<img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221108131144/636a4f899c7e80680e04fd11jpeg.jpg" alt="" width="1920" height="1080"/>https://www.youtube.com/watch?v=byB2UFWlCs4&amp;feature=youtu.beWhen actress, fashion designer and, more recently, the director of her debut film #Horror, Tara Subkoff, popularised the term ‘upcycling’, she may not have known that she was launching a new fashion trend. Even in faraway Nepal.Young, idealistic Nepali social entrepreneurs may have borrowed the word, but they have gone beyond the world of fashion to craft items for everyday household use repurposed from products that would otherwise be discarded at landfill sites. The idea is not just to be trendy and smart, but also to address growing environmental concerns among customers about garbage, pollution and consumerism.In this centrefold, Nepali Times profiles some companies that have upscaled upcycling to a whole new level.<h2>Shailee Crafts</h2><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221108131144/636a4f8c9c7e80680e04fd12jpeg.jpg" alt="" width="1080" height="1350">PHOTOS: SHAILEE CRAFTSAfter water buffaloes are converted into momos, their innards are often discarded by the banks of Kathmandu’s rivers, where kites, crows and dogs pick at them, while their bones are ground into powdered <a href="https://www.nepalitimes.com/banner/getting-our-shit-together/" target="_blank" rel="noopener">fertiliser</a>.But lately, some of the horns and bones are collected from butcher shops and taken to <a href="https://www.youtube.com/watch?v=SG-de1eofhM&amp;t=9s&amp;fbclid=IwAR01xSi7CBBWUnHIHBQ_4KNnc1xArLG-P0BHnDz0ZOhmVzw1OH6Re_kojZ0" target="_blank" rel="noopener">Shailee Crafts</a>, where they are turned into carved figures, pendants and buttons.Shailee was set up by the father of Success Dhamala and his brother Shailesh to make handicraft items that had a strangely Polynesian look. In 2013, years after their father’s shop went out of business, Success and Shailesh revived the business to sell modern items with ethnic designs, made from natural and sustainable materials.Their raw material of choice: buffalo horns and bones. The raw materials are gathered, cleaned, cut, shaped and carved by the steady hands of local artisans, who use traditional Nepali tools to fashion intricate Maori designs like the Pikorua (twist), Toki or Hei-Matau (fish hook). Buttons and statues are made with keen attention given to minute details, each ridge and curve carved with precision.<img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221108131144/636a4f8e9c7e80680e04fd13jpeg.jpg" alt="" width="640" height="800"><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221108131144/636a4f919c7e80680e04fd14jpeg.jpg" alt="" width="1080" height="1620"><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221108131144/636a4f949c7e80680e04fd15jpeg.jpg" alt="" width="640" height="800">Shailee Crafts also makes pendants based on Game of Thrones themes, with the sigils of House Stark, Targaryen and Greyjoy. And beyond the traditional Pacific or pop culture designs, the brothers also turn buffalo bones into quirky buttons with geometric cutouts and unorthodox patterns.<img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221108131144/636a4f969c7e80680e04fd16jpeg.jpg" alt="" width="1080" height="1350"><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221108131144/636a4f999c7e80680e04fd17jpeg.jpg" alt="" width="1080" height="1080"><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221108131144/636a4f9c9c7e80680e04fd18jpeg.jpg" alt="" width="720" height="900">Although upcycling bones and horns is new to Nepal, pendants made from carved bones have been an integral part of Polynesian and Maori culture for centuries. Leftover bones from animals have been used to create traditional jewellery, like fish hook pendants, or hunting tools, like spears.“When we first started using buffalo bones for pendants, we were just following what they do elsewhere, but we realised we were also reducing <a href="http://archive.nepalitimes.com/news.php?id=15234#.XTBlpfIzbIU" target="_blank" rel="noopener">Kathmandu’s waste </a>by upcycling,” says Success Dhamala.<img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221108131144/636a4f9f9c7e80680e04fd19jpeg.jpg" alt="" width="1080" height="1080">Prayer beadsShailee Crafts uses natural products like hemp and recycled fabric for the buffalo bone necklaces, adding a modern feel to traditional Tibetan prayer beads and ensuring that horns and bones do not come from buffaloes that have been sacrificed.The store also conducts weekly carving workshops on Sundays, where visitors can hone their skills carving horns with traditional tools.<h2>Lahana Paper Crafts</h2><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221108131144/636a4fa19c7e80680e04fd1ajpeg.jpg" alt="" width="193" height="257"> PHOTOS: LAHANA PAPERPaper makes up 9% of Kathmandu’s household waste and 23% of commercial waste. Although discarded in landfills, much of this is actually recyclable.Co-Founder Ramita Maharjan first got the idea for Lahana Paper Crafts while an undergrad at Kathmandu University. She learnt to turn discarded paper into baskets and jewellery, and today, the company employs women and reduces paper waste in the city.At Lahana, newspapers, magazines, school books, invitation cards, calendars, brochures and comic books are transformed into colourful earrings, necklaces, bracelets, pens, even laundry baskets. Discarded paper is gathered and shredded into strips, and rolls of paper are turned into ‘beads’ and attached to metal pieces, or woven into baskets.The work is done by local women, who sit in a circle chatting away as their nimble fingers skilfully weave rolls of paper around waste baskets or cut up old magazines and newspapers faster than a machine. Maharjan makes sure that the women are paid well and given meals and transportation fees.<img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221108131144/636a4fa49c7e80680e04fd1bjpeg.jpg" alt="" width="1242" height="1191"><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221108131144/636a4fa79c7e80680e04fd1cjpeg.jpg" alt="" width="1242" height="1164">Like any other upcycling business, Lahana Paper Crafts also faces difficulties in convincing customers to buy its products. Many in Kathmandu still doubt the durability of the products, even though they are sturdy. Besides, it is the thought of being less wasteful that counts.Today, Lahana has buyers from all over Nepal and even abroad. Maharjan also holds workshops to train people interested in making paper accessories.She adds, “Our products are becoming more popular because they are handicrafts and they help manage paper waste.”<h2>Taalo</h2>When clothing items like saris, t-shirts, kurtas and shawls are made, unused fabric is just thrown away. Sujhan Ghimire set up Taalo to repurpose these scraps into wearable fashion items. He designs all the products himself and has curated a line of brightly coloured ties and bow-ties, scrunchies, headbands and scarves, all within the Rs120-200 price range.From silks to chiffons and Lycra to cotton, Taalo’s products are made from a variety of available and usable fabric.To reduce fabric waste, the business has also partnered with textile factories, clothes manufacturers and even tailors to upcycle and recycle their scrap.<img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221108131144/636a4faa9c7e80680e04fd1djpeg.jpg" alt="" width="758" height="1132">PHOTO: ABHILASHA SHRESTHAAt first, Ghimire found it hard to convince consumers to buy his products. Many were sceptical about upcycling and believed the products were made from used clothes. After an awareness campaign to explain that the fabrics were never worn, sales boomed.Now in its second year of operations, Taalo has a consumer base that runs from teenagers to environmentally-conscious adults. The company’s popularity is also a result of growing consumer consciousness among Kathmandu citizens, who see a lot of trash lying about. People are becoming more aware of sustainable alternatives to products that they want to buy.<img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221108131144/636a4fac9c7e80680e04fd1ejpeg.jpg" alt="" width="1000" height="1334">PHOTO: TAALOGhimire’s venture is not only environmentally conscious, but also socially aware. The <a href="http://archive.nepalitimes.com/news.php?id=12487#.XTBm__IzbIU" target="_blank" rel="noopener">Kamlari </a>women from Nepalganj who manufacture Taalo’s products are paid an extra Rs2 for every product that they make, in addition to their daily wages.“People are becoming more aware about what they are spending money on and where the products come from,” Ghimire explains. “At Taalo, they can buy things they want knowing that they are helping both women from underprivileged backgrounds and the environment.”Ghimire says he now wants to expand Taalo’s upscaled product line to include bracelets and even backpacks.