What we know of <a href="https://nepalitimes.com/banner/time-capsule-of-kathmandu">Kathmandu Valley</a>’s history is mostly through epigraphs, the engraved inscriptions scattered around the Valley that document important events. <a href="https://nepalitimes.com/banner/the-historic-kathmandu-beneath-our-feet">These are mostly found above ground.</a> But underground, there is much more to be discovered about the waves of civilisations that thrived and waned in Kathmandu Valley over the past millennia.&nbsp; The fertile soil of the former lake bed was the source of Kathmandu's agricultural surplus and, along with its <a href="https://archive.nepalitimes.com/article/nation/putting-dolkha-back-on-the-map,3312">entrepôt status between India and Tibet</a>, a source of its wealth. The same soil also hides clues to the Valley’s past, but many of these archaeological sites are now built over with concrete houses and asphalt roads. &nbsp; The first exploration of Kathmandu Valley’s prehistory was carried out by R V Joshi but it did not yield any palaeolithic or microlithic relics. In 1965, S B Deo carried out an excavation in Manamaneswor near Hadigaon and Lazimpat that showed the earliest habitations were in the ‘early centuries of the Christian era’. But further digs by the Department of Archaeology (DoA) did not show new evidence of habitation. Then the DoA, with an Italian team from Instituto Italiano per il Medio ed Estremo Oriente (IsMEO) jointly organised excavations and surveys in Hadigaon. The excavations at the Satya Narayan temple dated the earliest habitation of Kathmandu to the first century BCE, much earlier than previously thought. Now, the results of the expedition from 1984-1989 have been published in the new book Harigaon Revisited: Chronicle and Outcomes of an Excavation in Kathmandu by Giovanni Verardi with Dániel Balogh, Daniela De Simone and Elio Paparatti.&nbsp; Read also: <a href="https://nepalitimes.com/banner/the-historic-kathmandu-beneath-our-feet">The historic Kathmandu beneath our feet</a>, Sahina Shrestha The idea to revisit the 80s excavation and turn it into a book came as IsMEO itself was closed down. Its documentation of excavations, particularly the graphic and photographic materials, were archived at Museo Nazionale di Arte Orientale in Via Merulana, Rome. In 2016, the museum merged with Museo Nazinale Preistorico Etnografico Luigi Pigorini in Piazza Guglielmo Marconi, Rome, to form the new Museo delle CiviltàIn Rome where a large part of the documentation is kept, ‘waiting to be rearranged and usable’. While much of the book is technical results of the excavation, the first part provides a narrative of the fieldwork from a personal point of view of Giovanni Verardi, an archaeologist and Professor specialising in the civilisations of central Asia and India who was appointed the Director of the Nepali-Italian Archaeological Mission in 1988.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20240301120340_3db207944131f4fef141161c056760bae59f887b0d2337048c88791638422335.jpg" data-media-id="editor_4" data-image-id="20240301120340_3db207944131f4fef141161c056760bae59f887b0d2337048c88791638422335" data-rendition-name="original" width="1500" height="794" loading="lazy" alt="Hadigaon"> <figcaption>The inscribed water conduit donated by Priyavarman in 749 AD.</figcaption> </figure>  Verardi remembers a different Kathmandu from today and says he found Nepali people to be "kind and cooperative" but the Ministry was "strict and severe" about the excavation. The team was obliged to write a daily report about their work and submit it to the DoA every afternoon. &nbsp;“Kathmandu back then was different,” said Verardi over the phone from Italy. “I returned to Nepal after many years in 2007/8 and then again two years ago, and was surprised by the transformation. I did not expect it to change so much.” Verardi spent a few months travelling across the Valley visiting old sites like Gokarna and Thankot with the Director General of DoA. With epigraphical inscriptions and Lain Singh Bangdel, then with the Royal Nepal Academy, identifying images found in Hadigaon to second century CE, the Satya Narayan temple seemed promising. Large areas were limited in number but Hadigaon was large enough for the team to conduct horizontal excavations to see if different kinds of buildings came out and they did get interesting results, like 898kg of ceramic materials. They were mostly broken pieces of pottery but 213 of them were intact vessels.&nbsp; More interesting were a Mathura-type sandstone fragments which were later determined to be a training weight. It depicts a scene of Lord Krishna slaying a horse demon Keshin. A water drain bearing the inscription dated 4 March 749 that says that one of the ancient names of the place was Andigrama, donated by Priyavarman to honour his deceased parents. The team also exposed a nine-pit structure which was named navakunda. Among the scholars who visited the site were Dhanavajra Vajracharya who had published Licchavikalaka Abhilekha and Prayag Raj Sharma, professor of history at Tribhuvan University who had assisted S B Deo during the excavation at Manamaeswor.&nbsp; It was not until Verardi came across a Mahayana silpa text, the Manjushrivastuvidyasastra, that it was established to be a part of a Buddhist stupa. The team found a few antiquities that were recognisable as Buddhist. One was a ‘conical sealing that on the bottom exhibited a stupa and an inscription in Licchavi characters’. Read also: <a href="https://nepalitimes.com/here-now/restoring-a-piece-of-nepal-s-history">Restoring a piece of Nepal's history</a>, Sahina Shrestha &nbsp;Another was the handle of a terracotta lamp showing Aksobhya, one of the five Wisdom Buddhas. The book also dedicates a section to the restoration of the <a href="https://nepalitimes.com/banner/the-historic-kathmandu-beneath-our-feet">Jayavarma statue which was found by chance in Maligaon in 1992</a>, near the Hadigaon excavation site. Elio Papparatti of the Nepali-Italian team restored the statue from twenty-three fragments and also made it earthquake proof. The statue is now housed at the National Museum. These and other discoveries clearly put Hadigaon as a place of archaeological and historical significance.&nbsp; But like much of Kathmandu, Hadigaon is also built up. While archeological finds were still being unearthed when digging foundations of new houses until a few years ago, the government has shown little interest in preserving the area for future research. Verardi says not all is yet lost. “There are still small areas where it would be possible to excavate in Hadigaon,” he says. "We already have a sequence so it would be much simpler to excavate compared to the 1980s.” &nbsp; Harigaon Revisited is an important documentation of an excavation that provide historical evidence that pre-date the earliest dates mentioned in known inscriptions. While some may argue that archaeological digs may be unnecessary given other inscriptions found in the Valley, the Hadigaon excavations demonstrated that the history of the Valley was much earlier than those dated by epigraphical evidence.&nbsp; Perhaps the only way for us to actually understand the real sequence of the earliest history of Kathmandu is through excavations. This book, though technical, will be useful for anyone interested in learning the prehistory of Nepal.&nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20240301120348_0e24ad7a92ef531466fb81ccd66ced772e6e8bedcdb6b2879d7342e1f71f422c.jpg" data-media-id="editor_7" data-image-id="20240301120348_0e24ad7a92ef531466fb81ccd66ced772e6e8bedcdb6b2879d7342e1f71f422c" data-rendition-name="original" width="1218" height="643" loading="lazy" alt="Hadigaon"> </figure>

