Between Dasain rites and Tihar lights, the 21st edition of Surya Nepal Jazzmandu ended with a hearty deusi jam session at The Malla Hotel on Wednesday. The festival began last week with a concert for a lively young crowd at St Xavier’s School. Across town, the first bassline dropped at Jazz Upstairs with an impromptu ensemble as dusk fell over the city.&nbsp; Over the intervening days, Jazzmanduites faced a delightful dilemma of choosing between a lineup of intimate venues, each sending waves of music across the valley.&nbsp; “Because of the unrest, audiences from all over the world were inquiring and waiting for Jazzmandu,” said Navin Chettri, drummer of Cadenza Collective and co-founder of Jazzmandu. “The fact that they came was a testament to the power of music, and spoke of Nepal’s resilience.” German artist Leona Berlin’s R&amp;B was the one to watch, while cymbals echoed during the Swiss quartet mohs. set with Nu Jazz and neo-soul. The enthralling and soulful ragas from Jonisha Poudel rose over Patan’s brick courtyard as the sax joined in celebration. “Jazz was born from struggle and social unrest – and what emerged was something beautiful. In times like these, that spirit is something we can all aspire to,” said Jason Amirhadji, a first-time visitor to Nepal. Femke Smit and Mike Del Ferro from the Netherlands infused the air with the colourful, flowing spirit of Brazilian music. With Smit’s voice and Del Ferro on the piano, the audience was swaying to the music.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20251017101044_387ec0041807e1fb237094607394533a0f0f940e297c56abf994cd3657ba9b06.jpg" data-media-id="editor_0" data-image-id="20251017101044_387ec0041807e1fb237094607394533a0f0f940e297c56abf994cd3657ba9b06" data-rendition-name="original" width="1500" height="998" loading="lazy" alt="Jazzmandu 2025 NT 1"> <figcaption>Nick Aggs. Photo: LOCHAN GYAWALI</figcaption> </figure>   <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20251017101044_5178d79872a2495b486e3933f19e29ea3ab2538ae3ce50ca6f7117b73646f5a4.jpg" data-media-id="editor_1" data-image-id="20251017101044_5178d79872a2495b486e3933f19e29ea3ab2538ae3ce50ca6f7117b73646f5a4" data-rendition-name="original" width="1500" height="844" loading="lazy" alt="Femke Smit"> <figcaption>Femke Smit. Photo: ADITYA KHARE</figcaption> </figure>  “This is a synthesis between Nepali folk music and international jazz,” explained flautist Roshan Putwar before hopping on stage to play a soulful set. Putwar has researched Dāphā music and performed across the world. For the past weeks, the city’s pulse has been political: streets echoing with demands for change, there are still aftershocks of the upheaval that left the city weary and voices raw. And in the evenings, jazz acts too resonated with a quiet defiance. Musicians bent notes in response to the disquiet, and the audience imbibed it with eyes closed. “It takes great courage to come to Nepal after what happened and with the artists’ support we are able to revive unity and healing through music,” says festival co-organiser Samir Chettri, bassist of Cadenza Collective. “Music heals, and this festival brought positivity and peace among all.” The Cadenza Collective shared the stage with Australian saxophonist and composer Nick Aggs, a Brisbane native and member of the fusion group Afro Dizzi Act in a mix called Afrodenza.&nbsp; “It’s a privilege to play with musicians all over the world, especially with Cadenza because I’ve known the boys since 1999,” said Aggs.&nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20251017101048_944c4fb4be1d7d33cb7979ae57ccbb084d9eafffc4a48fa8690802049dcdf74a.jpg" data-media-id="editor_2" data-image-id="20251017101048_944c4fb4be1d7d33cb7979ae57ccbb084d9eafffc4a48fa8690802049dcdf74a" data-rendition-name="original" width="1500" height="844" loading="lazy" alt="Jazzmandu 2025"> </figure>   <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20251017101048_a903986ea8a49881f5d94c05a23141db4800e11d6121afb0ece354feabb9bf9c.jpg" data-media-id="editor_3" data-image-id="20251017101048_a903986ea8a49881f5d94c05a23141db4800e11d6121afb0ece354feabb9bf9c" data-rendition-name="original" width="1500" height="844" loading="lazy" alt="Jazzmandu 2025"> </figure>  On Saturday, musicians and fans gathered for an open-sky Jazz Bazaar at Gokarna Forest Resort. Brazilian singer and composer Catia Werneck’s quartet got the audience on its feet to their bossa nova and samba tunes. “It’s the highest music festival in the world,” Werneck beamed. Every solo, every exchange between tabla and drums, sounded the amalgamation of east and the west here at the heart of Nepal. On Tuesday, the audience clapped and danced as a mix of artists performed songs like ‘Blues Selo’ and ‘Shiva’s Dance’, at Yalamaya Kendra in Patan. There were jazz fans who came to Kathmandu just for the music, like Namrata Raju from India. She said: “This was our second Jazzmandu. The artists were thoughtfully curated. There were people from all over the world, and the festival sets an example of music, peace and cultural appreciation”&nbsp; Chethana Salian from Oman agreed: “This is my first time at Jazzmandu, and what a fabulous way to let your hair down with some foot-tapping music. Added a bunch of the artists to my morning playlist, especially Cadenza Collective.” &nbsp; Cadenza’s Navin Chhetri sipped his beer, satisfied at the success of the festival: “Jazzmandu is becoming a tourism draw for musicians and audiences alike.”  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20251017101052_b4d1d7ff25f9c97c06f34916c6555a1ce5ccf415d3e7610d9ae6402e477b7bfe.jpg" data-media-id="editor_4" data-image-id="20251017101052_b4d1d7ff25f9c97c06f34916c6555a1ce5ccf415d3e7610d9ae6402e477b7bfe" data-rendition-name="original" width="1500" height="844" loading="lazy" alt="Jazzmandu 2025"> </figure>  The Samundra band representing Nepal’s Gandharva community opened the finale with rousing Tihar songs played on sarangi, flute and madal. Joelle Loretan from Switzerland, another first-timer in Nepal, spoke of the positivity of Nepalis: “The people here are so welcoming and in good spirits despite what they have been through.” &nbsp;

