After making his name as an animator providing sequences VFX footage for movies like House of Dragons, Dora, Lion King and many others, <a href="https://nepalitimes.com/here-now/animated-in-nepal">Kiran Bhakta Joshi of Incessant Rain</a> is opening the Nepal affiliate of Women in Animation (WIA). Joshi hopes to help Nepali filmmakers get more exposure and make connections on global platforms through WIA, not just in animation but also live action. Animators, writers, directors, technicians are all represented in the non-profit which provides mentorship and scholarships.&nbsp; “Most big studios in the US are supporting WIA because gender justice is so important,” explained Joshi, who is based in California, and runs the Incessant Rain studio in Kathmandu. “If a film producer needs a female artist or technician, they ask WIA, and being involved would provide good exposure to Nepali filmmakers.”&nbsp; Read also: <a href="https://nepalitimes.com/news/it-is-it">IT is it</a>, Sahina Shrestha WIA’s Nepal affiliate is the first in South Asia, and has filmmaker Sampada Malla as president. She told us, “This is the golden age of Nepali cinema. Better Nepali movies are being made and through WIA, more of them may go to international platforms, with possibilities of collaboration.” Deepa Joshi, co-CEO of Incessant Rain, says WIA will engage in advocacy, mentorship, and education Nepal. She adds, “There is still the perception that cartoons are for children. We want to show that there are great career options for women in animation.”&nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20231007041012_785230211263fbfa28ec5fb73d82368037d2f9f2fa699fd9f8d32b6f6de7f381.jpg" data-media-id="editor_2" data-image-id="20231007041012_785230211263fbfa28ec5fb73d82368037d2f9f2fa699fd9f8d32b6f6de7f381" data-rendition-name="original" width="4032" height="3024" loading="lazy" alt="Women in animation in Nepal"> <figcaption>Deepa Joshi</figcaption> </figure>  Stories X Women of WIA helps female-led projects prepare their pitch packages and organise sessions attended by Hollywood executives. “Networking can help women filmmakers make the connections required to produce their films,” she adds.&nbsp; WIA Nepal will provide scholarships to Nepali women eager to get into animation, and eventually expand to training film editors, cinematography, scriptwriting, and production, reaching out beyond Kathmandu.&nbsp; Says Kiran Joshi: “Ultimately, the success of Nepali films and animation will depend on how inclusive the sector is.”&nbsp; <h2>Female artists into filmmakers</h2> Nepali Times: Why are there so few women animators even in your company Incessant Rain? Kiran Bhakta Joshi: Gender inequality is a global problem, but it is worse in Nepal because of the patriarchy. After marriage, many families expect women to stay home and look after the family, which means that women end up losing their careers on interests.&nbsp; Up to 20-25% of the staff at Incessant Rain are women, and most of them are in admin. There are even fewer women artists. I was so busy bringing in work and delivering products over the years that I did not even notice this discrepancy. As a man, one often does not even notice these things. But we have recently started a program at Incessant Rain, which has increased the number of women.&nbsp; How did this gender justice program come about?&nbsp; As the company grew, so did my workload. At one point, I realized that I couldn’t lead the company alone. Two and a half years ago, I asked Deepa Chipalu Joshi to join the company and help lead it. She immediately noticed that there were very few women, and asked me why. As usual, like men do, I said that it is difficult to find qualified women artists in Nepal. Deepa said that was not a good answer, we must try harder. That is when we started thinking seriously about improving the gender balance.&nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20231007041016_a23fe4961b18931633cc7a1d4e1d6c05d5f4f3d727e68ef248af3ffbc7dcdd2a.jpg" data-media-id="editor_3" data-image-id="20231007041016_a23fe4961b18931633cc7a1d4e1d6c05d5f4f3d727e68ef248af3ffbc7dcdd2a" data-rendition-name="original" width="4032" height="3024" loading="lazy" alt="Animation in Nepal"> </figure>  What kind of steps did you take to increase the participation of women?&nbsp; Deepa started an outreach program where she goes to different schools and colleges and tells young people about the kind of career they can have in animation and how they can fit in a company like Incessant Rain.