After the devastating earthquake in 2015, the Nepali classical musical band Sukarma travelled to Switzerland to perform concerts to raise money for reconstruction back home. This time, the folk-classical musical trio went back to southern Switzerland to raise money for relief and reconstruction for the damage caused by massive storms and floods there in June — possibly the first time Nepalis have reciprocated for <a href="https://nepalitimes.com/news/60-years-of-helvetas-in-nepal" target="_blank">Swiss assistance </a>over the past six decades. “It was truly an honour, and a proud moment for us as Nepalis that we could give back to the Swiss people in their own time of need,” said Dhrubesh Chandra Regmi, the renowned Nepali sitarist and founder of Sukarma, on return to Kathmandu after his concert tour.&nbsp; As the name of the band itself implies, it is all about earning good karma points, and proof that help does not always have to be one-sided. Sukarmal's renowned tabla maestro <a href="https://archive.nepalitimes.com/news.php?id=1424" target="_blank">Atul Gautam died in 2005</a> of brain hemorrhage. Flutist and Grammy award nominee <a href="https://nepalitimes.com/here-now/king-of-music-for-kindness" target="_blank">Manose Newa</a> was also a part of Sukarma at one time. Sukarma was founded in 1997, has <a href="https://archive.nepalitimes.com/news.php?id=18354" target="_blank">performed often in Europe</a> and several times in the southern part of Switzerland on behalf of <a href="https://kamforsud.org/en/" target="_blank">Kam For Sud</a>, the Swiss non-profit working on education, health and ecology projects in Nepal, especially after the 2015 earthquake.&nbsp; This time, Sukarma’s Europe tour included two concerts on 6-7 September in Maggia and Mesocco in the Italian-speaking part of Switzerland that was devastated by <a href="https://apnews.com/article/switzerland-storms-flooding-landslide-bridge-c439ed5a966f94775082b8c70369666c" target="_blank">storms and landslides in late June</a>. Four people were killed when rivers burst their banks on the southern side of the Alps.&nbsp; The concerts were held at the church of S. Maria delle Grazie in Maggia and S. Maria del Castello in Mesocco, and Sukarma performed together with the four-member choir Vocalia known for its &nbsp;Romanesque diphonic singing.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2024092214098_1f209513a175f60311c200d0d6186f7ebf7c3af210b6baabc555627ec5be1542.jpg" data-media-id="editor_6" data-image-id="2024092214098_1f209513a175f60311c200d0d6186f7ebf7c3af210b6baabc555627ec5be1542" data-rendition-name="original" width="1174" height="1514" loading="lazy" alt="Nepali classical musical band Sukarma NT 2"> </figure>  “Sukarma has always stood for using music as a source of harmony, compassion and togetherness,” Regmi told Nepali Times. “So it was natural for us to return the generosity the Swiss people showed Nepal after the earthquake. The concerts were a symbol of solidarity and mutual help.” The concerts were organized by Kam For Sud, which had invited Sukarma several times to Switzerland to raise money for its activities in Nepal. But after hearing about the storms that ravaged Ticino, Regmi expressed the desire to perform for Switzerland in return. “All three of us in the band felt a strong urge to share our music in solidarity with the Swiss people who had in the past shown tremendous support for Nepal during our disaster,” Regmi noted. Sukarma is made up of Regmi on sitar, Yati Raj Adhikari on violin and Jagannath Dhaugoda on tabla and madal (pictured). The band has performed in Nepal and around the world to spread its message of harmony and peace through music.&nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20240922140912_9dd1452e995f682953007bb720e044f3d4421cfe1ed23def3b04d83b439dda12.jpg" data-media-id="editor_7" data-image-id="20240922140912_9dd1452e995f682953007bb720e044f3d4421cfe1ed23def3b04d83b439dda12" data-rendition-name="original" width="4320" height="3596" loading="lazy" alt="Nepali classical musical band Sukarma NT 3"> </figure>  Both concerts at the Swiss churches served as a moving demonstration of the deep ties between Nepal and Switzerland, with Sukarma’s music symbolising unity and support across borders. The Alps and the Himalayan are both at risk from the impacts of climate breakdown and the extreme weather events as a result. Glaciers are shrinking and receding in both mountain ranges, affecting water supply in the two countries as well as downstream. There have been unseasonal heat waves melting the ice cap on the Alps and unleashing severe storms like the one in June, while the Himalaya have suffered successive winter droughts and record-breaking rainfall. Says Regmi: “Our music is also a call for humanity to live in harmony with nature, so that the ecological balance of Mother Earth can be restored.”

