I once asked <a href="https://chomsky.info/">Noam Chomsky</a> how he manages to remember so many facts and figures and hold audience attention. He replied that he did not convey any new information, that his talks are based on materials already in the public domain, he simply joins the dots.&nbsp;
Chomsky teaches us that it is not necessary to be loud and sensationalist in order to be heard. His clear and courageous moral compass over decades is a most valuable lesson.
On 17 June, some media reported that Chomsky, 95, had died after a stroke he suffered last year. He was in hospital in Brazil, and his wife has since said he is continuing treatment at home.&nbsp;
<a href="https://time.com/6987747/noam-chomsky-stroke-brazil/">Noam Chomsky</a> was already a legend when I first met him over two decades ago in December 2001 when he visited Pakistan for the inaugural Eqbal Ahmad Memorial lecture series.
Eqbal Ahmad had been an anti-Vietnam War activist in the US in the 1960s and later taught at Hampshire College and was among Chomsky's circle of friends, which included other legendary figures like Howard Zinn and Edward Said.
He had returned to Pakistan after the death of Gen Ziaul Haq in 1988 and was prominent in the peace and anti-nuclear weapons movements in the region. He died in May 1999, on the first anniversary of India's nuclear test, that Pakistan had followed.
In November 2001, Chomsky did a lecture series in India. Another fellow-traveller, the well-known physics professor and activist Pervez Hoodbhoy invited Chomsky to Pakistan for the Eqbal Ahmad Memorial lecture series. These events were organised months earlier, and Pervez was initially worried about whether there would be an audience.
The 11 September 2001 attacks had just taken place and Chomsky cut through America’s outrage to point out that the attacks were historic not for their scale but because of where they took place, mainland America, which had not been attacked before.
Also, this was not the first, but "the second 9/11". The earlier, <a href="https://yawmle.clicks.mlsend.com/ty/cl/eyJ2Ijoie1wiYVwiOjU4NTIxOCxcImxcIjoxMjQ3MTY4MTY1MjQxMTc1NDMsXCJyXCI6MTI0NzE2ODE3MDAwMTcxMzQxfSIsInMiOiJjNjNkNDc0NGI5NzBjMTU3In0" target="_blank">“far more serious"</a> 9/11 was the one in 1973, he said, the violent coup against the elected government of Salvador Allende in Chile.
Many in America were uncomfortable with such statements, but in progressive circles here and around the world, his popularity soared.
I asked the organisers if I could follow Chomsky around Pakistan for a documentary. They agreed to let me tag along to his room at the Avari Hotel in Lahore. Noam Chomsky and his wife Carol had arrived in Pakistan to a celebrity welcome that discomfited them. Chomsky politely conveyed that we were welcome to film his public events but that he and Carol were uncomfortable being followed around by a camera.
We put our equipment away until he entered the venue where he was speaking. He walked through the packed hall to a standing ovation. A few days later, he addressed a larger audience at another packed venue, an indoor stadium in Islamabad. In both places, people listened in pin drop silence as he spoke, low key and without histrionics.&nbsp;
There was a shameful exception, when he spoke at the Nieman Foundation for Journalism at Harvard University when I was an international Fellow there in 2005-2006. In that intimate setting, another international fellow and her husband, both from Israel, kept interrupting Chomsky, despite being admonished by the moderator and other fellows.
Chomsky didn’t lose his cool, but I heard later that he vowed never to come back to Lippman House. I was glad to hear that the Nieman Fellows prevailed upon him to return in 2017 and that it went smoothly.
In September 2006, John ‘Jack’ Trumpbour, a Research Director at the Center for Labor and a Just Economy (CLJE) at Harvard Law School invited Chomsky as a featured speaker for the <a href="https://yawmle.clicks.mlsend.com/ty/cl/eyJ2Ijoie1wiYVwiOjU4NTIxOCxcImxcIjoxMjQ3MTY4MTY1MzA0MDkwMDAsXCJyXCI6MTI0NzE2ODE3MDAwMTcxMzQxfSIsInMiOiI2ZDhlOTE5YzNjZTdkOTFkIn0" target="_blank">launch of a collection of essays,</a> The Selected Writings of Eqbal Ahmad (Columbia University Press), September 2006.&nbsp;
I was a speaker, along with Margaret Cerullo, Eqbal's colleague from Hampshire College and one of the book's editors. Stuart Schaar, Eqbal's college buddy from the 1950s at Princeton University was also a speaker. Like Chomsky, he has paid the price for his support of the Palestinian cause, sidelined in the mainstream academia as Eqbal himself was.
Another friend, the journalist David Barsamian, who runs Alternative Radio and speaks Urdu and Hindi, flew in from Colorado for the event. In his speech titled Confronting Empire: Eqbal Ahmad’s Legacy and the Contemporary Crisis, Chomsky talked about how Israeli attacks actually mean “Israeli and US attacks, since the USA supports Israel with weapons as well as diplomatic and ideological support”.
