Wise and wrinkled grandmothers dressed in vividly patterned dresses lounge elegantly against Mughal backdrops, and are attended to by young women, lovers, and deities. The paintings depict traditional grandmoms in non-traditional settings, and Muna Bhadel in her ongoing exhibition Silent Whispers at Siddhartha Art Gallery forces us to do a double take.&nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20240822120812_e941c14b423047b56a14cc8e4a20eae1005c99325c5a05532922ca8aa2178877.jpg" data-media-id="editor_0" data-image-id="20240822120812_e941c14b423047b56a14cc8e4a20eae1005c99325c5a05532922ca8aa2178877" data-rendition-name="original" width="1500" height="1000" loading="lazy" alt="Muna Bhadel NT"> </figure>  Bhadel, a recipient of the 2022 <a href="https://www.australianhimalayanfoundation.org.au/">Australian Himalayan Foundation </a>Art Award, explains: ‘This series is a tapestry woven with threads of emotional bonds, captures the poignant experiences of grandmothers as I have felt them. Their journeys through time are uniquely their own.’ In a painting titled Mute Melodies, an elderly woman reclines on a pillow with her hair down, frowning into the distance while surrounded by three young women. One fans her face, another presents her with a box of jewelry, and the third anoints her feet in a ‘sora singar’ wedding ceremony representing a bride’s transformation from girl to wife.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20240822110840_e78e786aca3447be1b6583acc3ef6c26bf55befbacc4abf1b8fca4aa967578d6.jpg" data-media-id="editor_2" data-image-id="20240822110840_e78e786aca3447be1b6583acc3ef6c26bf55befbacc4abf1b8fca4aa967578d6" data-rendition-name="original" width="2676" height="3024" loading="lazy" alt="Mute Melodies by Mona Bhadel NT 2"> </figure>  The juxtaposition of the grandmother’s wrinkled face and veined arms with the smooth-skinned attendants painted like a fantastical Mughal mural, is a recurrent motif in Bhadel’s exhibition. The paintings contrast images of youth and age, and explore the longing and unfulfilled dreams and the imagery blends memories with dreams of what look like nautch girls. Bhadel trained at the Lalitkala Academy of Fine Art, then joined the MFA program at Tribhuvan University while doing a residency at Taragaon Museum. Her works were also exhibited at the Himalayan Art Festival in 2022 and the Dalai-La gallery in 2023. The 2023 exhibition titled 'Co-Relation Between Us' featured subjects dressed in vibrant textiles, and she has carried this style to Silent Whispers as well. A painting titled Uncharted Desires features reclining woman clad in a dhaka-patterned cholo, a golden shawl, and a flowery black gunyo, while a turbaned young man combs her hair.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20240822110844_fd5e920221af3d2613059a2e673aa1308c0eb78c601ddda661956b24f263ad52.jpg" data-media-id="editor_3" data-image-id="20240822110844_fd5e920221af3d2613059a2e673aa1308c0eb78c601ddda661956b24f263ad52" data-rendition-name="original" width="2676" height="3024" loading="lazy" alt="Uncharted Desires by Mona Bhadel NT 3"> </figure>  Many of the women in this series feature elderly women seemingly reminiscing romance, perhaps experiences or fantasies they had when younger. Sometimes, there is a doting man in attendance.&nbsp; Bhadel wants to leave a lot to the viewers’ imagination, and so as not to give it all away, just says, “This is how I imagined they would like to be with their past companions.”&nbsp; Most of the paintings at the exhibition are acrylic on canvas, but some are done in coloured pencils on the walls, perhaps studies or sketches before working on her final pieces. The drawings show two hands, one often visibly aged, and the other smooth and young.&nbsp; “These represent memories of my grandmother and how we are connected despite our difference in age,” says Bhadel. “It reminds me of a time when she pinched the skin on her hand and then the skin on mine.”&nbsp; Perhaps some of Bhadel’s reflections on the passage of time comes from the recent birth of her child, and the passing of her grandmothers who lived simple lives, nurturing their families, yet trapped by duty and society. While the women have aged physically in the paintings, their minds and spirits burn brightly and full of life in Bhadel’s works.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20240822110848_a31931b41dbb24cbe9db3da768788613d13d560a855a58a99b5a40f5185e6e17.jpg" data-media-id="editor_4" data-image-id="20240822110848_a31931b41dbb24cbe9db3da768788613d13d560a855a58a99b5a40f5185e6e17" data-rendition-name="original" width="2129" height="3576" loading="lazy" alt="Custodian of Fate by Mona Bhadel NT 4"> </figure>  These bittersweet emotions are expressed in colours that are either bright and saturated, or dull and subdued, but both enveloped in warm vermillion. Read also: <a href="https://nepalitimes.com/review/artistic-prayer-for-our-common-future">Artistic prayer for our common future</a>, Pinki Sris Rana Explains Sangeeta Thapa of Siddhartha Art Gallery: ‘Muna Bhadel’s paintings are an observation about the cycle of life -- of birth and death, youth with all its beauty and seductions, and about loss, ageing, nostalgia, and isolation.’ Silent Whispers Paintings by MunaBhadel Siddhartha Art Galley Baber Mahal Revisited 18 August – 18 September Kathmandu Triennale 2026 Although it is still almost two years away, the organisers of the Kathmandu Triennale are not waiting till the last moment to start preparations. Siddharth Art Gallery and Nepal Academy of Fine Arts are poised to unfurl a vibrant canvas in February 2026 with the theme ‘Coexistence, Kinship and Care’.&nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2024082212080_376592b1d0ce331e80f65820ea891b99d7e4b2bcdca9c51951f7eee9777965e5.jpg" data-media-id="editor_6" data-image-id="2024082212080_376592b1d0ce331e80f65820ea891b99d7e4b2bcdca9c51951f7eee9777965e5" data-rendition-name="original" width="1750" height="992" loading="lazy" alt="Triennale Siddhartha Art Gallery 2026 NT"> </figure>  Kathmandu will host a kaleidoscope of creativity, with shows at venues like the Siddhartha Art Galley, Patan Museum and Nepal Art Council. The triennale will be curated by Australian artist Natalie King and Sujan Chitrakar of the Kathmandu University School of Art, and will feature at least 40 Nepali and international artists.&nbsp; Outgoing Australian Ambassador Felicity Volk spoke at the event announcing the Triennale, saying: “In a world fragmented by politics, war, and geopolitical tensions, we seek unity—a shared canvas where we weave threads of solidarity and harmony.”&nbsp;

