Two centuries after it was first classified by botanists, Musa nepalensis has been spotted again in the country that bears its Latin name. Ram Prasad Ghimire, 54, from Pytar in Lalitpur took a closer look and said, “That’s ghyampe kera!” According to Ghimire, until a few decades ago the plant was widespread in the forest near his village. But it had declined sharply in recent years because of over harvesting for its purported therapuetic properties. People in the village boil the middle portion of the pseudo stem, also known as the peduncle, and eat it to relieve stomach discomfort. Although the ripe fruit has little flavour, it is used to treat diarrhea. Similarly, leaf base latex is used for ear infections. There were a dozen of these banana plants growing in Godavari. According to Gaurav Parmar of the National Botanical Garden the banana blooms once in three years, and when the fruit is fully ripe, the plant dies. The fruit bunch is compact unlike in domesticated banana. Birds and animals consume the fruit and spread its seeds to germinate. The pseudo stem is nearly one metre tall but its fringed leaves can reach a length of two metres.  <figure><img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20230801090844_29398dd63a2d04306f68e1da0669b186826f87900f5b274631c119191fe40740.jpg" data-media-id="editor_0" data-image-id="20230801090844_29398dd63a2d04306f68e1da0669b186826f87900f5b274631c119191fe40740" data-rendition-name="original" width="706" height="826" loading="lazy" alt="Wallich's drawing"><figcaption>Wallich's drawing </figcaption></figure>  Musa nepalensis was first described by Nathaniel Wallich in 1820 during his expedition from Amlekhganj to Thankot on the old foot trail to Kathmandu from the plains. During the first half of the nineteenth century, a Danish surgeon served as superintendent of the Royal Botanical Garden of Calcutta and which had 142 genera and almost 8,000 plant species. He also traveled Kathmandu Valley in 1820-21 in search of botanical specimens. In Kathmandu, Wallich gathered wild banana samples and sketched them, identifying them as a brand-new species in 1824. The nepalensis in the name signified that the plant was endemic to Nepal. But after that one observation, no one else had ever seen the wild banana, prompting many to believe that Wallich's observations of the specimen and its drawings were mistaken. Ensete glaucum, a species of banana from Southeast Asia, was discovered in 1948 and its morphological make was more or less comparable to Musa nepalensis. Between 1963 and 1977, a Japanese plant exploration team found Ensete glaucum in east Nepal and assumed that the Wallich collection from Nepal was that plant and not Musa nepalensis.  <figure><img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20230801090848_076f576898886e0d3347c98d8364cdb8ed284520889d693231c880f03ecaf7fb.jpg" data-media-id="editor_1" data-image-id="20230801090848_076f576898886e0d3347c98d8364cdb8ed284520889d693231c880f03ecaf7fb" data-rendition-name="original" width="4016" height="6016" loading="lazy" alt="wild banana"><figcaption>Boy carrying sapling of Ensete nepalense</figcaption></figure>  A year later a book with a checklist of Nepali plants was published which also stated that the banana Wallich had gathered is today known as Ensete glaucum. In 1862, the genus Ensete was separated from Musa. The rediscovery of the wild banana species was made by a team consisting of Gaurav Parmar, Dipak Lamichhane, Hem Raj Paudel and Anna Trias-Blasi. They found Wallich's description of Musa nepalensis and the specimens from Godavari locality to be identical. Throughout Wallich’s working period, there was only the Musa genus. Monocarpic pseudo stem bananas are now included in the genus Ensete. Multiple pseudo stems in the Musa genus develop from a single underground true stem.  <figure><img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20230801090848_71a0fa651a3e08f730caaabaaaf1246b64afc5e1ac152ef0c95fa7e41c377664.jpg" data-media-id="editor_2" data-image-id="20230801090848_71a0fa651a3e08f730caaabaaaf1246b64afc5e1ac152ef0c95fa7e41c377664" data-rendition-name="original" width="4016" height="6016" loading="lazy" alt="wild banana"></figure>  The seeds of Ensete nepalensis are spread by birds and mammals. They thrive on rocky moist, somewhat open areas and have a higher rate of germination in natural condition. When freely sown, some 60% germinate. Grazing is one of the biggest threats to the conservation of wild banana plants. Cattle love feeding on the plant's leaves and branches. Humans also unintentionally harm the plant when they fall down because of its peduncle. The plant also has ornamental purposes. For many ethnic communities in India, Ensete glaucum is an important herb used to treat a variety of illnesses. Flower juice has reportedly been used to treat dysentery and excessive bleeding in young girls during menstruation. Very young inflorescence is used locally in a variety of tribal recipes, and youngsters play traditional games with its seeds. More exploratory investigation should be conducted for this species, research its medicinal properties, and community forestry user groups should be made aware of a species named after Nepal. Kamal Maden is a botanist and biodiversity researcher.

