Two centuries after it was first classified by botanists, Musa nepalensis has been spotted again in the country that bears its Latin name. Ram Prasad Ghimire, 54, from Pytar in Lalitpur took a closer look and said, “That’s ghyampe kera!” According to Ghimire, until a few decades ago the plant was widespread in the forest near his village. But it had declined sharply in recent years because of over harvesting for its purported therapuetic properties. People in the village boil the middle portion of the pseudo stem, also known as the peduncle, and eat it to relieve stomach discomfort. Although the ripe fruit has little flavour, it is used to treat diarrhea. Similarly, leaf base latex is used for ear infections. There were a dozen of these banana plants growing in Godavari. According to Gaurav Parmar of the National Botanical Garden the banana blooms once in three years, and when the fruit is fully ripe, the plant dies. The fruit bunch is compact unlike in domesticated banana. Birds and animals consume the fruit and spread its seeds to germinate. The pseudo stem is nearly one metre tall but its fringed leaves can reach a length of two metres.  <figure><img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20230801090844_29398dd63a2d04306f68e1da0669b186826f87900f5b274631c119191fe40740.jpg" data-media-id="editor_0" data-image-id="20230801090844_29398dd63a2d04306f68e1da0669b186826f87900f5b274631c119191fe40740" data-rendition-name="original" width="706" height="826" loading="lazy" alt="Wallich's drawing"><figcaption>Wallich's drawing </figcaption></figure>  Musa nepalensis was first described by Nathaniel Wallich in 1820 during his expedition from Amlekhganj to Thankot on the old foot trail to Kathmandu from the plains. During the first half of the nineteenth century, a Danish surgeon served as superintendent of the Royal Botanical Garden of Calcutta and which had 142 genera and almost 8,000 plant species. He also traveled Kathmandu Valley in 1820-21 in search of botanical specimens. In Kathmandu, Wallich gathered wild banana samples and sketched them, identifying them as a brand-new species in 1824. The nepalensis in the name signified that the plant was endemic to Nepal. But after that one observation, no one else had ever seen the wild banana, prompting many to believe that Wallich's observations of the specimen and its drawings were mistaken. Ensete glaucum, a species of banana from Southeast Asia, was discovered in 1948 and its morphological make was more or less comparable to Musa nepalensis. Between 1963 and 1977, a Japanese plant exploration team found Ensete glaucum in east Nepal and assumed that the Wallich collection from Nepal was that plant and not Musa nepalensis.  <figure><img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20230801090848_076f576898886e0d3347c98d8364cdb8ed284520889d693231c880f03ecaf7fb.jpg" data-media-id="editor_1" data-image-id="20230801090848_076f576898886e0d3347c98d8364cdb8ed284520889d693231c880f03ecaf7fb" data-rendition-name="original" width="4016" height="6016" loading="lazy" alt="wild banana"><figcaption>Boy carrying sapling of Ensete nepalense</figcaption></figure>  A year later a book with a checklist of Nepali plants was published which also stated that the banana Wallich had gathered is today known as Ensete glaucum. In 1862, the genus Ensete was separated from Musa. The rediscovery of the wild banana species was made by a team consisting of Gaurav Parmar, Dipak Lamichhane, Hem Raj Paudel and Anna Trias-Blasi. They found Wallich's description of Musa nepalensis and the specimens from Godavari locality to be identical. Throughout Wallich’s working period, there was only the Musa genus. Monocarpic pseudo stem bananas are now included in the genus Ensete. Multiple pseudo stems in the Musa genus develop from a single underground true stem.  <figure><img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20230801090848_71a0fa651a3e08f730caaabaaaf1246b64afc5e1ac152ef0c95fa7e41c377664.jpg" data-media-id="editor_2" data-image-id="20230801090848_71a0fa651a3e08f730caaabaaaf1246b64afc5e1ac152ef0c95fa7e41c377664" data-rendition-name="original" width="4016" height="6016" loading="lazy" alt="wild banana"></figure>  The seeds of Ensete nepalensis are spread by birds and mammals. They thrive on rocky moist, somewhat open areas and have a higher rate of germination in natural condition. When freely sown, some 60% germinate. Grazing is one of the biggest threats to the conservation of wild banana plants. Cattle love feeding on the plant's leaves and branches. Humans also unintentionally harm the plant when they fall down because of its peduncle. The plant also has ornamental purposes. For many ethnic communities in India, Ensete glaucum is an important herb used to treat a variety of illnesses. Flower juice has reportedly been used to treat dysentery and excessive bleeding in young girls during menstruation. Very young inflorescence is used locally in a variety of tribal recipes, and youngsters play traditional games with its seeds. More exploratory investigation should be conducted for this species, research its medicinal properties, and community forestry user groups should be made aware of a species named after Nepal. Kamal Maden is a botanist and biodiversity researcher.

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New banana republic

<figure><img width="2250" height="1000" src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221110141124/636cfbdf9c7e80680e0a0b57jpeg.jpg" alt=""/><figcaption>The newly discovered 'Rubus dorcheae' raspberry at Shivapuri National Park. Photos: MAAN BAHADUR ROKAYA</figcaption></figure>A new species of ainselu, the wild raspberry native to the subcontinent and Southeast Asia, has been discovered in Nepal. It is the second flowering plant to be discovered in the country in 2021.  Samples of the plant were collected from Shivapuri-Nagarjun National Park by botanical enthusiast La Dorchee Sherpa and researchers Maan Bahadur Rokaya and Sajan Subedi.Coined Rubus dorcheae after Dorchee Sherpa, the species was introduced in Rokaya and Subedi's academic article <a href="https://www.biotaxa.org/Phytotaxa/article/view/phytotaxa.511.1.5">Rubus dorcheae (Rosaceae), A New Species from Central Nepa</a>l published on 13 July in the botany journal Phytotaxa. Ainselu belongs to the genus Rubus, which has 760 species across the world except for some countries in the South American and African continents. Among the 32 species found in Nepal, the evergreen Himalayan creeping bramble (Rubus nepalensis) known as Bhui ainselu in Nepali, is indigenous to the Himalayan nation. Meanwhile, the wild Rubus ellipticus ainselu plant that bears clustered yellow fruit each April is more widespread across the country.Given his interest in botany and Nepal’s diverse flora, La Dorchee Sherpa initially trained under notated Nepali naturalist Tritha Bahadur Shrestha despite graduating with a business degree. Since then, over the past few years, Sherpa has been travelling within the Kathmandu Valley as well as across the country identifying and photographing Nepal’s flora. He spends months at a time researching the plants he has photographed, and has helped many botanists and academicians in their study.The Rubus dorcheae plant is 10m tall, and flowers from August, bearing fruit in the months of October and November. Samples of the plant were first collected from Shivapuri in 2018 at an altitude of 1,930m. After initial studies concluded the species to be the first of its kind, additional samples were then collected in 2019 and 2020. <figure><img width="900" height="560" src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221110141124/636cfbe29c7e80680e0a0b58jpeg.jpg" alt=""><figcaption>Measurements of the leaf (above) and the plant (below) of a 'Rubus dorcheae' sample. Photos: SAJAN SUBEDI</figcaption></figure><img width="900" height="598" src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221110141124/636cfbe59c7e80680e0a0b59jpeg.jpg" alt="">The researchers compared the collected samples with the published botanical works of other Rubus species found in Nepal, Bhutan, China and India. They also studied samples of herbariums available at the Natural History Museum in London, the Royal Botanical Gardens in Edinburgh, Scotland, the National Herbarium and Botanical Laboratory in Godavari, the University of Tokyo in Japan, and the Central Department of Botany. Researchers found the specimen collected from Shivapuri to be similar to the Rubus kumaonensis, which is native to Nepal and Tibet, and the Himalayan blackberry Rubus rugosas. They then compared the height, shape and texture of the leaves, as well as sepal and petal of the flowers of the new sample and the two species.  The differences in height and the size of the leaves of plant samples do not have much bearing when studying potential new plant species as they typically vary even for the same species depending on their geographic location. However, the botanists found other significant differences confirming that the new ainselu species was the first of its kind. The article published in the journal Phytotaxa provides an in-depth study of the new plant, including detailed <a href="https://www.nepalitimes.com/banner/the-anatomy-of-a-flower/" target="_blank" rel="noopener noreferrer">botanical sketches</a> of their smallest parts. And while the two researchers and Sherpa do a commendable job, an extended study into the DNA would have added to it. In fact, one of the authors of the article, ecologist Maan Bahadur Rokaya, is well placed to conduct the DNA study at the Institute of Botany of the Czech Academy of Sciences, where he is a researcher.  A DNA study would have revealed the internal differences between the different Rubus species whereas the morphological study is limited to identifying external variations. Such a detailed research would have served as a reference and resource for other botanists in the future. Translated by Shristi Karki from the <a href="https://www.himalkhabar.com/news/124984">Himal Khabar</a>.

