<figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221109181112/636bdfc59c7e80680e083dbajpeg.jpg" alt="" width="1824" height="2736"/><figcaption>Local women and youth of Chyasal participate in a workshop + mural project lead by The Fearless Collective on the themes of inheriting fear, history and courage. The fourth edition of Photo Kathmandu will open with online programming from 3-9 December 2020. The festival hopes to continue with physical exhibitions and public programming in 2021 once it becomes safer to organize public gatherings. Photo: Pawan Joshi/ Photo Kathmandu</figcaption></figure>Since its inception in 2015, <a href="https://archive.nepalitimes.com/article/Nepali-Times-Buzz/Photo-Kathmandu-in-Patan,2669" target="_blank" rel="noopener noreferrer" data-saferedirecturl="https://www.google.com/url?q=https://archive.nepalitimes.com/article/Nepali-Times-Buzz/Photo-Kathmandu-in-Patan,2669&amp;source=gmail&amp;ust=1604466780313000&amp;usg=AFQjCNFUZXangwu2rzOUn5r6cfbgsFb6MQ">Photo Kathmandu </a>has gained worldwide recognition for its professionalism and creativity, and has raised the bar for other art festivals in Nepal.However, due to the Covid-19 crisis, this year’s fourth iteration of the bi-annual festival which used to be held in Patan, will be spread out virtually over 2021.Since 2015, the festival has given artists and photographers a free platform to express their creativity through open-air exhibitions, workshops, portfolio reviews and with many other interactive public events. The past three Photo Kathmandu events have been month-long jamborees in which the historic heart of Patan itself turned into a stage for an explosion of the visual arts.This year, instead of being held over a month, the festival will go on for a whole year beginning from <a href="https://www.facebook.com/photoktm/photos/pcb.2602938853331557/2602935206665255" target="_blank" rel="noopener noreferrer" data-saferedirecturl="https://www.google.com/url?q=https://www.facebook.com/photoktm/photos/pcb.2602938853331557/2602935206665255&amp;source=gmail&amp;ust=1604466780313000&amp;usg=AFQjCNGoz6uLE1-swwvhEP2g2pJLu2Xs5w">3 December 2020 to 2 December 2021.</a><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221109181112/636bdfc89c7e80680e083dbbjpeg.jpg" alt="" width="568" height="568"><figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221109181112/636bdfca9c7e80680e083dbcjpeg.jpg" alt="" width="2499" height="1668"><figcaption>Curator and visual artist Sujan Chitrakar leads a team of volunteers to install Professor Bruce McCoy Owens exhibition titled "BUNGAYĀ: RĀTO MATSYENDRANĀTH: FORTY YEARS OF FESTIVAL". The fourth edition of Photo Kathmandu will open with online programming from 3-9 December 2020. The festival hopes to continue with physical exhibitions and public programming in 2021 once it becomes safer to organize public gatherings.</figcaption></figure>Coincidentally, the announcement of the festival's extension came a few days prior to selection of Photo Kathmandu’s co-founder and festival director <a href="https://www.worldpressphoto.org/news/2020/jury-chairs-announced/40607" target="_blank" rel="noopener noreferrer" data-saferedirecturl="https://www.google.com/url?q=https://www.worldpressphoto.org/news/2020/jury-chairs-announced/40607&amp;source=gmail&amp;ust=1604466780313000&amp;usg=AFQjCNFeqonfRjvT4weIPKy29EJKOPx8Aw">Nayantara Gurung Kakshapati, as the jury chair of World Press Photo</a> 2021 Contest. This honour is itself expected to add to the festival’s international standing.Organising a festival on this scale was never an easy task, and challenges have been plenty, Kakshapati told Nepali Times. The very first edition in 2015, was held just after the earthquake struck Nepal and devastated the town centre of Patan. It was held despite a Blockade and shortages of fuel and supplies.<figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221109181112/636bdfce9c7e80680e083dbdjpeg.jpg" alt="" width="1500" height="1000"><figcaption>Visitors at Nepal Picture Library's Feminist Memory Project exhibition at Mulchowk, Patan Durbar Square. This chapter of the Feminist Memory Project traced Nepali womens' participation in the rise of Nepali print culture and its intrinsic ties to the struggle of democracy and progress. The fourth edition of Photo Kathmandu will open with online programming from 3-9 December 2020. The festival hopes to continue with physical exhibitions and public programming in 2021 once it becomes safer to organize public gatherings.</figcaption></figure>This year, too, with the pandemic there are many challenges, but Kakshapati’s team is determined to pull off a successful full year of online events.The festival is a part of a larger continuum of image-making, research and civic engagements at <a href="https://www.photocircle.com.np/" target="_blank" rel="noopener noreferrer" data-saferedirecturl="https://www.google.com/url?q=https://www.photocircle.com.np/&amp;source=gmail&amp;ust=1604466780313000&amp;usg=AFQjCNHuV2uB9pOTfKzblmb2AfFZcSpB2g">photo.circle</a> and <a href="https://www.nepalpicturelibrary.org/" target="_blank" rel="noopener noreferrer" data-saferedirecturl="https://www.google.com/url?q=https://www.nepalpicturelibrary.org/&amp;source=gmail&amp;ust=1604466780313000&amp;usg=AFQjCNE-rXdVtmPRHOu4PhsGx49bZCFeGA">Nepal Picture Library</a>, and has devised two strategies for the upcoming festival: time and place."We come once in two years for a month, create a momentum and disappear, so we had been thinking for a while to stretch the festival over a longer period and create a conversation over the whole year. We are excited about the new possibilities," says Kakshapati, adding that most of the events will be virtual, particularly workshops, artist talks and portfolio reviews.“However, if the Covid situation gets better by the second-half of 2021, the team could work on a small-scale physical exhibition in Patan making a more permanent presence in a collaboration with local communities," she explains.<figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221109181112/636bdfd19c7e80680e083dbejpeg.jpg" alt="" width="1000" height="667"><figcaption>Locals in Patan engage with Kishor Sharma's exhibition titled "Living in the Mist: The Last Nomads of Nepal". Photo Kathmandu installs all exhibitions in public and community spaces and access to all exhibitions, artist talks and other festival public programming is free and open to the public. The fourth edition of Photo Kathmandu will open with online programming from 3-9 December 2020. The festival hopes to continue with physical exhibitions and public programming in 2021 once it becomes safer to organize public gatherings.</figcaption></figure>Instead of physical exhibitions, this year the Photo Kathmandu team plans to collaborate with newspapers and come with print exhibitions for the artists and photographers that it will select to feature.The opening week of the festival in December will have a series of portfolio reviews and will include professionals from all over the world. People can sign up for a free 30-minute session. Along with that, there will be artist talks and panels.The festival is trying to turn the pandemic crisis into an opportunity to bring in artists from all over the world who would otherwise perhaps not have been able to travel to Nepal.Because of the global pandemic, the 2020-2021 edition has also cancelled the artist residency program. However, there will be more roll out and incubation programs from January 2021.Says Kakshapati: "We have come over various obstacles over the past and we hope that panning out the festival for an entire year will bring more international visibility for Photo Kathmandu and give opportunities for more artists in the future."

