<figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221110141152/636d02439c7e80680e0a3670jpeg.jpg" alt="" width="1280" height="960"/><figcaption>Photo: HABITAT FOR HUMANITY NEPAL</figcaption></figure>Bamboo, the perennial and plentiful plant, is the next big thing in sustainable construction.For centuries, bamboo had been used for traditional ceremonies and as the primary material for building homes in local communities, especially in Eastern Nepal.So, why has bamboo not been taken more seriously as a mainstream construction material? Public perception and awareness have a part to play.It starts with the perception that bamboo is the ‘poor man’s timber’. This means not many people are aware that bamboo is one of the most robust materials for construction if the right species is used together with the appropriate techniques.According to a 2019 report by the Asian Disaster Preparedness Centre, treated bamboo wall panels can last up to 20 years. Bamboo treatment ranges from traditional practices such as river washing and smoking to using chemical preservatives made with boron salts or Solignum.Apart from high tensile and compressive strength, bamboo is known for its shrinkage, resistibility, elasticity, and its low weight, making it <a href="https://www.nepalitimes.com/here-now/nepals-traditional-seismic-resistant-designs/" target="_blank" rel="noopener noreferrer">suitable building material</a> for seismically active zones like Nepal.When the earthquake struck Nepal in 2015, nearly ten thousand Nepalis lost their lives and many more were injured, trapped under collapsed homes. Some 600,000 buildings were partially or completely damaged by the tremors.Well other factors played a part, construction and structural deficiencies caused much damage to unreinforced masonry, stone and asobe buildings in central and eastern Nepal.In addition to being a superior construction material, bamboo is also ecologically sound. The fast-growing bamboo generates 35% more oxygen than trees. As bamboo products used to build a house can be recycled, hazardous construction waste can also be reduced.<img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221110141152/636d02479c7e80680e0a3671jpeg.jpg" alt="" width="1500" height="1000"><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221110141152/636d024b9c7e80680e0a3672jpeg.jpg" alt="" width="1500" height="1000">Photos: HABITAT FOR HUMANITY NEPALThe Global Status Report by the United Nations in 2019 stated that buildings and construction account for nearly 40% of energy-related carbon dioxide emissions worldwide. The shift to environmentally-friendly building technology to reduce carbon footprints is another bonus of bamboo.For some time,  groups such as India's National Bamboo Mission and the International Network for Bamboo and Rattan based in China’s Beijing have promoted the sustainable use of bamboo.World Bamboo Day falls on Saturday, 18 September and has been used to highlight the ecological and economic benefits of this versatile plant.Here in Nepal, we are not ignorant of bamboo’s enormous potential. At construction firms like Adobe and Bamboo Research Institute (ABARI) and non-profit Habitat for Humanity Nepal, bamboo is promoted as a sustainable building material. Besides construction, the versatile bamboo has diversified uses, ranging from bridges and scaffolding to its application in furniture, handicrafts and even bicycles.But, promoting bamboo as a sustainable resource a collective effort, not an individual mission. Therefore, the proponents of bamboo need to have a unified voice, actively coordinating and engaging with myriad actors to achieve scalable partnerships.Although there is no lack of research papers on harvesting, types, and uses of bamboo, studies typically don't tell delve into factors such as market demand, supply chains, and opportunities for scaled impact.When it comes to the use of bamboo in home construction, we also need to address people’s perception that it is an inferior material. We can tap into strong advocates that have demonstrated innovative ways of building with bamboo. Madan Puraskar Library in Patan Dhoka is one that was rebuilt after the earthquake with bamboo and rammed-earth.Would we rather build a bamboo home that lasts longer or a concrete block that might not survive the next big earthquake? The choice should be obvious.<img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221110141152/636d024e9c7e80680e0a3673jpeg.jpg" alt="" width="640" height="427">Tripti Mahaseth is an architect and urban planner who leads the bamboo housing project at Habitat for Humanity Nepal providing safe, durable, and affordable treated bamboo solutions in the Eastern Tarai.<img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221110141152/636d02509c7e80680e0a3674jpeg.jpg" alt="" width="87" height="109"><h2>Wild about bamboo</h2><h2>Nepali bamboo is good enough to eat</h2><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221110141152/636d02519c7e80680e0a3675jpeg.jpg" alt="" width="1920" height="1280">It is said Nepali culture demands bamboo from birth to death and everything in between. We use bamboo as scaffolding material, as food, for music, to carry things and to write with.Nepal has over 80 species of bamboo. In fact, for just 0.1% of the planet’s land area, Nepal has 5% of the world’s bamboo, further signifying the Himalayan nation’s rich biodiversity.Most Nepali bamboo types are found in the wetter middle and eastern regions of the country from 50m-4,000m, with Ilam, Dhankuta, Bhojpur and Taplejung having the sturdiest stems.Global bamboo market is worth $72.10 billion and Nepal can be a key player in the international bamboo and cane trade. Bamboo also has a huge potential for rural enterprise and poverty alleviation.Bamboo promotes sustainable, integrated farming systems and is also an excellent resource for income and employment generation. One hectare of bamboo can earn a farmer at least Rs400,000 per year.The beauty of bamboo is that it is fast-growing, needs little maintenance, can grow on forest margins and requires only modest investment.Some communities in Nepal, like the Dom Dalits in the Tarai, are completely dependant on the bamboo, making their living from weaving mats from nigalo. Many Rai and Limbu communities in the east also rely on bamboo, and are expert weavers of doko and dalo for the local market.Bamboo has been recognised as an 'international commodity' and the plant has been used widely to build homes, resorts and galleries. The 12th World Bamboo Congress to be held in Taiwan this September has been postponed once again due to the on-going global Covid-19 pandemic. But events like the World Bamboo Day on 18 September every year highlights the economic and ecological significance of the plant.In terms of quality, Nepali bamboo is as good as, if not better than most. And we are still finding new uses for this versatile plant. For instance, bamboo is the best 'carbon sink' for greenhouse gases putting out 35% more oxygen than other trees and every hectare of bamboo soaks up 12 tons of carbon dioxide every year.Food For the Japanese, Taiwanese, Chinese, Thai, and Nepalis, bamboo shoots are a staple diet. Nepal produces at least 102 tons of tama and each household consumes about 46 stems a year. It is a good source of fibre, carbohydrate, vegetable fat, protein and vitamin B.Timber Strong but flexible and incredibly versatile, bamboo is an excellent alternative to wood. With a tensile strength of 28,000 per square inch, it's even a stronger building material than steel. Bamboo homes only need an eighth of the energy concrete requires to create building material with the same capacity. To top it off, it is also the quickest growing plant in the world and can be harvested in three years for building. This capacity to regenerate and its yields, which can be up to 25 times more than timber when well managed, makes bamboo an environmentally sound choice. Bamboo homes, light and elastic, are also earthquake resistant.Green In a country as vertical as Nepal, bamboo is also great for soil conservation. Growing in mixed cultures, it is naturally less likely to cause soil erosion than monocultural farming. Bamboo creates a mat-like structure underground, effectively stitching the soil together, it is perfect for fragile river banks, deforested areas, earthquake zones and preventing mud slides.Paper Bamboo has been used for making paper since the second century. At one point, this renewable resource was used to make 70% of India's paper.Medicine Ancient Ayurvedic and Chinese healing traditions have used the medicinal properties of bamboo. In acupuncture, bamboo secretion is powdered and hardened and used internally to treat asthma, coughs and as an aphrodisiac. Black bamboo root is used to treat kidney disease. In Ayurveda, bamboo manna is a rejuvenating herb for sore throats.Based on an<a href="http://archive.nepalitimes.com/news.php?id=4149#.YUSG6S2B2t9"> original article</a> in Nepali Times by Sraddha Basnyat. _________________<h2>Sustainable and spectacular</h2><figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221110141152/636d02549c7e80680e0a3676jpeg.jpg" alt="" width="2048" height="1365"><figcaption> </figcaption></figure>Bamboo is no longer a poor man's construction material, architects have used the versatile plant to design some prime properties around the world ranging from quaint and beautiful resorts, hotels and restaurants to green schools, art galleries, and residential apartment buildings.<figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221110141152/636d02589c7e80680e0a3677jpeg.jpg" alt="" width="2288" height="2144"><figcaption> </figcaption></figure>Some prime examples are: Bangkok Tree House resort, Naman Retreat and Kontum Indochine Café in Vietnam, architect Edouard François’ 10-storey residential Flower Tower in Paris and IBUKU designed forest getaway Sharma Springs in Bali.Bamboo is making waves and is very much in demand, in particular for its environmentally-friendly features.<h2>IKUBU</h2>IBUKU is a team of designers, architects and engineers based in Bali, pioneering in building Bamboo-based structures. It was founded by Canadian designer Elora Hardy, who is known for designing a community of bamboo homes near Denpasar in Bali.<figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221110141152/636d025b9c7e80680e0a3678jpeg.jpg" alt="" width="1503" height="1000"><figcaption> </figcaption></figure>In April, John Hardy partnered with  Elora Hardy and Arief Rabik to further the efforts of bamboo reforestation through their continued Wear Bamboo, Plant Bamboo program.Elora’s father John Hardy has planted over 1.3 million bamboo in Indonesia since 2007 in partnership with the Environmental Bamboo Foundation. For every handcrafted bamboo piece sold, bamboo seedlings are planted in Indonesia under the foundation’s Bamboo Village Initiative.<h2>The Arc at Green School, Bali</h2>It is only fitting that the Arc in Bali has a bamboo building that employs the latest construction technologies. It is the newest structure on campus and is a community wellness space and gymnasium for the school. The Arc, a collaboration between Jorg Stamm and Atelier One, is built from a series of intersecting 14m bamboo arches spanning 19m, interconnected by anticlastic gridshells  that derive their strengths from curving in two opposite directions.<figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221110141152/636d025f9c7e80680e0a3679jpeg.jpg" alt="" width="1280" height="854"><figcaption> </figcaption></figure>The highlight of the new building is that it creates large spaces with minimal structure, for which it draws its inspiration from a human ribcage. At the Arc, arches working in compression are held in place by tensioned anticlastic gridshells. These appear to drape across the spaces between impossibly thin arches soaring overhead, giving an intimacy and beauty to the space. Although the gridshells appear to hang from the arches, they actually hold them up.This project has been longlisted in the Sustainable Building Category of Dezeen Awards 2021.<h2>Bocas Treehouse, Bocas Del Toro, Panama</h2><figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221110141152/636d02629c7e80680e0a367ajpeg.jpg" alt="" width="1280" height="756"><figcaption> </figcaption></figure>On the remote Frangipani Island in Bocas Del Toro, Panama lies a self-sustaining eco-resort, 100% off the grid, soon growing to incorporate IBUKU-designed tree houses for a customised experience of luxury nature for locals and tourists alike, with the spectacular views of the ocean through the canopy on the mangrove island.The will feature a fusion of local bamboo and greenheart timber, with an interior from Bamboo Pure Workshop in Bali. IBUKU is in the schematic design phase of this project collaborating with Mar Azul, Summer House and Jose Agustín Almario.