First of its kind raspberry in Nepal

<img width="1500" height="1000" src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221110121140/636ce3a99c7e80680e096668jpeg.jpg" alt=""/>"I can’t help myself when I see flowers,” says <a href="http://archive.nepalitimes.com/article/Nepali-Times-Buzz/Planting-painting,3224" target="_blank" rel="noopener noreferrer">botanical artist and illustrator Neera Joshi</a>. “ I have to paint them.”Outside her studio, the spring garden is blooming with bright pink azaleas, orange daisies, and lush calla lilies. They were splashes of colour against a city shrouded in smoke this week. Inside, Joshi sits cross-legged on the floor, surrounded by framed <a href="https://www.nepalitimes.com/opinion/a-new-york-miracle/" target="_blank" rel="noopener noreferrer">botanical artwork</a>. On Tuesday, 32 of her paintings will be on display at Siddhartha Art Gallery for a three-week-long exhibition supported by the Nepal Britain Society.“Many people do not know what botanical art is because they have never seen it,” explains Joshi. “It is a means visual communication that will enable Nepalis to recognise and appreciate our rich and varied biodiversity.” Indeed, the relatively unknown art form typically comprises botanical illustration and botanical art. While both styles need to be scientifically accurate, and require equipment different from other art forms, botanical drawings are more scientific, the figures need to be precise and to scale, and they contribute to scientific studies and plant identification.<a style="font-size: 15px; letter-spacing: 0.01em;" href="https://archive.nepalitimes.com/article/Nepali-Times-Buzz/years-of-botanical-art,3222" target="_blank" rel="noopener noreferrer">Botanical art</a>, meanwhile, allows for more focus on the aesthetics and the creative process. Joshi plays to both of those styles in her artwork. Half of her collection for the exhibition includes flowers native to Nepal— from wildflowers of Champadevi done in greens and browns to the soft pink Luculia gratissima and Himalayan blue poppies. The other half are exotic plants, ranging from orchids in pinks and yellows to kalakaua, magnolias, and more. <img width="1250" height="1667" src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221110121140/636ce3ab9c7e80680e096669jpeg.jpg" alt="">Joshi experiments with multiple mediums in <a href="http://archive.nepalitimes.com/news.php?id=13501#.YGqSNy2B0b0" target="_blank" rel="noopener noreferrer">her artwork</a> while balancing scientific accuracy and artistic expression in her paintings. One of her pieces of mahonia berries, called jamaane mandro in Nepal, is a mixture of watercolour and pen-and-ink, while some of her pieces are half watercolour and half pencil sketch, with a series of smaller, more detailed, and scale illustration of the plant, depicting every stage of its life.[video width="1920" height="1080" mp4="https://www.nepalitimes.com/wp-content/uploads/2021/04/2-2.mp4"]Video: SHANTA BUDHA MAGAR “There is little room for free expression, freestyle or imagination with botanical art, and there are lots of rules and regulations,” says Joshi.She prefers being in nature and doing live paintings, and recently trekked up to 3,500m in Gorkha to study flora in previously unexplored forests. Although botanical artists also work with herbariums, a collection of preserved plant specimens, she usually documents flowers live in her field sketchbook, later referring to them to translate her art to watercolour. If the plant is small and manageable, Joshi brings them back home to study.“My mother wanted me to become a doctor,” Joshi says, smiling. “But I studied botany.” Joshi got her Master’s degree in Botany from Tribhuvan University in 1995.Although her father, Ramananda Joshi, was a noted artist, it was only in 1996 that she considered art as a career after her Master’s. “Becoming an artist had never  crossed my mind, although I was raised surrounded by art,” she says.[video width="1920" height="1080" mp4="https://www.nepalitimes.com/wp-content/uploads/2021/04/1.mp4"]Video: SHANTA BUDHA MAGAR For picking up the paintbrush relatively later in life, Joshi honed her skill swiftly over the next few years and had her work on exhibit for the first time in 1999.“Botanical art is a scientific discipline, and as such, one cannot just paint whatever they feel like,— the portraits of plants have to be meticulous,” says Sangeeta Thapa of Siddhartha Art Gallery. “Neera is among the very few botanical artists in Nepal, and she stands out from the crowd of contemporary artists because she’s doing something very unique and something she’s really passionate about.”Her work has been on display at the Royal Botanic Garden Edinburgh, and more recently at the <a href="https://www.nepalitimes.com/review/nepals-botanical-art-in-wuhan/" target="_blank" rel="noopener noreferrer">Wuhan International Botanical Art Exhibition</a>, where three of her paintings were exhibited virtually, owing to the Covid pandemic. <img width="1250" height="833" src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221110121140/636ce3af9c7e80680e09666ajpeg.jpg" alt="">“Most Nepalis don’t know indigenous flowers from exotic ones, which is especially concerning at a time when conservation of biodiversity is so important,” says the artist, who also trains students and budding Nepali artists at her Studio Petals.“I hope this exhibition will provide exposure to botanical art and generate interest among young Nepalis,” she says. “This will help in education, conservation and research."Neera Joshi’s collection of botanical art, The Beauty of Nepal’s Flora, will be exhibited at Siddhartha Gallery from 6-26 April.

