In 2025, we stand at a crossroads in <a href="https://nepalitimes.com/opinion/comment/surveying-nepal-s-digital-landscape">the digital era</a>. Our platforms have become the new public squares, but rather than fostering democracy and dignity, many are optimised for manipulation, division, and profit. The Council on Technology and Social Cohesion's <a href="https://toda.org/assets/files/research/blueprint-on-prosocial-tech-design-governance.pdf">Blueprint on Prosocial Tech Design Governance</a> offers a systems-level response to this crisis. Digital harms are not accidental. They stem from deliberate choices embedded in how platforms are built and monetised. Infinite scroll, addictive recommendation systems, and deceptive patterns are not technical inevitabilities—they are design policies that reward engagement over truth, attention over well-being, and outrage over dialogue.&nbsp; These <a href="https://nepalitimes.com/banner/avoiding-the-quicksand-of-social-media">antisocial designs</a> have proven devastating: eroding mental health, fuelling polarisation, spreading disinformation, and concentrating power in a handful of corporate actors. Tech companies blame users for<a href="https://nepalitimes.com/here-now/ghiblification-is-more-than-cute-pixels"> harmful content online</a>, avoiding their own responsibility in how they design platforms. The Blueprint shifts the focus from downstream content moderation to upstream focus on platform design. No technology has a neutral design. Companies chose what their platform will allow you to do, prevent you from doing, and what the design will persuade, incentivise, amplify, highlight, or manipulate people to do or not do online. Like building codes in architecture, the report proposes a tiered certification system for prosocial tech, outlining five levels of increasing ambition—from minimum safety standards to fully participatory, socially cohesive platforms. This is not window-dressing. It is a structural intervention to address the root causes of harmful tech designs. Read also: <a href="https://nepalitimes.com/opinion/comment/tech-and-transition-in-nepal">Tech and transition in Nepal</a>, Ashutosh Mani Dixit Tier 1 begins with establishing baseline protections: Safety by Design, Privacy by Design, and User Agency by Design. These are not abstract ideals but concrete practices that give users control over what they see, how they are tracked, and whether manipulative features are opt-in rather than default. Tier 2 scales up with low-barrier user experience tools like empathy-oriented reaction buttons, friction to slow down impulsive posting, and prompts to reflect before sharing. In Tier 3, prosocial algorithms that highlight areas of common ground and diverse ideas replace engagement-maximising recommender systems that offer news feeds skewed toward polarising topics. Tier 4 introduces civic tech and deliberative platforms explicitly built for democratic engagement, and Tier 5 pushes for middleware solutions that restore data sovereignty and interoperability. The report highlights the need for research to understand how platform design impacts society and open data standards for measuring social trust and cohesion. It calls for mandated platform audits, researcher safe harbours, and public infrastructure to enable independent scrutiny of algorithmic systems and user experiences. Without these safeguards, crucial insight into systemic harms—such as <a href="https://nepalitimes.com/opinion/comment/inoculation-against-misinformation">manipulation, bias, and disinformation</a>—remains inaccessible. The paper offers a set of prosocial metrics on three areas of social cohesion. This includes individual agency and well-being, or the ability of users to make informed choices and participate meaningfully, social trust and intergroup pluralism referring to the quality of interaction across diverse social, cultural, and political groups, and public trust or the strength of relationship between users and public institutions. Meanwhile, market forces drive antisocial and deceptive tech design. Venture capital (VC) funding is the main source of financing for many major <a href="https://nepalitimes.com/opinion/improving-internet-governance-in-nepal?fbclid=IwAR1_tBjAAj53rRCQrGx_vI2P4hts45NzXMo_702l3DmbVLzqCRUhBk68NJk_aem_ASUp6z3b9O_dvca3JUWg_kmf-Si29rn0_X_piNB9GqRu6q28Sjr3GOwfppZg8y2qeQw">tech platforms</a>, especially in their early and growth stages. It significantly entrenches antisocial tech design, expecting rapid scaling, high returns, and market dominance—often at the expense of ethical development. Market concentration inhibits innovation and confines users within systems that prioritise profit over well-being. Numerous large technology companies function as monopolies, employing opaque strategies and dominating value chains.&nbsp; Such technology monopolies pose significant challenges for smaller, prosocial platforms seeking growth. When a limited number of tech giants control infrastructure, data, and user attention, smaller platforms with ethical, inclusive, or democratic designs encounter difficulties in achieving visibility and viability. The report recommends shifting market forces by codifying liability for platform-induced harms, enforcing antitrust to level the playing field for ethical alternatives, and identifying a range of options for funding and monetising prosocial tech startups.