<a href="https://www.youtube.com/watch?v=x2fZXyjsE28" target="_blank">Yog Narendra Malla</a> became king at age 18, and ruled Patan from 1684-1705 — his reign marked by a cultural and architectural renaissance of the city state. He put up a statue of himself in the palace square with a little bronze bird sitting on the guardian serpent above his head. It is said he told his subjects that he would look after their welfare till the day the bird flew off. During<a href="https://nepalitimes.com/here-now/lessons-not-learned-from-2015-o2etq6zu"> the 2015 earthquake</a>, the pedestal collapsed and the statue was damaged. The bird was lost, only to be located in a pile of debris and reinstated when the <a href="https://archive.nepalitimes.com/article/Nepali-Times-Buzz/piece-by-piece-patan-darbar-square-reconstruction,3782" target="_blank">statue was consecrated</a> two years later. <div class="embed-block"><iframe width="560" height="315" src="https://www.youtube.com/embed/x2fZXyjsE28?si=jYfIb4p6zCLXYQ1T" title="YouTube video player" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" referrerpolicy="strict-origin-when-cross-origin" allowfullscreen></iframe></div> History remembers Yog Narendra Malla as a wise king, but like most<a href="https://nepalitimes.com/here-now/preserving-king-birendra-s-family-home"> royalty of the day</a>, he had a weakness for women. He is supposed to have consorted with 30 queens and numerous concubines. At least 33 of them self-immolated themselves on the king's funeral pyre when he died, adhering to the prevailing <a href="https://archive.nepalitimes.com/article/review/Jhola,947">practice of sati</a>. When Yog Narendra Malla’s favourite queen found out that he was carrying on with yet another woman, she got the local community of the Kwelachhi neighbourhood to stage a shadow sex play to quite literally expose his unfaithfulness. Actors enacted the explicit exploits of the king and his mistress, a bright butter lamp projecting the moving shadows of their lovemaking on a thin white drape to entertain those gathered in the square below. The queen made sure that the show was designed to face the home of the king’s paramour to shame them both. She also paid for a group to chant a bhajan with lyrics that ridiculed the king’s extramarital affair. The Jhyalcha Guthi community trust that the queen set up three-and-half century ago is still active to this day, and performs the annual shadow play in the same building in Kwelachhi the day before <a href="https://nepalitimes.com/banner/the-legend-behind-the-myth-of-indra-jatra">Indra Jatra </a>every year. This year’s show is on Friday evening, 5 September. The opening lines of the chants that accompany the play are the same words approved by the queen all those years ago: “Raja Yog Narendra ya aparadh…” (King Yog Narendra’s crime…) The community leader of the Kwelachhi neighbourhood, 62-year-old Baburaja Awale, explains the importance of the event: “This Jhyalcha is our<a href="https://archive.nepalitimes.com/article/Nepali-Times-Buzz/saving-the-intangible,3303"> intangible heritage</a> and oral history. We do not have a written format, it has been passed down from generation to generation. Every word of the bhajan is the story of King Yog Narendra Malla.”  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250904070952_249e85b32cbd99bb8515151557e0ec1a65d44a34ef1aacabaaeb469622d12664.jpg" data-media-id="editor_8" data-image-id="20250904070952_249e85b32cbd99bb8515151557e0ec1a65d44a34ef1aacabaaeb469622d12664" data-rendition-name="original" width="1750" height="1167" loading="lazy" alt="Sex and the city of Patan"> <figcaption>The statue of Yog Narendra Malla being reinstated after it toppled in the 2015 earthquake. Photo: GOPEN RAI/ NEPALI TIMES ARCHIVE</figcaption> </figure>  Jhyalcha Pyankha, as the ceremony is called, starts with a puja for the Bhimsen — the god of wealth and prosperity, a popular <a href="https://nepalitimes.com/here-now/the-homecoming-of-nepal-s-gods">deity in Patan</a> who has a temple dedicated just to him in the palace square. This is immediately followed by a bhajan of Bhairab performed with <a href="https://archive.nepalitimes.com/article/Nepali-Times-Buzz/Buzz-house,670">traditional Newa musical instruments</a>. Community members serve snacks consisting of samay baji beaten rice, water buffalo chunks, soybean, green veggies, lentils, ginger, garlic and aila liquor. “In the first act of the shadow play, the man initiates the lovemaking, and in the third it is the woman,” says Laxmi Lal Awale, also a member of the trust that organises the show. The shadow action is all uncensored, but interspersed with <a href="https://nepalitimes.com/review/between-the-sacred-and-everyday">scenes of everyday life</a>: the woman is spinning a thread, the king is going about his royal chores, and the two sit down to share sanacha fermented pickle that is popular this time of year. <div class="embed-block"><iframe width="560" height="315" src="https://www.youtube.com/embed/qZ3twuG1wNQ?si=yRfkoC3A-X9cIl8r" title="YouTube video player" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" referrerpolicy="strict-origin-when-cross-origin" allowfullscreen></iframe></div> “Back then, there was no tv, films or YouTube, and yet we managed to stage the shadow play using our own resourcefulness,” says Baburaja Awale. “It is important to continue the tradition.” The challenge now is to ensure that the<a href="https://nepalitimes.com/opinion/the-reign-of-the-god-of-rain"> younger generation takes over</a>, learning the lyrics of the ancient bhajan. The dafa khala group that performs all over Patan during festivals and religious events is now training teenagers to play the musical instruments and act in the shadow play. The Jhyalcha was staged even after the 2015 earthquake when the falcha where the bhajan is performed collapsed and they made-do in a tin shed. The structure was later rebuilt with a grant from the group, Photo Circle. Lalitpur Metropolitan City sets aside a budget of Rs50,000 to organise the Jhyalcha Pyankha every year, but this is not enough and is supplemented by individual donations. The performers including musicians and actors are all volunteers, and take part in it because it is their community duty. The erotic shadow play was way ahead of its time, not just in its graphic content but the use of contemporary local technology as well as improvisation and pure imagination. Says Laxmi Lal: “Whatever its origin in the legend of King Yog Narendra Malla and his queen, Jhyalcha also served as a medium of <a href="https://nepalitimes.com/here-now/lets-talk-about-it">sex education</a>. In the past, women were discouraged from watching the shadow play, but today everyone is welcome, we all watch it together.” Jhyalcha Pyankha Kwelachhi, Chyasal, Patan 7PM onwards Friday, 5 September