original

674x448

610x380

500x500

400x266

400x240

400x203

301x200

1250x600

1084x550

thumbnail

viewImage

The healing power of music

<img width="1024" height="684" src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221107171120/636930319c7e80680e03c0e6jpeg.jpg" alt=""/>When the Jazzmandu music festival was first held in Kathmandu in 2002, very few in Nepal had heard of jazz. The annual festival turns 16 this year, and will once again entertain music lovers between the Dasain and Tihar festivals. This year, six international bands  will be performing in various venues across Kathmandu from 1-6 November: DACH, Nick’s Cousins, Groove Gang, Adrien Brandeis Quintet, Eduardo Mendonca, and Cynthia Abraham.Jazzmandu put Nepal on the world jazz map, and brought jazz to Nepalis. While there were only a handful of jazz musicians 16 years ago, youngsters queue up to learn it at the Kathmandu Jazz Conservatory today. Like jazz music elsewhere, Nepali jazz also has a distinctive identity.Read also: <a href="http://archive.nepalitimes.com/article/Nepali-Times-Buzz/jazzing-up-in-kathmandu,3316">Jazz it up 'Mandu</a>, Sahina Shrestha<a href="https://archive.nepalitimes.com/article/Nepali-Times-Buzz/jazz-comes-to-town,2670">Fuel up on Jazz</a>, Madeline Zutt“Jazz is popular because it  revels in improvisation, it sounds different in each place,” explains Samir Chhetri, one of the festival organisers and member of Cadenza, Nepal’s first jazz band. “In jazz there are no rules and there is much improvisation. It is more like a conversation.”Indeed, Nepali jazz has many elements from traditional and folk Nepali music, from instruments to melodies, making Nepali jazz unique. Meanwhile, Jazzmandu infuses new styles and trends every year into the local jazz scene. It does not just bring in outside musicians, but also showcases Nepal’s best jazz so that it is a two-way exchange. Four Nepali bands will be performing this year: Cadenza which also organises the festival, Abhishek and Maria who teach and perform jazz in Nepal, Project Sarangi that aims to revive traditional Nepali music, and Rabin Lal Shrestha duo for a dash of melodious Eastern Classical.Read also:<a href="http://archive.nepalitimes.com/news.php?id=19731#.W9KteHszbIV"> Jazzy 10th birthday</a><a href="http://archive.nepalitimes.com/news.php?id=4306#.W9Ktg3szbIV">All that Jazz</a> <figure><img width="1400" height="844" src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221107171120/636930349c7e80680e03c0e7jpeg.jpg" alt=""><figcaption> </figcaption></figure><a href="https://nickscousins.bandcamp.com/">Nick’s Cousins</a> [USA]Nick’s cousins plays Avant-Garde Jazz with a rock punch, aggressive and exploratory, with a strong sense of melody. Their music is mostly written by the saxophone player Matty Harris. They are excited to be in Nepal, to see the homeland of their drummer Kismat Shrestha, and for lots of momos…The essence of jazz: “Jazz is freedom, a musical adventure without boundaries. There are many incredible artists creating new ways to present musical ideas in current times. There is a great variety of experimental music, and we appreciate and learn from everything we hear.<a href="http://www.showbrazil.com/">Eduardo Mendonca</a> [Brazil]Mendonca’s originals are a blend of Brazilian rhythms, but he also plays Brazilian standard tunes, and music from other parts of the world with a Brazilian twang. He hopes to increase his affection and respect for Nepali culture, and to recharge his soul with love and gratitude.The roots of jazz: "Jazz takes me to African-American music as a root. It is the African diaspora flourishing in New Orleans and expanding to the world. It is a bridge that connects people by ignoring divides. Jazz is attention, creativity, movement, and FUN!” <img width="640" height="749" src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221107171120/636930379c7e80680e03c0e8jpeg.jpg" alt=""><img width="640" height="440" src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221107171120/6369303a9c7e80680e03c0e9jpeg.jpg" alt=""><a href="http://davidsix.com/">DACH</a> [Austria]DACH members come from diverse backgrounds: Western Classical, Jazz, Austrian &amp; Ukrainian Folk, Balkan, Indian Classical Music. Their jazz is nourished by European roots. They like to never perform a music the same way twice. They hope to make people smile, cry, and bang their heads to music.What jazz is today: “Jazz is a worldwide phenomenon with innovative people pushing possibilities forward. Sometimes the different scenes do not mix, but it is a (not too) big family that we are proud to be a part of. Sadly, it lacks female players, missing a huge creative potential<a href="https://www.adrienbrandeis.com/">Adrien Brandeis</a> Quintet  [France]Adrien Brandeis started his musical career in 2010 and created his quintet in 2015 revelling in various influences like Cuban, Brazilian, Caribbean, and African music. It is the band’s first time in Nepal, and the members are excited to discover a new culture and incorporate new elements in their playing.What jazz means: “Jazz means liberty, because of the improvisation, and because you can express yourself differently every day, depending your mood. Jazz also means sharing, because it is so interactive between the musician and audience.” <img width="640" height="480" src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221107171120/6369303d9c7e80680e03c0eajpeg.jpg" alt=""><img width="1400" height="606" src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221107171120/636930409c7e80680e03c0ebjpeg.jpg" alt=""><a href="https://thegroovegang.com/">Dave Feusi &amp; Groove Gang</a> [Switzerland]Groove gang plays a mixture of Jazz, Funk, Soul and World Music. For its members, jazz has many faces which can reach out to people who do not care about stylistic definitions. They look forward to seeing different angles of life in Nepal, and to give lots of love and music for their heart.The legacy of jazz: “Jazz was created more than one hundred years ago and still lives in our hearts and souls. In history, it was always a great source of inspiration for a conscious crowd. Today Jazz is even more important, as an alternative to superficial mainstream. Jazz is alive!”Rabin Lal Shrestha DuoVeteran classical musician Rabin Lal Shrestha will be playing the tabla, and will be joined by Jeevan Ale on the flute. Shrestha has been a constant feature of Jazzmandu since its inception, and this time, a couple of other classical musicians