Vishad Raj Onta

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The unbearable lightness of being old

<figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221110161156/636d1f569c7e80680e0af45djpeg.jpg" alt="" width="2046" height="1377"/><figcaption>Lambe. All photos: BHARAT RAI.</figcaption></figure>Bharat Rai's ongoing exhibition ‘Whistle Blower’ at Ekantakuna's <a href="https://windhorseartgallery.com">Wind Horse Gallery</a> is a quasi-surreal take on the world of tourism and mountaineering. His first solo show of 35 paintings do not show Himalayan peaks but the often-overlooked state of tourism, modernism and consumerism.You will find few mountains here. The white background in the canvases is the closest thing to snow and clouds. The real protagonists are the <a href="http://archive.nepalitimes.com/article/Nepali-Times-Buzz/Equus-in-brick-kilns-kathmandu,4085">mules, donkeys and the burden on their backs</a>. We can almost hear their rusty bells punctuating the silence of their unsung endurance.<figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221110161156/636d1f599c7e80680e0af45ejpeg.jpg" alt="" width="1420" height="1437"><figcaption> </figcaption></figure>One of the first paintings that comes into view as visitors climb the staircase to the vast gallery is called Lale: a brown mule leaping with its tail up in the air. Its dark, melancholic eyes gaze ahead as the blue sacks on its back weigh it down. A long rope attaches the mule to a sealed Coca Cola bottle with crystallised rocks inside.The artwork is striking, and whimsical — a leaping animal tied to the ground by an empty bottle of soda. The bells around the neck and shoulders in the colourful harness look harmless at first, and we instantly recognise that these are the beasts of burden that make trekking and mountaineering possible, allowing those selfies on Kala Patar and summit certificates.But what of Lale, frozen as it tries to jump and break free, despite being held fast to the ground? Another mule, Dhurbe, is leaping off the back of a blue pick-up truck. Yet another looks dolefully at a miniature version of itself lying on its back with legs flailing upwards.<figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221110161156/636d1f5d9c7e80680e0af45fjpeg.jpg" alt="" width="1786" height="1482"><figcaption> </figcaption></figure>It may not be immediately noticeable, but the atmosphere of the paintings is indeed that of a false levity, draped in a foreboding silence of suffering.Silence pervades Rai's art: silence not volunteered but forced, and silence caught in motion. Rai's muses are mules and donkeys — always in the act of moving, whether away, towards, or in circles. They are flying, rolling and dancing even. Their desired destination is up the trail, but they appear to be protesting through their contortions — and their silence.Rai grew up around these equine heroes, spending over a decade in their company. His family profession was moving cargo on mule trains up and down the Solu Khumbu trail before motor cars and jeeps took over. He has shared his feelings and worries more with mules than humans, and this very empathy influences his art.<figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221110161156/636d1f609c7e80680e0af460jpeg.jpg" alt="" width="1863" height="1536"><figcaption> </figcaption></figure>'Most visitors and strangers would tell me about the creatures', writes Rai in his statement, 'saying that they would cry if they did not get heavy loads!' But, as evidenced by his paintings, the mules do not look happy to be carrying all those sacks and cylinders.On the contrary, they are tired, beaten and eager to break free of their tethers. The animals have names, distinct characters and personalities. In a way these downtrodden animals are symbolic of the silent disenfranchised citizens of our country. Abused, exploited, excluded, collectively derided.The effect is twofold. While the animals are taken as symbols of simplicity and foolishness (and thus abused), by using them as metaphors Rai draws our attention also to the cruelty and micro-aggression directed towards the people living on the margins.<img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221110161156/636d1f649c7e80680e0af461jpeg.jpg" alt="" width="1484" height="2048"><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221110161156/636d1f689c7e80680e0af462jpeg.jpg" alt="" width="1484" height="2048">Melody of Shovel (left) and Hero (right)Some paintings depict items scattered around mountaineering camps: steel plates, cylinders, rusty wheelbarrows, <a href="https://www.nepalitimes.com/here-now/nepal-building-a-highway-to-everest/" target="_blank" rel="noopener noreferrer">a yellow excavator</a> and a sewing machine practically falling apart. One canvas has a rolled-up roti held together by a safety pin. There is a larger statement here against the recklessness, entitlement and egotism of mountain visitors.Despite these undercurrents, ‘Whistle Blowers’ is not a pessimistic show. It is more a call to action to be more mindful, more conscious. Our four-legged mountain friends are not indentured servants, but beings with dreams and hopes of their own.We are conditioned to imagine nobility in horses and ridicule donkeys. Rai subverts these notions by inviting us to look into the eyes of mules as muses.‘Whistle Blowers’ by Bharat RaiWind Horse Gallery, Bhanimandal-Ekantakuna Road, Lalitpur10am-6pm (closed on Mondays)Limited visitors in the hall. Masks mandatory.Till 17 January 2022.Read also: <a href="https://www.nepalitimes.com/review/on-screen-mountains/">On-screen mountains</a>, Sahina Shrestha<a href="https://www.nepalitimes.com/here-now/what-next-for-reinhold-messner/" target="_blank" rel="noopener noreferrer">What next for Reinhald Messner?</a>, Kunda Dixit

Ashish Dhakal

Muses of the mountains

