The soft pastels and whimsical background looked like a moment stolen from a <a href="https://archive.nepalitimes.com/news.php?id=15283">Hayao Miyazaki</a> film. The thrill on my niece’s face was palpable as she shared her first Ghibli-style portrait earlier this month. This surge in the latest generative <a href="https://nepalitimes.com/multimedia/ayo-ai">AI tool</a> can transform personal photographs into Studio Ghibli-inspired artwork. It is dubbed ‘Ghiblification’ and has captured the global imagination.&nbsp; But danger lurks.The playful trend masks serious hazards. Every image can be retained and repurposed as training data, jeopardising privacy and creating fresh pathways for<a href="https://archive.nepalitimes.com/article/nation/bal-mandir-rape-allegations,1495"> child sexual abuse</a> material, sextortion, bullying, and hate speech. A recent study by our ChildSafeNet with UNICEF Nepal on generative AI and <a href="https://nepalitimes.com/opinion/to-the-point/keeping-children-safe">child safety </a>reveals that over 60% of young people in Kathmandu have experimented with <a href="https://nepalitimes.com/here-now/kathmandu-valley-to-silicon-valley">generative AI</a>, often oblivious to the hidden costs. Every time a photograph is uploaded to create AI-generated artwork or submitted to an app like Dreamify, the user is giving away more than just pixels: they are entrusting their likeness, metadata, and private spaces to an opaque system. The image may be stored indefinitely and woven into the <a href="https://nepalitimes.com/opinion/people-power/nepal-as-an-ai-power-bank">AI model’s training data</a>.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2025042915040_4f5bcc3d8307c72a3b98db91adb69499ab1cb8831c8f06adec2089b4897a42d2.jpg" data-media-id="editor_6" data-image-id="2025042915040_4f5bcc3d8307c72a3b98db91adb69499ab1cb8831c8f06adec2089b4897a42d2" data-rendition-name="original" width="1024" height="1536" loading="lazy" alt="Ghiblification is more than cute pixels"> </figure>  Distinctive facial features, location metadata, or even background details can be memorised and later reproduced in outputs for other users, violating privacy and breaching confidentiality. Even heavily edited or filtered images can leave a digital fingerprint that sophisticated models can reproduce. OpenAI, the company that owns generative AI models like <a href="https://nepalitimes.com/banner/chatgpt-news-about-nepal">ChatGPT</a> and DALL·E, uses the images shared by users as training data to refine the model, unless the user opts out. However, the potential for misuse is great. Read also: <a href="https://nepalitimes.com/here-now/artificial-censorship">Artificial censorship</a>, Vishad Raj Onta Viral adoption of<a href="https://nepalitimes.com/multimedia/what-to-expect-from-ai-in-2024-ue5btyc7?amp=1"> AI-generated imagery</a> makes people inclined to upload personal images, including those of families and minors. These images contain rich personal information, and serve as a significant source of data for companies, allowing <a href="https://nepalitimes.com/here-now/digital-path-to-social-buffers-in-nepal">technology firms </a>to collect valuable insights into facial features,<a href="https://nepalitimes.com/banner/nepal-is-turning-into-a-nation-of-hybrid-identities"> social dynamics, and cultural nuances</a>.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2025042915040_b1d85cc2bc13f09acd35462a302a8e9f561d14aa3e3ba7528283d9214c3a9cce.jpg" data-media-id="editor_12" data-image-id="2025042915040_b1d85cc2bc13f09acd35462a302a8e9f561d14aa3e3ba7528283d9214c3a9cce" data-rendition-name="original" width="1536" height="1024" loading="lazy" alt="Ghiblification is more than cute pixels"> </figure>  “Such visually appealing images can be easily misused for generating seemingly credible imagery for <a href="https://nepalitimes.com/news/online-trolls-bots-snoopers-imperil-democracy">spreading misinformation </a>and reinforcing cultural stereotypes,” says computer scientist Dovan Rai with Body and Data. “Children are particularly vulnerable, as sexualised deepfake content can be generated with ease.” Most platforms that provide AI image-generation tools do not transparently disclose how they handle uploaded content. When children's photos are ingested, the model internalises these features, which can later resurface in contexts no one intended, creating an ethical time bomb. “Children’s likenesses could also appear in unexpected contexts, such as advertisements, <a href="https://nepalitimes.com/news/no-comment">memes, or controversial content</a>, all without their families' knowledge,” Rai warns. The Internet Watch Foundation recently identified over 3,500 AI-generated child sexual abuse material in one month on encrypted forums — some grotesque deepfakes superimposing children’s faces onto sexual content. While those examples were not in the Ghibli style, they demonstrate how any benign filter can be twisted into a tool for exploitation. On the other hand, AI tools have even begun to produce deepfake videos of child rape and torture by superimposing victims’ faces onto pornographic content. Such material can normalise sexual violence, facilitate grooming, enable sextortion, and serve as instruments of bullying and hate speech.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2025042915044_d5a12a9b45c04446c731e84b97042c259c2c16160dde783e8b78321ecd07283e.jpg" data-media-id="editor_15" data-image-id="2025042915044_d5a12a9b45c04446c731e84b97042c259c2c16160dde783e8b78321ecd07283e" data-rendition-name="original" width="1600" height="1265" loading="lazy" alt="Ghiblification is more than cute pixels"> </figure>  The risks associated with generative AI have already begun to emerge in countries like Nepal, says Superintendent Deepak Raj Awasthi at the Nepal Police Cyber Bureau. “We are investigating cases involving the use of AI-generated images and videos for defamation and the spread of misinformation, disinformation, and hate against teens and young people,” Awathi says. “We have also received complaints regarding AI-generated deepfake videos aimed at defaming politicians and celebrities.”