original

674x448

610x380

500x500

400x266

400x240

400x203

301x200

1250x600

1084x550

Building back better (and stronger) with bamboo

<img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221108111156/636a36199c7e80680e0482eajpeg.jpg" alt="" width="1300" height="950"/>One of the lessons not learnt from the earthquake four years ago is the possibility to re-use and up-cycle bricks, metal and timber for reconstruction instead of buying expensive imported material. But it is still not too late.Traditionally, Nepalis have <a href="https://www.nepalitimes.com/banner/learning-from-nepals-past-to-rebuild-its-future/" target="_blank" rel="noopener">reused building material for temples</a>, or homes, salvaging and recycling them after every earthquake in the past. Nearly 700,000 houses went down in the 2015 quakes, leaving a huge amount of stone, <a href="https://archive.nepalitimes.com/article/nation/Building,370" target="_blank" rel="noopener">bricks, useful mud mortar, timber and roof tiles.</a><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221108111156/636a361c9c7e80680e0482ebjpeg.jpg" alt="" width="1000" height="454">In the immediate aftermath of the earthquake on 25 April 2015, survivors quickly built temporary shelters made of bamboo, tarpaulins, planks, corrugated steel sheets and anything else available. Relief agencies supplied corrugated steel sheets, some of which were barely 0.2mm thick and could be bent into semi-circles to make shelters.Read also:<a style="letter-spacing: 0.15px; font-weight: bold; background-color: #ffffff;" href="https://www.nepalitimes.com/?p=25092&amp;preview=true" target="_blank" rel="noopener">Lessons Unlearnt</a>, Editorial<a style="background-color: #ffffff; font-size: 15px; letter-spacing: 0.01em;" href="https://www.nepalitimes.com/?p=25101&amp;preview=true" target="_blank" rel="noopener">Nepal's traditional seismic resistant designs</a>, Sheilin Teo<a href="https://www.nepalitimes.com/here-now/tall-order/" target="_blank" rel="noopener">Tall order</a>, Sewa Bhattarai and Prakriti Kandel<img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221108111156/636a361d9c7e80680e0482ecjpeg.jpg" alt="" width="823" height="772"><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221108111156/636a361f9c7e80680e0482edjpeg.jpg" alt="" width="807" height="915"><figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221108111156/636a36229c7e80680e0482eejpeg.jpg" alt="" width="640" height="481"><figcaption> </figcaption></figure>Soon, the temperature in the low valleys rose to 36oC, and the space under the metal became ovens. Temporary schools also overheated, and there were reports of children dehydrating and fainting. Once the <a href="http://archive.nepalitimes.com/article/editorial/monsoon-challenging-for-a-post-earthquake-Nepal,2280" target="_blank" rel="noopener">monsoon</a> came, the sound of rain on the tin roofs made teaching impossible. Strong winds tore the paper-thin steel sheets loose, turning them into flying guillotines.Poor families had no other option than to stay in their <a href="http://archive.nepalitimes.com/blogs/thebrief/2015/05/12/moving-to-safer-shelters/" target="_blank" rel="noopener">temporary makeshift houses</a>, turning a large part of Central Nepal into slums. These were not homes.Our Sustainable Mountain Architecture (SMA) team came up with an alternative design for transitional homes, made from salvaged material and locally grown bamboo or thatch. The base of the single-storey house is a thick, heavy stone wall; the main structure re-uses <a href="https://archive.nepalitimes.com/article/nation/community-forest-comes-in-handy-earthquake-reconstruction,2927" target="_blank" rel="noopener">timber</a> columns, beams and rafters of the family house that came down.The top part of the walls and the roof are made of lighter material, the horizontal timber tie beams had new metal wires to act as stabilising cross-bracing so they were stronger. Salvaged planks or bamboo, and the compulsory involvement of family members in the building process guaranteed ownership of the transitional homes built for only Rs40,000 each.Read also: <a href="https://www.nepalitimes.com/?p=25110&amp;preview=true" target="_blank" rel="noopener">Shaking up the health sector</a>, Sewa Bhattarai<a style="background-color: #ffffff; font-size: 15px; letter-spacing: 0.01em;" href="https://www.nepalitimes.com/?p=25119&amp;preview=true" target="_blank" rel="noopener">Quake was a learning experience for Nepal’s schools</a>, Prakriti Kandel<img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221108111156/636a36259c7e80680e0482efjpeg.jpg" alt="" width="1170" height="886"><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221108111156/636a36279c7e80680e0482f0jpeg.jpg" alt="" width="1297" height="918">However, after relief money was allocated for the removal of material from ruined houses excellent raw material that could have been used for construction were taken away. Once the government got its act together, it dictated the usage of concrete.Heaps of local building material was wasted, while salvaged timber started to rot in the rain. Families who could afford it started building reinforced concrete houses. This has been a boom time for the cement and rebar industry. Brick infill walls were made in concrete structures, providing business to polluting brick kilns baking Kathmandu’s fertile topsoil. All this new building material had to be transported by trucks spewing black soot.A more permanent design by the SMA team used salvaged material from a collapsed building to make a two-storey model house at the <a href="https://archive.nepalitimes.com/article/nation/community-forest-comes-in-handy-earthquake-reconstruction,2927" target="_blank" rel="noopener">ICIMOD</a> Knowledge Park in Godavari, to demonstrate quake-resistance design for rural Nepal.Read also: <a href="https://www.nepalitimes.com/opinion/nepal-is-being-loved-to-death/" target="_blank" rel="noopener">Nepal is being loved to death</a>, Anil Chitrakar<a style="background-color: #ffffff; font-size: 15px; letter-spacing: 0.01em;" href="https://www.nepalitimes.com/banner/nirmala-pariyars-2nd-life/" target="_blank" rel="noopener">Nirmala Pariyar's 2nd life</a>, Ramu Sapkota<img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221108111156/636a362a9c7e80680e0482f1jpeg.jpg" alt="" width="800" height="879">For retaining warmth in winter, the house — at 1,500m — uses a south-facing asymmetrical saddle roof for passive solar energy gain. While most buildings in Nepal are now using thin, 0.25mm corrugated steel sheet for the roof, we looked for a more robust solution, re-using bottoms of scrap tar drums 60cm in diameter and 1.2mm thick. The completed house rests on a concrete ring beam, the only place where cement is used.The upper floor is lightweight with timber structure and double wattle and daub walls. These jut out slightly from the lower stone wall with timber tie reinforcements. The largest upper floor span of 6m is made by one steel I-beam, to conserve trees.Sapana Shakya and Aman Raj Khatakho are architects with Sustainable Mountain Architecture, a Nepali non-profit founded by Anne Feenstra, a Laureate of the Global Award for Sustainable Architecture 2012 (Paris) to promote innovative pro-people, pro-ecology, pro-local building techniques.<img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221108111156/636a362d9c7e80680e0482f2jpeg.jpg" alt="" width="1154" height="666"><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221108111156/636a362f9c7e80680e0482f3jpeg.jpg" alt="" width="1153" height="896">BEST USE IS REUSEPost-earthquake most buildings tend to use reinforced concrete because of the misconception that houses built with traditional techniques and materials will not be strong.However, with innovation and the right design, the non-profit Sustainable Mountain Architecture has built this model house that uses local material and style to build durable and eco-friendly homes.This model house is easily replicable, uses local labour and technology, and salvaged material.The windows and doors of the model house face south. The southern wall is taller, which means the house gets plenty of sun in winter. The passive solar energy that enters the house is trapped in the walls. Double glazing on windows prevents heat from escaping.