&nbsp; Also, when someone goes on maternity leave, we want to make sure that they come back, in any capacity. Maybe they can be given a lighter workload or shift them to a department where they need to work only 20 hours a week. And we know it is a temporary problem, once the kid is grown up, they will be back in their full capacity.&nbsp; Gender justice is not just for women, it also applies to men. We want to afford the same facility to fathers as well. No one should have to lose their job because they had a baby. We are looking at having a daycare center at the office, which will make it easier for new parents to work. There are even fewer women in leadership positions.&nbsp; It is not enough to hire more women, you are right, they should also be in senior positions. That is why I stepped down from my role as CEO and made her co-CEO. If the leading woman is still reporting to a man, then nothing changes. So now we, as co-CEOs, manage different areas of the company. I look after the creative and technical side while she looks after her areas of expertise like finance, operations, human resources, etc. This has given a strong message to every artist in the company. If we want to make changes, it must start at the top.&nbsp; How can WIA help to further this goal?&nbsp; In Kathmandu, our academy is fairly reasonably priced. But, that is not the case outside of the Valley, where this opportunity and this amount is out of reach. So, eventually, we want to tap into WIA for funds to provide opportunities for training and education to women artists outside Kathmandu.&nbsp;

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Opportunities for women animators

<figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221110111152/636cd85f9c7e80680e092e3cjpeg.jpg" alt="" width="1500" height="1000"/><figcaption>Ashim Shakya explaining the ice cube in his digital painting Solitude that won the CGTrader Award last year and has sold four copies to buyers in Germany, Singapore and Nepal. All photos: AMIT MACHAMASI</figcaption></figure>The black walls, dark cave-like interior of the Van Gogh Room at Dhokaima Café deepens the apocalyptic mindscape displayed in first physical exhibition of digital art by <a href="https://www.facebook.com/explodingbrain">Ashim Shakya.</a>The manipulated images blend photographs, graft images, to communicate heritage loss, environmental degradation, climate change, ruinous urbanisation – all with gut-wrenching imagery.A colossal coal-powered sewing machine stitches soul-less suburbia into a bucolic countryside, pressure cookers let off steam from Kathmandu Valley’s red hot furnace, a teacher conducts class inside a rice cooker, a gigantic ice cube melts on a mountain top sending water cascading down the side.Shakya’s surreal digital images have a nightmarish quality, as if they are products of fearful dreams. But no, they are everyday reality for everybody.<img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221110111152/636cd8629c7e80680e092e3djpeg.jpg" alt="" width="1500" height="1000"><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221110111152/636cd8659c7e80680e092e3ejpeg.jpg" alt="" width="1500" height="1000">Over a dozen of Shakya’s artwork <a href="https://archive.nepalitimes.com/article/Nepali-Times-Buzz/art-in-a-virtual-world,3808">created since 2012</a> are on display at the gallery till 24 March, part of <a href="https://www.nepalitimes.com/review/riding-on-the-waves-of-colours/">Tulikaa Kala’s solo exhibition series, Kholo 2.0</a> that is showcasing work by 28 classic and contemporary Nepali artists till August.“I think a lot, and I am completely immersed in the subject I am trying to convey,” Shakya says, pointing at the painting Solitude that won the <a href="https://www.cgtrader.com/">CGTrader Award </a>last year.Shakya only makes 20 prints of each digital work, and has sold four these to buyers in Germany, Singapore and Nepal.The theme here is obviously climate change, but Shakya does not want to be obvious. Solitude can mean many things to many people, it transcends the planet’s current anthropogenic crisis forces us to think of the nature of nature, impermanence and the riddle of existence. Kholo 2.0 Curator <a href="https://www.facebook.com/JodjoDkf">Ujen Norbu Gurung</a> bought termite ridden logs being sold for firewood to frame Shakya’s art in the gallery space, and propped them up like post-quake Kathmadu streets.Shakya takes months to painstakingly work pixel-by-pixel on some artwork. “If I put my heart and soul into something, I will finish it regardless of anything happening around me,” he says, pushing back frizzy locks, his beard almost eclipsing a smile.