original

674x448

610x380

500x500

400x266

400x240

400x203

301x200

1250x600

1084x550

Photo Kathmandu in a new avatar

<figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/2022110915110/636bb34f9c7e80680e07bb33jpeg.jpg" alt="" width="1508" height="1076"/><figcaption>Boris Lissanevitch and Inger at Kathmandu airport in 1955 when the first tour groups started arriving in Nepal.</figcaption></figure>Not since the early 1950s have we had zero tourists arrive in Kathmandu Valley.The combination of hostile geography and cautious politics had effectively conspired to keep foreigners out of the kingdom of Nepal, sealed for centuries. When <a href="https://www.nepalitimes.com/here-now/erika-and-king-tribhuvan/" data-saferedirecturl="https://www.google.com/url?q=https://www.nepalitimes.com/here-now/erika-and-king-tribhuvan/&amp;source=gmail&amp;ust=1599440236748000&amp;usg=AFQjCNHQFdH_e6LubJypBFTxWDrJu4C-lQ">King Tribhuvan</a> wrested power back from the reclusive Rana rulers in 1951, only an estimated total of 300 foreign officials, diplomats and royal guests had ever penetrated the malarial swamps of the Tarai or the snow-bound Himalayan barrier of the northern passes.The xenophobia of previous regimes considered it prudent to keep the doors closed to Westerners, especially with the changing fortunes of Tibet and China to the north, and a marauding East India Company followed by a power-hungry British Empire lurking along the southern boundary, which extended nearly twice the length of Nepal today.All trade routes into the Valley were well patrolled, and the British incumbents at their Lainchaur Residency (now the Indian Ambassador’s home) were tolerated to varying degrees, but remained under escort even around the Valley and seldom permitted beyond its rim except to their ridgetop cottage at Koulia, then Kakani.<a href="http://archive.nepalitimes.com/news.php?id=10754#.X1QpHS0w0Wo" data-saferedirecturl="https://www.google.com/url?q=http://archive.nepalitimes.com/news.php?id%3D10754%23.X1QpHS0w0Wo&amp;source=gmail&amp;ust=1599440236749000&amp;usg=AFQjCNGso8FpUWgrP03HHkL5QMIf7nzj3Q">Boris Lissanevitch</a> changed all that when he opened Kathmandu’s first hotel and brought the first tourist group to Nepal in 1955. Having visited on a 10-day holiday in 1951 at the invitation of newly instated King Tribhuvan, Boris moved to Kathmandu with <a href="https://archive.nepalitimes.com/article/Obituary/Inger-Lissanevitch,886" data-saferedirecturl="https://www.google.com/url?q=https://archive.nepalitimes.com/article/Obituary/Inger-Lissanevitch,886&amp;source=gmail&amp;ust=1599440236749000&amp;usg=AFQjCNHOih_vfDV6zlCnFWEFlF5yTFGhgw">Inger,</a> two small boys, Mischa and Alexander (their third son Nicholas was born later in Nepal), and a mother-in-law with a penchant for collecting stray animals and antiques.<figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/2022110915114/636bb3539c7e80680e07bb34jpeg.jpg" alt="" width="640" height="399"><figcaption> </figcaption></figure>‘After a few hours I fell madly in love with this country’ Boris declared in a contemporary interview. ‘This is where we wanted to live.’ Inger, his beautiful Danish Scottish wife, 23 years junior, agreed. They never left.An ebullient White Russian ballet dancer and big-game hunter born in Odessa of Ukraine, Boris was a larger than life character, born into a wealthy military Tsarist family amidst the hardships of the 1905 Russian revolution. A cadet heading for a career in the Tsar’s navy, instead Boris had to flee to France, escaping Bolshevik persecution.Boris’ exotic career included performing with Diaghilev’s Ballet Russes in Paris and dancing with Massine throughout Europe, South America and Asia. In 1936, finding himself stranded in India, he started the exclusive 300 Club in Calcutta, the first establishment to accept Indian members and to remain open 24 hours a day. Patronised by India’s princely elite, leading businessmen, world war pilots, diplomats and itinerant adventurers, Boris had the opportunity to meet and charm royalty and influential politicians from the region, especially Nepal.In addition to King Tribhuvan, his close friends and frequent guests during his ten years at the 300 Club included the Maharaja of Cooch Behar and exiled Nepali Rana militants, <a href="https://www.nepalitimes.com/here-now/inside-story-of-nepals-rana-dynasty/" data-saferedirecturl="https://www.google.com/url?q=https://www.nepalitimes.com/here-now/inside-story-of-nepals-rana-dynasty/&amp;source=gmail&amp;ust=1599440236749000&amp;usg=AFQjCNFtOmOcnPI0RF2-UVycxv1Q-Yz4Lw">Mahavir and Subarna Shamsher</a>. Supposedly B P Koirala, Nepal’s democracy activist, and King Tribhuvan held secret negotiations in the men’s room. Not all the abundant stories about Boris’ exploits are true, but they are usually dramatic and always amusing – he was a collector of people and tall tales.<figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/2022110915114/636bb3569c7e80680e07bb35jpeg.jpg" alt="" width="500" height="465"><figcaption> </figcaption></figure><figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/2022110915114/636bb3589c7e80680e07bb36jpeg.jpg" alt="" width="640" height="361"><figcaption> </figcaption></figure>Boris set up a spirit distillery in Kathmandu, and with Prince Basundhara converted Bahadur Bhawan in Kantipath (now the Election Commission offices) into the Royal Hotel with 40 restored rooms. In its 1960s heyday, the Royal was considered amongst the most interesting hotels in the world, and its charismatic proprietor was a major attraction. The hotel’s Yak &amp; Yeti Bar was the heart of Kathmandu’s foreign community with Boris presiding, ever popular with a stream of mountaineers, envoys, explorers, spies, missionaries, aid workers, tiger hunters, yeti enthusiasts - and tourists.<figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/2022110915114/636bb35b9c7e80680e07bb37jpeg.jpg" alt="" width="1500" height="976"><figcaption> </figcaption></figure>As <a href="https://archive.nepalitimes.com/news.php?id=19173" data-saferedirecturl="https://www.google.com/url?q=https://archive.nepalitimes.com/news.php?id%3D19173&amp;source=gmail&amp;ust=1599440236749000&amp;usg=AFQjCNElTlkNs5GH0EG2RpJCct1bR0ERtQ">Toni Hagen</a> remembered, the Royal Hotel was ‘an irresistible gathering point’, eating, drinking and storytelling would go on late into the night, until ‘Boris began to sing Russian folk songs in his deep voice or even perform Russian dances’.  Featuring his flamboyant brand of personal charisma, warm hospitality and fine Russian recipes, Boris was the first to bring ‘ordinary’ tourists to Nepal and is thus credited with being the ‘father of Nepal tourism’.<figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/2022110915114/636bb35e9c7e80680e07bb38jpeg.jpg" alt="" width="772" height="1198"><figcaption> </figcaption></figure><figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/2022110915114/636bb3609c7e80680e07bb39jpeg.jpg" alt="" width="772" height="1198"><figcaption> </figcaption></figure>Guests unable to pay the Royal room rate, pitched tents in the hotel’s spacious grounds, avoiding the bizarre vegetables that Boris introduced – he was the first to cultivate mushrooms, strawberries, artichokes, carrots and beetroots – and a roaming menagerie of stray animals. Lhasa Apso dogs, flying squirrels, leopard cats, and a mare that would come ‘clattering down the veranda to be fed lumps of sugar’, occasionally wandering into guest bedrooms leaving unwelcome offerings. A red panda named Pandaji, a gift from Ed Hillary, was said to be the most photographed animal in Nepal.<figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/2022110915114/636bb3639c7e80680e07bb3ajpeg.jpg" alt="" width="400" height="416"><figcaption> </figcaption></figure><figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/2022110915114/636bb3659c7e80680e07bb3bjpeg.jpg" alt="" width="400" height="373"><figcaption> </figcaption></figure>In 1964 screen idol Jean Paul Belmondo, with a crew led by director Philippe de Broca stayed at the Royal for a few weeks to make Nepal’s first feature film, a boisterous comedy released as <a href="https://www.youtube.com/watch?v=ogHg6UTl2pU" data-saferedirecturl="https://www.google.com/url?q=https://www.youtube.com/watch?v%3DogHg6UTl2pU&amp;source=gmail&amp;ust=1599440236749000&amp;usg=AFQjCNE9qXIky7aCU5Fs0S8QUKPQZ0aPzA">Up to His Ears</a>. Boris played a small part. In a scene Belmondo asks: ‘How come you speak such good French?’ and he replies: ‘Because I am Russian!’ After filming in Kathmandu and Pokhara, the crew went to Hong Kong where Belmondo met Ursula Andress, leaving his wife in a much-publicised love affair.https://www.youtube.com/watch?v=ogHg6UTl2pU&amp;feature=emb_logoBoris’ special entertainment skills were required by his royal connections to cater extravagant parties and banquets, not least Mahendra’s coronation ceremony in 1956 and the hunting camp for Queen Elizabeth and the Duke of Edinburgh’s state visit in 1961. Boris himself was fictionalised by the novelist <a href="https://archive.nepalitimes.com/news.php?id=19768" data-saferedirecturl="https://www.google.com/url?q=https://archive.nepalitimes.com/news.php?id%3D19768&amp;source=gmail&amp;ust=1599440236749000&amp;usg=AFQjCNEU3DAX5Jmm9QJseAcnkRUHyh7JXQ">Han Suyin in The Mountain is Young (1958</a>), and his eventful life is described in <a href="https://www.amazon.com/Tiger-Breakfast-Story-Boris-Kathmandu/dp/B0007DYWXQ" data-saferedirecturl="https://www.google.com/url?q=https://www.amazon.com/Tiger-Breakfast-Story-Boris-Kathmandu/dp/B0007DYWXQ&amp;source=gmail&amp;ust=1599440236749000&amp;usg=AFQjCNFdV652wX5cZw0Ep_GMKgUHXYVLtQ">Tiger