<h2>Tatwa</h2>In the last fiscal year, Nepal imported 10 million bottles of alcohol. While some of them are recycled, many cannot be rebottled in Nepal and end up as shards of glass on the banks of rivers and around <a href="http://archive.nepalitimes.com/article/nation/recycle-reuse-reduce-garbage-kathmandu,1279" target="_blank" rel="noopener">landfill sites</a>.Doko Recyclers has been collecting garbage house-to-house in Kathmandu to covert organic waste into fertiliser and recycle other material. Now, it has launched a new brand for upcycled products called Tatwa, which takes unrecyclable imported beer, wine and liquor bottles and converts them into candle holders, drinking glasses, tumblers, glass containers and even toothpick holders. Tatwa has so far repurposed over 6,000 imported bottles collected from households, restaurants and hotels around the country.Discarded bottles are first thoroughly cleaned and sterilised before being cut down by industrial machines. Then comes the time-consuming, labour-intensive sanding and finishing phase to give the products a smooth texture. With Tatwa’s minimalistic and logoless designs, the finished products barely resemble the alcohol bottles they once were.<img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221108131144/636a4faf9c7e80680e04fd1fjpeg.jpg" alt="" width="4142" height="3100"><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221108131144/636a4fb29c7e80680e04fd20jpeg.jpg" alt="" width="1444" height="960"><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221108131144/636a4fb59c7e80680e04fd21jpeg.jpg" alt="" width="1000" height="1500">Says Tatwa’s Shivani Saria, “We rethink each item considered to be waste, where it comes from, what its source element is and how a thoughtful recovery of those items would mean valuing the environment and understanding waste from a new perspective.”Tatwa means ‘element’ in Nepali, and Saria says the venture is all about focusing on the importance of understanding waste as a resource that has lost utility in its present form. Beyond blue and green-hued glass products, Tatwa is also working on items like metal straws, bamboo toothbrushes and reusable cloth bags. It hopes to create an entire range of sustainable upcycled products to replace objects of daily use.<img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221108131144/636a4fb89c7e80680e04fd22jpeg.jpg" alt="" width="1000" height="750">PHOTOS: TATWASaria says, “Recycling in Nepal is a new industry and there are not many recycling facilities, which is why we have to explore options in upcycling, turning non-recyclable and difficult to recycle <a href="http://archive.nepalitimes.com/article/nation/reusing-waste,1280" target="_blank" rel="noopener">waste </a>items into products that can re-enter the market. With upcycling, we reduce waste that would otherwise end up in the landfill with creative business ventures that also generate jobs.”<h2>Dhaasoo</h2>When Dhaasoo was established in 2015, no one in Kathmandu really knew what upcycling was. Four years later, Dhaasoo has changed the game for reusable utilities and home decor.Dhaasoo is Bollywood movie slang that roughly translates to ‘daami’ in Nepali or ‘awesome’ in English. Founder Nitesh Sharma wanted an attention-grabbing name to draw customers to a new concept. It worked.From glass bottles to cans, car parts and even cars, Dhaasoo has upcycled and sold them all. It has upcycled hookahs, lamps, planters, book shelves and even a desk made from an Eco Sport car.<img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221108131144/636a4fba9c7e80680e04fd23jpeg.jpg" alt="" width="562" height="562"><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221108131144/636a4fbc9c7e80680e04fd24jpeg.jpg" alt="" width="1080" height="1080">Dhaasoo works on one project a day, taking requests for customised products or selling in-house designs. Customers either arrive with a product concept in mind and guide the designers, or they simply ask the company to create something new. Many of the products are therefore literally ‘priceless’.“Our products don’t have price tags because everything is made to order,” Sharma explains. “We never know what the customer will request and what it will cost.”But while Dhaasoo is becoming popular, it is not what you would call mass market. Sharma still struggles to make people understand that just because a product is upcycled it is not always cheaper, as a lot of work goes into repurposing those materials.<img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221108131144/636a4fbf9c7e80680e04fd25jpeg.jpg" alt="" width="758" height="611">PHOTOS: DHAASOO<img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221108131144/636a4fc29c7e80680e04fd26jpeg.jpg" alt="" width="2554" height="1937">Read also: <a href="http://archive.nepalitimes.com/article/Nepali-Times-Buzz/Kathmandu-waste-management-problem-solution,1416" target="_blank" rel="noopener">Waste should not be wasted</a>, Bhrikuti Rai<a style="background-color: #ffffff; font-size: 15px; letter-spacing: 0.01em;" href="https://www.nepalitimes.com/business/return-to-nature/" target="_blank" rel="noopener">Return to nature</a>, Nepali Times<a style="background-color: #ffffff; font-size: 15px; letter-spacing: 0.01em;" href="https://www.nepalitimes.com/here-now/plastic-money/" target="_blank" rel="noopener">Plastic money</a>, Samuel Johns<a style="background-color: #ffffff; font-size: 15px; letter-spacing: 0.01em;" href="http://archive.nepalitimes.com/article/nation/making-money-from-garbage-in-kathmandu,2055" target="_blank" rel="noopener">Rupees from rubbish</a>, Sahina Shrestha

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Upscaling Upcycling

<figure><img width="800" height="1067" src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221108101144/636a25c59c7e80680e0439ddjpeg.jpg" alt=""/><figcaption>Photo: HANS HOFER</figcaption></figure>Communities in Kathmandu Valley’s historic towns have revived age-old traditions and craftsmanship to rebuild after every earthquake in the past. The disasters provided the opportunity to revitalise ancient art, architecture, traditional techniques for wood carving and metal work. Nearly four years after the 2015 earthquake monuments like the Patan Museum (above) are examples of Kathmandu Valley’s living heritage that attract pilgrims and tourists.Read also:<a href="https://www.nepalitimes.com/?p=21144&amp;preview=true" target="_blank" rel="noopener">Learning from Nepal's past to rebuild its future</a>, Prakriti Kandel<a href="https://www.nepalitimes.com/here-now/deconstructing-reconstruction/" target="_blank" rel="noopener">Deconstructing reconstruction</a>, Alok Tuladhar <a href="https://www.nepalitimes.com/here-now/bhaktapur-shows-the-way-by-rebuilding-itself/" target="_blank" rel="noopener">Bhaktapur shows the way by rebuilding itself</a>, Suyog Prajapati<a href="http://archive.nepalitimes.com/article/Nepali-Times-Buzz/piece-by-piece-patan-darbar-square-reconstruction,3782/" target="_blank" rel="noopener">Piece by piece</a>, Sahina Shrestha<a href="http://archive.nepalitimes.com/article/Nepali-Times-Buzz/owning-our-past-heritage,3461" target="_blank" rel="noopener">Owning up to our past</a>, Sahina Shrestha<img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221108101144/636a25c89c7e80680e0439dejpeg.jpg" alt="" width="300" height="132">

Our past is our future

https://www.youtube.com/watch?v=csrbcdCBW4IIt has been nearly four years after the <a href="http://archive.nepalitimes.com/article/nation/Monumental-loss,2215" target="_blank" rel="noopener">2015 earthquake</a>, and media reports about reconstruction of damaged buildings is mostly negative: compensation is too little too late, it has not reached the neediest, and the process is too bureaucratic.Indeed, only a fraction of the 700,000 buildings destroyed have been rebuilt with government help. Since the money is not enough, families are building small sheds so they can receive their third tranche.Read also: <a href="https://www.nepalitimes.com/here-now/deconstructing-reconstruction/" target="_blank" rel="noopener">Deconstructing reconstruction</a>, Alok TuladharHowever, in Kathmandu Valley’s historic towns, communities have revived age-old traditions and craftsmanship to rebuild after the earthquake just like their ancestors did after every previous disaster. In fact, along with tourism, earthquakes have provided the opportunity to revitalise ancient art, architecture, traditional techniques for wood carving and metal work.<img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221108101148/636a25d39c7e80680e0439e3jpeg.jpg" alt="" width="300" height="132"/>“Earlier, it would not be possible to study the interiors of heritage structures, but the earthquake gave us the chance not just for building back stronger, but also for detailed research of how our ancestors knew about seismic resistant building designs,” says conservationist Alok Tuladhar.<figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221108101148/636a25d59c7e80680e0439e4jpeg.jpg" alt="" width="1400" height="786"><figcaption> </figcaption></figure>One of the most dramatic examples of this is the reconstruction of the three-storey <a href="https://archive.nepalitimes.com/article/Nepali-Times-Buzz/restoring-bhai-dega-temple-in-patan,4046" target="_blank" rel="noopener">Bhaidega Temple</a> in <a href="http://archive.nepalitimes.com/article/Nepali-Times-Buzz/patan-museum-updated,1304" target="_blank" rel="noopener">Patan Darbar Square</a>, which was razed in the <a href="http://archive.nepalitimes.com/news.php?id=5065" target="_blank" rel="noopener">1934 megaquake</a>, and had been rebuilt with a Moghul stucco dome. Reconstruction in the original Malla style had just begun 80 years later, when the 2015 earthquake struck.Nearby, the Char Narayan and Hari Shankar temples were reduced to rubble, and ancient pati (traditional rest houses) came down. Today, most of the damaged monuments have either been rebuilt or are covered in scaffolding (right).Leading Patan’s restoration work is the Kathmandu Valley Preservation Trust (<a href="http://archive.nepalitimes.com/blogs/thebrief/2017/04/26/story-of-a-temple-rising/" target="_blank" rel="noopener">KVPT</a>), which was supervising Bhaidega and other reconstruction even before the 2015 earthquake. KVPT’s architect Rohit Ranjitkar says the earthquake four years ago provided the opportunity to learn more about <a href="http://archive.nepalitimes.com/article/Nepali-Times-Buzz/In-perfect-harmony,3251" target="_blank" rel="noopener">traditional construction methods</a> so they could be revived.<img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221108101148/636a25d89c7e80680e0439e5jpeg.jpg" alt="" width="1400" height="933">In KVPT’s workshop in the Patan Darbar gardens, a dozen woodcarvers are busy with their chisels and mallets renovating damaged eaves and columns from the temples, and also carving new ones to replace missing originals. The descendants of famous artisans are carrying on their family professions and rebuilding after 2015, just like their forebears did after 1934, 1866, 1833 and other destructive earthquakes that struck Kathmandu Valley in the past.KVPT’s reconstruction philosophy is to retain as much of the original pieces as possible, so woodcarvers work carefully to graft pieces salvaged from the rubble, ensuring that the fresh carvings perfectly complement the darker brown hues of the original wood structure.<img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221108101148/636a25da9c7e80680e0439e6jpeg.jpg" alt="" width="1400" height="934">One of the carvers, Pratap Shilpakar, takes a break and tells us, “I feel honoured and proud to contribute to help preserve our heritage, and to repair these precious artifacts that were carved by my forefathers.” Shilpakar was working in his personal handicraft shop in Bhaktapur before being recruited by KVPT for the intricate task of repairing the originals.Off the 17th century Pimbaha Pukhu at Sulima Chok is a small temple where the four columns holding up the roof are from different centuries. Heritage expert Anil Chitrakar points them out: “Each of these columns are from a different era, recarved after every earthquake. Our ancestors knew how to improvise and rebuild as they went along.”To be sure, <a href="https://archive.nepalitimes.com/page/traditions-dying-off-in-patan-temple-courtyard-as-young-generation-leave" target="_blank" rel="noopener">not many young Newa people today are too keen</a> on taking up their ancestral profession of wood carving, which needs life-long devotion and instruction to master. However, after 2015 there is renewed interest in preserving the built environment and Kathmandu Valley’s intangible heritage. Says Chitrakar: "As long as there is a critical mass of artisans to take it to the next generation, the craftsmanship will survive."Shilpakar (whose surname means ‘craftsman’) admits he has learned more about ancient styles and techniques while reconstructing Patan’s monuments -- skills that he can incorporate into his handicraft business, now that tourism is on the rebound. Reconstruction has also been a financial boost for carvers after plummeting business post-earthquake.<img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221108101148/636a25df9c7e80680e0439e7jpeg.jpg" alt="" width="1400" height="934">Besides woodworkers, the earthquake also helped revive artisans who worked on bronze as they repaired the gajur pinnacles damaged in 2015. Masons and clay workers who specialised in traditional dachi appa bricks have also got new business after the earthquake.Studies prove that structures which had been maintained regularly before the quake suffered minimal damage. Conservation is therefore an ongoing exercise, and important not just for a regular flow of skills amongst artisans, but also safety in preparation for the <a href="https://www.nepalitimes.com/editorial/aint-seen-nothing-yet/" target="_blank" rel="noopener">next big earthquake</a>.KVPT’s Ranjitkar says, “We apply the principle of minimal intervention to improve safety features of buildings, because human life comes first. The damage in the 2015 earthquake gave us further insight about the weak points that we need to work to strengthen.”Read also:<a href="https://www.nepalitimes.com/here-now/bhaktapur-shows-the-way-by-rebuilding-itself/" target="_blank" rel="noopener">Bhaktapur shows the way by rebuilding itself</a>, Suyog Prajapati<a href="https://archive.nepalitimes.com/article/nation/kathmandu-monumental-rivalry,4209" target="_blank" rel="noopener">A monumental rivalry</a>, Om Astha Rai<a href="http://archive.nepalitimes.com/article/Nepali-Times-Buzz/piece-by-piece-patan-darbar-square-reconstruction,3782/" target="_blank" rel="noopener">Piece by piece</a>, Sahina Shrestha<a href="http://archive.nepalitimes.com/article/Nepali-Times-Buzz/owning-our-past-heritage,3461" target="_blank" rel="noopener">Owning up to our past</a>, Sahina Shrestha<h2>A tale of two cities</h2>Of the ancient kingdom towns of Kathmandu Valley, <a style="background-color: #ffffff; letter-spacing: 0.01em;" href="http://archive.nepalitimes.com/article/Nepali-Times-Buzz/piece-by-piece-patan-darbar-square-reconstruction,3782/" target="_blank" rel="noopener">Patan</a> and <a style="background-color: #ffffff; letter-spacing: 0.01em;" href="https://www.nepalitimes.com/here-now/bhaktapur-shows-the-way-by-rebuilding-itself/" target="_blank" rel="noopener">Bhaktapur</a>  have made the most progress in reconstruction because of the involvement of local communities and the activism of organisations like KVPT.It is in Kathmandu, the seat of the national government and led by a <a href="https://archive.nepalitimes.com/article/editorial/state-of-confusion-kathmandu-mayor,4094" target="_blank" rel="noopener">weak mayor</a>, where the progress in rebuilding monuments have been slowest. The government has waited four years to decide on the reconstruction of <a href="http://archive.nepalitimes.com/regular-columns/On-the-way-up/untie-the-knot-in-heritage-reconstruction,862" target="_blank" rel="noopener">Kasthamandap</a> and <a href="http://archive.nepalitimes.com/article/Nepali-Times-Buzz/on-queens-pond-rani-pokhari,4092" target="_blank" rel="noopener">Rani Pokhari</a>. It blundered in trying to rebuild them with concrete, ignoring traditional design styles.<a href="https://archive.nepalitimes.com/article/nation/kathmandu-monumental-rivalry,4209" target="_blank" rel="noopener">Rivalry among donors</a> like China and the United States which have vied for high-visibility reconstruction projects in Hanuman Dhoka and Darbar School have also put additional pressure on the municipality.<img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221108101148/636a25e39c7e80680e0439e8jpeg.jpg" alt="" width="1400" height="786">Patan heritage activist Ram Prasad Amatya, 80, shakes his head comparing his town with Kathmandu: “After four years, the Rani Pokhari and the temples in Kathmandu are still in ruins. The central government has no love or ownership for our heritage.”In stark contrast, Patan has not just rebuilt inner-city tanks like Pimbaha Pukhu, but the reconstruction has revived the entire neighbourhood, attracting new <a href="http://archive.nepalitimes.com/article/nation/Heritage-homes-in-Kathmandu,3400" target="_blank" rel="noopener">homestay tourists</a> and giving locals an open space with a relaxing ambience.Says heritage activist Alok Tuladhar: “Whatever has worked in post-quake reconstruction in Patan or Bhaktapur have been achieved by local communities. The national government has bungled everything it has tried to push in Kathmandu.”