<img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221114101120/637208bb9c7e80680e0b5502jpeg.jpg" alt="" width="1487" height="1122"/>'Beauty lies in the eyes of the beholder.' In spite of this or because of it, the global beauty industry at $511 billion is one of the fastest-growing businesses and is expected to reach over $716 billion by 2025.Changing standards about what is supposed to 'look good’, and often unrealistic beauty goals dictated by influencers and celebrities on social media like Instagram and TikTok have only accelerated the trend. It is no surprise Nepal is also fast catching up.Which is why, despite the pandemic, beauty clinics and skin treatment centres in Kathmandu have seen an increased demand for nose reconstruction/rhinoplasty, double eyelid surgery/blepharoplasty, dimple creation, hair removal, breast reduction, brow lift, lip fillers, and scar removal.Read also: <a href="https://www.nepalitimes.com/banner/nepals-far-sighted-eye-care/">Nepal's far-sighted eye care</a>, Sonia Awale"The most common cosmetic surgery is blepharoplasty, where double eyelid folds are created for monolids or for dermatochalasis where upper eyelid skin sag due to aging," says surgeon Sarina Rajbhandari, who was surprised to find a lot of people coming for rhinoplasty in Nepal when she first started the practice.After learning about the prevalence of rhinoplasty, Rajbhandari decided to pursue further facial plastic surgery while continuing to practice ENT. She completed her Master's in Otolaryngology and worked at Kirtipur Cleft &amp; Burn Center.<figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221114101120/637208be9c7e80680e0b5503jpeg.jpg" alt="" width="1200" height="1600"><figcaption> </figcaption></figure>Facial reconstruction was a relatively new field filled with challenges in Nepal's medical scene, but the young doctor saw potential, eventually leading her on the path to becoming Nepal's first female facial plastic surgeon.Rajbhandari did her fellowship from Tri-Service General Hospital in Taiwan in 2019 under Chuan Hsiang Kao, who trained at the University of California in San Diego.She also worked under Kwon Taek Keun at AONE Clinic in South Korea, which is the new capital for facial plastic surgery in the world. She also underwent a month-long facial plastic training at Chulalongkorn University in Bangkok.Even as people opt to go under the knife to change or improve their look, the procedure is riddled with common myths, the biggest being the cost factor."The general public tends to think that only the rich can afford plastic surgery. That is not true," says Rajbhandari, adding that it is the question of want vs. need. "There is no set price for a type of surgery because everyone is different, but it is much more affordable to get the quality procedures done in Nepal than abroad."It is also important to distinguish between reconstructive and cosmetic surgeries. Facial plastic surgery has two categories. First is reconstruction, which includes trauma cases, burns, scar revision, and surgeries for congenital birth defects. The second is cosmetic, where you can change your appearance because you want to reinvent yourself.Another common misconception about facial plastic surgery is that it lasts forever, gives unrealistic results, and the recovery process is swift.A scar can be minimised but cannot be eliminated. The skin is constantly aging, so if you choose to have a facelift now, it may last just 10-15 years. It is not a one-and-done procedure. It is essential you have realistic expectations, explains Rajbhandari.It is recommended to meet with medical professionals a few times to discuss options and possibilities rather than rushing for any cosmetic treatment. It is essential that patients and clients make an informed decision before moving forward because they are essentially altering their appearance.Rajbhandari has performed an astonishing number of 'revision' surgeries after their procedures were botched. She also suggests meeting with different surgeons to see who you feel most comfortable with."People value marketing on social media over qualifications of the doctor, so it is important to check their credentials before trusting your face with one," she says. Rajbhandari herself does not perform immediate surgery, preferring to first discuss what the procedure entails, the risks, and how to take care of things afterward.<img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221114101120/637208c19c7e80680e0b5504jpeg.jpg" alt="" width="1500" height="2250">She adds: "We are dealing with people's appearance that affects their self-esteem and mental health. We make sure they understand what they are doing before they go under the knife."Given the importance society places on women's beauty and the cosmetic products that primarily target them, one may think only women come for plastic surgery. A significant portion of Rajbhandari's patients is male.Despite her experience and qualifications, Rajbhandari still faces the challenges of being a young female doctor in Nepal. A lot of people still prefer to go to a male doctor for surgery. "I have had consultations with patients and clients who meet with me to talk but choose to go to a male doctor for the actual surgery," she reveals.Rajbhandari has also been judged on her own appearance. She has been called vain for putting on makeup but also called out for not making an effort despite being a facial plastic surgeon. She does not let the opinion of others affect her work, however.Read also: <a href="https://archive.nepalitimes.com/news.php?id=14071#.YgD3I-5Bz0s">Nepal's real heroines</a>, Naresh Newar"But having a supportive work environment, coworkers, and a good team makes a difference in both your professional and personal life," adds the surgeon who divides her time between Grande Hospital and Healthy Choice Clinic in Kathmandu.The Omicron surge is already subsiding in Nepal and the region, but Rajbhandari's work schedule was not much different even during the peak of the pandemic. She typically works 7-8 hours a day, but there have also been days where she worked from 6AM to 9PM and performed surgeries even on Saturdays. A supportive family is her backbone.Having said that, doctors themselves need to be healthy. She prioritises her physical and mental being. Her diet is healthy, and she eats on time. She walks regularly and religiously follows her skincare routine before bed.Sarina Rajbhandari's best recommendation as a doctor: "Invest time in yourself."Read more: <a href="https://www.nepalitimes.com/opinion/childless-by-choice/">Childless by choice</a>, Anjana Rajbhandary<a href="https://www.nepalitimes.com/review/50-outstanding-women-of-nepal/">50 outstanding women of Nepal</a>, Pratibha Tuladhar

Anjana Rajbhandary

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Going under the scalpel in Nepal

<figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221109101156/636b793c9c7e80680e0646efjpeg.jpg" alt="" width="5616" height="3744"/><figcaption>Pragati Rai. All Photos: MONIKA DEUPALA</figcaption></figure>As a child, Pragati Rai was called fattyauri, someone who would not stop talking. “I did not like that when a daughter was born in family, they would say, ‘Oh great, a bottle of whisky is born,’” she says to me when we meet in her home in Thecho. “I knew from very early on that these things didn’t sit right with me, that I had to speak about them somehow.”Born in 1977, Pragati grew up in Khotang along with a younger sister and four brothers. Although she is widely known for her first novel, Lekhak Ki Swasni (The Writer’s Wife, 2014), Pragati burst into the Nepali literary scene with a slim collection of powerful poems called Badi Bigyapti (Baadi Press Release, 2009), written after she had witnessed naked Badi women protest outside Singha Durbar demanding their right to citizenship in 2007. In the titular poem, Pragati writes:My name is nakedMy people are nakedWhere I stand, therethe ground is seen as naked, todayI have been made into a promiscuous woman, sir!I cannot cover my shame withthe sari of democracyPeering into the empty vessel that is your assurance, I cannot wait for the road to freedomListen to the word of someone who has been made naked for generations, or–Listen to the dangerous decision of this disgusting name:If you do not want to make me like you, sirI most certainly will make you like me. https://youtu.be/owxitV1LRp8Last year, she published her second novel, Birseko Mrityu (Forgotten Death, 2019), and Pragati has just completed writing her third novel, Thakra (Stake), which is forthcoming later this year.In this month’s Lightroom Conversation, Pragati and I talk about the process of building a novel, how to tell women’s stories to reluctant audiences, the importance of humour in writing, and why it is necessary for women to write their own stories and be their own writers.Pragati Rai: It’s like making a child swallow medicine. The medicine is bitter, so you will have to put some sugar in it. You have to trick that child into consuming something they never wanted in the first place, but that we all know is very good for them. That is how I wrote Lekhak Ki Swasni. At first, I was writing this novel called Saya, and it was just a long stiff lecture on ‘women’s issues’, and how men and the state ought to behave. I guarantee you that no one wants to read a novel like that, least of all, men.Muna Gurung: So you made it sugary.Yes, with Lekhak Ki Swasni, readers think they are reading a story about a writer and his family drama, but what they do not realise is that they have gone through an entire book and in the process, they have actually read and closely experienced the pain of being the wife of a writer. Lekhak Ki Swasni was actually a short story I wrote while waiting for my husband to come home for dinner. He said he was on his way but hours went by and he never showed up.He is also a writer? Yes, he is an established and award-winning writer. But we live separately now. He is with someone else. People keep thinking that the novel is about our life together but it is not.How did you meet? I was fourteen and my friend took me to his house. His village was just over the hill from mine. He was in ninth grade and deeply heartbroken. The girl he had fallen in love with had just been married off to some lahure. My husband was inconsolable and spiraling into depression. His family thought this was the best time to find him a wife. My friend was his mother’s niece and she had apparently told my mother-in-law about me and how I like to write poems. My mother-in-law explained to me that theirs was a family of writers and if I ever wanted to get into writing, they had all the connections. She also said I could venture into music, education, art… I agreed to marry her son, and  so I stayed put.You stayed there that night and never went back home?Pretty much. I slept in my mother-in-law’s room for a long time and then after a while she sent me to sleep with my husband. He and I barely talked. I was enrolled in 8th grade then and a month into the academic year, I was pregnant, so I stopped going to school. My ama sent for me, but I did not go back home.<figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221109101156/636b793f9c7e80680e0646f0jpeg.jpg" alt="" width="5616" height="3744"><figcaption> </figcaption></figure>Did you know this big step you had just taken?I had absolutely no clue. I just thought that I had secured my future of being a writer, or doing something in this one life I have. But nobody told me about children. Up until I had my first child, I didn’t fully understand what was going on with my body.It must have been terrifying. It is hard to be afraid of what you don’t know. But you know, my aama, I guess was far-sighted. After my second son was born, she told me that a day will come when I will become very unattractive to my husband because he would be much more educated than me, an 8th grade drop-out. She told me to come home right away so that I could go back to school, I was 18 then. I took my sons and went home to my mother. After SLC, I went to Kathmandu where my husband was already beginning to establish himself as a writer.Read also: <a href="http://Nibha Shah: Nepali poetry’s mansara" target="_blank" rel="noopener">Nibha Shah: Nepali poetry's mansara</a>, Muna GurungYou said in an interview elsewhere that many people would not know who Pragati Rai is, but that they would know Lekhak Ki Swasni. It is ironic now knowing that your husband also writes.   I was always known as my husband, the writer’s wife. Even when I wrote a good poem, my name hardly came forth. They all thought he wrote my poems for me. Or if I spoke at an event, he would receive a call at home from one of his ‘boys’, who would say to him: Oh,  Pragati spoke well today. You’ve done a good job schooling her. And the worst was this one time when I saw a short review of Badi Bigyapti in a national daily, and I was surprised to see they had quoted me when I did not remember being interviewed. Later, my husband tells me that the newspaper had called and he had spoken to them.That is terrible. I was furious.How else was it like to be one of the two writers in a marriage?Maybe people think that writer couples spend their days writing together in some blissful reverie. None of that is true! (Laughs). If two people in a family are in the same field, there is bound to be some sort of competition, it is only natural. I would share an idea with my husband and find that a part of it has somehow made it into his book, and vice versa. Some days I would want him to listen to my stories, but he would be busy trying to share his with me. Writers are obsessive people. But you know, when you are with a writer, you can say something using minimal words and trust that the other is able to extract, elaborate and expand as needed. Writers are also more open than other kinds of people, I think. When we separated, my husband told me honestly about his lover. Plus, this was not the first time he had strayed in our marriage. I always knew about his affairs because he would tell me, or write about them. Many male readers have also asked me why I did not make the writer husband character in my first novel a politician, or someone with another profession -- but my husband never once questioned that decision. I appreciated his openness.Maybe it is also because you tell the entire story with so much humour. I laughed out loud in so many of the scenes. I think humour can be one of the hardest things to write.My baba was a comedy man. For instance, when we did not listen to our ama, she would scream at us: Must I repeat the same thing to you twelve and twenty-seven times before you begin to listen? And our baba would step in and say, Your poor mother who does not know math is now having to put together twelve and then twenty-seven—that is half of her day gone right there!  We would laugh and then go do whatever she wanted us to do. I realised early on that humour can make difficult situations a little easier. So in making my first novel, I spent a lot of time carefully weighing out the serious scenes against the humourous ones and deciding where and how to place them so that my readers would follow along and do what I want them to do. (Laughs).<figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221109101156/636b79439c7e80680e0646f1jpeg.jpg" alt="" width="1620" height="1080"><figcaption> </figcaption></figure>Who are your readers?I write for our parents’ generation, my generation and those who will come after me. People from my grandparents’ generation, I do not even try. Their  thinking is set in stone. I wrote for women, but I quickly realised that the problem is that not enough women read. So what is the point of writing for women when our audience is clearly male? Women in Nepal have written for decades but the reason we still struggle to be heard and seen is because we are writing for women, which makes it easier for male readers to snooze. If we write for men in the manner that pleases them, then our stories become heavily edited, and ultimately incomplete.Read also: <a href="https://www.nepalitimes.com/featured-videos/bimala-tumkhewa-putting-kinema-on-the-map-of-nepal/" target="_blank" rel="noopener">Bimala Tumkhewa: Putting kinema on the map of Nepal</a>, Muna GurungWhat about stories about women that men have written?I feel like exactly how my character Numa feels about the way her husband writes. Numa is not a writer, but she finds that her husband, Sushant’s words lack something. Women must write their own stories, men can try, but it will be incomplete. For instance, I remember reading Abhi Subedi’s powerful article once where he writes about replacing the concept and language of  maiti ghar with that of afno ghar. It is a beautiful idea because why must we call our husband’s home our home, or afno ghar, and the place and family we were born into and grew up in and around our maiti? But what Subedi never brings up in the article is the importance then, on a policy level, for women to be able to claim that space as indeed, afno ghar. Where is it in our law? What kinds of property rights does a daughter have in her father’s home? Changing a word is a good start, but it is not the end of a larger problem.I also found the way you write about Numa’s desire as a sexual being very refreshing. I love that she lifts lines out of her husband’s unpublished book and sends it to Prabhakar in a flirty text. You don’t always beat around the bush with some lofty metaphor, you write clearly and unapologetically. (Smiles). I wanted my readers to know that women, too, have desires. I especially wanted my male readers to know that they are always replaceable in a woman’s life. Many of my male friends who have read the novel do not like the character of Prabhakar. I think they see themselves as the husband character and Prabhakar as Numa’s boyfriend, and therefore a threat. The novel I just finished, Thakra, is actually a sequel to Lekhak Ki Swasni, so we will follow the same characters in a different future. My male readers urged me to get rid of Prabhakar in the third novel. But I assure you, he is going nowhere. In fact, there is a scene where Numa is told by her father-in-law that since she cannot give them a grandson, that it only makes sense for her husband to remarry. Numa is hurt by this and she gets drunk with Prabhakar one evening. Some readers, I know, are not going to like that. (Laughs).<figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221109101156/636b79469c7e80680e0646f2jpeg.jpg" alt="" width="5616" height="3744"><figcaption> </figcaption></figure>How long did it take for you to write your last novel? Two years–I have not worked for money in those two years. I am deep in debt, so I must begin to work again now that the novel is done. It took me 7-8 years to write Lekhak Ki Swasni because I was working then at a school first as a teacher and then later in the exam department, typing up papers. I had a computer where I worked and I had created a folder for my novel, and I would steal some time everyday to write it. My colleagues soon found out and complained to my boss. He began to bring me large piles of random papers to type, just to keep me busy, I think. Every hour, he would walk in and ask if I was done. In another universe, I would have just put my head down and said, No sir, not yet. But instead, I would snap at him with Do you think I’m a photocopying machine? (Laughs). I was incorrigible. They even made me sign a sheet of paper that said, “I will not write during work again.” But the very next day, I wrote.So you finished your first novel while working there? No–later, someone deleted the folder and I lost everything. I had to write it all over again. We had a computer at home, but there was something electrifying about stealing time to write at work. When I came home, I never wanted to write. (Laughs). Just when the school was about to kick me out, I left for Korea to work with my new novel in a pen drive.When was this?2010. We were struggling financially. I felt like it would be a good idea to go abroad and make quick money. My husband wanted to join me, but his writing career was taking off and I knew that going to Korea would ruin it--all that effort for nothing. So he stayed back with our two sons, who were already in their late teens, early 20s by then. In Korea, I had to do manual labour in the agricultural sector. My roommate was a woman from Myagdi and super strong. She would work all day and be fine at night, whereas I would have all sorts of joint and muscle ache. There was a computer in our room, but she was always using it to chat with her husband. I never got a chance to sit at it. I remember complaining to Sudha Tripathi didi that I was not able to write because I didn’t have a computer. She clicked her tongue and said, Why don’t you just sit on the floor and write on a notebook with your hand? Why do you need a computer to write? I took her advice. Eventually, my employer kicked me out of work because I was spending my nights writing and he would see my light was on all night; and in the afternoon I was unable to work. For three months, I stayed back in Korea, unemployed trying to finish my novel. Everyone was scolding me. When I think about all the things I went through to write this novel…it is a lot.Read also: <a href="https://www.nepalitimes.com/banner/nepali-literatures-thulnani-toya-gurung/" target="_blank" rel="noopener">Toya Gurung: Nepali literature’s Thulnani</a>, Muna Gurung<img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221109101156/636b794a9c7e80680e0646f3jpeg.jpg" alt="" width="5616" height="3744">What happened after you finished writing the book?I experienced the deepest kind of satisfaction–that I had arrived on this earth and left a small signature.A signature, that’s a powerful image. My mind keeps circling back to the naming and how common it is for women to not have proper names. Twice a year, my family sets out a feast for our ancestors, and we invite them to come and eat. My baba has a long list of their names and when he goes down the list, I notice that the men have proper names but their wives are just their names plus a ni. So, Gopal’s wife is Gopalni. How we continue to rob women of so many things, starting with their names. I say it in my poem, Rukh (Tree), how our great-grandmothers gave up their lives in the name of tradition, and when it was time for our mothers, they gave up their names, it was a price they paid to uphold their traditions, any tradition. We keep following in each others’ footsteps, one generation of women after another. We may alter things here and there, but unless we uproot that tradition, nothing will change.Lightroom Conversation is a monthly page in Nepali Times on interesting figures in Nepal’s literary scene. Muna Gurung is a writer, educator and translator based in Kathmandu.  www.munagurung.com<h2>The Basket</h2>Pragati Raitranslated by Muna GurungAfter she gets the basket,the little girl forgets everything elseShe forgets food, forgets her motherAfter she gets the basket,she forgets her mother’s lap–A mother has no right over a daughter who has left her lap.The little girl has a basket to fill,she forgets everything elseWhen she places a flower in the basket,she likes the moon better,When she replaces the flower with the moon,she likes the stars more...And even more than the stars, she begins to likethe wind, water, butterfly, cloud and what else–She has only one basket,but she has so many things to keep in itShe keeps one thing in the basket, takes it out for anotherKeeps, takes, keeps, takes, and suddenlyevening sets inThe little girl begins to cry, the basket is emptySeeing the basket as life,The little girl’s mother begins to cry with herIn the midst of trying to fulfill each desire,life remains empty.And so–In between her sobs,The mother tells the little girl:Fill the basket with one thingthe rest, keep as memories that fill your heart.