Shristi Karki

The anatomy of a flower

<img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221109121112/636b8b969c7e80680e06b2abjpeg.jpg" alt="" width="1500" height="1000"/>Nepal is famous for its spectacular scenery of mountains and plains, rich cultural heritage. But <a href="https://archive.nepalitimes.com/article/Nepali-Times-Buzz/years-of-botanical-art,3222" data-saferedirecturl="https://www.google.com/url?q=https://archive.nepalitimes.com/article/Nepali-Times-Buzz/years-of-botanical-art,3222&amp;source=gmail&amp;ust=1587016984665000&amp;usg=AFQjCNEbqYNGMKP7BhS8i2Z5tBeHWOkCmw">no less wondrous is the beautiful flora</a> that adorns it.It is the flowering season, and some of us lucky to be up in the mountains during the lockdown will wonder what that <a href="http://archive.nepalitimes.com/news.php?id=4345#.XpaWtEAza70" data-saferedirecturl="https://www.google.com/url?q=http://archive.nepalitimes.com/news.php?id%3D4345%23.XpaWtEAza70&amp;source=gmail&amp;ust=1587016984665000&amp;usg=AFQjCNE53Ja4STcS_kFYzcp9jIf9DA_Z5w">gorgeous rhododendron</a> is called.  Or what is the story behind that delicate carnivorous plant with leaves like the hands of the Buddha?  How about the medicinal uses of the lovely blue gentian?Now, the answers are all within reach – literally in the palm of your hand- and it does not add a single ounce to your backpack.The Flora of Nepal Project and the Department of National Parks and Wildlife Conservation have partnered with vegetation ecologist Elizabeth Byers and High Country Apps to produce <a href="http://www.highcountryapps.com/WildflowersOfMountEverest.aspx" data-saferedirecturl="https://www.google.com/url?q=http://www.highcountryapps.com/WildflowersOfMountEverest.aspx&amp;source=gmail&amp;ust=1587016984665000&amp;usg=AFQjCNEXC7HOQiXj7PnMF6BMgO4J_uyTTQ">Wildflowers of Mount Everest</a>, the first-ever wildflower identification app for Nepal.<a href="http://archive.nepalitimes.com/news.php?id=10343" data-saferedirecturl="https://www.google.com/url?q=http://archive.nepalitimes.com/news.php?id%3D10343&amp;source=gmail&amp;ust=1587016984665000&amp;usg=AFQjCNGxRLjv_f63wQrCiPrWpFq6ReLXhQ">Nepal’s flora is unique in the world</a>, being specially adapted to survive at high elevations, through cold winters and wet summer monsoons. In spring, luxuriant displays of rhododendrons and primroses <a href="https://www.rbge.org.uk/science-and-conservation/major-floras/flora-of-nepal/" data-saferedirecturl="https://www.google.com/url?q=https://www.rbge.org.uk/science-and-conservation/major-floras/flora-of-nepal/&amp;source=gmail&amp;ust=1587016984665000&amp;usg=AFQjCNEXiQd2YjIwSUspOd2pMz-MtBjyHQ">cover whole mountainsides with colour.</a><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221109121112/636b8b999c7e80680e06b2acjpeg.jpg" alt="" width="262" height="500">Summer brings the beautiful and sometimes bizarre blossoms, such as Hippolytia gossypina with its white-haired pillars topped by clusters of golden flowers. The autumn trekking season is painted with the blue of gentians and the bright red and yellow autumn foliage of the shrubs and trees.Wildflowers of Mount Everest offers easy-to-use graphical keys, botanical help, detailed descriptions, and plant lore to identify and explore Nepal’s remarkable flora. The app does not require a cellular or internet connection to run, so it can be used anywhere, whether on the trail or in your home. Users can create a list of the plants they see each day and email it to themselves or their friends.“The app is suitable for students, educators, scientists, guides, and visitors interested in the beautiful wildflowers of Nepal’s Mount Everest region. It will be a useful tool for park rangers and scouts as they work to conserve the park’s floral diversity,” says Gopal Prakash Bhattarai, Director General of the Department of National Parks and Wildlife Conservation.Designed for people who are complete beginners as well as experienced botanists, Wildflowers of Mount Everest will appeal to anyone who wants to identify or learn about plants in eastern Nepal.<img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221109121112/636b8b9a9c7e80680e06b2adjpeg.jpg" alt="" width="500" height="333">Byers has spent much of the last 40 years identifying, photographing, and cataloging specimens of  subalpine and alpine flora of eastern Nepal. “Two things make this field guide special,” she says. “First, the Sherpa elders who have graciously shared plant lore and stories to give us a glimpse of the cultural importance of each species. Second, the botanical experts from all over the world who have volunteered their knowledge to help us understand the unique and specially-adapted plants of Mount Everest.”The Wildflowers of Mount Everest app is available from the Apple App Store and Google PlayStore for $7.99. The authors will periodically update the app to include new species and other content, at no additional charge to users.Elizabeth A Byers is a vegetation ecologist studying rare plant species and climate change vulnerability of plants. She has been studying and photographing the flora of Nepal for nearly 40 years.<a href="http://www.highcountryapps.com/WildflowersOfMountEverest.aspx" data-saferedirecturl="https://www.google.com/url?q=http://www.highcountryapps.com/WildflowersOfMountEverest.aspx&amp;source=gmail&amp;ust=1587016984665000&amp;usg=AFQjCNEXC7HOQiXj7PnMF6BMgO4J_uyTTQ">http://www.highcountryapps.com/WildflowersOfMountEverest.aspx</a><h2>Tourism down? Use the pause to learn about flowers</h2>Tourists and trekkers will be flocking back to Nepal before long. For guides, now is the time to learn new skills and increase their confidence and knowledge so that when business picks up again, clients will rave about you and about their experience in Nepal.A fun skill-building activity is offered by the Wildflowers of Mount Everest app, the first plant identification app written specifically for Nepal.  