for Breakfast (1966) by Michel Peissel. </a>With Boris’ word-of-mouth and media networks paving the way, tourism flourished during the 1960s. Nepali entrepreneurs and royal family members were quick to grasp its potential, opening new hotels of their own. The hordes of hippies, mountaineers and world travellers began to arrive, but preferred to hang out in Basantapur. In 1969 the Royal Hotel was forced to close.By the time I came to Nepal in 1974, myths about the famous Royal’s chaotic hospitality were lost in the building’s abandoned arches, its dusty corridors echoing with the footsteps of former guests – Hollywood stars Vivien Leigh and Ingrid Bergman, Baron Thyssen from Switzerland, Jean Paul Guerlain seeking ingredients for his perfumes, and Queen Sophia of Spain on her honeymoon.<figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/2022110915114/636bb3679c7e80680e07bb3cjpeg.jpg" alt="" width="1500" height="945"><figcaption> </figcaption></figure><figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/2022110915114/636bb36a9c7e80680e07bb3djpeg.jpg" alt="" width="350" height="336"><figcaption> </figcaption></figure>My boss <a href="http://archive.nepalitimes.com/news.php?id=15828#.X1QrTC0w0Wo" data-saferedirecturl="https://www.google.com/url?q=http://archive.nepalitimes.com/news.php?id%3D15828%23.X1QrTC0w0Wo&amp;source=gmail&amp;ust=1599440236749000&amp;usg=AFQjCNFYAa3SrosbOCt-tzhahsQv5RyeoA">Jim Edwards</a> greatly admired Boris and helped him through many lean times as he struggled with a series of restaurants in Kathmandu, always strong on entertaining but light on commercial acumen. As I sat behind my blue painted desk in the <a href="http://archive.nepalitimes.com/regular-columns/So-far-so-good/back-to-Chitwan,1075" data-saferedirecturl="https://www.google.com/url?q=http://archive.nepalitimes.com/regular-columns/So-far-so-good/back-to-Chitwan,1075&amp;source=gmail&amp;ust=1599440236749000&amp;usg=AFQjCNGGGuZfftokdwTRGHtMBHYnpw4T9w">Tiger Tops</a> office, Boris would shuffle past in a gaudy short-sleeved shirt with a cheery wave, on his way to beg another loan from the soft-hearted Jim.‘He was a terrible businessman, he didn’t think about money at all,’ bemoaned Inger. Boris himself said: ‘I always spent just about a little bit more than I made’. Disasters over the years included trout, pig and vegetable farming, peach wine, and the failed mahua flower liquor business, which landed him in prison for a couple of months for non-payment of royalties.Restaurants came and went, located in Dilli Bazar, Darbar Marg and his Yak &amp; Yeti Restaurant in Lal Durbar which had opened in 1970 (now the <a href="https://www.nepalitimes.com/review/a-new-chimney/" data-saferedirecturl="https://www.google.com/url?q=https://www.nepalitimes.com/review/a-new-chimney/&amp;source=gmail&amp;ust=1599440236749000&amp;usg=AFQjCNF7FvH0Nw4GKuw2_-zUoyX7d8pFFg">Chimney Restaurant</a> in the <a href="https://www.nepalitimes.com/business/hotel-yak-yeti-celebrates-41st-year/" data-saferedirecturl="https://www.google.com/url?q=https://www.nepalitimes.com/business/hotel-yak-yeti-celebrates-41st-year/&amp;source=gmail&amp;ust=1599440236749000&amp;usg=AFQjCNGwNJcmlNnTxmeLoKYiDQwyl9EINA">Yak &amp; Yeti Hotel</a>). I was first taken there for my birthday in 1974, and my future husband Tenzin and I had our first date, crammed on the narrow window seats around the circular brass fireplace. I was mesmerised by the sophisticated choice of flavoured vodkas - lemon, pepper, and something green and not very nice, dill perhaps. The elaborate 1970s menu featured not only Russian favourites such as borscht and stroganoff, but snipe pate, guinea fowl marechale, smoked becki fish and quail’s eggs provided by Jimmy Roberts.And who were Nepal’s first tourists? In 1955 Boris persuaded the reluctant King Mahendra, newly succeeded to the throne on the death of his father Tribhuvan, to invite the first tour group arranged with Thomas Cook &amp; Sons in Calcutta. Consisting of ‘mostly old ladies from a cruise ship’, the narrative goes that the King was so impressed by their genuine enthusiasm for his country, delighted by Kathmandu culture and hoovering up handicrafts in the Royal Hotel shop, that he was convinced by Boris to embrace tourism for his emerging nation, ordering officials to arrange two-week tourist visas.<figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/2022110915114/636bb36b9c7e80680e07bb3ejpeg.jpg" alt="" width="300" height="413"><figcaption> </figcaption></figure>Since that day when Boris achieved this historic reversal and Nepal began to tentatively welcome visitors, tourism has become an essential core industry with consistent growth, climbing from none in 1951, to 6,000 arrivals in 1962 and 1.2 million last year – until coronavirus hit.

