Two centuries after it was first classified by botanists, Musa nepalensis has been spotted again in the country that bears its Latin name. Ram Prasad Ghimire, 54, from Pytar in Lalitpur took a closer look and said, “That’s ghyampe kera!” According to Ghimire, until a few decades ago the plant was widespread in the forest near his village. But it had declined sharply in recent years because of over harvesting for its purported therapuetic properties. People in the village boil the middle portion of the pseudo stem, also known as the peduncle, and eat it to relieve stomach discomfort. Although the ripe fruit has little flavour, it is used to treat diarrhea. Similarly, leaf base latex is used for ear infections. There were a dozen of these banana plants growing in Godavari. According to Gaurav Parmar of the National Botanical Garden the banana blooms once in three years, and when the fruit is fully ripe, the plant dies. The fruit bunch is compact unlike in domesticated banana. Birds and animals consume the fruit and spread its seeds to germinate. The pseudo stem is nearly one metre tall but its fringed leaves can reach a length of two metres.  <figure><img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20230801090844_29398dd63a2d04306f68e1da0669b186826f87900f5b274631c119191fe40740.jpg" data-media-id="editor_0" data-image-id="20230801090844_29398dd63a2d04306f68e1da0669b186826f87900f5b274631c119191fe40740" data-rendition-name="original" width="706" height="826" loading="lazy" alt="Wallich's drawing"><figcaption>Wallich's drawing </figcaption></figure>  Musa nepalensis was first described by Nathaniel Wallich in 1820 during his expedition from Amlekhganj to Thankot on the old foot trail to Kathmandu from the plains. During the first half of the nineteenth century, a Danish surgeon served as superintendent of the Royal Botanical Garden of Calcutta and which had 142 genera and almost 8,000 plant species. He also traveled Kathmandu Valley in 1820-21 in search of botanical specimens. In Kathmandu, Wallich gathered wild banana samples and sketched them, identifying them as a brand-new species in 1824. The nepalensis in the name signified that the plant was endemic to Nepal. But after that one observation, no one else had ever seen the wild banana, prompting many to believe that Wallich's observations of the specimen and its drawings were mistaken. Ensete glaucum, a species of banana from Southeast Asia, was discovered in 1948 and its morphological make was more or less comparable to Musa nepalensis. Between 1963 and 1977, a Japanese plant exploration team found Ensete glaucum in east Nepal and assumed that the Wallich collection from Nepal was that plant and not Musa nepalensis.  <figure><img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20230801090848_076f576898886e0d3347c98d8364cdb8ed284520889d693231c880f03ecaf7fb.jpg" data-media-id="editor_1" data-image-id="20230801090848_076f576898886e0d3347c98d8364cdb8ed284520889d693231c880f03ecaf7fb" data-rendition-name="original" width="4016" height="6016" loading="lazy" alt="wild banana"><figcaption>Boy carrying sapling of Ensete nepalense</figcaption></figure>  A year later a book with a checklist of Nepali plants was published which also stated that the banana Wallich had gathered is today known as Ensete glaucum. In 1862, the genus Ensete was separated from Musa. The rediscovery of the wild banana species was made by a team consisting of Gaurav Parmar, Dipak Lamichhane, Hem Raj Paudel and Anna Trias-Blasi. They found Wallich's description of Musa nepalensis and the specimens from Godavari locality to be identical. Throughout Wallich’s working period, there was only the Musa genus. Monocarpic pseudo stem bananas are now included in the genus Ensete. Multiple pseudo stems in the Musa genus develop from a single underground true stem.  <figure><img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20230801090848_71a0fa651a3e08f730caaabaaaf1246b64afc5e1ac152ef0c95fa7e41c377664.jpg" data-media-id="editor_2" data-image-id="20230801090848_71a0fa651a3e08f730caaabaaaf1246b64afc5e1ac152ef0c95fa7e41c377664" data-rendition-name="original" width="4016" height="6016" loading="lazy" alt="wild banana"></figure>  The seeds of Ensete nepalensis are spread by birds and mammals. They thrive on rocky moist, somewhat open areas and have a higher rate of germination in natural condition. When freely sown, some 60% germinate. Grazing is one of the biggest threats to the conservation of wild banana plants. Cattle love feeding on the plant's leaves and branches. Humans also unintentionally harm the plant when they fall down because of its peduncle. The plant also has ornamental purposes. For many ethnic communities in India, Ensete glaucum is an important herb used to treat a variety of illnesses. Flower juice has reportedly been used to treat dysentery and excessive bleeding in young girls during menstruation. Very young inflorescence is used locally in a variety of tribal recipes, and youngsters play traditional games with its seeds. More exploratory investigation should be conducted for this species, research its medicinal properties, and community forestry user groups should be made aware of a species named after Nepal. Kamal Maden is a botanist and biodiversity researcher.

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New banana republic

<figure><img width="2250" height="1000" src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221110141124/636cfbdf9c7e80680e0a0b57jpeg.jpg" alt=""/><figcaption>The newly discovered 'Rubus dorcheae' raspberry at Shivapuri National Park. Photos: MAAN BAHADUR ROKAYA</figcaption></figure>A new species of ainselu, the wild raspberry native to the subcontinent and Southeast Asia, has been discovered in Nepal. It is the second flowering plant to be discovered in the country in 2021.  Samples of the plant were collected from Shivapuri-Nagarjun National Park by botanical enthusiast La Dorchee Sherpa and researchers Maan Bahadur Rokaya and Sajan Subedi.Coined Rubus dorcheae after Dorchee Sherpa, the species was introduced in Rokaya and Subedi's academic article <a href="https://www.biotaxa.org/Phytotaxa/article/view/phytotaxa.511.1.5">Rubus dorcheae (Rosaceae), A New Species from Central Nepa</a>l published on 13 July in the botany journal Phytotaxa. Ainselu belongs to the genus Rubus, which has 760 species across the world except for some countries in the South American and African continents. Among the 32 species found in Nepal, the evergreen Himalayan creeping bramble (Rubus nepalensis) known as Bhui ainselu in Nepali, is indigenous to the Himalayan nation. Meanwhile, the wild Rubus ellipticus ainselu plant that bears clustered yellow fruit each April is more widespread across the country.Given his interest in botany and Nepal’s diverse flora, La Dorchee Sherpa initially trained under notated Nepali naturalist Tritha Bahadur Shrestha despite graduating with a business degree. Since then, over the past few years, Sherpa has been travelling within the Kathmandu Valley as well as across the country identifying and photographing Nepal’s flora. He spends months at a time researching the plants he has photographed, and has helped many botanists and academicians in their study.The Rubus dorcheae plant is 10m tall, and flowers from August, bearing fruit in the months of October and November. Samples of the plant were first collected from Shivapuri in 2018 at an altitude of 1,930m. After initial studies concluded the species to be the first of its kind, additional samples were then collected in 2019 and 2020. <figure><img width="900" height="560" src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221110141124/636cfbe29c7e80680e0a0b58jpeg.jpg" alt=""><figcaption>Measurements of the leaf (above) and the plant (below) of a 'Rubus dorcheae' sample. Photos: SAJAN SUBEDI</figcaption></figure><img width="900" height="598" src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221110141124/636cfbe59c7e80680e0a0b59jpeg.jpg" alt="">The researchers compared the collected samples with the published botanical works of other Rubus species found in Nepal, Bhutan, China and India. They also studied samples of herbariums available at the Natural History Museum in London, the Royal Botanical Gardens in Edinburgh, Scotland, the National Herbarium and Botanical Laboratory in Godavari, the University of Tokyo in Japan, and the Central Department of Botany. Researchers found the specimen collected from Shivapuri to be similar to the Rubus kumaonensis, which is native to Nepal and Tibet, and the Himalayan blackberry Rubus rugosas. They then compared the height, shape and texture of the leaves, as well as sepal and petal of the flowers of the new sample and the two species.  The differences in height and the size of the leaves of plant samples do not have much bearing when studying potential new plant species as they typically vary even for the same species depending on their geographic location. However, the botanists found other significant differences confirming that the new ainselu species was the first of its kind. The article published in the journal Phytotaxa provides an in-depth study of the new plant, including detailed <a href="https://www.nepalitimes.com/banner/the-anatomy-of-a-flower/" target="_blank" rel="noopener noreferrer">botanical sketches</a> of their smallest parts. And while the two researchers and Sherpa do a commendable job, an extended study into the DNA would have added to it. In fact, one of the authors of the article, ecologist Maan Bahadur Rokaya, is well placed to conduct the DNA study at the Institute of Botany of the Czech Academy of Sciences, where he is a researcher.  A DNA study would have revealed the internal differences between the different Rubus species whereas the morphological study is limited to identifying external variations. Such a detailed research would have served as a reference and resource for other botanists in the future. Translated by Shristi Karki from the <a href="https://www.himalkhabar.com/news/124984">Himal Khabar</a>.