Sahina Shrestha

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What lies below Hadigaon

<figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/2022111410110/637204489c7e80680e0b2853jpeg.jpg" alt="" width="3072" height="2048"/><figcaption>Photo: AMIT MACHAMSI</figcaption></figure>In late December 2021, social and mainstream media in Nepal was abuzz with news of the discovery of a stone slab in Patan Darbar Square area that contained ancient inscriptions.Labourers working on the sewage system in front of the Bhimsen Temple came across the 1.5m high shilalekh in a layer of clay below cement pipes.At the top of the inscription were two deer facing a Dharma Chakra, indicating it to be a Buddhist engraving. A team led by epigraphists Shyam Sundar Rajbanshi and archeologist Prakash Darnal studied the inscription and the area, and have determined it to be around 1,400 years old. Rajbanshi says, the inscription mentions the date Licchavi Sambat 536, which corresponds to 613 CE.“It talks about a bihar built by Brish Dev and renovated by Amshuvarma,” explains Rajbanshi, taking the names of the Lichhavi-era kings. “Normally, inscriptions are kept in the periphery of the monuments, so it is probable that the structure was in that area.”When the inscription was unearthed, the glaze over it was gone and parts of the inscriptions were damaged by mud and cement, rendering it difficult to read. What is surprising is that it was installed using cement, meaning that there must have been an intervention in recent years.<figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/2022111410110/6372044c9c7e80680e0b2854jpeg.jpg" alt="" width="800" height="600"><figcaption> </figcaption></figure>“Whoever did it must have known about its existence and yet chose to bury it under the ground. This is also an important part of our history, and it was buried for so long because of past carelessness,” says Rajbanshi.While studying the area, Darnal also found a wall that may be of archeological interest just 1.4m below the recently dug site. “Whether it is of the bihar or not is difficult to say without proper study but we have noted that it is of interest,” he says.Over the centuries, successive dynasties that ruled Kathmandu Valley left behind a legacy of palace complexes and temples, of which many from the Malla era are still standing. But very little is known about the earlier phases of Kathmandu’s history, especially subsurface archeological heritage.Recent <a href="https://www.nepalitimes.com/banner/buddhas-birthday-in-his-birthplace/" target="_blank" rel="noopener noreferrer">excavations in Lumbini</a> have uncovered pre-brick structures below standing remains, which suggest that before the development of non-durable buildings there were already structures with non-fired bricks present.Experts say that is also likely in Kathmandu Valley with its historical settlements and the presence of inscriptions dating back to the 4th century CE. Historical chronicles also state that sites like Pashupati were built as far back as the 3rd century, suggesting that there may be more to uncover below these ancient sites. But unplanned and haphazard urbanisation in Kathmandu, and the lack of political and community will are destroying our past.Read Also: <a href="https://www.nepalitimes.com/banner/buddhas-birthday-in-his-birthplace/" target="_blank" rel="noopener noreferrer">Buddha's birthday in his birthplace</a>, Nepali TimesIn his travelogue,<a href="https://books.google.fr/books?id=EzIDSAdG-wgC&amp;printsec=frontcover&amp;hl=fr&amp;source=gbs_ge_summary_r&amp;cad=0#v=onepage&amp;q&amp;f=false" target="_blank" rel="noopener noreferrer"> An Account of Tibet The Travels of Ippolito Desideri of Pistoia, S.J. 1712- 1727</a>, Italian Jesuit Ippolito Desideri who visited Kathmandu in 1721, mentions a plain stretching two miles (believed to be Tundikhel) near a pond. He writes, ‘There are many pyramids, or towers … dedicated to their Gods.’If it is indeed Tundikhel that Desideri describes, there are only two of the ‘many’ temples remaining in the vicinity, the Bhadrakali temple in the eastern side and the Mahankal temple on the western edge. Others may have been destroyed or buried over the years,  the remains of which may still be around.“Ground levels in cities rise overtime as new structures are built over the rubble of older ones that have collapsed or been abandoned  due to various reasons like fire or in case of Kathmandu Valley, earthquakes,” explains Rohit Ranjitkar of the Kathmandu Valley Preservation Trust (KVPT), who did his PhD in heritage restoration.The Pantheon in Rome was built on the site of another structure built around 27 BCE, but was destroyed in a fire. It was restored around 80 CE, but was again burnt to the ground after being struck by lightning 30 years later. It was later restored in 128 CE. Much of this information is found through painstaking archaeological work and historical records.The centres of other European cities like Athens and Pompeii also have carefully preserved sites for archaeological digs.In Kathmandu, the dabali across the Nautale Darbar, Basantapur has two chaitya more than 1m below current ground level. In front of the Kumari Ghar in Kathmandu Darbar Square, workers came across the finial of a <a href="https://youtu.be/w6oor-FChfs" target="_blank" rel="noopener noreferrer">chiba</a> while building a road 15 years ago. This finial is still visible and the area has been encased in metal bars. These sites have also shown how the ground level has risen in Kathmandu over the centuries after being built over.Ranjitkar says the dabali was actually a part of the palace before the 1934 earthquake. The houses there were damaged, but instead of repairing them, the palace complex was restructured, leaving the area open to make it easier for Prime Minister Judda Shamsher to manoeuvre his car. There were other <a href="https://www.nepalitimes.com/here-now/kathmandus-temple-restoration-after-1934-quake/" target="_blank" rel="noopener noreferrer">subtle and not-so-subtle changes to the Darbar Squares</a> after the 1934 earthquake.Read Also: <a href="https://www.nepalitimes.com/here-now/kathmandus-temple-restoration-after-1934-quake/" target="_blank" rel="noopener noreferrer">Kathmandu's temple restoration after 1934 quake</a>, Sahina ShresthaKathmandu Valley has a history of earthquakes every 60-70 years. Early history of the Valley has been known from textual sources like inscriptions from 4th century CE onwards, manuscript colophons after 8th century CE, and archives like the <a href="https://archive.org/details/GopalarajaVamsavaliDhanavajraVajracaryaAndKamalP..Malla/page/n7/mode/2up">Gopālarājavaṃśāvalī</a>.  