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Nepali band raises money for Swiss charity

On the street opposite the Gurkha Store in the west London suburb of Feltham are a row of terraced semi-detached houses. Among them is ‘The Garage’, where the local Nepalis used to hang out to produce music, art, videos and to write.Owner Shirish Gurung remembers a time when The Garage was a vibrant venue, bustling with activity for young Nepalis adjusting to their new country. It hosted indie artists, screened short films, it was where scripts were written for films that were never shot.Sometimes artists meditated to get their creative juices flowing, or performed collective shamanist dances for cathartic purposes to the rhythmic wild beating of the madal and drums.<figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221108151112/636a64109c7e80680e0598b6jpeg.jpg" alt="" width="640" height="429"/><figcaption>The Garage in London</figcaption></figure>They were Nepalis in their mid-teens to early twenties who found themselves in the UK through their parents’ Gurkha connection. It was their common background and culture shock that brought the youth together.Young people moving to a new country often feel a sense of isolation, long to belong but lack the confidence to assimilate. It was this shared experience that brought them together to this secure place where they could express themselves artistically.<figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221108151112/636a64129c7e80680e0598b7jpeg.jpg" alt="" width="593" height="328"><figcaption> </figcaption></figure>The Garage could accommodate six cars comfortably, but Shirish DIYed it  into a homemade band rehearsal studio. Multiple layers of egg crates plastered on the walls and ceiling acted a partial soundproof, electricity was brought in from the main house for the electric guitars and amps. There used to be a second-hand pearl drum kit in the corner.<figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221108151112/636a64149c7e80680e0598b8jpeg.jpg" alt="" width="562" height="335"><figcaption> </figcaption></figure>The conversion of the space into a band rehearsal studio was a necessity rather than a hobby. Back then, Shirish was playing for a band called the <a href="https://www.youtube.com/watch?v=6V0T58ZWrHY&amp;t=44s">Lemon Curse</a> which had regular gigs to perform original content at a jam-packed venue in Camden to covering crowd friendly songs at local Indian weddings in Southall. Converting the garage space into a rehearsal studio was to cut cost.Word of an available rehearsal space spread across the community, and  attracted musicians from the diaspora. Apart from rehearsing musicians, The Garage also brought onlookers who began to congregate to witness the creative process and ensure that beer and tobacco did not run out. Long after Lemon Curse became history, The Garage was still the place to be.<figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221108151112/636a64169c7e80680e0598b9jpeg.jpg" alt="" width="573" height="319"><figcaption> </figcaption></figure>Some of the artist who frequented The Garage during its heydays were <a href="https://www.youtube.com/watch?v=KNWvyU2pyfc">Yugal Gurung</a>, <a href="https://www.youtube.com/watch?v=rVwe73Fz-8M">Haami</a>, <a href="https://www.youtube.com/watch?v=X3ftXaghOl8">Afuraki</a>, <a href="https://www.youtube.com/watch?v=fNcq1sklMgQ">Namlo Band</a>, <a href="https://www.youtube.com/channel/UCCxBAKo7kayQ9B5q1FJB8nQ">Falcor Pilot</a>, <a href="https://www.youtube.com/user/copingstrategy">Jerusha Rai</a>, <a href="https://www.youtube.com/user/dryroti">Shreya Rai</a>, <a href="https://www.youtube.com/watch?v=zwWzhETxrC4">Bijay Gurung</a>, and <a href="https://www.youtube.com/watch?v=LGo8agTfz2A">Ashish Gurung</a>. To name a few.