<img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221107121144/6368efcc9c7e80680e03599bjpeg.jpg" alt="" width="1400" height="850"/>Ask any Nepali about Ireland, and most have no idea where it is and some may mention the Irish pubs in Lukla, Thamel or Pokhara. Ask a person on the street what a ‘Guinness’ is and the answers will pertain more to a certain book of world records rather than the dark beer.Which is why the first-ever exhibition of Irish art in Nepal is such a landmark in Kathmandu’s cultural firmament. It is a small brief window that gives people here in Kathmandu a glimpse of the sensibilities of this gentle land on the edge of the north Atlantic.The artists, affiliated with Wexford Arts Center in Ireland, have brought to the Siddhartha Art Gallery an eclectic collection that includes landscapes, portraits, mixed media and photographs.Viewers are exposed not just to contemporary art themes but also techniques: some exhibits hang by clothes pegs on washing lines, tiny installations are framed in the style of miniatures, and there are renderings of the Irish landscape.Because the artists came from so far away and on such short notice, they mostly brought smaller pieces. The collection has landscapes which artists say is representative of contemporary Irish art trends.<img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221107121144/6368efcf9c7e80680e03599cjpeg.jpg" alt="" width="1400" height="888">“I do not paint exact representations of the landscape, what you see, are my emotional response to it,” explains Olivia O’Dywer (below, right) whose dreamy, almost pointillist series is called 'Between the Sky and the Sea'.Declan Cody looks for themes in the abstract, and ventures beyond landscapes to visuals like cow skin, groups of birds, or a close up of a patch of sand. He says: “I prefer to call my art abstracted rather than abstract, to differentiate it from traditional abstract art.”Oil and acrylic mediums and techniques of layering are popular among Irish artists, and they hope to foster a cultural exchange between Nepal and Ireland, learning from <a href="https://www.nepalitimes.com/review/old-art-meets-new/" target="_blank" rel="noopener">each other’s art forms</a> through this exhibition. The Irish visitors are attending an art camp for Nepali artists in Kathmandu on Sunday.Also read: <a href="https://www.nepalitimes.com/banner/artivists-at-the-bank/" target="_blank" rel="noopener">Artivists at the bank</a>, Kanak Mani Dixit<a href="https://www.nepalitimes.com/review/under-kathmandus-spell-2/" target="_blank" rel="noopener">Under Kathmandu's Spell</a>, Duksangh SherpaThe use of pastels, blue, white, gray, soft pink dominate the paintings. Bernadette Doolan’s impressionist portraits stand slightly apart from the trend of landscapes, capturing “emotions rather than persons”. Her titles like Determined, In Quiet Agreement, It’s My Party, I wish, are intense with emotional expression.“As adults we pretend to be strong, but in reality we all have a child in us,” explains Doolan (below, left). “And children are strong, but also vulnerable. My portraits remind us all to let the child out sometimes.”At the other end of the spectrum lie inert machines, which photographer Michael Duggan (top) foregrounds in his skillful compositions. Tools like a plough and a forge, which have now fallen into disuse, give us a glimpse of the transition in Ireland’s traditionally agrarian society.“I capture machines that were once beautiful in their efficiency, but today are just ornamental, and so, beautiful in another way,” says Duggan.<img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221107121144/6368efd39c7e80680e03599djpeg.jpg" alt="" width="1400" height="953">“Documentary photographers everywhere try to capture things used today that will disappear ten years later. Our work might not make sense at the moment, but it will be valued more as time passes.”The artists all agree that the scope of art as a career is limited and full of struggles in Ireland, just like everywhere else in the world.The exhibition hosts works by two other artists who could not make it to Nepal: Kate Murphy whose titles seem larger than her miniature mixed media frames, and Paddy Lennon’s elegantly inked Water Series.“Nepal and Ireland have completely different landscapes, one has mountains and the other has oceans and islands,” said Veronica Cody, European Union’s Ambassador to Nepal, who is herself Irish.Our landscapes affect how we see the world, and exchange of art is an opportunity to transcend that worldview and get a glimpse of another.”Cody hoped the exhibition could be an inspiration for Nepali artists, and that Ireland would be inspired to host them in future.Irish Artists in NepalAn Exhibition of Mixed Media Works (till July 20)Bernadette Doolan, Declan Cody, Kate Murphy, Michael Duggan, Olivia O’Dwyer, Paddy LennonSiddhartha Art Gallery, Baber Mahal RevisitedSunday to Friday 11 am – 5 pmSaturday 12 noon - 5 pmAlso read: <a href="http://archive.nepalitimes.com/article/Nepali-Times-Buzz/planet-nepal-art-environment-festival,1738" target="_blank" rel="noopener">Art in the Planet</a>, Stéphane Huët<a href="http://archive.nepalitimes.com/article/Nepali-Times-Buzz/years-of-botanical-art,3222" target="_blank" rel="noopener">200 years of botanical art</a>

Ocean to mountains

Nepal showed inconsistent performance at the T20 World Cup 2026 in Mumbai with flashes of brilliance, but ultimately snatched defeat from the jaws of victory. The <a href="https://nepalitimes.com/news/rhinos-hit-the-ground-running">near-win against England</a>, a test cricket team by an associate country, in the opening game showed promise and suggested that Nepal’s cricket was on the cusp of glory. The Nepal Premier League and a flawless performance in the qualifiers had raised hopes that perhaps the Rhinos could progress out of the group stage. However, subsequent losses against newcomers Italy and the West Indies were harsh reality checks about the true state of the game: there is a lot of catching up to do in the present, and structural changes to put in place to win big in the future. Head Coach Stuart Law summed it all up quite harshly: “To go from that high to then go to an extreme low four days later, that’s not showing mental toughness.” He was worried about the distraction of social media and lack of focus among players: “When you’re in cricket, do your cricket. It’s a difficult one for me because I’m a social media dinosaur, I don’t understand it. You don’t have to keep showing your face if we’re winning games.” Finally a late-night win against Scotland on Tuesday redeemed some of Nepal’s pride. A strong opening partnership, yet another rugged Dipendra Singh Airee innings and Sompal Kami’s vindictive 3 for 25 helped Nepal beat Scotland in their last group game at the T20 World Cup.  <figure><img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20260218010220_6ca369f6aefc8b653c2572467f050e96b029c96b71fed5fb4213898c7d469325.jpg" data-media-id="editor_1" data-image-id="20260218010220_6ca369f6aefc8b653c2572467f050e96b029c96b71fed5fb4213898c7d469325" data-rendition-name="original" width="1366" height="2048" loading="lazy" alt="T20 World Cup Nepal"></figure>  There was nothing riding on the game but honour, it means at least that Nepal do not crash out on zero. The game ebbed and flowed. Scotland started well and looked set to score 200 before collapsing in the end at 170. The Nepal batting effort also started out well, but in the middle overs after some wickets had fallen, it looked like the team was whimpering out again. Boundaries dried up, the run rate creeped up to almost 13, before Airee and Jha woke up and took charge and got to 171 with a few balls to spare. The dhaka topi crowd in the stands loved it. A big part of the reason Nepal’s performance was so much better against England than in the other games was the mentality going in. Against England, Nepal were clear underdogs and could play freely. Even a nasty defeat would have been forgiven. Against newcomers Italy, these roles were flipped. Fans and perhaps the players underestimated Italy, a nation much better known for its football culture. But it had put together a smart, experienced team made up of Italian cricketers with South African, Australian, English, Indian, Pakistani and Sri Lankan heritage. And Nepal may have won a series against West Indies last year, but against the full strength Caribbean squad they were easily beaten.  <figure><img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20260218010220_dc27adaa2102b493f940a97f9572769e695c2c1c41c8558fc4c23657cc1c3261.jpg" data-media-id="editor_2" data-image-id="20260218010220_dc27adaa2102b493f940a97f9572769e695c2c1c41c8558fc4c23657cc1c3261" data-rendition-name="original" width="2048" height="1366" loading="lazy" alt="T20 World Cup Nepal"></figure>  Another key difference is that Nepal was batting second against England. Against Italy and the West Indies, having to set a target rather than chase it, there was miserable batting failure. The front of the order — openers Kushal Bhurtel and Aasif Sheikh, captain Rohit Poudel — did not pace themselves well. They started much too slow, not able to take advantage of the first six powerplay overs. Airee’s 58 and Sompal Kami’s 26 off 11 against the West Indies were the only innings of any note. The middle order of Bam, Jha, Aarif Sheikh was not much better. Nepal really struggled with the ball too in that game, taking the one wicket against the West Indies and none against Italy. Of course, it is a huge ask of your bowling attack to defend anything below 150 in the modern T20 game. There were questionable tactical choices. Early wickets are essential when defending a low score. But key wicket taker Sandeep Lamichhane was not brought on until the middle overs, when the opponents had made too many runs to feel any fear. So they took him on and he had a really poor tournament, going for a lot of runs.  <figure><img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20260218010220_b0301b854ddf235e1bcb84e8ed58060a68c8f3f13d3bb5a7596e1f51184e0d03.jpg" data-media-id="editor_3" data-image-id="20260218010220_b0301b854ddf235e1bcb84e8ed58060a68c8f3f13d3bb5a7596e1f51184e0d03" data-rendition-name="original" width="1366" height="2048" loading="lazy" alt="T20 World Cup Nepal"></figure>  To captain Poudel’s credit, he acknowledged the bad showing against Italy: “It was not a 123 all-out wicket. We are professionals and not turning up for the game was disappointing.” Coach Law thinks that Nepal is going to get to the next step. If the team is ambitious, and hopes to compete at the elite level, then it cannot celebrate a loss against England. If it wants to win consistently, it has to shed the ‘Cardiac Kids’ nickname. It is better to win than to be fun to watch but lose. The T20 game is so brisk and so it is often won in the margins. Good catching and fielding can create momentum and save a team the 5, 10 runs that win the game. Nepal were uncharacteristically poor in the field against Italy and West Indies, often fumbling and leaking boundaries. Airee didn’t get any of his usual run-outs either. Nepal lost cheap wickets through run-outs and stumpings. All these unforced errors right through the match add up on the scoreboard.  <figure><img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20260218010220_1630c283f277631dfbddd3d7f29b930b124bde97c8f6a411cc2e1d089e452f45.jpg" data-media-id="editor_4" data-image-id="20260218010220_1630c283f277631dfbddd3d7f29b930b124bde97c8f6a411cc2e1d089e452f45" data-rendition-name="original" width="1366" height="2048" loading="lazy" alt="T20 World Cup Nepal"></figure>  SKILL SET Mentality is important but sport performance ultimately comes down to skill. There looked to be a large gap, and perhaps one of the reasons is because the Nepal team is so full of all-rounders. Airee’s two-way performance is undeniable, but Bhurtel, Paudel and Karan KC do plenty of both too and they do not do it super well very often. If the team wants to get consistent, it must have consistent performers with the bat and ball. That calls for some of these players to focus completely on one skill over the other. You do not see openers bowling so much in the top teams as Bhurtel does. The main reason for this skill gap, and one of the hardest parts about being an associate nation, is how little cricket the members of the team play compared to the test nations. Said Stuart Law: “The longer format is where you learn how to play the game. The shorter formats are where you have your fun. We need some sort of multi-day games.”  <figure><img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20260218010220_652ef3ba6fceab394a94c18cabd322dca8ba4a1266557660064339de9169c91d.jpg" data-media-id="editor_5" data-image-id="20260218010220_652ef3ba6fceab394a94c18cabd322dca8ba4a1266557660064339de9169c91d" data-rendition-name="original" width="2048" height="1366" loading="lazy" alt="T20 World Cup Nepal"></figure>  The contrast in experience showed during the Italy game. Most of the members of the Italy team were well into their thirties, had played a high volume of domestic cricket and were more self-assured. So, while the young Nepali team were more athletic, they seemed to lack the skill and experience to know what to do when things were going wrong. The Italians seemed to go about their game with a lot more self assurance. In the long run, this means setting up grassroot structures, getting kids into formal training when young, and setting up a longer format domestic league. In the short term, CAAN could organise frequent series with other associate nations, and individual athletes could go play long form club cricket abroad. Surely some team in the world has to have a spot for a player like Airee, for example. It has been Airee’s tournament. Scores of 44 v England, 58 v West Indies, and now a match-winning 50 against Scotland that gives the travelling Nepali support something to cheer for. The tournament could have been a lot more, but it is wholesome to end on a win.