These chronicles provide a regular recording of earthquakes including those in 1224, 1255, 1260, 1344, 1408, 1618, 1767, 1823, 1833, 1834, 1869, 1916 and 1934 – and prove the contention of seismologists about the Himalayan tectonics. While the accounts of earlier earthquakes are generalised, there are more details available for the earthquakes of 1833 and 1934.After the 1934 earthquake, the Bhandarkhal garden in the backyard of Patan Darbar was used to deposit debris from the palace complex and nearby areas. For years, no one cared to clean up the rubble and the garden lay dilapidated as the palace itself was used for government offices.When <a href="http://archive.nepalitimes.com/blogs/kundadixit/2011/04/05/797/" target="_blank" rel="noopener noreferrer">KVPT was working to restore the Bhandarkhal pond</a> in Patan Darbar Square in 2009, it discovered that the ground level of the area before the 1934 earthquake was much lower. The pond was in a dilapidated condition. There was a brick wall on the upper level that was built after the 1934 earthquake to contain the debris deposited in the garden. While working on the pond the team discovered the original base of the outer wall of the pond.“This gave us an idea of the historic pre-1934 ground level, so we cleared up the entire garden to preserve that,” says Ranjitkar. One can see how high the ground was after the 1934 earthquake by looking at the trees. The team built a substructure to support and preserve the trees that had grown over the raised area. While clearing up the debris, they also discovered ancient stone artefacts currently kept in the Patan Museum garden.Even after the restoration of pre-1934 level, one can see more layers underneath which could contain relics of debris from previous earthquakes. Says Ranjitkar: “When we excavated in Bhandarkhal garden, we found pockets of structure made of stone that were bigger than the ones that were in use at the time. This shows that there is a lot to learn about Kathmandu’s subsurface heritage.”After the 2015 earthquake, a team from Durham University in coordination with UNESCO and the Nepal government, conducted Ground Penetrating Radar Survey and geo-archaeological analysis of the three Darbar Square areas of Kathmandu Valley. It was determined that Kasthamandap which was thought to be a 12th century structure was actually built in the 7th century. The team also found that in all three palaces the subsurface level had been intruded by modern utilities like water, sewage and electric cables.The team has produced a provisional risk map of all three palace complexes highlighting possible archeological sites. The report has highlighted some areas in red as High Risk where there should be no intrusive development whatsoever.  Yellow areas are Moderate Risk where construction  should be avoided if possible, and Low Risk where development can take place but should be as non-intrusive as possible and fully reversible (see box).After the 2015 earthquake, UNESCO and the Department of Archaeology (DoA) also made an <a href="https://youtu.be/PstfEuTJmUA" target="_blank" rel="noopener noreferrer">emergency intervention at the Tashi Gomang Stupa (Mangal Bahudwar Chaitya) in Swayambhu</a>, where they found that inside the stucco stupa was another stupa with sculptures and terracotta closely resembling those found at Mahabouddha in Patan. This could indicate that the inner stupa could be from a similar timeframe.The discovery of the hidden chaitya could also prove that the practice of adding layers, creating a multi-shell structure – something characteristic of the larger mahachaitya – also occurred in smaller stupas.Kathmandu’s Handigaon is perhaps the best known site related to the Lichhavi era, and is considered to be the capital of the dynasty. The area has been studied a few times since the 1960s and many 1,300 year old terracotta figures and pottery have been found here, including an inscription dating back to King Amshuvarma.In 1989, an Italian team from ISMEO conducted an excavation at Satya Narayan temple in Handigaun which indicated that the earliest habitation activity in Kathmandu was in the 1st century BCE. Along with other archeological artefacts, a stone conduit dating back to 726 CE in the time of King Priya Varman was also discovered. A life-size stone statue of Jaya Varma was also discovered with an inscription dating back to the 2nd century CE from nearby Maligaun.Many scholars including conservation architect Sudarshan Raj Tiwari believe that the fabled Kailashkut Bhawan was in this area. This was Lichhavi King Amshuverma’s palace built in 598 CE, and so big that Chinese monk Xuanzang who visited Kathmandu at the time chronicled that its upper chamber could hold 1,000 people.“When we were looking for Kailashkut Bhawan, we found traces of archeological deposits inside the Balmandir complex. We are not sure if it is indeed the historical structure, but we also do not know if it is not,” says Tiwari. "Archeologists think that small traces aren't enough proof of anything, they need an entire wall to say that a building was there. But that is not the case because a lot of these places have been disturbed."However, Handigaun is being rapidly built up with residential houses and office blocks. The DoA has said there are traces of the ancient palace in Handigaun but has not moved to protect the site.Adds Tiwari: “The first thing that needs to be done is building restrictions in archaeological sites. We have been telling the government to control construction in Handigaun for years but nothing has happened. When we did the ground radar survey recently, we had to do it on the road.”Even there, the team discovered that the areas under the ground had been disturbed with water pipes and other cable conduits.<figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/2022111410110/6372044e9c7e80680e0b2855jpeg.jpg" alt="" width="900" height="574"><figcaption> </figcaption></figure>Handigaun is not an isolated case. In 1984, while constructing the subway at <a href="https://www.nepalitimes.com/here-now/water-of-the-ages/" target="_blank" rel="noopener noreferrer">Bhotahiti</a>, an ancient system with four water conduits was discovered. One of the conduits which was facing east had an inscription dating back to 596 CE saying it was constructed by Bibhu Varman during the rule of King Amshuvarma. The other three facing west and north were from the Malla era. Water was still flowing from the spouts when they were unearthed.But instead of preserving them, the municipality extracted the stone water spouts and stored them in the National Museum in Chhauni. The area was build over with an underpass that no one uses, but water is still seeping out through the concrete from this ancient system.Bhotahiti was among the seven water spouts in the area, and locals say it was first buried during the expansion of Tundikhel by the Ranas in the 1880s.Some 80m north from Bhotahiti towards Jamal is another sunken water spout called Jhanga Hiti which was covered over in 1981 after a local football team got permission to build its clubhouse over the historic site. The lower levels of the building now have shops while the football club has offices and meeting halls on the upper floors.Locals also say that another sunken water spout lies buried under the Nepal Electricity Authority (NEA) building east of Ratna Park.“History is layered, both metaphorically and literally,” says heritage documentarian and activist Alok Siddhi Tuladhar. “While it is understandable that things were destroyed during the Rana regime, it is sad that the same happened and continues to happen when we have people’s representatives running the government.”Read Also: <a href="https://www.nepalitimes.com/here-now/water-of-the-ages/" target="_blank" rel="noopener noreferrer">Water of the ages</a>, Alok Siddhi TuladharWhen it comes to conservation of these sites, ownership also plays an important role. Ancient pottery and terracotta have been found when digging foundations of buildings in Handigaun. Tiwari says that because people do not want to be bothered with delays in construction, they never report the finds.In 1989, an inscription dating 536 of the Licchavi era was discovered in Baluwagaun near Gokarna which mentioned the presence of a Rajbihar as well as a village, making the area of archeological significance.Archaeologist Prakash Darnal remembers that a house was being built over the find, and when the Village Development Committee was asked to stop construction, officials said nothing could be done because it was private property. A stone water conduit was found while digging the foundation of a private house in Hattisar, and that construction also could not be stopped.Heritage experts say public awareness as well as political will is necessary to save Kathmandu’s historical sites both beneath the ground as much as above the ground.“We explore and excavate to see if there is anything in the subsurface. But once it is done, it doesn’t mean the job is finished,” says Sudarshan Tiwari. “The reports have to be accessible, and in a language that is understandable by general public. This way people will become more aware about the value of protection.“The government then has to implement the recommendations and specify the limitations. Everyone needs to take the conservation of these sites seriously,” he adds.Read Also: <a href="https://www.nepalitimes.com/opinion/where-siddhartha-gautam-walked/" target="_blank" rel="noopener noreferrer">Where Siddhartha Gautam walked</a>, Robin Coningham<h2>What is beneath Kathmandu's Darbar Squares?</h2><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/2022111410110/637204519c7e80680e0b2856jpeg.jpg" alt="" width="640" height="458"><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/2022111410110/637204549c7e80680e0b2857jpeg.jpg" alt="" width="640" height="476">Provisional risk map for Kathmandu Darbar Square (left) and Bhaktapur Darbar Square (right). Source: POST-DISASTER URBAN ARCHAEOLOGICAL INVESTIGATION, EVALUATION AND INTERPRETATION IN THE KATHMANDU VALLEY WORLD HERITAGE PROPERTYArchaeological investigation of the Kathmandu Darbar Square area by UNESCO, Durham University and the Nepal government after the 2015 earthquake classified the World Heritage Site into three zones for protection of subsurface relics of archaeological significance. It recommended:Red ‘High Risk’ areas contain the most important archaeological remains at the site and are of significance not only to understand the development of a specific Darbar Square, but also the wider Kathmandu Valley and beyond. There should be no further development in these areas, and any existing modern structures should wherever possible be removed.Yellow ‘Moderate Risk’ areas contain (or may contain) archaeological remains that can inform us about the development of a specific Darbar Square. Development in these areas should be kept to a minimum, in accordance with an Archaeological Watching Brief.<figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/2022111410110/637204569c7e80680e0b2858jpeg.jpg" alt="" width="609" height="860"><figcaption> </figcaption></figure>Green ‘Low Risk’ areas contain minor or no archaeological remains, which may be able to inform us about the development of a specific Darbar Square. Development in these areas is possible, but should be undertaken in accordance with an Archaeological Watching Brief.