&nbsp; Parents should be concerned about how AI-generated imagery may affect children’s safety as well as creativity. Over-reliance on AI tools could diminish traditional creative skills like drawing and painting, among others. Says Kabindra Napit of Smart Parents Nepal: “Parents must<a href="https://nepalitimes.com/news/educating-girls-to-break-cycle-of-poverty"> educate their children</a> about associated online risks and stay updated on emerging threats.” <h2>Tips to protect the young</h2>  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2025042915044_74cf15146be367c7d4f213c5b73896da525eb4d133ad8d2b5e0e58945048582d.jpg" data-media-id="editor_17" data-image-id="2025042915044_74cf15146be367c7d4f213c5b73896da525eb4d133ad8d2b5e0e58945048582d" data-rendition-name="original" width="1600" height="1463" loading="lazy" alt="Ghiblification is more than cute pixels"> </figure>  <h2> </h2> Safety-by-Design: Technology companies need to prioritise safety for children and vulnerable groups, from the very beginning of product and service development using the Safety-by-Design approach, developed by Australia’s eSafety Commissioner. Consent and Transparency: Every AI art application should provide clear disclosure that submitted images may be used as training data, offering users an easy option to opt out. Stronger Moderation: Technology companies must combine automated detection with human oversight to intercept and prevent the spread of harmful content, blocking any prompts or requests for sexualised imagery of minors and swiftly remove harmful content. Watermarking or ‘fingerprinting’ systems will help trace and block harmful AI-generated images. Legal Protection: Laws must criminalise the creation, distribution, and use of AI-generated child sexual abuse material, enhancing international collaboration will be crucial for tracking and prosecuting offenders. Multi-stakeholder Collaboration: Technology companies, law enforcement agencies, educators, and NGOs must collaborate to share knowledge and resources. Digital Literacy: Develop digital literacy skills among children so they can distinguish between fantasy art and reality, and recognise risks. Clear and confidential reporting channels must be established to report harmful content. Parental Support: Establish open and trusted communication with children about the potential dangers of AI is crucial. Parents and carers can also implement age-appropriate filters and monitoring tools to enhance safety. Support Services: Service providers need to provide child and young people-friendly counselling and legal support. Anil Raghuvanshi is the founder of <a href="http://www.childsafenet.org/">ChildSafeNet</a>. Reach out to him at <a href="mailto:anil.raghuvanshi@childsafenet.org">anil.raghuvanshi@childsafenet.org</a>

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Ghiblification is more than cute pixels

The bewildering speed with which generative artificial intelligence developed in just one year dominated the news in 2023. This set off both alarm and excitement: how <a href="https://nepalitimes.com/here-now/nepal-in-the-decade-of-ai">AI innovation</a> offers solutions to everyday chores, while taking us into dangerous new terrain. Geeks and tech freaks like me watched fascinated as AI applications accelerated in the past year. It was only in March 2023 that I got hooked into AI apps and wrote the front page report in Nepali Times titled Ayo AI. Last week, this paper carried an AI-assisted artwork by digital artist Ashim Shakya (pictured below), showing the enormous possibilities in enhancing existing creative processes.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20231223031244_c50108558fee57438989879fe5e8d7f4674979947cd989c8772c6b5cfb248c83.jpg" data-media-id="editor_1" data-image-id="20231223031244_c50108558fee57438989879fe5e8d7f4674979947cd989c8772c6b5cfb248c83" data-rendition-name="original" width="629" height="916" loading="lazy" alt="NT 1191"> </figure>  When I began to grasp AI knowhow, I never expected to continue using generative AI apps but was hooked into it. From Open <a href="https://nepalitimes.com/here-now/chatgpt-news-about-nepal">AI’s ChatGPT</a> 3.5 and two other image generators, I have now tried out over 1,000 apps. Even that is just a drop in the ocean of AI apps available today. &nbsp; In May, when <a href="https://nepalitimes.com/multimedia/ayo-ai">Ayo AI was featured in this paper</a>, there were about 640 AI apps. There were 10,842 relevant AIs to 9,000 tasks as we went to press on Thursday. It could impact 5,000 job sectors if these AIs are directly embedded into their workflows.&nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2023123003124_c7a93663335a91461f5e1cee7503dd13c06119e354a29ba282ace94a7837dc60.png" data-media-id="editor_4" data-image-id="2023123003124_c7a93663335a91461f5e1cee7503dd13c06119e354a29ba282ace94a7837dc60" data-rendition-name="original" width="752" height="1140" loading="lazy" alt="AI in Nepal"> </figure>  So far, there is no evidence of this happening yet. According to the world’s number one AI aggregator, ‘There is an AI for that’ among job holders, 98% of those impacted will be the communications managers and others in this sector. But that is just an opinion, not yet a fact. For content creators, 2023 has been a great year with generative AI app for almost every task. These can be done with just a few text prompts to generate ideas, stories, voiceovers, images, illustrations, websites, infographic designs, animations, music and videos.&nbsp; ChatGPT is no longer the dominant chatbot, but is still one of the best. It was my favourite until I started using Anthropic’s Claude-2 that was released in July. It gives 200,000 tokens, which means that we can upload large documents up to 75,000 words and have it summarised in bullet points simplifying the text. I could use it to synthesise this review, but am doing it the old fashioned way. &nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20231230021236_ee9a91549eee9027c52b23401f43642bbdc849cdcb188ab71db889240ce428ae.png" data-media-id="editor_5" data-image-id="20231230021236_ee9a91549eee9027c52b23401f43642bbdc849cdcb188ab71db889240ce428ae" data-rendition-name="original" width="2100" height="1500" loading="lazy" alt="AI in 2024"> <figcaption>High resolution AI-generated image of a Nepali child walking with baby rhino. The only problem is that AI didn't seem to be able to tell the difference between an Asiatic and African rhino. All prompts: NARESH NEWAR</figcaption> </figure>  <div class="embed-block"><iframe width="700" height="450" src="https://www.youtube.com/embed/EAbk6H0_Qb4?si=dpyFkgb84WpAopMD" title="YouTube video player" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" allowfullscreen></iframe></div> The biggest sensation is Gemini AI, considered the most capable AI model developed by Google DeepMind, able to communicate and generate human-like texts. Gemini Pro Vision can interpret any image through its image reasoning task, and has the ability to describe the image and write captions. Its most significant feature is to identify if a photograph or artwork is original or AI-generated. AI-powered image generators have advanced a lot and taken such a huge leap in creating realism in photos and art. Videos have advanced to another level. InVideo, for example, can produce a whole video with just a text prompt: from writing a complete script, a voiceover, and creating visuals selected from its 9 million video stock. A major milestone in generative AI is the Runway, which generates amazing visuals with just a text prompt.&nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20231230021240_46a18d9e0b1af7a67499b5d39a180688e0d887f91b8c096f7a2fde388b89c68d.jpg" data-media-id="editor_7" data-image-id="20231230021240_46a18d9e0b1af7a67499b5d39a180688e0d887f91b8c096f7a2fde388b89c68d" data-rendition-name="original" width="1344" height="896" loading="lazy" alt="AI in 2024"> <figcaption>Water colour of rural Nepal, showing how AIs now have perfected hues and textures without the need for colour correction.