Nepal goes in and out of T20

Chronic winter drought and decades of unmanaged forest biomass have turned wildfires into a systemic risk for Nepal. We need to re-learn to convert fire fuel in forests into fertilizer for crops.&nbsp; On 11 January, a huge forest fire spread rapidly from China into the forests of Sindhupalchok, 40km northeast of Kathmandu. The newly-opened Tatopani border checkpoint was closed. Smoke from the fire spread across central Nepal, blocking the sun.&nbsp; The fire burnt itself out within a few days, but the border stayed closed for longer. Such wildfires were once rare in mid-winter, and traditionally peaked between March and May as temperatures rose ahead of pre-monsoon showers. What is unsettling is not just the early onset of the fires, but also their scale. This shift is not accidental, the pattern has been unfolding over years due to winter drought, weakening post-monsoon moisture, and the accumulation of dry forest biomass as Nepal’s forest area doubled in the past 30 years.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2026022009024_5f4a84bb389f9b56f4fa47d4f694adcd464eb13b192d184af0f1eb20efdfeebf.jpg" data-media-id="editor_0" data-image-id="2026022009024_5f4a84bb389f9b56f4fa47d4f694adcd464eb13b192d184af0f1eb20efdfeebf" data-rendition-name="original" width="2000" height="1055" loading="lazy" alt="Wildfire season NT"> <figcaption>A NASA FIRMS image of Nepal with red dots signifying fires in February 2025.</figcaption> </figure>  Together, these factors have made forests tinder dry in spring, just waiting for a spark. Nepal has experienced winter drought in eight of the past ten years (this winter was an exception). Winter rain and snow at higher elevations play a decisive role in maintaining surface moisture, recharging shallow aquifers, and keeping forest floors damp enough to resist ignition. When winter rains fail, forests dry out months earlier than usual. Satellite-based assessments show a steep decline in surface moisture across the middle mountains of Nepal, particularly in areas with dense forest cover but limited undergrowth management. Springs that once flowed year-round are now seasonal.&nbsp; More than half of the springs in the mid-hills have either dried up or show significantly reduced discharge, a trend closely linked to declining soil moisture and disrupted recharge zones. Dry soil does not just threaten water security — it helps the vegetation ignite. FUEL WITHOUT FUNCTION For decades, Nepal’s forests have been accumulating dry leaf litter, fallen branches, shrubs, and deadwood. Historically, this biomass was not considered waste because rural households regularly collected leaf litter for livestock bedding, which was later composted and returned to farms as fertilizer.&nbsp; Forest floors were therefore relatively clean while the mulch fertilized farms. That relationship has steadily eroded due to outmigration, changes in livestock systems, restrictions on access to community forests, and the growing availability of chemical fertilisers.&nbsp; Community forests across the country today are thick with dry twigs, branches and leaves — a highly combustible carpet. When prolonged drought dries this biomass, even a small spark from a herder’s intentional fire, a cigarette, or lightning strike can trigger massive fires.&nbsp; Under such conditions, the question is no longer whether fires will occur, but how intense and widespread they will be. Forest fires are often framed as an environmental issue concerning trees and wildlife. In reality, their impact extends far beyond forest boundaries.&nbsp; Smoke travels faster and further than flames. Fine particulate matter, especially harmful PM2.5, spreads across countries. In recent fire seasons, air quality monitors in Kathmandu have recorded air quality levels several times higher than WHO guidelines. The smoke adds to Kathmandu’s own pollution and lingers for days.&nbsp; Flights are cancelled or delayed in cities like Pokhara, and poor visibility blocks mountain views affecting tourism. Health facilities report spikes in respiratory complaints, particularly among children and the elderly. Just as wildfires have multi-sectoral causes, the impact of forest fires go beyond forests. One critical dimension remains largely invisible: the soil. The fires cause silent damage beneath the ash, and the emergency does not end when the flames subside. Beneath the surface, soil suffers long-term damage. Organic matter burns away, beneficial microorganisms die. The soil structure weakens, reducing the land’s ability to absorb and retain water. The scorched earth is more prone to erosion, increasing the risk of floods and landslides once the rains return.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2026022009028_cc54ff056b2cac8b789cfd4d11afef9eaf943368e47b99aabd57c7b63b776cf2.jpg" data-media-id="editor_1" data-image-id="2026022009028_cc54ff056b2cac8b789cfd4d11afef9eaf943368e47b99aabd57c7b63b776cf2" data-rendition-name="original" width="1717" height="2143" loading="lazy" alt="Wildfire season NT"> <figcaption>Wildfire risk map based on the validated Random Forest model (a) Overall reclassified wildfire risk map of Nepal, (b) District level wildfire risk, and (c) Municipality wildfire risk map.</figcaption> </figure>  In many of Nepal’s agricultural areas, soil organic matter levels are already below 2% -- lower than what is needed for resilient and productive farming. Repeated fires push these levels even lower, undermining soil fertility and forcing farmers to rely more heavily on chemical fertilisers, unleashing a vicious cycle of higher costs and food insecurity.&nbsp; Climate breakdown is often cited as the primary culprit, and rightly so. Rising temperatures and erratic rainfall have intensified fire risk. But fires in Nepal are increasingly the result of human intervention.&nbsp; The response of all three levels of government remains too little, and too reactive. Each year, resources are mobilised to extinguish fires once they have already spread. Far less attention is paid to managing the fuel load within forest undergrowth that makes such fires inevitable.&nbsp; Meanwhile, forestry and agriculture policies are not coordinated, missing opportunities to address shared challenges. Forest fires are not natural disasters, but predictable outcomes of governance choices. National plans and climate pledges set an ambitious target of raising soil organic matter to 4%. The science behind this goal is solid. Higher organic matter improves water retention, stabilises yields, reduces fertiliser dependence, and enhances long-term food security. What remains unclear is the pathway.