<img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221110111152/636cd8689c7e80680e092e3fjpeg.jpg" alt="" width="1500" height="1000">As an introvert child, Shakya was drawn to physics and spent most of his days locked inside his room, fiddling with electronic gadgets. But this just made him more self-sufficient, and art became an outlet to let his thoughts out.After brief animation courses in his late teens, Shakya learnt to paint with acrylic on canvas and graduated to digital art with his work in video games.“Digital art gave me the freedom to express my creativity and emotion and taught myself the techniques with experimentation,” he says, pointing out two of his favourite works, The Mahakal’s Epitome and Mellow Dwellings II, which is his best-seller with eight copies sold.“The combination of music, the crowd and infrastructure were lucid for me when I was working. I could feel that I was a character in the piece and enjoyed the emotions that played inside my head,” he says.The artist is nocturnal. Sometimes inspiration comes in dreams, and he wakes up to visualise his idea. Shakya burst into the art scene after the earthquake and blockade for his surrealistic digital images: animated temples floating weightlessly above a valley shrouded in smoke and dust, fearsome manifestations of anthropomorphic gods and goddesses, and old Newa houses transformed into guitars and sarangi. Born and brought up in Kathmandu, the city is Shakya’s muse. He draws inspiration from its rich heritage and its dystopian urbanisation. The themes are dark, the subject matter heavy, and the approach psychedelic. Yet Shakya treads lightly, leaving the images dangling in our mind’s eye to make what we want of it.He says, “The universe is ever-evolving. We humans are just specks. I don’t take the human species too seriously. Nature will survive, the Earth will go on without us.”Shakya’s exhibition at <a href="http://dhokaimacafe.com/">Dhokaima Café’s</a> Van Gogh room will run until 24 March. <a href="https://www.facebook.com/events/dhokaima-cafe/kholo-20-a-cycle-of-life/232292488568692/">Kholo 2.0 – A Cycle of Life </a>is ongoing at Dhokaima Cafe until 27 August.

Ashim Shakya’s digital hyper-realism

The newly-formed Himalayan Art Council is set to launch Nepal’s National Art Protection Platform that seeks to preserve <a href="https://nepalitimes.com/banner/the-history-of-heritage">Nepal’s unique cultural heritage </a>using<a href="https://nepalitimes.com/here-now/artificial-censorship"> AI-powered tools</a>. The Council seeks to safeguard <a href="https://nepalitimes.com/banner/nepali-art-going-places">Nepali art works</a> from neglect, theft and counterfeiting as well as preserve existing artwork and celebrate living masters by giving them a cultural space to continue the <a href="https://nepalitimes.com/banner/sacred-survival">sacred art traditions</a>. "We are introducing a new digital platform designed to preserve, verify and elevate <a href="https://nepalitimes.com/banner/nepals-new-generation-of-alternative-artists">Nepal’s art for generations to come,</a>” says a statement from the Council, adding that the digital platform will use AI told for authentication and blockchain to keep track of works of art. Artists can now be protected by <a href="https://nepalitimes.com/multimedia/ayo-ai?fbclid=IwAR1uwmTVq4gUB70ljfRezjzukD9ArWXPuMnUikopeQ8PoiZMjicToPSwhKE&amp;=1">AI tools</a> that detect forgeries, identify their work even when unsigned, and ensure they receive proper recognition and credit. The archives will be searchable with translated inscription and interactive guides. Says curator Meena Lama: “AI and blockchains are tools that give us the power to detect fakes and identify unsigned paintings and track every piece. With these tools we can restore trust, secure authorship and give artists the dignity they deserve.”  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250514170544_2ab58f6313c0458f75114a692b0016bd9efb3b59d5f8f07f0da72e1e37b82f53.jpg" data-media-id="editor_6" data-image-id="20250514170544_2ab58f6313c0458f75114a692b0016bd9efb3b59d5f8f07f0da72e1e37b82f53" data-rendition-name="original" width="1300" height="1000" loading="lazy" alt="Artwork at the Traditional Art Exhibition at Patan Museum."