First of its kind raspberry in Nepal

<img width="1500" height="1000" src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221110121140/636ce3a99c7e80680e096668jpeg.jpg" alt=""/>"I can’t help myself when I see flowers,” says <a href="http://archive.nepalitimes.com/article/Nepali-Times-Buzz/Planting-painting,3224" target="_blank" rel="noopener noreferrer">botanical artist and illustrator Neera Joshi</a>. “ I have to paint them.”Outside her studio, the spring garden is blooming with bright pink azaleas, orange daisies, and lush calla lilies. They were splashes of colour against a city shrouded in smoke this week. Inside, Joshi sits cross-legged on the floor, surrounded by framed <a href="https://www.nepalitimes.com/opinion/a-new-york-miracle/" target="_blank" rel="noopener noreferrer">botanical artwork</a>. On Tuesday, 32 of her paintings will be on display at Siddhartha Art Gallery for a three-week-long exhibition supported by the Nepal Britain Society.“Many people do not know what botanical art is because they have never seen it,” explains Joshi. “It is a means visual communication that will enable Nepalis to recognise and appreciate our rich and varied biodiversity.” Indeed, the relatively unknown art form typically comprises botanical illustration and botanical art. While both styles need to be scientifically accurate, and require equipment different from other art forms, botanical drawings are more scientific, the figures need to be precise and to scale, and they contribute to scientific studies and plant identification.<a style="font-size: 15px; letter-spacing: 0.01em;" href="https://archive.nepalitimes.com/article/Nepali-Times-Buzz/years-of-botanical-art,3222" target="_blank" rel="noopener noreferrer">Botanical art</a>, meanwhile, allows for more focus on the aesthetics and the creative process. Joshi plays to both of those styles in her artwork. Half of her collection for the exhibition includes flowers native to Nepal— from wildflowers of Champadevi done in greens and browns to the soft pink Luculia gratissima and Himalayan blue poppies. The other half are exotic plants, ranging from orchids in pinks and yellows to kalakaua, magnolias, and more. <img width="1250" height="1667" src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221110121140/636ce3ab9c7e80680e096669jpeg.jpg" alt="">Joshi experiments with multiple mediums in <a href="http://archive.nepalitimes.com/news.php?id=13501#.YGqSNy2B0b0" target="_blank" rel="noopener noreferrer">her artwork</a> while balancing scientific accuracy and artistic expression in her paintings. One of her pieces of mahonia berries, called jamaane mandro in Nepal, is a mixture of watercolour and pen-and-ink, while some of her pieces are half watercolour and half pencil sketch, with a series of smaller, more detailed, and scale illustration of the plant, depicting every stage of its life.[video width="1920" height="1080" mp4="https://www.nepalitimes.com/wp-content/uploads/2021/04/2-2.mp4"]Video: SHANTA BUDHA MAGAR “There is little room for free expression, freestyle or imagination with botanical art, and there are lots of rules and regulations,” says Joshi.She prefers being in nature and doing live paintings, and recently trekked up to 3,500m in Gorkha to study flora in previously unexplored forests. Although botanical artists also work with herbariums, a collection of preserved plant specimens, she usually documents flowers live in her field sketchbook, later referring to them to translate her art to watercolour. If the plant is small and manageable, Joshi brings them back home to study.“My mother wanted me to become a doctor,” Joshi says, smiling. “But I studied botany.” Joshi got her Master’s degree in Botany from Tribhuvan University in 1995.Although her father, Ramananda Joshi, was a noted artist, it was only in 1996 that she considered art as a career after her Master’s. “Becoming an artist had never  crossed my mind, although I was raised surrounded by art,” she says.[video width="1920" height="1080" mp4="https://www.nepalitimes.com/wp-content/uploads/2021/04/1.mp4"]Video: SHANTA BUDHA MAGAR For picking up the paintbrush relatively later in life, Joshi honed her skill swiftly over the next few years and had her work on exhibit for the first time in 1999.“Botanical art is a scientific discipline, and as such, one cannot just paint whatever they feel like,— the portraits of plants have to be meticulous,” says Sangeeta Thapa of Siddhartha Art Gallery. “Neera is among the very few botanical artists in Nepal, and she stands out from the crowd of contemporary artists because she’s doing something very unique and something she’s really passionate about.”Her work has been on display at the Royal Botanic Garden Edinburgh, and more recently at the <a href="https://www.nepalitimes.com/review/nepals-botanical-art-in-wuhan/" target="_blank" rel="noopener noreferrer">Wuhan International Botanical Art Exhibition</a>, where three of her paintings were exhibited virtually, owing to the Covid pandemic. <img width="1250" height="833" src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221110121140/636ce3af9c7e80680e09666ajpeg.jpg" alt="">“Most Nepalis don’t know indigenous flowers from exotic ones, which is especially concerning at a time when conservation of biodiversity is so important,” says the artist, who also trains students and budding Nepali artists at her Studio Petals.“I hope this exhibition will provide exposure to botanical art and generate interest among young Nepalis,” she says. “This will help in education, conservation and research."Neera Joshi’s collection of botanical art, The Beauty of Nepal’s Flora, will be exhibited at Siddhartha Gallery from 6-26 April.