</figcaption> </figure>  Another new addition that could be Runway’s biggest competitor is Pika, its web-based version is now available but has a long waitlist. (I finally managed to get access after a two week wait.) It blew me away with its features: from text to video, video to video. And users can upscale the video, add duration, have out-painting, in-painting and a canvas feature. AI-generated music is also gaining momentum as part of the audio-generation tools and platforms and being hugely invested by some of the biggest tech companies. Suno AI is considered the best music app so far, and was started by a group of musicians in partnership with AI experts in Cambridge, Massachusetts.&nbsp; <div class="embed-block"><iframe width="700" height="450" src="https://www.youtube.com/embed/10p5ckFlnBU?si=2dIOLkpv0duXpVwS" title="YouTube video player" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" allowfullscreen></iframe></div> In December, it partnered with Microsoft, which has integrated Suno AI in its Copilot as a plugin. Facebook and Google are also partnering with other music companies to create their own AI music audio generation apps. AI is not hype anymore, it is a reality. This is the right time to be in the business. For content creators with technical knowledge and skills for design software like the Adobe products or Affinity, it enriches their work and makes them more productive, cost-effective and enhances inventiveness. Warning: it takes time to master the technique and perfect content.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20231230021240_7200af85f6f326a078b5c26c0c7e99c7a21528a263f8f74c987e54cb5fb5d038.png" data-media-id="editor_9" data-image-id="20231230021240_7200af85f6f326a078b5c26c0c7e99c7a21528a263f8f74c987e54cb5fb5d038" data-rendition-name="original" width="1024" height="1024" loading="lazy" alt="AI in 2024"> <figcaption>Snow leopard in the Nepal Himalaya.</figcaption> </figure>   <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20231230021244_401ddc826e5a58ae32e44079ef369bfd3c9f926a103eb6cae627858c5371ee10.png" data-media-id="editor_10" data-image-id="20231230021244_401ddc826e5a58ae32e44079ef369bfd3c9f926a103eb6cae627858c5371ee10" data-rendition-name="original" width="2100" height="1500" loading="lazy" alt="AI in 2024"> <figcaption>3D image of an animated frog. Now AIs can create super high resolution 3D animated images.</figcaption> </figure>  &nbsp;But AI-generated content is still not as lucrative as people have been led to believe. Customers still prefer original writing and art, photography or videos. YouTube, the biggest platform for creators, encourages original content. &nbsp; YouTube users are often critical of AI-generated content as they do not want to spend time watching fake content created with AI. I tried that once with my own YouTube channel and many wrote angry messages and they felt offended.&nbsp; So far, the only AI content that really sells well on YouTube is news about latest AI updates, videos with clickbait titles about how to generate income using AI, or those showcasing new AI apps, interviews with AI experts, and especially scaremongering news about AI destroying humanity. Instagram has been a popular platform for original and creative content creators and is now crowded with millions of them. However, their AI-generated content do not get as good a response as original posts.&nbsp; There is fear mongering about how AI could destroy the careers of people in the creative fields, but AI generative tools have not ruined professional content creators like the designers, content writers, photographers, videographers and paint artists.&nbsp; It is true that the evolution of the AI generative tools has been speeding up, and we can predict even more advanced generative AI apps. The age of content creation is here and AI apps may be commercially viable and socially acceptable if used ethically and with transparency.&nbsp; For hardworking creative professionals, technology transformation has never been a threat or a challenge to their artistic creations. This argument, or rather assumption, about generative AI being a threat is exaggerated. A lot of creative people have joined the AI revolution, enhancing their original pieces of artistic creations. &nbsp;&nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20231230021248_354194b90332a9d05ecca9ad294eb4b0030705f3f7c65b105e6e49bceffe9e4c.jpg" data-media-id="editor_11" data-image-id="20231230021248_354194b90332a9d05ecca9ad294eb4b0030705f3f7c65b105e6e49bceffe9e4c" data-rendition-name="original" width="1024" height="1024" loading="lazy" alt="AI in 2024"> <figcaption>Urban sketch of imaginary Asan bazar. AIs are now able to generate images relevant to local cultural context. Nepal is now largely in the AI datasets.</figcaption> </figure>   <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20231230021248_dc93e7c3e11ca13971cbc48cedf7248aa1ae2305c875e78abc5355ad7b6a9fd4.png" data-media-id="editor_12" data-image-id="20231230021248_dc93e7c3e11ca13971cbc48cedf7248aa1ae2305c875e78abc5355ad7b6a9fd4" data-rendition-name="original" width="2100" height="1500" loading="lazy" alt="AI in 2024"> <figcaption>Manga art of a young Nepali girl watching iceless mountain witnessing the impact of climate change. AIs have perfected generating digital painting.</figcaption> </figure>  &nbsp;

What to expect from AI in 2024

Architecture can be a powerful agent of change, shaping not just spaces but the way people live, connect, and experience the world.&nbsp; For Nepal, which is <a href="https://nepalitimes.com/banner/natures-fragile-gift-to-nepal">gifted by nature</a> and rich in <a href="https://archive.nepalitimes.com/article/Nepali-Times-Buzz/ambassador-fund-cultural-preservation-nepal,2092">cultural heritage</a>, &nbsp;reviving rural architecture with modern amenities could hold the key to more <a href="https://nepalitimes.com/here-now/what-sustainable-tourism-means-in-practice">sustainable tourism </a>that benefits local people more. “<a href="https://nepalitimes.com/banner/bayalpata-hospital-in-nepal-wins-global-design-award">Design and architecture</a> are amazing tools to create a unique experience for visitors,” says Spanish architect Tomeu Esteva of Esteva i Esteva Architecture Studio. “Difficult destinations have beautiful hotels with design and comfort.” Esteva was in Kathmandu with his colleagues at an event organised by the Spanish Honorary Consulate at Dwarika’s Hotel last week to showcase buildings which Nepali architects can adapt with local material and design inputs.&nbsp; Rural architecture holds a unique significance: it is more than a shelter and must reflect <a href="https://nepalitimes.com/here-now/inking-an-idenity">local identity, culture</a> and <a href="https://nepalitimes.com/here-now/saving-humla-from-heritage-loss">heritage</a>. An area’s natural and cultural harmony can be upset by <a href="https://nepalitimes.com/here-now/protecting-protected-areas-from-infrastructure?fbclid=IwAR1wK0MDFlFST_2EYb3f54LS4-fPt6rYfLG1DJ1JaQsU3w8-ezyXIxGOqzk">poorly planned development</a>, speakers at the event said, but the environment can be improved and revitalised by well-integrated structures.