<h2>Dharma Bajracharya's dharma</h2>Woodcarver gradually recovers his trade after the hard challenges of the 2015 earthquake<figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221108101148/636a25e69c7e80680e0439e9jpeg.jpg" alt="" width="1400" height="933"><figcaption> </figcaption></figure>Despite new tools and automation, Nepal’s artisans have gone back to <a style="background-color: #ffffff; letter-spacing: 0.01em;" href="https://archive.nepalitimes.com/article/Nepali-Times-Buzz/a-craving-for-carving,3637" target="_blank" rel="noopener">traditional methods to rebuild monuments</a> destroyed and damaged in the 2015 earthquake.In the Chwechhen neighbourhood of Patan, detailed carvings adorn almost every piece of architecture. A crumbling old temple in the square has now been lovingly and painstakingly restored to its former glory, using old techniques, raw materials and tools.Dharma Dutta Bajracharya (pictured, above) is one of the woodcarvers, and has been chiselling figures of deities into wood since he started as an apprentice to learn the craft from his father at age 13.Woodcarvers like Bajracharya lost much of their business when the earthquake and Indian Blockade reduced tourist traffic to a trickle. Luckily, the disaster turned out to be boost because of the demand for reconstruction using traditional techniques that generations of <a href="https://archive.nepalitimes.com/regular-columns/half-full/relearning-build-better,1118" target="_blank" rel="noopener">woodcarvers</a> have passed down to the present day.The eldest of four brothers in his family, 43-year-old Bajracharya’s upbringing was tough. “Money was tight so you either learnt the trade or you went to school, not both,” he recalls. He was the only brother interested in <a href="http://archive.nepalitimes.com/article/Nepali-Times-Buzz/training-woodcarvers-to-restore-the-future,3586" target="_blank" rel="noopener">woodcarving</a>, but he now fears that these skills will end with his generation because his son is not interested in carving.Bajracharya says these are skills that you cannot just be trained for, they need to be learned from a very young age. It is not just the skill and craft, he adds, but a whole culture of devotion that imbues a piece of wood with divine attributes.Younger children in the neighbourhood now wear smart uniforms and go off to school every morning. Few have time to learn the old crafts, and it is not taught in school. Bajracharya admits he wants his son to be happy, and perhaps it is just as well he does not get encumbered with a dying profession.But despite the difficulties, Bajracharya still takes great pride in his profession and it shows in his craftsmanship. “I’ve done this for 30 years, and the carvings on the reconstructed monuments will be passed down for the next generation to enjoy.”With all the rebuilding around the corner, and Visit Nepal Year 2020 reviving hopes of tourism, Bajracharya has reason to be hopeful.Taylor Mason<h2>Heritage hotel</h2><figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221108101148/636a25e99c7e80680e0439eajpeg.jpg" alt="" width="1400" height="934"><figcaption> </figcaption></figure>Earthquakes may have preserved Kathmandu Valley’s culture in the past, but recent times it was tourism that kept the craftsmanship alive. One of the prime examples of this is <a href="http://dwarikas.com/" target="_blank" rel="noopener">Dwarika’s Hotel</a> in Kathmandu that is more like a museum of Newa devotional art than a hotel.At the peak of Kathmandu Valley’s heritage destruction in the 1970s, founder <a href="http://archive.nepalitimes.com/news.php?id=1181#.XFwC5FUzaUk" target="_blank" rel="noopener">Dwarika Das Shrestha</a> roamed the city streets salvaging carved windows, columns and eaves. As the city itself turned into concrete, Shrestha embedded the priceless elements into a new hotel that started in 1977. Today, the award-winning hotel is an example of how tourism can help preserve heritage.Shrestha also employed local artisans to carve extra windows and doorways and thus kept the <a href="http://archive.nepalitimes.com/article/nation/rebuilding-temples-a-chance-to-creat-jobs-and-to-revive-woodcarving-industry%20,2347" target="_blank" rel="noopener">tradition of woodcarving</a> alive. Along with collected woodwork, carpenters created the hotel’s furniture, traditional brick-making skills were used for terracotta work.  Today, many more Kathmandu hotels, even private residences, have emulated the Dwarika’s model of preserving traditional motifs.

Learning from Nepal's past to rebuild its future

https://youtu.be/nre0aIvVYw8Champa Devi Tuladhar loves knitting socks so much that at 76, she wakes up at four in the morning and gets to work. Having learned the skill from her sister at age 8, she has knitted consistently throughout her life. Tuladhar’s hands are never idle, as she knits away to prepare her grandchildren for the coming winter.Lorina and Irina Sthapit grew up wearing those socks. And since they were always close to their grandmother, the sisters understood their grandmother’s love for knitting and wanted to share her socks with the world.They founded <a href="https://www.ajisproducts.org">Aji’s </a>(grandmother in Newari) where six elderly makers are hard at work, creating a range of hand-made products from traditional pouches, to replicas of famous temples, bracelets and puja sets.“We were inspired by our grandmother to start with, but realised that everyone from her generation has some unique skill to offer, which is backed up by years of experience.” Lorina Sthapit said. With six makers and five more ready to start, Aji’s seeks to expand and involve more grans (there is one grandfather so far).Gyani Laxmi Manadhar, 91 is the latest addition to Aji’s team, and is the most elderly member. She makes traditional Newari pouches called mheechas. She is jovial and energetic, and imaginative.“I cannot move around much, but by closing my eyes, I can get to anywhere in the world,” she says with a beaming smile.<figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221107171112/63692f089c7e80680e03c084jpeg.jpg" alt="" width="1400" height="933"/><figcaption>91-year old Gyani Laxmi Manandhar making traditional Newari pouches called mheechas. All Photos: Monika Deupala</figcaption></figure>Manandhar receives scraps of discarded materials from tailoring shops, and selects the fabric to create pouches of diverse patterns and colors. She has a methodical step-by-step process.“These are my riches and my own little factory,” she says, pointing to her scissors, cloth, and the finished products. She used to make meechas as a hobby and gave them away as presents to people visiting her home. She still does not want to make money out of selling them, but will donate the income from Aji’s to charity.As the elderly are restricted in their movement, family has moved away, and there is loneliness setting in, the elderly need activities like these to root them in their communities. They feel most excited when their work is appreciated by Aji’s customers, they say they feel valued and rejuvenated.“Sitting idle makes me feel sick,” says 70-year-old Juju Ratna Tamrakar, for whom art and sculpture-making have been a life-long passion. He makes cute little stupas and dharma chakras for sale at Aji’s.<figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221107171112/63692f0b9c7e80680e03c085jpeg.jpg" alt="" width="1000" height="667"><figcaption> </figcaption></figure><figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221107171112/63692f0e9c7e80680e03c086jpeg.jpg" alt="" width="1000" height="667"><figcaption> </figcaption></figure>Aji’s also aims to revive inter-generational bonds as joint families split up. By signing up their elders, buying materials for making the products, coordinating communication and helping to create optimal working space at home, children and grandchildren can play an active role to supporting their grannies.Champa Devi Tuladhar says she is now bonding with her grandchildren like never before. “We now actually talk about my work, and we didn’t do much of that before,” she adds.Another aspect of Aji’s is the #AskAnAji campaign which wants to preserve traditional knowledge that is endangered because they have not been passed down to younger generations. People from all over the world can send in questions about recipes, crafts, festivals, or even baby massage and get an answer quickly.In almost a year since it has been in operation, Lorina Sthapit says Aji’s has a growing pool of loyal customers online through Instagram or website. “I think it resonates with people because everyone has elderly relatives at home,” she explains, “and they feel they are motivating senior citizens by selling their products worldwide.”<figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221107171112/63692f109c7e80680e03c087jpeg.jpg" alt="" width="1000" height="667"><figcaption> </figcaption></figure>

Grannies, Inc