Sonia Awale

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Sex and the city of Patan

<figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221109101132/636b746d9c7e80680e062393jpeg.jpg" alt="" width="1500" height="1008"/><figcaption>Photo : MONIKA DEUPALA</figcaption></figure>German architect and curator <a href="https://www.nepalitimes.com/banner/coming-out-of-the-woodwork/" target="_blank" rel="noopener">Wolfgang Korn</a> first came to Nepal in 1974 to work on the Bhaktapur Project. But it was not until the <a href="https://www.nepalitimes.com/banner/coming-out-of-the-woodwork/" target="_blank" rel="noopener">2015 earthquake</a> that he met Nepali archaeologist Sukra Sagar Shrestha amidst the rubble of the Nautale Darbar. The two found a common passion for heritage conservation, and in particular saving the erotic art in Kathmandu Valley temples.The earthquake brought down many of these monuments, and their meticulously carved wooden struts were strewn among the debris. Korn and Shrestha realised how precious and fragile the carvings were, and set about carefully collecting, photographing and documenting them. The result is the book Erotic Carvings of the Kathmandu Valley Found on the Struts of Newar Temples, an exhaustive collection of the priceless items rescued from the quake debris five years ago, but also a catalogue of all possible positions of sexual congress. (Caution: Some readers may find the content of this book too explicit.)Read also: <a href="https://www.nepalitimes.com/here-now/the-new-age-of-romance/" target="_blank" rel="noopener">The new age of romance</a>, Alisha SijapatiThe first part of the book analyses the evolution of erotic art in Hindu-Buddhist Tantric theology and mysticism, from its antecedents in Vatsayana’s Kamasutra, through the eroticism of the temples of Khajuraho and Konarak in India, right up to the eruption of temple building in Malla-era Nepal 500 years ago.<img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221109101132/636b74719c7e80680e062394jpeg.jpg" alt="" width="2000" height="695"><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221109101132/636b74739c7e80680e062395jpeg.jpg" alt="" width="2000" height="428"><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221109101132/636b74759c7e80680e062396jpeg.jpg" alt="" width="2000" height="666">The authors discuss various reasons for ubiquitous erotica. Some have explained these carvings in terms of the importance of the Shiva-Shakti sexual union in Hinduism as a symbol of spiritual fulfillment.Read also: <a href="https://www.nepalitimes.com/opinion/selling-sex-tourism/" target="_blank" rel="noopener">Selling sex tourism</a>, the AssOthers suggest they provided sex education for young people who congregated at temple squares during festivals. These explanations, however, do not account for the level of obscenity in these carvings, and the fact that many of them depict practices that are deviant by any standards.Some argue that the carvings actually depict the do’s and dont’s of acceptable sexual behaviour. And the most common explanation is that the shocking acts shown here are meant to be too disgusting even for evil spirits, who would then spare the temples in question from lightning strikes or earthquakes.But that did not protect the <a href="https://www.nepalitimes.com/here-now/a-monumental-rivalry/" target="_blank" rel="noopener">Nautale Darbar</a> in Kathmandu and the <a href="https://www.nepalitimes.com/banner/learning-from-nepals-past-to-rebuild-its-future/" target="_blank" rel="noopener">Char Narayan Temple</a> in Patan from destruction in the earthquake of 25 April 2015. Both had some of the most sexually explicit carvings in Kathmandu Valley on their eaves and corner struts, including orgiastic scenes, bestiality, and the use of sex toys.Shrestha rescued and cleaned the struts at Char Narayan, and Korn painstakingly photographed them to be catalogued in this book along with sketches based on them by Roshan Dongol and Ekaram Singh. The restoration of Char Narayan was completed by Kathmandu Valley Preservation Trust this month.Sukra Sagar Shrestha passed away in 2017, leaving behind much of the research for this book. His daughter, Silu Shrestha, writes in the Foreword: ‘My father was worried that no heritage conservation expert would dare write about erotic carvings of Newar temples, but he and Wolfgang did it because of their love for heritage.’<img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221109101132/636b74789c7e80680e062397jpeg.jpg" alt="" width="300" height="325">Erotic Carvings of the Kathmandu ValleyFound on the Struts of Newar TempleRaju Rokka 2019217 pages   Rs 2,750

Kunda Dixit

Love of heritage