Muna Gurung

Pragati Rai: Her Own Writer

In many parts of the world, women ambassadors can face prejudice that their male counterparts do not. Women diplomats, especially those with young children, are not expected to occupy senior positions. But female envoys to Nepal take this in stride, and appreciate the importance of their presence in challenging those assumptions.Read also: <a href="https://www.nepalitimes.com/latest/when-garlands-are-offered-to-male-colleagues-and-not-to-the-woman-ambassador/" target="_blank" rel="noopener">When garlands are offered to male colleagues, and not to the woman ambassador</a>, Nepali Times“It is interesting to have a conversation with people before they form an opinion about me based on my role,” says British envoy Nicola Pollitt, who often introduces herself by name and does not mention her ambassadorial title. “But it’s difficult to go for long without someone asking directly what I do and they are often surprised when I tell them – particularly if I am with my two young children at the time.” <figure><img width="4032" height="3024" src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221109101148/636b77cc9c7e80680e064659jpeg.jpg" alt=""/><figcaption>British ambassador Nicola Pollitt, who speaks fluent Nepali, recently on a trip outside Kathmandu. Photo: BRITISH EMBASSY KATHMANDU</figcaption></figure>Out of 27 ambassadors currently resident in Kathmandu, seven are women: the envoys of Bangladesh, Brazil, China, the European Union, Sri Lanka, Switzerland, and the United Kingdom. The UN resident coordinator is also a woman.Read also: <a href="https://archive.nepalitimes.com/article/nation/female-foreign-envoys-on-gender-gap,1189" target="_blank" rel="noopener">Their lady excellencies</a>, Ayesha ShakyaThe first woman ambassador to Nepal was American diplomat Carol C Laise, who held the position for seven years from 1966 to 1973, while her husband Ellsworth Bunker was the US ambassador to South Vietnam. Laise was the only female ambassador in Nepal at that time.“I’ve experienced only positive reactions, very warm and welcoming. Nepali women are very happy to see women ambassadors and are encouraged by it,” <a href="https://www.nepalitimes.com/here-now/it-is-now-or-never-to-devolve-power-to-local-governments/" target="_blank" rel="noopener">Swiss envoy to Nepal Elisabeth von Capeller</a> told Nepali Times. “For many, women ambassadors are role models.” <figure><img width="1500" height="1000" src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221109101148/636b77d09c7e80680e06465ajpeg.jpg" alt=""><figcaption> </figcaption></figure>Pollitt is the first female British ambassador to Nepal, and adds that in many countries it is easier to accept women from outside the country in positions of power than to break down the barriers to empowering women at home.She says: “Nepal is an open society and I have been welcomed here without prejudice. Many Nepalis are hopeful that as countries like the UK and others appoint female ambassadors in public-facing roles it will help promote the appointment of women in other spheres and professions. I have been pleased to find that many men are also delighted to see my appointment, and more and more are looking for ways to support and promote Nepali women.”On the occasion of International Women's Day, Pollitt is launching a <a href="https://docs.google.com/forms/d/e/1FAIpQLSfFRbMdTnA97cnWbTrxJy1xpAw-bohfctyT3ZVfBS2R4Sb2zg/viewform?fbclid=IwAR12d56gleGs_tfojTBgfP1JStLH4-EJK8d09t2TYeLoNgfL5v6eJAovfbo" target="_blank" rel="noopener">competition for young women</a> where the winner will have a chance to be a youth ambassador for a day.In her second term as the Swiss ambassador, von Capeller has seen significant changes in the status of Nepali women. She says: “The biggest and most positive change I see is in the younger women. Compared with the past, their self-confidence has increased substantially. Among many factors, education has certainly contributed to it.”There is a greater gender disparity in politics and diplomatic services than in other professional fields. According to the 2019 report ‘Women in Politics’ by the Inter-Parliamentary Union (IPU) and UN Women, only nine countries have half or more ministerial positions occupied by women, and in only three countries are 50% or more parliamentarians women.Nepal ranked 36th in the world in percentage of women in parliament and a low 123rd in terms of women in ministerial positions. As for women in the foreign service, there has been a slow but significant increase. Three of the Government of Nepal’s current ambassadors are women: those to Oman, Japan and Israel. <img width="337" height="400" src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221109101148/636b77d39c7e80680e06465bjpeg.jpg" alt="">For International Women’s Day on Sunday, British envoy Nicola Pollitt has a hope: “I wish women all over Nepal the courage, strength and determination to take opportunities and fulfil your potential. Without your active participation, Nepal will not fulfil its potential.”Read also: <a href="https://archive.nepalitimes.com/regular-columns/GUEST-COLUMN/politics-power-women,773" target="_blank" rel="noopener">Power to women</a>, Bineeta Gurung