<a href="https://www.youtube.com/channel/UCc_XS3hJiou_ofBP-VLz_cw">Junkiri Session</a>, a Youtube channel that captures live performance of UK based Nepali artists, led by Awesh Gurung also began as an idea at The Garage.<figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221108151112/636a64179c7e80680e0598bajpeg.jpg" alt="" width="572" height="316"><figcaption> </figcaption></figure><figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221108151112/636a64199c7e80680e0598bbjpeg.jpg" alt="" width="565" height="311"><figcaption> </figcaption></figure>The Garage also screened short films, some of which were Shirish’s own creation and others via <a href="https://www.youtube.com/user/PassePictures">Passe Pic</a> which included <a href="https://www.youtube.com/watch?v=nTCjPb3YMZ0">Kesari</a>, <a href="https://www.youtube.com/watch?v=-3lWcSmfh0w">Vizarded</a>, <a href="https://www.youtube.com/watch?v=UoiA9-eUswE">Escappare</a>, <a href="https://www.youtube.com/watch?v=tGQ_amQ_SqU">I Hear the Raven’s Call</a>, <a href="https://www.youtube.com/watch?v=8AbMBuD-e-8">Passe Pizza</a>, <a href="https://www.youtube.com/watch?v=pl-WlqyqjXw">Shuffle</a> (shot in Nepal) and <a href="https://www.youtube.com/watch?v=C0GVxKlyG4I&amp;t=11s">Mulberry Madness</a>. Feature films included <a href="https://www.youtube.com/watch?reload=9&amp;v=6WxDf429AOM">Lato Kosero</a> and <a href="https://www.youtube.com/watch?v=V-7pYAeyZxk">Heera Harayo</a>.The films revolved around the theme of isolation, dislocation and a sense of displacement. Though they sounded gloomy, the content experimented with cross-genre dark comedy to horror.<figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221108151112/636a641b9c7e80680e0598bcjpeg.jpg" alt="" width="601" height="332"><figcaption> </figcaption></figure>Shirish has remained loyal, either by choice or circumstance, to the definition of indie films with low budget, autonomous, small-scale, using  actors selected from West London Nepali youth on local location.<figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221108151112/636a641d9c7e80680e0598bdjpeg.jpg" alt="" width="608" height="343"><figcaption> </figcaption></figure>Today, The Garage is still used as a hangout for occasional drinking, it can no longer boast the youthful energy that it once had. There are still residual reminders of the past: the old leather sofa, a retro lamp and clock, vintage box television, guitars with broken strings, the tattered sleeping bag used when activities went late into the night. People get older, they have responsibilities and commitments, others move on. But The Garage space remains a place that once captured the hopes and aspiration of young Nepalis adjusting to their new home.

Memories of a London Nepali hangout

Fenerbahçe Beko won the Turkish Airlines EuroLeague finals in Abu Dhabi, held 23-25 May, defeating Monaco 81-70 in the final. Olympiacos, who defeated Panathinaikos 97-93, finished the series in third place. The Most Valuable Player (MVP) of the final match, Nigel Hayes-Davis from Fenerbahçe Beko, received a prize of 1,000,000 Miles&amp;Smiles from Turkish Airlines’ Chief Commercial Officer Ahmet Olmuştur. The carrier has been the title sponsor of the Turkish Airlines EuroLeague, a top tier tournament, since 2010.