https://youtu.be/aG3NqSX0Sk8Woodcraft embellish Kathmandu Valley’s traditional architecture, adorning columns, eaves, windows and door frames with meticulously carved figures of gods and goddesses. Historically, these anonymous works of devotional art were carved by generations of the Shilpakar clan, whose surname was derived from their ancestral profession.Indra Prasad Shilpakar is from a long line of the woodcarvers from Bhaktapur who has decided to give new life to the craft by using traditional motifs, but adding artistic license with new elements. He has separated these pieces from architecture and created them as freestanding structures of art, modifying some background designs and poses of the gods.<img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221108131140/636a4ebb9c7e80680e04fcd0jpeg.jpg" alt="" width="1500" height="1000"/><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221108131140/636a4ebe9c7e80680e04fcd1jpeg.jpg" alt="" width="640" height="853">"Woodcarving on temples are strictly defined by rules that follow the storyline of the scriptures,” Shilpakar explained during a walk around his ongoing solo exhibition at the Taragaon Museum this week. “But outside of the architectural frame, I try to experiment.”Shilpakar has a degree in fine art from Tribhuvan University and he says the background in  contemporary art helps him try out new aesthetics so that traditional woodcarvings can also be viewed separately as individual pieces of art.In his day job these day, Shilpakar works in the restoration of Patan’s Bhai Dega temple which was destroyed in the 1934 earthquake. There he tries to replicate missing pieces of the temple based on old photographs and damaged pieces. After work, he is back at his basement workshop in Bhaktapur where with his father Indra Kaji Shilpakar he works on traditional carvings.Indra Kaji is not too enthusiastic about his son trying out new styles and selling them in galleries. He says: “Work in exhibitions ultimately end up in private collections, and only a few people will see them. On the other hand, when your carving adorns a temple everyone sees them, and it spans generations.”<img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221108131140/636a4ec19c7e80680e04fcd2jpeg.jpg" alt="" width="640" height="853"><figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221108131140/636a4ec59c7e80680e04fcd3jpeg.jpg" alt="" width="1500" height="1000"></figure>Artist Indra Prasad Shilpakar (right) with his father Indra Kaji ShilpakarNonetheless, the younger Shilpakar says it is difficult to make a living making traditional wood carvings for temples, whereas experimenting with modern forms of traditional art and exhibiting them in galleries can earn the artist extra money.Shilpakar's Taragaon exhibition that ended on Tuesday depicted the best of woodcarving found in temples: windows with intricate patterns of flowers, deities like the Buddha, Ganesh, and Matrika, animals like crocodiles and Garuda, a pair of singing Gandharva and dancing Kinnara.Even more modern renditions of traditional wood carvings are strewn around Shilpakar’s workshop in Bhaktapur. Senior Shilpakar and his son share a passion for traditional woodcraft, and have designed their home keeping true to their Newa heritage. Carved wooden pillars line the ground floor, a traditional wooden staircase leads to the second floor which has intricately-carved wooden windows.<figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221108131140/636a4ec89c7e80680e04fcd4jpeg.jpg" alt="" width="1500" height="1000"></figure>Photos: Monica DeupalaThe attic kitchen has a high, triangular roof supported by wooden balustrades, and the balcony outside is lined with woodwork. The walls have a museum feel with displays of mallets, chisels, gouges and skews in various sizes that were used by their ancestors. "We wanted our house itself to reflect and preserve traditions," says the younger Shilpakar.Indra Prasad Shilpakar feels his family’s ancestral work is still seen as a lowly occupation, and he wants to be recognised as a creative artist as well. He says: "It is sad that we don’t know the names of the masters who created the exquisite carvings on our temples. They were never known as artists. But here in this gallery I am known as an artist in my own right.”<img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221108131140/636a4ecb9c7e80680e04fcd5jpeg.jpg" alt="" width="4000" height="3000">Wood Carving: The Art of the Newars of Nepal Solo exhibition of wood art by Indra Prasad ShilpakarTaragaon Museum, 1-9 July

In with the old, in with the new

Robert Redford was an A-list megastar who had dominated Hollywood throughout the 1970s, generally considered the high water mark of American cinema.&nbsp; In those days Nepal was a fashionably remote destination, so it was not unusual for us to be looking after celebrity visitors. But Robert Redford was huge by any standards.&nbsp; “Call me Bob,” was the first thing he said to me, with that wonderful embracing smile that had lit up screens and quickened heartbeats around the world throughout the previous decade.&nbsp; We met over a cosy Mountain Travel dinner in Al Read’s brick and stucco house in Dhobighat. The floors were traditional terracotta tiles, the low beams darkly varnished and a cheerful fire warmed the October chill.&nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250921110940_32dd66ba4b578a843bbbf6a74bca7d47f9ac7083c3bf50f8213ac3e5322974fd.jpg" data-media-id="editor_0" data-image-id="20250921110940_32dd66ba4b578a843bbbf6a74bca7d47f9ac7083c3bf50f8213ac3e5322974fd" data-rendition-name="original" width="1396" height="920" loading="lazy" alt="Robert Redford in Nepal"> <figcaption>Robert Redford in 1982 at Meghauli airfield in Chitwan with young Kirsten Annapurna Read, the daughter of Al Read, managing director of Mountain Travel Nepal.</figcaption> </figure>  Our heroes often seem diminished in real life and Redford was shorter than expected, though taller than his friends and co-stars Paul Newman and Dustin Hoffman. But most striking was his pock-marked skin which must have challenged makeup artists over the years.&nbsp; I was disappointed he was not wearing his trademark cowboy boots, but Bob’s fame infused the room with his gentle politeness and low-key glamour. Next morning I picked him up from the Malla Hotel for some light sightseeing around the Valley. Under strict instruction from ‘his people’ that any fuss from fans was to be minimised, I was surprised to see him wearing a Sundance tee-shirt – just in case no one recognised him.&nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250921040916_1674398340a9501127e9f8b6b775f41b35703253f772ee05c6ab064819cd0abb.jpg" data-media-id="editor_1" data-image-id="20250921040916_1674398340a9501127e9f8b6b775f41b35703253f772ee05c6ab064819cd0abb" data-rendition-name="original" width="840" height="1280" loading="lazy" alt="Robert Redford in Nepal"> <figcaption>Robert Redford exploring the Kathmandu Valley in 1982. Photo: GALEN ROWELL </figcaption> </figure>  Unmolested, we walked the ancient streets of Bhaktapur, and Bob was duly entranced by the visual impact of Malla Newar’s enduring culture. Robert Redford’s main purpose in Nepal was to trek in the Khumbu with his friend Galen Rowell, an adventure photographer, conservationist and mountaineer who met a premature death in 2002 in a small plane crash in Bishop, California.&nbsp; There may have been some talk of a film about Everest, but nothing came of it. After the trek, Bob and Galen explored the grasslands and forests of Chitwan, staying with us at Tiger Tops Jungle Lodge to view wildlife from the back of a well-trained elephant.&nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250921110948_7c2339d73cedfcc9e659169d1d1bc2239d3d9973f6c4b1a945bfeb74b9b74d19.jpg" data-media-id="editor_2" data-image-id="20250921110948_7c2339d73cedfcc9e659169d1d1bc2239d3d9973f6c4b1a945bfeb74b9b74d19" data-rendition-name="original" width="723" height="958" loading="lazy" alt="Robert Redford in Nepal"> <figcaption>Robert Redford in Chitwan, with Tiger Tops Manager KK Gurung on 9 December 1982. Photo: GALEN ROWELL</figcaption> </figure>  Confiding that he was not much of a traveller, Bob told us Nepal was one of his first trips outside the USA. Bob preferred his homes in Malibu on the Pacific coast and the wide open spaces of Utah, which he named Sundance after his favourite role.&nbsp; SOARING GRANDEUR With his strong affinity for the outdoors, Redford’s horizons must have been significantly expanded by the soaring grandeur of Nepal's sublime mountains, untamed rivers, and tiger and rhino infested lowlands. Galen’s knowledge and enthusiasm for all things Himalayan made him the perfect person to introduce this prominent novice tourist to Nepal’s wild places. Framed photographs of Bob taken by Galen’s skilled camera still grace tourist lodges on the Everest trail, and I confess to having one hanging in our downstairs loo.&nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250921070932_7bff2986293742e6e97c91c879f2549f2a99095f1f4a98c50e3b74c7f91f7b84.jpg" data-media-id="editor_3" data-image-id="20250921070932_7bff2986293742e6e97c91c879f2549f2a99095f1f4a98c50e3b74c7f91f7b84" data-rendition-name="original" width="1076" height="1624" loading="lazy" alt="Rovert Redford in Nepal"> <figcaption>Robert Redford in snowbound Namche Bazar in 1982.</figcaption> </figure>  His movie classics that defined our youth included the iconic Butch Cassidy and the Sundance Kid, The Sting, All The President’s Men and The Way We Were. With many Oscar nominations, his personal best was Ordinary People, his directing debut which swept the award board in 1980, shortly before his Nepal trip. But Robert Redford was more than just an all American action man actor and successful film director. He chose roles that highlighted his political and social outlook. He was admired as an active environmental campaigner, using his fame to fight for clean air and pure water, serving as a trustee of the Natural Resources Defence Council.&nbsp; Redford once said: “The danger of success is that it forces you into a mould. I prefer independence.” Choosing the wilds of Utah over the jungles of Hollywood, in 1981 he started the Sundance Institute to cultivate controversial and independent movie talent.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250921040916_081aa6b2c1f9f82f3ea6a550c6887d9a991f2983a0a976456d627d711ae8a2e2.jpg" data-media-id="editor_4" data-image-id="20250921040916_081aa6b2c1f9f82f3ea6a550c6887d9a991f2983a0a976456d627d711ae8a2e2" data-rendition-name="original" width="2448" height="3264" loading="lazy" alt="Robert Redford in Nepal"> <figcaption>Robert Redford being shown around Bhaktapur by Lisa Choegyal on 21 Nov 1982. Photo: GALEN ROWELL</figcaption> </figure>  Festival screenings and workshops gave thousands of film people a chance of artistic freedom, nurturing a galaxy of filmmaker greats. At the end of his long life, Redford’s Sundance is widely recognised as having profoundly influenced American cinema.&nbsp; I like to think that Robert Redford’s rare overseas holiday amidst the stunning natural beauty of Nepal’s high mountains, Sherpa villages, living heritage and endangered animals might have opened his eyes and perhaps even sparked his lifelong concern for social and environmental issues.&nbsp;

The Sundance Kid in Nepal

This text has been updated. Ten days after being nominated caretaker, Prime Minister Sushila Karki has added four more members to her Council of Ministers: Magsaysay winner Mahabir Pun, tv anchor Jagadish Kharel, former Justice Anil Kumar Sinha and Samata Foundation chair Madan Pariyar. Karki was under pressure to complete her compact Cabinet quickly. But it appears that her attempt to find professionals with non-political background, integrity, a record of professionalism while making the selection inclusive has not been easy.&nbsp; Several candidates that Prime Minister Karki had approached is said to have refused to join the interim government. Some have political ambitions and were worried that they would not be able to campaign ahead of early elections called for 5 March 2026.&nbsp; Among those who opted out for various reasons include famed ophthalmologist Sanduk Ruit who said his main responsibility was running his Tilganga Institute of Ophthalmology. Also considered for the role of the Health Minister was cardiologist Bhagwan Koirala who is thought to have declined because of his association with Min Bahadur Gurung, owner of Bhat-Bhateni supermarket chain who had pledged Rs410 million to his Kathmandu Institute of Child Health. Twelve Bhat-Bhateni stores across the country were looted and set on fire during the GenZ protests on 9 September.