Her Excellencies

<img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221109101120/636b71219c7e80680e0600b5jpeg.jpg" alt="" width="1182" height="1500"/>Mira Rai is already well known in Nepal and in the international athletic community as a trail runner, and a new book spreads her fame beyond that by introducing her to other audiences around the world. Fantastic Female Adventurers by Lily Dyu features Rai as one of 13 contemporary women who have had extraordinary adventures.Mira Rai from Bhojpur did not know that mountain running could be a sport, until she won a race. Born and raised in a farming family, Mira was used to walking up and down steep mountain paths every day carrying grass for cows. She walked two days to the nearest market with her mother whenever they needed groceries. This stamina came into good use when she briefly joined the Maoists during the conflict. After the war, when she learned that what she did every day could be a sport, she competed in some of the world's most challenging trail races, won several awards, and broke three world records.Read also: <a href="https://www.nepalitimes.com/banner/nepali-ultra-marathoners-anti-litter-drive/">Nepali ultra-marathoner’s anti-litter drive</a>, Bipin ThapaRai's story is an extraordinary one, since she achieved so much despite not being able to afford training or proper equipment. But even more extraordinary is the possibility of what could be hiding in Nepal: how many other ordinary young men and women going about their everyday tasks are so toughened by the rough terrain of Nepal that they are already elite athletes?Like many other Nepali youngsters Rai was planning to go to Malaysia to work, and would have done so if her life had not taken the dramatic turn it did. Today she is busy competing in races, leading environmental initiatives and <a href="https://www.nepalitimes.com/here-now/mira-rai-racing-to-help-other-runners/">helping other youngsters in athletics</a>.Lily Dyu brings Rai's story alive in her book, documenting her phenomenal rise in sports. Mira Rai’s chapter is beautifully illustrated by Chellie Caroll, with a village street scene of traditional mud houses, women carrying fodder and hens pecking at the ground.Read also: <a href="https://archive.nepalitimes.com/article/Nepali-Times-Buzz/mira-rai-trail-running-nepa,2014">Running all her life</a>, Naresh NewarAuthor Lily Dyu hated sports as a child but took up running in her adulthood. She realised that one of the reasons she had been averse to adventures was that she had never known examples of women adventurers. Like everyone else, she had grown up seeing and reading about male explorers, and thought that outdoor activities were for men. After cycling all over the world, hiking and swimming in far-flung places, and even coming to Nepal to complete the Manaslu circuit, Dyu decided to write about other women who were out and about in the world.Dyu's book features Ann Daniels, who skied to the North Pole; Jin Jeong, who cycled around the world; Karen Darke, who hand-biked in the Himalaya; Sarah Outen, who kayaked in a ring of fire; Emma Timmis, who explored Australia on a stand-up bike, and others. Between them, the women cover not just half the sky, but the entire planet.Read also: <a href="https://archive.nepalitimes.com/article/Nepali-Times-Buzz/mira-rai-trail-running,1776">The inspiration of a long-distance runner</a>, Stéphane Huët<img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221109101120/636b71249c7e80680e0600b6jpeg.jpg" alt="" width="162" height="200">F<a href="https://www.amazon.com/Fantastic-Female-Adventurers-amazing-exploring-ebook/dp/B07QPWK5JV" target="_blank" rel="noopener">a</a><a href="https://www.amazon.com/Fantastic-Female-Adventurers-amazing-exploring-ebook/dp/B07QPWK5JV">ntastic Female Adventurers</a>by Lily DyuShrine Bell, Sheffield, UK131 Pages£ 12.99

Nepal's fantastic female runner

Shanti Chaudhary: Poet-at-large

https://youtu.be/qF3CK27Es8MA traffic policeman goes live on Facebook from the balcony of his Kathmandu home from where the <a href="http://archive.nepalitimes.com/article/nation/melting-mountains-shake,3073" target="_blank" rel="noopener">snowy mountains</a> used to be visible. He cannot even see Swayambhu because of the smog. His daughter gets a coughing fit, and the camera is abruptly turned off.The policeman is reprimanded for embarrassing the government, and asked to delete the video. Instead, he resigns and files a writ petition demanding <a href="http://archive.nepalitimes.com/page/every-breath-you-take-air-pollution" target="_blank" rel="noopener">better pollution protection</a> for traffic police. This is how the second episode of the teleserial Singha Durbar - 2 starts.The second season of Singha Durbar is like fantasy land: Nepal has a female prime minister who is not into <a href="http://archive.nepalitimes.com/news.php?id=10800#.W3VVz84zbIU" target="_blank" rel="noopener">wheeling-dealing and cronyism</a>, but grapples with health and environmental issues. We keep being reminded rudely of reality as Prime Minister Asha Singh struggles to <a href="http://archive.nepalitimes.com/article/nation/dahal-deuba-oli,3151" target="_blank" rel="noopener">keep her coalition together</a> while vested interest groups try to wreck her plans to solve air pollution.She pushes through a bill forcing auto dealers to also import electric vehicles, asks the Ministry of Environment to come up with an action plan to clean up <a href="https://archive.nepalitimes.com/article/Nepali-Times-Buzz/air-pollution-survey-kathmandu,3998" target="_blank" rel="noopener">Kathmandu’s filthy air</a>, and provides traffic police with industrial grade masks. She even gives back the fired traffic policeman his job.Reel life politicians in Singha Durbar are doing what Nepal’s real life elected governments stubbornly refuse to do: protect the health of citizens. Viewers on tv and YouTube can learn how a government should function while being entertained – this is <a href="http://archive.nepalitimes.com/article/Nepali-Times-Buzz/dhuwa-smoke-telefilm,2671" target="_blank" rel="noopener">infotainment</a> with a powerful contemporary message.As in American tv dramas West Wing or Veep, Singha Durbar recreates the corridors of power, while employing social themes often ignored by Nepal’s politicians today. This is not comedy, nor is it an action thriller that makes you wait for every episode with bated breath, it is a sober and slow-moving drama.<figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/2022110714118/636903cf9c7e80680e037ce5jpeg.jpg" alt="" width="1000" height="1137"/><figcaption>Search for Common Ground</figcaption></figure>However, one wonders if the plot grabs Nepali audiences more used to salacious fare on tv and the Net. But that is the whole point for director <a style="background-color: #ffffff; letter-spacing: 0.01em;" href="http://archive.nepalitimes.com/news.php?id=6714#.W3VXR84zbIU" target="_blank" rel="noopener">Nabin Subba, of Numafung fame</a>: “Our politics today has not been able to address the ordinary people’s concerns, whether it is air pollution, roads, or health. We are trying to show what is possible, something to be inspired by. How can Nepal achieve good governance? If leaders and government put people first, it can be done.”Gauri Malla, who plays Prime Minister Singh, says it may take another decade or so for Nepal to have a <a href="https://archive.nepalitimes.com/article/Nepali-Times-Buzz/inside-corridors-of-power-singha-durbar-new-political-teleserial,2740" target="_blank" rel="noopener">female prime minister</a>, and adds that the serial is not trying to portray reality, but the aspirations of the people regarding politics.“What would I want my prime minister to be like? I want her to be able, wise, charismatic, and want her to prioritise the people above everything. That is how I approach the PM’s on-screen persona,” Malla told us while on the sets of a forthcoming episode this week.Prime Minister Singh is a civilised, soft spoken, almost demure, leader – a far cry from the chest-thumping alfa males who prowl the real Singha Durbar. Singh succeeds in finding solutions to knotty national crises like air pollution, <a href="http://archive.nepalitimes.com/news.php?id=18312#.W3VX6c4zbIU" target="_blank" rel="noopener">food security</a>, education, unemployment through behind-the-scenes lobbying. She even gets the <a href="https://archive.nepalitimes.com/regular-columns/GUEST-COLUMN/upgrading-health-care-through-public-private-partnership-model,582" target="_blank" rel="noopener">Health Bill</a> passed -- something Govinda KC <a href="http://archive.nepalitimes.com/article/from-nepali-press/what-govinda-kc-wants,3869" target="_blank" rel="noopener">has not been able to do in the actual Nepal.</a>Singha Durbar dares to dream of a democratic Nepal where leaders are answerable to the people and who believe in service and performance. Singh has to fight to keep her coalition intact, and in doing so proves that clinging to power can have a positive connotation when there is a mission to be accomplished.The production (funded by USAID, UN agencies in Nepal, and the Nepali diaspora) is unabashedly idealistic, but Singh is not averse to playing a few political games herself, bargaining here and compromising there. Her negotiation style is decent, however, and tame compared to the dog-eat-dog ways of her rivals. Nothing seems to corrupt Singh: when someone tells her that the party is greater than the individual, she replies that the country is greater than the party. Applause.The script, cast and storyline all portray an inclusive Nepal. The Prime Minister’s personal secretary is a Tharu, a Muslim woman is Speaker of Parliament, Madhesi leaders are Singh’s staunchest supporters, a Sherpa minister is the voice of her conscience, and the Health Minister is a scientist who refuses funding from a pharmaceutical company.Despite its sluggish storyline, Singha Durbar had an audience of 6.67 million in the first season and was the fifth most-watched tv show.Producer Prakash Luintel says the reason for the success is that it is provocatively positive: “There is widespread negativity and disillusionment towards and we are trying to show there are other ways to do politics.”The other reason for its popularity is the series’ meticulous production values, the taut storyline is supported by excellent acting and direction. Compared to the last season, the plot is even more realistic and delves into the background of the characters.At Baluwatar, the prime minister herself grapples with issues that many working women face: the need to care for her family despite her hectic schedule, the overt jealousy of a less famous husband whom she calls 'timi' and sometimes cooks cooks for.By the end of Episode 3, Prime Minister Singh brings together the leaders of South Asian countries to collectively pressure Gulf nations to treat migrant workers better. The message: nothing is impossible in actual day-to-day politics. More than the Nepali public, this is a must-see for the current political leadership.https://www.youtube.com/watch?v=nwfU0FLnJC4&amp;feature=youtu.be