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New banana republic

<figure><img width="2250" height="1000" src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221110141124/636cfbdf9c7e80680e0a0b57jpeg.jpg" alt=""/><figcaption>The newly discovered 'Rubus dorcheae' raspberry at Shivapuri National Park. Photos: MAAN BAHADUR ROKAYA</figcaption></figure>A new species of ainselu, the wild raspberry native to the subcontinent and Southeast Asia, has been discovered in Nepal. It is the second flowering plant to be discovered in the country in 2021.  Samples of the plant were collected from Shivapuri-Nagarjun National Park by botanical enthusiast La Dorchee Sherpa and researchers Maan Bahadur Rokaya and Sajan Subedi.Coined Rubus dorcheae after Dorchee Sherpa, the species was introduced in Rokaya and Subedi's academic article <a href="https://www.biotaxa.org/Phytotaxa/article/view/phytotaxa.511.1.5">Rubus dorcheae (Rosaceae), A New Species from Central Nepa</a>l published on 13 July in the botany journal Phytotaxa. Ainselu belongs to the genus Rubus, which has 760 species across the world except for some countries in the South American and African continents. Among the 32 species found in Nepal, the evergreen Himalayan creeping bramble (Rubus nepalensis) known as Bhui ainselu in Nepali, is indigenous to the Himalayan nation. Meanwhile, the wild Rubus ellipticus ainselu plant that bears clustered yellow fruit each April is more widespread across the country.Given his interest in botany and Nepal’s diverse flora, La Dorchee Sherpa initially trained under notated Nepali naturalist Tritha Bahadur Shrestha despite graduating with a business degree. Since then, over the past few years, Sherpa has been travelling within the Kathmandu Valley as well as across the country identifying and photographing Nepal’s flora. He spends months at a time researching the plants he has photographed, and has helped many botanists and academicians in their study.The Rubus dorcheae plant is 10m tall, and flowers from August, bearing fruit in the months of October and November. Samples of the plant were first collected from Shivapuri in 2018 at an altitude of 1,930m. After initial studies concluded the species to be the first of its kind, additional samples were then collected in 2019 and 2020. <figure><img width="900" height="560" src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221110141124/636cfbe29c7e80680e0a0b58jpeg.jpg" alt=""><figcaption>Measurements of the leaf (above) and the plant (below) of a 'Rubus dorcheae' sample. Photos: SAJAN SUBEDI</figcaption></figure><img width="900" height="598" src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221110141124/636cfbe59c7e80680e0a0b59jpeg.jpg" alt="">The researchers compared the collected samples with the published botanical works of other Rubus species found in Nepal, Bhutan, China and India. They also studied samples of herbariums available at the Natural History Museum in London, the Royal Botanical Gardens in Edinburgh, Scotland, the National Herbarium and Botanical Laboratory in Godavari, the University of Tokyo in Japan, and the Central Department of Botany. Researchers found the specimen collected from Shivapuri to be similar to the Rubus kumaonensis, which is native to Nepal and Tibet, and the Himalayan blackberry Rubus rugosas. They then compared the height, shape and texture of the leaves, as well as sepal and petal of the flowers of the new sample and the two species.  The differences in height and the size of the leaves of plant samples do not have much bearing when studying potential new plant species as they typically vary even for the same species depending on their geographic location. However, the botanists found other significant differences confirming that the new ainselu species was the first of its kind. The article published in the journal Phytotaxa provides an in-depth study of the new plant, including detailed <a href="https://www.nepalitimes.com/banner/the-anatomy-of-a-flower/" target="_blank" rel="noopener noreferrer">botanical sketches</a> of their smallest parts. And while the two researchers and Sherpa do a commendable job, an extended study into the DNA would have added to it. In fact, one of the authors of the article, ecologist Maan Bahadur Rokaya, is well placed to conduct the DNA study at the Institute of Botany of the Czech Academy of Sciences, where he is a researcher.  A DNA study would have revealed the internal differences between the different Rubus species whereas the morphological study is limited to identifying external variations. Such a detailed research would have served as a reference and resource for other botanists in the future. Translated by Shristi Karki from the <a href="https://www.himalkhabar.com/news/124984">Himal Khabar</a>.

First of its kind raspberry in Nepal

<img width="1500" height="1000" src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221110121140/636ce3a99c7e80680e096668jpeg.jpg" alt=""/>"I can’t help myself when I see flowers,” says <a href="http://archive.nepalitimes.com/article/Nepali-Times-Buzz/Planting-painting,3224" target="_blank" rel="noopener noreferrer">botanical artist and illustrator Neera Joshi</a>. “ I have to paint them.”Outside her studio, the spring garden is blooming with bright pink azaleas, orange daisies, and lush calla lilies. They were splashes of colour against a city shrouded in smoke this week. Inside, Joshi sits cross-legged on the floor, surrounded by framed <a href="https://www.nepalitimes.com/opinion/a-new-york-miracle/" target="_blank" rel="noopener noreferrer">botanical artwork</a>. On Tuesday, 32 of her paintings will be on display at Siddhartha Art Gallery for a three-week-long exhibition supported by the Nepal Britain Society.“Many people do not know what botanical art is because they have never seen it,” explains Joshi. “It is a means visual communication that will enable Nepalis to recognise and appreciate our rich and varied biodiversity.” Indeed, the relatively unknown art form typically comprises botanical illustration and botanical art. While both styles need to be scientifically accurate, and require equipment different from other art forms, botanical drawings are more scientific, the figures need to be precise and to scale, and they contribute to scientific studies and plant identification.<a style="font-size: 15px; letter-spacing: 0.01em;" href="https://archive.nepalitimes.com/article/Nepali-Times-Buzz/years-of-botanical-art,3222" target="_blank" rel="noopener noreferrer">Botanical art</a>, meanwhile, allows for more focus on the aesthetics and the creative process. Joshi plays to both of those styles in her artwork. Half of her collection for the exhibition includes flowers native to Nepal— from wildflowers of Champadevi done in greens and browns to the soft pink Luculia gratissima and Himalayan blue poppies. The other half are exotic plants, ranging from orchids in pinks and yellows to kalakaua, magnolias, and more. <img width="1250" height="1667" src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221110121140/636ce3ab9c7e80680e096669jpeg.jpg" alt="">Joshi experiments with multiple mediums in <a href="http://archive.nepalitimes.com/news.php?id=13501#.YGqSNy2B0b0" target="_blank" rel="noopener noreferrer">her artwork</a> while balancing scientific accuracy and artistic expression in her paintings. One of her pieces of mahonia berries, called jamaane mandro in Nepal, is a mixture of watercolour and pen-and-ink, while some of her pieces are half watercolour and half pencil sketch, with a series of smaller, more detailed, and scale illustration of the plant, depicting every stage of its life.[video width="1920" height="1080" mp4="https://www.nepalitimes.com/wp-content/uploads/2021/04/2-2.mp4"]Video: SHANTA BUDHA MAGAR “There is little room for free expression, freestyle or imagination with botanical art, and there are lots of rules and regulations,” says Joshi.She prefers being in nature and doing live paintings, and recently trekked up to 3,500m in Gorkha to study flora in previously unexplored forests. Although botanical artists also work with herbariums, a collection of preserved plant specimens, she usually documents flowers live in her field sketchbook, later referring to them to translate her art to watercolour. If the plant is small and manageable, Joshi brings them back home to study.“My mother wanted me to become a doctor,” Joshi says, smiling. “But I studied botany.” Joshi got her Master’s degree in Botany from Tribhuvan University in 1995.Although her father, Ramananda Joshi, was a noted artist, it was only in 1996 that she considered art as a career after her Master’s. “Becoming an artist had never  crossed my mind, although I was raised surrounded by art,” she says.[video width="1920" height="1080" mp4="https://www.nepalitimes.com/wp-content/uploads/2021/04/1.mp4"]Video: SHANTA BUDHA MAGAR For picking up the paintbrush relatively later in life, Joshi honed her skill swiftly over the next few years and had her work on exhibit for the first time in 1999.“Botanical art is a scientific discipline, and as such, one cannot just paint whatever they feel like,— the portraits of plants have to be meticulous,” says Sangeeta Thapa of Siddhartha Art Gallery. “Neera is among the very few botanical artists in Nepal, and she stands out from the crowd of contemporary artists because she’s doing something very unique and something she’s really passionate about.”Her work has been on display at the Royal Botanic Garden Edinburgh, and more recently at the <a href="https://www.nepalitimes.com/review/nepals-botanical-art-in-wuhan/" target="_blank" rel="noopener noreferrer">Wuhan International Botanical Art Exhibition</a>, where three of her paintings were exhibited virtually, owing to the Covid pandemic. <img width="1250" height="833" src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221110121140/636ce3af9c7e80680e09666ajpeg.jpg" alt="">“Most Nepalis don’t know indigenous flowers from exotic ones, which is especially concerning at a time when conservation of biodiversity is so important,” says the artist, who also trains students and budding Nepali artists at her Studio Petals.“I hope this exhibition will provide exposure to botanical art and generate interest among young Nepalis,” she says. “This will help in education, conservation and research."Neera Joshi’s collection of botanical art, The Beauty of Nepal’s Flora, will be exhibited at Siddhartha Gallery from 6-26 April.