&nbsp; Where will the organic inputs come from? How will they be processed and applied safely at scale? Without practical answers, the 4% target risks remaining aspirational rather than achievable. Forest undergrowth can be turned into fuel and fertiliser. Biochar is produced by heating organic biomass in a low-oxygen environment, converting it into a stable form of carbon that can be added to soil.&nbsp; When properly produced and applied, it improves soil structure, enhances water and nutrient retention, supports microbial activity, and locks carbon into the ground for decades. In Nepal biochar addresses two interconnected problems: reducing the accumulation of combustible biomass in forests, lowering fire risk, while simultaneously rebuilding depleted soils. In doing so, it restores the broken link between forest management and agriculture.&nbsp; Done well, biochar is not merely an environmental intervention. It is an economic one, with potential to create local employment, reduce farmers’ input costs, and support climate-smart agriculture. But biochar propagation depends on improved governance. If promoted as isolated pilots or short-term projects, it will fail. What is needed is institutional clarity: standards for production and safety, quality control mechanisms, farmer extension services, and coordination across local, provincial, and federal levels.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2026022009028_e6e2218f38fae5b1fe81d9f99078fe01f58d04b4b3b2c41447f017c3f838a1d4.jpg" data-media-id="editor_2" data-image-id="2026022009028_e6e2218f38fae5b1fe81d9f99078fe01f58d04b4b3b2c41447f017c3f838a1d4" data-rendition-name="original" width="1536" height="2048" loading="lazy" alt="Wildfire season NT"> <figcaption>Freshly prepared biochar under control tempature (350-600°C).</figcaption> </figure>  Community forest user groups could manage biomass collection. Local governments then support safe, decentralised production units. Agricultural extension services guide farmers on application, linked to soil testing and monitoring. Such an approach would reduce fire risk, improve soil health, and generate rural livelihoods.&nbsp; Poorly produced biochar or contaminated feedstock can harm soils and human health. Without training, standards, and oversight, good intentions can backfire. Nepal needs to move beyond fire-fighting to fire prevention and confront the structural causes that make them a growing risk. It is not just a technical choice – it is one that demands political will from newly-elected leaders after March. &nbsp;&nbsp; Ngamindra Dahal is a hydrometeorologist with the Nepal Water Conservation Foundation specialising on climate and water management issues.&nbsp;

RED ALERT: Get ready for the wildfire season

Early on Monday morning, a bus from Pokhara to Kathmandu plunged off the highway in Dhading killing 19 passengers. Two weeks ago, another bus fell into the Tama Kosi in Manthali, killing 12. A few days before that a bus crash in Baitadi killed 13 people.&nbsp; In just the month before Nepal's election, more than 50 people have been killed in road traffic accidents. Most of these cannot be called 'accidents'. They are a direct result of poorly maintained highways and lack of enforcement of traffic discipline. Political parties in Nepal have rolled out their election manifestos, and voters are once again presented with a flood of promises. Page after page, these documents list megawatts and microcredit, highways and airports, jobs and investment. In these manifestos, growth is quantified, projects itemised, revenue forecast — and there are even threats to beat up contractors who do not finish their jobs. But when everything is declared a priority the stale promises are empty. The voter is left confused as to where the party’s loyalties really lie. Will any of these plans and pledges actually ever materialise and help Nepalis live longer, safer, healthier lives? The main job of any accountable government is to protect its citizens, not so much from foreign enemies but from domestic mismanagement. And this means the most basic test the new government should be made to pass is whether it can ensure basic well-being and protection for all its people. The problems of safety, health, and survival remain unresolved for most Nepalis, and are quietly eroding their lives. In the past year alone, the country’s <a href="https://nepalitimes.com/news/roadkill">roads and highways claimed more than 2,300</a> lives. An estimated 41,000 Nepalis die each year directly because of <a href="https://nepalitimes.com/here-now/what-is-invisible-is-more-dangerous">air pollution</a>, and their <a href="https://nepalitimes.com/news/air-pollution-killing-season-starts-early">lifespans are lessened by 3.4 years</a>.&nbsp; <a href="https://nepalitimes.com/editorial/poor-health">Non-communicable diseases</a> now account for well over half of total deaths in the country. And even where survival has improved, deprivation remains. Chronic malnutrition continues to haunt communities in <a href="https://nepalitimes.com/here-now/mass-migration-from-muktikot">Nepal’s western mountains</a> despite progress in maternal and child health.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20260223130240_4f4ef83a31c3c4ae36ecdffb33a355e2fa3de9e98244b840a895af2d95c35ac0.jpg" data-media-id="editor_5" data-image-id="20260223130240_4f4ef83a31c3c4ae36ecdffb33a355e2fa3de9e98244b840a895af2d95c35ac0" data-rendition-name="original" width="1024" height="683" loading="lazy" alt="A life-first manifesto for Nepal NT"> </figure>  These are the lived realities of most Nepalis, and it is here that development can deliver its most immediate returns. A rising GDP, in and of itself, does not make roads safer, clean polluted air, or provide enough nutrition to children. Such outcomes demand intentional, granular policies that confront the specific, everyday problems shaping people’s lives.