Architecture can be a powerful agent of change, shaping not just spaces but the way people live, connect, and experience the world.&nbsp; For Nepal, which is <a href="https://nepalitimes.com/banner/natures-fragile-gift-to-nepal">gifted by nature</a> and rich in <a href="https://archive.nepalitimes.com/article/Nepali-Times-Buzz/ambassador-fund-cultural-preservation-nepal,2092">cultural heritage</a>, &nbsp;reviving rural architecture with modern amenities could hold the key to more <a href="https://nepalitimes.com/here-now/what-sustainable-tourism-means-in-practice">sustainable tourism </a>that benefits local people more. “<a href="https://nepalitimes.com/banner/bayalpata-hospital-in-nepal-wins-global-design-award">Design and architecture</a> are amazing tools to create a unique experience for visitors,” says Spanish architect Tomeu Esteva of Esteva i Esteva Architecture Studio. “Difficult destinations have beautiful hotels with design and comfort.” Esteva was in Kathmandu with his colleagues at an event organised by the Spanish Honorary Consulate at Dwarika’s Hotel last week to showcase buildings which Nepali architects can adapt with local material and design inputs.&nbsp; Rural architecture holds a unique significance: it is more than a shelter and must reflect <a href="https://nepalitimes.com/here-now/inking-an-idenity">local identity, culture</a> and <a href="https://nepalitimes.com/here-now/saving-humla-from-heritage-loss">heritage</a>. An area’s natural and cultural harmony can be upset by <a href="https://nepalitimes.com/here-now/protecting-protected-areas-from-infrastructure?fbclid=IwAR1wK0MDFlFST_2EYb3f54LS4-fPt6rYfLG1DJ1JaQsU3w8-ezyXIxGOqzk">poorly planned development</a>, speakers at the event said, but the environment can be improved and revitalised by well-integrated structures.&nbsp; Another Spanish architect, Belen Moneo, has designed hotels at elevations of 3,700m in her home country Spain that supply natural spring water spas. “<a href="https://nepalitimes.com/banner/lost-in-reconstruction">Creativity in construction</a> must be encouraged. Rural architecture always shows possibilities of what we can do better,” Moneo explains, adding that designs must enhance <a href="https://nepalitimes.com/opinion/the-healing-power-of-nature">the beauty of nature</a> and give a natural feel at a time when steel, glass and cement dominate <a href="https://nepalitimes.com/here-now/rebuilding-kathmandu-after-the-1934-quake">urban design</a>.&nbsp; This is why the <a href="https://nepalitimes.com/here-now/weaving-nature-into-craft">use of natural products</a> such as bamboo, local timber, straw and rammed earth are in demand from customers who want a fresh eco-friendly look encouraged in construction of rural architectural structures. The demand for boutique hotels has increased world over, with &nbsp;more and more tourists favouring aesthetics, experience and comfort over price. While creativity is an important part of <a href="https://nepalitimes.com/here-now/architecture-for-mountains">construction and architecture</a>, incentives to build and use <a href="https://archive.nepalitimes.com/article/nation/Building,370">rural construction materials</a> still remain minimal, and Moneo emphasises the significance of design and execution.&nbsp; Esteva helped design the Vana Retreat in Dehradun that kept the natural environment in focus, with the structure giving an elaborate aesthetic experience to visitors. Another example is Hotel Las Mercedes in the Dominican Republic which was designed and constructed by Moneo and the company she co-founded Moneo Brock, respecting and revaluing the traditional architecture of the area. Hotels providing such experience could attract tourists and revenue. The Spanish ambassador to Nepal Juan Antonio March Pujol said, “The role of architecture and architects in developing tourism is crucial, not only in urban areas but rural settings as well.”&nbsp; The concept of rural boutique hotels gained traction in Spain during the 1990s, particularly in regions like Majorca with economic and environmental sustainability as the main focus. In Nepal <a href="https://nepalitimes.com/opinion/12-full-opinion/guiding-nepal-s-tourism-industry">the tourism industry</a> directly employs about 1 million people, and makes up about 8% of the country’s GDP. In Nepal, the stone homes of <a href="https://nepalitimes.com/news/reviving-himalayan-vulture-and-culture">Mustang and Manang</a>, bamboo and mud structures of <a href="https://nepalitimes.com/here-now/the-tarai-s-shrinking-forests">the Tarai</a>, and the Kathmandu Valley’s terra cotta tile skylines, graceful temples, and tranquil bahal courtyards are all examples of <a href="https://nepalitimes.com/here-now/nepal-s-traditional-seismic-resistant-designs">Nepal’s traditional architecture</a>.&nbsp; Nepali architect Sarosh Pradhan has been working for the past eight years on the Brakka Village project in Manang Valley north of <a href="https://nepalitimes.com/banner/municipalities-want-to-manage-annapurna">the Annapurnas</a>. Other examples of this kind of rural architecture for high-end tourism are the Shinta Mani Hotel in Mustang and Khumbu Lodge below <a href="https://nepalitimes.com/news/mt-everest-pvt-ltd">Mt Everest</a>. Says Pradhan, “There are places in Nepal that radiate purity and embrace simplicity. Creating projects in such settings require deep reflection and thoughtful planning.”  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250421030444_a07a23f6b60fa89c0f35b9dc1aaf19937da4881e6bfb2e1858f3c27dff91729f.jpg" data-media-id="editor_19" data-image-id="20250421030444_a07a23f6b60fa89c0f35b9dc1aaf19937da4881e6bfb2e1858f3c27dff91729f" data-rendition-name="original" width="4608" height="2184" loading="lazy" alt="A new architecture for Nepal's tourism"> </figure>  Rural architecture is not easy, and sometimes more expensive. Inflation, energy efficiency, <a href="https://nepalitimes.com/here-now/those-who-stay">the climate crisis</a>, and <a href="https://nepalitimes.com/banner/cost-of-living-in-a-big-city">increased costs of living</a> pose obstacles to sustainable rural architecture. Read also: <a href="https://nepalitimes.com/here-now/forgotten-international-starchitects-in-nepal">Forgotten international starchitects in Nepal</a>, Anne Feenstra and Varun S Bapu Esteva says faith and trust between client and architect is necessary for any project to be successful. He adds that architects must practice being humble, the process of designing always involves learning and not imposing their ideas on clients. Nepal is uniquely positioned for the growth of <a href="https://nepalitimes.com/banner/hiking-up-the-benefits-of-tourism">rural tourism</a> because of its stunning countryside as well as its internationally renowned traditions in holistic wellness. Creating infrastructure that is small, thoughtfully planned and that respects both tradition and contemporary hospitality standards is crucial. “Projects in Nepal can be made cost effective by using materials from houses that have been brought down,” says Esteva. “Pilot projects involving <a href="https://nepalitimes.com/banner/local-government-by-the-people-for-the-people-of-the-people">local people </a>and simple designing also helps the process.” <a href="https://nepalitimes.com/banner/vacant-homes-become-homestays-in-nepal">The growth of homestays in Nepal</a> is a step in the right direction, but they are still a bit too rustic for the international traveller who also wants comfort and is willing to pay extra for it. Upgrading the facilities in homestays and ensuring that the <a href="https://nepalitimes.com/here-now/an-archive-of-nepali-heritage">architectural heritage</a> of the locality is preserved using locally sourced building material could allow owners to charge more. Says Sangita Shrestha of Dwarika’s Hotel, “Our effort is to build upon rural architecture by empowering local communities and using what is available locally. We can fine tune and encourage indigenous design and training.” The vision goes beyond just boosting the economy, it is about building a future where tourism helps villages grow in a healthy and lasting way. Instead of using up resources, it gives back to the land and the people. It supports local communities by<a href="https://nepalitimes.com/opinion/staying-in-nepal-to-create-jobs"> creating jobs</a>, improving infrastructure, and protecting natural beauty. When done right, tourism can be a tool for <a href="https://nepalitimes.com/editorial/progress-and-or-preservation">preserving culture and nature</a>, not harming them. Architects must therefore see their work as more than just designing buildings, they also need to care deeply about people and places, especially in rural areas that can benefit the most.&nbsp; With global interest in sustainable and off-the-beaten-path travel increasing, Nepal stands at the cusp of a <a href="https://nepalitimes.com/news/missing-out-on-nepal-s-tourism-potential">tourism transformation</a> that values community-driven, eco-conscious hospitality. A mix of modern ideas and traditional knowledge could transform rural tourism in Nepal. Says Shrestha, “Young architects should spend time with <a href="https://nepalitimes.com/latest/the-unsung-heroes-of-conservation">local and indigenous communities</a>, listen to their stories, and learn from their <a href="https://nepalitimes.com/banner/life-and-livelihood-in-remote-nepal">ways of living</a>. These communities have deep knowledge about the land, materials, and climate. If this wisdom is used in new designs, it can help create tourism spaces that truly benefit everyone.” &nbsp;

A new architecture for Nepal's tourism