Building back cheaper and stronger

<figure><img width="800" height="1067" src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221108111156/636a360a9c7e80680e0482e4jpeg.jpg" alt=""/><figcaption>ANASTYLOSIS: Decorated resting platform (pati) in Kathmandu being rebuilt using traditional materials and methods. Photos: SHEILIN TEO</figcaption></figure>After the April 2015 earthquake, the National Reconstruction Authority (NRA) released two manuals to address the repair and retrofit of masonry and reinforced concrete structures. Later, it added an updated guideline for masonry structures. The NRA advisory is consistent with international approaches for earthquake-resistant houses, with a focus on using new, commercial products available in the construction market. But we can also learn a lot from Kathmandu Valley’s <a href="https://www.nepalitimes.com/banner/learning-from-nepals-past-to-rebuild-its-future/" target="_blank" rel="noopener">historical building traditions</a> about alternative designs.<img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221108111156/636a360d9c7e80680e0482e5jpeg.jpg" alt="" width="1000" height="454">There are many ways of building resilience into structures, but the most historically prevalent and still important today is flexibility. Strong but flexible jointing of ductile and appropriately-sized structural members that hold a building together allow it to sway with movement loads during an earthquake, making it less likely to collapse. Read also: <a style="background-color: #ffffff; letter-spacing: 0.15px; font-weight: bold;" href="https://www.nepalitimes.com/?p=25092&amp;preview=true" target="_blank" rel="noopener">Lessons Unlearnt</a>, Editorial<a style="background-color: #ffffff; font-size: 15px; letter-spacing: 0.01em;" href="https://www.nepalitimes.com/?p=25102&amp;preview=true" target="_blank" rel="noopener">Building back cheaper and stronger</a>, Sapana Shakya and Aman Raj Khatakho<a style="background-color: #ffffff; font-size: 15px; letter-spacing: 0.01em;" href="https://www.nepalitimes.com/here-now/tall-order/" target="_blank" rel="noopener">Tall order</a>, Sewa Bhattarai and Prakriti Kandel <figure><img width="800" height="800" src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221108111156/636a360e9c7e80680e0482e6jpeg.jpg" alt=""><figcaption> </figcaption></figure>Such design is seen in old timber-framed  and intricately jointed buildings in Japan and China, and also in structures across Nepal. For example, roof rafters are jointed to ridge poles and wall plates to allow a pivoting motion that helps isolate the roof structure from the rest of the building in case of ground movement. Traditionally, buildings in Nepal were constructed with timber and brick walls. Timber is now a scarce resource, and masonry has fallen out of favour in the face of the militant march of concrete. From the plains to the mountains, buildings were made of stone, timber, mud, bricks, thatch and tiles.Read also: <a href="https://www.nepalitimes.com/?p=25110&amp;preview=true" target="_blank" rel="noopener">Shaking up the health sector</a>, Sewa Bhattarai<a style="background-color: #ffffff; font-size: 15px; letter-spacing: 0.01em;" href="https://www.nepalitimes.com/?p=25119&amp;preview=true" target="_blank" rel="noopener">Quake was a learning experience for Nepal’s schools</a>, Prakriti Kandel <figure><img width="800" height="1000" src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221108111156/636a36109c7e80680e0482e7jpeg.jpg" alt=""><figcaption> </figcaption></figure>Just as the frames and jointing were made to be flexible, the walls were thick, rigid and robust, which is another stabilisation technique. These days, because building with <a href="http://archive.nepalitimes.com/article/nation/A-concrete-future,2251" target="_blank" rel="noopener">concrete</a> and bricks means walls are thinner and weaker, corner ties and banding can help keep flimsier walls intact. Other earthquake-resilient building techniques include lightweight roofing, which in the past was done with wood and bamboo sub-structures to thatched roofs — especially in the Tarai — and triangulation, seen today in trusses and pitched forms, traditional Newari scroll capitals and decorated tundaal (struts).At a seminar this month on seismic risk organised by the National Society for Earthquake Technology and the United States Geological Survey, experts said Nepal had a strong tradition of resilient construction.<a style="background-color: #ffffff; letter-spacing: 0.01em; font-size: 15px;" href="https://www.nepalitimes.com/banner/nirmala-pariyars-2nd-life/" target="_blank" rel="noopener">Nirmala Pariyar's 2nd life</a>, Ramu Sapkota <figure><img width="1200" height="1500" src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221108111156/636a36139c7e80680e0482e8jpeg.jpg" alt=""><figcaption> </figcaption></figure>Modern skyscrapers in earthquake-prone places like Tokyo use base isolation to counter seismic movement. The Nyatapola Temple in Bhaktapur, Nepal’s tallest, has similarly stood the test of time and two massive earthquakes by combining base isolation with triangulation. The ziggurat form that supports the five-storey <a href="https://archive.nepalitimes.com/article/nation/community-forest-comes-in-handy-earthquake-reconstruction,2927" target="_blank" rel="noopener">timber</a> and brick tower is essentially a robust plinth, separating the sacred relic and its towering housing from the shaking, while providing ample seating for the beautiful carved guardians of the venerated god.Read also: <a style="font-weight: bold; letter-spacing: 0.01em; background-color: #ffffff; font-size: 15px;" href="https://www.nepalitimes.com/opinion/nepal-is-being-loved-to-death/" target="_blank" rel="noopener">Nepal is being loved to death</a>, Anil ChitrakarBut just as important as <a href="https://www.nepalitimes.com/opinion/reconstruction-and-resilience-2/" target="_blank" rel="noopener">building resilience</a> into a structure is caring for it. In the past, buildings lived and breathed within settlements, cared for on a daily basis, and would fall apart if neglected. Ritual care, for example yearly renovations for Dasain, ensure that homes and community buildings are regularly maintained and kept intact, and thus less prone to falling apart in the event of a natural disaster.In the old towns of the Kathmandu Valley, <a href="http://archive.nepalitimes.com/article/nation/Monumental-loss,2215" target="_blank" rel="noopener">Newari dwellings and temples</a> were built with both tensile and rigid elements — timber, bricks and clay clustered together in courtyard configuration, each courtyard effectively creating braced squares that are more capable of withstanding shakes.  <figure><img width="1500" height="1500" src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221108111156/636a36169c7e80680e0482e9jpeg.jpg" alt=""><figcaption> </figcaption></figure>Similarly, communities in the high <a style="background-color: #ffffff; letter-spacing: 0.01em;" href="https://www.nepalitimes.com/banner/a-terrifying-assessment-of-himalayan-melting/" target="_blank" rel="noopener">Himalaya</a> build settlements one atop another into a hillside, or side by side on contours in maze-like configuration. These buildings, rising from the ground as an agglomerated system of dwellings, are a breathtaking symbol of communities leaning on one another, in a telling, enduring tradition of deep-rooted resilience. Building ResilienceFlexibility/shock absorbency (timber, steel, pinned joints, hydraulicised mud mortars)Rigidity/integrity/banding/corner reinforcements/buttresses (thick masonry walls, rammed earth, interlocking blocks, corner reinforcements, symmetry, opening sizes + locations)Base isolation (dampers, deep foundations, robust plinths)Bracing/triangulation/shear walls/lateral loading/banding (struts, capitals, corbels, lintels, top plates, reinforced concrete or timber banding, metal ties, plywood bracing wall panels)Lightweight Roofs (metal sheet, thatch, shingles, bituminous tiles)