We were then witness to an “unusual historic event” — the destruction of a nation” as Israel punished the Palestinians for “a terrible crime they committed: in the last free election they voted in the wrong people”.
Chomsky commented that the real reason for the Israeli (US-Israeli) aggression is that the then Hezbollah provided the only meaningful support for Palestinian rights, and also because they wanted to eliminate Lebanese deterrents that stand in the way of an attack on Iran.
The aggression has two consequences, he said. First, it deters negotiations. Second, it makes the dissidents and reformers more vulnerable, as regimes under attack tend to become harsher.
In April 2011 the <a href="https://yawmle.clicks.mlsend.com/ty/cl/eyJ2Ijoie1wiYVwiOjU4NTIxOCxcImxcIjoxMjQ3MTY4MTY1Mzc3NDkwMzQsXCJyXCI6MTI0NzE2ODE3MDAwMTcxMzQxfSIsInMiOiI3ODZjNjVlYjMzZDZkOTViIn0" target="_blank">American Friends Service Committee</a> invited Chomsky to <a href="https://yawmle.clicks.mlsend.com/ty/cl/eyJ2Ijoie1wiYVwiOjU4NTIxOCxcImxcIjoxMjQ3MTY4MTY1NDA4OTQ3NjMsXCJyXCI6MTI0NzE2ODE3MDAwMTcxMzQxfSIsInMiOiI2ZGQ4OGQ4ZWI5NzFmNjBjIn0" target="_blank">address a seminar</a> at Boston University titled ‘Days of Hope and Challenge’, where I was the other speaker.
I felt privileged to have been invited to contribute towards a compilation for his 90th birthday in December 2018. In my note, I shared some of my memories and thanked him for his vision, courage and consistency over the years, and his principled moral stand that have given strength and courage to so many of us over the years.
Despite his legendary status, <a href="https://www.nytimes.com/2023/03/08/opinion/noam-chomsky-chatgpt-ai.html">Chomsky</a> was always humble and accessible. He always replied personally to emails as long as he could, even if it was a one-line response to a question asking him to confirm whether a Twitter account in his name was genuine (‘The twitter account from what I’ve heard is honest and accurate but I have nothing to do with it’).
He was unfailingly generous in lending his name in support of the causes I and others reached out to him for, endorsing resolutions ranging from human rights and democracy to peace between India and Pakistan. In 2018 he joined many public intellectuals in urging Bangladesh to <a href="https://yawmle.clicks.mlsend.com/ty/cl/eyJ2Ijoie1wiYVwiOjU4NTIxOCxcImxcIjoxMjQ3MTY4MTY1NDQwNDA0OTIsXCJyXCI6MTI0NzE2ODE3MDAwMTcxMzQxfSIsInMiOiI0NGJhNGUxMzRkZjYxOWJmIn0" target="_blank">release the photojournalist Shahidul Alam</a>. He was also among the public intellectuals including Amartya Sen who <a href="https://yawmle.clicks.mlsend.com/ty/cl/eyJ2Ijoie1wiYVwiOjU4NTIxOCxcImxcIjoxMjQ3MTY4MTY1NDcxODYyMjEsXCJyXCI6MTI0NzE2ODE3MDAwMTcxMzQxfSIsInMiOiJjNzg1NTFiZDVmMmNmM2I3In0" target="_blank">endorsed a letter</a> calling on Pakistan to release the jailed publisher-editor of the Jang Group Shakilur Rahman, in 2020.
My last interaction with him was in September 2021 when I had invited him to address an online seminar hosted by the <a href="https://yawmle.clicks.mlsend.com/ty/cl/eyJ2Ijoie1wiYVwiOjU4NTIxOCxcImxcIjoxMjQ3MTY4MTY1NTAzMzE5NTAsXCJyXCI6MTI0NzE2ODE3MDAwMTcxMzQxfSIsInMiOiIwZTFjOWIzZDNkYWJjNDM0In0" target="_blank">Southasia Peace Action Network</a> (Sapan) that over 80 of us had launched in March that year to build a narrative for a Southasian Union along the lines of the European Union, or at the very least, regional dialogue and collaboration between all the countries of the Subcontinent.&nbsp;
But by then Chomsky had moved to Arizona. He agreed to join but didn't show up, which was not like him. The meeting ended. We stopped the recording and were chatting among ourselves, when Noam Chomsky appeared. We asked him to speak and began recording again.
As always, Chomsky <a href="https://yawmle.clicks.mlsend.com/ty/cl/eyJ2Ijoie1wiYVwiOjU4NTIxOCxcImxcIjoxMjQ3MTY4MTY1NTU1NzQ4MzIsXCJyXCI6MTI0NzE2ODE3MDAwMTcxMzQxfSIsInMiOiJmMDU0YjI1MzExYTE1ZjgzIn0" target="_blank">put the issue into perspective</a>, arguing for the need to put people first. This would mean engaging with the governing authorities to mitigate and overcome human rights violations, while working with Afghans on the ground especially in rural areas rather than focusing on Kabul.
He advocated pressuring Afghans to shift the economy from opium cultivation to mineral resources, encouraging trade, development, and their integration into the region — “these moves can’t be made through sanctions”.
Uppermost should be the fate of the Afghan people, he said, but engagement “does not mean overlooking the abuses”.
The best way we can pay tribute to Noam Chomsky is by following his example: Stand firm, keep calm, keep speaking out, put information in context, and keep doing our work.
Beena Sarwar is a journalist from Pakistan currently based in Boston. She is the founder and editor of Sapan News. This tribute is <a href="https://beenasarwar.com/2024/06/21/what-ive-learned-from-noam-chomsky/">excerpted from her column</a>, Personal Political.&nbsp;
<a href="mailto:beena@sapannews.com" target="_blank">beena@sapannews.com</a>