are joining him as well.Classical music in Nepal: “There is the impression that classical music is not very popular. However, there is always a constant stream of students who want to learn. In Jazzmandu, classical, jazz, folk, all come together, and the audience appreciates the variety.” <img width="640" height="894" src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221107171120/636930449c7e80680e03c0ecjpeg.jpg" alt=""><img width="640" height="806" src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221107171120/636930479c7e80680e03c0edjpeg.jpg" alt=""><a href="https://www.cynthiaabraham.com/">Cynthia Abraham</a> [France]Cynthia Abraham will be playing with Matthias Pascaud. They both play jazz along with other music like soul, rock, electro, etc. They are attracted to jazz’s freedom, and its common repertoire that allows you to play with anyone that speaks the same language.Strength of jazz:  “Jazz is a very demanding music but offers a multitude of possibilities. Modern jazz allows a mix between 'traditional' jazz and other styles, creating endless possibilities. It is a mixture of styles, but also sounds: instrumentation, sound texture, electronic machines, etc.”<a href="https://www.facebook.com/ProjectSarangi/">Project Sarangi</a>Project Sarangi is on a mission to revive traditional Nepali instruments by giving classes on traditional instruments and experimenting with these instruments in their compositions. Ten musicians with sarangis will perform a fusion of western and eastern music at Jazzmandu.Folk instruments: "Appreciation for folk music should be inculcated from a young age, so we reach out to schoolchildren. Nepali instruments need to be preserved, and for that they need to expand beyond traditional music. We need to experiment and transform them." <img width="640" height="426" src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221107171120/636930499c7e80680e03c0eejpeg.jpg" alt=""><img width="1400" height="429" src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221107171120/6369304c9c7e80680e03c0efjpeg.jpg" alt=""><a href="http://cadenzacollective.com/">Cadenza Collective</a>The band that started Jazzmandu brought world class jazz to Nepal, while helping elevate a new generation of jazz musicians to world standards. The band recently released its sixth album Back to the Roots, representing how far jazz has come in Nepal.Jazz in Nepal: “Back when we started playing jazz in Kathmandu’s first jazz club Jazz Upstairs, other bands were only playing rock and metal, or doing covers. Jazz Upstairs was small but our dreams were big. Here we are today, still going strong 16 years later!"Abhishek and MariaAbhishek Bhadra and Maria Sajardo teach at the Kathmandu Jazz Conservatory. Jazz for them is not just a genre, but an entire language with its own vast academic and intellectual history that you can apply anywhere. They will be playing original compositions at Jazzmandu.Why jazz?: "Jazz is very versatile, which is the reason for its growing attraction in Nepal. After learning jazz, people apply it in rock music and other areas. Today there are more opportunities to perform jazz in many festivals, and event companies and hotels ask for it." <img width="640" height="493" src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221107171120/6369304e9c7e80680e03c0f0jpeg.jpg" alt=""><h2>JAZZMANDU 2018</h2> CONCERT FOR SCHOOL STUDENTS 12-1:30 PM, 1 November Alliance Francaise, Jhamsikhel Entry by invitation onlyJazzmandu kicks off with a free concert playing great music for young minds. The Concert for School Students continues Jazzmandu's long tradition of promoting music education and cross-cultural understanding. Interested schools and individual students can request invitations by writing to info@jazzmandu.org. Seating is limited. Gates open at 11.30 am, please be seated by 11.50 am.GROOVIN AT UPSTAIRS 7-9 PM, 1 November Jazz Upstairs, Lazimpat Ticket: Rs 600Cadenza Collective gather new and old friends for an explosive jam at the heart of Jazz in Nepal, Jazz Upstairs. Gates open at 6 pm. A ticket does not guarantee a seat.VALLEY JAMS 7-9 PM, 2 November Moksh, Jhamsikhel Jazz Upstairs, Lazimpat House of Music, Thamel Manny’s Eatery and Tapas Bar, Jawalakhel Ticket: Rs 600Gates open at 6 pm and close at 7 pm. Seating is limited.JAZZ BAZAAR 2:30-10 PM, 3 November Gokarna Forest Resort Ticket: Rs 1,400Get away from the hustle and bustle of Kathmandu and be surrounded by the lush, serene Gokarna Forest Resort to enjoy a marathon of jazz and traditional Nepali folk and classical music. Gates open at 1.30 pm and close at 7 pm. Seating is limited. A ticket does not guarantee a seat. No outside food or beverages allowed. No pets allowed.Free shuttle buses to Gokarna will depart every hour from 1 pm to 4 pm from outside Hotel Marco Polo in Kamal Pokhari, and will stop for pick-ups outside the Hyatt Regency gate in Boudha. Return shuttles will be available between 10 pm and 11 pm, with drop-offs at Boudha and Kamal Pokhari. Seats are limited.Anyone arriving by bicycle will receive a 25% discount on a ticket.SOUNDS OF LATIN JAZZ 7-9 PM, 4 November Dhokaima Cafe, Patan Ticket: Rs 1,600Experience the vibrant sounds of Brazilian rhythms and Latin jazz in the relaxed ambience of the Yala Maya courtyard. Gates open at 6 pm and close at 8 pm. Seating is limited.JAZZMANDU MASTERCLASSES 11 AM - 1:30 PM, 5 November Kathmandu Jazz Conservatory, Jhamsikhel  – Vocal &amp; Instrumental Workshops FREE ENTRY (limited seating)The Jazzmandu master classes are an opportunity for music students &amp; jazz enthusiasts to interact with visiting musicians, share their experience and stories and learn techniques and tips on various instruments and vocals. Seating is limited and not guaranteed.JAZZ AT THE TEMPLE HOUSE 6:30 - 8:30 PM, 5 November Kantipur Temple House (Jyatha, Thamel) Ticket: Rs 1,600An evening of Nepali classical music fused with Jazz in a rich and soulful ambience. International musicians share their musical ideas and energies with Nepal’s top classical musicians and Cadenza Collective.Gates open at 5.30 pm and close at 7pm. Please be seated by 5.45 pm. Seating is limited. A ticket does not guarantee a seat.JAZZMANDU FINALE 5:30 - 10 PM, 6 November Hotel Yak &amp; Yeti, Durbar Marg Ticket: Rs 1,400The Finale BIG JAM when musicians from different bands come together on one stage to light up the festivities creating a high-energy, improvised musical treat.Gates open at 4.30 pm and close at 8pm. Seating is limited.

