Botanical art exists in the space between art and science, beyond aesthetics. It predates photography, and the original purpose of the discipline was to capture and document plant life to aid scientific study. Flower drawings were first done in Nepal in 1802 by <a href="https://archive.nepalitimes.com/article/Nepali-Times-Buzz/years-of-botanical-art,3222" target="_blank">Francis Buchanan-Hamilton </a>who collected and documented over 1,100 plant varieties mainly in eastern Nepal, taking samples and illustrations back to Edinburgh for further scientific inquiry. Despite occupying only 0.1% of the earth’s surface area, Nepal has 3.2% of the planet’s flora, making it the 27th most bio-diverse country in the world.&nbsp; Now, Studio Petal’s unique exhibition ‘Blissful Nature’ showcases the work of five contemporary artists, each with a brilliant individual skillset but collectively illustrating the intricate beauty of Nepal’s plant life as well as few other exotic species. <a href="https://nepalitimes.com/review/the-anatomy-of-a-flower" target="_blank">Neera Joshi Pradhan</a> of Studio Petals has taken Nepal’s rich botanical art history and expanded it, making the discipline accessible and using her decades of experience to educate and equip the next generation of Botanical Artists to leave their mark. Joshi Pradhan has exhibited her floral work many times since she <a href="https://archive.nepalitimes.com/news.php?id=13501" target="_blank">set up Studio Petal in 2004</a>. However, this is the first time her students are showcasing their work alongside the mentor.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20231010121020_069b51e4854f0704f0da4e5daed758146768992175207d613c0ac51cd5cbfe86.jpg" data-media-id="editor_3" data-image-id="20231010121020_069b51e4854f0704f0da4e5daed758146768992175207d613c0ac51cd5cbfe86" data-rendition-name="original" width="4912" height="2407" loading="lazy" alt="Botanical art"> <figcaption>Artworks by Jamyang Wangmo.</figcaption> </figure>  Jamyang Wangmo is a Spanish Buddhist nun who has been painting and documenting Nepali plant life for over 20 years. She originally started out with thangka and depictions of deities, but after noticing the beauty of altar flowers she turned her artistic passion to floral drawings. “I just knew I had to paint it,” Wangmo says simply. Despite botanical art’s proximity to objective science, Wangmo’s art comes from intuitive inspiration. In particular, the bright and joyful depiction of the five holy flowers in her debut exhibition comes directly from the pages of Tibetan texts but it is brought to life by her own imagination, evoking a sense of wonder among viewers. JoAnne Pach Koirala, on the other hand, is an educator who has lived in Nepal for 40 years. Born into a family of artists, she was surrounded by art her entire childhood, but it was only five years ago that she started creating her own work. Initially inspired by the botanical life in her own garden, it is her loved ones that really spark her creative spirit. Working on her watercolours, she often thinks of those closest to her so that they are subtly invoked in her art, giving shape and life to the still images.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20231010121024_e1bcafb9f4fb334036b8f26c2a5f87f5572dc190598d78a14ab0e0b739e3df78.jpg" data-media-id="editor_4" data-image-id="20231010121024_e1bcafb9f4fb334036b8f26c2a5f87f5572dc190598d78a14ab0e0b739e3df78" data-rendition-name="original" width="583" height="769" loading="lazy" alt="Botanical art"> </figure>  For Amy Ingham, botanical art is simple and yet calming. “Botanical painting is wonderful in its simplicity, but deceptively so. Its pure observational drawing that requires such a level of precision and accuracy where there isn't really anywhere to hide,” says Amy Ingham, one of the five artists at the exhibition. She adds: “There's something wonderfully calming about that process, as well as the subject matter and end product. And why I started painting with Neera is simple. It's an absolute privilege to be able to do so, I grabbed the opportunity with both hands!"  