&nbsp; Another Spanish architect, Belen Moneo, has designed hotels at elevations of 3,700m in her home country Spain that supply natural spring water spas. “<a href="https://nepalitimes.com/banner/lost-in-reconstruction">Creativity in construction</a> must be encouraged. Rural architecture always shows possibilities of what we can do better,” Moneo explains, adding that designs must enhance <a href="https://nepalitimes.com/opinion/the-healing-power-of-nature">the beauty of nature</a> and give a natural feel at a time when steel, glass and cement dominate <a href="https://nepalitimes.com/here-now/rebuilding-kathmandu-after-the-1934-quake">urban design</a>.&nbsp; This is why the <a href="https://nepalitimes.com/here-now/weaving-nature-into-craft">use of natural products</a> such as bamboo, local timber, straw and rammed earth are in demand from customers who want a fresh eco-friendly look encouraged in construction of rural architectural structures. The demand for boutique hotels has increased world over, with &nbsp;more and more tourists favouring aesthetics, experience and comfort over price. While creativity is an important part of <a href="https://nepalitimes.com/here-now/architecture-for-mountains">construction and architecture</a>, incentives to build and use <a href="https://archive.nepalitimes.com/article/nation/Building,370">rural construction materials</a> still remain minimal, and Moneo emphasises the significance of design and execution.&nbsp; Esteva helped design the Vana Retreat in Dehradun that kept the natural environment in focus, with the structure giving an elaborate aesthetic experience to visitors. Another example is Hotel Las Mercedes in the Dominican Republic which was designed and constructed by Moneo and the company she co-founded Moneo Brock, respecting and revaluing the traditional architecture of the area. Hotels providing such experience could attract tourists and revenue. The Spanish ambassador to Nepal Juan Antonio March Pujol said, “The role of architecture and architects in developing tourism is crucial, not only in urban areas but rural settings as well.”&nbsp; The concept of rural boutique hotels gained traction in Spain during the 1990s, particularly in regions like Majorca with economic and environmental sustainability as the main focus. In Nepal <a href="https://nepalitimes.com/opinion/12-full-opinion/guiding-nepal-s-tourism-industry">the tourism industry</a> directly employs about 1 million people, and makes up about 8% of the country’s GDP. In Nepal, the stone homes of <a href="https://nepalitimes.com/news/reviving-himalayan-vulture-and-culture">Mustang and Manang</a>, bamboo and mud structures of <a href="https://nepalitimes.com/here-now/the-tarai-s-shrinking-forests">the Tarai</a>, and the Kathmandu Valley’s terra cotta tile skylines, graceful temples, and tranquil bahal courtyards are all examples of <a href="https://nepalitimes.com/here-now/nepal-s-traditional-seismic-resistant-designs">Nepal’s traditional architecture</a>.&nbsp; Nepali architect Sarosh Pradhan has been working for the past eight years on the Brakka Village project in Manang Valley north of <a href="https://nepalitimes.com/banner/municipalities-want-to-manage-annapurna">the Annapurnas</a>. Other examples of this kind of rural architecture for high-end tourism are the Shinta Mani Hotel in Mustang and Khumbu Lodge below <a href="https://nepalitimes.com/news/mt-everest-pvt-ltd">Mt Everest</a>. Says Pradhan, “There are places in Nepal that radiate purity and embrace simplicity. Creating projects in such settings require deep reflection and thoughtful planning.”  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250421030444_a07a23f6b60fa89c0f35b9dc1aaf19937da4881e6bfb2e1858f3c27dff91729f.jpg" data-media-id="editor_19" data-image-id="20250421030444_a07a23f6b60fa89c0f35b9dc1aaf19937da4881e6bfb2e1858f3c27dff91729f" data-rendition-name="original" width="4608" height="2184" loading="lazy" alt="A new architecture for Nepal's tourism"> </figure>  Rural architecture is not easy, and sometimes more expensive. Inflation, energy efficiency, <a href="https://nepalitimes.com/here-now/those-who-stay">the climate crisis</a>, and <a href="https://nepalitimes.com/banner/cost-of-living-in-a-big-city">increased costs of living</a> pose obstacles to sustainable rural architecture. Read also: <a href="https://nepalitimes.com/here-now/forgotten-international-starchitects-in-nepal">Forgotten international starchitects in Nepal</a>, Anne Feenstra and Varun S Bapu Esteva says faith and trust between client and architect is necessary for any project to be successful. He adds that architects must practice being humble, the process of designing always involves learning and not imposing their ideas on clients. Nepal is uniquely positioned for the growth of <a href="https://nepalitimes.com/banner/hiking-up-the-benefits-of-tourism">rural tourism</a> because of its stunning countryside as well as its internationally renowned traditions in holistic wellness. Creating infrastructure that is small, thoughtfully planned and that respects both tradition and contemporary hospitality standards is crucial. “Projects in Nepal can be made cost effective by using materials from houses that have been brought down,” says Esteva. “Pilot projects involving <a href="https://nepalitimes.com/banner/local-government-by-the-people-for-the-people-of-the-people">local people </a>and simple designing also helps the process.” <a href="https://nepalitimes.com/banner/vacant-homes-become-homestays-in-nepal">The growth of homestays in Nepal</a> is a step in the right direction, but they are still a bit too rustic for the international traveller who also wants comfort and is willing to pay extra for it. Upgrading the facilities in homestays and ensuring that the <a href="https://nepalitimes.com/here-now/an-archive-of-nepali-heritage">architectural heritage</a> of the locality is preserved using locally sourced building material could allow owners to charge more. Says Sangita Shrestha of Dwarika’s Hotel, “Our effort is to build upon rural architecture by empowering local communities and using what is available locally. We can fine tune and encourage indigenous design and training.” The vision goes beyond just boosting the economy, it is about building a future where tourism helps villages grow in a healthy and lasting way. Instead of using up resources, it gives back to the land and the people. It supports local communities by<a href="https://nepalitimes.com/opinion/staying-in-nepal-to-create-jobs"> creating jobs</a>, improving infrastructure, and protecting natural beauty. When done right, tourism can be a tool for <a href="https://nepalitimes.com/editorial/progress-and-or-preservation">preserving culture and nature</a>, not harming them. Architects must therefore see their work as more than just designing buildings, they also need to care deeply about people and places, especially in rural areas that can benefit the most.&nbsp; With global interest in sustainable and off-the-beaten-path travel increasing, Nepal stands at the cusp of a <a href="https://nepalitimes.com/news/missing-out-on-nepal-s-tourism-potential">tourism transformation</a> that values community-driven, eco-conscious hospitality. A mix of modern ideas and traditional knowledge could transform rural tourism in Nepal. Says Shrestha, “Young architects should spend time with <a href="https://nepalitimes.com/latest/the-unsung-heroes-of-conservation">local and indigenous communities</a>, listen to their stories, and learn from their <a href="https://nepalitimes.com/banner/life-and-livelihood-in-remote-nepal">ways of living</a>. These communities have deep knowledge about the land, materials, and climate. If this wisdom is used in new designs, it can help create tourism spaces that truly benefit everyone.” &nbsp;