Shristi Karki

The anatomy of a flower

<img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221109121112/636b8b969c7e80680e06b2abjpeg.jpg" alt="" width="1500" height="1000"/>Nepal is famous for its spectacular scenery of mountains and plains, rich cultural heritage. But <a href="https://archive.nepalitimes.com/article/Nepali-Times-Buzz/years-of-botanical-art,3222" data-saferedirecturl="https://www.google.com/url?q=https://archive.nepalitimes.com/article/Nepali-Times-Buzz/years-of-botanical-art,3222&amp;source=gmail&amp;ust=1587016984665000&amp;usg=AFQjCNEbqYNGMKP7BhS8i2Z5tBeHWOkCmw">no less wondrous is the beautiful flora</a> that adorns it.It is the flowering season, and some of us lucky to be up in the mountains during the lockdown will wonder what that <a href="http://archive.nepalitimes.com/news.php?id=4345#.XpaWtEAza70" data-saferedirecturl="https://www.google.com/url?q=http://archive.nepalitimes.com/news.php?id%3D4345%23.XpaWtEAza70&amp;source=gmail&amp;ust=1587016984665000&amp;usg=AFQjCNE53Ja4STcS_kFYzcp9jIf9DA_Z5w">gorgeous rhododendron</a> is called.  Or what is the story behind that delicate carnivorous plant with leaves like the hands of the Buddha?  How about the medicinal uses of the lovely blue gentian?Now, the answers are all within reach – literally in the palm of your hand- and it does not add a single ounce to your backpack.The Flora of Nepal Project and the Department of National Parks and Wildlife Conservation have partnered with vegetation ecologist Elizabeth Byers and High Country Apps to produce <a href="http://www.highcountryapps.com/WildflowersOfMountEverest.aspx" data-saferedirecturl="https://www.google.com/url?q=http://www.highcountryapps.com/WildflowersOfMountEverest.aspx&amp;source=gmail&amp;ust=1587016984665000&amp;usg=AFQjCNEXC7HOQiXj7PnMF6BMgO4J_uyTTQ">Wildflowers of Mount Everest</a>, the first-ever wildflower identification app for Nepal.<a href="http://archive.nepalitimes.com/news.php?id=10343" data-saferedirecturl="https://www.google.com/url?q=http://archive.nepalitimes.com/news.php?id%3D10343&amp;source=gmail&amp;ust=1587016984665000&amp;usg=AFQjCNGxRLjv_f63wQrCiPrWpFq6ReLXhQ">Nepal’s flora is unique in the world</a>, being specially adapted to survive at high elevations, through cold winters and wet summer monsoons. In spring, luxuriant displays of rhododendrons and primroses <a href="https://www.rbge.org.uk/science-and-conservation/major-floras/flora-of-nepal/" data-saferedirecturl="https://www.google.com/url?q=https://www.rbge.org.uk/science-and-conservation/major-floras/flora-of-nepal/&amp;source=gmail&amp;ust=1587016984665000&amp;usg=AFQjCNEXiQd2YjIwSUspOd2pMz-MtBjyHQ">cover whole mountainsides with colour.</a><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221109121112/636b8b999c7e80680e06b2acjpeg.jpg" alt="" width="262" height="500">Summer brings the beautiful and sometimes bizarre blossoms, such as Hippolytia gossypina with its white-haired pillars topped by clusters of golden flowers. The autumn trekking season is painted with the blue of gentians and the bright red and yellow autumn foliage of the shrubs and trees.Wildflowers of Mount Everest offers easy-to-use graphical keys, botanical help, detailed descriptions, and plant lore to identify and explore Nepal’s remarkable flora. The app does not require a cellular or internet connection to run, so it can be used anywhere, whether on the trail or in your home. Users can create a list of the plants they see each day and email it to themselves or their friends.“The app is suitable for students, educators, scientists, guides, and visitors interested in the beautiful wildflowers of Nepal’s Mount Everest region. It will be a useful tool for park rangers and scouts as they work to conserve the park’s floral diversity,” says Gopal Prakash Bhattarai, Director General of the Department of National Parks and Wildlife Conservation.Designed for people who are complete beginners as well as experienced botanists, Wildflowers of Mount Everest will appeal to anyone who wants to identify or learn about plants in eastern Nepal.<img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221109121112/636b8b9a9c7e80680e06b2adjpeg.jpg" alt="" width="500" height="333">Byers has spent much of the last 40 years identifying, photographing, and cataloging specimens of  subalpine and alpine flora of eastern Nepal. “Two things make this field guide special,” she says. “First, the Sherpa elders who have graciously shared plant lore and stories to give us a glimpse of the cultural importance of each species. Second, the botanical experts from all over the world who have volunteered their knowledge to help us understand the unique and specially-adapted plants of Mount Everest.”The Wildflowers of Mount Everest app is available from the Apple App Store and Google PlayStore for $7.99. The authors will periodically update the app to include new species and other content, at no additional charge to users.Elizabeth A Byers is a vegetation ecologist studying rare plant species and climate change vulnerability of plants. She has been studying and photographing the flora of Nepal for nearly 40 years.<a href="http://www.highcountryapps.com/WildflowersOfMountEverest.aspx" data-saferedirecturl="https://www.google.com/url?q=http://www.highcountryapps.com/WildflowersOfMountEverest.aspx&amp;source=gmail&amp;ust=1587016984665000&amp;usg=AFQjCNEXC7HOQiXj7PnMF6BMgO4J_uyTTQ">http://www.highcountryapps.com/WildflowersOfMountEverest.aspx</a><h2>Tourism down? Use the pause to learn about flowers</h2>Tourists and trekkers will be flocking back to Nepal before long. For guides, now is the time to learn new skills and increase their confidence and knowledge so that when business picks up again, clients will rave about you and about their experience in Nepal.A fun skill-building activity is offered by the Wildflowers of Mount Everest app, the first plant identification app written specifically for Nepal.  