&nbsp; Too often piecemeal tech regulation has failed to show the flood of toxicity online. Using a system’s approach, the report offers a comprehensive plan to make prosocial tech not only possible, but competitive and sustainable. Just as we expect bridges to be safe and banks to be audited, the Blueprint insists we treat <a href="https://nepalitimes.com/opinion/makeshift/addressing-nepals-digital-divide">digital infrastructure</a> with the same seriousness. Platforms should not be allowed to profit from harm while hiding behind the myth of neutrality. At its core, the Blueprint argues that platform design is social engineering. Platforms that currently amplify outrage could, with the right design and incentives, foster empathy, cooperation, and truth. Now the question is political will. Will regulators adopt tiered certifications that reward responsibility? Will investors fund platforms that prioritise well-being over profit? Will designers centre the needs of marginalised communities in their user experience decisions? The Blueprint gives us the tools. The next step is collective action for governments, technologists, and civil society alike.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2025070914078_7cf29b08f9f355820f578caa88b07ef9bdf244eb9e55daf658a9861cb575e5e0.jpg" data-media-id="editor_8" data-image-id="2025070914078_7cf29b08f9f355820f578caa88b07ef9bdf244eb9e55daf658a9861cb575e5e0" data-rendition-name="original" width="651" height="845" loading="lazy" alt="Rethinking Digital Platform Design"> </figure>  This article was issued by the Toda Peace Institute and is being republished from <a href="https://toda.org/global-outlook/2025/rethinking-digital-platform-design-a-systems-approach.html">the original</a> with their permission. Lisa Schirch is Research Fellow with the Toda Peace Institute and is on the faculty at the University of Notre Dame in the Keough School of Global Affairs. Schirch is the author of eleven books, including <a href="https://www.routledge.com/Social-Media-Impacts-on-Conflict-and-Democracy-The-Techtonic-Shift/Schirch/p/book/9780367541057">Social Media Impacts on Conflict and Democracy: The Tech-tonic Shift</a>.

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Rethinking Digital Platform Design

<figure><img width="508" height="696" src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221109141116/636ba8509c7e80680e0737d2jpeg.jpg" alt=""/><figcaption>Erika Leuchtag</figcaption></figure>When Erika read the story to the King, he cried out, “But that is I, Erika! And that is you!” The King asked if he might keep the story and Erika said, “It was written for you, but I promise you, one day the whole world will know.”The king is King Tribhuvan. Erika is Erika Leuchtag, a German physiotherapist. The story is the book With a King in the Clouds which came out in 1958, and a later edition titled Erika and the King published by Coward-McCann Inc.The book is an intimate history of King Tribhuvan during Nepal’s political transition, his queens Kanti and Ishwari and the princesses Nalini, Vijaya and Bharati, who were not allowed to leave the Narayanhiti Palace by Nepal’s Rana rulers.The 270-page memoir begins on Christmas Eve in 1948 when Erika receives a letter from a European doctor, asking if she would be prepared to be a masseur for the Senior Queen of Nepal, who was then staying in the household of the royal family of Patiala in India. Despite her family and friends advising her against venturing out to what was then a forbidden Himalayan kingdom, Erika entered Nepal in Feburary 1949 and walked up across Chandragiri pass to Kathmandu with her helper Gorkhi Ram and her spaniel dog, Peepchen.Erika did not have a clue about the Shah-Rana dynamics of Nepal’s two royal families until she sensed something was ‘off’ when she visited Singha Darbar – ‘a prototype of the Palace of Versailles’ -- to meet the last Rana Prime Minister Mohan Shumsher and the Director-General of Foreign Affairs, Bijaya Shumsher.   The British had left India, and an Anglophile Rana dynasty’s days were numbered. There were new rulers in Delhi, and many members of Nepal’s royal families and of India’s princely states were married to each other. Palace intrigue, royal rivalries, and geopolitics were churning, and Erika changed from what the Ranas saw as a ditzy European woman to an insider playing an integral part in helping Tribhuvan’s escape to India and the <a href="https://archive.nepalitimes.com/article/Nepali-Times-Buzz/the-rana-reign-a-recap-of-history,3751" data-saferedirecturl="https://www.google.com/url?q=https://archive.nepalitimes.com/article/Nepali-Times-Buzz/the-rana-reign-a-recap-of-history,3751&amp;source=gmail&amp;ust=1598858731477000&amp;usg=AFQjCNEeVI5VlHSdV9KIvJH8D4cyFTHSKg">eventual end of Rana rule</a>.Her daily visits to the ‘Naran Hity Durbar’ was ostensibly to serve Senior Queen Kanti Rajya Lakshmi, but she ended up befriending the entire family, particularly King Tribhuvan. She was not just a physiotherapist for them, but a teacher, a Western dance instructor and a German language tutor.She nicknamed the two queens Kanti and Ishwari ‘Birdy’ and ‘Dreamy’ for their beauty and personalities, but one gets hints of a growing intimacy with Tribhuvan. Erika Leuchtag herself left Germany before the war because of the rise of Adolf Hitler, and she makes no secret of the fact that the Ranas reminded her of the Nazis, and the Shahs were therefore allies. <figure><img width="640" height="421" src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221109141116/636ba8529c7e80680e0737d3jpeg.jpg" alt=""><figcaption> </figcaption></figure>Historian Dinesh Raj Panta remembers reading a smuggled copy of the first edition of Leuchtag’s book in secrecy because it was banned, ironically, after the Shahs came to power. As a historian, Panta was intrigued by the German’s relationship with Tribhuvan, his escape to the Indian Embassy in Kathmandu, departure to Delhi, and the events that followed.