> <figcaption>Artwork at the Traditional Art Exhibition at Patan Museum.</figcaption> </figure>  The Council is also holding an exhibition of Nepali cultural masterpieces with 50 historical <a href="https://archive.nepalitimes.com/article/Nepali-Times-Buzz/Buzz-the-art,671">thangka and paubha </a>by past masters and <a href="https://nepalitimes.com/review/between-the-sacred-and-everyday">contemporary works by current artists</a>. This curated collection is a living tribute to <a href="https://nepalitimes.com/here-now/when-yaks-go-so-does-culture">Himalayan culture</a> with economic depictions of deities, mandala and sacred narratives. The exhibition at <a href="https://nepalitimes.com/multimedia/a-portal-into-patan-s-past-and-present">Patan Museum</a> also provides an opportunity to meet painters and custodians of art and culture. Read also: <a href="https://nepalitimes.com/review/golden-deities">Golden deities</a>, Sewa Bhattarai ‘The exhibition is only the first step in a long journey to ensure that Nepali art is no just seen but fully understood, <a href="https://archive.nepalitimes.com/article/nation/Narratives-of-Faith-and-Memory-Remembering-the-Lost-Sculptures-of-Kathmandu-exhibition,987">protected and remembered</a>,’ the Council says. Artist Kailash K Shrestha of Artudio has spent decades promoting thankha and paubha traditions because of their beauty and devotional meaning. But he also says artists are underpaid, exploited and ignored. He adds, “AI and blockchain are not just buzzwords, they are powerful tools that can protect Nepal’s artists from fraud, verify authenticity and build a permanent record of provenance.” Traditional Art Exhibition Till 17 May Patan Museum

Digital protection for Nepal’s art

India and Pakistan are twins separated at birth. Tensions between them have been at a hair trigger ever since independence and has erupted into full scale conflict at least four times in the past 80 years.
The 22 April terrorist attack in Kashmir that killed 25 Indian tourists and a Nepali citizen, threatens to escalate tension between the two nuclear-armed nations. India has squarely blamed Pakistan for the attacks, and Prime Minister Narendra Modi has given his military “operational freedom” to respond. Pakistan has said it has credible intelligence of an Indian military strike and its officials have promised a “full spectrum” response — a code for a <a href="https://nepalitimes.com/editorial/thinking-the-thinkable">nuclear retaliation</a>.
For Nepal, the killing of its national in the Pahalgam attack comes as another stark reminder that in conflicts from Afghanistan to Iraq, from <a href="https://nepalitimes.com/opinion/how-to-agree-an-armistice-in-ukraine">Ukraine</a> to Israel, <a href="https://nepalitimes.com/news/10-nepalis-from-one-town-fighting-in-ukraine">Nepalis are getting caught in the crossfire</a>. The last time full-scale fighting broke out between <a href="https://nepalitimes.com/opinion/peacemongers-at-india-pakistan-border">India and Pakistan</a> on Kargil in 1999, at least 22<a href="https://nepalitimes.com/here-now/india-s-trial-by-fire-for-soldiers-from-nepal?%27%5C%22="> Nepalis fighting for the Indian Army</a> were killed in action.
Three of Nepal’s immediate neighbours (China, India, Pakistan) have nuclear weapons, and they do not have good relations. With China supplying weapons, <a href="https://nepalitimes.com/editorial/war-and-warming">missile technology</a> and other support to Pakistan, this triangular friction could set off a regional conflagration.&nbsp;
<a href="https://www.nature.com/articles/s43016-022-00573-0" target="_blank">Research at Rutgers University</a> has calculated that even a week-long tactical nuclear exchange between India and Pakistan would throw up so much smoke and debris into the atmosphere that it would block out the sun for years, and lead to a collapse of the <a href="https://nepalitimes.com/news/grow-nourish-sustain-together-world-food-day">global food system</a>. This does not take into account the radioactive fallout that prevailing winds would blow up to <a href="https://nepalitimes.com/here-now/lives-on-the-line-in-the-himalaya">the Himalaya</a>, contaminating glaciers that are the sources of <a href="https://nepalitimes.com/here-now/saving-what-is-left-of-himalayan-rivers">Asia’s main rivers</a>.