This is an enjoyable way to learn the flora of eastern Nepal’s upper elevations.  It is designed for beginners and experts alike, with easy picture-based keys, information about local lore, and plant facts.  The richly illustrated app includes 557 species of wildflowers, shrubs, and trees.<img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221109121112/636b8b9b9c7e80680e06b2aejpeg.jpg" alt="" width="146" height="300">https://www.youtube.com/watch?v=cwd39Foy9jwFlora of Nepal ProjectThe <a href="http://www.highcountryapps.com/WildflowersOfMountEverest.aspx" data-saferedirecturl="https://www.google.com/url?q=http://www.highcountryapps.com/WildflowersOfMountEverest.aspx&amp;source=gmail&amp;ust=1587016984665000&amp;usg=AFQjCNEXC7HOQiXj7PnMF6BMgO4J_uyTTQ">Flora of Nepal Project</a> is an international partnership tackling a knowledge gap identified in Nepal’s National Biodiversity Action Plan. The project is coordinated by the Royal Botanic Garden Edinburgh in partnership with the Nepal Academy of Science and Technology, the Government of Nepal’s Department of Plant Resources, Tribhuvan University’s Central Department of Botany and the University of Tokyo, and draws on the expertise of taxonomic experts throughout the world.The Flora of Nepal Project is supported by <a href="http://www.highcountryapps.com/WildflowersOfMountEverest.aspx" data-saferedirecturl="https://www.google.com/url?q=http://www.highcountryapps.com/WildflowersOfMountEverest.aspx&amp;source=gmail&amp;ust=1587016984665000&amp;usg=AFQjCNEXC7HOQiXj7PnMF6BMgO4J_uyTTQ">High Country Apps</a> which is dedicated to developing applications that deliver high quality natural history information with an intuitive, easy-to-use interface. It partners with expert botanists and photographers to provide information of the highest quality in its mobile field guides.High Country Apps will donate a portion of the app proceeds of Flora of Nepal to support field costs of Nepali students or buy field equipment to allow them to conduct botanical studies.Link to High Country Apps: <a href="http://www.highcountryapps.com/WildflowersOfMountEverest.aspx" data-saferedirecturl="https://www.google.com/url?q=http://www.highcountryapps.com/WildflowersOfMountEverest.aspx&amp;source=gmail&amp;ust=1587016984665000&amp;usg=AFQjCNEXC7HOQiXj7PnMF6BMgO4J_uyTTQ">http://www.highcountryapps.com/WildflowersOfMountEverest.aspx</a>Direct links to the app in stores($7.99):Apple: <a style="letter-spacing: 0.01em;" href="http://itunes.apple.com/us/app/id1479336982" data-saferedirecturl="https://www.google.com/url?q=http://itunes.apple.com/us/app/id1479336982&amp;source=gmail&amp;ust=1587016984665000&amp;usg=AFQjCNFMi5OfsgOmCfZIhAVk3SIUmnD4lg">http://itunes.apple.com/us/app/id1479336982</a> (live on April 2)Google Play:  <a href="https://play.google.com/store/apps/details?id=com.emountainworks.android.everestfieldguide" data-saferedirecturl="https://www.google.com/url?q=https://play.google.com/store/apps/details?id%3Dcom.emountainworks.android.everestfieldguide&amp;source=gmail&amp;ust=1587016984665000&amp;usg=AFQjCNEEJVG1lhJk6If5tcTf2oKAwFUECQ">https://play.google.com/store/apps/details?id=com.emountainworks.android.everestfieldguide</a>Visit the Flora of Nepal Project at <a href="http://www.floraofnepal.org/" target="_blank" rel="noopener noreferrer" data-saferedirecturl="https://www.google.com/url?q=http://www.floraofnepal.org/&amp;source=gmail&amp;ust=1587053267549000&amp;usg=AFQjCNHI7T_cy1R8lTM7Z-d5FFFNPMFFXw">http://www.floraofnepal.org/</a> Read also: <a href="https://archive.nepalitimes.com/article/Nepali-Times-Buzz/years-of-botanical-art,3222" target="_blank" rel="noopener noreferrer" data-saferedirecturl="https://www.google.com/url?q=https://archive.nepalitimes.com/article/Nepali-Times-Buzz/years-of-botanical-art,3222&amp;source=gmail&amp;ust=1587016984666000&amp;usg=AFQjCNEjXzEv-sovFIWihDSY7QcgTXF1tA">200 years of botanical art</a>, Nepali Times<h2>Special Offer for Nepali Times Readers:</h2>Free test download instructions exclusively for Nepali Times readers currently living in Nepal:To download the app for an iPhone or iPad (Apple Store) device, please go to this link: <a href="https://testflight.apple.com/join/mO9pvYhM" target="_blank" rel="noopener noreferrer" data-saferedirecturl="https://www.google.com/url?q=https://testflight.apple.com/join/mO9pvYhM&amp;source=gmail&amp;ust=1587190760045000&amp;usg=AFQjCNFgdef-ivLJWYS757hx9ne1ctEVWw">https://testflight.apple.com/join/mO9pvYhM</a>You will be asked to download the free 'Testflight' app.  Follow the instructions and click the link again to open a free 70-day trial version of 'Wildflowers of Mount Everest' app. The free trial ends on June 30, 2020.To download the app for an Android (Google Play) device, please send a message confirming that you are a 'Nepali citizen living in Nepal' to Elizabeth Byers at <a href="mailto:everest.flora@gmail.com" target="_blank" rel="noopener noreferrer">everest.flora@gmail.com</a>Please confirm that your phone or tablet can access Google Play apps before requesting one of the limited number of download codes.High Country Apps and Elizabeth Byers are pleased to support nature exploration in Nepal during the current crisis. The Android version of the app is a full version and will not expire.