Fictional female prime minister tackles air pollution in teleserial

Architecture can be a powerful agent of change, shaping not just spaces but the way people live, connect, and experience the world.&nbsp; For Nepal, which is <a href="https://nepalitimes.com/banner/natures-fragile-gift-to-nepal">gifted by nature</a> and rich in <a href="https://archive.nepalitimes.com/article/Nepali-Times-Buzz/ambassador-fund-cultural-preservation-nepal,2092">cultural heritage</a>, &nbsp;reviving rural architecture with modern amenities could hold the key to more <a href="https://nepalitimes.com/here-now/what-sustainable-tourism-means-in-practice">sustainable tourism </a>that benefits local people more. “<a href="https://nepalitimes.com/banner/bayalpata-hospital-in-nepal-wins-global-design-award">Design and architecture</a> are amazing tools to create a unique experience for visitors,” says Spanish architect Tomeu Esteva of Esteva i Esteva Architecture Studio. “Difficult destinations have beautiful hotels with design and comfort.” Esteva was in Kathmandu with his colleagues at an event organised by the Spanish Honorary Consulate at Dwarika’s Hotel last week to showcase buildings which Nepali architects can adapt with local material and design inputs.&nbsp; Rural architecture holds a unique significance: it is more than a shelter and must reflect <a href="https://nepalitimes.com/here-now/inking-an-idenity">local identity, culture</a> and <a href="https://nepalitimes.com/here-now/saving-humla-from-heritage-loss">heritage</a>. An area’s natural and cultural harmony can be upset by <a href="https://nepalitimes.com/here-now/protecting-protected-areas-from-infrastructure?fbclid=IwAR1wK0MDFlFST_2EYb3f54LS4-fPt6rYfLG1DJ1JaQsU3w8-ezyXIxGOqzk">poorly planned development</a>, speakers at the event said, but the environment can be improved and revitalised by well-integrated structures.&nbsp; Another Spanish architect, Belen Moneo, has designed hotels at elevations of 3,700m in her home country Spain that supply natural spring water spas. “<a href="https://nepalitimes.com/banner/lost-in-reconstruction">Creativity in construction</a> must be encouraged. Rural architecture always shows possibilities of what we can do better,” Moneo explains, adding that designs must enhance <a href="https://nepalitimes.com/opinion/the-healing-power-of-nature">the beauty of nature</a> and give a natural feel at a time when steel, glass and cement dominate <a href="https://nepalitimes.com/here-now/rebuilding-kathmandu-after-the-1934-quake">urban design</a>.&nbsp; This is why the <a href="https://nepalitimes.com/here-now/weaving-nature-into-craft">use of natural products</a> such as bamboo, local timber, straw and rammed earth are in demand from customers who want a fresh eco-friendly look encouraged in construction of rural architectural structures. The demand for boutique hotels has increased world over, with &nbsp;more and more tourists favouring aesthetics, experience and comfort over price. While creativity is an important part of <a href="https://nepalitimes.com/here-now/architecture-for-mountains">construction and architecture</a>, incentives to build and use <a href="https://archive.nepalitimes.com/article/nation/Building,370">rural construction materials</a> still remain minimal, and Moneo emphasises the significance of design and execution.&nbsp; Esteva helped design the Vana Retreat in Dehradun that kept the natural environment in focus, with the structure giving an elaborate aesthetic experience to visitors. Another example is Hotel Las Mercedes in the Dominican Republic which was designed and constructed by Moneo and the company she co-founded Moneo Brock, respecting and revaluing the traditional architecture of the area. Hotels providing such experience could attract tourists and revenue. The Spanish ambassador to Nepal Juan Antonio March Pujol said, “The role of architecture and architects in developing tourism is crucial, not only in urban areas but rural settings as well.”&nbsp; The concept of rural boutique hotels gained traction in Spain during the 1990s, particularly in regions like Majorca with economic and environmental sustainability as the main focus. In Nepal <a href="https://nepalitimes.com/opinion/12-full-opinion/guiding-nepal-s-tourism-industry">the tourism industry</a> directly employs about 1 million people, and makes up about 8% of the country’s GDP. In Nepal, the stone homes of <a href="https://nepalitimes.com/news/reviving-himalayan-vulture-and-culture">Mustang and Manang</a>, bamboo and mud structures of <a href="https://nepalitimes.com/here-now/the-tarai-s-shrinking-forests">the Tarai</a>, and the Kathmandu Valley’s terra cotta tile skylines, graceful temples, and tranquil bahal courtyards are all examples of <a href="https://nepalitimes.com/here-now/nepal-s-traditional-seismic-resistant-designs">Nepal’s traditional architecture</a>.&nbsp; Nepali architect Sarosh Pradhan has been working for the past eight years on the Brakka Village project in Manang Valley north of <a href="https://nepalitimes.com/banner/municipalities-want-to-manage-annapurna">the Annapurnas</a>. Other examples of this kind of rural architecture for high-end tourism are the Shinta Mani Hotel in Mustang and Khumbu Lodge below <a href="https://nepalitimes.com/news/mt-everest-pvt-ltd">Mt Everest</a>. Says Pradhan, “There are places in Nepal that radiate purity and embrace simplicity. Creating projects in such settings require deep reflection and thoughtful planning.”  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250421030444_a07a23f6b60fa89c0f35b9dc1aaf19937da4881e6bfb2e1858f3c27dff91729f.jpg" data-media-id="editor_19" data-image-id="20250421030444_a07a23f6b60fa89c0f35b9dc1aaf19937da4881e6bfb2e1858f3c27dff91729f" data-rendition-name="original" width="4608" height="2184" loading="lazy" alt="A new architecture for Nepal's tourism"> </figure>  Rural architecture is not easy, and sometimes more expensive. Inflation, energy efficiency, <a href="https://nepalitimes.com/here-now/those-who-stay">the climate crisis</a>, and <a href="https://nepalitimes.com/banner/cost-of-living-in-a-big-city">increased costs of living</a> pose obstacles to sustainable rural architecture. Read also: <a href="https://nepalitimes.com/here-now/forgotten-international-starchitects-in-nepal">Forgotten international starchitects in Nepal</a>, Anne Feenstra and Varun S Bapu Esteva says faith and trust between client and architect is necessary for any project to be successful. He adds that architects must practice being humble, the process of designing always involves learning and not imposing their ideas on clients. Nepal is uniquely positioned for the growth of <a href="https://nepalitimes.com/banner/hiking-up-the-benefits-of-tourism">rural tourism</a> because of its stunning countryside as well as its internationally renowned traditions in holistic wellness. Creating infrastructure that is small, thoughtfully planned and that respects both tradition and contemporary hospitality standards is crucial. “Projects in Nepal can be made cost effective by using materials from houses that have been brought down,” says Esteva. “Pilot projects involving <a href="https://nepalitimes.com/banner/local-government-by-the-people-for-the-people-of-the-people">local people </a>and simple designing also helps the process.” <a href="https://nepalitimes.com/banner/vacant-homes-become-homestays-in-nepal">The growth of homestays in Nepal</a> is a step in the right direction, but they are still a bit too rustic for the international traveller who also wants comfort and is willing to pay extra for it. Upgrading the facilities in homestays and ensuring that the <a href="https://nepalitimes.com/here-now/an-archive-of-nepali-heritage">architectural heritage</a> of the locality is preserved using locally sourced building material could allow owners to charge more. Says Sangita Shrestha of Dwarika’s Hotel, “Our effort is to build upon rural architecture by empowering local communities and using what is available locally. We can fine tune and encourage indigenous design and training.” The vision goes beyond just boosting the economy, it is about building a future where tourism helps villages grow in a healthy and lasting way. Instead of using up resources, it gives back to the land and the people. It supports local communities by<a href="https://nepalitimes.com/opinion/staying-in-nepal-to-create-jobs"> creating jobs</a>, improving infrastructure, and protecting natural beauty. When done right, tourism can be a tool for <a href="https://nepalitimes.com/editorial/progress-and-or-preservation">preserving culture and nature</a>, not harming them. Architects must therefore see their work as more than just designing buildings, they also need to care deeply about people and places, especially in rural areas that can benefit the most.&nbsp; With global interest in sustainable and off-the-beaten-path travel increasing, Nepal stands at the cusp of a <a href="https://nepalitimes.com/news/missing-out-on-nepal-s-tourism-potential">tourism transformation</a> that values community-driven, eco-conscious hospitality. A mix of modern ideas and traditional knowledge could transform rural tourism in Nepal. Says Shrestha, “Young architects should spend time with <a href="https://nepalitimes.com/latest/the-unsung-heroes-of-conservation">local and indigenous communities</a>, listen to their stories, and learn from their <a href="https://nepalitimes.com/banner/life-and-livelihood-in-remote-nepal">ways of living</a>. These communities have deep knowledge about the land, materials, and climate. If this wisdom is used in new designs, it can help create tourism spaces that truly benefit everyone.” &nbsp;