Nepal’s traditional seismic resistant designs

One smoggy winter morning in February 2019, Ekta regretted coming to her sculpture class. It was the first day of her period, and the 19-year-old wished she was home, curled up in bed with a hot water bag to soothe her cramps.
Her class was at Kalapremi Ceramic Studio, a dark room on the ground floor of a house in Maharajganj, and Ekta’s teacher was the artist Gopal Das Shrestha ‘Kalapremi’, a noted sculptor.
Two other students were already there, using all their muscle strength to knead the sculpting clay. Ekta, now 24, recalls how Kalapremi asked her if she was feeling all right. She avoided him, as she did not want everyone to know she was menstruating.
Kalapremi repeatedly asked Ekta what was wrong. She finally muttered that she was having her period, after which he grabbed her hand and led her to a partitioned corner of the studio and sat her on a chair. Before she could stop him, he slid his hand under her dress, and started massaging her abdomen.
“I was horrified,” Ekta recalls. “I told him to stop, but he didn’t listen, asking me not to be shy, saying he knew how to relieve my pain. He stopped only after I protested furiously.”&nbsp;
The art tutor then said, “You’re like my daughter. I’m doing it out of love to make you feel better, but you’re so stubborn.”&nbsp;
“Instead of saying sorry he acted like I was the one having crazy thoughts,” remembers Ekta, adding that from April 2016 to August 2020 beginning the time she was 16, the artist sexually abused and harassed her on several occasions. &nbsp;
Now, Ekta and the artist’s other former students are finally sharing their experiences and some are pressing legal charges against him, hoping that others do not have to endure what they did.&nbsp;
Award-winning artist and teacher Gopal Das Shrestha ‘Kalapremi’ (the name means ‘Art Lover’) is known for his ceramic art, sculpture, and contemporary pottery. He was <a href="https://nepalitimes.com/review/the-house-of-kalapremi">profiled in Nepali Times after a collaborative exhibition</a>, ‘Where the Wild Things Are’ at the Siddhartha Art Gallery three years ago.&nbsp;
His pieces, titled Gaalis, featured sculpted female figures with the heads of dogs, sheep, and donkeys (pictured) to depict derogatory terms for women. Some critics said the collection was a satire on feminists.
Kalapremi started his artistic and teaching career in 1983 and over the years taught at Bhanubhakta School, Kathmandu University School of Arts, Lalitkala Campus and at his private Kalapremi Ceramic Studio. He has also lectured at Jeonju University in South Korea and recently at Tabor Academy in the United States.
Seven of Kalapremi’s former students were interviewed for this story. Five female students said he touched them inappropriately in his studio or at Kathmandu University. Two male students said they witnessed him abuse and harass the women. In all cases, the students struggled to recognise the abuse when it occurred, and the lack of reporting systems left them to cope on their own for years.&nbsp;
Earlier this year, students shared a social media post hinting at Kalapremi’s history of abusive behaviour following which more students of the artist reached out sharing similar experiences. Some students spoke of abuse that happened as long as 20 years ago.
Kalapremi, 60, has denied the allegations. He told Nepali Times: “Some years ago, there was a movement encouraging people to hug and kiss. I used to do it purely out of friendship and love. But after seeing posts on social media last year calling out my behaviour, I realised my actions may have hurt some people. I understand now that I should have been more mindful.”
He added: “I am also an auxiliary health worker, so I know the exact points to massage to relieve menstrual pain. It’s not just menstruation, I take anyone who is ill to the hospital.”
Sexual abuse is much more rampant than reported given how difficult it is to prove it in court. The law defines sexual abuse as occuring when someone touches another’s private parts, coerces them into touching theirs, uses vulgar language, shows degrading images, or behaves indecently towards them without consent.&nbsp;
Ekta and her fellow students are consulting lawyer Suneeta Regmi Pokhrel, who says they know that even if the court decides in their favour, it is difficult to survive after speaking up, and influential men defend themselves saying they are being framed.&nbsp;
“They are in a lot of pain and weep when recalling how he abused them,” Regmi Pokhrel told us. “They are angry and have filed a case against him, but they are also terrified. They know he is a powerful man and they have seen how our society treats women who speak up against abusers. Unless people speak up, perpetrators will be emboldened.”
Art and academia in Nepal simply reflect the power imbalances in society where people with intersecting identities experience worse forms of abuse. Theatre actors Raj Kumar Pudasaini, Rajan Khatiwada, and Sunil Pokhrel were called out during the #MeToo movement in the Nepali theatre scene in 2019. Even after the allegations Pokhrel went on to receive national awards, while others continued to work without repercussions.
“If you speak up against abusers, you gradually get sidelined from projects,” explained a theatre artist who wished anonymity fearing professional setbacks. “The theatre scene in Nepal is quite small, you just have to make peace with the perpetrators and work with them if you want to sustain yourself.”&nbsp;
In academia there is a history of faculty members sexually harassing students and getting away with it. After Tribhuvan University (TU) lecturer Krishna Bhattachan was accused of harassing women students, the university said it would follow Nepal’s sexual harassment law and set up a reporting mechanism. But nothing happened to the professor, who had already retired. Instead, he counter-accused the students of 'attacking the indigenous people’s movement with baseless allegations' as <a href="https://kathmandupost.com/letters/2019/01/29/bhattachan-responds">he told the Kathmandu Post in 2019</a>. He continues to be featured as a prominent speaker including at TU.
Other faculty members previously accused of sexual harassment include Jagadish Murti Koirala from TU, Bishnu Prasad Acharya from Ratna Rajya Campus, and Bodha Raj Tripathee from Lalitpur Madhyamik Vidhyalaya. A woman staff member from TU also filed a sexual abuse complaint against Dambar Chemjong from TU.
Prominent figures like <a href="https://nepalitimes.com/news/the-rise-and-fall-of-nims-purja">mountaineer Nims Purja</a> have been <a href="https://www.nytimes.com/2024/05/31/sports/mountaineering-sexual-harassment-abuse-nims-purja.html">accused of sexual assault</a>, and cricketer Sandeep Lamichhane, actor <a href="https://nepalitimes.com/news/celebrity-rape-case-spotlights-nepal-laws">Paul Shah</a>, and former speaker of Parliament <a href="https://nepalitimes.com/news/mahara-arrested">Krishna Bahadur Mahara</a> have been accused of rape, but society-at-large has let off the alleged perpetrators amdist a larger debate about justice for survivors and punishment of perpetrators.&nbsp;