Turkish Basketball

In the black and white photograph, General Wangdu smiles broadly in front of the dusty cactus garden in Kathmandu’s Annapurna Hotel. With an ill-fitting jacket and shaggy hair he looks benign enough, but this was the last leader of the Tibetan freedom fighters who led the resistance against the Chinese from their remote mountain hideouts in <a href="https://nepalitimes.com/here-now/comings-and-goings-in-mustang">Mustang</a>. Five months later, Wangdu was dead. Snapped in March 1974, I had only recently arrived in Nepal. How did I meet this legendary fighter? Possibly with his devoted camp follower, Lynne Klapecki, and probably in the Om Restaurant near Freak Street which was the preferred <a href="https://nepalitimes.com/banner/hippie-trail-nostalgia-in-kathmandu">hippie hang-out</a>. Om Lobsang and his brother Yeshe were <a href="https://archive.nepalitimes.com/page/earthquake-brings-back-memories-of-camps-for-tibetan-refugees">refugees from East Tibet </a>whose cafe offered a friendly welcome and<a href="https://nepalitimes.com/multimedia/momo-loco"> the best momos</a> - they became my in-laws after I married their eldest brother Tenzin, but that was a decade later.&nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2025052403054_4573b34282b0f5395c007243d6bef12c7ba76bfd520419e994cdcea048d795a1.jpg" data-media-id="editor_4" data-image-id="2025052403054_4573b34282b0f5395c007243d6bef12c7ba76bfd520419e994cdcea048d795a1" data-rendition-name="original" width="1000" height="1583" loading="lazy" alt="The last days of the Khampa NT"> <figcaption>Photo: LISA CHOEGYAL</figcaption> </figure>  Wangdu’s English was enthusiastically rudimentary, but even riding around town with him on the back of an aging <a href="https://nepalitimes.com/here-now/kathmandu-s-new-motorbike-museum">motorbike</a>, he was a commanding presence. Always flanked by armed outriders, impressive scars marked his forearms and a pistol hung from the cord around his neck. A charismatic guerrilla leader, Wangdu was celebrated by his followers for his tough commitment and respected for his measured pragmatism. He seemed so young to have shouldered such a responsibility of command, leading hundreds of hardened <a href="https://archive.nepalitimes.com/article/nation/50-years-after-the%20raid-into-Tibet,1012#google_vignette">Khampa combatants </a>through what had been a particularly <a href="https://nepalitimes.com/news/heavy-snowfall-over-nepal-himalaya">brutal winter in Mustang</a>, the last bastion to hold out against the Chinese invasion of their Tibetan homeland.&nbsp; The freedom fighters of Tibet, known as the Chushi-Gangdruk, had emerged to resist the <a href="https://nepalitimes.com/editorial/territorialism">Chinese takeover</a> of Tibet during the 1950s. Estimated to be 80,000-strong at the time of <a href="https://nepalitimes.com/here-now/what-or-who-after-the-dalai-lama">the Dalai Lama</a>’s final escape to India in 1959, the sheer number of Chinese deployed into Tibet eventually forced the Chushi-Gangdruk to retreat to Mustang, From this high Himalayan stronghold, they continued cross-border raids on the Chinese People’s Liberation Army (PLA) throughout the 1960s.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2025052403054_8a4a935ba25ae79dc3a63bb5c14626927020e5ec098093c45ccb9a5982e009fd.jpg" data-media-id="editor_10" data-image-id="2025052403054_8a4a935ba25ae79dc3a63bb5c14626927020e5ec098093c45ccb9a5982e009fd" data-rendition-name="original" width="1114" height="676" loading="lazy" alt="The last days of the Khampa NT"> <figcaption>Guerrillas known as the Chushi-Gangdruk emerged to resist the Chinese annexation of Tibet during the 1950s. Photo courtesy: MIKEL DUNHAM</figcaption> </figure>  Their Kathmandu base was a small discreet lodge in a back lane near Rani Pokhari. Sipping sweet tea from a blue mug with a chipped lid, I sat bemused in a corner of the Mustang Hotel room whilst Wangdu and his cohorts received a battered brown suitcase from their CIA connection, a tousle-haired American in a leather jacket. Heaved onto the dingy bedspread that covered the thin mattress, it was clicked open to reveal piles of neatly stacked dollar bills.