A new architecture for Nepal's tourism

Extract from an addendum to Nepal's Two Wars, Chapter 2 in the updated edition of Essays on Nepal: Past and Present by Sam Cowan, a retired British Army general with a long association with the Gurkhas. The book was first published in 2018, and republished earlier this month by FinePrint exclusively on Amazon. The addendum details a one-to-one conversation the author had in the <a href="https://archive.nepalitimes.com/news.php?id=8884">Royal Palace </a>with the <a href="https://archive.nepalitimes.com/news.php?id=8371">King Gyanendra</a> in November 2002 just after he had taken his initial steps on the road that ultimately led to <a href="https://archive.nepalitimes.com/news.php?id=14681">the abolition of the monarchy</a> in Nepal in 2008. In the early evening of September 16, 2002, in my role as Colonel Commandant of the Brigade of Gurkhas, I had my second and last official audience with King Gyanendra to give him an update on the Brigade’s activities over the previous 12 months. I had some 6 or 7 such audiences with <a href="https://nepalitimes.com/here-now/preserving-king-birendra-s-family-home">King Birendra</a>.&nbsp; These were official affairs with the British ambassador of the day present, along with key <a href="https://archive.nepalitimes.com/news.php?id=12233">palace officials</a> and a representative from Nepal's Foreign Ministry. The two monarchs were very different in character and temperament, but both treated me with the utmost civility and made the audiences as relaxed and easy for me as possible.&nbsp; It is, however, worth recording that when the official business had been covered, King Birendra, with a twinkle in his eye, often ended by asking, “Now General, what’s the gossip in London?” The second audience with <a href="https://archive.nepalitimes.com/news.php?id=8026">King Gyanendra </a>was my last official act in uniform. We came back to Kathmandu in the first week of November (after treks) to stay for a few nights with our Defence Attaché before heading back to the UK. Waiting for me was a message from the Palace saying that King Gyanendra would like to meet me informally: <a href="https://archive.nepalitimes.com/news.php?id=6933">no uniform</a> and no ambassador.&nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250421080420_f9046f9882d4481781d14f2b64f18c7fbbea62562e1d74e3465de6d01fb43750.jpg" data-media-id="editor_7" data-image-id="20250421080420_f9046f9882d4481781d14f2b64f18c7fbbea62562e1d74e3465de6d01fb43750" data-rendition-name="original" width="1750" height="2406" loading="lazy" alt="Gyanendra crowned page 1"> <figcaption>Nepali Times Special Edition of 6-14 June 2001 with enthronement of Gyanendra. </figcaption> </figure>   <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250421080424_21333d6ae21828eb47fe3f849438d215fe2804460d47bb2896ef4aee4e895ad2.jpg" data-media-id="editor_8" data-image-id="20250421080424_21333d6ae21828eb47fe3f849438d215fe2804460d47bb2896ef4aee4e895ad2" data-rendition-name="original" width="1500" height="1857" loading="lazy" alt="Royal massacre"> <figcaption>Nepali Times 22-29 June 2001 covering the royal massacre after which Gyanendra became king. </figcaption> </figure>  Although I had no idea what the purpose of the meeting might be, events in Kathmandu since I last saw the king put me on edge. On October 4, 2002, Gyanendra had dismissed Prime Minister Sher Bahadur Deuba, allegedly for failing to hold <a href="https://nepalitimes.com/news/what-goes-on-in-nepal-s-elections">elections</a>. He had put in place a new prime minister and a cabinet personally selected by him. When I heard the news on my travels, the people I met were generally supportive of the king’s actions. There was a general view that something had to be done, the country was going nowhere, and the king deserved his chance, not least to solve<a href="https://nepalitimes.com/latest/14-years-after-conflict-no-closure-in-nepal"> the Maoist </a>problem. Back in Kathmandu, views were not so sanguine. The chosen prime minister, Lokendra Bahadur Chand, was a relic from <a href="https://nepalitimes.com/here-now/mob-movement-and-mayhem">the Panchayat period</a> whose party had failed to win a single seat in the last elections held in 1999. Some of the chosen cabinet ministers had, to put it mildly, dubious reputations, and others had no record of proven competence in any field. There was a fear that the king’s real motive in dismissing <a href="https://nepalitimes.com/editorial/deubas-denouement">Deuba</a> was to start to reverse the democratic gains made since 1990. I informed <a href="https://nepalitimes.com/news/nepal-britain-mark-centenary-of-1923-treaty">the British ambassador</a> about the invitation. He was strongly against accepting it, which was probably the clinching reason for my decision to do the polite thing and accept it. On the evening of November 7, 2002, I presented myself at the royal palace, alone and in civilian attire.&nbsp; As in the past, the Military Secretary, Major General Vivek Shah, met and escorted me into the presence of the monarch. This time, however, he was politely asked to leave the room and shut the door behind him. King Gyanendra greeted me warmly and invited me to sit down.&nbsp; Read also:<a href="https://nepalitimes.com/news/the-ghost-of-monarchy-returns-to-haunt-nepal"> The ghost of monarchy returns to haunt Nepal</a>, Shristi Karki  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250421080424_e382af945d0ad2a04ae41fabe5393f793dd10f54cb1220f111c7c9e7423eb558.jpg" data-media-id="editor_15" data-image-id="20250421080424_e382af945d0ad2a04ae41fabe5393f793dd10f54cb1220f111c7c9e7423eb558" data-rendition-name="original" width="1000" height="993" loading="lazy" alt="Gyanendra coup"> <figcaption>Nepali Times 4-10 February 2005 after king Gyanendra's coup imposed media censorship. anendra became king. </figcaption> </figure>  I had wondered, and to be truthful, had worried, not just about the purpose of the meeting, but about how the conversation might start and develop. I reduced my resolve to two points: be polite but speak candidly. The latter resolve was quickly put to the test with the king’s opening words: “Sam, [in previous meetings it had been ‘General’, you walk the highways and byways of this land more than most, tell me what the common man is thinking?” &nbsp;“Your Majesty, I have no idea what they are thinking, but they are