Shristi Karki

The anatomy of a flower

<img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221109121112/636b8b969c7e80680e06b2abjpeg.jpg" alt="" width="1500" height="1000"/>Nepal is famous for its spectacular scenery of mountains and plains, rich cultural heritage. But <a href="https://archive.nepalitimes.com/article/Nepali-Times-Buzz/years-of-botanical-art,3222" data-saferedirecturl="https://www.google.com/url?q=https://archive.nepalitimes.com/article/Nepali-Times-Buzz/years-of-botanical-art,3222&amp;source=gmail&amp;ust=1587016984665000&amp;usg=AFQjCNEbqYNGMKP7BhS8i2Z5tBeHWOkCmw">no less wondrous is the beautiful flora</a> that adorns it.It is the flowering season, and some of us lucky to be up in the mountains during the lockdown will wonder what that <a href="http://archive.nepalitimes.com/news.php?id=4345#.XpaWtEAza70" data-saferedirecturl="https://www.google.com/url?q=http://archive.nepalitimes.com/news.php?id%3D4345%23.XpaWtEAza70&amp;source=gmail&amp;ust=1587016984665000&amp;usg=AFQjCNE53Ja4STcS_kFYzcp9jIf9DA_Z5w">gorgeous rhododendron</a> is called.  Or what is the story behind that delicate carnivorous plant with leaves like the hands of the Buddha?  How about the medicinal uses of the lovely blue gentian?Now, the answers are all within reach – literally in the palm of your hand- and it does not add a single ounce to your backpack.The Flora of Nepal Project and the Department of National Parks and Wildlife Conservation have partnered with vegetation ecologist Elizabeth Byers and High Country Apps to produce <a href="http://www.highcountryapps.com/WildflowersOfMountEverest.aspx" data-saferedirecturl="https://www.google.com/url?q=http://www.highcountryapps.com/WildflowersOfMountEverest.aspx&amp;source=gmail&amp;ust=1587016984665000&amp;usg=AFQjCNEXC7HOQiXj7PnMF6BMgO4J_uyTTQ">Wildflowers of Mount Everest</a>, the first-ever wildflower identification app for Nepal.<a href="http://archive.nepalitimes.com/news.php?id=10343" data-saferedirecturl="https://www.google.com/url?q=http://archive.nepalitimes.com/news.php?id%3D10343&amp;source=gmail&amp;ust=1587016984665000&amp;usg=AFQjCNGxRLjv_f63wQrCiPrWpFq6ReLXhQ">Nepal’s flora is unique in the world</a>, being specially adapted to survive at high elevations, through cold winters and wet summer monsoons. In spring, luxuriant displays of rhododendrons and primroses <a href="https://www.rbge.org.uk/science-and-conservation/major-floras/flora-of-nepal/" data-saferedirecturl="https://www.google.com/url?q=https://www.rbge.org.uk/science-and-conservation/major-floras/flora-of-nepal/&amp;source=gmail&amp;ust=1587016984665000&amp;usg=AFQjCNEXiQd2YjIwSUspOd2pMz-MtBjyHQ">cover whole mountainsides with colour.</a><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221109121112/636b8b999c7e80680e06b2acjpeg.jpg" alt="" width="262" height="500">Summer brings the beautiful and sometimes bizarre blossoms, such as Hippolytia gossypina with its white-haired pillars topped by clusters of golden flowers. The autumn trekking season is painted with the blue of gentians and the bright red and yellow autumn foliage of the shrubs and trees.Wildflowers of Mount Everest offers easy-to-use graphical keys, botanical help, detailed descriptions, and plant lore to identify and explore Nepal’s remarkable flora. The app does not require a cellular or internet connection to run, so it can be used anywhere, whether on the trail or in your home. Users can create a list of the plants they see each day and email it to themselves or their friends.“The app is suitable for students, educators, scientists, guides, and visitors interested in the beautiful wildflowers of Nepal’s Mount Everest region. It will be a useful tool for park rangers and scouts as they work to conserve the park’s floral diversity,” says Gopal Prakash Bhattarai, Director General of the Department of National Parks and Wildlife Conservation.Designed for people who are complete beginners as well as experienced botanists, Wildflowers of Mount Everest will appeal to anyone who wants to identify or learn about plants in eastern Nepal.<img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221109121112/636b8b9a9c7e80680e06b2adjpeg.jpg" alt="" width="500" height="333">Byers has spent much of the last 40 years identifying, photographing, and cataloging specimens of  subalpine and alpine flora of eastern Nepal. “Two things make this field guide special,” she says. “First, the Sherpa elders who have graciously shared plant lore and stories to give us a glimpse of the cultural importance of each species. Second, the botanical experts from all over the world who have volunteered their knowledge to help us understand the unique and specially-adapted plants of Mount Everest.”The Wildflowers of Mount Everest app is available from the Apple App Store and Google PlayStore for $7.99. The authors will periodically update the app to include new species and other content, at no additional charge to users.Elizabeth A Byers is a vegetation ecologist studying rare plant species and climate change vulnerability of plants. She has been studying and photographing the flora of Nepal for nearly 40 years.<a href="http://www.highcountryapps.com/WildflowersOfMountEverest.aspx" data-saferedirecturl="https://www.google.com/url?q=http://www.highcountryapps.com/WildflowersOfMountEverest.aspx&amp;source=gmail&amp;ust=1587016984665000&amp;usg=AFQjCNEXC7HOQiXj7PnMF6BMgO4J_uyTTQ">http://www.highcountryapps.com/WildflowersOfMountEverest.aspx</a><h2>Tourism down? Use the pause to learn about flowers</h2>Tourists and trekkers will be flocking back to Nepal before long. For guides, now is the time to learn new skills and increase their confidence and knowledge so that when business picks up again, clients will rave about you and about their experience in Nepal.A fun skill-building activity is offered by the Wildflowers of Mount Everest app, the first plant identification app written specifically for Nepal.  