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Keep calm, keep speaking out

<img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221107171148/636937ae9c7e80680e03fe53jpeg.jpg" alt="" width="1000" height="1000"/>If you enjoyed Mohammed Hanif’s A Case of Exploding Mangoes, it will have prepared you for another scathing satire from the Pakistani novelist on the senselessness of war, the hypocrisy of those who wage them, and the bleeding heart humanitarian contractors who rake it in to mop things up.Red Birds brims with razor sharp verbiage and a plot embedded with glaring absurdities of the perpetual war machine of the military-industrial complex. There is a whiff of Heller in Hanif: the only difference with Catch-22 is that the murderous technology of modern warfare is 60 years more advanced, and America is bombing mud huts in the desert with laser-guided smart ordnance, and not dropping dumb bombs from B-25s.As they turn the pages, readers fly through skies full of flak, eruptions of Hanifisms:‘First they bomb our house, then they take away my son, and now they are here to make us feel all right.’‘If I didn’t take out homes, who would provide shelter? If I didn’t obliterate cities, who would build refugee camps? Where would all the world’s empathy go?’‘They bomb us from the skies, then they work hard to cure our stress … I get PTSD, she gets a per diem in US dollars.’<img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221107171152/636937b19c7e80680e03fe54jpeg.jpg" alt="" width="200" height="174"><figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221107171152/636937b29c7e80680e03fe55jpeg.jpg" alt="" width="500" height="667"><figcaption>Red Birds by Mohammed Hanif Bloomsbury, 2018 INR599, 283 pages</figcaption></figure>This is writing that forces the reader to confront the brutal reality of wars waged by remote control, linking the trigger on the joystick to guts spilling forth, bubbles in pools of blood of the dead and dying. All this far from the oval offices where policies are made, or even from the glass cockpits from which pilots launch video-game missiles at crosshairs on the screen.Major Ellie is one such pilot who crashes in the desert of what sounds and smells like the Afpak border, and fortuitously right next to a ‘fugee camp’ where most of the action in the rest of the book takes place with protagonists like young Momo and his dog, Mutt. The other character (and what a character she is) is a caricature of a USAID worker Lady Flowerbody who is there to do good, and offer bandaid to people her own country has bombed to smithereens. Her developmentese is very similar to the lingo of the lords of poverty we are familiar with in Nepal as well: ‘I am conducting a survey on post-conflict resolution strategies that involve local histories and folklore … to use this community as a laboratory for testing my hypothesis about how our collective memories are actually our cultural capital … ’While the backdrop in A Case of Exploding Mangoes was about Gen Zia of Pakistan who was ostensibly killed by bombs hidden in a fruit crate in the cockpit of his C-130, the setting for Red Birds can be from Timbuktoo to Quetta and everywhere in between where the American military is waging Third World Wars against tiny white figures in real-time infrared satellite imagery.Red Birds lays bares the hypocrisy of not just America’s ‘war on terror’ and the obliteration of countries, peoples, societies. It is also a sad reminder of what the Russians have done in Syria, the Saudis in Yemen, or for that matter what conquerors have done throughout inhuman history.Hanif used to be an air force pilot, and shows us that it is not just history that is a farce. So is the unfolding present.