waiting.” “Waiting?” “Yes, Your Majesty, they are waiting to see whether what you did some weeks ago in appointing your own prime minister and cabinet ministers is going to make any difference to their lives or whether it is just going to be more Kathmandu hot air.” “Everything is going to be difficult and is going to take time, a lot of time.” “Your Majesty, time is the one thing you don’t have. You must act quickly and decisively to take advantage of the opportunity you have created. Everyone knows that you have appointed these new ministers. Why don’t you get them in here one by one and tell them that they have three months to deliver a programme in their area of responsibility that is going to make a difference to people’s lives? Most will fail to do so. Sack them! It will be a powerful signal of your strong intent to deliver real change.” I can express the opening of our conversation in this way because just about every word is still etched in my mind. The king’s response to my last quoted words was to challenge me to give an example of something that could be delivered quickly. I can give a verbatim record of what I said in response to this unexpected challenge: “Health posts, Your Majesty, there is no shortage of them throughout the country as building them has been one of the sources of local corruption, but very few have any medicine to issue at present or have skilled people to assess and meet medical needs. Your Majesty, children are dying for lack of a few pills. Given the right priority, over a period, say of six months, every health post could be fully stocked with medicine and manned with trained people. This is something I could help to lead for you as I know it would have strong international backing. At last, people would know that you mean business.” As I warmed to the theme, I could see no sign of the king having any enthusiasm for the idea, and I quickly disengaged as it dawned on me, as it had clearly dawned on the king, that the reason for the deficiencies in health posts was to prevent any Maoist combatant from gaining access to any <a href="https://nepalitimes.com/opinion/tech-away/nepal-s-health-tech-industry-is-here-to-stay">medical support</a>, and if this meant people suffering, so be it. The subject of the Maoist insurgency inevitably came up, and I took the opportunity to elaborate on what is written in the final four paragraphs of the article above. I advised King Gyanendra that, self-evidently, since there were three parties in the conflict—him, the Maoists, and the political parties—it was imperative that he form an alliance with one of them, preferably the political parties; otherwise, he would find himself isolated, as the other two parties would inevitably, at some stage, form their own alliance. However, it quickly became apparent that the king’s mind was on a totally different track. On the Maoists, he told me that he had channels open to them, but he was scathing about the political party leaders. He made it clear that they would be waiting for a very long time before he gave any power back to them, and that is a polite way of expressing the actual words he used, but “crawling through the door” is a phrase which has stuck in my mind.&nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250421080424_5403455ff6168f0d202a96cb53edea69136d74d59b989cfcc7cc4a1d57672cb5.jpg" data-media-id="editor_17" data-image-id="20250421080424_5403455ff6168f0d202a96cb53edea69136d74d59b989cfcc7cc4a1d57672cb5" data-rendition-name="original" width="2000" height="1317" loading="lazy" alt="fall of monarchy"> <figcaption>Nepali Times 28 April-3 May 2005 with cover image by Ajay Joshi of jubilant protesters after street demonstrations sidelined king Gyanendra, paving the way for a ceasfire and restoration of democracy. </figcaption> </figure>  As the conversation developed, it became ever clearer that King Gyanendra had decided to go in alone, relying on the misleading assurances he was constantly receiving from <a href="https://archive.nepalitimes.com/news.php?id=14954">the army</a>, and no doubt his close advisers, that the Maoists could and would be quickly defeated militarily, and taken out of the equation. This would obviate the need for him to do any deal with the political parties.&nbsp; Thus, the way would be clear for him to establish a version of his father’s Panchayat system, under a constitution that would be granted to the people by him, their sovereign, as his father and brother had done in 1962 and 1990. As in those constitutions, ultimate power would have remained in the sovereign’s hands. This proposed direction of travel was very clear from what the king said to me. In sum, King Gyanendra was motivated by a desire to emulate his immediate predecessors by granting his people a constitution that would restore his father’s Panchayat system in a modern form and give him a central role in decision-making. What was particularly dispiriting was that beyond this single objective he had no plan worthy of the name, nor demonstrably did he have the people with the skills to implement an appropriate plan even if one had existed. Crucially and depressingly, there was little or no indication from the king that he realised that such a course of action could put Nepal’s monarchy into serious jeopardy, as indeed proved to be the case. <h2>King Twice</h2>  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250420110436_315d519fe3d68d2406ebe1480fed54720fbf21b8907a4da5cde751fdc623d445.jpg" data-media-id="editor_19" data-image-id="20250420110436_315d519fe3d68d2406ebe1480fed54720fbf21b8907a4da5cde751fdc623d445" data-rendition-name="original" width="1302" height="632" loading="lazy" alt="“Tell me what the common man is thinking!”"> </figure>  <a href="https://archive.nepalitimes.com/news.php?id=8371">Gyanendra Bir Bikram Shah has been king twice</a>. In 1950 he was enthroned briefly as a child king (left, above) by the Rana Prime Minister Mohan Shumsher when his grandfather, King Tribhuvan, fled to exile in India. In 2001 he was crowned king again after the massacre in the royal palace in which his brother King Birendra and nine other members of his family were killed by Crown Prince Dipendra.&nbsp; During his second reign, Gyanendra gradually asserted power by sacking Prime Minister Sher Bahadur Deuba in 2002, and then taking full control after the 1 February 2005 coup. He was sidelined after the ceasefire in April 2006, and became a commoner after the Constituent Assembly finally <a href="https://archive.nepalitimes.com/article/from-nepali-press/Ftnp-abolishing,624">abolished the monarchy in 2008</a>. In the past year, Gyanendra has tried to exploit public dissatisfaction with the political parties to restore the monarchy.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250421080432_26ef4a4b0e3cee9fdc6794446702efe16550d293904b4f6dd46fe35d4d10c788.jpg" data-media-id="editor_22" data-image-id="20250421080432_26ef4a4b0e3cee9fdc6794446702efe16550d293904b4f6dd46fe35d4d10c788" data-rendition-name="original" width="1136" height="702" loading="lazy" alt="Essays on Nepal by Sam Cowen"> </figure>

“Tell me what the common man is thinking!”

