moraine dams in the mountains are weak, and the projects downstream can face major destruction if they burst, and the risk will only increase in future,” warns climatologist Arun Bhakta Shrestha at the <a href="https://www.icimod.org/">International Centre for Integrated Mountain Development (ICIMOD)</a>. <a href="https://nepalitimes.com/here-now/terrifying-assessment-of-a-himalayan-melting">An ICIMOD assessment in 2019</a> projected that if present heating trends continue, as they probably will, the Himalaya will lose two-thirds of our glaciers by the end of this century. “Generally speaking, hydropower developers hand over the project to the government after 30 years but by that time given the climate risks, they may not be an asset anymore,” says Manjeet Dhakal. Indeed, the cascade of expensive projects India is building on the Arun River are supposed to be handed back to Nepal in 25 years, but there is a big ‘if’ about whether they will survive that long. &nbsp;&nbsp; Planning of hydropower projects is still based on historical hydrological data, and does not take into account future temperature rise and its consequences. Investors, on the other hand, say that planning hydropower projects with climate components would make them even more expensive.&nbsp; “It’s not that we aren’t preparing for climate risk, we design keeping in mind the once-in-100-year flood,” says Blon of IPPAN. “But if we start designing based on once in 1,000 years flood, the cost would be so high that we won’t be able to build them at all.” Nonetheless, Subarna Das Shrestha of Sanima Mai Hydropower says that there is no option but to go for climate smart infrastructure despite the higher cost. Sanima Mai's powerhouse, for example, is completely underground. The strategy could also be to spread the risk by building less expensive plants located on rivers all over the country. Nepal is also diversifying away from its sole reliance on hydroelectricity, which at present supplies 92% of the power in the grid. Most of the rest comes from solar plants, where the total potential has not even been scratched. &nbsp; This article is brought to you by <a href="https://nepalitimes.com/" target="_blank">Nepali Times</a>, in collaboration with <a href="https://inpsjapan.com/en/" target="_blank">INPS Japan</a> and <a href="https://sgi-peace.org/" target="_blank">Soka Gakkai International</a>, in consultative status with UN ECOSOC.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20240630110640_30c3782f9c09219bf1c249b51483a3cfb7a53a06d117d2aebd23ca7080d12758.jpg" data-media-id="editor_21" data-image-id="20240630110640_30c3782f9c09219bf1c249b51483a3cfb7a53a06d117d2aebd23ca7080d12758" data-rendition-name="original" width="680" height="103" loading="lazy" alt="SDG logo"> </figure>  &nbsp;