A new architecture for Nepal's tourism

Extract from an addendum to Nepal's Two Wars, Chapter 2 in the updated edition of Essays on Nepal: Past and Present by Sam Cowan, a retired British Army general with a long association with the Gurkhas. The book was first published in 2018, and republished earlier this month by FinePrint exclusively on Amazon. The addendum details a one-to-one conversation the author had in the <a href="https://archive.nepalitimes.com/news.php?id=8884">Royal Palace </a>with the <a href="https://archive.nepalitimes.com/news.php?id=8371">King Gyanendra</a> in November 2002 just after he had taken his initial steps on the road that ultimately led to <a href="https://archive.nepalitimes.com/news.php?id=14681">the abolition of the monarchy</a> in Nepal in 2008. In the early evening of September 16, 2002, in my role as Colonel Commandant of the Brigade of Gurkhas, I had my second and last official audience with King Gyanendra to give him an update on the Brigade’s activities over the previous 12 months. I had some 6 or 7 such audiences with <a href="https://nepalitimes.com/here-now/preserving-king-birendra-s-family-home">King Birendra</a>.&nbsp; These were official affairs with the British ambassador of the day present, along with key <a href="https://archive.nepalitimes.com/news.php?id=12233">palace officials</a> and a representative from Nepal's Foreign Ministry. The two monarchs were very different in character and temperament, but both treated me with the utmost civility and made the audiences as relaxed and easy for me as possible.&nbsp; It is, however, worth recording that when the official business had been covered, King Birendra, with a twinkle in his eye, often ended by asking, “Now General, what’s the gossip in London?” The second audience with <a href="https://archive.nepalitimes.com/news.php?id=8026">King Gyanendra </a>was my last official act in uniform. We came back to Kathmandu in the first week of November (after treks) to stay for a few nights with our Defence Attaché before heading back to the UK. Waiting for me was a message from the Palace saying that King Gyanendra would like to meet me informally: <a href="https://archive.nepalitimes.com/news.php?id=6933">no uniform</a> and no ambassador.&nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250421080420_f9046f9882d4481781d14f2b64f18c7fbbea62562e1d74e3465de6d01fb43750.jpg" data-media-id="editor_7" data-image-id="20250421080420_f9046f9882d4481781d14f2b64f18c7fbbea62562e1d74e3465de6d01fb43750" data-rendition-name="original" width="1750" height="2406" loading="lazy" alt="Gyanendra crowned page 1"> <figcaption>Nepali Times Special Edition of 6-14 June 2001 with enthronement of Gyanendra. </figcaption> </figure>   <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250421080424_21333d6ae21828eb47fe3f849438d215fe2804460d47bb2896ef4aee4e895ad2.jpg" data-media-id="editor_8" data-image-id="20250421080424_21333d6ae21828eb47fe3f849438d215fe2804460d47bb2896ef4aee4e895ad2" data-rendition-name="original" width="1500" height="1857" loading="lazy" alt="Royal massacre"> <figcaption>Nepali Times 22-29 June 2001 covering the royal massacre after which Gyanendra became king. </figcaption> </figure>  Although I had no idea what the purpose of the meeting might be, events in Kathmandu since I last saw the king put me on edge. On October 4, 2002, Gyanendra had dismissed Prime Minister Sher Bahadur Deuba, allegedly for failing to hold <a href="https://nepalitimes.com/news/what-goes-on-in-nepal-s-elections">elections</a>. He had put in place a new prime minister and a cabinet personally selected by him. When I heard the news on my travels, the people I met were generally supportive of the king’s actions. There was a general view that something had to be done, the country was going nowhere, and the king deserved his chance, not least to solve<a href="https://nepalitimes.com/latest/14-years-after-conflict-no-closure-in-nepal"> the Maoist </a>problem. Back in Kathmandu, views were not so sanguine. The chosen prime minister, Lokendra Bahadur Chand, was a relic from <a href="https://nepalitimes.com/here-now/mob-movement-and-mayhem">the Panchayat period</a> whose party had failed to win a single seat in the last elections held in 1999. Some of the chosen cabinet ministers had, to put it mildly, dubious reputations, and others had no record of proven competence in any field. There was a fear that the king’s real motive in dismissing <a href="https://nepalitimes.com/editorial/deubas-denouement">Deuba</a> was to start to reverse the democratic gains made since 1990. I informed <a href="https://nepalitimes.com/news/nepal-britain-mark-centenary-of-1923-treaty">the British ambassador</a> about the invitation. He was strongly against accepting it, which was probably the clinching reason for my decision to do the polite thing and accept it. On the evening of November 7, 2002, I presented myself at the royal palace, alone and in civilian attire.&nbsp; As in the past, the Military Secretary, Major General Vivek Shah, met and escorted me into the presence of the monarch. This time, however, he was politely asked to leave the room and shut the door behind him. King Gyanendra greeted me warmly and invited me to sit down.&nbsp; Read also:<a href="https://nepalitimes.com/news/the-ghost-of-monarchy-returns-to-haunt-nepal"> The ghost of monarchy returns to haunt Nepal</a>, Shristi Karki  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250421080424_e382af945d0ad2a04ae41fabe5393f793dd10f54cb1220f111c7c9e7423eb558.jpg" data-media-id="editor_15" data-image-id="20250421080424_e382af945d0ad2a04ae41fabe5393f793dd10f54cb1220f111c7c9e7423eb558" data-rendition-name="original" width="1000" height="993" loading="lazy" alt="Gyanendra coup"> <figcaption>Nepali Times 4-10 February 2005 after king Gyanendra's coup imposed media censorship. anendra became king. </figcaption> </figure>  I had wondered, and to be truthful, had worried, not just about the purpose of the meeting, but about how the conversation might start and develop. I reduced my resolve to two points: be polite but speak candidly. The latter resolve was quickly put to the test with the king’s opening words: “Sam, [in previous meetings it had been ‘General’, you walk the highways and byways of this land more than most, tell me what the common man is thinking?” &nbsp;“Your Majesty, I have no idea what they are thinking, but they are waiting.” “Waiting?” “Yes, Your Majesty, they are waiting to see whether what you did some weeks ago in appointing your own prime minister and cabinet ministers is going to make any difference to their lives or whether it is just going to be more Kathmandu hot air.” “Everything is going to be difficult and is going to take time, a lot of time.” “Your Majesty, time is the one thing you don’t have. You must act quickly and decisively to take advantage of the opportunity you have created. Everyone knows that you have appointed these new ministers. Why don’t you get them in here one by one and tell them that they have three months to deliver a programme in their area of responsibility that is going to make a difference to people’s lives? Most will fail to do so. Sack them! It will be a powerful signal of your strong intent to deliver real change.” I can express the opening of our conversation in this way because just about every word is still etched in my mind. The king’s response to my last quoted words was to challenge me to give an example of something that could be delivered quickly. I can give a verbatim record of what I said in response to this unexpected challenge: “Health posts, Your Majesty, there is no shortage of them throughout the country as building them has been one of the sources of local corruption, but very few have any medicine to issue at present or have skilled people to assess and meet medical needs. Your Majesty, children are dying for lack of a few pills. Given the right priority, over a period, say of six months, every health post could be fully stocked with medicine and manned with trained people. This is something I could help to lead for you as I know it would have strong international backing. At last, people would know that you mean business.” As I warmed to the theme, I could see no sign of the king having any enthusiasm for the idea, and I quickly disengaged as it dawned on me, as it had clearly dawned on the king, that the reason for the deficiencies in health posts was to prevent any Maoist combatant from gaining access to any <a href="https://nepalitimes.com/opinion/tech-away/nepal-s-health-tech-industry-is-here-to-stay">medical support</a>, and if this meant people suffering, so be it. The subject of the Maoist insurgency inevitably came up, and I took the opportunity to elaborate on what is written in the final four paragraphs of the article above. I advised King Gyanendra that, self-evidently, since there were three parties in the conflict—him, the Maoists, and the political parties—it was imperative that he form an alliance with one of them, preferably the political parties; otherwise, he would find himself isolated, as the other two parties would inevitably, at some stage, form their own alliance. However, it quickly became apparent that the king’s mind was on a totally different track. On the Maoists, he told me that he had channels open to them, but he was scathing about the political party leaders. He made it clear that they would be waiting for a very long time before he gave any power back to them, and that is a polite way of expressing the actual words he used, but “crawling through the door” is a phrase which has stuck in my mind.&nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250421080424_5403455ff6168f0d202a96cb53edea69136d74d59b989cfcc7cc4a1d57672cb5.jpg" data-media-id="editor_17" data-image-id="20250421080424_5403455ff6168f0d202a96cb53edea69136d74d59b989cfcc7cc4a1d57672cb5" data-rendition-name="original" width="2000" height="1317" loading="lazy" alt="fall of monarchy"> <figcaption>Nepali Times 28 April-3 May 2005 with cover image by Ajay Joshi of jubilant protesters after street demonstrations sidelined king Gyanendra, paving the way for a ceasfire and restoration of democracy. </figcaption> </figure>  As the conversation developed, it became ever clearer that King Gyanendra had decided to go in alone, relying on the misleading assurances he was constantly receiving from <a href="https://archive.nepalitimes.com/news.php?id=14954">the army</a>, and no doubt his close advisers, that the Maoists could and would be quickly defeated militarily, and taken out of the equation. This would obviate the need for him to do any deal with the political parties.&nbsp; Thus, the way would be clear for him to establish a version of his father’s Panchayat system, under a constitution that would be granted to the people by him, their sovereign, as his father and brother had done in 1962 and 1990. As in those constitutions, ultimate power would have remained in the sovereign’s hands. This proposed direction of travel was very clear from what the king said to me. In sum, King Gyanendra was motivated by a desire to emulate his immediate predecessors by granting his people a constitution that would restore his father’s Panchayat system in a modern form and give him a central role in decision-making. What was particularly dispiriting was that beyond this single objective he had no plan worthy of the name, nor demonstrably did he have the people with the skills to implement an appropriate plan even if one had existed. Crucially and depressingly, there was little or no indication from the king that he realised that such a course of action could put Nepal’s monarchy into serious jeopardy, as indeed proved to be the case. <h2>King Twice</h2>  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250420110436_315d519fe3d68d2406ebe1480fed54720fbf21b8907a4da5cde751fdc623d445.jpg" data-media-id="editor_19" data-image-id="20250420110436_315d519fe3d68d2406ebe1480fed54720fbf21b8907a4da5cde751fdc623d445" data-rendition-name="original" width="1302" height="632" loading="lazy" alt="“Tell me what the common man is thinking!”"> </figure>  <a href="https://archive.nepalitimes.com/news.php?id=8371">Gyanendra Bir Bikram Shah has been king twice</a>. In 1950 he was enthroned briefly as a child king (left, above) by the Rana Prime Minister Mohan Shumsher when his grandfather, King Tribhuvan, fled to exile in India. In 2001 he was crowned king again after the massacre in the royal palace in which his brother King Birendra and nine other members of his family were killed by Crown Prince Dipendra.&nbsp; During his second reign, Gyanendra gradually asserted power by sacking Prime Minister Sher Bahadur Deuba in 2002, and then taking full control after the 1 February 2005 coup. He was sidelined after the ceasefire in April 2006, and became a commoner after the Constituent Assembly finally <a href="https://archive.nepalitimes.com/article/from-nepali-press/Ftnp-abolishing,624">abolished the monarchy in 2008</a>. In the past year, Gyanendra has tried to exploit public dissatisfaction with the political parties to restore the monarchy.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250421080432_26ef4a4b0e3cee9fdc6794446702efe16550d293904b4f6dd46fe35d4d10c788.jpg" data-media-id="editor_22" data-image-id="20250421080432_26ef4a4b0e3cee9fdc6794446702efe16550d293904b4f6dd46fe35d4d10c788" data-rendition-name="original" width="1136" height="702" loading="lazy" alt="Essays on Nepal by Sam Cowen"> </figure>

“Tell me what the common man is thinking!”