“Was she in love with Tribhuvan? Or was it just loyal devotion towards the king? Maybe the book was banned because people might think that the king’s father had a romantic alliance with a European woman and that would taint the history of the restoration of the Shah dynasty,” Panta speculates.Rajni Chand, the granddaughter of King Tribhuvan and daughter of Princess Nalini, was brought up in Happy Cottage inside Narayanhiti since she was two by both her grandmothers –Queens Kanti and Ishwari. Now 64 and living in Chhauni, she remembers her grannies talk about Erika and how everything changed after she arrived in Kathmandu.It was not just Erika who was devoted to the family. Chand remembers being told the royal family was also extremely fond of her. They even named the room when she taught them to waltz the Erika Dance Hall in her honour. As a child, Chand remembers sneaking into the hall every chance she got to admire the colourful walls, the decoration and cute animal toys.“My grandparents, mother and aunts were prisoners in the palace, and Erika was like a ray of sunshine in their lives, someone who they never imagined would help them recover from their miseries, and even in that short time, Erika managed to leave long-lasting memories for each one of them,” Chand told us in an interview last week. Unlike many history books about Nepal’s longest reigning king, Erika gives us an insider’s personal perspective on the man, describing vividly his melancholy and frustration at being a mere pawn at the hands of five Rana prime ministers: Chandra Shumsher, Bhim Shumsher, Juddha Shumsher, Padma Shumsher and Mohan Shumsher.Perhaps it is because of Erika’s influence that Tribhuvan confides that he wished to become a constitutional monarch like King George V of England. Which happened briefly during the transition in the 1950s, until his son King Mahendra took back absolute powers in 1961.King Tribhuvan worked alongside Dharma Bhakta Mathema and other Nepali democracy activists politicians, but the book’s more revealing parts are about the softer side of the man who loved and respected his wives and daughters, and who reciprocated the love.  The King and his family lived in Happy Cottage, which was later known as <a href="https://www.nepalitimes.com/here-now/preserving-king-birendras-family-home/" data-saferedirecturl="https://www.google.com/url?q=https://www.nepalitimes.com/here-now/preserving-king-birendras-family-home/&amp;source=gmail&amp;ust=1598858731477000&amp;usg=AFQjCNG3ObBK2zclJi4mjdLD1Vl7kzpgLA">Tribhuvan Sadan inside Narayanhiti Palace</a>. As a royal prisoner, the king’s life was like that of a bird in a gilded cage. He <a href="http://archive.nepalitimes.com/news.php?id=5572#.X0tObygzaUk" data-saferedirecturl="https://www.google.com/url?q=http://archive.nepalitimes.com/news.php?id%3D5572%23.X0tObygzaUk&amp;source=gmail&amp;ust=1598858731477000&amp;usg=AFQjCNGyP_KcLZSBXblZNaDipjaC99Z5PQ">was intrigued by Europe</a>, and often pored over mail-catalogues for clothes, furniture and cars to order for the palace. The book describes Tribhuvan as a man of sophistication who yearned to visit the outside world.Tribhuvan was childlike, and according to Erika he never liked alcohol – mainly because he did not want to be a puppet king spoilt by wine and women like his father and grandfather. He was fond of cigars, dressed well, and once smuggled two trunks full of books from India through <a href="http://archive.nepalitimes.com/news.php?id=10754#.X0tONCgzaUk" data-saferedirecturl="https://www.google.com/url?q=http://archive.nepalitimes.com/news.php?id%3D10754%23.X0tONCgzaUk&amp;source=gmail&amp;ust=1598858731477000&amp;usg=AFQjCNGeUygdKTg44KKrBkNYYNg6Blgp_g">Boris Lissanevitch</a>, the White Russian émigré who managed Royal Hotel.The book is a time capsule and through Erika’s keen sense of observation, we get descriptions of Narayanhiti’s majestic gardens and detailed portrayals of people she came across. The book is necessarily dated and in places turgid when she is describing the sights and sounds of Kathmandu, but one has to understand that this was one of the first books introducing Nepal to the outside world. <figure><img width="640" height="428" src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221109141116/636ba8549c7e80680e0737d4jpeg.jpg" alt=""><figcaption> </figcaption></figure>There are hints that Erika was more than a royal physiotherapist, she mentions walking hand-in-hand with the Tribhuvan around the palace garden. It is clear that she and Tribhuvan were working together to overthrow the Ranas, and in this she became the go-between to coordinate logistics with Indian ambassadors Surjit Singh Majithia (1947-49) and CPN Singh (1949-52).She and Tribhuvan developed elaborate code words in their communications to keep their plans a secret. Here were some of them:Serpent - A Rana Big Snake - Prime Minister Mohan Shumsher Bird - Ambassador Moor - The King Flower - Letter Kite - Airplane Storm – EvacuationErika - LakshmiErika and the King, is now available as an <a