&nbsp; The Prime Minister had finalised public health expert Sangita Kaushal Mishra for Health Minister, sending her name to the President's office along with the other Cabinet picks on Sunday evening. But the PM withdrew Mishra's name from the list on Monday after it emerged she was under a corruption investigation.&nbsp; Mahabir Pun of the National Innovation Center is the new Minister of Education, Science and Technology. Tv talk show host Jagadish Kharel who runs a popular current affairs program will lead the Ministry of Communication, while Anil Kumar Sinha seems set to be named Minister of Law, Justice and Parliamentary Affairs. Sinha and Mishra are from the Madhes. The new ministers will be sworn in on Monday. The names of the new ministers were finalised in consultation with the representatives of the GenZ protesters. Appointments of new ministers last week, especially of advocate Om Prakash Aryal as Home Minister, was rejected by Sudan Gurung of Hami Nepal, one of the GenZ campaigners, who even demanded resignation of the newly appointed Prime Minister Sushila Karki because his group was not consulted. Last week, advocate Om Prakash Aryal was appointed Home Minister as well as Minister of Law, while former CEO of NEA Kulman Ghising as Energy Minister Urban Development Minister and Minister of Physical Infrastructure, and former finance Secretary Rameshwore Khanal as Finance Minister last week and were sworn in on 15 September. The new ministers have their work cut out as Prime Minister Sushila Karki has set elections for the House of Representatives for 5 March 2026. Electoral reform such that Nepalis outside the country could vote remains a challenge due to time limitation and because of the dissolution of Parliament. The interim government could ask for two more months beyond the initial six to prepare for voting.&nbsp; KNOW THE MINISTERS Names of possible ministers and their portfolios: Mahabir Pun, Minister of Education, Science and Technology  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250921150956_5e04418c4d79e283ac66932fbe9cffa8bfdccb8973c7ba867b3a241d0a5c19a4.jpg" data-media-id="editor_0" data-image-id="20250921150956_5e04418c4d79e283ac66932fbe9cffa8bfdccb8973c7ba867b3a241d0a5c19a4" data-rendition-name="original" width="2365" height="3143" loading="lazy" alt="Mahabir Pun"> </figure>  He is the founding chair of the National Innovation Center which was set up in 2012 and most recently restored 484 medical devices including ventilators, dialysis machines, X-rays and autoclaves worth Rs243 million in government hospitals.&nbsp; Pun, 70, is the recipient of the prestigious Ramon Magsaysay Award for community leadership in 2007 for his effort in connecting rural Nepal with wireless internet. Jagadish Kharel, Minister of Communications and Information Technology  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250921150956_25b90f5febc65782a3e74a288212175d075b4078802cdd1c0fe16767cf9dd95c.jpg" data-media-id="editor_1" data-image-id="20250921150956_25b90f5febc65782a3e74a288212175d075b4078802cdd1c0fe16767cf9dd95c" data-rendition-name="original" width="1920" height="1080" loading="lazy" alt="Jagadish Kharel"> </figure>  He is a tv journalist with nearly 20 years of experience. He is currently the news head of Image Channel as well as the host of the show Hot Seat, and is known for in-depth political and government policy analysis and commentary. Kharel was previously thought to have been invited to join Rabi Lamichhane’s Rastriya Swatantra Party (RSP) after it emerged as the fourth biggest party in Parliament after the last elections. Anil Kumar Sinha, Minister of Industry, Commerce and Supply; Minister of Law, Justice and Parliamentary Affairs; Minister of Land Reforms, Cooperatives and Poverty Alleviation  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250921150956_ba224a8c2d4c4434ed6e08e858d798b382a06c8606583841c935f927acb5d2f4.jpg" data-media-id="editor_2" data-image-id="20250921150956_ba224a8c2d4c4434ed6e08e858d798b382a06c8606583841c935f927acb5d2f4" data-rendition-name="original" width="1200" height="710" loading="lazy" alt="Anil Kumar Sinha"> </figure>  Anil Kumar Sinha was appointed as a Supreme Court Justice in 2016, and retired in 2023, after reaching the age limit of 65. Home Minister Om Prakash Aryal was formerly also given the responsibility of leading the Ministry of Law. Sinha specialises in tax and corporate law. Most recently, Sinha was a member of the Supreme Court bench that issued a verdict allowing an investigation into misappropriation of government land at Lalita Niwas in Baluwatar. Sinha played a significant role in the eventual impeachment of the then chief of the Commission for the Investigation of Abuse of Authority (CIAA) Lokman Singh Karki ion 2016 over legality of his appointment. He also resolved the dispute concerning the first dissolution of the House of Representatives by then-Prime Minister KP Sharma Oli on 20 December 2020. Madan Pariyar, Minister of Agriculture&nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250921180928_83a9a885704826f04b439cf5096063a0596544a750f78b5ff02ee82df43ca0cf.jpg" data-media-id="editor_3" data-image-id="20250921180928_83a9a885704826f04b439cf5096063a0596544a750f78b5ff02ee82df43ca0cf" data-rendition-name="original" width="640" height="640" loading="lazy" alt="Madan Pariyar"> </figure>  Madan Pariyar is a scholar with notable research contribution in several fields including poverty alleviation, inclusion, good governance, agriculture, industry resource management. He obtained his doctorate and master'sin enginerring from the Asian Institute of Technology in Bangkok and Bachelors of Science in Agricultural Engineering from the Allahabad Agricultural Institute in India. Bcck in 2011, the government appointed Pariyar the chair of the State Restructuring Commission (SRC) which was tasked with advising the Constitutional Assembly on the best possible model of federalism to be adopted for Nepal. Pariyar is also the chair of Samata Foundation that advocates for the rights of the Dalit people and their capacity building.&nbsp; OTHER NAMES Ajaya Bhadra Khanal, research director of the thinktank Center for Social Innovation and Foreign Policy (CESIF Nepal) is likely to be appointed the chief adviser to the Prime Minister. GenZ campaigners have also suggested the name of veteran Nepal Airlines aptain Vijay Lama for the Minister of Culture, Tourism and Civil Aviation. Rights activist Mohna Ansari, heritage conservationist Ganapati Lal Shrestha and Mansi Bhattarai, daughter of former Maoist prime minister Babauram Bhattarai have also been floated for various ministries. PM Karki has said she will limit her cabinet to 11 members for 22 ministries. Karki is likely to handle two or more ministries herself. At present, Kulman Ghising is leading three ministries while Om Prakash Aryal has two.&nbsp;