Wildflower app celebrates Nepal’s flora

https://www.youtube.com/watch?v=rd1KeYcDjcg&amp;feature=youtu.beKathmandu was described by early expats as an ‘emerald valley’. During the monsoon, <a href="https://www.nepalitimes.com/banner/not-so-soon-monsoon/" target="_blank" rel="noopener">terrace paddy fields</a> and forested hills carpeted the basin in verdant shades of green.Today, there is <a href="https://www.nepalitimes.com/here-now/the-vanishing-land/" target="_blank" rel="noopener">barely any green spaces left</a>. But in a small way, Spanish artist Iñigo Iriarte is out to change that. ‘Indi’, as the Pamplona native likes to be called (in photo below), paints walls with a palette of living plants.His geotextile canvas is a moist fabric wall alive with leaves and roots, flowers and fruits, water, air and colonies of tiny living creatures. The vertical gardens are living art with broad strokes of a variety of green and tufts of vivid moss, daubs of purple, orange or white where flowers have bloomed.Read also:<a href="https://archive.nepalitimes.com/article/Nepali-Times-Buzz/rooftop-gardens-kathmandu,1415" target="_blank" rel="noopener">Hanging gardens of Kathmandu</a>, Santa Gaha Magar<a href="https://www.nepalitimes.com/here-now/the-vanishing-land/" target="_blank" rel="noopener">Vanishing land</a>, Taylor MasonIriarte borrows heavily from expressionist tendencies when he paints on stretched canvas. Similarly, these living compositions speak of the artist's dual love for the city and nature, but also of how they struggle to coexist.Iriarte moved to Kathmandu two years ago with his wife and found reasons and an opportunity here to venture beyond his indoor paint-and-canvas studio into open space. It all started after he was invited to not just paint the inside wall of a spa at Shaligram Hotel, but also cover a blank white wall in the courtyard with a vertical garden.The result was a stunning green wall stretching across a <a href="https://www.nepalitimes.com/here-now/water-of-the-ages/" target="_blank" rel="noopener">dhara spout</a> and basin like an oasis. A sudden calming presence, perfect preparation for a spa client to experience a restful treatment to come.<img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/2022110814114/636a54729c7e80680e0523adjpeg.jpg" alt="" width="836" height="1400"/>Kathmandu’s latitude is subtropical, but its altitude lends a distinctive climate, rich with summer rain and cooled with dry winters. There is enough moisture and warmth for plants to thrive, so a cityscape of blank walls and hard surfaces could easily be regreened by vertical gardens.Iñigo Iriarte is inspired by French botanist Patrick Blanc, a pioneer of vertical gardens, but takes an ecosystem approach to his selection of plants. Many vertical gardens fail because they are ornamental and used for a wow effect, with little regard for how individual plants like to grow.Iriarte optimises nature’s own tendencies to create resilient ecosystems and microclimates that regulate themselves. He selects plants and places them according to natural growth patterns: those that prefer drier root biomes are higher, where there may be less water. Plants that thrive in wetter conditions are placed lower on the wall.He does not pander to those who just want a green wall — he will leave space free for moss and other unidentified free loaders to take residence on nutrient-rich walls. Sometimes, parasitic plants hitch a ride on their nursery hosts and take root alongside them, becoming part of the family. Occasionally, plants fail and need to be replaced.One of Iriarte’s sites, at the rooftop Rain Restaurant in Jawalakhel, is alive with over 25 varieties, from orchids to monstera, ferns to succulents, bromeliads to bamboo and surprisingly — on a wall of matted fibre and root substrates of crumpled fabric — fruiting citrus plants. There is also rosemary, happily sticking to its sunny spot on the south facing wall. “Plant health and happiness, and their ensuing resilience, is key,” explains Iriarte.Read also:<a href="https://www.nepalitimes.com/here-now/something-fishy-in-new-nepal-farm/" target="_blank" rel="noopener">Something fishy in new Nepal farm</a>, Hrijata Dahal<figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/2022110814114/636a54759c7e80680e0523aejpeg.jpg" alt="" width="1500" height="1125"><figcaption> </figcaption></figure>The wall at Rain is based on <a href="https://www.nepalitimes.com/here-now/something-fishy-in-new-nepal-farm/" target="_blank" rel="noopener">aquaponics</a> and recycles water from a fish tank below the plants to the microbially dense geotextile wall. The wall acts as a biofilter to convert water rich in ammonia from fish waste into water rich with nitrates and other nutrients that the plants can absorb, thus making it clean and safe enough to be returned to the fish tank in a water cycle.Rain’s managing partner Tara Adhikari plucks sprigs of rosemary or fruits from the tiny lime tree for some of his classy cocktails, saying: “We make good cocktails because of the freshness of the ingredients we use, some of which come from Indi’s wall. A vertical garden is a new concept in Nepal, and we took a risk, but the guests like it.”Every installation is different, tailored to its context, taking into account aspect, exposure to the elements and purpose. For the three walls Iriarte has installed in Kathmandu, including a testing bed at home, all the hardware and plants are locally sourced.“It would be great to see plants of the surrounding mountains here to green the city using the least space possible and with maximum effect in cleaning the air and creating calm living environments for people and other living creatures,” says Iriarte.Read also: <a href="https://www.nepalitimes.com/banner/between-existence-and-extinction-in-nepal/" target="_blank" rel="noopener">Between existence and extinction in Nepal</a>, Sonia AwaleNot many other countries can boast a <a href="https://www.nepalitimes.com/banner/between-existence-and-extinction-in-nepal/" target="_blank" rel="noopener">landscape as three-dimensional and vertical</a> as Nepal, and it is fitting that even as Kathmandu is built up, vertical walls can help it reclaim some greenery and bring back plants, birds, insects and microbes to coexist with humans.Instagram: the_vertical_ garden_architect

Garden walls

Fenerbahçe Beko won the Turkish Airlines EuroLeague finals in Abu Dhabi, held 23-25 May, defeating Monaco 81-70 in the final. Olympiacos, who defeated Panathinaikos 97-93, finished the series in third place. The Most Valuable Player (MVP) of the final match, Nigel Hayes-Davis from Fenerbahçe Beko, received a prize of 1,000,000 Miles&amp;Smiles from Turkish Airlines’ Chief Commercial Officer Ahmet Olmuştur. The carrier has been the title sponsor of the Turkish Airlines EuroLeague, a top tier tournament, since 2010.

Turkish Basketball

Thousands of Nepali students dreaming of an American education have been forced to look elsewhere as the Trump administration’s visa restrictions make their future uncertain.