href="https://www.amazon.com/Erika-King-Leuchtag/dp/B0007E688M" data-saferedirecturl="https://www.google.com/url?q=https://www.amazon.com/Erika-King-Leuchtag/dp/B0007E688M&amp;source=gmail&amp;ust=1598858731477000&amp;usg=AFQjCNHopWxvyrr42DwwgcwKS65XtM0j9A">e-book in English translation</a> and is a timeless historical read. This is a fairy-tale account of that period, but it is accurate and does not exaggerate her own influence. <img width="960" height="888" src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221109141116/636ba8569c7e80680e0737d5jpeg.jpg" alt="">Rajni Chand (pictured left) notes that Erika's account and the oral history that she grew up with in the Shah royal family do match quite a bit. Chand admits she admired and respected Erika, probably also because the book mentions her grandmothers, mother and aunts in loving terms. That is the other unique part of this book -- very few historical accounts in Nepal ever mention the women behind the scenes, and if they do the female protagonists are often portrayed as power-hungry and ruthless.   <figure><img width="1280" height="960" src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221109141116/636ba8589c7e80680e0737d6jpeg.jpg" alt=""><figcaption> </figcaption></figure>The book concludes with King Tribhuvan’s death in a hospital in Zurich, and as Dinesh Raj Panta notes, leaves open an interpretation about why Erika did so much for a country that would have never recognised her efforts.  Even 62 years after its first publication, Erika and the King is a fascinating insider account of Nepal’s royal family through the eyes of a foreigner. It also re-introduces us to Erika Leuchtag, who seems to have played an important role in the escape of Tribhuvan and his family in 1950 to the Indian Embassy and four days later to Delhi. The rest, of course, is history, as the tri-partite Delhi Agreement paved the way for an interim government and move towards a democratic Nepal. We won’t give away any spoilers, but we learn about Erika’s role in getting Tribhuvan to meet the Indian ambassadors and carry a letter from Nehru. This is all stuff that could be turned into a gripping historical tv series like The Crown for which Erika Leuchtag has already written the script. Excerpts: King Tribhuvan was curious about Senior Queen’s physiotherapy treatment and wanted the same treatment for himself too. Here, Erika describes King Tribhuvan's physique in intimate details: He took off the dressing gown. Beneath it, he wore black and white bathing trunks, and his body was as superbly muscled and as graceful as that of the dancing deity Nata Raja. About his hips, and dipping down toward his loins, was a broad belt of thin golden mesh, fastened in the centre by a clip mouthed with a great emerald. Around the biceps of his right arm he writhed a golden snake, it's head a milky moonstone. From his throat, hung amulets strung to threads of gold and emeralds.  From neck to ankle he was tattooed, twisting, cunning convolutions of blue lace of his pale skin. The intricate patterns combined on his chest, thighs and shoulders to form ferns, flowers and the outstretched beauty of peacock’s feathers.  A letter from King Tribhuvan to Erika Leuchtag where he has given due credit to Erika's effort through coded words:  ‘Dear Miss Lakshmi -- I thank you for your advice -- be still more grave. I will try very much to be grave. The photo of Lakshmi is in my portico, the reflection is in my heart. Do not forget us. The bird came to my garden and gave me the Doctor's flower, but you are the person who sowed the seed and took care of the plant. The flower is very sweet and beautiful. What more? Not only I, but all my party offer you our heartfelt thanks for the trouble you have taken to plant and make it free from pest.’ In a conversation with Indian Ambassador CPN Singh during a picnic trip to Budhanilkantha, Erika Leuchtag writes about a conversation with his predecessor: I told him that Surjit had met the King, and that he had promised to help, even by flying the King out of Nepal to asylum in India, but this had come to nothing with Surjit's recall.  Chandreshwar Prasad Narain Singh: "I should meet your King, also, although I cannot promise to fly him out of the country. But first tell me what it is he wants from India. I shall be going to India soon. Perhaps I could talk to Pandit-ji (Jawaharlal Nehru) and perhaps bring a letter back for your King.”Erika and the King (With a King in the Clouds)by <a href="https://www.amazon.com/s/ref=dp_byline_sr_book_1?ie=UTF8&amp;field-author=Erika+Leuchtag&amp;text=Erika+Leuchtag&amp;sort=relevancerank&amp;search-alias=books" data-saferedirecturl="https://www.google.com/url?q=https://www.amazon.com/s/ref%3Ddp_byline_sr_book_1?ie%3DUTF8%26field-author%3DErika%2BLeuchtag%26text%3DErika%2BLeuchtag%26sort%3Drelevancerank%26search-alias%3Dbooks&amp;source=gmail&amp;ust=1598858731477000&amp;usg=AFQjCNE-_71Hzq5pnnqaDk13T5NFuohKTw">Erika Leuchtag</a>Coward-McCann; First Edition (January 1, 1958)Hardcover 255 pages $12.48 <a href="https://www.amazon.com/Erika-King-Leuchtag/dp/B0007E688M" data-saferedirecturl="https://www.google.com/url?q=https://www.amazon.com/Erika-King-Leuchtag/dp/B0007E688M&amp;source=gmail&amp;ust=1598858731478000&amp;usg=AFQjCNHywzQxAUhBengy0Xi0PBJWewxKbw">on Amazon</a><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221109141116/636ba85b9c7e80680e0737d7jpeg.jpg" alt="" width="210" height="300">

Erika and King Tribhuvan