He had just sat down for lunch after tending the garden at his house in Lagan Tole on 25 April 2015 when the ground began to shake violently. &nbsp; Gautam Nepal, 56 at the time, realised it was an earthquake. He panicked at the thought of his neighbours' multi-storied buildings toppling on top of his modest one-storey house. He rushed out as the high-rises swayed and groaned. “We were used to earthquakes, moderate ones are a regular occurrence in Kathmandu, but I had never felt fear like I felt on that day,” recalls Gautam. “My house proved strong, it did not collapse.”  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250419040440_82a74881218223df70e30eb1759cd3a7c9edbb7728acef83c3f8b397d6e6dfe9.jpg" data-media-id="editor_0" data-image-id="20250419040440_82a74881218223df70e30eb1759cd3a7c9edbb7728acef83c3f8b397d6e6dfe9" data-rendition-name="original" width="1737" height="1000" loading="lazy" alt="Loss of soul and soil NT"> <figcaption>LAGAN TOLE'S TOLL: Lagan Tole photographed by tour guide Neil S Rawlins during his travel to Kathmandu in February 1970.</figcaption> </figure>   <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250419040448_90914720a75b7d31a12bc27f0c0af9484a5e5efc7dd797dc6bcd190fc28ecdcb.jpg" data-media-id="editor_1" data-image-id="20250419040448_90914720a75b7d31a12bc27f0c0af9484a5e5efc7dd797dc6bcd190fc28ecdcb" data-rendition-name="original" width="1500" height="1004" loading="lazy" alt="Loss of soul and soil NT"> <figcaption>Lagan Tole photographed by Neils Gutschow in 1992.</figcaption> </figure>   <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250419040440_9a4dd35b070949949bfe275eff8216dd29f88f74a30b063dc614845226f68f03.jpg" data-media-id="editor_2" data-image-id="20250419040440_9a4dd35b070949949bfe275eff8216dd29f88f74a30b063dc614845226f68f03" data-rendition-name="original" width="1501" height="1000" loading="lazy" alt="Loss of soul and soil NT"> <figcaption>Lagan Tole in 2025.</figcaption> </figure>  Other residents of Lagan who also live in traditional low rise houses had the same fear. Tara Nepali, then 48, was doing the washing that Saturday.&nbsp; She recalls, “When my house began to shake, I could only think about the bigger buildings falling on top of me. I was sure my house would collapse, but to my surprise, it survived, and so did we.”  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250419040440_2b4b1ec427d9aec5980021b97b25ca3164d5f79337f113ba02b1d802f71b7cad.jpg" data-media-id="editor_3" data-image-id="20250419040440_2b4b1ec427d9aec5980021b97b25ca3164d5f79337f113ba02b1d802f71b7cad" data-rendition-name="original" width="1500" height="1000" loading="lazy" alt="Loss of soul and soil NT"> <figcaption>Gautam Nepali in front of his one-storey Lagan home, where he had been having lunch just before the earthquake struck 10 years ago.</figcaption> </figure>   <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250419040436_6f8a7057bbd269214712076e13117b665165e03a0351db0e3666aee05e91f63c.jpg" data-media-id="editor_4" data-image-id="20250419040436_6f8a7057bbd269214712076e13117b665165e03a0351db0e3666aee05e91f63c" data-rendition-name="original" width="1500" height="1000" loading="lazy" alt="Loss of soul and soil NT"> <figcaption>Tara Nepali in front of her house in Lagan. She was doing the washing during the earthquake in 2015.</figcaption> </figure>  But Buddha Khadgi, 68, was not so lucky. His was one of the few houses in the neighbourhood to be reduced to rubble. His lifelong collection of photographic prints were buried, and so were the traditional Newari musical instruments passed down through generations of his family that he used to give music lessons.&nbsp; “I lost the things that connected me to my roots and my heritage. That was infinitely more heartbreaking than the fact that my house was gone,” says Khadgi, now living in a new cement structure.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250419040436_58f4a8ee4eb740536c69096a4d8c0cd2007fdbcc4ef56551ff460d2ef0ef6f2b.jpg" data-media-id="editor_5" data-image-id="20250419040436_58f4a8ee4eb740536c69096a4d8c0cd2007fdbcc4ef56551ff460d2ef0ef6f2b" data-rendition-name="original" width="2496" height="1671" loading="lazy" alt="Loss of soul and soil NT"> <figcaption>Lagan's Maka Galli some decades ago. Photo: SHREE RAM NEPALI</figcaption> </figure>   <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250419040440_6b2bacaf0a1e93b441aff8093b343836d6de0b44d7b29f9b758209845f675bff.jpg" data-media-id="editor_6" data-image-id="20250419040440_6b2bacaf0a1e93b441aff8093b343836d6de0b44d7b29f9b758209845f675bff" data-rendition-name="original" width="1000" height="1500" loading="lazy" alt="Loss of soul and soil NT"> <figcaption>Lagan's Maka Galli in 2025. The neighbourhood's old Newari houses have been replaced by concrete structures, although the falcha has been rebuilt in traditional style.</figcaption> </figure>  Lagan Tole in Kathmandu's historic heart emerged relatively unscathed from the earthquake in large part because, like in nearby Asan, the buildings are densely packed and lean on each other. But in the years after the earthquake, urban pressure and fear of future quakes have made families tear down their traditional houses with sloping tile roofs and replace them with concrete structures.&nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250419040440_25983e79dc88388cb370b16f7f631e4c276cfc997ffa1f9ce3701e40c876b355.jpg" data-media-id="editor_7" data-image-id="20250419040440_25983e79dc88388cb370b16f7f631e4c276cfc997ffa1f9ce3701e40c876b355" data-rendition-name="original" width="1500" height="1000" loading="lazy" alt="Loss of soul and soil NT"> <figcaption>Glimpses of present-day Lagan.</figcaption> </figure>   <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250419040440_9a6a88df8815352a452895c43840a898d4b6c080b79562383306c0cfe8bcd952.jpg" data-media-id="editor_8" data-image-id="20250419040440_9a6a88df8815352a452895c43840a898d4b6c080b79562383306c0cfe8bcd952" data-rendition-name="original" width="1000" height="1500" loading="lazy" alt="Loss of soul and soil NT"> </figure>   <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250419040440_a348b974bd3a5e76d0bf9b309f98813556d43dd6c361856c67e79c03d4283e69.jpg" data-media-id="editor_9" data-image-id="20250419040440_a348b974bd3a5e76d0bf9b309f98813556d43dd6c361856c67e79c03d4283e69" data-rendition-name="original" width="1500" height="1000" loading="lazy" alt="Loss of soul and soil NT"> </figure>  Lagan’s longtime residents, especially the elderly whose families have lived here for generations, say that the neighbourhood with its characterless new tall cement boxes is no longer familiar to them. “We used to say that our houses are not supposed to be taller than temples, the houses of our gods,” says Gautam. “Now, the houses here dwarf the temples and even the chariot of Seto Machindranath.”  