The historic Kathmandu beneath our feet

The Kangchenjunga Trek in far-eastern Nepal is a remote and less-crowded adventure that offers raw wilderness, diverse cultures, and breathtaking terrain below the world’s third highest mountain. Kangchenjunga (8,586m) grabbed the world’s attention before Mt Everest ever did because its imposing rampart dominated the northern horizon from Darjeeling, the summer refuge for the British in India. The Kangchenjunga massif is more a mountain range rather than a peak, its high ridge stretching 25km from Nepal to Sikkim.  <figure><img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20251211111236_1f51f10becbb6bd01248f5845c6055479201365b1357fbbc6479b6724ea2185c.jpg" data-media-id="editor_0" data-image-id="20251211111236_1f51f10becbb6bd01248f5845c6055479201365b1357fbbc6479b6724ea2185c" data-rendition-name="original" width="938" height="726" loading="lazy" alt="Kangchenjunga trail map"></figure>  Sikkim considers the mountain sacred, and has banned mountaineering expeditions. But the various prominences of Kangchenjunga are increasingly popular for climbers via the north face in Nepal. For non-mountaineers, even the Kangchenjunga trek can be arduous, especially in winter. It is one of the last pure wilderness areas in Nepal, traversing sparsely populated valleys that are rich in biodiversity because of the high annual rainfall. Even when Nepal was a forbidden land, among the first foreign visitors was British botanist J D Hooker who explored the Nepal side of Kangchenjunga in 1850 to collect plant samples. The peak was first climbed in 1955, two years after the first ascent of Mt Everest.  <figure><img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20251215071228_7dd4ddc943554012654df0a2f5065ed364b8349c31888ac8cbe175b4540d1dfd.jpg" data-media-id="editor_1" data-image-id="20251215071228_7dd4ddc943554012654df0a2f5065ed364b8349c31888ac8cbe175b4540d1dfd" data-rendition-name="original" width="1280" height="597" loading="lazy" alt="Kangchenjunga in winter NT"></figure>   <figure><img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2025121509128_a857e5e9cfc7fea2f5f0b060b8f6e9f6582abc1ac1fd1a60abad90a9d55adbff.jpg" data-media-id="editor_2" data-image-id="2025121509128_a857e5e9cfc7fea2f5f0b060b8f6e9f6582abc1ac1fd1a60abad90a9d55adbff" data-rendition-name="original" width="720" height="1280" loading="lazy" alt="Kangchenjunga in winter NT"></figure>  The establishment of Kangchenjunga Conservation Area in September 2006 was accompanied by tragedy when 24 people, including Nepal’s nature preservation pioneers were killed in a helicopter crash. The Conservation Area is now the only one managed completely by the local indigenous people. It has 70 varieties of orchids, 30 rhododendron types, and 15 out of 28 endemic plants of Nepal. Kangchenjunga still gets very few of the 200,000 foreign trekkers who visit Nepal every year, but improved road access in recent years is making it more popular. Trekkers have a choice of exploring the North Base Camp (Pangpema) or the South Base Camp (Yalung Glacier), or combine both for the full Kangchenjunga Circuit (map). This trek is considered strenuous, with long walking days, high altitude, and tea house accommodation that is much more basic than the Everest or Annapurna regions. Trekkers have to be fit and with prior hiking experience. Most teams take tents and camp, and carry most of their food.  <figure><img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2025121509128_895ccc1d918f88c255dbeccea19c990bcaa792f384750559cb7257b99f177be7.jpg" data-media-id="editor_3" data-image-id="2025121509128_895ccc1d918f88c255dbeccea19c990bcaa792f384750559cb7257b99f177be7" data-rendition-name="original" width="1280" height="597" loading="lazy" alt="Kangchenjunga in winter NT"></figure>  FULL CIRCUIT Because the region is restricted, trekkers must obtain a permit and be accompanied by a licensed guide. A full circuit can take three weeks, while doing only the North or South Base Camps will take two weeks, including flying from Kathmandu to Bhadrapur and jeep to Taplejung or a rough trail to Hellok. The lower forested stretches are teeming with wildlife, and this is red panda and snow leopard country. The streams and ponds have amphibians and reptiles, some of which have not yet even been classified. The route also passes the homelands of the Limbu, Rai and Tibetan communities with the local culture and architecture more intact than in most other mountain areas of Nepal.  <figure><img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2025121509128_90c129a639376621ece0aa067a601573f8b06d934c089a0fa929a7ce9c12018b.jpg" data-media-id="editor_4" data-image-id="2025121509128_90c129a639376621ece0aa067a601573f8b06d934c089a0fa929a7ce9c12018b" data-rendition-name="original" width="1280" height="597" loading="lazy" alt="Kangchenjunga in winter NT"></figure>   <figure><img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2025121509128_f51e595e5a18d573365cc611dbf1a49cfb19b2b8ee40164ed500179e2a2b04f8.jpg" data-media-id="editor_5" data-image-id="2025121509128_f51e595e5a18d573365cc611dbf1a49cfb19b2b8ee40164ed500179e2a2b04f8" data-rendition-name="original" width="720" height="1280" loading="lazy" alt="Kangchenjunga in winter NT"></figure>  The best seasons to trek are spring (March–May) and autumn (September–November). There are fewer trekkers and climbers in winter, and many of the birds and wildlife have migrated down to warmer climes. Despite its beauty, trekkers should be prepared for challenges like long distances between villages, unpredictable weather, and limited emergency rescue options due to the remoteness of the area — all even more challenging in winter. Norbu Lama is an international hiking guide with www.dolpocaravantreks.com and just returned after leading a trek to Kangchenjunga Base Camps.