This is an enjoyable way to learn the flora of eastern Nepal’s upper elevations.  It is designed for beginners and experts alike, with easy picture-based keys, information about local lore, and plant facts.  The richly illustrated app includes 557 species of wildflowers, shrubs, and trees.<img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221109121112/636b8b9b9c7e80680e06b2aejpeg.jpg" alt="" width="146" height="300">https://www.youtube.com/watch?v=cwd39Foy9jwFlora of Nepal ProjectThe <a href="http://www.highcountryapps.com/WildflowersOfMountEverest.aspx" data-saferedirecturl="https://www.google.com/url?q=http://www.highcountryapps.com/WildflowersOfMountEverest.aspx&amp;source=gmail&amp;ust=1587016984665000&amp;usg=AFQjCNEXC7HOQiXj7PnMF6BMgO4J_uyTTQ">Flora of Nepal Project</a> is an international partnership tackling a knowledge gap identified in Nepal’s National Biodiversity Action Plan. The project is coordinated by the Royal Botanic Garden Edinburgh in partnership with the Nepal Academy of Science and Technology, the Government of Nepal’s Department of Plant Resources, Tribhuvan University’s Central Department of Botany and the University of Tokyo, and draws on the expertise of taxonomic experts throughout the world.The Flora of Nepal Project is supported by <a href="http://www.highcountryapps.com/WildflowersOfMountEverest.aspx" data-saferedirecturl="https://www.google.com/url?q=http://www.highcountryapps.com/WildflowersOfMountEverest.aspx&amp;source=gmail&amp;ust=1587016984665000&amp;usg=AFQjCNEXC7HOQiXj7PnMF6BMgO4J_uyTTQ">High Country Apps</a> which is dedicated to developing applications that deliver high quality natural history information with an intuitive, easy-to-use interface. It partners with expert botanists and photographers to provide information of the highest quality in its mobile field guides.High Country Apps will donate a portion of the app proceeds of Flora of Nepal to support field costs of Nepali students or buy field equipment to allow them to conduct botanical studies.Link to High Country Apps: <a href="http://www.highcountryapps.com/WildflowersOfMountEverest.aspx" data-saferedirecturl="https://www.google.com/url?q=http://www.highcountryapps.com/WildflowersOfMountEverest.aspx&amp;source=gmail&amp;ust=1587016984665000&amp;usg=AFQjCNEXC7HOQiXj7PnMF6BMgO4J_uyTTQ">http://www.highcountryapps.com/WildflowersOfMountEverest.aspx</a>Direct links to the app in stores($7.99):Apple: <a style="letter-spacing: 0.01em;" href="http://itunes.apple.com/us/app/id1479336982" data-saferedirecturl="https://www.google.com/url?q=http://itunes.apple.com/us/app/id1479336982&amp;source=gmail&amp;ust=1587016984665000&amp;usg=AFQjCNFMi5OfsgOmCfZIhAVk3SIUmnD4lg">http://itunes.apple.com/us/app/id1479336982</a> (live on April 2)Google Play:  <a href="https://play.google.com/store/apps/details?id=com.emountainworks.android.everestfieldguide" data-saferedirecturl="https://www.google.com/url?q=https://play.google.com/store/apps/details?id%3Dcom.emountainworks.android.everestfieldguide&amp;source=gmail&amp;ust=1587016984665000&amp;usg=AFQjCNEEJVG1lhJk6If5tcTf2oKAwFUECQ">https://play.google.com/store/apps/details?id=com.emountainworks.android.everestfieldguide</a>Visit the Flora of Nepal Project at <a href="http://www.floraofnepal.org/" target="_blank" rel="noopener noreferrer" data-saferedirecturl="https://www.google.com/url?q=http://www.floraofnepal.org/&amp;source=gmail&amp;ust=1587053267549000&amp;usg=AFQjCNHI7T_cy1R8lTM7Z-d5FFFNPMFFXw">http://www.floraofnepal.org/</a> Read also: <a href="https://archive.nepalitimes.com/article/Nepali-Times-Buzz/years-of-botanical-art,3222" target="_blank" rel="noopener noreferrer" data-saferedirecturl="https://www.google.com/url?q=https://archive.nepalitimes.com/article/Nepali-Times-Buzz/years-of-botanical-art,3222&amp;source=gmail&amp;ust=1587016984666000&amp;usg=AFQjCNEjXzEv-sovFIWihDSY7QcgTXF1tA">200 years of botanical art</a>, Nepali Times<h2>Special Offer for Nepali Times Readers:</h2>Free test download instructions exclusively for Nepali Times readers currently living in Nepal:To download the app for an iPhone or iPad (Apple Store) device, please go to this link: <a href="https://testflight.apple.com/join/mO9pvYhM" target="_blank" rel="noopener noreferrer" data-saferedirecturl="https://www.google.com/url?q=https://testflight.apple.com/join/mO9pvYhM&amp;source=gmail&amp;ust=1587190760045000&amp;usg=AFQjCNFgdef-ivLJWYS757hx9ne1ctEVWw">https://testflight.apple.com/join/mO9pvYhM</a>You will be asked to download the free 'Testflight' app.  Follow the instructions and click the link again to open a free 70-day trial version of 'Wildflowers of Mount Everest' app. The free trial ends on June 30, 2020.To download the app for an Android (Google Play) device, please send a message confirming that you are a 'Nepali citizen living in Nepal' to Elizabeth Byers at <a href="mailto:everest.flora@gmail.com" target="_blank" rel="noopener noreferrer">everest.flora@gmail.com</a>Please confirm that your phone or tablet can access Google Play apps before requesting one of the limited number of download codes.High Country Apps and Elizabeth Byers are pleased to support nature exploration in Nepal during the current crisis. The Android version of the app is a full version and will not expire.