&nbsp; I cannot think why Wangdu allowed me to witness this handover but I was clearly no threat, a newly arrived world traveller with no understanding of the stakes nor any Nepali or <a href="https://nepalitimes.com/multimedia/tibetan-music-in-nepals-sacred-valley">Tibetan language</a>. Despite armed guards in the corridor,Wangdu radiated confidence and bravado, and there was a practiced familiarity to the tense transaction. This deadly dance for many years had been funded by the Americans, tolerated by <a href="https://nepalitimes.com/here-now/the-kingdom-within-a-republic">Mustang’s residents</a>, and permitted by King Mahendra and the Nepali authorities who it suited to turn a blind eye.&nbsp; But Mahendra died in 1972, and times were changing. Richard Nixon’s ping-pong diplomacy thawed the cold war and signalled a fresh entente with China. Nepal’s yet-to-be-crowned <a href="https://nepalitimes.com/here-now/if-birendra-was-alive-nepal-could-still-be-a-monarchy">King Birendra </a>was under pressure to curb the irritating incursions against the PLA launched from the Nepali territory of Mustang. Keen to appease his northern neighbour, on several occasions the King summoned Wangdu for peace talks but, despite increasingly overwhelming odds, Wangdu refused to surrender.&nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2025052403054_a8efd5cfb92cd997bd7cb74296a936fef46e2f7428f9cd642b03f1ac4ea11ecb.jpg" data-media-id="editor_14" data-image-id="2025052403054_a8efd5cfb92cd997bd7cb74296a936fef46e2f7428f9cd642b03f1ac4ea11ecb" data-rendition-name="original" width="1055" height="885" loading="lazy" alt="The last days of the Khampa NT"> <figcaption>General Wangdu flanked by two Tibetan resistance fighters in Mustang in the 1970s. Photo courtesy: MIKEL DUNHAM</figcaption> </figure>   <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2025052403054_75969125a745847a2ef82b6fe8b9106c0b21a116d85b8efdf5d2ee89a347bb31.jpg" data-media-id="editor_15" data-image-id="2025052403054_75969125a745847a2ef82b6fe8b9106c0b21a116d85b8efdf5d2ee89a347bb31" data-rendition-name="original" width="1044" height="792" loading="lazy" alt="The last days of the Khampa NT"> <figcaption>King Birendra with General Wangdu (right in dark glasses) taken in 1974 possibly in Mustang after one of their few attempts at negotiation. Photo courtesy: RAJRNDRA KUNWAR</figcaption> </figure>  While I naively rode pillion around Kathmandu in the spring sunshine, Wangdu was in the midst of what turned out to be his final round of negotiations with the Nepal government. Refusing to cease hostilities with the Chinese, Wangdu must have suspected the cost of his decision, making his cheerful smile in the photograph all the more poignant and brave. It was only much later that I appreciated the significance of the moment. Wangdu had been sent to replace the first resistance leader in Mustang, Baba Gen Yeshe, a much derided corrupt character who stole money meant for his troops and exploited fleeing refugees by seizing their treasures. Baba Gen Yeshe never forgave Wangdu,and sought revenge in May 1974 by betraying him and his commanders to the Nepal authorities. Renewed Chinese incursions from the north, active PLA collusion with the Nepali forces under the new King, and treachery from within the Chushi-Gangdrukranks combined to seal their fate.