&nbsp; Macroeconomic growth, trade and investment are important, but these alone cannot guarantee improvements health and safety. The word ‘growth’, after all, is also synonymous with malignancy. Economic progress and human protection are correlated only when governance deliberately links them. Impact on life is the unit in which ordinary Nepalis calculate progress. What is needed, then, is a governing philosophy measurable in these same terms: a ‘life-first’ standard where every policy, budget, and reform can be understood and judged by its impact on protecting and extending human life. Such a ‘life-first’ approach would scrutinise three aspects of every policy. First, whether the policy prevents loss of life. A death is termed preventable if better, more coordinated response systems and regulations could have avoided it (vaccines, drugs, road safety, clean drinking water). A newly built six-lane highway <a href="https://nepalitimes.com/here-now/highway-accidents-are-no-accident-in-nepal">can be a death trap</a> due to poor design or lax enforcement of safety rules. If neonatal deaths continue in a district despite hospitals being present, or if malnutrition claims lives in predominantly agricultural regions, they too are failures. Preventable deaths also cluster where accountability is less direct. Just last year, <a href="https://nepalitimes.com/news/suicides-a-pandemic-within-a-pandemic">Nepal recorded 6,866 suicides</a>, with nearly 20 lives lost every day, yet these deaths fail to prompt any serious examination of governance. The same holds for fatalities linked to domestic or communal violence, alcohol and substance misuse, or ‘natural’ disasters, which register as ‘tragedies without remedy’ rather than as outcomes policy can influence. But when avoidable loss of life recurs at scale, isolated incidents become patterns, and patterns reveal systemic neglect. Saving lives, however, is only the first step, and what matters just as much is the quality of years lived. Nepal’s life expectancy now stands at 71 years, yet many citizens spend years in avoidable disability, untreated chronic illness, or mental distress. A life- first government must ask not only whether people live, but whether they thrive. Are citizens able to pursue education, work, and family life without fear of preventable harm? Do communities have access to clean air and water, nutritious food, and basic healthcare? Can a teenager anywhere in Nepal imagine a future not foreclosed by premature marriage, or untreated depression?  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20260223130240_157d72b80b82a07699b6bffbb30036b86f0f767a5674cc3db3d5c20343442940.jpg" data-media-id="editor_8" data-image-id="20260223130240_157d72b80b82a07699b6bffbb30036b86f0f767a5674cc3db3d5c20343442940" data-rendition-name="original" width="2529" height="1427" loading="lazy" alt="A life-first manifesto for Nepal NT"> </figure>  Thriving requires policies that prevent suffering and promote well-being in addition to ensuring survival.&nbsp; Finally, governance must consider graceful aging. Elderly Nepalis should not be left to navigate disease, poverty, or isolation alone. Social systems, healthcare, and community support must enable their continued participation and dignified well-being. Adopting this three-layered standard would gradually reorient how success of any new government is defined. Transportation would be judged by fatalities reduced on the roads. Electricity generation would be measured by whether households can switch from firewood dependence to smoke-free electric stoves.&nbsp; Increase in annual rice harvest must translate into better nutrition, reducing the prevalence of chronic diseases like diabetes. Accountability must follow problems rather than stop at Singha Darbar. Only then will politicians and bureaucrats eventually recognise that their work converges on the same human endpoint. Critics will argue that economies are complex, trade-offs are inevitable, and that governance cannot be reduced to a single metric.But, as Acemoglu and Robinson show in their book <a href="https://ia801506.us.archive.org/27/items/WhyNationsFailTheOriginsODaronAcemoglu/Why-Nations-Fail_-The-Origins-o-Daron-Acemoglu.pdf">Why Nations Fail</a>, the key difference between prosperity and poverty lies in inclusive institutions that empower citizens and create broad incentives for well-being.&nbsp; Extractive institutions concentrate power and wealth in the hands of a few while keeping the majority trapped in neglect. Nepal’s governance has remained a striking example of extraction. If lawmakers in the new Parliament continue to resist changes that would save and improve the lives of ordinary citizens, the same systemic rot will persist for generations to come. A life-first mentality can cut through this inertia by clarifying the moral centre of governance and reminding policymakers that behind every policy failure lies human cost. <a href="https://nepalitimes.com/here-now/epicentre-of-hunger">Every mother in Bajura</a> with a child going hungry at night, every farmer in the Madhes unable to afford medical care, and every family that has lost <a href="https://nepalitimes.com/opinion/comment/saving-kidneys-to-save-nepal">a migrant son to kidney failure</a> understands the true <a href="https://nepalitimes.com/multimedia/dirty-dangerous-difficult-and-dehydrating">value of a life saved</a>. Life is the one metric that transcends ideology, ethnicity, and region. Centering governance on this single, focused metric, can shift an election from a contest of rhetoric to a contest of evidence. Which party ensured access to safe water and basic healthcare? Which made work at home and abroad safer and less exploitative. Which measurably extended healthy years of life for ordinary citizens? Health is wealth. By improving the healthy lifespan of citizens economic prosperity would follow naturally. A ‘life-first’ governance model would therefore compel Nepal to address the underlying structural failures across all sectors, rather than merely alleviating their symptoms. The GenZ protest that toppled the government last September was, at its core, a demand for accountability and a rejection of politics as usual. But as the country edges closer to the polls, that clarity has started to dissipate. Parties are now echoing the language of reform, but the public discourse remains dominated by promises that feel disconnected from Nepal’s most immediate and basic priorities. Every preventable death, every hungry child, and every neglected elder becomes a direct failure of governance and a moral debt the state must answer for. It is how we can make sure we keep the next government in check. The writers are Nepali GenZ students of biomedical engineering at the Hong Kong Polytechnic University.