Wildflower app celebrates Nepal’s flora

https://www.youtube.com/watch?v=rd1KeYcDjcg&amp;feature=youtu.beKathmandu was described by early expats as an ‘emerald valley’. During the monsoon, <a href="https://www.nepalitimes.com/banner/not-so-soon-monsoon/" target="_blank" rel="noopener">terrace paddy fields</a> and forested hills carpeted the basin in verdant shades of green.Today, there is <a href="https://www.nepalitimes.com/here-now/the-vanishing-land/" target="_blank" rel="noopener">barely any green spaces left</a>. But in a small way, Spanish artist Iñigo Iriarte is out to change that. ‘Indi’, as the Pamplona native likes to be called (in photo below), paints walls with a palette of living plants.His geotextile canvas is a moist fabric wall alive with leaves and roots, flowers and fruits, water, air and colonies of tiny living creatures. The vertical gardens are living art with broad strokes of a variety of green and tufts of vivid moss, daubs of purple, orange or white where flowers have bloomed.Read also:<a href="https://archive.nepalitimes.com/article/Nepali-Times-Buzz/rooftop-gardens-kathmandu,1415" target="_blank" rel="noopener">Hanging gardens of Kathmandu</a>, Santa Gaha Magar<a href="https://www.nepalitimes.com/here-now/the-vanishing-land/" target="_blank" rel="noopener">Vanishing land</a>, Taylor MasonIriarte borrows heavily from expressionist tendencies when he paints on stretched canvas. Similarly, these living compositions speak of the artist's dual love for the city and nature, but also of how they struggle to coexist.Iriarte moved to Kathmandu two years ago with his wife and found reasons and an opportunity here to venture beyond his indoor paint-and-canvas studio into open space. It all started after he was invited to not just paint the inside wall of a spa at Shaligram Hotel, but also cover a blank white wall in the courtyard with a vertical garden.The result was a stunning green wall stretching across a <a href="https://www.nepalitimes.com/here-now/water-of-the-ages/" target="_blank" rel="noopener">dhara spout</a> and basin like an oasis. A sudden calming presence, perfect preparation for a spa client to experience a restful treatment to come.<img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/2022110814114/636a54729c7e80680e0523adjpeg.jpg" alt="" width="836" height="1400"/>Kathmandu’s latitude is subtropical, but its altitude lends a distinctive climate, rich with summer rain and cooled with dry winters. There is enough moisture and warmth for plants to thrive, so a cityscape of blank walls and hard surfaces could easily be regreened by vertical gardens.Iñigo Iriarte is inspired by French botanist Patrick Blanc, a pioneer of vertical gardens, but takes an ecosystem approach to his selection of plants. Many vertical gardens fail because they are ornamental and used for a wow effect, with little regard for how individual plants like to grow.Iriarte optimises nature’s own tendencies to create resilient ecosystems and microclimates that regulate themselves. He selects plants and places them according to natural growth patterns: those that prefer drier root biomes are higher, where there may be less water. Plants that thrive in wetter conditions are placed lower on the wall.He does not pander to those who just want a green wall — he will leave space free for moss and other unidentified free loaders to take residence on nutrient-rich walls. Sometimes, parasitic plants hitch a ride on their nursery hosts and take root alongside them, becoming part of the family. Occasionally, plants fail and need to be replaced.One of Iriarte’s sites, at the rooftop Rain Restaurant in Jawalakhel, is alive with over 25 varieties, from orchids to monstera, ferns to succulents, bromeliads to bamboo and surprisingly — on a wall of matted fibre and root substrates of crumpled fabric — fruiting citrus plants. There is also rosemary, happily sticking to its sunny spot on the south facing wall. “Plant health and happiness, and their ensuing resilience, is key,” explains Iriarte.Read also:<a href="https://www.nepalitimes.com/here-now/something-fishy-in-new-nepal-farm/" target="_blank" rel="noopener">Something fishy in new Nepal farm</a>, Hrijata Dahal<figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/2022110814114/636a54759c7e80680e0523aejpeg.jpg" alt="" width="1500" height="1125"><figcaption> </figcaption></figure>The wall at Rain is based on <a href="https://www.nepalitimes.com/here-now/something-fishy-in-new-nepal-farm/" target="_blank" rel="noopener">aquaponics</a> and recycles water from a fish tank below the plants to the microbially dense geotextile wall. The wall acts as a biofilter to convert water rich in ammonia from fish waste into water rich with nitrates and other nutrients that the plants can absorb, thus making it clean and safe enough to be returned to the fish tank in a water cycle.Rain’s managing partner Tara Adhikari plucks sprigs of rosemary or fruits from the tiny lime tree for some of his classy cocktails, saying: “We make good cocktails because of the freshness of the ingredients we use, some of which come from Indi’s wall. A vertical garden is a new concept in Nepal, and we took a risk, but the guests like it.”Every installation is different, tailored to its context, taking into account aspect, exposure to the elements and purpose. For the three walls Iriarte has installed in Kathmandu, including a testing bed at home, all the hardware and plants are locally sourced.“It would be great to see plants of the surrounding mountains here to green the city using the least space possible and with maximum effect in cleaning the air and creating calm living environments for people and other living creatures,” says Iriarte.Read also: <a href="https://www.nepalitimes.com/banner/between-existence-and-extinction-in-nepal/" target="_blank" rel="noopener">Between existence and extinction in Nepal</a>, Sonia AwaleNot many other countries can boast a <a href="https://www.nepalitimes.com/banner/between-existence-and-extinction-in-nepal/" target="_blank" rel="noopener">landscape as three-dimensional and vertical</a> as Nepal, and it is fitting that even as Kathmandu is built up, vertical walls can help it reclaim some greenery and bring back plants, birds, insects and microbes to coexist with humans.Instagram: the_vertical_ garden_architect