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2025052403054_e0987a7c90d76431b0d7d5e6115ebfe3dbda7ab939e5941e079c18d722e884c0.jpg" data-media-id="editor_16" data-image-id="2025052403054_e0987a7c90d76431b0d7d5e6115ebfe3dbda7ab939e5941e079c18d722e884c0" data-rendition-name="original" width="1400" height="769" loading="lazy" alt="The last days of the Khampa NT"> <figcaption>British television journalists George Patterson and Adrian Cowell embedded themselves with Khampa guerrillas and accompanied them from Tsum Valley on a cross border raid on a Chinese Army convoy in 1964. Photo: ESSAYS ON NEPAL / SAM COWAN</figcaption> </figure>  Mikel Dunham, renowned author of Buddha’s Warriors, writes: ‘It is possible that Wangdu was waiting for some cue from the Dalai Lama’s government-in-exile in Dharamsala, India. It is equally possible – during that last, <a href="https://nepalitimes.com/multimedia/the-human-cost-of-nepal-s-yarsa-gold-rush?fbclid=IwZXh0bgNhZW0CMTEAAR31-Cqw8oyIwMPzf_35e4Skr0ululJvLf3_vDkzHn-AYG2h8uPw2rqqErg_aem_tGVn5coY1-jA7fze_xqhew">desolate winter </a>– that he made the decision to go out in glory rather than admit defeat. Over the last fifteen years, Wangdu had experienced Tibet’s organized resistance being squeezed and shoved around by every conceivable outside force.&nbsp; First they had been pushed out of their own country by the PLA; then they had been refused sanction while on <a href="https://nepalitimes.com/opinion/borderlines/nepal-india-trans-boundary-bonds?fbclid=IwAR0PpJ5zUEbwdug3g_U3ar6FUugngRY0S8Tl2v_7wqzrsHmXWcXsKjvL4t4">Indian soil</a>; then they were abandoned by the Americans because, apparently, Nixon wanted to make friends with Wangdu’s mortal enemies, the communists; then they had been betrayed by the vampiric Baba Gen Yeshe – a Tibetan and, even worse, a fellow Khampa; and now, finally Wangdu’s army was being evicted by the Nepalis. One thing was certain: Wangdu was a warrior. To imagine Wangdu simply giving up and settling down in the pacific squalor of a <a href="https://nepalitimes.com/here-now/elderly-left-in-bhutan-refugee-camp">refugee camp </a>was unthinkable.’  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2025052403054_8fc1ffef4ae751628b90ae781b66e11e51e4fdde2787207c9042efbee345ce49.jpg" data-media-id="editor_20" data-image-id="2025052403054_8fc1ffef4ae751628b90ae781b66e11e51e4fdde2787207c9042efbee345ce49" data-rendition-name="original" width="500" height="746" loading="lazy" alt="The last days of the Khampa NT"> <figcaption>The much derided Baba Gen Yeshe, the first Tibetan resistance leader in Mustang, who betrayed Wangdu for personal gain. Photo courtesy: MIKEL DUNHAM</figcaption> </figure>   <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2025052403054_b1d833cdb00d3ac4416b844d8730475cd88c238caaaf8da69889a584eea229a3.jpg" data-media-id="editor_21" data-image-id="2025052403054_b1d833cdb00d3ac4416b844d8730475cd88c238caaaf8da69889a584eea229a3" data-rendition-name="original" width="500" height="656" loading="lazy" alt="The last days of the Khampa NT"> <figcaption>Aditya SJB Rana of the Royal Nepal Army whose team ambushed Wangdu and his cohorts at the top of Tinker Pass in Darchula, West Nepal. Photo courtesy: GAUTAM SJB RANA</figcaption> </figure>  By August 1974 the game was up. Wangdu and six of his exhausted party were killed on their horses by <a href="https://archive.nepalitimes.com/news.php?id=7270">the Royal Nepal Army</a> on the brink of escape. The officer in charge, Aditya SJB Rana, cleverly predicted their route into India after they failed to silence a police radio in Yari. A carefully laid ambush trapped them near the summit of the Tinker Pass in Darchula,at 5,000 meters the highest military operation of its time. Wangdu’s body was helicoptered to Kathmandu, and a big show made of the royal Nepal victory.&nbsp; The Tibetan armed insurgency against China had reached its end.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250524030520_3ff9c6fc85a65bc9a2c3afe9736d9f5f9413de752e790a5d9dca0981ea94f9b4.jpg" data-media-id="editor_23" data-image-id="20250524030520_3ff9c6fc85a65bc9a2c3afe9736d9f5f9413de752e790a5d9dca0981ea94f9b4" data-rendition-name="original" width="1136" height="702" loading="lazy" alt="The last days of the Khampa NT"> </figure>

The Last Days of the Khampa