This is an enjoyable way to learn the flora of eastern Nepal’s upper elevations.  It is designed for beginners and experts alike, with easy picture-based keys, information about local lore, and plant facts.  The richly illustrated app includes 557 species of wildflowers, shrubs, and trees.<img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221109121112/636b8b9b9c7e80680e06b2aejpeg.jpg" alt="" width="146" height="300">https://www.youtube.com/watch?v=cwd39Foy9jwFlora of Nepal ProjectThe <a href="http://www.highcountryapps.com/WildflowersOfMountEverest.aspx" data-saferedirecturl="https://www.google.com/url?q=http://www.highcountryapps.com/WildflowersOfMountEverest.aspx&amp;source=gmail&amp;ust=1587016984665000&amp;usg=AFQjCNEXC7HOQiXj7PnMF6BMgO4J_uyTTQ">Flora of Nepal Project</a> is an international partnership tackling a knowledge gap identified in Nepal’s National Biodiversity Action Plan. The project is coordinated by the Royal Botanic Garden Edinburgh in partnership with the Nepal Academy of Science and Technology, the Government of Nepal’s Department of Plant Resources, Tribhuvan University’s Central Department of Botany and the University of Tokyo, and draws on the expertise of taxonomic experts throughout the world.The Flora of Nepal Project is supported by <a href="http://www.highcountryapps.com/WildflowersOfMountEverest.aspx" data-saferedirecturl="https://www.google.com/url?q=http://www.highcountryapps.com/WildflowersOfMountEverest.aspx&amp;source=gmail&amp;ust=1587016984665000&amp;usg=AFQjCNEXC7HOQiXj7PnMF6BMgO4J_uyTTQ">High Country Apps</a> which is dedicated to developing applications that deliver high quality natural history information with an intuitive, easy-to-use interface. It partners with expert botanists and photographers to provide information of the highest quality in its mobile field guides.High Country Apps will donate a portion of the app proceeds of Flora of Nepal to support field costs of Nepali students or buy field equipment to allow them to conduct botanical studies.Link to High Country Apps: <a href="http://www.highcountryapps.com/WildflowersOfMountEverest.aspx" data-saferedirecturl="https://www.google.com/url?q=http://www.highcountryapps.com/WildflowersOfMountEverest.aspx&amp;source=gmail&amp;ust=1587016984665000&amp;usg=AFQjCNEXC7HOQiXj7PnMF6BMgO4J_uyTTQ">http://www.highcountryapps.com/WildflowersOfMountEverest.aspx</a>Direct links to the app in stores($7.99):Apple: <a style="letter-spacing: 0.01em;" href="http://itunes.apple.com/us/app/id1479336982" data-saferedirecturl="https://www.google.com/url?q=http://itunes.apple.com/us/app/id1479336982&amp;source=gmail&amp;ust=1587016984665000&amp;usg=AFQjCNFMi5OfsgOmCfZIhAVk3SIUmnD4lg">http://itunes.apple.com/us/app/id1479336982</a> (live on April 2)Google Play:  <a href="https://play.google.com/store/apps/details?id=com.emountainworks.android.everestfieldguide" data-saferedirecturl="https://www.google.com/url?q=https://play.google.com/store/apps/details?id%3Dcom.emountainworks.android.everestfieldguide&amp;source=gmail&amp;ust=1587016984665000&amp;usg=AFQjCNEEJVG1lhJk6If5tcTf2oKAwFUECQ">https://play.google.com/store/apps/details?id=com.emountainworks.android.everestfieldguide</a>Visit the Flora of Nepal Project at <a href="http://www.floraofnepal.org/" target="_blank" rel="noopener noreferrer" data-saferedirecturl="https://www.google.com/url?q=http://www.floraofnepal.org/&amp;source=gmail&amp;ust=1587053267549000&amp;usg=AFQjCNHI7T_cy1R8lTM7Z-d5FFFNPMFFXw">http://www.floraofnepal.org/</a> Read also: <a href="https://archive.nepalitimes.com/article/Nepali-Times-Buzz/years-of-botanical-art,3222" target="_blank" rel="noopener noreferrer" data-saferedirecturl="https://www.google.com/url?q=https://archive.nepalitimes.com/article/Nepali-Times-Buzz/years-of-botanical-art,3222&amp;source=gmail&amp;ust=1587016984666000&amp;usg=AFQjCNEjXzEv-sovFIWihDSY7QcgTXF1tA">200 years of botanical art</a>, Nepali Times<h2>Special Offer for Nepali Times Readers:</h2>Free test download instructions exclusively for Nepali Times readers currently living in Nepal:To download the app for an iPhone or iPad (Apple Store) device, please go to this link: <a href="https://testflight.apple.com/join/mO9pvYhM" target="_blank" rel="noopener noreferrer" data-saferedirecturl="https://www.google.com/url?q=https://testflight.apple.com/join/mO9pvYhM&amp;source=gmail&amp;ust=1587190760045000&amp;usg=AFQjCNFgdef-ivLJWYS757hx9ne1ctEVWw">https://testflight.apple.com/join/mO9pvYhM</a>You will be asked to download the free 'Testflight' app.  Follow the instructions and click the link again to open a free 70-day trial version of 'Wildflowers of Mount Everest' app. The free trial ends on June 30, 2020.To download the app for an Android (Google Play) device, please send a message confirming that you are a 'Nepali citizen living in Nepal' to Elizabeth Byers at <a href="mailto:everest.flora@gmail.com" target="_blank" rel="noopener noreferrer">everest.flora@gmail.com</a>Please confirm that your phone or tablet can access Google Play apps before requesting one of the limited number of download codes.High Country Apps and Elizabeth Byers are pleased to support nature exploration in Nepal during the current crisis. The Android version of the app is a full version and will not expire.