‘Gaushala-26’ is the court name given to the 18-year-old who accused Sandeep Lamichhane, former captain of Nepal’s national cricket team and skipper of Biratnagar Kings in the <a href="https://nepalitimes.com/here-now/here-comes-the-nepal-premier-league">ongoing Nepal Premier League</a>, of rape. She left the country citing society questioning her character affecting her mental health while Lamichhane got an outpouring of support. In May, the Patan High Court overturned a prior verdict that found Lamichhane guilty of rape and had sentenced him to eight years in prison. During the 23-month legal battle to pursue justice, Gaushala-26 faced threats of gang rape and acid attacks.&nbsp;
Exhausted by the struggle, Gaushala-26 sought to “move to a new world” where she could live free without hiding her identity.
Actress Samragyee Rajya Laxmi Shah in an Instagram video now deleted detailed the harassment she faced from a filmmaker during a movie shoot. She did not name any name but veteran actor Bhuwan KC filed a defamation case against Rana, but the court ruled that the charge lacked sufficient evidence.&nbsp;
Former Kathmandu mayor <a href="https://nepalitimes.com/opinion/theytoo">Keshav Sthapit also mocked the #MeToo movement</a>, calling accusations against him by journalists Rashmila Prajapati and Ujjwala Maharjan “a rape of men’s rights”.
Serial Abuse
Back at the Kalapremi Ceramics studio, another former student, 24-year-old Rajiv, says he felt the need to speak out after seeing his female classmates being abused.&nbsp;
“He frequently kissed them on their cheeks,” he told Nepali Times. “Whenever they walked into the studio he flailed his arms like a child asking for a hug. They awkwardly hugged him from the side, but he pulled them closer, held their chin, and kissed their cheeks.”&nbsp;
Rajiv says he also saw Kalapremi pull the women’s bra straps, touch their breasts, and slap their buttocks. The young students would freeze, not knowing how to react, and if they protested, he would say it was “normal in art”. Rajiv, 19 at the time like his classmates, remembers thinking perhaps the well-respected artist was right after all.
Another student, Luna, who took lessons at Kalapremi’s studio from 2020 to 2022 did try to confront the tutor after he made an obscene proposal to her. She recalls: “One day when the other students had left the studio and it was just the two of us, he told me that God had given him special artistic talent and he could transfer those powers to me. But to do that both of us will have to be naked, inside a dark room, and have sex.”
Luna, who was 18 then, was livid and told him she did not want any of his powers, but she says he laughed at her as if he was joking. She did not tell her family about the incident because she thought no one would believe her.&nbsp;
“They were all in awe of this famous artist and felt I should be grateful that to be learning sculpting from him,” she says. “I was scared to be alone with him in case he talked about sex again. My coping mechanism was to be rude so he wouldn’t try to come close to me.”
Seeing how some classmates were standing up to Kalapremi, Ekta too tried to push back against his advances, but she said he found ways to coerce her. Since Ekta, Rajiv, and Luna could not afford Kalapremi’s Rs30,000 monthly fee for lessons, he had offered them all a stipend to assist him in the studio.
“He had spondylosis and took me to his therapy sessions to learn massage techniques, then he often made me and other students massage him,” says Ekta. Whenever she refused, he would feign pain to make her feel sorry for him. “He would insist that I put my hands under his shirt so that I could massage him better,” she adds.
The art tutor often tried to “seduce sympathy” from Ekta by sharing how he had never been loved as a child and was “sexually frustrated” as an adult.&nbsp;
“At 7PM, he would pour himself Signature whiskey and immediately go off again about how he was sex-starved. I didn’t know how to respond. It took me time to realise alcohol was just an excuse to talk about sex,” Ekta says.
If convicted, Kalapremi could face financial penalty and/or a prison sentence of up to three years according to Section 224 of National Penal (Code) Act 2017.&nbsp;
Data suggests that victims of child sexual abuse on average take nearly 24 years to tell someone about their trauma, and some may never disclose it at all.&nbsp;
“In our culture, children are rarely taught about boundaries. They often react, show anger when adults pinch their cheeks. But adults insist they did it out of love, and force the children to accept it,” says Sita Lama, a psychotherapist at Manka Kura. “And even when someone touches them inappropriately they struggle to identify and verbalise it.”
When perpetrators claim to be “acting out of love”, Lama says survivors are likely to perceive it as something safe, rather than recognising it as abuse.&nbsp;
“It may take years for them to realise they were abused,” she explains. "And even when they become aware, the power imbalance with the abuser and the associated shame often prevents survivors from speaking up."
Other former students from the School of Art at Kathmandu University have also come forward years later, saying Kalapremi sexually abused them. As young adults, they felt his behaviour was off but were uncertain if it was inappropriate, illegal, or they did not know how to respond. After having understood that it was indeed abuse, they say they are speaking out now to protect others.&nbsp;
Amina Singh, a visiting faculty member at Kathmandu University, says there is no clause against sexual abuse in contracts of teachers, and there is no formal grievance handling mechanism for the students.&nbsp;
“So the only way students can to deal with sexual abuse is approach someone they trust,” she says.
Eight other former art students of Lalit Kala Campus and Srijana College of Fine Arts of Tribhuvan University and other private art studios in Kathmandu say they were also sexually abused by their art teachers. Three faculty members interviewed from these institutions said they saw the abuse, but felt it was futile to report it given how powerful the teachers were.
In the absence of a formal system, some longtime women artists warned each other about “problematic” artists. They shared &nbsp;a “heads-up” to be more cautious when collaborating with them, and avoided responding to their calls and texts after work hours.
To ensure art institutions are safe for all, galleries, museums, artist studios, and smaller art spaces need to develop policies on sexual harassment. This would include a code of conduct or studio policies that hold the leadership accountable and outline the principles of professional ethics.&nbsp;
Students and employees should inquire about accountability mechanisms for raising concerns, both formally and informally, advocates say.
Three years after Ekta left the ceramics studio, she learnt that Kalapremi had harassed many other women. Still trying to get a footing in the art industry, she attended a workshop in Kathmandu where women artists discussed ways to stay safe in the art sector.&nbsp;
Since it was a close-knit group Ekta opened up about how she felt violated and realised she was not alone, he had been abusing underprivileged students for years, and this was common knowledge among artists in Nepal.
Ekta says that even after she quit, Kalapremi continued sending her text messages like ‘I am thinking of you’, ‘Why have you stopped speaking with me’, or ‘I am waiting for your call’.&nbsp;
But what really forced her to act was when Ekta found out that he was sending similar texts to her younger sister.&nbsp;
“I’ve had enough,” she told us. “He abused me all these years but I won’t let him abuse my sister.” &nbsp;
Ekta, Rajiv and Luna are not the real names of the students.&nbsp;