The impact of <a href="https://nepalitimes.com/news/climate-breakdown-linked-to-thame-flood">climate breakdown </a>on High Asia was already ringing alarm bells about its <a href="https://nepalitimes.com/news/himalayan-icecap-melting-faster-than-thought">shrinking ice cap</a> reducing the dry season flow of water downstream. Water was going to be the next strategic commodity, geopolitical experts warned, and the next wars in Asia would be over water.
That water war is already happening. India retaliated to the Kashmir attack by suspending the <a href="https://www.nytimes.com/2025/04/24/world/asia/india-pakistan-indus-waters-treaty.html" target="_blank">Indus Waters Treaty</a> of 1960 mediated by the World Bank that has withstood at least three wars between India and Pakistan. The treaty gives India control over the three eastern tributaries of the Indus (<a href="https://en.wikipedia.org/wiki/Beas_River" target="_blank">Beas</a>, <a href="https://en.wikipedia.org/wiki/Ravi_River" target="_blank">Ravi</a> and <a href="https://en.wikipedia.org/wiki/Sutlej" target="_blank">Sutlej</a>), while Pakistan got water from the Indus and two of its western tributaries (<a href="https://en.wikipedia.org/wiki/Indus_River" target="_blank">Indus</a>, <a href="https://en.wikipedia.org/wiki/Chenab_River" target="_blank">Chenab</a> and <a href="https://en.wikipedia.org/wiki/Jhelum_River" target="_blank">Jhelum</a>.
Pakistan was assured of 70% of the annual flow, and India could use a reasonable amount of water for<a href="https://archive.nepalitimes.com/news.php?id=15231"> irrigation and hydropower</a>. &nbsp;Within days of its threat, India stopped water flowing down to Pakistan from the Chenab river and is reportedly preparing to do the same on the Jhelum.
The sabre-rattling has reached a crescendo. Besides threats and counter-threats there are also symbolic drills, with the Indian Air Force practicing landing on an expressway in Uttar Pradesh by its Rafale, Su-30 and Jaguar fighter jets to demonstrate ‘operational readiness’. In response Pakistan test-fired its Abdali ballistic missile that can carry a nuclear warhead and has a range of 450km.&nbsp;
The danger is that with ultra-nationalist rhetoric and the beating the war drums by both sides, India’s government and Pakistan’s military may have to ‘do something’ to appease domestic public opinion. But any tactical strike, an artillery exchange, or territorial incursion could quickly escalate out of control.
Expecting an Indian retaliation for the Pahalgam killings, Pakistan is using<a href="https://nepalitimes.com/opinion/interfaith-collaboration-for-nuclear-disarmament"> nuclear deterrence </a>and warning of “catastrophic consequences”. The two neighbours came close to a nuclear exchange in 2019 after an attack on the Indian military in Kashmir, and prompt international intervention led by the United States cooled tensions.&nbsp;
This time, the <a href="https://nepalitimes.com/news/trump-shock-wave-hits-nepal">Trump administration</a> is too distracted and not as engaged. Pakistan has denied it was responsible for the terrorist attack and called on Washington to stop a possible Indian retaliation. India and Pakistan have stopped overflights by each other’s airlines, and some international carriers have even stopped flying over Pakistan fearing an air war.
Washington, Beijing, the UN and the EU have all urged restraint. Iran, which has good relations with both India and Pakistan has sent its foreign minister to urge both countries not to go into a tit-for-tat war. Iran has its own nuclear flashpoint to worry about with tensions in Israel, &nbsp;Yemen and Syria.