The US was long considered a top destination for higher studies, making Nepal the 10th biggest country of origin for international students in America.&nbsp;
However, that number has seen a significant decline with the total for Nepali students now at 16,482. Some 8,000 Nepali students obtained no-objection certificates to study in the US from the Ministry of Education in the past year.&nbsp;
India, Australia, Canada, South Korea, United Kingdom and Japan are the other popular destinations for Nepali students. There are no clear numbers for Nepalis going to India, but a slight decline was noted this year after the deaths of two female students.
The US State Department has issued a circular to its embassies not to issue new visas to applicants until further notice. US Secretary of State Marco Rubio in the directive stated that the department planned to expand the screening of applicants' social media.&nbsp;
While new applicants are barred including those applying for visitor visas, students with scheduled interviews are allowed to proceed.
“Many of our students are affected by the new restrictions, but those who had applied for student visas earlier have got interview dates,” one Kathmandu-based college counsellor told us.
Meanwhile, even foreign students with spotless records already in the US have not been spared, as visa scrutiny intensifies under the new policy. In a move that underscores the growing sense of insecurity, many US colleges advised international students to carry their passports and documents at all times, even when traveling locally.
“Me and my friends did not go home this summer because we were not sure we would be allowed back, so we just went to Niagara Falls,” said a Nepali undergrad in Ohio, who like many interviewed for this report did not want her name used for fear of repercussion.
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Nepali students have adopted a cautious stance, with many choosing not to return home during summer vacation due to fear of visa revocations as well as travel bans. Meanwhile, over 7,000 Nepalis with Temporary Protected Status (TPS) will have to come back to Nepal by 5 August or face deportation. Thirty-seven were flown back to Kathmandu on Omni Air last week.
“The US is one of the most sought-after destinations for higher education, and the ban will definitely impact bright students,” says Narottam Aryal of the King’s College in Kathmandu.
Indeed, Nepali undergraduates admitted into Ivy League colleges for the 2025 academic year have been asked to look for alternatives. The entire Fulbright Foreign Scholarships Board resigned on Wednesday citing interference from the Trump administration on the selection of this year’s cohort. Some Nepali students already on Fulbright scholarships have noted disruptions, delays and even cancellation of stipends.&nbsp;
The student visa restrictions were initially just for foreign students admitted to Harvard University, but it was later extended to all Chinese students and now to all students. Universities like Columbia which actively recruit foreign students, face sharp enrolment declines, threatening their financial stability and diversity.
An Indian female PhD candidate at Columbia University had her visa revoked by the US State Department, and said she was targeted on the basis of her social media posts on Israeli military attacks in Gaza. Social media vetting of political activism has raised concerns about privacy and freedom of expression in a country where such rights were a given.
Many students have been informed via email that their visas have been revoked for getting speeding or parking tickets, but even others with no criminal record have been affected. The fear of deportation looms large amongst international students, including those from Nepal.&nbsp;
For most Nepalis who migrate to the US for education, the journey is a high-stakes investment. They come largely from middle-class families, often rely on a patchwork of scholarships, work-study programs, loans, or even the sale of family assets to afford fees.
Most Nepali students pursue STEM subjects which offer extended Optional Practical Training (OPT) periods that help fund their education. But with the US backsliding on education and humanitarian matters, countries like the UK and Canada are becoming more attractive despite their own recent stricter controls on student visas.&nbsp;
The UK universities saw a 63% rise in Nepali students’ admissions in 2024. Japan is another popular destination with 64,816 Nepali students enrolled as of 2024.
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Already, China, Hong Kong and Malaysia are poised to benefit from the increased scrutiny of US student visas. Several Hong Kong universities are offering unconditional admission to affected students, while Malaysian institutions are targeting previously US-bound Asian students. China and India have 330,000 and 280,000 students respectively in America, but the numbers for China have seen a sharp drop in the past year.
Elsewhere, branch campuses of American institutions such as NYU in Abu Dhabi, Georgetown in Dubai and Northwestern in Doha are getting more admission applications, and universities in the Gulf region are expanding infrastructure to accommodate those who would otherwise have gone to the US.&nbsp;
Even educational institutions in Nepal are hopeful that the US visa restrictions can be an opportunity to at least keep Nepali undergrads in Nepal, and also attract foreign students from the region.&nbsp;
“Many students might choose to complete their undergraduate degree here in Nepal and then move abroad for their Master’s degree later,” says Aryal of King’s College. “There was a need for quality higher education in Nepal anyway in terms of innovation and opportunities, so this could be the time to reduce our dependence on other countries.”
Nepal’s strategic position between India and China makes it sensitive to US policy shifts. India, a key ally, is also under US scrutiny for potential student travel restrictions. Chinese universities are already offering more scholarships to Nepali talent to capitalise on the US retreat.
American universities have challenged student visa restrictions in the courts. A federal court in Boston revoked the blanket ban on Harvard, and the State Department has ordered the resumption of processing student and exchange visitor visas.&nbsp;
Some are still hoping that President Trump will backtrack on the student visa restrictions, just like he has done with many of his more drastic executive orders.
Even so, the visa see-saw and longer-term uncertainties about living in the United States and its education system means students across the world are making alternative plans.
Says Aryal: “Policies of foreign countries change according to their needs, so excessive dependence was never a good idea. We should work to create different opportunities and choices of higher education within Nepal, so students are retained.” &nbsp;