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20231010121020_a06966bdb0acccb2ee3c24eb833468d4c54b70f619d12dd7adcf8342b94c6991.jpg" data-media-id="editor_5" data-image-id="20231010121020_a06966bdb0acccb2ee3c24eb833468d4c54b70f619d12dd7adcf8342b94c6991" data-rendition-name="original" width="4912" height="3264" loading="lazy" alt="Botanical art"> <figcaption>Artworks of Amy Ingham.</figcaption> </figure>  Jari Laukka is a Finnish environmental scientist who originally came to Nepal to work on water and sanitation projects. Biodiversity was always an interest, but it was not until 2020 that Laukka got interested in botanical art. After completing his assignment, Laukka took Joshi Pradhan’s course at Studio Petal which ignited his passion for the discipline. Botanical art is now a full-time pursuit, and Laukka is currently taking courses at <a href="https://www.rbge.org.uk/" target="_blank">Edinburgh’s Royal Botanic Garden</a>, all set to start a new career.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20231010121020_0cf139ce53a92cb8dcc1840d3b1a70e75d8ac12ff7ed4207577e007cc623f263.jpg" data-media-id="editor_7" data-image-id="20231010121020_0cf139ce53a92cb8dcc1840d3b1a70e75d8ac12ff7ed4207577e007cc623f263" data-rendition-name="original" width="4912" height="3264" loading="lazy" alt="Botanical art"> <figcaption>Artworks by Jari Laukka.</figcaption> </figure>  Botanical art allows not only for increased attention and visibility for plant life but also for preservation. Threatened flora can be protected in a way that gives hope to preserve the actual plants. In fact, botanical art is more than an art form, it can teach people about evolution and ecology, especially at a time of greater climate consciousness. “I hope botanical art can be used to educate people about the environment and how we can protect and manage Nepal’s rich biodiversity,” says Jari Laukka. The exhibition Blissful Nature is a must-see for students and the next generation of Nepali artists. But hurry, the show is only till Friday. Blissful Nature <a href="https://www.siddharthaartgallery.com/" target="_blank">Siddhartha Art Gallery</a>, Baber Mahal Until 13 October

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A flowering artform

<img width="1500" height="1000" src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221110121140/636ce3a99c7e80680e096668jpeg.jpg" alt=""/>"I can’t help myself when I see flowers,” says <a href="http://archive.nepalitimes.com/article/Nepali-Times-Buzz/Planting-painting,3224" target="_blank" rel="noopener noreferrer">botanical artist and illustrator Neera Joshi</a>. “ I have to paint them.”Outside her studio, the spring garden is blooming with bright pink azaleas, orange daisies, and lush calla lilies. They were splashes of colour against a city shrouded in smoke this week. Inside, Joshi sits cross-legged on the floor, surrounded by framed <a href="https://www.nepalitimes.com/opinion/a-new-york-miracle/" target="_blank" rel="noopener noreferrer">botanical artwork</a>. On Tuesday, 32 of her paintings will be on display at Siddhartha Art Gallery for a three-week-long exhibition supported by the Nepal Britain Society.“Many people do not know what botanical art is because they have never seen it,” explains Joshi. “It is a means visual communication that will enable Nepalis to recognise and appreciate our rich and varied biodiversity.” Indeed, the relatively unknown art form typically comprises botanical illustration and botanical art. While both styles need to be scientifically accurate, and require equipment different from other art forms, botanical drawings are more scientific, the figures need to be precise and to scale, and they contribute to scientific studies and plant identification.