“It's Kathmandu.” Just as the family was sitting down for one of its extended lunches, that jubilant cry was from François Driard’s grandfather announcing the next posting for his diplomat parents.&nbsp; Driard (pictured) was 18 in the summer of 1996,<a href="https://nepalitimes.com/opinion/suburban-tales/chasing-a-nomad"> a bit of a hippie</a> already, and his life was about to change forever with the magical word “<a href="https://nepalitimes.com/banner/time-capsule-of-kathmandu">Kathmandu</a>”. “I was awed with that information from my grandfather, nothing else mattered … In France <a href="https://nepalitimes.com/here-now/tales-of-courage-and-suffering-cx95f89e">in the 1990s</a>, Kathmandu had a mythical aura,” Driard recalls. He came to Kathmandu for Christmas that year to visit his stepfather, the French Ambassador Michel Lummaux. It was to be the first of many visits during school holidays, before he decided to permanently settle down in Nepal. “Kathmandu, and Nepal, were very different then, it was magical, I liked the nature, the people, civilisation, temples, trees,” says Driard, who explored the country sitting on the top of buses. “Visitors talk about the crazy <a href="https://nepalitimes.com/banner/cost-of-living-in-a-big-city">urbanisation</a>, traffic jams today, and all that is true. But Kathmandu has not <a href="https://nepalitimes.com/here-now/loss-of-soul-and-soil">lost its soul</a>.” After his stepfather’s tenure in Nepal ended, Driard worked as a business reporter for international publications but decided he did not want to be anyone’s employee anymore. In 2007 he landed in Kathmandu with €20,000 in savings to invest.&nbsp; He knew a few crucial things about himself: he liked food and nature, which is very much tied up with his upbringing--full of lively conversations during lunch and dinner at the family table between <a href="https://nepalitimes.com/here-now/nepals-yak-cheese-is-on-world-map">abundant cheese, wine and cigars</a>. So he decided it would be cheese, and registered Himalayan French Cheese and went to the French Alps for a month to learn how to make Tomme de Savoie. “<a href="https://nepalitimes.com/banner/the-story-of-langtang-cheese">Cheese making is such an ancient craft </a>and so I thought I won’t need much money or studying which I hated and indeed, if you have a tamako bhado and fire you are set,” explains Driard. But Nepal’s temperature and humidity were not ideal, even at higher altitudes. The first customers for his cheese were the Hyatt Regency and Nina and Hager. But he needed to create a market for cheese in a country which only knew hard churpi in the north and soft paneer in the south. He started selling his cheeses at the Summit Hotel weekend market, expanding to his own 1905 Farmer’s Market which later moved to Le Sherpa in Maharajganj, where it is now, and also a market at Labim Mall in Pulchok. He had cow dairies in Nuwakot and Dhulikhel, and finally a yak cheese unit at 3,379m in Ramechhap. It was the yak blue cheese from here that went on to win a Gold Medal in France, putting Nepal’s French cheese on the world map. “People come and try our cheese at the market, they ask questions. There is a lot of education to be done about cheese,” adds Driard, who also has three cheese shops in the Valley. Driard now makes 25 types of cheese. The products are being noticed and every year he has French students coming to Nepal to learn the art of yak cheese making. “In France, one family or company makes one kind of cheese for generations. In that I’m very unique as a cheese artisan,” he says. “The students come in to learn but I tell them to also teach us something too, add another cheese to my collection.” Read also: <a href="https://nepalitimes.com/here-now/langtang-after-10-years">Langtang after 10 years</a>, Sonia Awale Being a foodie, Driard is now also dabbling in meat with his own charcuterie at Meatini with bacon, ham, sausage and pâtés. All of this is now served at his Emilio’s Pizza, a leafy hideaway in Lazimpat. His South Side in Moksh is probably the smallest wine bar in the world. “I call the process sublime,” says Driard of his ventures, which have grown organically. “You need the same temperature and humidity of 12°C and 80% for cheese, meat and wine.” Emilio’s speciality is the eight-cheese pizza (which has eight types of cheeses), and a pizza with bhutan topping (not the country but fried intestines and organs Nepali-style). He has opened a small branch at Courtyard in Pokhara.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250426070456_bacae302c040dc18eeecdeafda72ddf06a6d2cec138ea9be7e45fe94cdf8b5b3.jpg" data-media-id="editor_8" data-image-id="20250426070456_bacae302c040dc18eeecdeafda72ddf06a6d2cec138ea9be7e45fe94cdf8b5b3" data-rendition-name="original" width="1500" height="1125" loading="lazy" alt="8 cheese pizza"> <figcaption>Eight-cheese pizza</figcaption> </figure>  With two artisanal cheese units, two farmers’ markets, a <a href="https://nepalitimes.com/here-now/the-meat-of-the-story">meat processing unit</a>, a bakery, and wine bar he now envisions a vineyard so he can add Nepali wine to his repertoire. Another future plan is to start up an agri-tourism business where customers can drink, eat and work in peace. In the past 20 years in Nepal, Driard has not always succeeded in his ventures but this hasn’t curbed his enthusiasm. He is learning as he goes, and like an old wine, Nepal is growing on him. Its slowness suits his French art de vivre with eating slowly outdoors, having conversation, importing less.&nbsp; “I have proven that with even a little money you can do a lot of things in Nepal,” adds Driard. “In the West, they easily invest half a million euros on a cheese factory, I invested 10 times less.”&nbsp;

Fromage, vin et charcuterie Népalais

Bhuthan भुठान starts with Bishnu Bahadur KC played by <a href="https://archive.nepalitimes.com/article/Nepali-Times-Buzz/dhuwa-smoke-telefilm,2671">Hari Bansha Acharya</a> on a call, requesting to speak to the visa officer. By this point, he had <a href="https://nepalitimes.com/here-now/nepal-should-now-allow-visa-on-arrival">applied for a visa </a>to Bhutan 10 times, but was denied each time. KC was a <a href="https://nepalitimes.com/here-now/nepal-s-women-excel-in-sports-in-2024-z9ramyct">national football player </a>in Bhutan in 1988 before he and other Nepali-speaking Lhotsampa people were forced out of the country in the 1990s as part of the Druk regime’s ‘One Nation One People’ campaign. Over 100,000 Bhutanese Nepalis were forced out, driven across India and dumped in Nepal where they lived in seven<a href="https://nepalitimes.com/here-now/elderly-left-in-bhutan-refugee-camp"> refugee camps</a> supervised by the United Nations and other charities until they were resettled in the United States, Australia, New Zealand and some European countries starting in 2007. In the fictional movie with the satirical English title The World’s Happiest Man, KC has resettled in the state of Ohio in the US but wishes to visit his home country once before he dies. Between flashbacks, we learn KC has died without having fulfilled his wish. &nbsp; The drama then focuses on KC’s two families from two marriages as they debate whether to cremate him as per <a href="https://archive.nepalitimes.com/article/from-nepali-press/muslim-hindu,2996">Hindu rites </a>or give him a Christian burial. A mediator played by Hollywood actor Bruce Dern urges them to take a firm decision before it is too long.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250430140420_b398a08091b866da2b0b8f6c1e6e26781609749aba896bfd2c68a10a519295c3.jpg" data-media-id="editor_5" data-image-id="20250430140420_b398a08091b866da2b0b8f6c1e6e26781609749aba896bfd2c68a10a519295c3" data-rendition-name="original" width="945" height="945" loading="lazy" alt="Bhutan, the movie"> </figure>  There are drawn out scenes of KC being baptised and when he is confronted by his first wife from Darjeeling played by Anuradha Majumdar, he says he changed his religion in the hope that he will be <a href="https://nepalitimes.com/opinion/comment/bhutan-s-refugees-between-hope-and-despair">allowed back in Bhutan</a>.&nbsp; We find out KC has a second wife, a Christian Nepali played by Puja Chand. Dayahang Rai as the younger son doesn’t have much screen time to flex his acting chops. &nbsp; Acharya competently portrays a man that is equal parts haunted by the memories of and longing for his home country. KC’s pain and loss is acute when he is teaching football to Gungun but between mid-scene, he freezes, perhaps lost in memories of being in Bhutan’s national team. &nbsp; In another scene, KC recalls his mother singing a lullaby in Dzongkha. He also has a box filled with medals, photographs and a football which he deflates with a knife in a powerful depiction of his <a href="https://nepalitimes.com/here-now/searching-for-a-homeland-away-from-home?fb_comment_id=1506516030025634">complicated emotions about his homeland</a>. KC keeps checking his mailbox in the hopes that his <a href="https://archive.nepalitimes.com/news.php?id=4977">visa application</a> has been accepted. He says in Nepali: “If a tree that has already struck roots in one place is shifted to another, it will not survive.”  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250430140420_4a9c27410326489576c04dedf40016bda3825e8f9663317f54fbfec4cbda6d34.jpg" data-media-id="editor_9" data-image-id="20250430140420_4a9c27410326489576c04dedf40016bda3825e8f9663317f54fbfec4cbda6d34" data-rendition-name="original" width="1422" height="2048" loading="lazy" alt="Bhutan, the movie"> </figure>  Dern’s character says that the <a href="https://nepalitimes.com/opinion/comment/nepal-s-transitional-justice-and-the-west-s-recalibration">western world</a> has become “lonely in pursuit of happiness”, another reference to Bhutan’s obsession with its Gross National Happiness index. Scenes shift quickly throughout making the story difficult to follow at times. The use of symbolism is a trite overdone. Nonetheless, भुठान is a nuanced depiction of raw pain and agony of losing one’s homeland. But one cannot help but leave the theatre feeling deflated. KC dies without having visited <a href="https://nepalitimes.com/here-now/small-bhutan-dreams-big">Bhutan</a>, but perhaps he does in his afterlife. It is up to the audience to create its own ending to this sad story of exile. भुठान Mad Monkey Films, 2025 Directed by Binod Paudel 102 minutes In cinemas in Nepal