Wildflower app celebrates Nepal’s flora

https://www.youtube.com/watch?v=rd1KeYcDjcg&amp;feature=youtu.beKathmandu was described by early expats as an ‘emerald valley’. During the monsoon, <a href="https://www.nepalitimes.com/banner/not-so-soon-monsoon/" target="_blank" rel="noopener">terrace paddy fields</a> and forested hills carpeted the basin in verdant shades of green.Today, there is <a href="https://www.nepalitimes.com/here-now/the-vanishing-land/" target="_blank" rel="noopener">barely any green spaces left</a>. But in a small way, Spanish artist Iñigo Iriarte is out to change that. ‘Indi’, as the Pamplona native likes to be called (in photo below), paints walls with a palette of living plants.His geotextile canvas is a moist fabric wall alive with leaves and roots, flowers and fruits, water, air and colonies of tiny living creatures. The vertical gardens are living art with broad strokes of a variety of green and tufts of vivid moss, daubs of purple, orange or white where flowers have bloomed.Read also:<a href="https://archive.nepalitimes.com/article/Nepali-Times-Buzz/rooftop-gardens-kathmandu,1415" target="_blank" rel="noopener">Hanging gardens of Kathmandu</a>, Santa Gaha Magar<a href="https://www.nepalitimes.com/here-now/the-vanishing-land/" target="_blank" rel="noopener">Vanishing land</a>, Taylor MasonIriarte borrows heavily from expressionist tendencies when he paints on stretched canvas. Similarly, these living compositions speak of the artist's dual love for the city and nature, but also of how they struggle to coexist.Iriarte moved to Kathmandu two years ago with his wife and found reasons and an opportunity here to venture beyond his indoor paint-and-canvas studio into open space. It all started after he was invited to not just paint the inside wall of a spa at Shaligram Hotel, but also cover a blank white wall in the courtyard with a vertical garden.The result was a stunning green wall stretching across a <a href="https://www.nepalitimes.com/here-now/water-of-the-ages/" target="_blank" rel="noopener">dhara spout</a> and basin like an oasis. A sudden calming presence, perfect preparation for a spa client to experience a restful treatment to come.<img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/2022110814114/636a54729c7e80680e0523adjpeg.jpg" alt="" width="836" height="1400"/>Kathmandu’s latitude is subtropical, but its altitude lends a distinctive climate, rich with summer rain and cooled with dry winters. There is enough moisture and warmth for plants to thrive, so a cityscape of blank walls and hard surfaces could easily be regreened by vertical gardens.Iñigo Iriarte is inspired by French botanist Patrick Blanc, a pioneer of vertical gardens, but takes an ecosystem approach to his selection of plants. Many vertical gardens fail because they are ornamental and used for a wow effect, with little regard for how individual plants like to grow.Iriarte optimises nature’s own tendencies to create resilient ecosystems and microclimates that regulate themselves. He selects plants and places them according to natural growth patterns: those that prefer drier root biomes are higher, where there may be less water. Plants that thrive in wetter conditions are placed lower on the wall.He does not pander to those who just want a green wall — he will leave space free for moss and other unidentified free loaders to take residence on nutrient-rich walls. Sometimes, parasitic plants hitch a ride on their nursery hosts and take root alongside them, becoming part of the family. Occasionally, plants fail and need to be replaced.One of Iriarte’s sites, at the rooftop Rain Restaurant in Jawalakhel, is alive with over 25 varieties, from orchids to monstera, ferns to succulents, bromeliads to bamboo and surprisingly — on a wall of matted fibre and root substrates of crumpled fabric — fruiting citrus plants. There is also rosemary, happily sticking to its sunny spot on the south facing wall. “Plant health and happiness, and their ensuing resilience, is key,” explains Iriarte.Read also:<a href="https://www.nepalitimes.com/here-now/something-fishy-in-new-nepal-farm/" target="_blank" rel="noopener">Something fishy in new Nepal farm</a>, Hrijata Dahal<figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/2022110814114/636a54759c7e80680e0523aejpeg.jpg" alt="" width="1500" height="1125"><figcaption> </figcaption></figure>The wall at Rain is based on <a href="https://www.nepalitimes.com/here-now/something-fishy-in-new-nepal-farm/" target="_blank" rel="noopener">aquaponics</a> and recycles water from a fish tank below the plants to the microbially dense geotextile wall. The wall acts as a biofilter to convert water rich in ammonia from fish waste into water rich with nitrates and other nutrients that the plants can absorb, thus making it clean and safe enough to be returned to the fish tank in a water cycle.Rain’s managing partner Tara Adhikari plucks sprigs of rosemary or fruits from the tiny lime tree for some of his classy cocktails, saying: “We make good cocktails because of the freshness of the ingredients we use, some of which come from Indi’s wall. A vertical garden is a new concept in Nepal, and we took a risk, but the guests like it.”Every installation is different, tailored to its context, taking into account aspect, exposure to the elements and purpose. For the three walls Iriarte has installed in Kathmandu, including a testing bed at home, all the hardware and plants are locally sourced.“It would be great to see plants of the surrounding mountains here to green the city using the least space possible and with maximum effect in cleaning the air and creating calm living environments for people and other living creatures,” says Iriarte.Read also: <a href="https://www.nepalitimes.com/banner/between-existence-and-extinction-in-nepal/" target="_blank" rel="noopener">Between existence and extinction in Nepal</a>, Sonia AwaleNot many other countries can boast a <a href="https://www.nepalitimes.com/banner/between-existence-and-extinction-in-nepal/" target="_blank" rel="noopener">landscape as three-dimensional and vertical</a> as Nepal, and it is fitting that even as Kathmandu is built up, vertical walls can help it reclaim some greenery and bring back plants, birds, insects and microbes to coexist with humans.Instagram: the_vertical_ garden_architect

Garden walls

The newly-formed Himalayan Art Council is set to launch Nepal’s National Art Protection Platform that seeks to preserve <a href="https://nepalitimes.com/banner/the-history-of-heritage">Nepal’s unique cultural heritage </a>using<a href="https://nepalitimes.com/here-now/artificial-censorship"> AI-powered tools</a>. The Council seeks to safeguard <a href="https://nepalitimes.com/banner/nepali-art-going-places">Nepali art works</a> from neglect, theft and counterfeiting as well as preserve existing artwork and celebrate living masters by giving them a cultural space to continue the <a href="https://nepalitimes.com/banner/sacred-survival">sacred art traditions</a>. "We are introducing a new digital platform designed to preserve, verify and elevate <a href="https://nepalitimes.com/banner/nepals-new-generation-of-alternative-artists">Nepal’s art for generations to come,</a>” says a statement from the Council, adding that the digital platform will use AI told for authentication and blockchain to keep track of works of art. Artists can now be protected by <a href="https://nepalitimes.com/multimedia/ayo-ai?fbclid=IwAR1uwmTVq4gUB70ljfRezjzukD9ArWXPuMnUikopeQ8PoiZMjicToPSwhKE&amp;=1">AI tools</a> that detect forgeries, identify their work even when unsigned, and ensure they receive proper recognition and credit. The archives will be searchable with translated inscription and interactive guides. Says curator Meena Lama: “AI and blockchains are tools that give us the power to detect fakes and identify unsigned paintings and track every piece. With these tools we can restore trust, secure authorship and give artists the dignity they deserve.”  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250514170544_2ab58f6313c0458f75114a692b0016bd9efb3b59d5f8f07f0da72e1e37b82f53.jpg" data-media-id="editor_6" data-image-id="20250514170544_2ab58f6313c0458f75114a692b0016bd9efb3b59d5f8f07f0da72e1e37b82f53" data-rendition-name="original" width="1300" height="1000" loading="lazy" alt="Artwork at the Traditional Art Exhibition at Patan Museum."> <figcaption>Artwork at the Traditional Art Exhibition at Patan Museum.</figcaption> </figure>  The Council is also holding an exhibition of Nepali cultural masterpieces with 50 historical <a href="https://archive.nepalitimes.com/article/Nepali-Times-Buzz/Buzz-the-art,671">thangka and paubha </a>by past masters and <a href="https://nepalitimes.com/review/between-the-sacred-and-everyday">contemporary works by current artists</a>. This curated collection is a living tribute to <a href="https://nepalitimes.com/here-now/when-yaks-go-so-does-culture">Himalayan culture</a> with economic depictions of deities, mandala and sacred narratives. The exhibition at <a href="https://nepalitimes.com/multimedia/a-portal-into-patan-s-past-and-present">Patan Museum</a> also provides an opportunity to meet painters and custodians of art and culture. Read also: <a href="https://nepalitimes.com/review/golden-deities">Golden deities</a>, Sewa Bhattarai ‘The exhibition is only the first step in a long journey to ensure that Nepali art is no just seen but fully understood, <a href="https://archive.nepalitimes.com/article/nation/Narratives-of-Faith-and-Memory-Remembering-the-Lost-Sculptures-of-Kathmandu-exhibition,987">protected and remembered</a>,’ the Council says. Artist Kailash K Shrestha of Artudio has spent decades promoting thankha and paubha traditions because of their beauty and devotional meaning. But he also says artists are underpaid, exploited and ignored. He adds, “AI and blockchain are not just buzzwords, they are powerful tools that can protect Nepal’s artists from fraud, verify authenticity and build a permanent record of provenance.” Traditional Art Exhibition Till 17 May Patan Museum