America no longer prime destination for Nepali students

While Nepal was hosting the Sagarmatha Sambaad international climate conference in Kathmandu this month, on Mt Everest it was pretty much business as usual.&nbsp; The signs of climate breakdown are all there: a river now runs through Base Camp in summer, the Khumbu Icefall is more unstable, and there are more &nbsp;frequent avalanches. When expeditions arrived in March, the mountains were bare: it had not snowed since September, but then blizzards dumped unseasonal snow in May. And despite climate worries, such is the pull of Himalayan mountaineering that the Everest Industry showed no signs of slowdown. More than 600 international climbers and their Nepali guides had made it to the summit of the world’s highest mountain. At one point there were an estimated 2,000 people in the tent city on the Khumbu Glacier. All the ropes and ladders on the Icefall came down on Thursday, marking the official end of the spring climbing season, and just in time to avoid a monsoon cyclone approaching from the Bay of Bengal. It has been an action-packed season. One factor could be that Everest fees will go up from September: each foreign climber needs to pay a $15,000 royalty, up from the present $11,000. The cost for a Nepali climber on the South Col route will also go up: from Rs75,000 to Rs150,000.&nbsp; The fee to climb Everest in autumn is $7,500 (up from $5,500), but most climbers still prefer spring. Winter permit fee (December-February) is only $3,750 per person and the mountain is now also open for monsoon (June-August) climbs, when the fee is ever lower at $2,750. The revised rule also makes it mandatory for every two climbers on an 8,000m peak to hire one Nepali mountain guide.&nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2025053004050_67f856fe52714e4bdcf21ae7d45c6f18c82117b9d0a5f73ed1efa04c96de1046.jpg" data-media-id="editor_0" data-image-id="2025053004050_67f856fe52714e4bdcf21ae7d45c6f18c82117b9d0a5f73ed1efa04c96de1046" data-rendition-name="original" width="931" height="732" loading="lazy" alt="The Everest Industry graph 1"> </figure>  In addition, climbers also have to pay for porters and guides, equipment, Base Camp costs, Ice Fall and fixed rope team fees, so climbing Everest does not come cheap. But such is the draw of climbing the world’s highest peak that some say the increased fees will not diminish the crowds next year. The government has tried to spread expeditions out to other seasons and other 8,000ers, but with not much success. Earlier this year, Nepal unilaterally increased the number of 8,000m peaks to 14 by adding six more sub-summits to broaden the choice for climbers. Added were: Yalung Kang (8,505m), Yalung Kang West (8,077m) &nbsp;Kangchenjunga Central (8,473m), Kangchenjunga South (8,476m), Lhotse Middle (8,410m) and Lhotse Shar (8,400m).&nbsp; The announcement could go against the accepted topographic criteria that a stand alone peak has to be at least 300m higher than an adjoining prominence, and at more than 3km isolation from it. The UIAA (Union Internationale des Associations d'Alpinisme) still recognises only 14 mountains as eight-thousanders, and only eight of those are in Nepal, or on the border with China. Nepal’s revised mountaineering regulations also increased the insurance coverage of high-altitude workers to protect porters and high altitude guides who usually take more risks on the mountains. Rescue teams and clean-up campaigners to collect trash and remove bodies of dead climbers up to Camp IV of Mt Everest do not need permits.&nbsp; The Sagarmatha Pollution Control Committee is now using drones to fly down trash in 20kg sacks. Each climber is also required to bring down at least 6kg of waste and not just their own, but this rule is erratically enforced. With five fatalities on Everest and Lhotse, Spring 2025 had a historically low death toll. Another five climbers died on Annapurna, Kangchenjunga and Makalu.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2025053004050_38681de22f0fefb6faa12b01755566d09c5064d0ff84e12ccc7b5d68ea9ba38a.jpg" data-media-id="editor_1" data-image-id="2025053004050_38681de22f0fefb6faa12b01755566d09c5064d0ff84e12ccc7b5d68ea9ba38a" data-rendition-name="original" width="665" height="740" loading="lazy" alt="The Everest industry graph 2"> </figure>  Journalist Ben Ayers who ran the Everest Live social media channel from Everest Base Camp with daily updates credited the low death rate to dramatic rescues of climbers from the ‘Death Zone’ by their Nepali guides and longline helievacs — the visuals all uploaded on YouTube.&nbsp; “Ironically, this perception of safety is bringing more and more inexperienced climbers to the mountain, and they need more rescues,” Ayers said in one of his dispatches.&nbsp; American expedition chronicler and summiteer Alan Arnette suspects there is a lot of under-reporting given that the jet stream and storms were lashing Everest even till late in the season. He told us: “I heard a lot about frostbite and rescues that were not made public. It’s become practically impossible to cover the details on Everest. All the teams report nice news, and they don’t talk about bad stuff to avoid hurting businesses.” Although trash on Nepal’s mountains makes headlines, what does not receive as much attention is the climate impact of so many expeditions. The Sagarmatha Sambaad conference sidestepped this issue, which is ironic given that the impact of climate breakdown is most evident on Himalayan peaks and their glaciers.&nbsp; <h2>Need for Speed</h2> The big stories this year have been about speed-running from their home cities to the top of Everest. Ukrainian entrepreneur Andrew Ushakov flew out of JFK on 15 May at 10:15AM Nepal time, and was on the summit 3 days, 23 hours, and 7 minutes later on 19 May at 9:22AM.&nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250601080640_1c5cc6fc991307861768f07037ed9d30930fb20f35dbb57dc31c9a92a9e1a885.jpg" data-media-id="editor_2" data-image-id="20250601080640_1c5cc6fc991307861768f07037ed9d30930fb20f35dbb57dc31c9a92a9e1a885" data-rendition-name="original" width="1440" height="1800" loading="lazy" alt="The Everest Industry"> <figcaption>Andrew Ushakov at the summt. Photo: ELITE EXPED</figcaption> </figure>  “I could never find the time for the traditional 40-50 days of acclimatisation,” Ushakov explained matter-of-factly. His ‘Everest Sea-to-Summit’ climb was possible because he spent 400 hours in hypoxic sleep tents over the past four years in New York. However, Ushakov did use ropes already fixed, hired four Nepali guides, helicoptered to Base Camp, and used much more oxygen than an average climber. And after the climb, Ushakov was arrested at Kathmandu airport for being in possession of $20,000 of undeclared cash and spent a night in jail and fined $60,000.&nbsp; The other speedsters were Garth Miller, Alastair Cairns, Anthony Stazicker, and Kev Godlington, all former British Army commandos. They left London and summited five days later on 21 May, and flew right back. They also used hypoxic tents to simulate the thin air high on Everest.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250601080644_90c8dd5cc07b4b43f2989b1dc0c0650ab80f10ebb06680c25a6909c519957bd8.jpg" data-media-id="editor_3" data-image-id="20250601080644_90c8dd5cc07b4b43f2989b1dc0c0650ab80f10ebb06680c25a6909c519957bd8" data-rendition-name="original" width="810" height="668" loading="lazy" alt="The Everest Industry "> <figcaption>All four members of the Furtenbach team at the summit. Photo: Sandro Gromen-Hayes</figcaption> </figure>  But more controversial was their use of xenon gas therapy in a German hospital to ramp up the production of oxygen-carrying haemoglobins in their blood. Xenon is banned by the World Anti-Doping Agency for being performance enhancing in sports. Expedition leader Lukas Furtenbach said this rule does not apply to mountaineering, as it is not a regulated sport like swimming. Nepal has no rules about xenon, but the Department of Tourism said it was launching an ‘investigation’ to decide on future policy since it is difficult to ban xenon, but allow oxygen. The controversy has also divided the mountaineering community, with some climbers saying they just want to maximise their chances of survival. Spending less time on the mountain could make climbing safer by reducing avalanche risk. It would also mean less trash on the mountains, but it would reduce the income of Nepal’s expedition industry. It is also unclear how much of the success was due to xenon therapy and whether the ex-special forces were already in good physical shape.&nbsp; The need for speed hides the fact that climbing in the Himalaya is dangerous business, and climbers cannot sprint to the top just by huffing xenon. But ultra-fast climbs could be charged more, and the revenue generated can be used to establish state-of-the-art rescue operations, and increase pay and insurance for guides. Two other speed chasers this season were Swiss-Ecuadorian Karl Egloff and American Tyler Andrews, both on Everest without oxygen. Andrews choppered to Base Camp to catch a weather window, but turned back from 8,500m due to high winds. Heavy snow and wind also forced Egloff to descend from 7,000m. Slow and steady climbers like Anja Blacha from Germany did make it to the summit without oxygen, while Kami Rita Sherpa broke his own record with his 31st Everest summit as he led a 26-strong Indian Army group. There were 468 permits issued for foreign climbers from 48 expeditions to Everest this spring. Nepal’s other eight-thousanders together had only 17 expeditions. Nepal has more than 1,000 peaks above 6,000m, and has opened only 476 of them for climbing.&nbsp;