In Mohammed Hanif’s crosshairs

In the black and white photograph, General Wangdu smiles broadly in front of the dusty cactus garden in Kathmandu’s Annapurna Hotel. With an ill-fitting jacket and shaggy hair he looks benign enough, but this was the last leader of the Tibetan freedom fighters who led the resistance against the Chinese from their remote mountain hideouts in <a href="https://nepalitimes.com/here-now/comings-and-goings-in-mustang">Mustang</a>. Five months later, Wangdu was dead. Snapped in March 1974, I had only recently arrived in Nepal. How did I meet this legendary fighter? Possibly with his devoted camp follower, Lynne Klapecki, and probably in the Om Restaurant near Freak Street which was the preferred <a href="https://nepalitimes.com/banner/hippie-trail-nostalgia-in-kathmandu">hippie hang-out</a>. Om Lobsang and his brother Yeshe were <a href="https://archive.nepalitimes.com/page/earthquake-brings-back-memories-of-camps-for-tibetan-refugees">refugees from East Tibet </a>whose cafe offered a friendly welcome and<a href="https://nepalitimes.com/multimedia/momo-loco"> the best momos</a> - they became my in-laws after I married their eldest brother Tenzin, but that was a decade later.&nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2025052403054_4573b34282b0f5395c007243d6bef12c7ba76bfd520419e994cdcea048d795a1.jpg" data-media-id="editor_4" data-image-id="2025052403054_4573b34282b0f5395c007243d6bef12c7ba76bfd520419e994cdcea048d795a1" data-rendition-name="original" width="1000" height="1583" loading="lazy" alt="The last days of the Khampa NT"> <figcaption>Photo: LISA CHOEGYAL</figcaption> </figure>  Wangdu’s English was enthusiastically rudimentary, but even riding around town with him on the back of an aging <a href="https://nepalitimes.com/here-now/kathmandu-s-new-motorbike-museum">motorbike</a>, he was a commanding presence. Always flanked by armed outriders, impressive scars marked his forearms and a pistol hung from the cord around his neck. A charismatic guerrilla leader, Wangdu was celebrated by his followers for his tough commitment and respected for his measured pragmatism. He seemed so young to have shouldered such a responsibility of command, leading hundreds of hardened <a href="https://archive.nepalitimes.com/article/nation/50-years-after-the%20raid-into-Tibet,1012#google_vignette">Khampa combatants </a>through what had been a particularly <a href="https://nepalitimes.com/news/heavy-snowfall-over-nepal-himalaya">brutal winter in Mustang</a>, the last bastion to hold out against the Chinese invasion of their Tibetan homeland.&nbsp; The freedom fighters of Tibet, known as the Chushi-Gangdruk, had emerged to resist the <a href="https://nepalitimes.com/editorial/territorialism">Chinese takeover</a> of Tibet during the 1950s. Estimated to be 80,000-strong at the time of <a href="https://nepalitimes.com/here-now/what-or-who-after-the-dalai-lama">the Dalai Lama</a>’s final escape to India in 1959, the sheer number of Chinese deployed into Tibet eventually forced the Chushi-Gangdruk to retreat to Mustang, From this high Himalayan stronghold, they continued cross-border raids on the Chinese People’s Liberation Army (PLA) throughout the 1960s.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2025052403054_8a4a935ba25ae79dc3a63bb5c14626927020e5ec098093c45ccb9a5982e009fd.jpg" data-media-id="editor_10" data-image-id="2025052403054_8a4a935ba25ae79dc3a63bb5c14626927020e5ec098093c45ccb9a5982e009fd" data-rendition-name="original" width="1114" height="676" loading="lazy" alt="The last days of the Khampa NT"> <figcaption>Guerrillas known as the Chushi-Gangdruk emerged to resist the Chinese annexation of Tibet during the 1950s. Photo courtesy: MIKEL DUNHAM</figcaption> </figure>  Their Kathmandu base was a small discreet lodge in a back lane near Rani Pokhari. Sipping sweet tea from a blue mug with a chipped lid, I sat bemused in a corner of the Mustang Hotel room whilst Wangdu and his cohorts received a battered brown suitcase from their CIA connection, a tousle-haired American in a leather jacket. Heaved onto the dingy bedspread that covered the thin mattress, it was clicked open to reveal piles of neatly stacked dollar bills.&nbsp; I cannot think why Wangdu allowed me to witness this handover but I was clearly no threat, a newly arrived world traveller with no understanding of the stakes nor any Nepali or <a href="https://nepalitimes.com/multimedia/tibetan-music-in-nepals-sacred-valley">Tibetan language</a>. Despite armed guards in the corridor,Wangdu radiated confidence and bravado, and there was a practiced familiarity to the tense transaction. This deadly dance for many years had been funded by the Americans, tolerated by <a href="https://nepalitimes.com/here-now/the-kingdom-within-a-republic">Mustang’s residents</a>, and permitted by King Mahendra and the Nepali authorities who it suited to turn a blind eye.&nbsp; But Mahendra died in 1972, and times were changing. Richard Nixon’s ping-pong diplomacy thawed the cold war and signalled a fresh entente with China. Nepal’s yet-to-be-crowned <a href="https://nepalitimes.com/here-now/if-birendra-was-alive-nepal-could-still-be-a-monarchy">King Birendra </a>was under pressure to curb the irritating incursions against the PLA launched from the Nepali territory of Mustang. Keen to appease his northern neighbour, on several occasions the King summoned Wangdu for peace talks but, despite increasingly overwhelming odds, Wangdu refused to surrender.&nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2025052403054_a8efd5cfb92cd997bd7cb74296a936fef46e2f7428f9cd642b03f1ac4ea11ecb.jpg" data-media-id="editor_14" data-image-id="2025052403054_a8efd5cfb92cd997bd7cb74296a936fef46e2f7428f9cd642b03f1ac4ea11ecb" data-rendition-name="original" width="1055" height="885" loading="lazy" alt="The last days of the Khampa NT"> <figcaption>General Wangdu flanked by two Tibetan resistance fighters in Mustang in the 1970s. Photo courtesy: MIKEL DUNHAM</figcaption> </figure>   <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2025052403054_75969125a745847a2ef82b6fe8b9106c0b21a116d85b8efdf5d2ee89a347bb31.jpg" data-media-id="editor_15" data-image-id="2025052403054_75969125a745847a2ef82b6fe8b9106c0b21a116d85b8efdf5d2ee89a347bb31" data-rendition-name="original" width="1044" height="792" loading="lazy" alt="The last days of the Khampa NT"> <figcaption>King Birendra with General Wangdu (right in dark glasses) taken in 1974 possibly in Mustang after one of their few attempts at negotiation. Photo courtesy: RAJRNDRA KUNWAR</figcaption> </figure>  While I naively rode pillion around Kathmandu in the spring sunshine, Wangdu was in the midst of what turned out to be his final round of negotiations with the Nepal government. Refusing to cease hostilities with the Chinese, Wangdu must have suspected the cost of his decision, making his cheerful smile in the photograph all the more poignant and brave. It was only much later that I appreciated the significance of the moment. Wangdu had been sent to replace the first resistance leader in Mustang, Baba Gen Yeshe, a much derided corrupt character who stole money meant for his troops and exploited fleeing refugees by seizing their treasures. Baba Gen Yeshe never forgave Wangdu,and sought revenge in May 1974 by betraying him and his commanders to the Nepal authorities. Renewed Chinese incursions from the north, active PLA collusion with the Nepali forces under the new King, and treachery from within the Chushi-Gangdrukranks combined to seal their fate.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2025052403054_e0987a7c90d76431b0d7d5e6115ebfe3dbda7ab939e5941e079c18d722e884c0.jpg" data-media-id="editor_16" data-image-id="2025052403054_e0987a7c90d76431b0d7d5e6115ebfe3dbda7ab939e5941e079c18d722e884c0" data-rendition-name="original" width="1400" height="769" loading="lazy" alt="The last days of the Khampa NT"> <figcaption>British television journalists George Patterson and Adrian Cowell embedded themselves with Khampa guerrillas and accompanied them from Tsum Valley on a cross border raid on a Chinese Army convoy in 1964. Photo: ESSAYS ON NEPAL / SAM COWAN</figcaption> </figure>  Mikel Dunham, renowned author of Buddha’s Warriors, writes: ‘It is possible that Wangdu was waiting for some cue from the Dalai Lama’s government-in-exile in Dharamsala, India. It is equally possible – during that last, <a href="https://nepalitimes.com/multimedia/the-human-cost-of-nepal-s-yarsa-gold-rush?fbclid=IwZXh0bgNhZW0CMTEAAR31-Cqw8oyIwMPzf_35e4Skr0ululJvLf3_vDkzHn-AYG2h8uPw2rqqErg_aem_tGVn5coY1-jA7fze_xqhew">desolate winter </a>– that he made the decision to go out in glory rather than admit defeat. Over the last fifteen years, Wangdu had experienced Tibet’s organized resistance being squeezed and shoved around by every conceivable outside force.&nbsp; First they had been pushed out of their own country by the PLA; then they had been refused sanction while on <a href="https://nepalitimes.com/opinion/borderlines/nepal-india-trans-boundary-bonds?fbclid=IwAR0PpJ5zUEbwdug3g_U3ar6FUugngRY0S8Tl2v_7wqzrsHmXWcXsKjvL4t4">Indian soil</a>; then they were abandoned by the Americans because, apparently, Nixon wanted to make friends with Wangdu’s mortal enemies, the communists; then they had been betrayed by the vampiric Baba Gen Yeshe – a Tibetan and, even worse, a fellow Khampa; and now, finally Wangdu’s army was being evicted by the Nepalis. One thing was certain: Wangdu was a warrior. To imagine Wangdu simply giving up and settling down in the pacific squalor of a <a href="https://nepalitimes.com/here-now/elderly-left-in-bhutan-refugee-camp">refugee camp </a>was unthinkable.’  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2025052403054_8fc1ffef4ae751628b90ae781b66e11e51e4fdde2787207c9042efbee345ce49.jpg" data-media-id="editor_20" data-image-id="2025052403054_8fc1ffef4ae751628b90ae781b66e11e51e4fdde2787207c9042efbee345ce49" data-rendition-name="original" width="500" height="746" loading="lazy" alt="The last days of the Khampa NT"> <figcaption>The much derided Baba Gen Yeshe, the first Tibetan resistance leader in Mustang, who betrayed Wangdu for personal gain. Photo courtesy: MIKEL DUNHAM</figcaption> </figure>   <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2025052403054_b1d833cdb00d3ac4416b844d8730475cd88c238caaaf8da69889a584eea229a3.jpg" data-media-id="editor_21" data-image-id="2025052403054_b1d833cdb00d3ac4416b844d8730475cd88c238caaaf8da69889a584eea229a3" data-rendition-name="original" width="500" height="656" loading="lazy" alt="The last days of the Khampa NT"> <figcaption>Aditya SJB Rana of the Royal Nepal Army whose team ambushed Wangdu and his cohorts at the top of Tinker Pass in Darchula, West Nepal. Photo courtesy: GAUTAM SJB RANA</figcaption> </figure>  By August 1974 the game was up. Wangdu and six of his exhausted party were killed on their horses by <a href="https://archive.nepalitimes.com/news.php?id=7270">the Royal Nepal Army</a> on the brink of escape. The officer in charge, Aditya SJB Rana, cleverly predicted their route into India after they failed to silence a police radio in Yari. A carefully laid ambush trapped them near the summit of the Tinker Pass in Darchula,at 5,000 meters the highest military operation of its time. Wangdu’s body was helicoptered to Kathmandu, and a big show made of the royal Nepal victory.&nbsp; The Tibetan armed insurgency against China had reached its end.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250524030520_3ff9c6fc85a65bc9a2c3afe9736d9f5f9413de752e790a5d9dca0981ea94f9b4.jpg" data-media-id="editor_23" data-image-id="20250524030520_3ff9c6fc85a65bc9a2c3afe9736d9f5f9413de752e790a5d9dca0981ea94f9b4" data-rendition-name="original" width="1136" height="702" loading="lazy" alt="The last days of the Khampa NT"> </figure>