Starting 17 September Turkish Airlines will fly daily to Seville, one of Spain’s major tourist draws. This is Turkish’s sixth destination in Spain after Madrid, Barcelona, Valencia, Malaga, and Bilbao. Seville is in the Andalusia region on Spain’s south coast with a rich Moor history. There are approximately 30,000 Nepalis living in Spain.&nbsp;

Turkish to Seville

The newly-formed Himalayan Art Council is set to launch Nepal’s National Art Protection Platform that seeks to preserve <a href="https://nepalitimes.com/banner/the-history-of-heritage">Nepal’s unique cultural heritage </a>using<a href="https://nepalitimes.com/here-now/artificial-censorship"> AI-powered tools</a>. The Council seeks to safeguard <a href="https://nepalitimes.com/banner/nepali-art-going-places">Nepali art works</a> from neglect, theft and counterfeiting as well as preserve existing artwork and celebrate living masters by giving them a cultural space to continue the <a href="https://nepalitimes.com/banner/sacred-survival">sacred art traditions</a>. "We are introducing a new digital platform designed to preserve, verify and elevate <a href="https://nepalitimes.com/banner/nepals-new-generation-of-alternative-artists">Nepal’s art for generations to come,</a>” says a statement from the Council, adding that the digital platform will use AI told for authentication and blockchain to keep track of works of art. Artists can now be protected by <a href="https://nepalitimes.com/multimedia/ayo-ai?fbclid=IwAR1uwmTVq4gUB70ljfRezjzukD9ArWXPuMnUikopeQ8PoiZMjicToPSwhKE&amp;=1">AI tools</a> that detect forgeries, identify their work even when unsigned, and ensure they receive proper recognition and credit. The archives will be searchable with translated inscription and interactive guides. Says curator Meena Lama: “AI and blockchains are tools that give us the power to detect fakes and identify unsigned paintings and track every piece. With these tools we can restore trust, secure authorship and give artists the dignity they deserve.”  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250514170544_2ab58f6313c0458f75114a692b0016bd9efb3b59d5f8f07f0da72e1e37b82f53.jpg" data-media-id="editor_6" data-image-id="20250514170544_2ab58f6313c0458f75114a692b0016bd9efb3b59d5f8f07f0da72e1e37b82f53" data-rendition-name="original" width="1300" height="1000" loading="lazy" alt="Artwork at the Traditional Art Exhibition at Patan Museum."> <figcaption>Artwork at the Traditional Art Exhibition at Patan Museum.</figcaption> </figure>  The Council is also holding an exhibition of Nepali cultural masterpieces with 50 historical <a href="https://archive.nepalitimes.com/article/Nepali-Times-Buzz/Buzz-the-art,671">thangka and paubha </a>by past masters and <a href="https://nepalitimes.com/review/between-the-sacred-and-everyday">contemporary works by current artists</a>. This curated collection is a living tribute to <a href="https://nepalitimes.com/here-now/when-yaks-go-so-does-culture">Himalayan culture</a> with economic depictions of deities, mandala and sacred narratives. The exhibition at <a href="https://nepalitimes.com/multimedia/a-portal-into-patan-s-past-and-present">Patan Museum</a> also provides an opportunity to meet painters and custodians of art and culture. Read also: <a href="https://nepalitimes.com/review/golden-deities">Golden deities</a>, Sewa Bhattarai ‘The exhibition is only the first step in a long journey to ensure that Nepali art is no just seen but fully understood, <a href="https://archive.nepalitimes.com/article/nation/Narratives-of-Faith-and-Memory-Remembering-the-Lost-Sculptures-of-Kathmandu-exhibition,987">protected and remembered</a>,’ the Council says. Artist Kailash K Shrestha of Artudio has spent decades promoting thankha and paubha traditions because of their beauty and devotional meaning. But he also says artists are underpaid, exploited and ignored. He adds, “AI and blockchain are not just buzzwords, they are powerful tools that can protect Nepal’s artists from fraud, verify authenticity and build a permanent record of provenance.” Traditional Art Exhibition Till 17 May Patan Museum

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