‘Art Lover’ accused of sexual abuse

It was 8:15 in the evening of 25 March 1968 when everyone in the village of Batulechaur near Pokhara heard a deafening sound like thunder as a bright flashing object hurtled down to land in a field.&nbsp; That field belonged to Kul Timilsina, and the next morning he retrieved a sheet of metal about 2m by 1m and carried it home with the help of a few others, thinking it would be useful for his buffalo shed.&nbsp; Before he died at age 83 three years ago, Timilsina had told photo archivist Sunil Ulak that the black metal sheet was not rectangular and had rounded corners. There are a few witnesses still alive who have a clear recollection of the object that fell from the sky that night.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2024120707128_75cc85aac56b9cc4a77366471f058d7b3eb6868776811b0923845c2d0a61f014.jpg" data-media-id="editor_0" data-image-id="2024120707128_75cc85aac56b9cc4a77366471f058d7b3eb6868776811b0923845c2d0a61f014" data-rendition-name="original" width="1170" height="601" loading="lazy" alt="UFO over Pokhara"> <figcaption>The field in Batulechaur belonging to Kul Timilsina where fragments of a flying object fell from the sky in 1968.</figcaption> </figure>  One of them is Timilsina’s wife Gyanu, who was 22 at the time. She had been at home, and remembers hearing the big bang and the sky becoming very bright. “We saw the thing in the field in the morning,” she told us. “It looked like a lid, a covering of some sort. The way it was stuck in the ground, it must have fallen from the sky. We thought we could use it to dry clothes on, and took it home.”&nbsp; Another witness is Kul Narayan Paudel. “I was only eight then. We ran to the field to see what had fallen. It was a four-sided metal sheet. The elders took it away, and I don't know what happened to it.” &nbsp; Ram Bahadur Baniya, a teacher at the local school, says he had heard the sheet had been brought to the school, and later handed over to the Zonal Commissioner at the time, Nanda Prasad Malla. “But that is all hearsay,” he says.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2024120707128_0bf207a12063fb8155b3c8d9a00a94887b126380c9e0627527c84cf5e1101f54.jpg" data-media-id="editor_1" data-image-id="2024120707128_0bf207a12063fb8155b3c8d9a00a94887b126380c9e0627527c84cf5e1101f54" data-rendition-name="original" width="1170" height="610" loading="lazy" alt="UFO over Pokhara"> <figcaption>Gyanu Timilsina, wife of Kul Timilsina.</figcaption> </figure>  There are two versions of what happened to Kul Timilsina’s metal sheet. One is that an American Peace Corp Volunteer teaching at the nearby Bindyabasini School took it, and another is that it was handed over to the government. Recently declassified Central Intelligence Agency (CIA) and US State Department documents from the time say that the US Embassy in Kathmandu tracked down the object two years later and had it shipped back to the US. A telegram from the Department of State and Department of Defense tagged as ‘MOON DUST / Space Fragments’ dated 1 March 1972 stated: ‘1. Restored space fragment will be on board Embassy support flight 115 arriving Kathmandu on or about March 10. Fragment is packed in shipping crate (cargo no. 72-33365) marked in care of DAO.&nbsp; 2. State and Defense representatives examined fragments prior to shipment finding restoration acceptable.’  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20241207071212_929d903ee06d41baa4f6040e981cd7c7d7bd75cc9c37c9b617d307fc8538d2df.png" data-media-id="editor_2" data-image-id="20241207071212_929d903ee06d41baa4f6040e981cd7c7d7bd75cc9c37c9b617d307fc8538d2df" data-rendition-name="original" width="856" height="568" loading="lazy" alt="UFO over Pokhara"> <figcaption>Declassified CIA documents about the investigation into the object sighted in Pokhara. </figcaption> </figure>  The documents show that the US government, military and intelligence agencies investigated this incident thoroughly when it occurred, and have continued to revisit it ever since, as recently as five years ago. What is even more intriguing is that the object that fell in Pokhara was not the only unidentified space object that fell to earth that year. There were similar sightings of objects falling from the sky in Ladakh, Sikkim and Bhutan between 19 February and 25 March 1968.&nbsp; These mysteries were the subject of a CIA investigation in 1968 titled ‘<a href="https://www.cia.gov/readingroom/docs/CIA-RDP81R00560R000100070007-8.pdf">Sighting of Unidentified Flying Objects in Ladakh, Nepal, Sikkim and Bhutan</a>’, and the report is part of the recent online declassification of 800,000 top-secret documents from the period.&nbsp; &nbsp;Although unidentified flying objects (UFOs) have a connotation now of being alien craft, it could be pieces of satellite, missile, rocket or even aircraft. The CIA report documents six sightings in 1968 and quotes local sources as describing all of them having similar characteristics: bright blue or red streaks in the sky accompanied by loud sounds like lightning and thunder and objects falling to the ground. Aside from the metallic object that was found in Batlechaur, there were other items also found nearby in Tallakot, Tureypasal, Armalakot and Maidan. Whatever the object was, it seems to have disintegrated even before it hit the ground.&nbsp; The CIA report records the first sighting on 19 February 1968 in various parts of Sikkim and Olangchung Gola and Ghunsa in eastern Nepal. The light was said to be ‘long and thin’ and giving out ‘green and red light’. &nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20241207071212_c3c825027d966a2aedc846970390eebe063957503c7eacc8e01e0517843f9bbb.png" data-media-id="editor_4" data-image-id="20241207071212_c3c825027d966a2aedc846970390eebe063957503c7eacc8e01e0517843f9bbb" data-rendition-name="original" width="892" height="596" loading="lazy" alt="UFO over Pokhara "> </figure>  Two days later on 21 February, a soundless blue object was seen traveling fast across the sky above Thimphu in Bhutan. Then on 4 March there were multiple daytime sightings or white streaks in the sky at Chang La Pass, Fukche and Koyul in Ladakh. There were more sightings in Ladakh on the very day fragments fell near Pokhara on 25 March 1968.&nbsp; After the sightings in Pokhara, rumours started flying in Kathmandu that these were aliens trying to land on Earth, it could be Russian or Chinese spy planes or satellites, and some even say it as a sign from heaven that the end of the world was near. This was at the height of the Cold War. The Russians and Americans were testing their thermonuclear devices as well as intercontinental ballistic missile delivery systems. The Washington-Beijing rapprochement had not yet happened, and China was making quick progress testing atomic bombs. Within two years after its first atomic test, in 1966 China exploded its first hydrogen bomb at the Lop Nur site in Xinjiang, 3,000km to the north from Nepal. After neary six decades, what is still intriguing is that all the sightings within a few months of each other in 1968 were along the Himalayan arc bordering Tibet: from Bhutan, Sikkim Nepal, to Ladakh. The US military intelligence seems to have concluded that this was not a coincidence and there were frequent research trips to the site in Pokhara by American officials in the months after the incident. With the help of the Royal Nepal Army, the region north of Pokhara was thoroughly searched.&nbsp; A confidential memo dated 25 June 1968 by Jerry C Trippy to a ‘Mr Farley’ mentions that the US Air Force’s Foreign Technology Division had decided that the debris could be important because it may be related to a Chinese missile test or a Soviet ‘Vehicle Venik’ rocket.&nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20241207071216_feb5425692dc36b20187de4e4fcc2ce9fd12b6d9e1b8724398e50bcdbf9032fe.jpg" data-media-id="editor_5" data-image-id="20241207071216_feb5425692dc36b20187de4e4fcc2ce9fd12b6d9e1b8724398e50bcdbf9032fe" data-rendition-name="original" width="1500" height="1000" loading="lazy" alt="UFO over Pokhara"> </figure>  On 28 August 1968 the US Embassy in Kathmandu sent a letter to Washington DC saying that the object could be of Soviet origin, possibly from when the rocket carrying the ‘Kosmos 208’ satellite re-entered the atmosphere. But why were the fragments falling to earth several weeks apart, and in the same region? No one knows where the metal sheet that Kul Timilsina recovered is now. It was definitely packed in a crate and taken to the US, and although it is rumoured that it was returned that is not very likely. Archivist Sunil Ulak heard from the Timilsina family that CIA officials had returned to the site five years ago. &nbsp; Interest in UFOs peaked in the US in the 1950s, with the Cold War space race and tests of atomic weapons and delivery rockets. CIA and scientists were being sent to investigate sightings, both publicly and privately. Could the Pokhara fragments as well as the sightings in Ladakh and Bhutan actually be alien craft falling to earth? The renewal in interest in space travel in large part due to Elon Musk’s SpaceX, UFOs and sightings are again subjects of public interest.&nbsp; Even 57 years later, even if there was definitive proof about whether the Batlechaur fragment was from a Chinese missile or a soviet rocket, it has not been made public in documents declassified so far. We may never know.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20241207071216_b6938795f40731e7657fd6dcbb3cf460a326186a15eb11d4f832f602201ff598.jpg" data-media-id="editor_6" data-image-id="20241207071216_b6938795f40731e7657fd6dcbb3cf460a326186a15eb11d4f832f602201ff598" data-rendition-name="original" width="642" height="320" loading="lazy" alt="UFO over Pokhara"> </figure>  Sunil Ulak speculates if the debris actually came from an American aircraft, perhaps on an intel mission upon China. “Which could explain why they were so thorough in collecting the fragments in Pokhara,” he says. But that still does not explain the multiple sightings weeks apart in 1968.&nbsp; Indeed, US military aircraft were at that time flying frequent night-time missions from air force bases in India to supply weapons to Khampa guerrilla camps in Nepal located north of Pokhara in Mustang. It could very well be that the Chinese shot down one such aircraft. The other sightings could have been contrails of US spy planes, or Chinese anti-aircraft missiles.&nbsp; There were quite a few developments regarding UFOs in 2024. In a US congressional hearing in July, former intelligence officer David Grusch claimed that the government had long been involved in a program to investigate and retrieve non-human craft crashes, and then try to reverse engineer them. However Grusch did not show any evidence.&nbsp; The UAP Disclosure Act of 2024 was signed into law by Joe Biden in December 2023. It plans to oversee the public disclosure of UFO information. However, there is a clause in it that prevents disclosure if it would cause threats to military defense, intelligence operations or foreign relations.&nbsp; It is unlikely that the declassified documents about sightings in the Himalayan will cause any real surprise about definite evidence of alien life even if it was found. It seems humanity will continue, at least for now, to wonder about curious lights in the sky and whether there is anybody out there.&nbsp;