<a style="font-size: 15px; letter-spacing: 0.01em;" href="https://archive.nepalitimes.com/article/Nepali-Times-Buzz/years-of-botanical-art,3222" target="_blank" rel="noopener noreferrer">Botanical art</a>, meanwhile, allows for more focus on the aesthetics and the creative process. Joshi plays to both of those styles in her artwork. Half of her collection for the exhibition includes flowers native to Nepal— from wildflowers of Champadevi done in greens and browns to the soft pink Luculia gratissima and Himalayan blue poppies. The other half are exotic plants, ranging from orchids in pinks and yellows to kalakaua, magnolias, and more. <img width="1250" height="1667" src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221110121140/636ce3ab9c7e80680e096669jpeg.jpg" alt="">Joshi experiments with multiple mediums in <a href="http://archive.nepalitimes.com/news.php?id=13501#.YGqSNy2B0b0" target="_blank" rel="noopener noreferrer">her artwork</a> while balancing scientific accuracy and artistic expression in her paintings. One of her pieces of mahonia berries, called jamaane mandro in Nepal, is a mixture of watercolour and pen-and-ink, while some of her pieces are half watercolour and half pencil sketch, with a series of smaller, more detailed, and scale illustration of the plant, depicting every stage of its life.[video width="1920" height="1080" mp4="https://www.nepalitimes.com/wp-content/uploads/2021/04/2-2.mp4"]Video: SHANTA BUDHA MAGAR “There is little room for free expression, freestyle or imagination with botanical art, and there are lots of rules and regulations,” says Joshi.She prefers being in nature and doing live paintings, and recently trekked up to 3,500m in Gorkha to study flora in previously unexplored forests. Although botanical artists also work with herbariums, a collection of preserved plant specimens, she usually documents flowers live in her field sketchbook, later referring to them to translate her art to watercolour. If the plant is small and manageable, Joshi brings them back home to study.“My mother wanted me to become a doctor,” Joshi says, smiling. “But I studied botany.” Joshi got her Master’s degree in Botany from Tribhuvan University in 1995.Although her father, Ramananda Joshi, was a noted artist, it was only in 1996 that she considered art as a career after her Master’s. “Becoming an artist had never  crossed my mind, although I was raised surrounded by art,” she says.[video width="1920" height="1080" mp4="https://www.nepalitimes.com/wp-content/uploads/2021/04/1.mp4"]Video: SHANTA BUDHA MAGAR For picking up the paintbrush relatively later in life, Joshi honed her skill swiftly over the next few years and had her work on exhibit for the first time in 1999.“Botanical art is a scientific discipline, and as such, one cannot just paint whatever they feel like,— the portraits of plants have to be meticulous,” says Sangeeta Thapa of Siddhartha Art Gallery. “Neera is among the very few botanical artists in Nepal, and she stands out from the crowd of contemporary artists because she’s doing something very unique and something she’s really passionate about.”Her work has been on display at the Royal Botanic Garden Edinburgh, and more recently at the <a href="https://www.nepalitimes.com/review/nepals-botanical-art-in-wuhan/" target="_blank" rel="noopener noreferrer">Wuhan International Botanical Art Exhibition</a>, where three of her paintings were exhibited virtually, owing to the Covid pandemic. <img width="1250" height="833" src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221110121140/636ce3af9c7e80680e09666ajpeg.jpg" alt="">“Most Nepalis don’t know indigenous flowers from exotic ones, which is especially concerning at a time when conservation of biodiversity is so important,” says the artist, who also trains students and budding Nepali artists at her Studio Petals.“I hope this exhibition will provide exposure to botanical art and generate interest among young Nepalis,” she says. “This will help in education, conservation and research."Neera Joshi’s collection of botanical art, The Beauty of Nepal’s Flora, will be exhibited at Siddhartha Gallery from 6-26 April.