Nepal’s life or death election

<a href="https://nepalitimes.com/opinion/what-the-interim-government-gave-bangladesh">Bangladesh’s 12 February election</a> carried historic weight because it was held in the aftermath of the July 2024 student-led uprising that ended the long-running regime of the Awami League’s Sheikh Hasina.
Alongside the parliamentary contest, voters were asked to decide on an additional ballot referendum known as the ‘July Charter’, a proposal linked to constitutional and administrative reform debates.
I served as an independent international observer from Nepal, authorised by the Election Commission of Bangladesh and observed polling day procedures in selected centres outside Dhaka, intentionally moving beyond the capital city which was the focus of the international media and diplomatic community. We visited 17 polling stations in remote Bancharampur and Gazipur constituencies.
The Bangladesh Election Commission’s emphasis on technology was evident. Upazila Police personnel deployed for election duty were equipped with body-cams, and there were more CCTVs Police personnel deployed for election duty were equipped with body-cams, and there were more CCTVs at several polling centres. These measures reflected an effort to enhance transparency and accountability.
For the first time, the Election Commission reportedly created a WhatsApp coordination group that included human rights defenders and security officials. This group enables rapid information-sharing and prompt security responses to potential incidents.&nbsp;
Bangladesh introduced postal voting for citizens abroad who had not renounced their citizenship. The postal ballots were processed and counted with QR code technology. Similar arrangements to vote by mail were also made for government employees who could not go their home constituencies. This gave voters respect of their ballots and franchise.
Youth participation in this election was significant. Many first-time voters expressed enthusiasm and a strong sense of ownership over the democratic process. Their turnout and visible engagement suggested a generation keenly interested in shaping the country’s political direction.
Women voters were also notably active. In multiple centres, women formed long queues and appeared confident about navigating the voting process. Minority community members were also present. Precautionary measures had been taken to thwart any disruption.
In the polling centres mostly located in schools, the overall environment was calm, orderly, and peaceful. Election materials were properly arranged, voting compartments ensured procedural clarity, and no major disruptions or visible irregularities were observed in the centres covered.&nbsp;
Security personnel were present but maintained a non-intrusive posture, contributing to a sense of order without interfering in the voting process.
Polling officials demonstrated familiarity with procedures, including voter identification and ballot issuance protocols. In informal conversations, station in-charges articulated procedural steps clearly and appeared confident in managing operations.&nbsp;
Queue management systems were generally in place, and voter verification processes were conducted in an organised manner. While observations were geographically limited, the professionalism of officials in the visited centers contributed positively to polling efficiency.
The vote counting was carried out promptly. Polling booths were required to send recorded data of the ballots cast directly, which significantly streamlined and expedited the counting process.
Despite the generally smooth procedures, certain accessibility challenges were observed. Senior citizens, lactating mothers, and individuals who appeared physically unwell were seen waiting in queues for extended periods. Priority mechanisms for vulnerable groups were not consistently visible across all centres.
Polling officials estimated turnouts between 50-60%, reflecting mid-day assessments rather than final figures. Voter flow remained steady but the ban on the former ruling party may have dampened some of the voter turnout.
What stood out most was the broader public mood. Many voters appeared motivated and engaged, particularly given the country’s recent political developments. Elections are not merely procedural exercises; they reflect citizens’ aspirations, expectations, and trust in institutional processes.
One of the most distinctive features of this election was the referendum on the ‘July Charter’. In some polling centres, this additional ballot appeared to generate confusion. A number of voters indicated they understood they needed to mark ‘Yes’ or ‘No’, yet some were unclear about the substance of the proposal.&nbsp;
Many younger voters seemed better informed about the implications of the referendum. Their engagement suggested that civic awareness surrounding reform debates may be evolving generationally. The referendum element added a constitutional dimension to what was already a politically significant parliamentary election.
LESSONS FOR NEPAL
Nepal also goes to the polls on 5 March, six months after its own student-led protests in September. Several of the practices seen in Bangladesh could be relevant.&nbsp;
Bangladesh has made notable strides in electoral reform and administrative efficiency, creating a sense that the country has taken a meaningful step forward in improving the accessibility and management of its electoral process.
Polling day was a crucial indicator of administrative preparedness and civic participation. The Bangladesh election illustrated both strengths and areas for continued civic education, especially regarding public understanding of referendum questions. Youth engagement, women’s participation, and enhanced security coordination were encouraging signs.
Historic elections shape nations. They also leave a lasting impression on those privileged to observe them closely. Democratic consolidation is an incremental process. Orderly procedures, technological monitoring, and visible participation reflect institutional maturity. At the same time, inclusivity particularly for vulnerable groups remains an essential benchmark.
Mohna Ansari is an advocate, a practicing lawyer at the Supreme Court and Former Commissioner of National Human Rights Commission of Nepal. She was a member of the International Election Observer team from Nepal.
Local observer Muzaffar Hossain Chaudhary also contributed.