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250419040440_88d18ce580abaf9e62fd807403f2e3c9a5bd8972d3b32bdacb97d8991c7fec35.jpg" data-media-id="editor_10" data-image-id="20250419040440_88d18ce580abaf9e62fd807403f2e3c9a5bd8972d3b32bdacb97d8991c7fec35" data-rendition-name="original" width="1041" height="1441" loading="lazy" alt="Loss of soul and soil NT"> <figcaption>The Seto Machindranath procession at Lagan on 10 April 1998, during which the chariot caught fire. Photo: SOCIAL MEDIA</figcaption> </figure>   <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250419040440_c403f91f9a48c14eaaeed2d38a2cb97714416765730b6d12f29487f9b0f47e83.jpg" data-media-id="editor_11" data-image-id="20250419040440_c403f91f9a48c14eaaeed2d38a2cb97714416765730b6d12f29487f9b0f47e83" data-rendition-name="original" width="1500" height="1000" loading="lazy" alt="Loss of soul and soil NT"> <figcaption>The Seto Machindranath procession at Lagan earlier this month.</figcaption> </figure>  &nbsp;The old baha courtyards, falcha resting places, and open spaces where Lagan’s residents used to grow vegetables and gather as a community are nearly all gone. And the taller the houses get, residents say they feel less anchored to the soil. Lagan has also lost its soul -- the community spirit is eroding as elderly neighbours rarely venture down to meet each other in the evenings. &nbsp; “This no longer feels like the tole I grew up in,” says a resident. “We are beginning to lose the relationships we had with each other as a community, and with it, the spirit of Lagan.”&nbsp;

Loss of soul and soil

“It's Kathmandu.” Just as the family was sitting down for one of its extended lunches, that jubilant cry was from François Driard’s grandfather announcing the next posting for his diplomat parents.&nbsp; Driard (pictured) was 18 in the summer of 1996,<a href="https://nepalitimes.com/opinion/suburban-tales/chasing-a-nomad"> a bit of a hippie</a> already, and his life was about to change forever with the magical word “<a href="https://nepalitimes.com/banner/time-capsule-of-kathmandu">Kathmandu</a>”. “I was awed with that information from my grandfather, nothing else mattered … In France <a href="https://nepalitimes.com/here-now/tales-of-courage-and-suffering-cx95f89e">in the 1990s</a>, Kathmandu had a mythical aura,” Driard recalls. He came to Kathmandu for Christmas that year to visit his stepfather, the French Ambassador Michel Lummaux. It was to be the first of many visits during school holidays, before he decided to permanently settle down in Nepal. “Kathmandu, and Nepal, were very different then, it was magical, I liked the nature, the people, civilisation, temples, trees,” says Driard, who explored the country sitting on the top of buses. “Visitors talk about the crazy <a href="https://nepalitimes.com/banner/cost-of-living-in-a-big-city">urbanisation</a>, traffic jams today, and all that is true. But Kathmandu has not <a href="https://nepalitimes.com/here-now/loss-of-soul-and-soil">lost its soul</a>.” After his stepfather’s tenure in Nepal ended, Driard worked as a business reporter for international publications but decided he did not want to be anyone’s employee anymore. In 2007 he landed in Kathmandu with €20,000 in savings to invest.&nbsp; He knew a few crucial things about himself: he liked food and nature, which is very much tied up with his upbringing--full of lively conversations during lunch and dinner at the family table between <a href="https://nepalitimes.com/here-now/nepals-yak-cheese-is-on-world-map">abundant cheese, wine and cigars</a>. So he decided it would be cheese, and registered Himalayan French Cheese and went to the French Alps for a month to learn how to make Tomme de Savoie. “<a href="https://nepalitimes.com/banner/the-story-of-langtang-cheese">Cheese making is such an ancient craft </a>and so I thought I won’t need much money or studying which I hated and indeed, if you have a tamako bhado and fire you are set,” explains Driard. But Nepal’s temperature and humidity were not ideal, even at higher altitudes. The first customers for his cheese were the Hyatt Regency and Nina and Hager. But he needed to create a market for cheese in a country which only knew hard churpi in the north and soft paneer in the south. He started selling his cheeses at the Summit Hotel weekend market, expanding to his own 1905 Farmer’s Market which later moved to Le Sherpa in Maharajganj, where it is now, and also a market at Labim Mall in Pulchok. He had cow dairies in Nuwakot and Dhulikhel, and finally a yak cheese unit at 3,379m in Ramechhap. It was the yak blue cheese from here that went on to win a Gold Medal in France, putting Nepal’s French cheese on the world map. “People come and try our cheese at the market, they ask questions. There is a lot of education to be done about cheese,” adds Driard, who also has three cheese shops in the Valley. Driard now makes 25 types of cheese. The products are being noticed and every year he has French students coming to Nepal to learn the art of yak cheese making. “In France, one family or company makes one kind of cheese for generations. In that I’m very unique as a cheese artisan,” he says. “The students come in to learn but I tell them to also teach us something too, add another cheese to my collection.” Read also: <a href="https://nepalitimes.com/here-now/langtang-after-10-years">Langtang after 10 years</a>, Sonia Awale Being a foodie, Driard is now also dabbling in meat with his own charcuterie at Meatini with bacon, ham, sausage and pâtés. All of this is now served at his Emilio’s Pizza, a leafy hideaway in Lazimpat. His South Side in Moksh is probably the smallest wine bar in the world. “I call the process sublime,” says Driard of his ventures, which have grown organically. “You need the same temperature and humidity of 12°C and 80% for cheese, meat and wine.” Emilio’s speciality is the eight-cheese pizza (which has eight types of cheeses), and a pizza with bhutan topping (not the country but fried intestines and organs Nepali-style). He has opened a small branch at Courtyard in Pokhara.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250426070456_bacae302c040dc18eeecdeafda72ddf06a6d2cec138ea9be7e45fe94cdf8b5b3.jpg" data-media-id="editor_8" data-image-id="20250426070456_bacae302c040dc18eeecdeafda72ddf06a6d2cec138ea9be7e45fe94cdf8b5b3" data-rendition-name="original" width="1500" height="1125" loading="lazy" alt="8 cheese pizza"> <figcaption>Eight-cheese pizza</figcaption> </figure>  With two artisanal cheese units, two farmers’ markets, a <a href="https://nepalitimes.com/here-now/the-meat-of-the-story">meat processing unit</a>, a bakery, and wine bar he now envisions a vineyard so he can add Nepali wine to his repertoire. Another future plan is to start up an agri-tourism business where customers can drink, eat and work in peace. In the past 20 years in Nepal, Driard has not always succeeded in his ventures but this hasn’t curbed his enthusiasm. He is learning as he goes, and like an old wine, Nepal is growing on him. Its slowness suits his French art de vivre with eating slowly outdoors, having conversation, importing less.&nbsp; “I have proven that with even a little money you can do a lot of things in Nepal,” adds Driard. “In the West, they easily invest half a million euros on a cheese factory, I invested 10 times less.”&nbsp;

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