Shristi Karki

The anatomy of a flower

The monsoon has got bad press because Nepal’s tourism operators actively told visitors to avoid <a href="https://nepalitimes.com/opinion/managing-the-monsoon?%2F">the rainy season</a>. It is time to change that. The reason can be found right here in the vast alpine meadows of Central Nepal where this time of year you can walk on velvet grass of pastures abloom with delicate pink, red and yellow flowers as the mist rolls up the valley. There is no sound except the hum of bumble bees. &nbsp;&nbsp; There are dozens of places across high Nepal called Chaurikharka, which means yak pasture. But this particular Chaurikharka in Rukum East located at an altitude of 4,000m stands out for its serene beauty, rustic charm and bucolic setting. There is just the occasional chime of <a href="https://nepalitimes.com/here-now/when-yaks-go-so-does-culture">yak bells</a> in the distance, and the sharp whistle of herders corralling sheep. &nbsp;&nbsp; The grass shoots are so fragile that one hesitates to step on them, the rounded ridges appear and quickly vanish in waves of mist. With the<a href="https://nepalitimes.com/here-now/before-the-next-monsoon"> arrival of monsoon</a>, these meadows are a soothing shade of green dotted with millions of <a href="https://nepalitimes.com/review/the-anatomy-of-a-flower?%2F=">multi-coloured flowers</a>. Until very recently, it took a week or so to hike up to places like Chaurikharka, but with the expansion of the road network even to these far-flung mountains in the lap of Dhaulagiri, they are much more accessible. It is just a three-hour uphill from the Mid-Hill Highway on the border between Baglung and Rukum East.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250802130828_a0b06b494d751b2144ffbbf10894ea64b29e8aed844bc8c66171783abfaf4e16.jpg" data-media-id="editor_4" data-image-id="20250802130828_a0b06b494d751b2144ffbbf10894ea64b29e8aed844bc8c66171783abfaf4e16" data-rendition-name="original" width="2048" height="1365" loading="lazy" alt="Visit Nepal in the monsoon"> </figure>  Purists would say that such easy access devalues the sanctity of these remote high meadows, but it also means more people will be moved to treasure the experience, appreciate <a href="https://nepalitimes.com/banner/natures-fragile-gift-to-nepal">the value of nature </a>so they can take steps to protect it.&nbsp; To be sure, the <a href="https://nepalitimes.com/here-now/deadly-monsoon-in-nepal-turns-deadlier">monsoon season can be challenging for road travel</a>. The roads are rough even at the best of times, and in the monsoon they become muddy and treacherous, often blocked by<a href="https://nepalitimes.com/news/monsoon-deluge-in-nepal"> landslides</a>. But that could be precisely the kind of adventure that the more intrepid visitors crave. Improved road connectivity has already made Chaurikharka and places like Badimallika &nbsp;and other sacred lakes in the mountains of western Nepal popular with domestic tourists. What is driving this traffic is the urge to go to exotic new places and share videos and selfies on social media. Several of Nepal’s travel vloggers have visited Chaurikharka and popularised the place, enticing followers on TikTok or YouTube to retrace their footsteps. But even as they become more popular, these fragile and once-remote places should be protected from over-tourism.&nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250731110736_f97110b7cdc3e7f80d5877690948fc9f4c95a09c583deb23b07355491e6c5446.jpg" data-media-id="editor_8" data-image-id="20250731110736_f97110b7cdc3e7f80d5877690948fc9f4c95a09c583deb23b07355491e6c5446" data-rendition-name="original" width="1083" height="699" loading="lazy" alt="Visit Nepal in the monsoon NT"> </figure>  <h2>INCREASING FOOTFALL</h2> Chaurikharka is located in Bhume Rural Municipality of East Rukum, near the scenic valley of Dhorpatan in Baglung district. Even in the <a href="https://nepalitimes.com/banner/monsoon-culture">middle of the monsoon</a>, there is a steady stream of Nepali hikers trooping to these high pastures – especially during festival days like Saune Sankranti which this year was on 17 July and actually marks the auspicious beginning of the monsoon here. “This year the rains have not been as heavy and there have been some clear mornings when we could see everything from Dhaulagiri to Machapuchre,” says Khageswar Bhandari, who trekked up here from the road. “The flowers, the greenery and the snowy mountain views make this an incredibly unique place.”&nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250802130824_1b9e26f2e9853fdfe69154bb42a7c9ea6da4bf4940efc1da99b304dcfbd7d3d9.jpg" data-media-id="editor_10" data-image-id="20250802130824_1b9e26f2e9853fdfe69154bb42a7c9ea6da4bf4940efc1da99b304dcfbd7d3d9" data-rendition-name="original" width="2048" height="1152" loading="lazy" alt="Visit Nepal in the monsoon"> </figure>  Chaurikharka is worthwhile to get to in any season, but it has a different charm during the monsoon. Word has spread and because it is now easy to get to from Baglung or even Pokhara, people have been flocking here.&nbsp; “Holidays and Saturdays see the largest crowds, with up to 500 visitors every day,” says ward chair Mankaji Pun of Bhume.&nbsp; There was a time not too long ago when local herders brought sheep, goats, cows, buffaloes, horses, and mules to graze here during the monsoon. Although there are still livestock around, animals have been replaced by visitors taking selfies. Read also: <a href="https://nepalitimes.com/here-now/the-monsoon-and-nature-s-arithmetic">The monsoon, and nature’s arithmetic</a>, Tom Robertson Ward Chair Pun says infrastructure development is his main priority. A foot trail to Chaurikharka was built last year by the Tourism Division Office in Kohalpur, but access via the Raniwas-Koipa road section still remains challenging.&nbsp; “If we get more budget, we can improve the road and facilities to make Chaurikharka the main tourist attraction of this region,” says Bhume Municipality Chair Hom Prakash Shrestha. “After that, we hope to promote Chaurikharka as a top tourist spot.”&nbsp; Economic activity is also picking up with the arrival of visitors, but there seems to be a need to manage the makeshift sheds made of corrugated sheets that spoil the beauty of the place. Tea shops and lodges are also available but facilities are basic. Kuldeep Neupane took a three-day trip from Ghorahi in Dang to visit Chaurikharka recently, and says: “This is an ideal trip to make a quick getaway and let nature recharge your mind and body. And it is much more fun with a tent, to watch the sunrise over the Himalaya or the mist blowing in.”

Visit Nepal in the monsoon

Nepal is graduating to become a developing country on 24 November 2026 after half-century in the Least Developed Country (LDC) category. By 2030, the country hopes to transition to middle-income status.&nbsp; Everone from Prime Minister K P Oli have boasted that this is a matter of national pride, and will have a multiplier impact on trade and economy.&nbsp; But will it make any difference to the average Nepali? Not unless improved governance <a href="https://nepalitimes.com/news/why-invest-in-nepal">spurs investment and creates jobs</a>.&nbsp; Countries need to meet at least two of the three criteria in two consecutive triennial reviews to be eligible for graduation from LDC. Nepal has consistently met the thresholds for the Human Assets Index (HAI) and the Economic and Environmental Vulnerability Index (EVI) in 2015, 2018, and 2021. But Nepal was recommended for graduation before meeting the per capita <a href="https://nepalitimes.com/banner/nepals-great-income-divide">Gross National Income (GNI)</a> threshold of $1,306. “A major implication of LDC graduation is the loss of preferential market access available through Generalised System of Preferences (GSP) and other arrangements,” explains economist Sameer Khatiwada. “But over two-thirds of <a href="https://nepalitimes.com/news/nepal-doesnt-produce-its-2-biggest-export-items">Nepal’s exports</a> are to India, and the preferential market access to India is through a bilateral trade agreement. This has nothing to do with our LDC status.”  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250815060832_f5eabe7628a8cdf84f33b25d7cef3c4dc8913a26d8e5b253ea52a36e176b8a85.jpg" data-media-id="editor_3" data-image-id="20250815060832_f5eabe7628a8cdf84f33b25d7cef3c4dc8913a26d8e5b253ea52a36e176b8a85" data-rendition-name="original" width="640" height="470" loading="lazy" alt="LDC graduation "> </figure>  Furthermore, a provision under the South Asian Free Trade Area (SAFTA) allows Nepal to export to India duty-free if the items are at least 30% value-added. Nepali traders take advantage of this by re-exporting edible oils without meeting that requirement, falsely boosting Nepal’s exports.“ Following graduation from LDC, the value addition threshold might increase to 40%,” says Kalpana Khanal of the Policy Research Institute. “This is supposed to work to our advantage, because on paper value addition inherently means <a href="https://nepalitimes.com/multimedia/staying-home-to-create-jobs">job creation at home</a>.” But Nepal’s exports to other major destinations will face <a href="https://nepalitimes.com/news/nepal-and-the-us-india-tariff-tiff">tariff increases</a> with the graduation. A South Asia Watch on Trade, Economics and Environment (SWATEE) study shows that while tariff increase in the US market is relatively low (see page 5) it is considerably higher in Europe. The International Trade Centre (ITC) in a 2022 study also estimated that graduation could result in a 4.3% decline in Nepal’s projected exports, but this is excluding the impact of changes in ‘rules of origin’ provisions in preference-granting countries such as the UK and Europe.