Lisa Choegyal

Nepal’s tourism now has to re-start from zero

The monsoon has got bad press because Nepal’s tourism operators actively told visitors to avoid <a href="https://nepalitimes.com/opinion/managing-the-monsoon?%2F">the rainy season</a>. It is time to change that. The reason can be found right here in the vast alpine meadows of Central Nepal where this time of year you can walk on velvet grass of pastures abloom with delicate pink, red and yellow flowers as the mist rolls up the valley. There is no sound except the hum of bumble bees. &nbsp;&nbsp; There are dozens of places across high Nepal called Chaurikharka, which means yak pasture. But this particular Chaurikharka in Rukum East located at an altitude of 4,000m stands out for its serene beauty, rustic charm and bucolic setting. There is just the occasional chime of <a href="https://nepalitimes.com/here-now/when-yaks-go-so-does-culture">yak bells</a> in the distance, and the sharp whistle of herders corralling sheep. &nbsp;&nbsp; The grass shoots are so fragile that one hesitates to step on them, the rounded ridges appear and quickly vanish in waves of mist. With the<a href="https://nepalitimes.com/here-now/before-the-next-monsoon"> arrival of monsoon</a>, these meadows are a soothing shade of green dotted with millions of <a href="https://nepalitimes.com/review/the-anatomy-of-a-flower?%2F=">multi-coloured flowers</a>. Until very recently, it took a week or so to hike up to places like Chaurikharka, but with the expansion of the road network even to these far-flung mountains in the lap of Dhaulagiri, they are much more accessible. It is just a three-hour uphill from the Mid-Hill Highway on the border between Baglung and Rukum East.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250802130828_a0b06b494d751b2144ffbbf10894ea64b29e8aed844bc8c66171783abfaf4e16.jpg" data-media-id="editor_4" data-image-id="20250802130828_a0b06b494d751b2144ffbbf10894ea64b29e8aed844bc8c66171783abfaf4e16" data-rendition-name="original" width="2048" height="1365" loading="lazy" alt="Visit Nepal in the monsoon"> </figure>  Purists would say that such easy access devalues the sanctity of these remote high meadows, but it also means more people will be moved to treasure the experience, appreciate <a href="https://nepalitimes.com/banner/natures-fragile-gift-to-nepal">the value of nature </a>so they can take steps to protect it.&nbsp; To be sure, the <a href="https://nepalitimes.com/here-now/deadly-monsoon-in-nepal-turns-deadlier">monsoon season can be challenging for road travel</a>. The roads are rough even at the best of times, and in the monsoon they become muddy and treacherous, often blocked by<a href="https://nepalitimes.com/news/monsoon-deluge-in-nepal"> landslides</a>. But that could be precisely the kind of adventure that the more intrepid visitors crave. Improved road connectivity has already made Chaurikharka and places like Badimallika &nbsp;and other sacred lakes in the mountains of western Nepal popular with domestic tourists. What is driving this traffic is the urge to go to exotic new places and share videos and selfies on social media. Several of Nepal’s travel vloggers have visited Chaurikharka and popularised the place, enticing followers on TikTok or YouTube to retrace their footsteps. But even as they become more popular, these fragile and once-remote places should be protected from over-tourism.&nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250731110736_f97110b7cdc3e7f80d5877690948fc9f4c95a09c583deb23b07355491e6c5446.jpg" data-media-id="editor_8" data-image-id="20250731110736_f97110b7cdc3e7f80d5877690948fc9f4c95a09c583deb23b07355491e6c5446" data-rendition-name="original" width="1083" height="699" loading="lazy" alt="Visit Nepal in the monsoon NT"> </figure>  <h2>INCREASING FOOTFALL</h2> Chaurikharka is located in Bhume Rural Municipality of East Rukum, near the scenic valley of Dhorpatan in Baglung district. Even in the <a href="https://nepalitimes.com/banner/monsoon-culture">middle of the monsoon</a>, there is a steady stream of Nepali hikers trooping to these high pastures – especially during festival days like Saune Sankranti which this year was on 17 July and actually marks the auspicious beginning of the monsoon here. “This year the rains have not been as heavy and there have been some clear mornings when we could see everything from Dhaulagiri to Machapuchre,” says Khageswar Bhandari, who trekked up here from the road. “The flowers, the greenery and the snowy mountain views make this an incredibly unique place.”&nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250802130824_1b9e26f2e9853fdfe69154bb42a7c9ea6da4bf4940efc1da99b304dcfbd7d3d9.jpg" data-media-id="editor_10" data-image-id="20250802130824_1b9e26f2e9853fdfe69154bb42a7c9ea6da4bf4940efc1da99b304dcfbd7d3d9" data-rendition-name="original" width="2048" height="1152" loading="lazy" alt="Visit Nepal in the monsoon"> </figure>  Chaurikharka is worthwhile to get to in any season, but it has a different charm during the monsoon. Word has spread and because it is now easy to get to from Baglung or even Pokhara, people have been flocking here.&nbsp; “Holidays and Saturdays see the largest crowds, with up to 500 visitors every day,” says ward chair Mankaji Pun of Bhume.&nbsp; There was a time not too long ago when local herders brought sheep, goats, cows, buffaloes, horses, and mules to graze here during the monsoon. Although there are still livestock around, animals have been replaced by visitors taking selfies. Read also: <a href="https://nepalitimes.com/here-now/the-monsoon-and-nature-s-arithmetic">The monsoon, and nature’s arithmetic</a>, Tom Robertson Ward Chair Pun says infrastructure development is his main priority. A foot trail to Chaurikharka was built last year by the Tourism Division Office in Kohalpur, but access via the Raniwas-Koipa road section still remains challenging.&nbsp; “If we get more budget, we can improve the road and facilities to make Chaurikharka the main tourist attraction of this region,” says Bhume Municipality Chair Hom Prakash Shrestha. “After that, we hope to promote Chaurikharka as a top tourist spot.”&nbsp; Economic activity is also picking up with the arrival of visitors, but there seems to be a need to manage the makeshift sheds made of corrugated sheets that spoil the beauty of the place. Tea shops and lodges are also available but facilities are basic. Kuldeep Neupane took a three-day trip from Ghorahi in Dang to visit Chaurikharka recently, and says: “This is an ideal trip to make a quick getaway and let nature recharge your mind and body. And it is much more fun with a tent, to watch the sunrise over the Himalaya or the mist blowing in.”