The Everest Industry

That winter day in January 1664 marked an exceptional event in the reign of King Pratap Malla of Kathmandu. It was 15 Paush 784 of the Nepal Sambat and for the first time, a historical event was being immortalised on canvas for generations to come.&nbsp; The occasion was the grand Tuladaan ceremony of the King’s youngest son Chakrabartendra Malla from his wife Anantapriya, an Indian princess from Cooch Behar in present-day Assam.&nbsp; During the ritual, the prince was weighed against gold, silver, pearls, and other precious stones, which were then offered to Goddess Taleju Bhavani, the guardian deity of the Malla dynasty.&nbsp; The 170 x120cm painting captures the time of King Pratap Malla in all its splendour and is more than a personal tribute to his son: it is a significant visual historical document. It was evidently completed five years later in 1669, and could be considered a photographic record, with retrospective recreation of the event by the unknown artist. A Tuladaan ceremony is performed to purify one’s karma, quell impending bad luck, or as an act of charity and devotion. Chakrabartendra Malla was not well, and the ritual was performed in hopes of restoring his health. King Pratap Malla had arranged for each of his sons to take turns ruling Kathmandu so they got administrative experience. But Chakrabartendra died just two days after assuming power in 1670 (790 NS). This painting is considered the earliest known example in which the composition is dominated by an architectural landscape: the Taleju Temple. Given the stylistic features such as side-profile facial depictions and the rendering of human forms, it is believed that the Nepali artist was trained by a Rajput master.&nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250615040624_ddad3bc27a327e3f9926c8473287e4f14b53081296c295049009f327a4d97051.jpg" data-media-id="editor_0" data-image-id="20250615040624_ddad3bc27a327e3f9926c8473287e4f14b53081296c295049009f327a4d97051" data-rendition-name="original" width="3248" height="4395" loading="lazy" alt="Tuladaan NT"> </figure>  During that era, there were regular exchanges of artists between Northern India and Kathmandu Valley. The painting is also a melding of Nepali, Tibetan, Mughal, and Rajput art styles of the time. Pratap Malla could have been inspired by a painting of Mughal Emperor Jahangir’s Tuladaan ceremony for his son Khurram in 1607. The Mallas and Mughals shared cordial relations, which is reflected in the cultural influences seen in the art and attire of the period.&nbsp; The clothing of the Malla ruling class, in particular, features colourful tunics, turbans, and jewelry that display strong Rajput and Mughal stylistic elements. The musicians in the upper tier are also dressed in Indian-style clothing, while the ensemble on the lower steps wear local attire, notably without turbans. Their hairstyles also differ, with the lower group wearing their hair tied in a bun at the front. This national treasure is currently in storage at the Collège de France in Paris, and has never been publicly displayed. Nepal’s art scholars like Gautam Vajracharya, Pratap Aditya Pal and Anne Vergati have written about this iconic paubha in the past, but the only detailed study is from the perspective of music history by researcher Richard Widdess who had access to high resolution copies of the original.&nbsp; Widdess from the Department of Music at the School of Oriental and African Studies (SOAS) in London describes the paubha as the most significant and richly detailed documentation of music in Nepali art. He identifies distinct musical ensembles on the terraces of the temple, and remarkably most of them are actively used today. One of them reflects the Mughal naqqārakhāna model — a loud outdoor ensemble typically composed of kettledrums, trumpets, and cymbals, traditionally performed from the gateway of the emperor’s palace to announce his entrances and exits. The depiction of such an ensemble in the tulādāna painting is likely the earliest known representation of a complete naqqārakhāna in Nepal — considered the forerunner of the panche baja, the traditional Nepali ensemble. On the stepped pyramid base of the temple are two groups of musicians playing local instruments: dhimey, bhushya, and dha. They are unmistakably Newar musicians, wearing short skirts and short-sleeved tops, with bare heads and legs—clearly distinguished as local performers.&nbsp; Higher still on the temple pyramid are musicians of apparently higher status, positioned close to the king, and his courtiers, possibly professional court musicians from India, well-versed in rāga and tāla. A dāphā group is also clearly depicted, identifiable by their characteristic instruments.&nbsp; Dāphā bhajan is likely the oldest surviving tradition of Newar devotional singing, and this paubha is the oldest visual record of it. Pratap Malla himself is believed to have composed songs that continue to be performed by dāphā groups throughout Kathmandu till today.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2025061211064_d67636730cdc0ec778c02494817aca0b99654f2950d0fae4b95499a61faf7ef3.jpg" data-media-id="editor_1" data-image-id="2025061211064_d67636730cdc0ec778c02494817aca0b99654f2950d0fae4b95499a61faf7ef3" data-rendition-name="original" width="596" height="768" loading="lazy" alt="Priceless paubha in Paris NT"> </figure>  The artist’s thorough attention to musical detail may be attributed to King Pratap Malla’s own deep interest in music. His inscriptions on this painting and elsewhere proclaim his mastery of all branches of knowledge, including music. He is also known as the author of dance dramas and poems, penning his name as Kavindra (king of poets). Some noteworthy elements of new art techniques stand out: for example, the roof of the temple is filled with realistically rendered white doves, pigeons, and crows. This is a rare feature in paubha, where animals and birds are stylised, mythological forms. This remarkably talented unknown artist has managed to also render an orthographic projection: the front and side view of Nepal’s first architectural paubha. The Taleju Temple, with its staggering multi-tiered structure and numerous steps and platforms, is masterfully translated into layers within the painting. This represents a significant artistic achievement of the time, especially considering that dimensional perspectives had not started in deity-based paubha.&nbsp; The artist has also made a meticulous effort to capture architectural details such as the toran (ornamental arch) and temple struts with impressive precision. There are flickering lamps along the steps and some people carrying what appear to be oil pots.&nbsp; It is a full moon night and the dark sky is adorned with all the gods and goddesses, who are depicted as blessing the ceremony while seated on stylised thangka clouds. There is a lot happening in this painting, with people engaged in various activities. The artist has also rendered a forest backdrop behind the temple, complete with deer, trees, and flowers. Could there have once been a royal garden behind the Taleju Temple?&nbsp; More details and clarity can only be achieved if we are able to view the original or a high-resolution scanned version of the artwork. Many countries proudly display art depicting historical events in their national museums with great reverence. France, for example, has The Coronation of Emperor Napoleon and Empress Joséphine by Jacques-Louis David (1808–1822), along with numerous paintings of the Napoleonic Wars. Many were commissioned by Napoleon himself for future generations to remember.&nbsp; For Nepal, the equivalent is the Tuladaan paubha which is a visual record capturing a historic moment involving one of Kathmandu’s greatest kings, on the very day the event took place. Sadly, we await the day when this masterpiece is displayed, shared in high resolution for detailed study, or more rightfully — repatriated to its homeland, where it truly belongs. &nbsp; Shaguni Singh Sakya is the Director of the Museum of Nepali Arts (MoNA) at Kathmandu Guest House in Thamel. <h2>Gods homeward bound</h2> The Nepal Heritage Recovery Campaign and Nepal’s Department of Archaeology are convening the first international conference on the Recovery of Cultural Heritage from 16-18 June in Patan. The conference will address urgent issues of theft, illicit trafficking, the campaign to repatriate looted cultural artifacts, and explore how the return of sacred antiquities contributes to justice, healing, and reconciliation for communities and nations affected by cultural loss. American art crime professor Erin L Thompson and Saubhagya Pradhananga of the Department of Archaeology will deliver the keynote. Meanwhile, author and Nepali Times publisher Kunda Dixit will lead a conversation on Illicit Trafficking: Public Opinion and Role of Media with Erin Thompson, Amr Al Azm, associate professor of Middle East History and Anthropology at Shawnee State University in Ohio, as well as Bradley J Gordon, a lawyer based in Phnom Penh. There will be sessions looking at repatriation perspectives from Cambodia, India, Vietnam, China and Poland, international frameworks for repatriation, emerging digital technologies in the repatriation of cultural heritage, cultural property agreements, museums as well as trends in the art market, and heritage diplomacy and the role of media.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2025061211068_59cfccfa8f5d73bfe8b4c5811a7f53abc09ea04e8cb7c638933d62e5283efdf6.jpg" data-media-id="editor_2" data-image-id="2025061211068_59cfccfa8f5d73bfe8b4c5811a7f53abc09ea04e8cb7c638933d62e5283efdf6" data-rendition-name="original" width="1080" height="1350" loading="lazy" alt="Heritage recovery NT"> </figure>  <h2> </h2> Some of the other highlights include James K. Reap, a professor in the Master of Historic Preservation Program at the University of Georgia who has a session on the US response to illicit trafficking. Art historian Lea Saint-Raymond is taking on “Gods at Auction: The Market for Himalayan Artefacts”, while lecturer of criminology at the University of Glasgow Emiline Smith is delving into transformative approaches to heritage ownership and repatriation. Helena Arose of Antiquities Coalition and Melina Antoniadis of NOSTOS Strategies that specialise on the return home of cultural heritage as well as Hao Liu of International Cultural Heritage Law at the School of Law at Shandong University are some of the others attending. The Nepal Heritage Recovery Campaign was set up in 2020 to develop a coordinated movement to reclaim Nepal’s stolen gods and goddesses, with an aim to ensure that recovered items are returned to their original shrines, niches or sanctums. Ahead of the conference opening organisers have arranged for a film screening of Loot &amp; Return: 4 Documentaries at YalaMaya Kendra in Patan Dhoka between 14-15 June. Following the conference is a multimedia exhibition titled Absent Gods: Nepal’s Lost Heritage from 31 July to 4 August at Patan Museum.