Digital protection for Nepal’s art

India and Pakistan are twins separated at birth. Tensions between them have been at a hair trigger ever since independence and has erupted into full scale conflict at least four times in the past 80 years.
The 22 April terrorist attack in Kashmir that killed 25 Indian tourists and a Nepali citizen, threatens to escalate tension between the two nuclear-armed nations. India has squarely blamed Pakistan for the attacks, and Prime Minister Narendra Modi has given his military “operational freedom” to respond. Pakistan has said it has credible intelligence of an Indian military strike and its officials have promised a “full spectrum” response — a code for a <a href="https://nepalitimes.com/editorial/thinking-the-thinkable">nuclear retaliation</a>.
For Nepal, the killing of its national in the Pahalgam attack comes as another stark reminder that in conflicts from Afghanistan to Iraq, from <a href="https://nepalitimes.com/opinion/how-to-agree-an-armistice-in-ukraine">Ukraine</a> to Israel, <a href="https://nepalitimes.com/news/10-nepalis-from-one-town-fighting-in-ukraine">Nepalis are getting caught in the crossfire</a>. The last time full-scale fighting broke out between <a href="https://nepalitimes.com/opinion/peacemongers-at-india-pakistan-border">India and Pakistan</a> on Kargil in 1999, at least 22<a href="https://nepalitimes.com/here-now/india-s-trial-by-fire-for-soldiers-from-nepal?%27%5C%22="> Nepalis fighting for the Indian Army</a> were killed in action.
Three of Nepal’s immediate neighbours (China, India, Pakistan) have nuclear weapons, and they do not have good relations. With China supplying weapons, <a href="https://nepalitimes.com/editorial/war-and-warming">missile technology</a> and other support to Pakistan, this triangular friction could set off a regional conflagration.&nbsp;
<a href="https://www.nature.com/articles/s43016-022-00573-0" target="_blank">Research at Rutgers University</a> has calculated that even a week-long tactical nuclear exchange between India and Pakistan would throw up so much smoke and debris into the atmosphere that it would block out the sun for years, and lead to a collapse of the <a href="https://nepalitimes.com/news/grow-nourish-sustain-together-world-food-day">global food system</a>. This does not take into account the radioactive fallout that prevailing winds would blow up to <a href="https://nepalitimes.com/here-now/lives-on-the-line-in-the-himalaya">the Himalaya</a>, contaminating glaciers that are the sources of <a href="https://nepalitimes.com/here-now/saving-what-is-left-of-himalayan-rivers">Asia’s main rivers</a>.
The impact of <a href="https://nepalitimes.com/news/climate-breakdown-linked-to-thame-flood">climate breakdown </a>on High Asia was already ringing alarm bells about its <a href="https://nepalitimes.com/news/himalayan-icecap-melting-faster-than-thought">shrinking ice cap</a> reducing the dry season flow of water downstream. Water was going to be the next strategic commodity, geopolitical experts warned, and the next wars in Asia would be over water.
That water war is already happening. India retaliated to the Kashmir attack by suspending the <a href="https://www.nytimes.com/2025/04/24/world/asia/india-pakistan-indus-waters-treaty.html" target="_blank">Indus Waters Treaty</a> of 1960 mediated by the World Bank that has withstood at least three wars between India and Pakistan. The treaty gives India control over the three eastern tributaries of the Indus (<a href="https://en.wikipedia.org/wiki/Beas_River" target="_blank">Beas</a>, <a href="https://en.wikipedia.org/wiki/Ravi_River" target="_blank">Ravi</a> and <a href="https://en.wikipedia.org/wiki/Sutlej" target="_blank">Sutlej</a>), while Pakistan got water from the Indus and two of its western tributaries (<a href="https://en.wikipedia.org/wiki/Indus_River" target="_blank">Indus</a>, <a href="https://en.wikipedia.org/wiki/Chenab_River" target="_blank">Chenab</a> and <a href="https://en.wikipedia.org/wiki/Jhelum_River" target="_blank">Jhelum</a>.
Pakistan was assured of 70% of the annual flow, and India could use a reasonable amount of water for<a href="https://archive.nepalitimes.com/news.php?id=15231"> irrigation and hydropower</a>. &nbsp;Within days of its threat, India stopped water flowing down to Pakistan from the Chenab river and is reportedly preparing to do the same on the Jhelum.
The sabre-rattling has reached a crescendo. Besides threats and counter-threats there are also symbolic drills, with the Indian Air Force practicing landing on an expressway in Uttar Pradesh by its Rafale, Su-30 and Jaguar fighter jets to demonstrate ‘operational readiness’. In response Pakistan test-fired its Abdali ballistic missile that can carry a nuclear warhead and has a range of 450km.&nbsp;
The danger is that with ultra-nationalist rhetoric and the beating the war drums by both sides, India’s government and Pakistan’s military may have to ‘do something’ to appease domestic public opinion. But any tactical strike, an artillery exchange, or territorial incursion could quickly escalate out of control.
Expecting an Indian retaliation for the Pahalgam killings, Pakistan is using<a href="https://nepalitimes.com/opinion/interfaith-collaboration-for-nuclear-disarmament"> nuclear deterrence </a>and warning of “catastrophic consequences”. The two neighbours came close to a nuclear exchange in 2019 after an attack on the Indian military in Kashmir, and prompt international intervention led by the United States cooled tensions.&nbsp;
This time, the <a href="https://nepalitimes.com/news/trump-shock-wave-hits-nepal">Trump administration</a> is too distracted and not as engaged. Pakistan has denied it was responsible for the terrorist attack and called on Washington to stop a possible Indian retaliation. India and Pakistan have stopped overflights by each other’s airlines, and some international carriers have even stopped flying over Pakistan fearing an air war.
Washington, Beijing, the UN and the EU have all urged restraint. Iran, which has good relations with both India and Pakistan has sent its foreign minister to urge both countries not to go into a tit-for-tat war. Iran has its own nuclear flashpoint to worry about with tensions in Israel, &nbsp;Yemen and Syria.
India and Pakistan both share similar problems of joblessness, <a href="https://nepalitimes.com/here-now/why-nepal-s-poverty-rate-is-stuck">poverty </a>and <a href="https://nepalitimes.com/here-now/climate-change-new-threat-to-nepal-s-rhinos">environmental threats</a>. Neither side needs the threat of a senseless war, and we in the neighbourhood do not need it either.&nbsp;
Kunda Dixit
This Editorial is brought to you by <a href="https://nepalitimes.com/" target="_blank">Nepali Times</a>, in collaboration with <a href="https://inpsjapan.com/en/" target="_blank">INPS Japan</a> and <a href="https://sgi-peace.org/" target="_blank">Soka Gakkai International</a>, in consultative status with UN ECOSOC.