India and Pakistan both share similar problems of joblessness, <a href="https://nepalitimes.com/here-now/why-nepal-s-poverty-rate-is-stuck">poverty </a>and <a href="https://nepalitimes.com/here-now/climate-change-new-threat-to-nepal-s-rhinos">environmental threats</a>. Neither side needs the threat of a senseless war, and we in the neighbourhood do not need it either.&nbsp;
Kunda Dixit
This Editorial is brought to you by <a href="https://nepalitimes.com/" target="_blank">Nepali Times</a>, in collaboration with <a href="https://inpsjapan.com/en/" target="_blank">INPS Japan</a> and <a href="https://sgi-peace.org/" target="_blank">Soka Gakkai International</a>, in consultative status with UN ECOSOC.

Nukes in the neighbourhood

Most Nepalis thought they had seen the last of it after <a href="https://nepalitimes.com/news/11-56-25-april-2015-wkc9q2an">the 25 April 7.8 magnitude </a>earthquake ten years ago. But the Himalaya had more surprises in store. On 12 May, another 7.3 magnitude tremor that some said was an aftershock, but was strong enough to itself be a major earthquake, struck Dolakha.&nbsp; Not many people had heard of Singati till then — a cluster of houses by the Tama Kosi River along a narrow gorge that is the roadhead to Rolwaling Valley.&nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250508110520_57b6e316656851f71eca56ca6f98d9bbcc820c1a00d62af3c990725b4361244d.jpg" data-media-id="editor_1" data-image-id="20250508110520_57b6e316656851f71eca56ca6f98d9bbcc820c1a00d62af3c990725b4361244d" data-rendition-name="original" width="1000" height="1500" loading="lazy" alt="Climate magnifies earthquake risk in Nepal village NT"> </figure>   <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250508110520_016534fb2b6a79957402281cda768efb83a146786377e39e11df3e251d37159e.jpg" data-media-id="editor_2" data-image-id="20250508110520_016534fb2b6a79957402281cda768efb83a146786377e39e11df3e251d37159e" data-rendition-name="original" width="1500" height="1000" loading="lazy" alt="Climate magnifies earthquake risk in Nepal village NT"> </figure>  It was here that dozens were killed on 25 April in the first earthquake. Hundreds of <a href="https://archive.nepalitimes.com/article/nation/Singati-rising-from-rubble-rebuilding,3703">Singati survivors</a> had lined up for food and relief supplies in the morning of 12 May when the second earthquake triggered a rock slide that buried a nearby camp. At least 50 people were killed. &nbsp; Three hours later, a US Marine Corps UH-1Y Venom helicopter landed in a nearby cornfield to pick up the wounded, and flew off. The aircraft lost contact with air traffic control in Kathmandu and its wreckage was located high on Kalinchok four days later. Six American servicemen, two Nepal Army soldiers, and five wounded civilians from Singati were killed. Today, Singati bears little physical scar of the multiple tragedies that struck the town ten years ago. Most <a href="https://nepalitimes.com/multimedia/bungamati-builds-back">houses have been rebuilt</a> as urban-style concrete structures, and Singati has become an economic hub on the road leading up to several hydropower plants and a<a href="https://nepalitimes.com/banner/off-the-beaten-trek-in-nepal"> popular trekking destination</a>.&nbsp; The town looks less like a village and more like a suburb of the Dolakha district headquarter of Charikot, 47km away.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250508110520_196f341d1df1403ba133e5dfeb837eec20d7cbcb4c8c56b17cc5598810de5df2.jpg" data-media-id="editor_6" data-image-id="20250508110520_196f341d1df1403ba133e5dfeb837eec20d7cbcb4c8c56b17cc5598810de5df2" data-rendition-name="original" width="1500" height="1000" loading="lazy" alt="Climate magnifies earthquake risk in Nepal village NT"> </figure>   <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250508110524_ae66c4a92430f67db51b5e11e017059eedfbac4cb18c8e073f2a50cca1fe904e.jpg" data-media-id="editor_7" data-image-id="20250508110524_ae66c4a92430f67db51b5e11e017059eedfbac4cb18c8e073f2a50cca1fe904e" data-rendition-name="original" width="1500" height="1000" loading="lazy" alt="Climate magnifies earthquake risk in Nepal village NT"> </figure>  “The demand for construction material, cement, iron rods and bricks peaked after the earthquakes,” says Suresh Khadka, who owns a hardware business here and now supplies material to the 456MW Upper Tama Kosi hydropower project that is undergoing repairs after it was damaged by a landslide last year. The demand for cement boomed since most residents believe, not necessarily correctly, that <a href="https://nepalitimes.com/banner/in-a-disastrous-state">cement houses are safer</a>. Although Khadka did well selling construction material after the earthquake, he worries that most new structures do not follow seismic-resistant building codes.