Kathmandu, and all that jazz …

The RSP and its prime minister are being sworn in this week after gaining an unprecedented election victory. This is a welcome change for many Nepalis who see it as a remedy to decades of coalition instability.&nbsp; Yet Nepal’s political history suggests otherwise. No majority government has ever completed its full term. This reveals a deeper structural problem: weakly institutionalised parties dominated by personalities rather than ideas. 1951: Dissatisfaction with the oppressive Rana regime among the educated elite led to the creation of political parties like the Nepali Congress (NC), Praja Parishad (later merged into the Nepali Congress), Gorkha Parishad, and the Nepal Communist Party.&nbsp; They emerged secretly, mainly in India during the height of that country’s independence. They organised a successful armed uprising against the Rana rule.&nbsp; 1959: The NC won a two-thirds supermajority in the first general election. Within a year, King Mahendra staged a coup and established the partyless absolute monarchy called the Panchayat system.&nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20260322130332_a416ab5703287898f0566dc6d2a6b95d797ce2f4ed55bffcfae2e8edc7737c5e.jpg" data-media-id="editor_0" data-image-id="20260322130332_a416ab5703287898f0566dc6d2a6b95d797ce2f4ed55bffcfae2e8edc7737c5e" data-rendition-name="original" width="675" height="849" loading="lazy" alt="Mahendra and BP"> </figure>  1991: After the People’s Movement, the ban on parties was lifted and Nepal became a constitutional monarchy. Elections were held under a new Constitution and the NC won 110 out of 205 seats, joining the United Leftist Front which functioned as a loose coalition.&nbsp; Prime Minister Girija Prasad Koirala’s first term ended with his resignation due to infighting, particularly with Ganesh Man Singh, who accused him of <a href="https://doi.org/10.2307/2645025" target="_blank">“emerging as a dictator, downgrading democratic norms and values, and even selling out national interests.”</a> Parliament was dissolved and the NC ended up losing the ensuing elections. 1994: Following the NC’s defeat, a <a href="https://doi.org/10.2307/2645025" target="_blank">hung parliament emerged</a> with the UML forming a minority government that lasted only nine months before collapsing after a no-confidence vote, allowing a NC-led coalition to return to power.&nbsp; 1999: Voters gave the NC a second chance and the party won 111 out of 205 seats. The party was divided between supporters of Koirala and Krishna Prasad Bhattarai, who became prime minister. &nbsp;The internal NC power struggle intensified and Koirala became prime minister again only to face bribery scandals, the Maoist insurgency, and the royal massacre.&nbsp; In 2001, under growing pressure from both the public and the party, <a href="https://www.nytimes.com/2001/07/20/world/nepal-premier-resigns-caught-in-chaos-after-royal-blood-bath.html" target="_blank">Koirala was forced to resign</a> to be replaced by Sher Bahadur Deuba. The party eventually split into Koirala’s NC and Deuba’s NC (Democratic). &nbsp;In this chaos, king Gyanendra dissolved the parliament and assumed executive powers.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20260322130332_e107b95de5641044f72a13fd20f417d16b9a2d1ecbae3492126ee5fd4244bd84.jpg" data-media-id="editor_4" data-image-id="20260322130332_e107b95de5641044f72a13fd20f417d16b9a2d1ecbae3492126ee5fd4244bd84" data-rendition-name="original" width="1250" height="753" loading="lazy" alt="Deuba and Girija"> </figure>  2017: This was the first election under the federal constitution. The UML and Maoists created a surprise pre-electoral alliance, breaking the Maoist coalition with the NC. The left alliance won a massive victory with the UML winning 121 seats and the Maoists 53 seats. Prime Minister K P Oli fell out with Pushpa Kamal Dahal of the Maoists. The House was dissolved, with the UML itself breaking into factions. What followed was seven shaky coalition governments in eight years.&nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20260322130352_8b09b374d7fcb811e0a652c7f60b30eea4b9052a19ed3d768ba8ca9aaeb4dec7.jpg" data-media-id="editor_5" data-image-id="20260322130352_8b09b374d7fcb811e0a652c7f60b30eea4b9052a19ed3d768ba8ca9aaeb4dec7" data-rendition-name="original" width="667" height="1000" loading="lazy" alt="Oli and Prachanda"> </figure>  2022: The RSP was formed only four months prior to elections, but managed to become the fourth-largest party. In this month’s &nbsp;election, the RSP won a commanding parliamentary majority by presenting itself to the electorate as different from the discredited old parties.&nbsp; The RSP leadership structure is largely personality-driven and opaque. Party leader Rabi Lamichhane joined the governing coalition with the Maoists and UML securing four ministerial positions. Lamichhane became Home Minister and Deputy Prime Minister, using his swing vote to be the kingmaker party in the coalition. Lamichhane was embroiled in various scandals which he blamed on political vendetta. There was internal dissent within the party and among supporters who felt the coalition betrayed RSP’s founding ideals.&nbsp; Lamichhane <a href="https://thediplomat.com/2023/02/key-ally-quits-government-in-nepal/" target="_blank">reportedly</a> bypassed the party’s internal mechanisms, unilaterally deciding to pull out of the government without broad consultation.&nbsp; The youth-led September protests gave the RSP an opportunity to represent GenZ aspirations, and its popularity was cemented after Balendra Shah joined the party as a prime ministerial candidate.&nbsp; With its dramatic election victory, there is a question whether the &nbsp;party can separate itself from its two leaders, and have internal democracy. Or will it just be a vessel for new political elites to continue staying in power?&nbsp; ‘BALEN PARTY’ The RSP has increasingly relied on the same tactics that the NC once used in its heyday. Backed by Balendra Shah’s meteoric rise to fame, the RSP is called ‘The Balen Party’. <a href="https://nepalitimes.com/opinion/cyberia/rsp-s-pr-list-is-not-good-pr" target="_blank">RSP’s PR list</a> includes celebrities, actors, singers, pageant winners, business personalities, and athletes to maximise visibility and public appeal. Many of these soon-to-be MPs have little to no experience working in government, or together as a team. Which is perhaps why they needed a two-day orientation last week. In today’s attention economy, political currency depends on visibility. This is why the RSP’s strategy to harness Shah’s popularity was necessary to secure victory, while Shah needed a political platform for the election.&nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20260322130348_abd1522a1f4f8ad4a0861c3916d86bd9688deafc7c44081b976378405d2b8e39.jpg" data-media-id="editor_8" data-image-id="20260322130348_abd1522a1f4f8ad4a0861c3916d86bd9688deafc7c44081b976378405d2b8e39" data-rendition-name="original" width="900" height="900" loading="lazy" alt="Balen and Rabi"> </figure>  Political parties are essential for a democracy, but when they &nbsp;revolve around one dominant leader, internal institutions become weak, and decision-making becomes centralised in the leader rather than in party committees, rules, or ideological platforms.&nbsp; This is exactly what led to the downfall of the NC and the UML. Both over the years were ridden with inter- and intra-party strife and failed the electorate. RSP must take a lesson from this and unite to institutionalise beyond its two personalities. Or it will suffer the same fate as the legacy parties. Since its inception, RSP has espoused a populist and anti-establishment agenda. The ‘new’ RSP with the Balendra brand gained massive support by being a clear ‘other’.&nbsp; The RSP can fall into the same trap as the NC and the UML by defining itself by what it is not, rather than what it is for. Beyond the external enemies they oppose, these parties often struggle to articulate what they actually stand for.&nbsp; RSP positions itself as an alternative to established parties — a pragmatic, results-oriented political force rather than one driven by traditional ideologies. However,<a href="https://www.cambridge.org/core/books/abs/theorizing-in-comparative-politics/parties-and-ideology/8386083191B53EC86A239B8852D4A6A6" target="_blank"> ideology gives a party identity and direction.</a> Without ideological grounding, RSP risks becoming a hollow vessel for power-chasing politicians who oppose each other’s every move, a story that is all too familiar.&nbsp; RSP can no longer define itself as being anti-establishment. It is now the establishment.&nbsp; While RSP might look like Congress 2.0 to many who have seen Nepal’s democratic trajectory, RSP does differ from past majority parties in both positive and negative ways.&nbsp; Times have also changed. Nepal is no longer a monarchy, literacy rates are much higher, social media has made information more accessible, and Nepalis are less forgiving, as seen by the events that transpired on 8-9 September 2025.&nbsp; The RSP has fielded more qualified candidates, and they could steer the country in the right direction. Many are experts in their fields and have had years of experience prior to joining politics. Having experts from such different backgrounds is a huge asset.&nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20260322130352_426011e8c377bffcef6fcb4371325b36fb940eb5a8ab66d3c76ff5cf6f1943c7.jpg" data-media-id="editor_10" data-image-id="20260322130352_426011e8c377bffcef6fcb4371325b36fb940eb5a8ab66d3c76ff5cf6f1943c7" data-rendition-name="original" width="1600" height="1066" loading="lazy" alt="RSP new MPs"> </figure>  Moreover, having MPs from various other parties/fields can also prevent a cult following of hardcore loyalists within the party.&nbsp; There are members loyal to certain RSP leaders in the party, but there are also those who will not hesitate to go against their leaders if need be. The RSP has little opposition in Parliament, so its own members may have to take on a check-and-balance role. Nepal is in a much better spot institutionally compared to what it was like back in the early days of its democracy. There is a Constitution, there is no active conflict, the monarchy is no longer an existential threat to democracy, and the local and provincial governmental bodies have had the time to settle.&nbsp; This means the RSP is in a better position to work without the basic institutional hurdles that previous governments faced, but it will not be able to hide behind institutional issues if it fails to deliver.&nbsp; In the past, majority parties could easily pin the blame on an authoritarian monarchy, a Maoist conflict, a lack of consensus during the constitution-building process, or a newly implemented federal system.&nbsp; Most of these were just excuses for incompetency. Governments were formed and fell based on self-serving negotiations, but they managed to keep the parties afloat, and the citizenry was willing to give them a second, third, or even fourth chance.&nbsp; The RSP will not have this privilege. Nepal has many problems, but its governmental bodies are better institutionalised than when the NC last had a majority. A challenge for RSP now would be fixing broken institutions, not building new ones. A recurring issue during Balendra Shah’s tenure as Kathmandu’s mayor were his <a href="https://kathmandupost.com/politics/2026/01/28/can-nepal-s-viral-mayor-run-the-country" target="_blank">disputes with the bureaucracy</a> that resulted in months of unpaid salary for KMC staff, a lack of collaboration between him and Deputy Mayor Sunita Dangol, and rarely any public appearances.&nbsp; The RSP is inheriting a bureaucracy tainted by deep-seated patronage networks. Sustaining a government requires institutional collaboration and a willingness to work together, not disruption and division.&nbsp; While Nepal has seen the rise of many populist figures in its democratic history, the RSP’s victory based on Balendra Shah’s fame is new. Populism is usually harmful for a democracy because it punishes dissent, turns criticism into betrayal, and fuels hyper-nationalism, authoritarianism, and polarisation. A trend of punishing criticism is already visible on online spaces. Without an effective parliamentary opposition, the responsibility for democratic accountability will fall on the media and civil society. If the trend of intolerance to criticism deepens, Nepal risks sliding toward a majoritarian politics where popularity replaces accountability. Time and again, the Nepali people have given opportunities to parties that promise change, only to face disappointment. Nepal’s political history shows that majority governments fail not because they lack seats, but because they lack institutions.&nbsp; The electoral earthquake Nepal just witnessed could bring sweeping reforms or drown the country’s fragile democracy. If RSP hopes to succeed where others failed, it must build a party that outlives its founders. Suvexa Pradhan Tuladhar is an Early Career Policy Research Fellow at the Nepal Institute for Policy Research (NIPoRe).