Visit Nepal in the monsoon

Two weeks ago, Prime Minister KP Sharma Oli announced jubilantly on social media that Nepal had achieved a historic annual growth of 81.8% in exports. He was right. Nepal’s trade did take a great leap forward compared to last year. But the dramatic rise was mainly due to processed soya bean oil.&nbsp; However, Nepal does not produce the edible oil it exports. In fact, the soya and palm oil that make up 44% of total exports are imported from Southeast Asia and South America, and simply re-exported, mostly to India.&nbsp; Under the SAFTA (South Asian Free Trade Area) Agreement, Nepal can export products to India duty-free if it has at least 30% value-added. Nepal’s traders have taken advantage of SAFTA even though the edible oils they export do not reach that value addition threshold. “The 30% value addition requirement is often only on paper,” says former commerce secretary Purushottam Ojha. “It is clear that simply packaging edible oils in Nepal does not fulfil the terms of the trade agreement.” Prime Minister Oli is aware of this, and even called Nepal’s export figures “fake” at an earlier event. The government is relying on other iffy figures to suggest that Nepal’s economy is strong and getting stronger. For example, the value of imports rose by 13.25% in 2024-25 compared to the previous fiscal year.&nbsp; Some of it was due to a jump in electric vehicle imports worth Rs 31.76 billion, but mostly it was because more wholesale soya oil was imported to be re-packaged and sold in India. The very fact that the government boasts about increased imports is an indication of how much it relies on taxing them for revenue. Touting such trade figures cannot be the basis to claim an economic rebound.&nbsp; “A jump in the value of imports can be interpreted as an increase in purchasing power, but it is not evidence of a stronger economy,” says economist Keshav Acharya. “Even though imports have increased, Nepal's domestic production and productive capacity have not improved.” Nepal Rastra Bank's semi-annual economic activity study report shows that industrial production was down in the first six months of the last fiscal year. This despite an increase in the number of new industries registered and investment commitments. Out of the Rs70.2 billion proposed foreign investment, Nepal received only Rs17.9 billion last year.&nbsp; Meanwhile, the rate of capital formation was limited to 24% last year, which is lower than the year before, suggesting that new investment, job creation and economic expansion all declined. If domestic production does not improve in relation to this year’s inflated trade figures, the outflow will put pressure on foreign exchange reserves like it did three years ago. At that time, Nepal borrowed from the IMF under its Extended Credit Facility Program to kickstart the economy.&nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2025080710084_2cdaaa5795828c4a7de93a0604ba884ef0a8b8f24cccd939f6c24e279ab6058f.jpg" data-media-id="editor_0" data-image-id="2025080710084_2cdaaa5795828c4a7de93a0604ba884ef0a8b8f24cccd939f6c24e279ab6058f" data-rendition-name="original" width="1633" height="723" loading="lazy" alt="Nepal's bubble economy NT"> <figcaption>Source: NEPAL RASTRA BANK</figcaption> </figure>  The macroeconomy is on firm footing with foreign exchange reserves at a comfortable Rs2,520 billion in May, up 23% from last year. This was largely due to remittances, and partly due to a falling NPR exchange rate. Real estate transactions and the stock market index have also been climbing as a result of government policies to revive the sector.&nbsp; However, former executive director of Nepal Rastra Bank Nar Bahadur Thapa cautions: “This is not organic growth, it is the result of deliberate policy decisions to relax rules on real estate and stock markets transactions.” In reality, the sharp rise in land prices have increased the cost of production, and excessive monetisation of the real estate has become the main source of Nepal’s economic woes. The central bank has announced a slew of new policies, shifting the terms of loan repayment for industrialists and entrepreneurs, reducing interest rates, and injecting more working capital — all designed to inject adrenaline into the real estate and stock market sectors.&nbsp; When he was governor, Mahaprasad Adhikari made several financial reforms during the latter half of his tenure to stimulate the economy, including tightening credit flow.&nbsp; By the last fiscal year, additional financial reforms had resulted in a credit expansion rate of around 8%. As the pace of credit expansion slows, real estate prices have started to fall. This is actually beneficial to the economy, because it lays the foundation for improvements in land-related entrepreneurship, production, and the construction sector. Just because real estate and the stock market transactions increase, it does not indicate an economic turnaround — especially when manufacturing and productive sector continues to languish.&nbsp; “It is foolish to believe that real estate and the stock market have magically revived our economy. Agriculture employs more than half of the population, but it is in decline. Investment in the productive sector has not increased, and job creation has not increased.” Two years ago, Nepal’s industrialists, business leaders, and political leadership predicted a recession amidst a sluggish business, declining market demand, large-scale job loss, and a shrinking real estate and share market.&nbsp; Still, the economy grew by 3.36% in fiscal year 2023/24. In fact, Nepal’s economy has grown nominally over the last two decades even when all sectors of the economy are in decline.&nbsp; Says Keshav Acharya: “The growth in trade, real estate, and the stock market are bubbles. The real economy remains stagnant.”