&nbsp; Nepal’s top export to these preference-granting countries is <a href="https://archive.nepalitimes.com/news.php?id=1482">carpets</a>, and will not be impacted, but other items such as textiles and apparel will be heavily affected due to higher cost of production. The impact will felt mostly by small and medium enterprises which represent the largest share of exports to LDC-specific preference-granting countries. As for the service exports, Nepal never really made use of the World Trade Organization’s LDC services waiver anyway, hence the effect will be minimal, if any. There is also concern about Nepal’s graduation at a time when the global economy is topsy-turvy, amidst <a href="https://nepalitimes.com/opinion/turning-point-in-us-india-relations">tariff wars and conflicts</a>. This affects Nepalis abroad directly and may impact <a href="https://nepalitimes.com/news/more-remittance-more-than-remittance">remittances </a>which hit $11 billion in 2024. In comparison, Nepal only received $350 million in foreign loans and grants last year.&nbsp; Tourism arrivals have finally reached pre-pandemic levels, but bad publicity about pollution, poor infrastructure and bureaucratic hurdles hinder further growth. Manufacturing continues to struggle, while hydropower and the IT sector have taken off.&nbsp; “Look at data -- <a href="https://nepalitimes.com/news/tourism-needs-a-new-push">tourism arrivals</a> are up, spending is up, IT exports are up, <a href="https://nepalitimes.com/news/why-nepal-needs-to-restore-ev-tax-subsidy">EV sales </a>are up, Europe still needs 85-90 million skilled workers. We are sitting on $16 billion in cash reserves, our balance of payment, foreign exchange reserve, tax to GDP ratio, credit flow are all positive, we have to build on these factors,” says Sujeev Shakya of the Nepal Economic Forum. He adds: “Our mindset creates negativity to promote rent-seeking behaviour, but this cynicism will go away after 2026 with LDC graduation. We must deal with data, look at trends, and projects which will bring in <a href="https://nepalitimes.com/from-the-nepali-press/why-there-is-no-foreign-investment-in-nepal">international investments</a>.” Khanal agrees that investment is not dependent on<a href="https://archive.nepalitimes.com/regular-columns/backside/Nepal-not-the-least-developed-country,306"> LDC status</a>. The factors that that affect investment are policy stability, a strong legal framework, market potential and ease of doing business. She adds, “That is where our focus needs to be, and we need to retain <a href="https://nepalitimes.com/diaspora-diaries/migrant-worker-returns-to-create-work-at-home?fbclid=IwAR09xJfsClCwn8uRVAmz28CU658vdKpuyDwB_b1sNlvKtAFFnSldnA0JS2g">Nepalis with jobs at home</a> for our sustained growth.” After 2026, financing support from donors and aid agencies could be affected and Nepal will no longer be able to access Least Developed Countries Fund (LDCF) to adapt to the impacts of climate change. But the Global Environment Fund and Green Climate Fund will still be available.“ LDC status does not determine bilateral development aid, that is usually driven by broader <a href="https://nepalitimes.com/here-now/looking-beyond-two-boulders">geopolitical considerations</a>,” says Sameer Khatiwada. “The World Bank and Asian Development Bank, which provide concessional loans to Nepal, it is determined mainly by per capita income, not LDC status.” &nbsp;However, Nepal may lose some concessional terms for loans. Nepal is currently a lower-middle-income country as per the World Bank in the bracket for GNI between $1,036 and $4,045. The country is already receiving more loans than grants and in July the World Bank increased its interest rate on loans by 100% from 0.75 to 1.5%. “All this means that the impact of LDC graduation for Nepal might not be as earth-shattering as some tend to think. Countries that have recently graduated, such as Botswana and the Maldives, have shows that graduation is just a step in a country’s development path,” says Khatiwada. Sujeev Shakya also sees the glass as half full, explaining that LDC graduation is just a stepping stone if Nepal has the right policies in place. He adds, “Nepal’s biggest advantage is our<a href="https://nepalitimes.com/opinion/investing-in-people"> working age population</a> and we have investments coming in. These aided by how adaptive we are as a society are the very foundations on which Nepal will grow.”