The Last Days of the Khampa

Starting 17 September Turkish Airlines will fly daily to Seville, one of Spain’s major tourist draws. This is Turkish’s sixth destination in Spain after Madrid, Barcelona, Valencia, Malaga, and Bilbao. Seville is in the Andalusia region on Spain’s south coast with a rich Moor history. There are approximately 30,000 Nepalis living in Spain.&nbsp;

Turkish to Seville

The newly-formed Himalayan Art Council is set to launch Nepal’s National Art Protection Platform that seeks to preserve <a href="https://nepalitimes.com/banner/the-history-of-heritage">Nepal’s unique cultural heritage </a>using<a href="https://nepalitimes.com/here-now/artificial-censorship"> AI-powered tools</a>. The Council seeks to safeguard <a href="https://nepalitimes.com/banner/nepali-art-going-places">Nepali art works</a> from neglect, theft and counterfeiting as well as preserve existing artwork and celebrate living masters by giving them a cultural space to continue the <a href="https://nepalitimes.com/banner/sacred-survival">sacred art traditions</a>. "We are introducing a new digital platform designed to preserve, verify and elevate <a href="https://nepalitimes.com/banner/nepals-new-generation-of-alternative-artists">Nepal’s art for generations to come,</a>” says a statement from the Council, adding that the digital platform will use AI told for authentication and blockchain to keep track of works of art. Artists can now be protected by <a href="https://nepalitimes.com/multimedia/ayo-ai?fbclid=IwAR1uwmTVq4gUB70ljfRezjzukD9ArWXPuMnUikopeQ8PoiZMjicToPSwhKE&amp;=1">AI tools</a> that detect forgeries, identify their work even when unsigned, and ensure they receive proper recognition and credit. The archives will be searchable with translated inscription and interactive guides. Says curator Meena Lama: “AI and blockchains are tools that give us the power to detect fakes and identify unsigned paintings and track every piece. With these tools we can restore trust, secure authorship and give artists the dignity they deserve.”  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250514170544_2ab58f6313c0458f75114a692b0016bd9efb3b59d5f8f07f0da72e1e37b82f53.jpg" data-media-id="editor_6" data-image-id="20250514170544_2ab58f6313c0458f75114a692b0016bd9efb3b59d5f8f07f0da72e1e37b82f53" data-rendition-name="original" width="1300" height="1000" loading="lazy" alt="Artwork at the Traditional Art Exhibition at Patan Museum."> <figcaption>Artwork at the Traditional Art Exhibition at Patan Museum.</figcaption> </figure>  The Council is also holding an exhibition of Nepali cultural masterpieces with 50 historical <a href="https://archive.nepalitimes.com/article/Nepali-Times-Buzz/Buzz-the-art,671">thangka and paubha </a>by past masters and <a href="https://nepalitimes.com/review/between-the-sacred-and-everyday">contemporary works by current artists</a>. This curated collection is a living tribute to <a href="https://nepalitimes.com/here-now/when-yaks-go-so-does-culture">Himalayan culture</a> with economic depictions of deities, mandala and sacred narratives. The exhibition at <a href="https://nepalitimes.com/multimedia/a-portal-into-patan-s-past-and-present">Patan Museum</a> also provides an opportunity to meet painters and custodians of art and culture. Read also: <a href="https://nepalitimes.com/review/golden-deities">Golden deities</a>, Sewa Bhattarai ‘The exhibition is only the first step in a long journey to ensure that Nepali art is no just seen but fully understood, <a href="https://archive.nepalitimes.com/article/nation/Narratives-of-Faith-and-Memory-Remembering-the-Lost-Sculptures-of-Kathmandu-exhibition,987">protected and remembered</a>,’ the Council says. Artist Kailash K Shrestha of Artudio has spent decades promoting thankha and paubha traditions because of their beauty and devotional meaning. But he also says artists are underpaid, exploited and ignored. He adds, “AI and blockchain are not just buzzwords, they are powerful tools that can protect Nepal’s artists from fraud, verify authenticity and build a permanent record of provenance.” Traditional Art Exhibition Till 17 May Patan Museum