The monsoon has got bad press because Nepal’s tourism operators actively told visitors to avoid <a href="https://nepalitimes.com/opinion/managing-the-monsoon?%2F">the rainy season</a>. It is time to change that. The reason can be found right here in the vast alpine meadows of Central Nepal where this time of year you can walk on velvet grass of pastures abloom with delicate pink, red and yellow flowers as the mist rolls up the valley. There is no sound except the hum of bumble bees. &nbsp;&nbsp; There are dozens of places across high Nepal called Chaurikharka, which means yak pasture. But this particular Chaurikharka in Rukum East located at an altitude of 4,000m stands out for its serene beauty, rustic charm and bucolic setting. There is just the occasional chime of <a href="https://nepalitimes.com/here-now/when-yaks-go-so-does-culture">yak bells</a> in the distance, and the sharp whistle of herders corralling sheep. &nbsp;&nbsp; The grass shoots are so fragile that one hesitates to step on them, the rounded ridges appear and quickly vanish in waves of mist. With the<a href="https://nepalitimes.com/here-now/before-the-next-monsoon"> arrival of monsoon</a>, these meadows are a soothing shade of green dotted with millions of <a href="https://nepalitimes.com/review/the-anatomy-of-a-flower?%2F=">multi-coloured flowers</a>. Until very recently, it took a week or so to hike up to places like Chaurikharka, but with the expansion of the road network even to these far-flung mountains in the lap of Dhaulagiri, they are much more accessible. It is just a three-hour uphill from the Mid-Hill Highway on the border between Baglung and Rukum East.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250802130828_a0b06b494d751b2144ffbbf10894ea64b29e8aed844bc8c66171783abfaf4e16.jpg" data-media-id="editor_4" data-image-id="20250802130828_a0b06b494d751b2144ffbbf10894ea64b29e8aed844bc8c66171783abfaf4e16" data-rendition-name="original" width="2048" height="1365" loading="lazy" alt="Visit Nepal in the monsoon"> </figure>  Purists would say that such easy access devalues the sanctity of these remote high meadows, but it also means more people will be moved to treasure the experience, appreciate <a href="https://nepalitimes.com/banner/natures-fragile-gift-to-nepal">the value of nature </a>so they can take steps to protect it.&nbsp; To be sure, the <a href="https://nepalitimes.com/here-now/deadly-monsoon-in-nepal-turns-deadlier">monsoon season can be challenging for road travel</a>. The roads are rough even at the best of times, and in the monsoon they become muddy and treacherous, often blocked by<a href="https://nepalitimes.com/news/monsoon-deluge-in-nepal"> landslides</a>. But that could be precisely the kind of adventure that the more intrepid visitors crave. Improved road connectivity has already made Chaurikharka and places like Badimallika &nbsp;and other sacred lakes in the mountains of western Nepal popular with domestic tourists. What is driving this traffic is the urge to go to exotic new places and share videos and selfies on social media. Several of Nepal’s travel vloggers have visited Chaurikharka and popularised the place, enticing followers on TikTok or YouTube to retrace their footsteps. But even as they become more popular, these fragile and once-remote places should be protected from over-tourism.&nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250731110736_f97110b7cdc3e7f80d5877690948fc9f4c95a09c583deb23b07355491e6c5446.jpg" data-media-id="editor_8" data-image-id="20250731110736_f97110b7cdc3e7f80d5877690948fc9f4c95a09c583deb23b07355491e6c5446" data-rendition-name="original" width="1083" height="699" loading="lazy" alt="Visit Nepal in the monsoon NT"> </figure>  <h2>INCREASING FOOTFALL</h2> Chaurikharka is located in Bhume Rural Municipality of East Rukum, near the scenic valley of Dhorpatan in Baglung district. Even in the <a href="https://nepalitimes.com/banner/monsoon-culture">middle of the monsoon</a>, there is a steady stream of Nepali hikers trooping to these high pastures – especially during festival days like Saune Sankranti which this year was on 17 July and actually marks the auspicious beginning of the monsoon here. “This year the rains have not been as heavy and there have been some clear mornings when we could see everything from Dhaulagiri to Machapuchre,” says Khageswar Bhandari, who trekked up here from the road. “The flowers, the greenery and the snowy mountain views make this an incredibly unique place.”&nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250802130824_1b9e26f2e9853fdfe69154bb42a7c9ea6da4bf4940efc1da99b304dcfbd7d3d9.jpg" data-media-id="editor_10" data-image-id="20250802130824_1b9e26f2e9853fdfe69154bb42a7c9ea6da4bf4940efc1da99b304dcfbd7d3d9" data-rendition-name="original" width="2048" height="1152" loading="lazy" alt="Visit Nepal in the monsoon"> </figure>  Chaurikharka is worthwhile to get to in any season, but it has a different charm during the monsoon. Word has spread and because it is now easy to get to from Baglung or even Pokhara, people have been flocking here.&nbsp; “Holidays and Saturdays see the largest crowds, with up to 500 visitors every day,” says ward chair Mankaji Pun of Bhume.