Not poor, but not rich

Two weeks ago, Prime Minister KP Sharma Oli announced jubilantly on social media that Nepal had achieved a historic annual growth of 81.8% in exports. He was right. Nepal’s trade did take a great leap forward compared to last year. But the dramatic rise was mainly due to processed soya bean oil.&nbsp; However, Nepal does not produce the edible oil it exports. In fact, the soya and palm oil that make up 44% of total exports are imported from Southeast Asia and South America, and simply re-exported, mostly to India.&nbsp; Under the SAFTA (South Asian Free Trade Area) Agreement, Nepal can export products to India duty-free if it has at least 30% value-added. Nepal’s traders have taken advantage of SAFTA even though the edible oils they export do not reach that value addition threshold. “The 30% value addition requirement is often only on paper,” says former commerce secretary Purushottam Ojha. “It is clear that simply packaging edible oils in Nepal does not fulfil the terms of the trade agreement.” Prime Minister Oli is aware of this, and even called Nepal’s export figures “fake” at an earlier event. The government is relying on other iffy figures to suggest that Nepal’s economy is strong and getting stronger. For example, the value of imports rose by 13.25% in 2024-25 compared to the previous fiscal year.&nbsp; Some of it was due to a jump in electric vehicle imports worth Rs 31.76 billion, but mostly it was because more wholesale soya oil was imported to be re-packaged and sold in India. The very fact that the government boasts about increased imports is an indication of how much it relies on taxing them for revenue. Touting such trade figures cannot be the basis to claim an economic rebound.&nbsp; “A jump in the value of imports can be interpreted as an increase in purchasing power, but it is not evidence of a stronger economy,” says economist Keshav Acharya. “Even though imports have increased, Nepal's domestic production and productive capacity have not improved.” Nepal Rastra Bank's semi-annual economic activity study report shows that industrial production was down in the first six months of the last fiscal year. This despite an increase in the number of new industries registered and investment commitments. Out of the Rs70.2 billion proposed foreign investment, Nepal received only Rs17.9 billion last year.&nbsp; Meanwhile, the rate of capital formation was limited to 24% last year, which is lower than the year before, suggesting that new investment, job creation and economic expansion all declined. If domestic production does not improve in relation to this year’s inflated trade figures, the outflow will put pressure on foreign exchange reserves like it did three years ago. At that time, Nepal borrowed from the IMF under its Extended Credit Facility Program to kickstart the economy.&nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2025080710084_2cdaaa5795828c4a7de93a0604ba884ef0a8b8f24cccd939f6c24e279ab6058f.jpg" data-media-id="editor_0" data-image-id="2025080710084_2cdaaa5795828c4a7de93a0604ba884ef0a8b8f24cccd939f6c24e279ab6058f" data-rendition-name="original" width="1633" height="723" loading="lazy" alt="Nepal's bubble economy NT"> <figcaption>Source: NEPAL RASTRA BANK</figcaption> </figure>  The macroeconomy is on firm footing with foreign exchange reserves at a comfortable Rs2,520 billion in May, up 23% from last year. This was largely due to remittances, and partly due to a falling NPR exchange rate. Real estate transactions and the stock market index have also been climbing as a result of government policies to revive the sector.&nbsp; However, former executive director of Nepal Rastra Bank Nar Bahadur Thapa cautions: “This is not organic growth, it is the result of deliberate policy decisions to relax rules on real estate and stock markets transactions.” In reality, the sharp rise in land prices have increased the cost of production, and excessive monetisation of the real estate has become the main source of Nepal’s economic woes. The central bank has announced a slew of new policies, shifting the terms of loan repayment for industrialists and entrepreneurs, reducing interest rates, and injecting more working capital — all designed to inject adrenaline into the real estate and stock market sectors.