Digital protection for Nepal’s art

<a href="https://www.instagram.com/prabalgurung/" target="_blank">Prabal Gurung</a> left Nepal for New York in 1999 to escape years of bullying, sexism and homophobia, and to pursue his dream of becoming a fashion designer. He <a href="https://www.youtube.com/watch?v=KqN0VaoAI5w" target="_blank">realised his dream</a>, but did not escape discrimination and racism in the new world. Propelled by passion for fashion, Gurung overcame everything America threw at him. He has attained <a href="https://www.vanityfair.com/style/story/prabal-gurung-recalls-his-first-met-gala-when-zoe-saldana-was-at-his-side?srsltid=AfmBOooy-H0oGgxMit864FnW_Pmw8mUnV8rYrh-co-f6OyYK6m2ip5hP" target="_blank">fame and recognition</a> for his haute couture dress designs while remaining true to his Nepali roots, and is even more resolute in <a href="https://www.youtube.com/watch?v=dSmNauyzACk" target="_blank">fighting prejudice</a> in all its forms. Prabal Gurung’s newly-released memoir <a href="https://www.amazon.com/Audible-Walk-Like-Girl-Memoir/dp/B0DG11HCDQ?fbclid=IwY2xjawKZfpxleHRuA2FlbQIxMQABHuZcIJO2OXyXcRm1oq1iG6wzeoF7VJFrQ7GXOFI0YxuZZ4id_CNvSZSZZIna_aem_pG_mOKG73RTnYvN8JaC4fA">Walk Like a Girl</a> is a saga of harrowing abuse in boarding schools in Nepal and India, only finding himself facing a different kind of bullying in the US. He prevails over it all to be where he is today: an award-winning American fashion designer with his own label. Walk Like a Girl was launched last week in New York at a time when everything Gurung fought for — tolerance, inclusion and diversity — are in retreat in his adopted country because of a president who has espoused a culture of bullying. The book is a searing, raw exposé of how cruel and abusive people can be even at a young age in school. On the other hand, it also shows that there are generous, compassionate and open-minded souls out there. In his book, <a href="https://www.youtube.com/watch?v=K4le_uWX7YE">Prabal Gurung</a> calls out those who tormented and tried to hold him back (some of their names have been altered). The moral of his story is: resist, never stop believing in yourself, do not let others define you, never lose sight of your dream, and help those who have been kept out. “Walk like a girl” was a slur used by bullies back in school in Nepal and India for Gurung’s effeminate ways. He fought back then, and he is still resisting by turning those words into something to be proud of.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250519170544_4ffc9c3f565dd2cfa754d10b224816897b82bb31ebaee91b6d79d469fc96f14e.jpg" data-media-id="editor_6" data-image-id="20250519170544_4ffc9c3f565dd2cfa754d10b224816897b82bb31ebaee91b6d79d469fc96f14e" data-rendition-name="original" width="1000" height="1253" loading="lazy" alt="Prabal Gurung NT"> <figcaption>Prabal Gurung at home in Kathmandu in the 1990s.</figcaption> </figure>  “Living through it all was one thing, but writing about it is one of the hardest things I have done in my life,” admitted Gurung during the launch. “I broke down constantly during the six-year writing process.” He continues: “I did not want this to be a victim’s book. I did not want to burden my readers with my emotions. I wanted my struggle to be an inspiration for others facing what I faced. I am grateful to those who bullied me in school, they made me a stronger person ready to face the world.” Indeed, this book is a departure from his earlier one titled simply, Prabal Gurung (Abrams, 2019), which was a lush pictorial autobiography of his career in fashion. Walk Like a Girl is not a typical fashion book, it is an intimate tale of <a href="https://archive.nepalitimes.com/news.php?id=16997">Gurung’s travails and triumphs</a>, and how he willed himself to succeed. Prabal pays a lavish tribute to his mother Durga Rana. We find out she is a descendant of the first wife of the eldest son of Jang Bahadur Rana who was banished to Palpa in the late 19th century. Prabal’s father served in the Singapore Police and that is where he was born before the family returned to Nepal when he was four. Gurung relates with brutal honesty about the violence his mother endured from his father. Durga raises three children as a single mother in Nepal, and Prabal credits her for his fierce determination to resist patriarchy and injustice, which in time manifests itself in his hyper-feminine and subversive dress designs. Writing the book has been a cathartic experience for Gurung, who says he is now relieved of the burdens of his past. It no longer haunts him, and he does not have to prove anything to anyone anymore. Walk Like a Girl has life lessons not just for the <a href="https://www.instagram.com/p/DJmOcSgxdWz/" target="_blank">fashion industry</a>, but for every other profession. How can my job serve a greater cause? Gurung tells us his work is <a href="https://asiasociety.org/blog/asia/why-designer-prabal-gurung-doesnt-want-just-stick-fashion" target="_blank">bigger than just making clothes</a>, it is about making the world a better place because it could do with a lot of improvement.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250519170544_d75296ad8bfdc00d88935f40d23543c6fea3d4d6a10e61a99d6cfc6127f2ee5b.png" data-media-id="editor_10" data-image-id="20250519170544_d75296ad8bfdc00d88935f40d23543c6fea3d4d6a10e61a99d6cfc6127f2ee5b" data-rendition-name="original" width="1516" height="1000" loading="lazy" alt="Prabal Gurung"> </figure>  This story of chasing the American dream may sound familiar to many immigrants: knocking on doors for jobs, rejections, trying to survive from day to day on expensive rent, and dealing with subtle racism in white America. Gurung finds racism is rife, and he is often mockingly called ‘gaysian’. He writes: ‘There was a strong hypocrisy — this idea of independence felt like a marketting ruse … and for all the talk of feminism in America, these high society women were trapped by the patriarchy just like in Nepal and India.’ After a trek to the Khumbu region in 2013, Gurung is inspired to use the colours, palette and textures of Nepal for his collection exhibited on Manhattan’s 8th Avenue. A major buyer tells him bluntly: “Stick to making pretty dresses … if I need to see a collection like this, I could buy a copy of National Geographic.” The New York Times was equally dismissive: ‘The designer tries to draw connections between blistered techo-fabric used to construct it and the topography of his homeland, Nepal. But, at the moment, he has lost his map.’ One potential investor tells Gurung he cannot design for Americana because “you do not look American”. Gurung wants to use expletives, but restrains himself. After a fundraiser in New York for the Nepal earthquake in 2015, some belittled his effort, saying: “Here comes the saviour."&nbsp; Read also: <a href="https://nepalitimes.com/review/prabal-gurung-by-prabal-gurung">Prabal Gurung by Prabal Gurung</a>, Kunda Dixit The Gurkha DNA must be dominant in Prabal Gurung’s genes because he does not take such mistreatment lying down. When asked by a fashion publicist why he was designing clothes for fat people, he snaps back: “Because of people like you.” He joins the Black Lives Matter and #MeToo movements, launches the Shikshya Foundation charity in Nepal, and has powerful allies among celebrities who wear clothes he designed: Michelle Obama, Oprah Winfrey, Sara Jessica Parker, Kamala Harris, Deepika Padukone … it is a long list.&nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250519150556_48a5f4211991a23fa85b64bbd5377575ca7081d97309d7542035591dda5180fe.png" data-media-id="editor_12" data-image-id="20250519150556_48a5f4211991a23fa85b64bbd5377575ca7081d97309d7542035591dda5180fe" data-rendition-name="original" width="1114" height="1534" loading="lazy" alt="Being Prabal Gurung by design"> <figcaption>Nigerian novelist Chimamanda Ngozi Adichie wearing Atelier Prabal Gurung’s design for Met Gala 2025 in which the theme was ‘Superfine: Tailoring Black Style’. </figcaption> </figure>  “I don’t dress women to look beautiful, they already are,” Gurung says. “I try to bring out their innate strength and grace.” <a href="https://www.instagram.com/stories/highlights/17908766880140171/" target="_blank">Admirers</a> tell Gurung he makes it all look so easy, but he used to put up a strong facade to not show his own vulnerabilities in public. “I was closed because of my childhood experiences,” he says. “I was always on guard to defend myself because I never knew where the next punch would come from.” But in <a href="https://www.youtube.com/watch?v=PPVepzPA210" target="_blank">Walk Like a Girl,</a> Gurung comes to terms with his vulnerability, and bares his soul. It has not been easy, it took sustained will power and support from his mother, sister Kumudini and a circle of close friends. “I made unbelonging my power,” he says. “Nepal is where I still have my heart and soul. Nepal grounds you. It is where people go to find themselves. But I escaped.” Recently appointed vice-chair of the <a href="https://cfda.com/about-cfda" target="_blank">Council of American Fashion Designers</a>, Gurung says: “I can’t believe I am here, it feels like it is happening to someone else. Writing this book, the healing has finally begun.” <h2>‘Everything is better in color’</h2> The Met Gala was two weeks later, and my table was an example of everything I’d been fighting for all these years as my guests represented everything I believed in: dynamic, powerful, influential women who were unapologetically original and unabashedly graceful. I was grateful to Anna for inviting me to host and dress a table that reflected my ethos—and for her guidance in doing so. I was also aware of the privilege as one of the first-­ever Asian fashion designers—not just from Nepal, but from the entire continent— to get the opportunity to do so. That fact was not lost on me. I reached out beyond the expected Hollywood celebrities and well-­known socialites to curate a table of exceptional women who inspired me. I invited Deepika Padukone and Alia Bhatt for their first-­ever Met Galas, as well as Michelle Yeoh, Mindy Kaling, Camila Cabello, Ashley Park, Denée Benton, KiKi Layne, Quannah Chasinghorse, and Grace Elizabeth. Together we checked many boxes: Asian, Black, Latinx, and Indigenous, each woman undeniably chic and powerful, a dazzling array of skin tones and experiences that proved my decades‑in‑the-­making hypothesis: everything is better in color. Excerpt from Walk Like a Girl Viking © 2025 by Prabal Gurung  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250519170520_6b91d560e9f072c37d16876901058c073a51ffa05e7ad1b9461d19e1c9c28215.jpg" data-media-id="editor_16" data-image-id="20250519170520_6b91d560e9f072c37d16876901058c073a51ffa05e7ad1b9461d19e1c9c28215" data-rendition-name="original" width="1136" height="702" loading="lazy" alt="Prabal Gurung book details NT"> </figure>   <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250519170520_345240c21be400e2ce2ec629b52bd82bb53890e5bd86fe95b48340d84b5f1748.jpg" data-media-id="editor_17" data-image-id="20250519170520_345240c21be400e2ce2ec629b52bd82bb53890e5bd86fe95b48340d84b5f1748" data-rendition-name="original" width="1136" height="702" loading="lazy" alt="Prabal Gurung book details NT"> </figure>  &nbsp;

anti-war

Keep calm, keep speaking out

In Mohammed Hanif’s crosshairs

The Last Days of the Khampa

Turkish to Seville

Digital protection for Nepal’s art

Being Prabal Gurung by design