Nepal PM expands her Cabinet

A security guard with <a href="https://www.bbsm.com.np/" target="_blank">Bhat-Bhateni Supermarket </a>pleads with attackers not to destroy the store. In the widely-shared YouTube video, the mob can be seen surging ahead to ransack and set fire to the store anyway. Twenty-one of the 28 Bhat-Bhateni outlets nationwide were vandalised and looted, 12 of them were completely gutted. The one at Boudha was smouldering for three days till 12 September. Nepal’s biggest supermarket chain is a target in just about every political upheaval in Nepal. The Koteswor branch was looted in the royalist protest in March. This time, the destruction was much more complete and widespread. What began as a youth-led protest against corrupt leaders turned escalated into widespread looting and arson last week, and Bhati-Bhateni’s prominent blue highrise stores became prime targets.&nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250918110952_d60fbd65ee7fc18d2d0deb74ede8eb5b5f133f32eca13c9281b869e0bd479761.jpg" data-media-id="editor_1" data-image-id="20250918110952_d60fbd65ee7fc18d2d0deb74ede8eb5b5f133f32eca13c9281b869e0bd479761" data-rendition-name="original" width="1319" height="783" loading="lazy" alt="Bhatbhateni burning"> </figure>  Min Bahadur Gurung toured the ruins of his stores over the weekend, and said: “Watching the buildings burn felt painful to the core of my heart. But we will rebuild, we will rise again.” Born in Khotang, Gurung came to Kathmandu in the 1980s to open a small grocery. Gifted with a strong business sense, he expanded this into Nepal’s biggest retail empire, employing 20,000 people which became essential for consumer goods all over Nepal. Gurung was also admired as a symbol of success. A homegrown businessman who has invested in Nepal, creating jobs so people do not have to migrate, Gurung has also donated generously to many charities. He built a 72-bed emergency ward at the Teaching Hospital, funded scholarships for students from remote areas, and recently pledged Rs410 million to Bhagwan Koirala’s project to establish the Kathmandu nstitute of Child Health. But in Nepal, high profile success breeds envy, attracts threats and demands of extortion. To his loyal supporters, he’s a self-made visionary, but protester last week did not see it that way.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250918110948_1ec60e598ed202a4c4d68025707029bed12452121183433ad512d06fcb90964f.png" data-media-id="editor_2" data-image-id="20250918110948_1ec60e598ed202a4c4d68025707029bed12452121183433ad512d06fcb90964f" data-rendition-name="original" width="1583" height="1350" loading="lazy" alt="Min Bahadur Gurung"> <figcaption>Min Bahadur Gurung</figcaption> </figure>  By the evening of 9 September, Bhat-Bhateni stores were in flames inKathmandu and cities across the country. Whatever Gurung’s faults, it is his 20,000 employees, customers, and small vendors who paid the price. At least six bodies charred beyond recognition have been pulled out of the the Boudha outlet and three in Dharan. Some are said to be employees, others could have been looters trapped in the upper floors. But why does Bhat-Bhateni always end up being in the crosshairs? Some in online discourses say it is a symbol of elite privilege and unchecked corporate power. Others say the arson and looting spree was propelled by envy and greed.&nbsp; No matter the motive, the fallout is real: cashiers, stock handlers, managers, delivery staff have lost their income. Suppliers, transporters and small vendors lose sales, the national economy is dragged down, and the attacks could also drive more Nepalis to migrate for work.&nbsp; WIDESPREAD CONDEMNATION On-site, many Bhat-Bhateni staff cleaning up the debris and ash were reluctant to speak to us. It has been too much of a shock. But online, workers have been puring out their distress.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250918110956_749cb4ae348a15cfe5f11e4b821e7aeee06d7270e6b634065da3c1e42f2f186c.jpg" data-media-id="editor_3" data-image-id="20250918110956_749cb4ae348a15cfe5f11e4b821e7aeee06d7270e6b634065da3c1e42f2f186c" data-rendition-name="original" width="1600" height="1200" loading="lazy" alt="Bhatbhateni burning "> <figcaption>Photos: SANGYA LAMSAL</figcaption> </figure>   <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250918110956_90930fa1218b07aa8e4043cd229ca7907c074bfd152559ad2b9799b8d83e2d12.jpg" data-media-id="editor_4" data-image-id="20250918110956_90930fa1218b07aa8e4043cd229ca7907c074bfd152559ad2b9799b8d83e2d12" data-rendition-name="original" width="1600" height="1200" loading="lazy" alt="Bhatbhateni burning"> </figure>  From Biratnagar, store employee Smritee Joshi shared a haunting video of the outlet still burning the morning after, writing: ‘This was just a supermarket for some of you, but it was more than home for every employee out there. It sears &nbsp;me to see tears on our team members.’ A user wrote in the subreddit r/Nepal on Reddit: ‘This is going to lead to a major crisis. Yes, Bhat-Bhateni might have insurance and might take care of employees for some time, but this is massive damage. It’s not just one branch, 12 branches have been have been looted and destroyed. Most employees will lose their jobs just before Dasain, and businesses are ruined, all at the time of Dashain.’ TikTok creator SpeakUp with Sandesh rushed to Bhat-Bhateni Kalanki as it reopened, posting a video saying: ‘You managed to burn down Min Bahadur Gurung’s store, but not his fighting spirit. Bhat-Bhateni is back in business!’ In Pokhara, employee Ansu Aana posted a tearful video saying, ‘Bhat-Bhateni gives so many young people jobs. Min Bahadur Gurung gave us a chance to earn for our studies and expenses. I don’t believe Gen Z did this – just before, many were urging not to vandalise. So how could the same people set it on fire? We don’t know who infiltrated the protests.’ Aana added: ‘Ministers and politics created no opportunities for youth in this country, and the one who did give us opportunities had his spirit burnt.’ In another video, she warned looters that CCTV and online evidence were being collected, urging them to return stolen goods before facing legal action. A TikTok page called ‘BhatBhateni Chor’ has nearly 400 followers, which has since exposed those who misused the protests to rob stores.&nbsp; Ironically, some protestors chanting against corruption just hours before were also caught stealing, a hypocrisy viewers and fellow demonstrators have sharply condemned online. Hundreds have taken to Facebook and other platforms to share their feelings. Noted conservationist Shailendra Thakali recalled the supermarket’s humble beginnings, posting: ‘Nearly 30 years ago, when my family lived in Naxal, we shopped at a small kirana pasal near the Bhatbhateni temple. None of us imagined that modest shop would oneday become Nepal’s largest retail chain.’ He adds: “Many of us still see the story, the struggle, and the incredible success behind it all. And we believe it deserves respect.’  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2025091812090_d07cb4b5681f752235727500bdd20759bc2fa6b0f8785db21f906188298bdaea.jpg" data-media-id="editor_5" data-image-id="2025091812090_d07cb4b5681f752235727500bdd20759bc2fa6b0f8785db21f906188298bdaea" data-rendition-name="original" width="1600" height="1200" loading="lazy" alt="Bhatbhateni burning"> </figure>  The Gurung community has rallied around Bhatbhateni. The Tamu (Gurung) Bouddha Sewa Samit stated: ‘Even after repeated attacks, the supermarket has continued its services uninterrupted. We strongly urge an immediate investigation.’ Likewise, Ekaa Kombucha, Nepal’s first GMP-certified Kombucha brand, declared support: “For countless small and medium businesses like ours, Bhat-Bhateni has been a vital platform, offering space, visibility, and the chance to reach millions across Nepal.’ ‘Amid rising unemployment and capital flight, Bhat-Bhateni has been providing employment to 22,000 youths, not only employment generation, it also significantly continues to contribute to the local economy,’ the Tamu (Gurung) Educational and Career Advancement Network (TECANET) wrote in a statement this week, urging immediate investigation into the destruction of Bhatbhateni and other public and private institutions.&nbsp; Meanwhile, newly appointed Finance Minister Rameshore Khanal visited the heavily damaged Koteswor Bhat-Bhateni on Tuesday, with Min Bahadur Gurung seen walking him through the destruction.

Bhat-Bhateni burning

A week after Nepal’s deadly protests, the country’s three main political parties whose offices were torched have been coming out in public pledging to reform themselves.
Pushpa Kamal Dahal of the Maoist-Centre visited his gutted party headquarters on Tuesday and said it would be rebuilt “on an even grander scale”.&nbsp;
Five-time prime minister Sher Bahadur Deuba of the Nepali Congress (NC) and his wife are still being treated for the wounds they suffered while being attacked at their home on 9 September.&nbsp;
In both parties, younger members have said it is time for their seniors to step down as leaders.&nbsp;
K P Oli who was ousted as prime minister last week after the GenZ protests turned violent with a loss of 74 lives, is also under Nepal Army protection in a base inside Shivapuri National Park outside Kathmandu. But his UML party has said it is not looking at a change in leadership at present.
All the main parties have offered sympathies for the lives lost in last week’s violence, and some members said it was time for a generational change within their parties as well. But all sides tip-toed around one crucial point: the GenZ demand for a change in leadership and political culture.
Former prime ministers Deuba, Dahal and Oli have been playing musical chairs taking turns to be prime ministers in 12 coalition governments in the past 10 years — despite their differing political ideologies.
What stands out in the recent statements of political leaders is not what was said, but what was left unsaid: none have raised the issue of transferring leadership to younger figures, let alone democratising their parties internally.&nbsp;
“Parties that do not appeal to the people, especially young people, will stop being relevant,” says Uddhab Pyakurel, a professor of political sociology at Kathmandu University (KU). “However, political &nbsp;parties are an integral component of our democracy.”&nbsp;
The youth wings of the main three parties do not shy away from criticising the impunity of their seniors, but have not been able to bring internal reform within their organisations.&nbsp;
Activists in the GenZ movement that toppled the regime last week say they do not follow any -isms, but Roshan Thapa Magar of the &nbsp;ANNISU (Revolutionary) that is affiliated to the Maoists says: “Ideologies still matter, the sacrifices of the parties in Nepal’s democratic struggles, and what they continue to represent, remain indispensable.”&nbsp;
He admits being taken aback by the way Maoist leaders and their relatives were portrayed in the #NepoBaby social media campaign: “It was disheartening and disappointing to see how power and position misused by our leaders in a party made up of ordinary people. It is now up to us to reform and restructure our parties to gain this trust again.”