Will it be different this time in Nepal?

Sometimes, we need to take a step back to realise what a tectonic movement Nepali politics witnessed this month.
In a region and world ruled by elected authoritarians, Nepalis &nbsp;went to the ballot box freely to express a collective will for change.
These faces in this group photo of the RSP’s 180 freshly-minted MPs at the ballroom of the Royal Tulip Hotel on Wednesday is symbolic of what Nepal has come through.&nbsp;
The ship of state righted itself after the September Storm, installing an interim government that held an election within six months in which voters banished obsolete politicians and their parties into oblivion.
Nepalis, fed up with the inept kakistocracy of the past three decades, took the country into a post-ideological phase — replacing Marxists, Maoists and monarchists &nbsp;with a belief in a new governing culture that rewards delivery and accountability. And they have trusted the RSP to carry it through.
Nepal’s history has never been linear, it jerks ahead in lurches. The polity also tends to take one step forward and two steps back, so the public’s great expectations is tempered by a sense of cautious optimism and guarded pessimism.
This could be the great leap forward that Nepalis have waited for and deserve, but it could also be a Gramscian interregnum in which the old is dead and the new is not yet born. We will have to wait to see whether this transitional period will also see ‘morbid symptoms’.
As disruptor-in-chief, it was the Balendra Shah ‘wave’ or ‘craze’ that propelled the RSP to power. The former Kathmandu mayor needed a party platform, and the RSP’s tainted leader Rabi Lamichhane required a booster. Nepal's voters were looking for a saviour.
Personality-wise Shah and Lamichhane are poles apart: one is Type B and the other Type A. One is enigmatic, the other phlegmatic. But yin and yang do also tend to complement each other.&nbsp;
Kathmandu’s chattering class is already making self-fulfilling prophecies about the two falling out, and are fishing for hints that they already have. Shah’s absence from the RSP’s orientation this week was taken as a clue.&nbsp;
Closing the two-day tutorial on Wednesday, Lamichhane delivered a fiery 30-minute speech that laid out the RSP’s main agenda: to function differently from the old parties, serve the people, avoid middlemen, become true lawmakers without taking the law into their own hands.&nbsp;
“The old political parties contributed to history, we will build the future with a new political contract with citizens,” he said, trying to rise over past controversies and his abrasive rhetoric to sound statesmanlike.&nbsp;
GIVE AND TAKE
Lamichhane is said to be in touch with the reclusive Shah to announce a compact cabinet next week. Its composition will be an indication of how much give-and-take there was, and whether the criteria for selecting ministers is competence or loyalty.
Will RSP ministers behave like rulers or service providers? The new government will dive right into the economic fallout of the West Asia war with soaring fuel &nbsp;prices, inflation and uncertainty about remittance inflows.
On Thursday, Gagan Thapa resigned as NC chair, taking moral responsibility for the party’s election loss. The UML’s unrepentant K P Oli does not share the same sentiment about who is responsible for his own party’s historic downfall.&nbsp;
NCP chair Pushpa Kamal Dahal, who was luckier than his cross-party cohort, is now a comparative relic in a Parliament largely comprised of freshmen and sophomore lawmakers.
But the NC, UML and NCP still control provincial and most municipal governments. The old parties could try to make things difficult for the RSP at the centre, but it is also an opportunity for them to clean up their act ahead of local elections next year.&nbsp;
Another test for the RSP will be dealing with a heavily-politicised klepto-bureaucracy which has to frontend its policy decisions. &nbsp;