Nukes in the neighbourhood

Most Nepalis thought they had seen the last of it after <a href="https://nepalitimes.com/news/11-56-25-april-2015-wkc9q2an">the 25 April 7.8 magnitude </a>earthquake ten years ago. But the Himalaya had more surprises in store. On 12 May, another 7.3 magnitude tremor that some said was an aftershock, but was strong enough to itself be a major earthquake, struck Dolakha.&nbsp; Not many people had heard of Singati till then — a cluster of houses by the Tama Kosi River along a narrow gorge that is the roadhead to Rolwaling Valley.&nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250508110520_57b6e316656851f71eca56ca6f98d9bbcc820c1a00d62af3c990725b4361244d.jpg" data-media-id="editor_1" data-image-id="20250508110520_57b6e316656851f71eca56ca6f98d9bbcc820c1a00d62af3c990725b4361244d" data-rendition-name="original" width="1000" height="1500" loading="lazy" alt="Climate magnifies earthquake risk in Nepal village NT"> </figure>   <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250508110520_016534fb2b6a79957402281cda768efb83a146786377e39e11df3e251d37159e.jpg" data-media-id="editor_2" data-image-id="20250508110520_016534fb2b6a79957402281cda768efb83a146786377e39e11df3e251d37159e" data-rendition-name="original" width="1500" height="1000" loading="lazy" alt="Climate magnifies earthquake risk in Nepal village NT"> </figure>  It was here that dozens were killed on 25 April in the first earthquake. Hundreds of <a href="https://archive.nepalitimes.com/article/nation/Singati-rising-from-rubble-rebuilding,3703">Singati survivors</a> had lined up for food and relief supplies in the morning of 12 May when the second earthquake triggered a rock slide that buried a nearby camp. At least 50 people were killed. &nbsp; Three hours later, a US Marine Corps UH-1Y Venom helicopter landed in a nearby cornfield to pick up the wounded, and flew off. The aircraft lost contact with air traffic control in Kathmandu and its wreckage was located high on Kalinchok four days later. Six American servicemen, two Nepal Army soldiers, and five wounded civilians from Singati were killed. Today, Singati bears little physical scar of the multiple tragedies that struck the town ten years ago. Most <a href="https://nepalitimes.com/multimedia/bungamati-builds-back">houses have been rebuilt</a> as urban-style concrete structures, and Singati has become an economic hub on the road leading up to several hydropower plants and a<a href="https://nepalitimes.com/banner/off-the-beaten-trek-in-nepal"> popular trekking destination</a>.&nbsp; The town looks less like a village and more like a suburb of the Dolakha district headquarter of Charikot, 47km away.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250508110520_196f341d1df1403ba133e5dfeb837eec20d7cbcb4c8c56b17cc5598810de5df2.jpg" data-media-id="editor_6" data-image-id="20250508110520_196f341d1df1403ba133e5dfeb837eec20d7cbcb4c8c56b17cc5598810de5df2" data-rendition-name="original" width="1500" height="1000" loading="lazy" alt="Climate magnifies earthquake risk in Nepal village NT"> </figure>   <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250508110524_ae66c4a92430f67db51b5e11e017059eedfbac4cb18c8e073f2a50cca1fe904e.jpg" data-media-id="editor_7" data-image-id="20250508110524_ae66c4a92430f67db51b5e11e017059eedfbac4cb18c8e073f2a50cca1fe904e" data-rendition-name="original" width="1500" height="1000" loading="lazy" alt="Climate magnifies earthquake risk in Nepal village NT"> </figure>  “The demand for construction material, cement, iron rods and bricks peaked after the earthquakes,” says Suresh Khadka, who owns a hardware business here and now supplies material to the 456MW Upper Tama Kosi hydropower project that is undergoing repairs after it was damaged by a landslide last year. The demand for cement boomed since most residents believe, not necessarily correctly, that <a href="https://nepalitimes.com/banner/in-a-disastrous-state">cement houses are safer</a>. Although Khadka did well selling construction material after the earthquake, he worries that most new structures do not follow seismic-resistant building codes.&nbsp; The construction boom financed by bank loans has in turn forced many from Singati to <a href="https://nepalitimes.com/banner/making-overseas-migration-better">migrate overseas for work</a> so they can service their debt.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250508110524_50caa4530bd5ff9120cf7ab70a62173846d337ef448ff8bac339f3faa375a9e2.jpg" data-media-id="editor_10" data-image-id="20250508110524_50caa4530bd5ff9120cf7ab70a62173846d337ef448ff8bac339f3faa375a9e2" data-rendition-name="original" width="1500" height="1000" loading="lazy" alt="Climate magnifies earthquake risk in Nepal village NT"> <figcaption>Suresh Khadka</figcaption> </figure>   <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250508110520_ef8b7d3993fc3b5df852bbf952feb3fbabc96d6883b0d5eb74ee5c60f4123b83.jpg" data-media-id="editor_11" data-image-id="20250508110520_ef8b7d3993fc3b5df852bbf952feb3fbabc96d6883b0d5eb74ee5c60f4123b83" data-rendition-name="original" width="1500" height="1000" loading="lazy" alt="Climate magnifies earthquake risk in Nepal village NT"> <figcaption>Phu Doma Sherpa (right)</figcaption> </figure>  “My family had no choice but to borrow money to rebuild our home since the government compensation was not enough, and ten years later we are still paying off the loan,” says Phu Doma Sherpa, 60. Because of the shortage of qualified masons and proper seismic engineering, <a href="https://nepalitimes.com/here-now/structural-problems">many of the buildings are of questionable building standards </a>and the traditional architecture has been abandoned, admits Kul Bahadur Budathoki, deputy chair of the municipality. “But these buildings were more expensive than what the government grants could cover, many people here are heavily in debt and the men have <a href="https://nepalitimes.com/here-now/every-day-is-closer-to-pay-day">migrated to the Gulf to pay their loans</a>,” Budathoki says.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250508110520_32f89e97b7e757fc9286c0bbb671f48ea8d4468e9634fa646d7247c650ad8480.jpg" data-media-id="editor_14" data-image-id="20250508110520_32f89e97b7e757fc9286c0bbb671f48ea8d4468e9634fa646d7247c650ad8480" data-rendition-name="original" width="1501" height="1079" loading="lazy" alt="Climate magnifies earthquake risk in Nepal village NT"> <figcaption>Kul Bahadur Budathoki</figcaption> </figure>  Singati is in a multi-hazard zone. The <a href="https://archive.nepalitimes.com/article/nation/Singati,3091">12 May 2015 earthquake </a>could have led to the collapse of Nepal’s largest glacial lake, <a href="https://nepalitimes.com/here-now/stairway-to-heaven">Tso Rolpa</a>, upstream. Due to global warming, the glacier has turned into an expanding lake 3.5km long, and its collapse would have unleashed a catastrophic Himalayan tsunami down the Tama Kosi Valley, with Singati directly in its path. Singati has literally risen from the ashes of 2015, with its residents beginning to recover from the trauma and financial toll. But it is not out of danger as <a href="https://nepalitimes.com/news/climate-breakdown-linked-to-thame-flood">climate breakdown </a>magnifies the risk from future earthquakes.