&nbsp; When he was governor, Mahaprasad Adhikari made several financial reforms during the latter half of his tenure to stimulate the economy, including tightening credit flow.&nbsp; By the last fiscal year, additional financial reforms had resulted in a credit expansion rate of around 8%. As the pace of credit expansion slows, real estate prices have started to fall. This is actually beneficial to the economy, because it lays the foundation for improvements in land-related entrepreneurship, production, and the construction sector. Just because real estate and the stock market transactions increase, it does not indicate an economic turnaround — especially when manufacturing and productive sector continues to languish.&nbsp; “It is foolish to believe that real estate and the stock market have magically revived our economy. Agriculture employs more than half of the population, but it is in decline. Investment in the productive sector has not increased, and job creation has not increased.” Two years ago, Nepal’s industrialists, business leaders, and political leadership predicted a recession amidst a sluggish business, declining market demand, large-scale job loss, and a shrinking real estate and share market.&nbsp; Still, the economy grew by 3.36% in fiscal year 2023/24. In fact, Nepal’s economy has grown nominally over the last two decades even when all sectors of the economy are in decline.&nbsp; Says Keshav Acharya: “The growth in trade, real estate, and the stock market are bubbles. The real economy remains stagnant.”

Nepal’s bubble economy

American artist Peter Makela was in Nepal in 2022 on a Fulbright scholarship when he experienced the Matya festival in Patan in which devotees made the rounds of the city’s shrines.&nbsp;
He joined the procession, walking through 2,600 stupa and 140 bahal of the town. That immersion left a lasting impression.
As part of Gallery Mcube’s international residency program in Patan, he put his inspiration to canvas in the exhibition Yala Yatra: Walking, Working, Worshipping. The exhibition also coincides with this month’s Matya festival.&nbsp;
Makela has visited Nepal often in the past 11 years but he mostly stayed in and spent his time around Boudha. “This time I stayed in Patan, put the sites I wanted to visit on my map, and off I went,” he tells us. “Each of my artwork is inspired by the stupas and shrines in Patan that I visited.”
The stupa and Ganesh are recurring motifs in his watercolours, and the elephant gods are located in chaityas — reflecting the interplay and blending of the Hindu and Buddhist faiths in Kathmandu Valley.&nbsp;
The stupas and Ganesh are painted in vivid red, yellow, blue and green against abstract backgrounds meant to represent the sky.
“I use the sky as a backdrop because the sky has no border,” says Makela. “The four colours represent the four elements, the different Buddha families and also lights bouncing off of a rainbow.”
The use of just four colours for all the artwork stands out, and combined with the absence of heavy canvases, frames or stands render Makela’s art striking in its simplicity.&nbsp;
The Ganesh is always holding something and the art also portrays the elephant god’s sacred vehicle, the mouse.
While his vibrant stupas and Ganesh reflect the tangibility of Patan’s tradition and heritage, it is as if the backdrops with their shades of grey and red and yellow capture the soul of the city’s shrines.
“If you look closely, there is a sense of form and formlessness at the same time,” he says.&nbsp;
Makela walked 108 kora around the shrines during his exploration of the town, and in the process developed a spiritual connection with Patan’s heritage and traditions.&nbsp;
The exhibition connects with visitors on a deeper, more spiritual, level as well. And with it, they feel a sense of pride as well as the need to urgently preserve Patan’s heritage for future generations.
“Peter’s inclination and approach towards Nepali art and culture is fascinating, and it reflects in his work,” says Mcube curator Manish Lal Shrestha, whose international artist residency program promotes Nepal’s cultural heritage. &nbsp;&nbsp;
Yala Yatra: Walking, Working, Worshipping
1-5 August&nbsp;
10AM-7PM
Gallery Mcube, Patan

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Walking, working, worshipping in Patan