Nepal’s bubble economy

The final investigation report on the crash of a Saurya Airlines jet on 24 July 2024 at Kathmandu airport has revealed flaws in the carrier’s technical operation procedures, poor monitoring by the Civil Aviation Authority of Nepal (CAAN) and gaps in the airport’s emergency response. Eighteen people including a child were killed, and only the captain survived as the plane plunged seconds after takeoff, crashing within the airport perimeter. This was the latest in a series of aircraft accidents in previous years, and further tarnished Nepal’s already poor aviation safety record and contributed to the country being retained in the EU’s air safety list. &nbsp;&nbsp;&nbsp; The circumstances in the Saurya crash were different from the Yeti Airlines crash in Pokhara in January 2022 that killed all 72 on board, and two Tara Air crashes in February 2016 and May 2022 on approach to Jomsom that together claimed 45 lives. However, all four tragedies were a result of negligence of carriers and crew, failure to follow procedures, regulatory slackness, and overconfidence. The Saurya crash, especially, was a glaring example of how an ailing airline broke its own rules to allow passengers, including non-employees, a joy ride to Pokhara on a maintenance ferry flight. CRASH REPORT The Final Investigation Report prepared by the Aircraft Accident Investigation Commission and released on the first anniversary of the crash last week carried a long list of rules that were ignored or broken, and of regulatory failure. The first mistake was to cram spares, tools and inflammable chemicals needed for the aircraft’s C-Check in Pokhara into the cargo hold flouting its own ground handling procedures.&nbsp; There was no check-in of passengers, some of whom were not even employees – even though regulations say only flight and maintenance crew should be on board a maintenance positioning flight. Many brought their own luggage into the plane and stored it unsecured in the cabin. There was no flight attendant to give a safety briefing to passengers. The load and trim charts given to the flight crew were rough estimates, and the total takeoff weight of the plane was 18,300kg plus or minus 200 kg. That would still have been all right, but there was a glaring mistake in the speedchart Saurya pilots were using to calculate the minimum takeoff speed (known as VR), and it had been wrong ever since the 21-year-old aircraft entered service with the airline in 2017. FAULTY DATA&nbsp; The Commission probed Flight Data Recorder inputs from previous takeoffs of the Canadian-built CRJ200-LR in 2023-2024 and found that the undetected error in the speedchart had caused the plane to pitch up at an abnormal rotation rate at least 18 times on previous takeoffs.&nbsp; Any rotation rate more than 3°/sec is regarded as unusual. But on at least two occasions, this aircraft with tail number 9N-AME had rotation rates of 5.8°/sec and 5.5°/sec, the second one was when the pilot who survived was flying in March 2024.&nbsp; On this particular day, the plane’s rotation rate was 6.5°/sec, causing it to go into a deep stall soon after takeoff, the Commission report said. Essentially, the plane was not flying fast enough down the runway to take off safely.&nbsp; It is not yet clear whether excess weight, unsecured luggage, wrong centre of gravity were also factors, but relying on a faulty speedchart for the given takeoff weight, the captain flying pulled back on the yoke before the plane had reached takeoff speed and at a pitch angle that was too steep. The investigation report says the plane then went into a deep stall and started banking right with the stick shaking. At this point, the flight officer on the right hand seat is heard on the cockpit voice recorder saying: “Whoa, whoa, whoa. Sir, Sir, Sir…” It then banked left before the pilot flying turned the plane sharply to the right again in an evasive action to avoid the parking aprons of the international and domestic terminals. Had he not done so, there would have been a disaster of a much greater magnitude at Kathmandu airport that day. The plane scraped the runway with its right wingtip, collided with a container having helicopter spare parts, and plunged into a gully east of the runway, exploding in a fireball. The investigation also noted that the impact forces seemed to be survivable for some occupants. The fire trucks took unnecessarily long to reach the site even though it was inside the airport perimeter. The absence of an ICAO-standard runway strip, inadequate rescue drills, lack of training, and a blocked emergency service gate leading to the crash site were cited as other factors. &nbsp;&nbsp; <h2>Timestamp of a Disaster</h2>  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250731110724_39cdd04693994ce6e55a5b302905c0fa4884fe85bed21ff0779bb1439f3a5725.jpg" data-media-id="editor_0" data-image-id="20250731110724_39cdd04693994ce6e55a5b302905c0fa4884fe85bed21ff0779bb1439f3a5725" data-rendition-name="original" width="778" height="826" loading="lazy" alt="Flouting rules caused Saurya tragedy NT"> </figure>  11:10:34 - The Saurya Airlines CRJ200 on the takeoff roll from runway 02. It had a takeoff weight of about 18,300kg, but the pilot’s speedcard had a previously undetected mistake about the minimum takeoff speed. 11:10:55 -The plane with tail number 9N-AME goes into deep stall soon after takeoff because it does not have enough speed to lift its weight. The plane also has an abnormally steep nose-up attitude.&nbsp; 11:11:03 - Without enough speed to generate lift, the plane banks right, then left and right again in CCTV photos taken from the domestic apron (below). If it had not banked right, it could have hit the aprons and terminal buildings. Seen parked is Saurya’s other CRJ200 with tail number 9N-ANM.&nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250731110732_608132f7225c649125cca2691dd6a6bf930984c5b359e888d7ad9e5eacce3afd.jpg" data-media-id="editor_1" data-image-id="20250731110732_608132f7225c649125cca2691dd6a6bf930984c5b359e888d7ad9e5eacce3afd" data-rendition-name="original" width="770" height="555" loading="lazy" alt="Flouting rules caused Saurya tragedy NT"> </figure>  11:11:08 - The plane scrapes the runway with its right wingtip, and falls into the gully. The captain is thrown off the left side of the cockpit and survives. 11:11:15: Plane explodes in a fireball inside the airport perimeter. Firefighters take time to reach the site because of lack of access road and a blocked gate. Read the full investigation report <a href="https://www.tourism.gov.np/files/9N-AME%20AIC%20Final%20Report.pdf">here</a>.