People’s power

Deadly floods two years ago along the southern fringes of Kathmandu Valley killed 200 people. Climate change was blamed, but the destruction was magnified by quarries and sand mining owned by local politicians and crony contractors. Disaster mitigation and environmental risk was not a priority for any of the political parties that ran and won Nepal’s election last week. Although the RSP has a supermajority, rural municipalities that grant mining contracts are still ruled by the established parties that supply aggregates and sand to feed &nbsp;Kathmandu’s construction boom. Here in Lele Valley, residents are worried about another monsoon season that will start in June and fear more floods bringing unmanaged gravel from quarries down the Nallu River.&nbsp; The house of Sanumaya Nagarkoti, 65, and ten neighbours were washed away by the flood on the night of 28 September 2024. She and her husband petitioned the ward and municipal council to remove the crushers but no one listened. The slopes above are scarred by landslides from two years ago, and the banks of the river are strewn with bounders the size of cars that were brought down. “We live in constant fear of landslides,” says Chakra Nagarkoti, “the heavy crusher machinery and tipper trucks also constantly shake the house.”&nbsp; Google Earth images show that 24.6 hectares of mountain flanks have been excavated since 2010, and despite the disaster no lessons have been learnt.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20260319090348_bdce7f17500eadac0ce0814c32c2b4190d01325976fd4d29db9985148459c0bc.jpg" data-media-id="editor_0" data-image-id="20260319090348_bdce7f17500eadac0ce0814c32c2b4190d01325976fd4d29db9985148459c0bc" data-rendition-name="original" width="1500" height="907" loading="lazy" alt="Lele"> <figcaption>Photo: GOOGLE EARTH</figcaption> </figure>  The RSP might have got a near two-thirds majority in Parliament but decision-making at the community level is controlled by politicians in cahoots with contractors.&nbsp; Along the Mahadev Khola, the Department of Mines cancelled excavation permits for crushers citing flood and landslide risk. Yet there are still 21 contractors mining stones and sand.&nbsp; Nearby Godavari Municipality also instructed operators who had not renewed permits to close down. No action was taken. One of them is Vinayak Multipurpose which delivers aggregate and stones for United Cement. Local ward chair Milan Silwal, has a stake in Vinayak and locals accuse him of taking the side of industry.&nbsp; Another slope is being gouged out near Mahadev Khola, and comparing satellite imagery from 2010 shows that the scar on the mountain is now five times bigger.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20260319090348_21a8f7f7f9d6cc784c35719da737b20283f934bbe16c9de971d91bf01012499a.jpg" data-media-id="editor_1" data-image-id="20260319090348_21a8f7f7f9d6cc784c35719da737b20283f934bbe16c9de971d91bf01012499a" data-rendition-name="original" width="1500" height="1125" loading="lazy" alt="Lele"> <figcaption>United Cement operating near Mahadev Khola. Photo: ARCHANA DARJI</figcaption> </figure>  Nearby stands the lone house of 55-year-old Sabina Tamang, who lives with her husband and daughter. Due to the sound of the stone-breakers, they cannot hear each other speak. “Last year, a landslide destroyed our cowshed and latrine,” she says. “Next it is going to be our home.”&nbsp; DRY SPRINGS Lele gets its water from several perennial springs which have gone dry in recent years. One of them is near where the cement factory quarries limestone. “We hardly get any water, and the little that does flow is murky and red,” says local resident Rajesh Shrestha. A parliamentary committee directive ordered excavation to stop 15 years ago after a similar flood to the one in 2024.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20260319090352_af7da754299116578cc1dd91d5318ec337b69e74b0676599260b7c57c6ec6fd7.png" data-media-id="editor_2" data-image-id="20260319090352_af7da754299116578cc1dd91d5318ec337b69e74b0676599260b7c57c6ec6fd7" data-rendition-name="original" width="1440" height="494" loading="lazy" alt="Lele"> <figcaption>Lele over the years. Photo: GOOGLE EARTH</figcaption> </figure>  United Cement’s manager Hari Upreti says his company has fulfilled all requirements and has permission to mine 15 hectares of its own property and 4 hectares of government land. “We have the Department of Mines permit which is valid till 2036 and extract 1,600 tons of limestone every day,” says Upreti. “The local community knew about the mining and if there is a problem with springs going dry it is not because of us.” Environmental researcher Uttambabu Shrestha, however, says there is a direct correlation between the quarry operation and floods, landslides and dry springs.&nbsp; “Extraction should not be allowed without an environmental impact assessment, and companies must stick to set limits,” he says. Investigation of permits show that there is collusion between local officials and contractors. Godavari-6 Chair Bishnuman Maharjan has investment in two quarries and crusher companies operating along Nallu Khola. A paper trail links Maharjan also to Sagarmatha Stone Crusher and Mankamana Aggregate Industries. IMPUNITY&nbsp; Godavari Municipality published a notice in June 2024, instructing crusher companies to submit environmental reports within two weeks, covering initial examination and impact assessment. It also told them to pay local development fees and clear outstanding dues. The municipality even wrote to the Department of Mines clarifying that it had issued permits to only five out of 27 contractors. Within a month, the Department wrote to the District Administration Office (DAO) and District Police Office instructing them to stop illegal excavation, and sent a copy to the Lalitpur Division Forest Office. The DAO then wrote to Lalitpur Police naming Machindranath Multipurpose as operating illegally and should be shut down. There was no followup. The municipality then issued fines worth Rs 60 million to it and one other company for non-compliance. The companies stalled, disputing the calculations.&nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20260319090356_6e96403d3c5be4aef4d030974d6d92029a0eb396deafd19c511978dae30dd3d2.jpg" data-media-id="editor_3" data-image-id="20260319090356_6e96403d3c5be4aef4d030974d6d92029a0eb396deafd19c511978dae30dd3d2" data-rendition-name="original" width="4000" height="2250" loading="lazy" alt="Lele"> <figcaption>Another site of extraction near Mahadev Khola in Godavari. </figcaption> </figure>  Machhindranath Multipurpose operator Kedar Timalsina Shashi denies doing anything wrong, and says the landslides were collateral damage because of the steep terrain. When contacted Godavari Municipality Deputy Mayor Muna Adhikari declined to comment. It has been 10 years since Rajesh Shrestha, Nikesh Shrestha, and others raised their voices against the environmental destruction caused by the construction mafia. An agreement was finally reached two years ago between locals and mining and transport businessmen, stipulating that stone mines must close permanently by mid-2025. The agreement also stated that check dams must be built to manage mining debris, and damaged structures must be restored to their original state. Trees were to be planted at sites where stone mines had operated. But the mines in the catchment are still in operation with 500 tipper trucks working on the site every day, transporting stones and aggregate. Local youth have continued holding sit-in street protests and at Lalitpur DAO.&nbsp; After one sit-in, the mines closed for about a month but they started back up a month later.&nbsp; Birendra Maharjan owns one of the crusher units, and says he follows all environmental protocols. He told us: “You need stones to build, and we must dig to extract stones. Some trees have to be cut, people get employment, and besides, floods and landslides happen across Nepal.” &nbsp;&nbsp; Centre for Investigative Journalism – Nepal.