&nbsp; The construction boom financed by bank loans has in turn forced many from Singati to <a href="https://nepalitimes.com/banner/making-overseas-migration-better">migrate overseas for work</a> so they can service their debt.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250508110524_50caa4530bd5ff9120cf7ab70a62173846d337ef448ff8bac339f3faa375a9e2.jpg" data-media-id="editor_10" data-image-id="20250508110524_50caa4530bd5ff9120cf7ab70a62173846d337ef448ff8bac339f3faa375a9e2" data-rendition-name="original" width="1500" height="1000" loading="lazy" alt="Climate magnifies earthquake risk in Nepal village NT"> <figcaption>Suresh Khadka</figcaption> </figure>   <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250508110520_ef8b7d3993fc3b5df852bbf952feb3fbabc96d6883b0d5eb74ee5c60f4123b83.jpg" data-media-id="editor_11" data-image-id="20250508110520_ef8b7d3993fc3b5df852bbf952feb3fbabc96d6883b0d5eb74ee5c60f4123b83" data-rendition-name="original" width="1500" height="1000" loading="lazy" alt="Climate magnifies earthquake risk in Nepal village NT"> <figcaption>Phu Doma Sherpa (right)</figcaption> </figure>  “My family had no choice but to borrow money to rebuild our home since the government compensation was not enough, and ten years later we are still paying off the loan,” says Phu Doma Sherpa, 60. Because of the shortage of qualified masons and proper seismic engineering, <a href="https://nepalitimes.com/here-now/structural-problems">many of the buildings are of questionable building standards </a>and the traditional architecture has been abandoned, admits Kul Bahadur Budathoki, deputy chair of the municipality. “But these buildings were more expensive than what the government grants could cover, many people here are heavily in debt and the men have <a href="https://nepalitimes.com/here-now/every-day-is-closer-to-pay-day">migrated to the Gulf to pay their loans</a>,” Budathoki says.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250508110520_32f89e97b7e757fc9286c0bbb671f48ea8d4468e9634fa646d7247c650ad8480.jpg" data-media-id="editor_14" data-image-id="20250508110520_32f89e97b7e757fc9286c0bbb671f48ea8d4468e9634fa646d7247c650ad8480" data-rendition-name="original" width="1501" height="1079" loading="lazy" alt="Climate magnifies earthquake risk in Nepal village NT"> <figcaption>Kul Bahadur Budathoki</figcaption> </figure>  Singati is in a multi-hazard zone. The <a href="https://archive.nepalitimes.com/article/nation/Singati,3091">12 May 2015 earthquake </a>could have led to the collapse of Nepal’s largest glacial lake, <a href="https://nepalitimes.com/here-now/stairway-to-heaven">Tso Rolpa</a>, upstream. Due to global warming, the glacier has turned into an expanding lake 3.5km long, and its collapse would have unleashed a catastrophic Himalayan tsunami down the Tama Kosi Valley, with Singati directly in its path. Singati has literally risen from the ashes of 2015, with its residents beginning to recover from the trauma and financial toll. But it is not out of danger as <a href="https://nepalitimes.com/news/climate-breakdown-linked-to-thame-flood">climate breakdown </a>magnifies the risk from future earthquakes.

Climate magnifies earthquake risk in Nepal village

Starting 17 September Turkish Airlines will fly daily to Seville, one of Spain’s major tourist draws. This is Turkish’s sixth destination in Spain after Madrid, Barcelona, Valencia, Malaga, and Bilbao. Seville is in the Andalusia region on Spain’s south coast with a rich Moor history. There are approximately 30,000 Nepalis living in Spain.&nbsp;

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Climate magnifies earthquake risk in Nepal village

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