UFO over Pokhara

When Rastriya Swatantra Party (RSP) president Rabi Lamichhane was arrested in October on charges of defrauding depositors of cooperatives, the party’s vice president Swarnim Wagle gifted him Fareed Zakaria’s book, Age of Revolutions.
Since then, Lamichhane has been shunted around from Kathmandu to Pokhara to Chitwan and back to Pokhara to attend police investigations and court proceedings. He was being flown to Birganj via Kathmandu on Buddha Air on Monday. There is another pending case in Janakpur.
Human rights groups and civil society have criticised the government for hounding Lamichhane with inhumane treatment that borders on physical torture. The two parties in the coalition, Nepali Congress (NC) and the UML, see Lamichhane’s RSP as a potentially formidable challenge to their power.
Even if the fraud charges against Lamichhane are true, the Nepali public is increasingly looking at the government’s actions through the police and courts as political vendetta.
Despite all the travelling, sometimes by plane and often by road at night, Lamichhane appears to be in high spirits, waving to supporters who often gather if they know he is going to be driven around. A social media video shows him giving high fives to fellow passengers on a recent flight to Pokhara.&nbsp;
In the past weeks, streets in Pokhara have erupted with parallel protests by Lamichhane’s supporters as well as depositors of cooperatives who lost their savings to the scam.&nbsp;
Although family visits are allowed, prison officials in Pokhara told Nepali Times that not many people visit Lamichhane these days. He added, “When he does get visitors, he asks them to bring him books.”
Lamichhane is currently Nepal’s most high-profile public figure in custody, and highlights the stark difference between how influential prisoners are treated compared to ordinary inmates.
There are six prison cells at Kaski District Police Office’s two-story detention centre, three on each floor. And while authorities pack prisoners into already overcrowded cells, Lamichhane has an entire room on the second floor to himself.&nbsp;
He has also been allowed to call his family every few days. Other prisoners are not permitted phone calls except for emergencies.
Meanwhile, Lamichhane’s former business partner Chhabilal Joshi, an ex-Deputy Inspector General of Police with whom he established his Gorkha Media Network, is in custody under the same charges in the prison cell next to him.
Lamichhane is accused of siphoning off depositors' money to the tv network in which he was part-owner and anchor. &nbsp;
Both Lamichhane and Joshi are able to buy food from the police canteen instead of being served the regular meal like other prisoners. Joshi has also given his statement to authorities in Rupandehi and Kathmandu for his alleged role in the scam. Lamichhane is yet to be presented in Kathmandu for questioning.
While he was in custody at the Kathmandu District Police Complex, Joshi expressed his desire to sleep in a police officer’s office, reportedly assuring authorities that he would not run away and he was entitled to certain facilities as a former officer of the law.
“He seemed to be under the impression that he is still a police officer,” says a source at the Kathmandu District Police. “We made it clear to him that as someone accused of a crime, he was not entitled to special treatment.”
Former ministers Balkrishna Khand and Top Bahadur Rayamajhi, and ex-home secretary Tek Narayan Pandey, who were arrested in connection with the fake refugee scam last year, were similarly housed in the offices of law enforcement officials instead of prison cells. Khand has since been released after six months in jail.
While there is no legal provision to keep high-ranking officials in separate detention centres when they are arrested, authorities granting them special facilities is not uncommon. Law enforcement officials say VIP detainees expect preferential treatment while in police custody.
Among those is former Kosi Province minister Lila Ballav Adhikari, who was arrested from Biratnagar on 10 November over his alleged involvement in human trafficking and brought to Kathmandu. Adhikari had flown to Japan without government approval with three individuals on 29 October to attend a cultural conference, but had been sent back to Nepal from Narita.&nbsp;
His three companions were arrested at Kathmandu airport upon their arrival, but Adhikari was able to exit unscathed from the VIP lounge. Adhikari had resigned as the Kosi Province Minister for Internal Affairs and Law when it became public that his companions had been taken into custody, and was himself arrested shortly after. He has since been cleared by the courts.
Throughout his detention, Adhikari was kept separately from other inmates. Senior Superintendent of Police (SSP) Basant Rajouri, head of the Bhadrakali complex, says that while there is no separate detention area for VIPs, some detainees are kept separately depending on the nature of their crime.
However, sources say that arrangements were made for retired judges and others to visit Adhikari frequently worked at the office of a Deputy Superintendent of Police (DSP) during his time in custody.&nbsp;
“He used to constantly pester the authorities to let him sit outside in the sun, and to be able to use the police officer’s shower area,” added an officer.
Adhikari was released on 25 November after the government prosecutor’s office decided not to charge him in a move that was seen to expose the government’s double standards.
Over at Kathmandu’s Dilli Bazar Prison, former Kist Bank CEO Kamal Gyawali emerges from his prison cell into the courtyard of the prison’s ‘Ka (क)’ block every morning with a thick book in his hands, ready to give his daily sermon.
With his long beard, Gyawali, who is serving a prison sentence for banking fraud, looks the part of a religious guru as he implores his rapt listeners to “walk the right path, abandon bad thoughts and turn to scripture and spirituality”.&nbsp;
Afterward, the attendees gather to discuss politics and current affairs. Inmates at his daily sermons at the prison include other high-profile detainees, including former MP Ichchha Raj Tamang, who is in jail for money laundering and cooperatives fraud, former joint secretary Chudamani Sharma, who was convicted of corruption, as well as NC leader Chandra Bahadur Lama and Krishna Bahadur Upreti of the UML both of whom are on trial for embezzling billions of rupees.
Victims of the cooperatives scam that former lawmaker Tamang was involved in have made trips to the prison and requested visits, but he has refused to meet with any of them.
“Tamang often complains that the state has prevented him from returning the money to the victims by locking him up,” says a police officer at the Dili Bazar jail.
“All you hear every day from the VIP prisoners is that they have been framed,” adds the officer. “No one admits that they were involved in misdeeds.”
But while most high-profile prisoners complain about prison conditions, one exception is former provincial lawmaker Deepak Manange, who is serving a sentence at Dilli Bazar Jail for attempted murder.
“He is the happiest prisoner here,” says a warden. “Unlike the others, he doesn’t claim to have been framed, in fact he doesn’t seem to care that he is in prison.”
Manange is detained in the ‘Kha (ख)’ block of the prison complex, which he renovated at his own expense. The block previously housed female prisoners, but Manange used his influence to transfer them elsewhere. He faces no shortage of visitors, who range from political leaders to people from the underworld.
Along with Manange, other well-known prisoners in this block include Nepal Telecom Managing Director Sunil Poudel, and former executive director of the Surakshan Printing Centre Bikal Poudel, who are serving time for corruption.
Former prisoners at Dilli Bazar prison include ex-ministers Khum Bahadur Khadka and Shyam Sundar Gupta, NC leader Ganesh Lama, Maoist MP Balkrishna Dhungel, Nagarik Unmukti Party leader Resham Chaudhary, as well as former IGs Ramesh Chand Thakuri, Om Bikram Rana, and Hem Bahadur Gurung.
Section 54 of Nepal’s Prison Act assigns each prison’s internal administration the
responsibility of governing its prisoners, which means the more favourable the jail management is, the more comfortable it is for prisoners.
Dilli Bazar prison has been the prison of choice for many high-ranking prisoners, especially those convicted of white collar crimes, due to its more accommodating administrators. The prison, which has the capacity to house 700 inmates, is also less crowded than other jails.
Anuj Bhattarai, spokesperson of the Department of Prison Management, says that there is no legal classification in Nepal for felons to be assigned prisons based on the nature of their crimes.
“That Dilli Bazar Jail has a higher number of prisoners convicted of crimes like corruption is most likely a coincidence,” says Bhattarai. “There is no provision for influential people to be able to choose where they will be incarcerated.”&nbsp;
Translated by Shristi Karki from the Nepali original published in himalkhabar.com