Nawaraj Tripathee, a former Nepal Student Union (NSU) member and now the NC’s Secretary of the Department of Natural Resources says: “Only our party embodies the spirit of democracy etched into its core. But we have lost touch with democracy from within, therefore people are frustrated with us and a leadership that has acted with impunity and a tight grip on power.”
But he adds: “But this public disillusionment with us does not mean that we give up on the values of our party, it means we restructure the leadership and renew at all levels so that a new generation can lift the party up again.”&nbsp;
SHOCK THERAPY
Yet both acknowledge frustrations with their own leadership and say that the voices they raised against corruption were not loud enough to be heard. The deadly protests last week should be shock therapy to the leadership — especially if they want to recoup before early elections that have been called for 5 March 2026.
Thapa Magar says student politics has been important for the bottom-up voice of youth to be brought to the leadership level. He says, “If the GenZ organised the protests better, then we would perhaps not see the kind of looting and destruction on 9 September. We in the student wings of political parties know how to mobilise protests better.”
Over at the CPN-UML student wing ANNFSU, chair Sujan Kadariya and Abdus Miya quit their parties in dramatic fashion via Facebook following the bloodbath on 8 September, only to stage equally dramatic returns.&nbsp;
Miya justified it thus: ‘When Nepali youths fell to bullets, I believed the Prime Minister must resign. Even by 2pm the next day, he still hadn’t stepped down, and at 2:01 I declared I was quitting the party.’ KP Oli resigned shortly after that post, putting Miya in a dilemma.&nbsp;
Kadariya also deleted his post: ‘Feeling that the student politics of our entire generation has failed, I resign as President of the ANNISU Central Committee.” Later, he admitted he had posted out of fear for his life and felt ashamed for betraying the party. His final clarification: he had not officially resigned and remains committed to the party.
Miya and Kadariya expose the thin ideological fabric of student politics in Nepal. Their resignations were seen by many less as statements of principle than opportunism, and precisely what is wrong with the mainstream parties.
The Rastriya Swatantra Party (RSP) which was the fourth largest in Parliament, also faced criticism for lacking a clear ideological foundation. The RSP’s former Education Minister Sumana Shrestha at first denied rumours she was leaving the party, but resigned anyway the next day declaring: ‘I QUIT’ on social media. &nbsp;She has also said she is not joining the interim government, it remains to be seen if she goes back on that too.
The RSP’s rapid rise is closely tied to its founder Rabi Lamichhane, whose citizenship and cooperatives scandals and his attacks on media continue to test the party’s credibility. Lamichhane’s jailbreak on the second day of the protests was on his 50th birthday, and on Monday he voluntarily went back behind bars.&nbsp;
LEADERSHIP TRAPS
In the last two decades, Nepal’s revolving door politics has seen only three protagonists: Deuba, Dahal and Oli. Earlier this month, Oli changed the UML rulebook to make way for his third term as party chief. Deuba has headed the NC since 2016. Dahal has been a permanent fixture as the Maoists’ great helmsman for the past 30 years.&nbsp;
With the exception of Youth Congress Nepal, the student bodies of UML and the Maoists have not explicitly called for a change in party leadership. ANNISU (Revolutionary)’s Thapa Magar admitted his Maoist party has not held a central committee meeting to discuss succession, but hoped that a democratic route to new leadership could secure the party’s future relevance.
Some within the NC see Gagan Thapa as a natural heir apparent to Deuba. Both rose up the ranks through the party’s student wings and were jailed during the Panchayat. Nawaraj Tripathee of the NC says: “Gagan Thapa is best suited to lead the party at this time. But leaders cannot save parties unless they have institutional frameworks in place for dissenting voices to democratically replace leaders.”
This issue extends beyond the NC. Absolute power within political parties seems to undermine intra-party institutions absolutely. Unchecked leaders have consolidated power in ways that even impact the functioning of Parliament, and hence governance.&nbsp;
Pyakurel says: “It is evident in last week’s protests and its aftermath that political literacy is not strong in the new generation. Calling politics a dirty game does not encourage meaningful participation. Corruption is corruption, it is not politics. Equating corruption with politics implies that corruption is inherent to politics, but it doesn't have to be so.”
Thapa Magar says: “A party is not just its leader, it is an ideology that its members are committed to. Political parties need to democratise their systems and allow meaningful participation of their members, as some are not in the party to climb up the ranks, but to serve a bigger purpose collectively.”
In the case of Rabi Lamichhane, repeated controversies followed by his victimhood narrative and deflections of accountability have gone unchallenged by his own party leaders, enabling him to act with impunity.
RSP founding member Bipin Acharya says criticism about the party’s ideology is unfounded since democratic governance, inclusion and equity are enshrined in the party doctrine.
“It is not fair to compare Rabi Lamichhane to other party leaders, he has not even completed one term. He is innocent until proven guilty and we trust due process in the new judiciary under the GenZ interim government,” he added about Lamichhane.
Nepal’s political parties have deep roots embedded in Nepali society through a network of institutional bodies and sister organisations,” explains Uddhab Pyakurel. “Yet their relevance now depends on whether they can adapt. To regain public trust, they will need to mobilise these structures in ways that genuinely reflect citizens’ concerns, rather than operate as brokers of political power.”&nbsp;
Ayusha Chalise is a communication and development researcher specialising in how politics is experienced in the digital space.