&nbsp; There was a time not too long ago when local herders brought sheep, goats, cows, buffaloes, horses, and mules to graze here during the monsoon. Although there are still livestock around, animals have been replaced by visitors taking selfies. Read also: <a href="https://nepalitimes.com/here-now/the-monsoon-and-nature-s-arithmetic">The monsoon, and nature’s arithmetic</a>, Tom Robertson Ward Chair Pun says infrastructure development is his main priority. A foot trail to Chaurikharka was built last year by the Tourism Division Office in Kohalpur, but access via the Raniwas-Koipa road section still remains challenging.&nbsp; “If we get more budget, we can improve the road and facilities to make Chaurikharka the main tourist attraction of this region,” says Bhume Municipality Chair Hom Prakash Shrestha. “After that, we hope to promote Chaurikharka as a top tourist spot.”&nbsp; Economic activity is also picking up with the arrival of visitors, but there seems to be a need to manage the makeshift sheds made of corrugated sheets that spoil the beauty of the place. Tea shops and lodges are also available but facilities are basic. Kuldeep Neupane took a three-day trip from Ghorahi in Dang to visit Chaurikharka recently, and says: “This is an ideal trip to make a quick getaway and let nature recharge your mind and body. And it is much more fun with a tent, to watch the sunrise over the Himalaya or the mist blowing in.”

Visit Nepal in the monsoon

Two weeks ago, Prime Minister KP Sharma Oli announced jubilantly on social media that Nepal had achieved a historic annual growth of 81.8% in exports. He was right. Nepal’s trade did take a great leap forward compared to last year. But the dramatic rise was mainly due to processed soya bean oil.&nbsp; However, Nepal does not produce the edible oil it exports. In fact, the soya and palm oil that make up 44% of total exports are imported from Southeast Asia and South America, and simply re-exported, mostly to India.&nbsp; Under the SAFTA (South Asian Free Trade Area) Agreement, Nepal can export products to India duty-free if it has at least 30% value-added. Nepal’s traders have taken advantage of SAFTA even though the edible oils they export do not reach that value addition threshold. “The 30% value addition requirement is often only on paper,” says former commerce secretary Purushottam Ojha. “It is clear that simply packaging edible oils in Nepal does not fulfil the terms of the trade agreement.” Prime Minister Oli is aware of this, and even called Nepal’s export figures “fake” at an earlier event. The government is relying on other iffy figures to suggest that Nepal’s economy is strong and getting stronger. For example, the value of imports rose by 13.25% in 2024-25 compared to the previous fiscal year.&nbsp; Some of it was due to a jump in electric vehicle imports worth Rs 31.76 billion, but mostly it was because more wholesale soya oil was imported to be re-packaged and sold in India. The very fact that the government boasts about increased imports is an indication of how much it relies on taxing them for revenue. Touting such trade figures cannot be the basis to claim an economic rebound.&nbsp; “A jump in the value of imports can be interpreted as an increase in purchasing power, but it is not evidence of a stronger economy,” says economist Keshav Acharya. “Even though imports have increased, Nepal's domestic production and productive capacity have not improved.” Nepal Rastra Bank's semi-annual economic activity study report shows that industrial production was down in the first six months of the last fiscal year. This despite an increase in the number of new industries registered and investment commitments. Out of the Rs70.2 billion proposed foreign investment, Nepal received only Rs17.9 billion last year.&nbsp; Meanwhile, the rate of capital formation was limited to 24% last year, which is lower than the year before, suggesting that new investment, job creation and economic expansion all declined. If domestic production does not improve in relation to this year’s inflated trade figures, the outflow will put pressure on foreign exchange reserves like it did three years ago. At that time, Nepal borrowed from the IMF under its Extended Credit Facility Program to kickstart the economy.&nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2025080710084_2cdaaa5795828c4a7de93a0604ba884ef0a8b8f24cccd939f6c24e279ab6058f.jpg" data-media-id="editor_0" data-image-id="2025080710084_2cdaaa5795828c4a7de93a0604ba884ef0a8b8f24cccd939f6c24e279ab6058f" data-rendition-name="original" width="1633" height="723" loading="lazy" alt="Nepal's bubble economy NT"> <figcaption>Source: NEPAL RASTRA BANK</figcaption> </figure>  The macroeconomy is on firm footing with foreign exchange reserves at a comfortable Rs2,520 billion in May, up 23% from last year. This was largely due to remittances, and partly due to a falling NPR exchange rate. Real estate transactions and the stock market index have also been climbing as a result of government policies to revive the sector.&nbsp; However, former executive director of Nepal Rastra Bank Nar Bahadur Thapa cautions: “This is not organic growth, it is the result of deliberate policy decisions to relax rules on real estate and stock markets transactions.” In reality, the sharp rise in land prices have increased the cost of production, and excessive monetisation of the real estate has become the main source of Nepal’s economic woes. The central bank has announced a slew of new policies, shifting the terms of loan repayment for industrialists and entrepreneurs, reducing interest rates, and injecting more working capital — all designed to inject adrenaline into the real estate and stock market sectors.