Garden walls

Fenerbahçe Beko won the Turkish Airlines EuroLeague finals in Abu Dhabi, held 23-25 May, defeating Monaco 81-70 in the final. Olympiacos, who defeated Panathinaikos 97-93, finished the series in third place. The Most Valuable Player (MVP) of the final match, Nigel Hayes-Davis from Fenerbahçe Beko, received a prize of 1,000,000 Miles&amp;Smiles from Turkish Airlines’ Chief Commercial Officer Ahmet Olmuştur. The carrier has been the title sponsor of the Turkish Airlines EuroLeague, a top tier tournament, since 2010.

Turkish Basketball

In the black and white photograph, General Wangdu smiles broadly in front of the dusty cactus garden in Kathmandu’s Annapurna Hotel. With an ill-fitting jacket and shaggy hair he looks benign enough, but this was the last leader of the Tibetan freedom fighters who led the resistance against the Chinese from their remote mountain hideouts in <a href="https://nepalitimes.com/here-now/comings-and-goings-in-mustang">Mustang</a>. Five months later, Wangdu was dead. Snapped in March 1974, I had only recently arrived in Nepal. How did I meet this legendary fighter? Possibly with his devoted camp follower, Lynne Klapecki, and probably in the Om Restaurant near Freak Street which was the preferred <a href="https://nepalitimes.com/banner/hippie-trail-nostalgia-in-kathmandu">hippie hang-out</a>. Om Lobsang and his brother Yeshe were <a href="https://archive.nepalitimes.com/page/earthquake-brings-back-memories-of-camps-for-tibetan-refugees">refugees from East Tibet </a>whose cafe offered a friendly welcome and<a href="https://nepalitimes.com/multimedia/momo-loco"> the best momos</a> - they became my in-laws after I married their eldest brother Tenzin, but that was a decade later.&nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2025052403054_4573b34282b0f5395c007243d6bef12c7ba76bfd520419e994cdcea048d795a1.jpg" data-media-id="editor_4" data-image-id="2025052403054_4573b34282b0f5395c007243d6bef12c7ba76bfd520419e994cdcea048d795a1" data-rendition-name="original" width="1000" height="1583" loading="lazy" alt="The last days of the Khampa NT"> <figcaption>Photo: LISA CHOEGYAL</figcaption> </figure>  Wangdu’s English was enthusiastically rudimentary, but even riding around town with him on the back of an aging <a href="https://nepalitimes.com/here-now/kathmandu-s-new-motorbike-museum">motorbike</a>, he was a commanding presence. Always flanked by armed outriders, impressive scars marked his forearms and a pistol hung from the cord around his neck. A charismatic guerrilla leader, Wangdu was celebrated by his followers for his tough commitment and respected for his measured pragmatism. He seemed so young to have shouldered such a responsibility of command, leading hundreds of hardened <a href="https://archive.nepalitimes.com/article/nation/50-years-after-the%20raid-into-Tibet,1012#google_vignette">Khampa combatants </a>through what had been a particularly <a href="https://nepalitimes.com/news/heavy-snowfall-over-nepal-himalaya">brutal winter in Mustang</a>, the last bastion to hold out against the Chinese invasion of their Tibetan homeland.&nbsp; The freedom fighters of Tibet, known as the Chushi-Gangdruk, had emerged to resist the <a href="https://nepalitimes.com/editorial/territorialism">Chinese takeover</a> of Tibet during the 1950s. Estimated to be 80,000-strong at the time of <a href="https://nepalitimes.com/here-now/what-or-who-after-the-dalai-lama">the Dalai Lama</a>’s final escape to India in 1959, the sheer number of Chinese deployed into Tibet eventually forced the Chushi-Gangdruk to retreat to Mustang, From this high Himalayan stronghold, they continued cross-border raids on the Chinese People’s Liberation Army (PLA) throughout the 1960s.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2025052403054_8a4a935ba25ae79dc3a63bb5c14626927020e5ec098093c45ccb9a5982e009fd.jpg" data-media-id="editor_10" data-image-id="2025052403054_8a4a935ba25ae79dc3a63bb5c14626927020e5ec098093c45ccb9a5982e009fd" data-rendition-name="original" width="1114" height="676" loading="lazy" alt="The last days of the Khampa NT"> <figcaption>Guerrillas known as the Chushi-Gangdruk emerged to resist the Chinese annexation of Tibet during the 1950s. Photo courtesy: MIKEL DUNHAM</figcaption> </figure>  Their Kathmandu base was a small discreet lodge in a back lane near Rani Pokhari. Sipping sweet tea from a blue mug with a chipped lid, I sat bemused in a corner of the Mustang Hotel room whilst Wangdu and his cohorts received a battered brown suitcase from their CIA connection, a tousle-haired American in a leather jacket. Heaved onto the dingy bedspread that covered the thin mattress, it was clicked open to reveal piles of neatly stacked dollar bills.&nbsp; I cannot think why Wangdu allowed me to witness this handover but I was clearly no threat, a newly arrived world traveller with no understanding of the stakes nor any Nepali or <a href="https://nepalitimes.com/multimedia/tibetan-music-in-nepals-sacred-valley">Tibetan language</a>. Despite armed guards in the corridor,Wangdu radiated confidence and bravado, and there was a practiced familiarity to the tense transaction. This deadly dance for many years had been funded by the Americans, tolerated by <a href="https://nepalitimes.com/here-now/the-kingdom-within-a-republic">Mustang’s residents</a>, and permitted by King Mahendra and the Nepali authorities who it suited to turn a blind eye.&nbsp; But Mahendra died in 1972, and times were changing. Richard Nixon’s ping-pong diplomacy thawed the cold war and signalled a fresh entente with China. Nepal’s yet-to-be-crowned <a href="https://nepalitimes.com/here-now/if-birendra-was-alive-nepal-could-still-be-a-monarchy">King Birendra </a>was under pressure to curb the irritating incursions against the PLA launched from the Nepali territory of Mustang. Keen to appease his northern neighbour, on several occasions the King summoned Wangdu for peace talks but, despite increasingly overwhelming odds, Wangdu refused to surrender.&nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2025052403054_a8efd5cfb92cd997bd7cb74296a936fef46e2f7428f9cd642b03f1ac4ea11ecb.jpg" data-media-id="editor_14" data-image-id="2025052403054_a8efd5cfb92cd997bd7cb74296a936fef46e2f7428f9cd642b03f1ac4ea11ecb" data-rendition-name="original" width="1055" height="885" loading="lazy" alt="The last days of the Khampa NT"> <figcaption>General Wangdu flanked by two Tibetan resistance fighters in Mustang in the 1970s. Photo courtesy: MIKEL DUNHAM</figcaption> </figure>   <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2025052403054_75969125a745847a2ef82b6fe8b9106c0b21a116d85b8efdf5d2ee89a347bb31.jpg" data-media-id="editor_15" data-image-id="2025052403054_75969125a745847a2ef82b6fe8b9106c0b21a116d85b8efdf5d2ee89a347bb31" data-rendition-name="original" width="1044" height="792" loading="lazy" alt="The last days of the Khampa NT"> <figcaption>King Birendra with General Wangdu (right in dark glasses) taken in 1974 possibly in Mustang after one of their few attempts at negotiation. Photo courtesy: RAJRNDRA KUNWAR</figcaption> </figure>  While I naively rode pillion around Kathmandu in the spring sunshine, Wangdu was in the midst of what turned out to be his final round of negotiations with the Nepal government. Refusing to cease hostilities with the Chinese, Wangdu must have suspected the cost of his decision, making his cheerful smile in the photograph all the more poignant and brave. It was only much later that I appreciated the significance of the moment. Wangdu had been sent to replace the first resistance leader in Mustang, Baba Gen Yeshe, a much derided corrupt character who stole money meant for his troops and exploited fleeing refugees by seizing their treasures. Baba Gen Yeshe never forgave Wangdu,and sought revenge in May 1974 by betraying him and his commanders to the Nepal authorities. Renewed Chinese incursions from the north, active PLA collusion with the Nepali forces under the new King, and treachery from within the Chushi-Gangdrukranks combined to seal their fate.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2025052403054_e0987a7c90d76431b0d7d5e6115ebfe3dbda7ab939e5941e079c18d722e884c0.jpg" data-media-id="editor_16" data-image-id="2025052403054_e0987a7c90d76431b0d7d5e6115ebfe3dbda7ab939e5941e079c18d722e884c0" data-rendition-name="original" width="1400" height="769" loading="lazy" alt="The last days of the Khampa NT"> <figcaption>British television journalists George Patterson and Adrian Cowell embedded themselves with Khampa guerrillas and accompanied them from Tsum Valley on a cross border raid on a Chinese Army convoy in 1964. Photo: ESSAYS ON NEPAL / SAM COWAN</figcaption> </figure>  Mikel Dunham, renowned author of Buddha’s Warriors, writes: ‘It is possible that Wangdu was waiting for some cue from the Dalai Lama’s government-in-exile in Dharamsala, India. It is equally possible – during that last, <a href="https://nepalitimes.com/multimedia/the-human-cost-of-nepal-s-yarsa-gold-rush?fbclid=IwZXh0bgNhZW0CMTEAAR31-Cqw8oyIwMPzf_35e4Skr0ululJvLf3_vDkzHn-AYG2h8uPw2rqqErg_aem_tGVn5coY1-jA7fze_xqhew">desolate winter </a>– that he made the decision to go out in glory rather than admit defeat. Over the last fifteen years, Wangdu had experienced Tibet’s organized resistance being squeezed and shoved around by every conceivable outside force.&nbsp; First they had been pushed out of their own country by the PLA; then they had been refused sanction while on <a href="https://nepalitimes.com/opinion/borderlines/nepal-india-trans-boundary-bonds?fbclid=IwAR0PpJ5zUEbwdug3g_U3ar6FUugngRY0S8Tl2v_7wqzrsHmXWcXsKjvL4t4">Indian soil</a>; then they were abandoned by the Americans because, apparently, Nixon wanted to make friends with Wangdu’s mortal enemies, the communists; then they had been betrayed by the vampiric Baba Gen Yeshe – a Tibetan and, even worse, a fellow Khampa; and now, finally Wangdu’s army was being evicted by the Nepalis. One thing was certain: Wangdu was a warrior. To imagine Wangdu simply giving up and settling down in the pacific squalor of a <a href="https://nepalitimes.com/here-now/elderly-left-in-bhutan-refugee-camp">refugee camp </a>was unthinkable.’  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2025052403054_8fc1ffef4ae751628b90ae781b66e11e51e4fdde2787207c9042efbee345ce49.jpg" data-media-id="editor_20" data-image-id="2025052403054_8fc1ffef4ae751628b90ae781b66e11e51e4fdde2787207c9042efbee345ce49" data-rendition-name="original" width="500" height="746" loading="lazy" alt="The last days of the Khampa NT"> <figcaption>The much derided Baba Gen Yeshe, the first Tibetan resistance leader in Mustang, who betrayed Wangdu for personal gain. Photo courtesy: MIKEL DUNHAM</figcaption> </figure>   <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2025052403054_b1d833cdb00d3ac4416b844d8730475cd88c238caaaf8da69889a584eea229a3.jpg" data-media-id="editor_21" data-image-id="2025052403054_b1d833cdb00d3ac4416b844d8730475cd88c238caaaf8da69889a584eea229a3" data-rendition-name="original" width="500" height="656" loading="lazy" alt="The last days of the Khampa NT"> <figcaption>Aditya SJB Rana of the Royal Nepal Army whose team ambushed Wangdu and his cohorts at the top of Tinker Pass in Darchula, West Nepal. Photo courtesy: GAUTAM SJB RANA</figcaption> </figure>  By August 1974 the game was up. Wangdu and six of his exhausted party were killed on their horses by <a href="https://archive.nepalitimes.com/news.php?id=7270">the Royal Nepal Army</a> on the brink of escape. The officer in charge, Aditya SJB Rana, cleverly predicted their route into India after they failed to silence a police radio in Yari. A carefully laid ambush trapped them near the summit of the Tinker Pass in Darchula,at 5,000 meters the highest military operation of its time. Wangdu’s body was helicoptered to Kathmandu, and a big show made of the royal Nepal victory.&nbsp; The Tibetan armed insurgency against China had reached its end.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250524030520_3ff9c6fc85a65bc9a2c3afe9736d9f5f9413de752e790a5d9dca0981ea94f9b4.jpg" data-media-id="editor_23" data-image-id="20250524030520_3ff9c6fc85a65bc9a2c3afe9736d9f5f9413de752e790a5d9dca0981ea94f9b4" data-rendition-name="original" width="1136" height="702" loading="lazy" alt="The last days of the Khampa NT"> </figure>