Kangchenjunga in winter

Nepal’s month-long cricket carnival ended on a sunny Saturday in Kathmandu with a final game in which the Lumbini Lions dominated the Sudurpaschim Royals with both bat and ball.&nbsp; The Royals were bowled out for an embarrassing 85, thanks to Namibian Ruben Trumplemann’s three wickets for three runs, and captain Rohit Paudel’s hat-trick in the eleventh over. Only opener Ishan Pandey’s 33 run-innings was of any note.&nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2025121315120_ced9258f9503a03fe53760d5ff420136ea9cfbaf3001512399ec5cafeef25364.jpg" data-media-id="editor_0" data-image-id="2025121315120_ced9258f9503a03fe53760d5ff420136ea9cfbaf3001512399ec5cafeef25364" data-rendition-name="original" width="1366" height="909" loading="lazy" alt="NPL 2"> </figure>   <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20251213141232_0b712b438a97b49747029e4b3884b0eeba8ec0ff0bfbc5fd3d61cbb2002a16c2.jpg" data-media-id="editor_1" data-image-id="20251213141232_0b712b438a97b49747029e4b3884b0eeba8ec0ff0bfbc5fd3d61cbb2002a16c2" data-rendition-name="original" width="1345" height="1000" loading="lazy" alt="NPL 2"> </figure>  The Lions came out with virtually no pressure on them, and Dinesh Adhikari’s 42 off 13 including 27 off the first over bowled by Dipendra Singh Airee won the match. Rohit Paudel came in to finish the match calmly, with 11 overs to spare, scoring two stylish fours and a six before holing out with the Lions on 83.&nbsp; The Lions took comically long to get the final two runs to win the game, losing one more wicket. But it was merely a matter of time, and a single ended the Royal’s misery.&nbsp; As dusk fell, the big fluffy lion mascot was on the field dapping up the Lions as red fireworks went off and Lumbini fans leaped from their seats in the packed stands.&nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20251213141232_ba4c4fde1865c583cf324d253563a0fc96002c31e8381ee85850f71c67515ea9.jpg" data-media-id="editor_2" data-image-id="20251213141232_ba4c4fde1865c583cf324d253563a0fc96002c31e8381ee85850f71c67515ea9" data-rendition-name="original" width="2048" height="1365" loading="lazy" alt="NPL 2"> </figure>  This capped off an incredible run from the Lions who had finished dead last in NPL Season 1, and had only one win and three losses after four games. They won the remaining three, finishing fourth, barely qualifying.&nbsp; This meant that they had to play an eliminator last week against the Kathmandu Gorkhas and then a qualifier against the popular Biratnagar Kings, whose squad included Sandeep Lamichhane, Faf du Plessis, and Martin Guptill. They won both in style. For the Royals, however, this was the second disappointing final in a row after being the best team in the group stage in both seasons of the NPL. National team batsman Binod Bhandari had had an excellent tournament for the Royals, but was in tears at having come this far again and fallen short.&nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20251213141228_a90fd0afaeec366416efe314464d6b1152bd9cca011346b77914c2037b6b156e.jpg" data-media-id="editor_3" data-image-id="20251213141228_a90fd0afaeec366416efe314464d6b1152bd9cca011346b77914c2037b6b156e" data-rendition-name="original" width="2048" height="1366" loading="lazy" alt="NPL 2"> </figure>  Despite the final being disappointingly less action-packed for the neutral viewer, the final marked the second successful execution of the NPL. The addition of seats and floodlights at the TU Cricket Stadium overlooking Kathmandu made evening games possible and improved the experience for fans.&nbsp; The floodlights also made for some gorgeous photography as the sun set behind Chandragiri, illuminating the Himalaya to the north in gradually fading shades of orange.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20251205041256_280bea0db1d097c88d478f5ba7197b5e2faa05623ebf9c0438af46d85bdb891e.jpg" data-media-id="editor_4" data-image-id="20251205041256_280bea0db1d097c88d478f5ba7197b5e2faa05623ebf9c0438af46d85bdb891e" data-rendition-name="original" width="1366" height="911" loading="lazy" alt="Cricket carnival NT"> <figcaption>Photo: SUMAN NEPALI</figcaption> </figure>  Adam Rossington’s 323 runs, including a century, and Sandeep Lamichhane’s 17 wickets were the standout individual performances across the tournament in the past month.&nbsp; The tournament brought out characters much loved by the vociferous crowd, including ‘Taklu’ Irish commentator Andrew Leonard who worked in a Dhaka Topi, British presenter Jess Crowe who donned a Sari for the final, and Chitwan Rhinos’ charismatic mascot Mr Gaida who entertained the crowd with enthusiastic nonstop dancing.&nbsp; The tournament was such a draw that the university grounds looked like a carnival with food and merchandise stalls. The capacity 10,000 stadium drew such a crowd that Kathmandu streets were relatively quiet on Saturday with people also watching the game live on tv at home.&nbsp; Kathmandu’s residents were genuinely delighted at being able to talk about <a href="https://nepalitimes.com/here-now/cricket-carnival">a Nepali cricket tournament</a>, and not about the Indian or English Premier Leagues. And while everyone appreciated the cricket no matter who was playing, fans showed up for their provinces in loud numbers.&nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20251205041256_e96211da042ec3043940f2feca4cd59dd00351af41a4ca029169871f69f51957.jpg" data-media-id="editor_6" data-image-id="20251205041256_e96211da042ec3043940f2feca4cd59dd00351af41a4ca029169871f69f51957" data-rendition-name="original" width="1366" height="911" loading="lazy" alt="Cricket carnival NT"> <figcaption>Photo: SUMAN NEPALI</figcaption> </figure>  The organisers having proven themselves, future NPLs may need more stadiums in other provinces, even better overseas players.&nbsp; Sambhav Sirohiya of the Kathmandu Media Group ambitiously tweeted that he believes that the league could already become the second most valuable franchise cricket league NEXT SEASON, especially if the government would loosen up its regulations of advertising, especially that of alcohol. Nepali cricketers and fans are now better prepared for the T20 World Cup in India and Sri Lanka in February, with the experience of playing in the NPL and with the access to world-class cricket talent and seeing how they go about excelling at the sport.&nbsp;