&nbsp; When he was governor, Mahaprasad Adhikari made several financial reforms during the latter half of his tenure to stimulate the economy, including tightening credit flow.&nbsp; By the last fiscal year, additional financial reforms had resulted in a credit expansion rate of around 8%. As the pace of credit expansion slows, real estate prices have started to fall. This is actually beneficial to the economy, because it lays the foundation for improvements in land-related entrepreneurship, production, and the construction sector. Just because real estate and the stock market transactions increase, it does not indicate an economic turnaround — especially when manufacturing and productive sector continues to languish.&nbsp; “It is foolish to believe that real estate and the stock market have magically revived our economy. Agriculture employs more than half of the population, but it is in decline. Investment in the productive sector has not increased, and job creation has not increased.” Two years ago, Nepal’s industrialists, business leaders, and political leadership predicted a recession amidst a sluggish business, declining market demand, large-scale job loss, and a shrinking real estate and share market.&nbsp; Still, the economy grew by 3.36% in fiscal year 2023/24. In fact, Nepal’s economy has grown nominally over the last two decades even when all sectors of the economy are in decline.&nbsp; Says Keshav Acharya: “The growth in trade, real estate, and the stock market are bubbles. The real economy remains stagnant.”

Nepal’s bubble economy

The final investigation report on the crash of a Saurya Airlines jet on 24 July 2024 at Kathmandu airport has revealed flaws in the carrier’s technical operation procedures, poor monitoring by the Civil Aviation Authority of Nepal (CAAN) and gaps in the airport’s emergency response. Eighteen people including a child were killed, and only the captain survived as the plane plunged seconds after takeoff, crashing within the airport perimeter. This was the latest in a series of aircraft accidents in previous years, and further tarnished Nepal’s already poor aviation safety record and contributed to the country being retained in the EU’s air safety list. &nbsp;&nbsp;&nbsp; The circumstances in the Saurya crash were different from the Yeti Airlines crash in Pokhara in January 2022 that killed all 72 on board, and two Tara Air crashes in February 2016 and May 2022 on approach to Jomsom that together claimed 45 lives. However, all four tragedies were a result of negligence of carriers and crew, failure to follow procedures, regulatory slackness, and overconfidence. The Saurya crash, especially, was a glaring example of how an ailing airline broke its own rules to allow passengers, including non-employees, a joy ride to Pokhara on a maintenance ferry flight. CRASH REPORT The Final Investigation Report prepared by the Aircraft Accident Investigation Commission and released on the first anniversary of the crash last week carried a long list of rules that were ignored or broken, and of regulatory failure. The first mistake was to cram spares, tools and inflammable chemicals needed for the aircraft’s C-Check in Pokhara into the cargo hold flouting its own ground handling procedures.&nbsp; There was no check-in of passengers, some of whom were not even employees – even though regulations say only flight and maintenance crew should be on board a maintenance positioning flight. Many brought their own luggage into the plane and stored it unsecured in the cabin. There was no flight attendant to give a safety briefing to passengers. The load and trim charts given to the flight crew were rough estimates, and the total takeoff weight of the plane was 18,300kg plus or minus 200 kg. That would still have been all right, but there was a glaring mistake in the speedchart Saurya pilots were using to calculate the minimum takeoff speed (known as VR), and it had been wrong ever since the 21-year-old aircraft entered service with the airline in 2017. FAULTY DATA&nbsp; The Commission probed Flight Data Recorder inputs from previous takeoffs of the Canadian-built CRJ200-LR in 2023-2024 and found that the undetected error in the speedchart had caused the plane to pitch up at an abnormal rotation rate at least 18 times on previous takeoffs.&nbsp; Any rotation rate more than 3°/sec is regarded as unusual. But on at least two occasions, this aircraft with tail number 9N-AME had rotation rates of 5.8°/sec and 5.5°/sec, the second one was when the pilot who survived was flying in March 2024.&nbsp; On this particular day, the plane’s rotation rate was 6.5°/sec, causing it to go into a deep stall soon after takeoff, the Commission report said. Essentially, the plane was not flying fast enough down the runway to take off safely.