The Last Days of the Khampa

Starting 17 September Turkish Airlines will fly daily to Seville, one of Spain’s major tourist draws. This is Turkish’s sixth destination in Spain after Madrid, Barcelona, Valencia, Malaga, and Bilbao. Seville is in the Andalusia region on Spain’s south coast with a rich Moor history. There are approximately 30,000 Nepalis living in Spain.&nbsp;

Turkish to Seville

The newly-formed Himalayan Art Council is set to launch Nepal’s National Art Protection Platform that seeks to preserve <a href="https://nepalitimes.com/banner/the-history-of-heritage">Nepal’s unique cultural heritage </a>using<a href="https://nepalitimes.com/here-now/artificial-censorship"> AI-powered tools</a>. The Council seeks to safeguard <a href="https://nepalitimes.com/banner/nepali-art-going-places">Nepali art works</a> from neglect, theft and counterfeiting as well as preserve existing artwork and celebrate living masters by giving them a cultural space to continue the <a href="https://nepalitimes.com/banner/sacred-survival">sacred art traditions</a>. "We are introducing a new digital platform designed to preserve, verify and elevate <a href="https://nepalitimes.com/banner/nepals-new-generation-of-alternative-artists">Nepal’s art for generations to come,</a>” says a statement from the Council, adding that the digital platform will use AI told for authentication and blockchain to keep track of works of art. Artists can now be protected by <a href="https://nepalitimes.com/multimedia/ayo-ai?fbclid=IwAR1uwmTVq4gUB70ljfRezjzukD9ArWXPuMnUikopeQ8PoiZMjicToPSwhKE&amp;=1">AI tools</a> that detect forgeries, identify their work even when unsigned, and ensure they receive proper recognition and credit. The archives will be searchable with translated inscription and interactive guides. Says curator Meena Lama: “AI and blockchains are tools that give us the power to detect fakes and identify unsigned paintings and track every piece. With these tools we can restore trust, secure authorship and give artists the dignity they deserve.”  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250514170544_2ab58f6313c0458f75114a692b0016bd9efb3b59d5f8f07f0da72e1e37b82f53.jpg" data-media-id="editor_6" data-image-id="20250514170544_2ab58f6313c0458f75114a692b0016bd9efb3b59d5f8f07f0da72e1e37b82f53" data-rendition-name="original" width="1300" height="1000" loading="lazy" alt="Artwork at the Traditional Art Exhibition at Patan Museum."> <figcaption>Artwork at the Traditional Art Exhibition at Patan Museum.</figcaption> </figure>  The Council is also holding an exhibition of Nepali cultural masterpieces with 50 historical <a href="https://archive.nepalitimes.com/article/Nepali-Times-Buzz/Buzz-the-art,671">thangka and paubha </a>by past masters and <a href="https://nepalitimes.com/review/between-the-sacred-and-everyday">contemporary works by current artists</a>. This curated collection is a living tribute to <a href="https://nepalitimes.com/here-now/when-yaks-go-so-does-culture">Himalayan culture</a> with economic depictions of deities, mandala and sacred narratives. The exhibition at <a href="https://nepalitimes.com/multimedia/a-portal-into-patan-s-past-and-present">Patan Museum</a> also provides an opportunity to meet painters and custodians of art and culture. Read also: <a href="https://nepalitimes.com/review/golden-deities">Golden deities</a>, Sewa Bhattarai ‘The exhibition is only the first step in a long journey to ensure that Nepali art is no just seen but fully understood, <a href="https://archive.nepalitimes.com/article/nation/Narratives-of-Faith-and-Memory-Remembering-the-Lost-Sculptures-of-Kathmandu-exhibition,987">protected and remembered</a>,’ the Council says. Artist Kailash K Shrestha of Artudio has spent decades promoting thankha and paubha traditions because of their beauty and devotional meaning. But he also says artists are underpaid, exploited and ignored. He adds, “AI and blockchain are not just buzzwords, they are powerful tools that can protect Nepal’s artists from fraud, verify authenticity and build a permanent record of provenance.” Traditional Art Exhibition Till 17 May Patan Museum

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