Lumbini gets the lion’s share

Ancient heritage meets dern distillery craft as the US-based The Nepali Spirit Company this month makes its global debut with Kathmandu Ayla. Inspired by Nepal’s ancient rice whiskey tradition, the product is the first of four handcrafted spirits that brings Kathmandu Valley’s 1,000-year-old ayla tradition to the world stage. “The first four products combine history, culture, and tradition and it has taken eight years to get to this launch point,” says CEO of The Nepal Spirit Company Kashish Das Shrestha, who is also publishing a book on the history of alcohol in Nepali culture. The other three ayla products are Masala Whiskey aged in Brazilian Amburana casks and spiced with black cardamom from Nepal, Annapurna Ayla, and Haku Chaku Himalayan Espresso Liqueur made with organic Nepali coffee, and chaku (dark molasses).  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20251216141244_ab74945dc60ce5ff83fe7a88596fc032c18705e7cda9dc62df21694d3ad83b85.jpg" data-media-id="editor_0" data-image-id="20251216141244_ab74945dc60ce5ff83fe7a88596fc032c18705e7cda9dc62df21694d3ad83b85" data-rendition-name="original" width="1500" height="1000" loading="lazy" alt="The American Ayla NT"> </figure>  “I started visiting international whiskey auctions six years ago and after reading about distilling, my passion for spirits grew, and I felt the urge to tell the story of Nepal’s heritage spirits to the world,” explains Shrestha. Once poured in Nepal’s royal courts, ayla is a clear rice whiskey that is a millennia-old living heritage of Kathmandu used in rituals from birth to death and traditional life milestones of its inhabitants. Ayla is distilled to capture the classic aromas and flavors, with a soft sweet after taste. It can be enjoyed neat, sipped through meals, or enjoyed as shots. With more than 15% of Nepal’s population living and working abroad, there is a cultural demand for ayla in the diaspora from Asan to Amstredam to Australia.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20251216121236_0db0ec396832736fef60b636d7012a917be65471408c81383a40613f928f9e78.jpg" data-media-id="editor_1" data-image-id="20251216121236_0db0ec396832736fef60b636d7012a917be65471408c81383a40613f928f9e78" data-rendition-name="original" width="1000" height="1270" loading="lazy" alt="The American Ayla NT"> </figure>   <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20251216141236_a84ede74c67a61e75af2f0cc1c985b4d04ff2292c6bd0bd0b841f4d2c7b593aa.jpg" data-media-id="editor_2" data-image-id="20251216141236_a84ede74c67a61e75af2f0cc1c985b4d04ff2292c6bd0bd0b841f4d2c7b593aa" data-rendition-name="original" width="1778" height="1000" loading="lazy" alt="The American Ayla NT"> </figure>  &nbsp;“We also believe ayla is a wonderful way to tell Nepal’s story to the world,” says Lilu KC Shrestha, Chief Operating Officer of the company. “We intend to use our platform to promote Nepal in any way we can, and also find ways to give back to the country. It was high time a world-class Nepali spirits brand entered the global market, and we are proud to take the lead.” Aside from the ayla itself, the bottle and packaging was conceived by New York-based designer Sahara Shrestha to reflect a complete Nepaliness. “Each bottle and box is a love letter to Nepal, and every detail is an expression of respect and appreciation of Nepali heritage and our desire to share it with the world,” says Kashish Das Shrestha. “And ayla itself is a sacred part of our culture, so we wanted to make sure the bottle reflects this reverence.”  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20251216141244_d2746204c64802ff81453d7a8749f516bf3c62538fe3c98400a9b3978c03b273.jpg" data-media-id="editor_3" data-image-id="20251216141244_d2746204c64802ff81453d7a8749f516bf3c62538fe3c98400a9b3978c03b273" data-rendition-name="original" width="1920" height="1475" loading="lazy" alt="The American Ayla NT"> <figcaption>Aylarita</figcaption> </figure>  The bottom of each bottle has an embossed Mandala representing the universe and its interconnectedness. A glass molding of Himalayan peaks Chomolungma and Nuptse signifies the earth and heaven. The bottle cap is a black and gold rendering of the metal plates that hang from Kathmandu’s temples. The logo of The Nepali Spirit Company is also inspired by the unti, a traditional vessel used to pour ayla. While its top is typically adorned with a peacock, the company’s design replaces it with rice stalks. This motif is also on the label of Annapurna Whiskey named in honour of both the mountain and the goddess, the giver of grain. For a new take, ayla can be paired with a lime wedge lathered in honey, cumin, and salt, or on the glass rim. It can also be mixed into cocktails to make Aylarita, Aylatini, or Aylapolitan. <a href="http://www.thenepalispirit.com/" target="_blank">www.thenepalispirit.com</a>, @TheNepaliSpirit