What Nepal’s VIP prisoners do in jail

If you were raised in Nepal, you must have picked up its unique set of vocabulary: आन्दोलन, चक्का जाम, बन्द, राँके जुलुस, आफ्नो मान्छे, हाम्रो दल, कर्फु and many more words connoting political protest.
We became familiar with the acrid smell of burning tyres, and eyes smarting from tear gas. And yet, everyone speaks of another revolution in the making. Not by desire, but by suffocation.
We heard speeches about नयाँ नेपाल, but the New Nepal never arrived. The governance system changed, but it did not reflect on people’s lives — except for those close to centres of power. The state is still unreachable and is not bothered about <a href="https://nepalitimes.com/here-now/matter-of-life-and-debt">victims of loan sharks</a>, cooperative scams and other injustices.
Politicians continue to speak in sound bites, but fail to deliver. They have mastered the game of pointing fingers towards an external enemy and convincing people that they are never at fault. The political narrative is so disconnected from the actual analysis of the problem that suffocation doesn’t go away after every revolution.
No genuine effort has been made to deliver at all, which is why there is a palpable sense of disillusionment in the air forcing us to seek another revolution, even if Nepal may not be able to afford it.
How has the current system successfully held power, even if the public is deeply frustrated? How is it that for three decades we continue to be led by the same faces, who have time and again, proved to us that they may be great politicians but not national leaders?
<a href="https://nepalitimes.com/opinion/improving-internet-governance-in-nepal">My experience at the epicentre of politics</a> has led me to identify three cultures that have enabled political parties to keep a tight hold on power: acceptance, silence and dependency.
We accept things the way they are. We use fatalistic phrases like “नेपालमा यस्तै हो” or “नेपालको कानुन दैब जानुन”. While this resilience enables us to rise back up from devastating calamities, it is also a reason for our compliance with the status quo.
Despite so many ‘revolutions’ that have led to significant reforms, these phrases keep getting reinforced, to the point that the upcoming generations have made it their lingo.&nbsp;
This acceptance is not a symbol of law-abiding citizens, but citizens living in fear of those in power, unable to ask the whys and why-nots.
Innovation suffocates in this culture of acceptance of the status quo. This is manifested in remarks like “but we don’t have any laws for this,” or “we don’t have the capacity to implement this”. An innovator or entrepreneur therefore has to spend that energy to become a political lobbyist, often educating and convincing the bureaucracy.&nbsp;
Remember when locally assembled <a href="https://nepalitimes.com/banner/designed-and-made-in-nepal">Yatri motorbikes</a>, despite having willing customers, had to suffer to secure license numbers because of a lack of regulations? Instead of creating new laws, the government kept chanting the “We will promote Nepal-made goods” mantra, leaving entrepreneurs in a labyrinth of bureaucracy. The weight of acceptance of the law lies heavily on innovators. Fatalism is a tactic used by those in power to generate mass fear in society.
When we accept, we become silent. This is a pervasive phenomenon. We are trained to keep quiet, lest we ruffle feathers, burn bridges, or not get the help we need in future. We know, yet we don’t speak.
Read also: <a href="https://nepalitimes.com/here-now/bureaucratic-hurdles-in-researching-nepals-bureaucracy">Bureaucratic hurdles in researching Nepal's bureaucracy</a>, Daniel W Edwards
Here is one example: the 2021 census shows that the number of baby boys born for every 100 baby girls is 112. This is a clear indication of female foeticide because of boy preference in society.
Despite such horrifying realities, there is finger-pointing within the government between the Ministry of Health and Population with the Ministry of Home Affairs. At the citizen level, we know those who are involved in killing girls. Yet, we don’t speak up. The Nepal Medical Council reports state that despite this gender imbalance at birth, there is no indication of any action.
But why would anyone speak against one's own fraternity, no matter how vile the act is?
When we accept and keep quiet, we become dependent on those who yield power. From getting our government procedure completed on time to getting transfers, to accessing any of our legally protected rights as well, we are forced to depend on our networks of चिनेको मान्छे people we know by blood, village, relations, political affiliation.
The culture of dependency has been the established way in Nepal. If you drive a two-wheeler or four-wheeler, and you get into a small accident, you will be asked to sort it yourself, dialing up the most powerful person you know. It becomes a competition of who knows who.
Recently I was told that there were calls from the Ministry of Health and Population and another from the Prime Minister's Office for just one medical position in a private hospital. Each was pushing its own candidate. Guess which candidate got the position.&nbsp;
The dependency of people is not on the laws or the state, it is with people in power, a reliance on the network of somebody who knows somebody, including those not officially in power.
These cultures are deeply ingrained in our heads, and in society. Collectively they form a vicious circle that helps those in power to retain power. This is not the society we want to live in.
Then, what do we do as a collective to break away from this? How do we break away from the cultures of acceptance and silence that have created this dependency? What can we do to ensure that our children do not have to learn the jargon of आन्दोलन before they learn about the state?
These are the cultures political parties need to shed rather than use them to perpetuate their power. This is what <a href="https://nepalitimes.com/opinion/comment/an-alternative-to-alternative-politics-in-nepal">alternative politics</a> needs to be about.
Sumana Shrestha is a member of Parliament’s Education, Health and Information Technology parliamentary committee and represents the Rastriya Swatantara Party.