Extract from an addendum to Nepal's Two Wars, Chapter 2 in the updated edition of Essays on Nepal: Past and Present by Sam Cowan, a retired British Army general with a long association with the Gurkhas. The book was first published in 2018, and republished earlier this month by FinePrint exclusively on Amazon. The addendum details a one-to-one conversation the author had in the <a href="https://archive.nepalitimes.com/news.php?id=8884">Royal Palace </a>with the <a href="https://archive.nepalitimes.com/news.php?id=8371">King Gyanendra</a> in November 2002 just after he had taken his initial steps on the road that ultimately led to <a href="https://archive.nepalitimes.com/news.php?id=14681">the abolition of the monarchy</a> in Nepal in 2008. In the early evening of September 16, 2002, in my role as Colonel Commandant of the Brigade of Gurkhas, I had my second and last official audience with King Gyanendra to give him an update on the Brigade’s activities over the previous 12 months. I had some 6 or 7 such audiences with <a href="https://nepalitimes.com/here-now/preserving-king-birendra-s-family-home">King Birendra</a>.&nbsp; These were official affairs with the British ambassador of the day present, along with key <a href="https://archive.nepalitimes.com/news.php?id=12233">palace officials</a> and a representative from Nepal's Foreign Ministry. The two monarchs were very different in character and temperament, but both treated me with the utmost civility and made the audiences as relaxed and easy for me as possible.&nbsp; It is, however, worth recording that when the official business had been covered, King Birendra, with a twinkle in his eye, often ended by asking, “Now General, what’s the gossip in London?” The second audience with <a href="https://archive.nepalitimes.com/news.php?id=8026">King Gyanendra </a>was my last official act in uniform. We came back to Kathmandu in the first week of November (after treks) to stay for a few nights with our Defence Attaché before heading back to the UK. Waiting for me was a message from the Palace saying that King Gyanendra would like to meet me informally: <a href="https://archive.nepalitimes.com/news.php?id=6933">no uniform</a> and no ambassador.&nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250421080420_f9046f9882d4481781d14f2b64f18c7fbbea62562e1d74e3465de6d01fb43750.jpg" data-media-id="editor_7" data-image-id="20250421080420_f9046f9882d4481781d14f2b64f18c7fbbea62562e1d74e3465de6d01fb43750" data-rendition-name="original" width="1750" height="2406" loading="lazy" alt="Gyanendra crowned page 1"> <figcaption>Nepali Times Special Edition of 6-14 June 2001 with enthronement of Gyanendra. </figcaption> </figure>   <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250421080424_21333d6ae21828eb47fe3f849438d215fe2804460d47bb2896ef4aee4e895ad2.jpg" data-media-id="editor_8" data-image-id="20250421080424_21333d6ae21828eb47fe3f849438d215fe2804460d47bb2896ef4aee4e895ad2" data-rendition-name="original" width="1500" height="1857" loading="lazy" alt="Royal massacre"> <figcaption>Nepali Times 22-29 June 2001 covering the royal massacre after which Gyanendra became king. </figcaption> </figure>  Although I had no idea what the purpose of the meeting might be, events in Kathmandu since I last saw the king put me on edge. On October 4, 2002, Gyanendra had dismissed Prime Minister Sher Bahadur Deuba, allegedly for failing to hold <a href="https://nepalitimes.com/news/what-goes-on-in-nepal-s-elections">elections</a>. He had put in place a new prime minister and a cabinet personally selected by him. When I heard the news on my travels, the people I met were generally supportive of the king’s actions. There was a general view that something had to be done, the country was going nowhere, and the king deserved his chance, not least to solve<a href="https://nepalitimes.com/latest/14-years-after-conflict-no-closure-in-nepal"> the Maoist </a>problem. Back in Kathmandu, views were not so sanguine. The chosen prime minister, Lokendra Bahadur Chand, was a relic from <a href="https://nepalitimes.com/here-now/mob-movement-and-mayhem">the Panchayat period</a> whose party had failed to win a single seat in the last elections held in 1999. Some of the chosen cabinet ministers had, to put it mildly, dubious reputations, and others had no record of proven competence in any field. There was a fear that the king’s real motive in dismissing <a href="https://nepalitimes.com/editorial/deubas-denouement">Deuba</a> was to start to reverse the democratic gains made since 1990. I informed <a href="https://nepalitimes.com/news/nepal-britain-mark-centenary-of-1923-treaty">the British ambassador</a> about the invitation. He was strongly against accepting it, which was probably the clinching reason for my decision to do the polite thing and accept it. On the evening of November 7, 2002, I presented myself at the royal palace, alone and in civilian attire.&nbsp; As in the past, the Military Secretary, Major General Vivek Shah, met and escorted me into the presence of the monarch. This time, however, he was politely asked to leave the room and shut the door behind him. King Gyanendra greeted me warmly and invited me to sit down.&nbsp; Read also:<a href="https://nepalitimes.com/news/the-ghost-of-monarchy-returns-to-haunt-nepal"> The ghost of monarchy returns to haunt Nepal</a>, Shristi Karki  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250421080424_e382af945d0ad2a04ae41fabe5393f793dd10f54cb1220f111c7c9e7423eb558.jpg" data-media-id="editor_15" data-image-id="20250421080424_e382af945d0ad2a04ae41fabe5393f793dd10f54cb1220f111c7c9e7423eb558" data-rendition-name="original" width="1000" height="993" loading="lazy" alt="Gyanendra coup"> <figcaption>Nepali Times 4-10 February 2005 after king Gyanendra's coup imposed media censorship. anendra became king. </figcaption> </figure>  I had wondered, and to be truthful, had worried, not just about the purpose of the meeting, but about how the conversation might start and develop. I reduced my resolve to two points: be polite but speak candidly. The latter resolve was quickly put to the test with the king’s opening words: “Sam, [in previous meetings it had been ‘General’, you walk the highways and byways of this land more than most, tell me what the common man is thinking?” &nbsp;“Your Majesty, I have no idea what they are thinking, but they are waiting.” “Waiting?” “Yes, Your Majesty, they are waiting to see whether what you did some weeks ago in appointing your own prime minister and cabinet ministers is going to make any difference to their lives or whether it is just going to be more Kathmandu hot air.” “Everything is going to be difficult and is going to take time, a lot of time.” “Your Majesty, time is the one thing you don’t have. You must act quickly and decisively to take advantage of the opportunity you have created. Everyone knows that you have appointed these new ministers. Why don’t you get them in here one by one and tell them that they have three months to deliver a programme in their area of responsibility that is going to make a difference to people’s lives? Most will fail to do so. Sack them! It will be a powerful signal of your strong intent to deliver real change.” I can express the opening of our conversation in this way because just about every word is still etched in my mind. The king’s response to my last quoted words was to challenge me to give an example of something that could be delivered quickly. I can give a verbatim record of what I said in response to this unexpected challenge: “Health posts, Your Majesty, there is no shortage of them throughout the country as building them has been one of the sources of local corruption, but very few have any medicine to issue at present or have skilled people to assess and meet medical needs. Your Majesty, children are dying for lack of a few pills. Given the right priority, over a period, say of six months, every health post could be fully stocked with medicine and manned with trained people. This is something I could help to lead for you as I know it would have strong international backing. At last, people would know that you mean business.” As I warmed to the theme, I could see no sign of the king having any enthusiasm for the idea, and I quickly disengaged as it dawned on me, as it had clearly dawned on the king, that the reason for the deficiencies in health posts was to prevent any Maoist combatant from gaining access to any <a href="https://nepalitimes.com/opinion/tech-away/nepal-s-health-tech-industry-is-here-to-stay">medical support</a>, and if this meant people suffering, so be it. The subject of the Maoist insurgency inevitably came up, and I took the opportunity to elaborate on what is written in the final four paragraphs of the article above. I advised King Gyanendra that, self-evidently, since there were three parties in the conflict—him, the Maoists, and the political parties—it was imperative that he form an alliance with one of them, preferably the political parties; otherwise, he would find himself isolated, as the other two parties would inevitably, at some stage, form their own alliance. However, it quickly became apparent that the king’s mind was on a totally different track. On the Maoists, he told me that he had channels open to them, but he was scathing about the political party leaders. He made it clear that they would be waiting for a very long time before he gave any power back to them, and that is a polite way of expressing the actual words he used, but “crawling through the door” is a phrase which has stuck in my mind.&nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250421080424_5403455ff6168f0d202a96cb53edea69136d74d59b989cfcc7cc4a1d57672cb5.jpg" data-media-id="editor_17" data-image-id="20250421080424_5403455ff6168f0d202a96cb53edea69136d74d59b989cfcc7cc4a1d57672cb5" data-rendition-name="original" width="2000" height="1317" loading="lazy" alt="fall of monarchy"> <figcaption>Nepali Times 28 April-3 May 2005 with cover image by Ajay Joshi of jubilant protesters after street demonstrations sidelined king Gyanendra, paving the way for a ceasfire and restoration of democracy. </figcaption> </figure>  As the conversation developed, it became ever clearer that King Gyanendra had decided to go in alone, relying on the misleading assurances he was constantly receiving from <a href="https://archive.nepalitimes.com/news.php?id=14954">the army</a>, and no doubt his close advisers, that the Maoists could and would be quickly defeated militarily, and taken out of the equation. This would obviate the need for him to do any deal with the political parties.&nbsp; Thus, the way would be clear for him to establish a version of his father’s Panchayat system, under a constitution that would be granted to the people by him, their sovereign, as his father and brother had done in 1962 and 1990. As in those constitutions, ultimate power would have remained in the sovereign’s hands. This proposed direction of travel was very clear from what the king said to me. In sum, King Gyanendra was motivated by a desire to emulate his immediate predecessors by granting his people a constitution that would restore his father’s Panchayat system in a modern form and give him a central role in decision-making. What was particularly dispiriting was that beyond this single objective he had no plan worthy of the name, nor demonstrably did he have the people with the skills to implement an appropriate plan even if one had existed. Crucially and depressingly, there was little or no indication from the king that he realised that such a course of action could put Nepal’s monarchy into serious jeopardy, as indeed proved to be the case. <h2>King Twice</h2>  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250420110436_315d519fe3d68d2406ebe1480fed54720fbf21b8907a4da5cde751fdc623d445.jpg" data-media-id="editor_19" data-image-id="20250420110436_315d519fe3d68d2406ebe1480fed54720fbf21b8907a4da5cde751fdc623d445" data-rendition-name="original" width="1302" height="632" loading="lazy" alt="“Tell me what the common man is thinking!”"> </figure>  <a href="https://archive.nepalitimes.com/news.php?id=8371">Gyanendra Bir Bikram Shah has been king twice</a>. In 1950 he was enthroned briefly as a child king (left, above) by the Rana Prime Minister Mohan Shumsher when his grandfather, King Tribhuvan, fled to exile in India. In 2001 he was crowned king again after the massacre in the royal palace in which his brother King Birendra and nine other members of his family were killed by Crown Prince Dipendra.&nbsp; During his second reign, Gyanendra gradually asserted power by sacking Prime Minister Sher Bahadur Deuba in 2002, and then taking full control after the 1 February 2005 coup. He was sidelined after the ceasefire in April 2006, and became a commoner after the Constituent Assembly finally <a href="https://archive.nepalitimes.com/article/from-nepali-press/Ftnp-abolishing,624">abolished the monarchy in 2008</a>. In the past year, Gyanendra has tried to exploit public dissatisfaction with the political parties to restore the monarchy.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250421080432_26ef4a4b0e3cee9fdc6794446702efe16550d293904b4f6dd46fe35d4d10c788.jpg" data-media-id="editor_22" data-image-id="20250421080432_26ef4a4b0e3cee9fdc6794446702efe16550d293904b4f6dd46fe35d4d10c788" data-rendition-name="original" width="1136" height="702" loading="lazy" alt="Essays on Nepal by Sam Cowen"> </figure>

“Tell me what the common man is thinking!”

“It's Kathmandu.” Just as the family was sitting down for one of its extended lunches, that jubilant cry was from François Driard’s grandfather announcing the next posting for his diplomat parents.&nbsp; Driard (pictured) was 18 in the summer of 1996,<a href="https://nepalitimes.com/opinion/suburban-tales/chasing-a-nomad"> a bit of a hippie</a> already, and his life was about to change forever with the magical word “<a href="https://nepalitimes.com/banner/time-capsule-of-kathmandu">Kathmandu</a>”. “I was awed with that information from my grandfather, nothing else mattered … In France <a href="https://nepalitimes.com/here-now/tales-of-courage-and-suffering-cx95f89e">in the 1990s</a>, Kathmandu had a mythical aura,” Driard recalls. He came to Kathmandu for Christmas that year to visit his stepfather, the French Ambassador Michel Lummaux. It was to be the first of many visits during school holidays, before he decided to permanently settle down in Nepal. “Kathmandu, and Nepal, were very different then, it was magical, I liked the nature, the people, civilisation, temples, trees,” says Driard, who explored the country sitting on the top of buses. “Visitors talk about the crazy <a href="https://nepalitimes.com/banner/cost-of-living-in-a-big-city">urbanisation</a>, traffic jams today, and all that is true. But Kathmandu has not <a href="https://nepalitimes.com/here-now/loss-of-soul-and-soil">lost its soul</a>.” After his stepfather’s tenure in Nepal ended, Driard worked as a business reporter for international publications but decided he did not want to be anyone’s employee anymore. In 2007 he landed in Kathmandu with €20,000 in savings to invest.&nbsp; He knew a few crucial things about himself: he liked food and nature, which is very much tied up with his upbringing--full of lively conversations during lunch and dinner at the family table between <a href="https://nepalitimes.com/here-now/nepals-yak-cheese-is-on-world-map">abundant cheese, wine and cigars</a>. So he decided it would be cheese, and registered Himalayan French Cheese and went to the French Alps for a month to learn how to make Tomme de Savoie. “<a href="https://nepalitimes.com/banner/the-story-of-langtang-cheese">Cheese making is such an ancient craft </a>and so I thought I won’t need much money or studying which I hated and indeed, if you have a tamako bhado and fire you are set,” explains Driard. But Nepal’s temperature and humidity were not ideal, even at higher altitudes. The first customers for his cheese were the Hyatt Regency and Nina and Hager. But he needed to create a market for cheese in a country which only knew hard churpi in the north and soft paneer in the south. He started selling his cheeses at the Summit Hotel weekend market, expanding to his own 1905 Farmer’s Market which later moved to Le Sherpa in Maharajganj, where it is now, and also a market at Labim Mall in Pulchok. He had cow dairies in Nuwakot and Dhulikhel, and finally a yak cheese unit at 3,379m in Ramechhap. It was the yak blue cheese from here that went on to win a Gold Medal in France, putting Nepal’s French cheese on the world map. “People come and try our cheese at the market, they ask questions. There is a lot of education to be done about cheese,” adds Driard, who also has three cheese shops in the Valley. Driard now makes 25 types of cheese. The products are being noticed and every year he has French students coming to Nepal to learn the art of yak cheese making. “In France, one family or company makes one kind of cheese for generations. In that I’m very unique as a cheese artisan,” he says. “The students come in to learn but I tell them to also teach us something too, add another cheese to my collection.” Read also: <a href="https://nepalitimes.com/here-now/langtang-after-10-years">Langtang after 10 years</a>, Sonia Awale Being a foodie, Driard is now also dabbling in meat with his own charcuterie at Meatini with bacon, ham, sausage and pâtés. All of this is now served at his Emilio’s Pizza, a leafy hideaway in Lazimpat. His South Side in Moksh is probably the smallest wine bar in the world. “I call the process sublime,” says Driard of his ventures, which have grown organically. “You need the same temperature and humidity of 12°C and 80% for cheese, meat and wine.” Emilio’s speciality is the eight-cheese pizza (which has eight types of cheeses), and a pizza with bhutan topping (not the country but fried intestines and organs Nepali-style). He has opened a small branch at Courtyard in Pokhara.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250426070456_bacae302c040dc18eeecdeafda72ddf06a6d2cec138ea9be7e45fe94cdf8b5b3.jpg" data-media-id="editor_8" data-image-id="20250426070456_bacae302c040dc18eeecdeafda72ddf06a6d2cec138ea9be7e45fe94cdf8b5b3" data-rendition-name="original" width="1500" height="1125" loading="lazy" alt="8 cheese pizza"> <figcaption>Eight-cheese pizza</figcaption> </figure>  With two artisanal cheese units, two farmers’ markets, a <a href="https://nepalitimes.com/here-now/the-meat-of-the-story">meat processing unit</a>, a bakery, and wine bar he now envisions a vineyard so he can add Nepali wine to his repertoire. Another future plan is to start up an agri-tourism business where customers can drink, eat and work in peace. In the past 20 years in Nepal, Driard has not always succeeded in his ventures but this hasn’t curbed his enthusiasm. He is learning as he goes, and like an old wine, Nepal is growing on him. Its slowness suits his French art de vivre with eating slowly outdoors, having conversation, importing less.&nbsp; “I have proven that with even a little money you can do a lot of things in Nepal,” adds Driard. “In the West, they easily invest half a million euros on a cheese factory, I invested 10 times less.”&nbsp;