The American Ayla

People like myself were too young during the decade of the Maoist War to remember its horrors. We often wonder what life was truly like back then. Perhaps the closest we have come to experiencing a national crisis of that scale – with the protests, violence, curfews, and political maneuvering – was the GenZ movement in September. How did people cope? What did they fear? What was it like in the cities and &nbsp;villages? How was it that the king still held so much power? What motivated the guerrillas? And, how did &nbsp;ordinary people adjust and endure the war? My curiosity about the war that ended 20 years ago &nbsp;was met with a rollercoaster of emotions with Monica Rana’s debut novel, The Paths We Choose. The novel is not a retelling of events from the vantage of leaders, rebels. It is not about the violence, but a carefully curated perspective of ordinary people caught up in it. It is a glimpse into how the war altered or defined their paths. This is the 'People’s War' from the people’s own perspective. Readers are immediately invested into the lives of two central characters, the sister duo, Sumnima and Rita. The elder radiating from the beginning with her brave and cunning aura, and the latter, more timid and obedient, much of her time absorbed in awe of her sister. The writer’s language flows as effortlessly as the sisters’ strides up the hills to steal mangoes from Dhire Dai’s trees, only to race back down to Rato Mato, carrying us through their journey into adolescence. Amidst the rolling hills, mango trees, life is filled with laughter, adventures, and everyday banter, scenes so serene that they carry an unsettling calm that hints at what lies ahead. Village life is not all painted in romantic hues. The stark reality of poverty, subsistence, and contrast with the comfort of city living are never far away. Amidst these reminders, there runs a humbling truth: happiness once rested on small things, not on the material excess that define urban life. As the pages turn, the title begins to resonate: two sisters, once bound by the same bloodline, shared dreams, and the same roof, are caught in the crosshairs of war and forced onto separate paths. One by choice, and the other by necessity. The story unfolds with the seasons: the relentless monsoon rains, the scorching heat of summer, and a liberating winter that carries bittersweet truths. The year is 2001, as the insurgency intensifies. Against this backdrop, the cousins’ lives diverge. Sumnima is drawn into the rebels’ ranks to 'fight for equality and freedom', while Rita is uprooted, carried across distances, and placed in Seto Bangala as a helping hand among the higher-ups, in her family’s desperate attempt to secure her a better life after their village is reduced to a 'ghost city' by violent attacks. There are betrayals and beginnings, high palaces and humble hills, royals and rurals, identity and ideology, loss and lament, distance and discovery. Through upheavals, tears, and struggles, one thing remains constant: both sisters wonder about the other. They care. They long to reconnect. They hold fast to the dream they once shared to open a guesthouse in their village someday. A dream to simply live with no fear. To be free. To be happy. And, to be together. The writing illuminates vital themes: innocent people caught up in strife, the vast chasm of class from royals dining on silver plates to villagers back home hiding their last grain to save it from looters. And discrimination so stark it was as if people carried labels on their foreheads, marked by caste, skin colour, and gender. The sisters eventually reunite, but their journey is not an easy one, and what lies ahead is far from the future either of them once imagined. One might romanticise it as fate, or might recoil at the harsh reality Monica Rana lays bare: it is often the innocent who bear the heaviest burdens of war. Civilians are trapped between warring sides, enduring hunger, displacement, and violence through no fault of their own. Wars continue to rage across the world. Though the novel does not particularly focus on exposing the horrifying depths of war crimes, it remains a timeless reminder of what the Palestinian poet Mahmoud Darwish once said: “The war will end, and leaders will shake hands. The old woman will keep waiting for her martyred son. And those children will keep waiting for their hero father. I don’t know who sold our homeland, but I saw who paid the price.” &nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20251213031240_2f7c62e392a430082c1627719e014f82b857118e226299e1590d74503387ae93.jpg" data-media-id="editor_0" data-image-id="20251213031240_2f7c62e392a430082c1627719e014f82b857118e226299e1590d74503387ae93" data-rendition-name="original" width="1136" height="702" loading="lazy" alt="The paths we choose book review"> </figure>

archaeological-heritage

What lies below Hadigaon

The historic Kathmandu beneath our feet

Kangchenjunga in winter

Lumbini gets the lion’s share

The American Ayla

The war between people