Flouting rules caused Saurya tragedy

American artist Peter Makela was in Nepal in 2022 on a Fulbright scholarship when he experienced the Matya festival in Patan in which devotees made the rounds of the city’s shrines.&nbsp;
He joined the procession, walking through 2,600 stupa and 140 bahal of the town. That immersion left a lasting impression.
As part of Gallery Mcube’s international residency program in Patan, he put his inspiration to canvas in the exhibition Yala Yatra: Walking, Working, Worshipping. The exhibition also coincides with this month’s Matya festival.&nbsp;
Makela has visited Nepal often in the past 11 years but he mostly stayed in and spent his time around Boudha. “This time I stayed in Patan, put the sites I wanted to visit on my map, and off I went,” he tells us. “Each of my artwork is inspired by the stupas and shrines in Patan that I visited.”
The stupa and Ganesh are recurring motifs in his watercolours, and the elephant gods are located in chaityas — reflecting the interplay and blending of the Hindu and Buddhist faiths in Kathmandu Valley.&nbsp;
The stupas and Ganesh are painted in vivid red, yellow, blue and green against abstract backgrounds meant to represent the sky.
“I use the sky as a backdrop because the sky has no border,” says Makela. “The four colours represent the four elements, the different Buddha families and also lights bouncing off of a rainbow.”
The use of just four colours for all the artwork stands out, and combined with the absence of heavy canvases, frames or stands render Makela’s art striking in its simplicity.&nbsp;
The Ganesh is always holding something and the art also portrays the elephant god’s sacred vehicle, the mouse.
While his vibrant stupas and Ganesh reflect the tangibility of Patan’s tradition and heritage, it is as if the backdrops with their shades of grey and red and yellow capture the soul of the city’s shrines.
“If you look closely, there is a sense of form and formlessness at the same time,” he says.&nbsp;
Makela walked 108 kora around the shrines during his exploration of the town, and in the process developed a spiritual connection with Patan’s heritage and traditions.&nbsp;
The exhibition connects with visitors on a deeper, more spiritual, level as well. And with it, they feel a sense of pride as well as the need to urgently preserve Patan’s heritage for future generations.
“Peter’s inclination and approach towards Nepali art and culture is fascinating, and it reflects in his work,” says Mcube curator Manish Lal Shrestha, whose international artist residency program promotes Nepal’s cultural heritage. &nbsp;&nbsp;
Yala Yatra: Walking, Working, Worshipping
1-5 August&nbsp;
10AM-7PM
Gallery Mcube, Patan

covid-19-coronavirus

Photo Kathmandu in a new avatar

Nepal’s tourism now has to re-start from zero

Visit Nepal in the monsoon

Nepal’s bubble economy

Flouting rules caused Saurya tragedy

Walking, working, worshipping in Patan