Fromage, vin et charcuterie Népalais

He had just sat down for lunch after tending the garden at his house in Lagan Tole on 25 April 2015 when the ground began to shake violently. &nbsp; Gautam Nepal, 56 at the time, realised it was an earthquake. He panicked at the thought of his neighbours' multi-storied buildings toppling on top of his modest one-storey house. He rushed out as the high-rises swayed and groaned. “We were used to earthquakes, moderate ones are a regular occurrence in Kathmandu, but I had never felt fear like I felt on that day,” recalls Gautam. “My house proved strong, it did not collapse.”  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250419040440_82a74881218223df70e30eb1759cd3a7c9edbb7728acef83c3f8b397d6e6dfe9.jpg" data-media-id="editor_0" data-image-id="20250419040440_82a74881218223df70e30eb1759cd3a7c9edbb7728acef83c3f8b397d6e6dfe9" data-rendition-name="original" width="1737" height="1000" loading="lazy" alt="Loss of soul and soil NT"> <figcaption>LAGAN TOLE'S TOLL: Lagan Tole photographed by tour guide Neil S Rawlins during his travel to Kathmandu in February 1970.</figcaption> </figure>   <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250419040448_90914720a75b7d31a12bc27f0c0af9484a5e5efc7dd797dc6bcd190fc28ecdcb.jpg" data-media-id="editor_1" data-image-id="20250419040448_90914720a75b7d31a12bc27f0c0af9484a5e5efc7dd797dc6bcd190fc28ecdcb" data-rendition-name="original" width="1500" height="1004" loading="lazy" alt="Loss of soul and soil NT"> <figcaption>Lagan Tole photographed by Neils Gutschow in 1992.</figcaption> </figure>   <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250419040440_9a4dd35b070949949bfe275eff8216dd29f88f74a30b063dc614845226f68f03.jpg" data-media-id="editor_2" data-image-id="20250419040440_9a4dd35b070949949bfe275eff8216dd29f88f74a30b063dc614845226f68f03" data-rendition-name="original" width="1501" height="1000" loading="lazy" alt="Loss of soul and soil NT"> <figcaption>Lagan Tole in 2025.</figcaption> </figure>  Other residents of Lagan who also live in traditional low rise houses had the same fear. Tara Nepali, then 48, was doing the washing that Saturday.&nbsp; She recalls, “When my house began to shake, I could only think about the bigger buildings falling on top of me. I was sure my house would collapse, but to my surprise, it survived, and so did we.”  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250419040440_2b4b1ec427d9aec5980021b97b25ca3164d5f79337f113ba02b1d802f71b7cad.jpg" data-media-id="editor_3" data-image-id="20250419040440_2b4b1ec427d9aec5980021b97b25ca3164d5f79337f113ba02b1d802f71b7cad" data-rendition-name="original" width="1500" height="1000" loading="lazy" alt="Loss of soul and soil NT"> <figcaption>Gautam Nepali in front of his one-storey Lagan home, where he had been having lunch just before the earthquake struck 10 years ago.</figcaption> </figure>   <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250419040436_6f8a7057bbd269214712076e13117b665165e03a0351db0e3666aee05e91f63c.jpg" data-media-id="editor_4" data-image-id="20250419040436_6f8a7057bbd269214712076e13117b665165e03a0351db0e3666aee05e91f63c" data-rendition-name="original" width="1500" height="1000" loading="lazy" alt="Loss of soul and soil NT"> <figcaption>Tara Nepali in front of her house in Lagan. She was doing the washing during the earthquake in 2015.</figcaption> </figure>  But Buddha Khadgi, 68, was not so lucky. His was one of the few houses in the neighbourhood to be reduced to rubble. His lifelong collection of photographic prints were buried, and so were the traditional Newari musical instruments passed down through generations of his family that he used to give music lessons.&nbsp; “I lost the things that connected me to my roots and my heritage. That was infinitely more heartbreaking than the fact that my house was gone,” says Khadgi, now living in a new cement structure.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250419040436_58f4a8ee4eb740536c69096a4d8c0cd2007fdbcc4ef56551ff460d2ef0ef6f2b.jpg" data-media-id="editor_5" data-image-id="20250419040436_58f4a8ee4eb740536c69096a4d8c0cd2007fdbcc4ef56551ff460d2ef0ef6f2b" data-rendition-name="original" width="2496" height="1671" loading="lazy" alt="Loss of soul and soil NT"> <figcaption>Lagan's Maka Galli some decades ago. Photo: SHREE RAM NEPALI</figcaption> </figure>   <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250419040440_6b2bacaf0a1e93b441aff8093b343836d6de0b44d7b29f9b758209845f675bff.jpg" data-media-id="editor_6" data-image-id="20250419040440_6b2bacaf0a1e93b441aff8093b343836d6de0b44d7b29f9b758209845f675bff" data-rendition-name="original" width="1000" height="1500" loading="lazy" alt="Loss of soul and soil NT"> <figcaption>Lagan's Maka Galli in 2025. The neighbourhood's old Newari houses have been replaced by concrete structures, although the falcha has been rebuilt in traditional style.</figcaption> </figure>  Lagan Tole in Kathmandu's historic heart emerged relatively unscathed from the earthquake in large part because, like in nearby Asan, the buildings are densely packed and lean on each other. But in the years after the earthquake, urban pressure and fear of future quakes have made families tear down their traditional houses with sloping tile roofs and replace them with concrete structures.&nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250419040440_25983e79dc88388cb370b16f7f631e4c276cfc997ffa1f9ce3701e40c876b355.jpg" data-media-id="editor_7" data-image-id="20250419040440_25983e79dc88388cb370b16f7f631e4c276cfc997ffa1f9ce3701e40c876b355" data-rendition-name="original" width="1500" height="1000" loading="lazy" alt="Loss of soul and soil NT"> <figcaption>Glimpses of present-day Lagan.</figcaption> </figure>   <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250419040440_9a6a88df8815352a452895c43840a898d4b6c080b79562383306c0cfe8bcd952.jpg" data-media-id="editor_8" data-image-id="20250419040440_9a6a88df8815352a452895c43840a898d4b6c080b79562383306c0cfe8bcd952" data-rendition-name="original" width="1000" height="1500" loading="lazy" alt="Loss of soul and soil NT"> </figure>   <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250419040440_a348b974bd3a5e76d0bf9b309f98813556d43dd6c361856c67e79c03d4283e69.jpg" data-media-id="editor_9" data-image-id="20250419040440_a348b974bd3a5e76d0bf9b309f98813556d43dd6c361856c67e79c03d4283e69" data-rendition-name="original" width="1500" height="1000" loading="lazy" alt="Loss of soul and soil NT"> </figure>  Lagan’s longtime residents, especially the elderly whose families have lived here for generations, say that the neighbourhood with its characterless new tall cement boxes is no longer familiar to them. “We used to say that our houses are not supposed to be taller than temples, the houses of our gods,” says Gautam. “Now, the houses here dwarf the temples and even the chariot of Seto Machindranath.”  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250419040440_88d18ce580abaf9e62fd807403f2e3c9a5bd8972d3b32bdacb97d8991c7fec35.jpg" data-media-id="editor_10" data-image-id="20250419040440_88d18ce580abaf9e62fd807403f2e3c9a5bd8972d3b32bdacb97d8991c7fec35" data-rendition-name="original" width="1041" height="1441" loading="lazy" alt="Loss of soul and soil NT"> <figcaption>The Seto Machindranath procession at Lagan on 10 April 1998, during which the chariot caught fire. Photo: SOCIAL MEDIA</figcaption> </figure>   <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250419040440_c403f91f9a48c14eaaeed2d38a2cb97714416765730b6d12f29487f9b0f47e83.jpg" data-media-id="editor_11" data-image-id="20250419040440_c403f91f9a48c14eaaeed2d38a2cb97714416765730b6d12f29487f9b0f47e83" data-rendition-name="original" width="1500" height="1000" loading="lazy" alt="Loss of soul and soil NT"> <figcaption>The Seto Machindranath procession at Lagan earlier this month.</figcaption> </figure>  &nbsp;The old baha courtyards, falcha resting places, and open spaces where Lagan’s residents used to grow vegetables and gather as a community are nearly all gone. And the taller the houses get, residents say they feel less anchored to the soil. Lagan has also lost its soul -- the community spirit is eroding as elderly neighbours rarely venture down to meet each other in the evenings. &nbsp; “This no longer feels like the tole I grew up in,” says a resident. “We are beginning to lose the relationships we had with each other as a community, and with it, the spirit of Lagan.”&nbsp;