Climate magnifies earthquake risk in Nepal village

The streets of Patan are alive this month with lavender jacaranda trees under rain-washed skies as <a href="https://nepalitimes.com/banner/the-red-god-rises-again-in-patan">the chariot of Rato Matsyendranath</a> is pulled across town. This is the festival of the rain god, and inevitably the heavens opened up and pre-monsoon showers pelted the chariot as it started being pulled in Pulchok last week. Thousands of devotees, onlookers and the chariot procession organisers thronged the streets on the first day last week. The rhythmic cymbals and drums exuded a vibrant energy as the enormous four wheels turned and the chariot lurched.&nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2025051007050_81df97744db16f732a419dc1f1579d235ce3df37642b078f50b83bd4bd026688.jpg" data-media-id="editor_1" data-image-id="2025051007050_81df97744db16f732a419dc1f1579d235ce3df37642b078f50b83bd4bd026688" data-rendition-name="original" width="1000" height="1503" loading="lazy" alt="Divine chariot"> </figure>  The<a href="https://archive.nepalitimes.com/article/Nepali-Times-Buzz/Red-rain-god,3141"> red rain god</a> has Hindu and Buddhist antecedents, alternatively called Bungadya and<a href="https://nepalitimes.com/here-now/kathmandu-s-gravity-defying-chariot-festival"> Karunamaya</a> — reflecting Kathmandu Valley’s syncretic mixture of the two religions.&nbsp; “Bungadya is a profoundly <a href="https://nepalitimes.com/opinion/12-full-opinion/marketing-the-intangible">intangible form of heritage</a>,” explains heritage expert Monalisa Maharjan. “It embodies traditional knowledge,<a href="https://nepalitimes.com/multimedia/reviving-nepal-s-craft"> artisanal skills passed down through generations</a>. Local communities and specific families have specified roles in being custodians of the heritage, ensuring their survival over the centuries.” There are many legends and stories about this annual tradition. Lichhavi king Narendra Dev is supposed to have brought Rato Matsyendranath from Assam to Kathmandu Valley to convince Guru Gorakhnath to lift a spell that created a two-year drought in Kathmandu.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250510050520_347a9a398f8a9abc4a7fb4e2774fde8264cccbdce8bdab23851ab3f0e73c3e8a.jpg" data-media-id="editor_6" data-image-id="20250510050520_347a9a398f8a9abc4a7fb4e2774fde8264cccbdce8bdab23851ab3f0e73c3e8a" data-rendition-name="original" width="1503" height="1000" loading="lazy" alt="Divine chariot"> </figure>  Matsyendranath was Gorakhnath’s mentor, and upon seeing him, the serpents were released, unleashing the rains. The chariot festival honours the return of this life-giving rain. The deity is seen as an icon for thriving agriculture, t<a href="https://nepalitimes.com/here-now/before-the-next-monsoon">he arrival of monsoon</a> showers, and the welfare of the community. Read also: <a href="https://nepalitimes.com/opinion/the-reign-of-the-god-of-rain">The reign of the god of rain</a>, Vidhu Prakash Kayastha Till this day, the Rato Matsyendranath festival is no ordinary celebration. Patan does not sleep for a month as the chariot is pulled through various neighbourhoods. It unfolds at a state level with the president (formerly the king) attending the climax of the Bhoto Jatra in Jawalakhel later this month.&nbsp; The intergenerational transmission of tradition is unique in the world, and the reason the festival is one of the most vibrant cultural expressions that thrives despite inroads of modernity. The other unique aspect is that it is a transnational festival, binding Patan with Guwahati in the Indian state of Assam.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2025051005058_8bc685ada13045d863b28e3eed91c931da2b510714586af6fd7eb5d1e298a24a.jpg" data-media-id="editor_9" data-image-id="2025051005058_8bc685ada13045d863b28e3eed91c931da2b510714586af6fd7eb5d1e298a24a" data-rendition-name="original" width="1000" height="1503" loading="lazy" alt="Divine chariot"> </figure>  “Unlike Nepal, where the deity commands grandeur and devotion, many in Assam are unaware of Rato Matsyendranath,” says Khagen Sharma of Gauhati University, which convened <a href="https://nepalitimes.com/news/nepal-assam-connection-revived">a symposium in February in Guwahati on the rain god</a>. Attending was a delegation led by Lalitpur Mayor Chiribabu Maharjan, organisers of the festival, and builders of the chariot. After the symposium, a committee was formed to explore and revive the tradition in Assam as well. Although the team had planned to visit Nepal this month, logistical challenges delayed the trip. Still, there are plans to build a Guru Matsyendranath statue in Assam to reestablish regular worship practices in the Guwahati shrine.&nbsp; The vines used to build the chariot in Patan are sourced from the jungles of Assam. But Sharma notes that in recent years unclear regulations have blocked the official import of the vines, although they are still brought to Nepal informally. The <a href="https://archive.nepalitimes.com/article/Nepali-Times-Buzz/makers-of-machhindranath,2204">chariot making</a> has also had a taste of modernisation in recent times. In the past, even a single nail or piece of steel was avoided. But over time, the wooden structure, particularly the shaft between the wheels, has been replaced with bronze. When that too proved unstable, metal clamps were introduced, which have become a pragmatic compromise.&nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250510050524_b2a819a5791612f14c81d30fc393dbd3f99f0c64b90a9110e8b0855d944bfa93.jpg" data-media-id="editor_12" data-image-id="20250510050524_b2a819a5791612f14c81d30fc393dbd3f99f0c64b90a9110e8b0855d944bfa93" data-rendition-name="original" width="1500" height="998" loading="lazy" alt="Divine chariot"> </figure>  Another welcome change is the focus on safety. Builders climbing the chariot’s tower now wear harnesses and there are efforts in crowd control. The most visible change in recent years has been the involvement of Patan’s enthusiastic youth in the festival — the tradition is now passing to a new generation. Says Matsyendranath expert Vidhu Kayastha: “There is more energy, the young people in red t-shirts this year were very organised, these modern touches aren’t diluting our culture, they’re keeping it alive in new forms.” He adds, “We are <a href="https://nepalitimes.com/here-now/searching-for-a-homeland-away-from-home">reconnecting with our roots</a>, we have more resources, more awareness than ever before. We must not be swept away by western values that may not serve us, and in some ways, cause more harm than good. We must revive our own culture.”&nbsp;