Loot in Lele

This week, the RSP held a two-day closed orientation camp for its newly elected members of Parliament. The party has also decided to assign parliamentary and Cabinet roles to leaders only after the new MPs are sworn in on 28 March.&nbsp;
This means the new prime minister and his cabinet of 15 ministers are likely to be installed closer to the Nepali New Year, and the expectation is that it will also usher in a new era of governance and politics in Nepal.&nbsp;
Between now and then, there is much speculation regarding who will become new ministers and from which camp—Balendra Shah's or Rabi Lamichanne’s. Meanwhile, the final argument in the petition against the Rabi Lamichanne case revision is set for Thursday, with a verdict expected on the same day.
“In the past, parties did anything to form coalitions and to keep them from splitting ministries and appointing anyone they wanted to, even going against the spirit of the Constitution, but the RSP doesn’t need to partake in any such activities,” says political analyst Indra Adhikari.
Adhikari notes that governance failures in the past was often the result of coalition governments formed through political bargaining that meant the primary party often had to compromise on their agenda.&nbsp;
“But nothing is stopping the party from fulfilling its election manifesto,” she says. “And if they aren’t able to deliver, we know Nepalis are prone to protests, so another revolt is also a possibility.”
Journalist and author Mohan Mainali agrees that the everyday Parliamentary proceedings should go smoothly for new government because of their majority.&nbsp;
But there are questions as to what a near two-thirds majority allows the RSP to achieve in Parliament. Its 182 seats in the Lower House allows the party to enact and amend laws without hurdles and bypass Upper House’s request for Bill revisions. But the RSP has no presence in the National Assembly, and that means that its majority in the Lower House is not enough to amend the Constitution.&nbsp;
“The Constitution poses no obstacles for the RSP to work on improving governance, development and delivery,” says Mainali. &nbsp;“If they do show some performance, it will be easier for them to go into the next election and ask for a two-thirds majority to also amend the constitution,” he adds.
The last coalition government of the UML and Nepali Congress before the GenZ protests had been built upon a primary agreement to make amendments to the Constitution. So, depending on the nature of amendments, the RSP might find some support within the National Assembly at a time when some of the older parties, such as the Nepali Congress, have committed to supporting the new government as well as internal party reforms.
“What we need is a structural overhaul, from our laws and foreign policy to economy and security apparatus, and for this the RSP needs to champion collaboration and consultation for the sake of nation building,” says Indra Adhikari. “So it all comes down to the understanding and judgment of the RSP’s leadership. If they try to go at it alone, it will lead nowhere.”
To be sure, the provincial government could also clean up their act before the next local and provincial elections, which would help the older parties to regain some of their lost footing and rebuild trust.
As it stands, RSP lawmakers will also have to learn to work with each other. Mainali notes that the RSP not being bound by one clear ideology might lead to future problems, including the rumoured animosity between party president Rabi Lamichhane and prime minister-in-waiting Balendra Shah.
“Parties that came before the RSP had an ideology, whether they followed them or not, but the RSP is made of different kinds of people,” says Mainali. “If they are not motivated by a common goal of achieving something tangible in the next five years, it might be difficult for them to stay together.”
Adds Adhikari: “Balendra and Rabi don’t seem to be compatible. Rabi has already failed when it comes to the matters of governance, and Balendra won’t carry that burden. Additionally, there is a struggle between the two in terms of party hierarchy.”
Speaking at the closing of the two-day orientation, from which Balendra Shah was noticably absent, Rabi Lamichanne said that the RSP’s image as intolerant needs to be changed, and that the country is not heading towards totalitarianism but is in the hands of good, new people.
Regardless of the assurance, the general public has seen Balendra Shah and Lamichanne’s disposition in the last several years, and analysts are worried that their personalities and ambition might lead to an environment of increased intolerance.&nbsp;
As it stands in absence of a strong opposition, the responsibility falls on the media and the civil society to be the watchdog and play an effective check and balance role.&nbsp;
“Seeing how Balendra has ignored the media so far and Rabi has made inflammatory remarks in the past, they are probably more intolerant than the likes of Trump and Modi,” says Mainali. He notes that the party does not just have technical human resource and cyber army but a large number of dedicated supporters.&nbsp;
The media must thus continue to build trust by highlighting good work, educating the public on the importance of impartial journalism in democracy and debate any Bill purposed in Parliament, Mainali adds.&nbsp;
Says Adhikari: “The media should praise the government when they do well, motivate them, but it should also point out wrongdoings without fear, and provide recommendations to do better. Otherwise, absolute power corrupts absolutely, which we have seen happen happen in America with Trump and in India with Modi, where extremism has taken over and democracy has been curtailed.”

all-the-jazz

The healing power of music

Kathmandu, and all that jazz …

Will it be different this time in Nepal?

People’s power

Loot in Lele

Balancing act