&nbsp; It is not yet clear whether excess weight, unsecured luggage, wrong centre of gravity were also factors, but relying on a faulty speedchart for the given takeoff weight, the captain flying pulled back on the yoke before the plane had reached takeoff speed and at a pitch angle that was too steep. The investigation report says the plane then went into a deep stall and started banking right with the stick shaking. At this point, the flight officer on the right hand seat is heard on the cockpit voice recorder saying: “Whoa, whoa, whoa. Sir, Sir, Sir…” It then banked left before the pilot flying turned the plane sharply to the right again in an evasive action to avoid the parking aprons of the international and domestic terminals. Had he not done so, there would have been a disaster of a much greater magnitude at Kathmandu airport that day. The plane scraped the runway with its right wingtip, collided with a container having helicopter spare parts, and plunged into a gully east of the runway, exploding in a fireball. The investigation also noted that the impact forces seemed to be survivable for some occupants. The fire trucks took unnecessarily long to reach the site even though it was inside the airport perimeter. The absence of an ICAO-standard runway strip, inadequate rescue drills, lack of training, and a blocked emergency service gate leading to the crash site were cited as other factors. &nbsp;&nbsp; <h2>Timestamp of a Disaster</h2>  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250731110724_39cdd04693994ce6e55a5b302905c0fa4884fe85bed21ff0779bb1439f3a5725.jpg" data-media-id="editor_0" data-image-id="20250731110724_39cdd04693994ce6e55a5b302905c0fa4884fe85bed21ff0779bb1439f3a5725" data-rendition-name="original" width="778" height="826" loading="lazy" alt="Flouting rules caused Saurya tragedy NT"> </figure>  11:10:34 - The Saurya Airlines CRJ200 on the takeoff roll from runway 02. It had a takeoff weight of about 18,300kg, but the pilot’s speedcard had a previously undetected mistake about the minimum takeoff speed. 11:10:55 -The plane with tail number 9N-AME goes into deep stall soon after takeoff because it does not have enough speed to lift its weight. The plane also has an abnormally steep nose-up attitude.&nbsp; 11:11:03 - Without enough speed to generate lift, the plane banks right, then left and right again in CCTV photos taken from the domestic apron (below). If it had not banked right, it could have hit the aprons and terminal buildings. Seen parked is Saurya’s other CRJ200 with tail number 9N-ANM.&nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250731110732_608132f7225c649125cca2691dd6a6bf930984c5b359e888d7ad9e5eacce3afd.jpg" data-media-id="editor_1" data-image-id="20250731110732_608132f7225c649125cca2691dd6a6bf930984c5b359e888d7ad9e5eacce3afd" data-rendition-name="original" width="770" height="555" loading="lazy" alt="Flouting rules caused Saurya tragedy NT"> </figure>  11:11:08 - The plane scrapes the runway with its right wingtip, and falls into the gully. The captain is thrown off the left side of the cockpit and survives. 11:11:15: Plane explodes in a fireball inside the airport perimeter. Firefighters take time to reach the site because of lack of access road and a blocked gate. Read the full investigation report <a href="https://www.tourism.gov.np/files/9N-AME%20AIC%20Final%20Report.pdf">here</a>.

Flouting rules caused Saurya tragedy

American artist Peter Makela was in Nepal in 2022 on a Fulbright scholarship when he experienced the Matya festival in Patan in which devotees made the rounds of the city’s shrines.&nbsp;
He joined the procession, walking through 2,600 stupa and 140 bahal of the town. That immersion left a lasting impression.
As part of Gallery Mcube’s international residency program in Patan, he put his inspiration to canvas in the exhibition Yala Yatra: Walking, Working, Worshipping. The exhibition also coincides with this month’s Matya festival.&nbsp;
Makela has visited Nepal often in the past 11 years but he mostly stayed in and spent his time around Boudha. “This time I stayed in Patan, put the sites I wanted to visit on my map, and off I went,” he tells us. “Each of my artwork is inspired by the stupas and shrines in Patan that I visited.”
The stupa and Ganesh are recurring motifs in his watercolours, and the elephant gods are located in chaityas — reflecting the interplay and blending of the Hindu and Buddhist faiths in Kathmandu Valley.&nbsp;
The stupas and Ganesh are painted in vivid red, yellow, blue and green against abstract backgrounds meant to represent the sky.
“I use the sky as a backdrop because the sky has no border,” says Makela. “The four colours represent the four elements, the different Buddha families and also lights bouncing off of a rainbow.”
The use of just four colours for all the artwork stands out, and combined with the absence of heavy canvases, frames or stands render Makela’s art striking in its simplicity.&nbsp;
The Ganesh is always holding something and the art also portrays the elephant god’s sacred vehicle, the mouse.
While his vibrant stupas and Ganesh reflect the tangibility of Patan’s tradition and heritage, it is as if the backdrops with their shades of grey and red and yellow capture the soul of the city’s shrines.
“If you look closely, there is a sense of form and formlessness at the same time,” he says.&nbsp;
Makela walked 108 kora around the shrines during his exploration of the town, and in the process developed a spiritual connection with Patan’s heritage and traditions.&nbsp;
The exhibition connects with visitors on a deeper, more spiritual, level as well. And with it, they feel a sense of pride as well as the need to urgently preserve Patan’s heritage for future generations.
“Peter’s inclination and approach towards Nepali art and culture is fascinating, and it reflects in his work,” says Mcube curator Manish Lal Shrestha, whose international artist residency program promotes Nepal’s cultural heritage. &nbsp;&nbsp;
Yala Yatra: Walking, Working, Worshipping
1-5 August&nbsp;
10AM-7PM
Gallery Mcube, Patan

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Walking, working, worshipping in Patan