<figure><img width="1400" height="933" src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221107171132/636933619c7e80680e03df95jpeg.jpg" alt=""/><figcaption>Photo: KUNDA DIXIT</figcaption></figure>Next week as Nepalis celebrate Tihar, the festival of lights, few will remember that it will mark the second anniversary of the end of paralysing power cuts.Sometimes lasting up to 18 hours a day, the <a href="https://www.nepalitimes.com/here-now/how-they-kept-nepal-in-the-dark-ages/" target="_blank" rel="noopener">load-shedding</a> increased the people’s hardship and crippled the economy. The man credited for ending power cuts, <a href="https://archive.nepalitimes.com/article/interview/interview-with-Kulman-Ghising,3409" target="_blank" rel="noopener">Kulman Ghising</a> of the Nepal Electricity Authority (NEA) said this week: “Light up your houses this Tihar, there is enough electricity.”The NEA estimates that demand next week will peak at 1,270 MW, but Ghising says there is enough supply from domestic generation and <a href="https://archive.nepalitimes.com/article/nation/nepal-india-thermal-power,3570" target="_blank" rel="noopener">Indian imports</a> to meet it. Read also:<a href="https://www.nepalitimes.com/editorial/climate-climax/" target="_blank" rel="noopener">Climate climax</a>, Editorial <a href="https://www.nepalitimes.com/banner/from-a-fossil-past-to-an-electric-future/" target="_blank" rel="noopener">From a fossil past to an electric future</a>, Om Astha Rai <img width="327" height="327" src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221107171132/636933649c7e80680e03df96jpeg.jpg" alt="">The reason for Ghising’s confidence is that 30MW has been added this year, his efforts to manage supply and cut leakage have increased capacity, and the Kulekhani reservoir is full. Even all this would not have ensured enough power – the real reason there will not be a dark Tihar is because of electricity imports from India.This year, Nepal’s electricity demand reached 1,281MW, but domestic generation never exceeded 525MW. The shortfall was made up by importing up to 505MW of electricity from coal-fired thermal plants in Bihar. Even with that, industries and some districts still suffered power cuts. The end to <a href="https://archive.nepalitimes.com/article/nation/corruption-in-electricity-industry-of-Nepal,3408" target="_blank" rel="noopener">load-shedding</a> has come at great environmental and economic cost. The average per capita carbon footprint of Nepalis is still low, but it has doubled because of fossil energy bought from India. The electricity import bill this year added Rs20 billion to the Rs150 billion Nepal was already spending to buy petroleum products from India.Read also:<a href="https://www.nepalitimes.com/opinion/decarbonise-now/" target="_blank" rel="noopener">Decarbonise now</a>, Ajaya Dixit<a href="https://www.nepalitimes.com/banner/electri-city-cars/" target="_blank" rel="noopener">Electri-City Cars</a>, Sikuma RaiThe government defends the power import, arguing that it is only a stop-gap measure and transmission lines built to import electricity from India can later be used to export Nepal’s surplus power to the Indian market.Former Minister of Water Resources Dipak Gyawali says that is not likely to happen because Nepal’s electricity demand is growing 100MW per year, and there is a lot of suppressed demand that not even big projects like Tama Kosi (440MW) can cover.Instead of building cross-border transmission lines, Gyawali urges the NEA to focus on connecting small hydro projects to the national grid to meet future domestic growth in consumption for cooking and transportation.Sadly, even while importing electricity generated from dirty coal from India, NEA cannot buy clean hydropower from private plants like the 6MW Khani Khola because they do not have transmission lines connecting them to the grid.Says one hydropower investor: “This is the irony of it all: we want to sell our electricity to NEA, but it is buying power from India.”

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The cost of light

https://www.youtube.com/watch?v=fToB9yl5T44Tihar is right around the corner, but the festival of lights is not going to be a holiday for the Prajapatis of Bhaktapur. They are busy with their ancestral occupation of moulding clay to make earthen lamps called pala.This week, the courtyards and sidewalks of Bhaktapur are covered in clay lamps, soaked in coloured water, and drying in the sun until they can be fired.Das Ram Prajapati has been carrying on the profession of his forebears, and says proudly that his family sold 25,000 clay lamps last year, earning Rs 80,000. But even though modern LED garden lights from China have replaced earthen lamps in many households, the clay oil lamps are still regarded as auspicious for <a href="http://archive.nepalitimes.com/issue/167/Culture/5035#.W9rM_9UzbIU" target="_blank" rel="noopener">Laxmi Puja, Mha Puja and Bhai Tika</a>, which fall between 7-10 Noati clan have started mass producing the lamps with a wheel machine, but the purists still stick to traditional manual chakra to produce potteries the old fashioned way.“I don’t feel good about using a machine to make pottery, my grandfather taught me to use the chakra when I was a boy and I still enjoy using it,” says 74-year-old Lalit Prajapati, the only person making pala the traditional way in the Talako area of Bhaktapur.His skill of turning a clay mould into beautiful pottery attracts tourists by the hundreds to Talako. “It is necessary to preserve our tradition, rather than going for mass production and money. We should not forget why we are making them in the first place,” he adds.Read also: <a href="https://archive.nepalitimes.com/article/nation/a-time-to-every-purpose-occupation,3023" target="_blank" rel="noopener">A time to every purpose</a>, Sahina Shrestha<a href="http://archive.nepalitimes.com/news.php?id=17564#.W9rM89UzbIU" target="_blank" rel="noopener">A healthy tihar</a>, Buddha Basnyat<a href="https://www.nepalitimes.com/here-now/bhaktapur-shows-the-way-by-rebuilding-itself/" target="_blank" rel="noopener">Bhaktapur shows the way by rebuilding itself</a>, Suyog Prajapati<figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221107171132/636933689c7e80680e03df98jpeg.jpg" alt="" width="1400" height="933"/><figcaption>Photos: MONIKA DEUPALA</figcaption></figure>What Lalit Prajapati is particularly worried about is that the young have gone abroad for education or jobs, or have taken up other professions. There is no next generation to carry on the tradition.Also, there is now a scarcity of the special black clay needed for making pottery because of the urban sprawl around Bhaktapur. Shiva Kumari Prajapati and her family traditionally sold pala in the markets of all three towns of the valley before <a style="background-color: #ffffff; letter-spacing: 0.01em;" href="http://archive.nepalitimes.com/blogs/mycity/2014/10/31/tihar-celebrations/" target="_blank" rel="noopener">Tihar</a>. Residents of the Valley sought the Bhaktapur pala because they knew it was the best quality.Dasa Ram Prajapati says pottery production shifted to Bhaktapur because Patan and Kathmandu ran out of proper clay. But now the concrete jungle has spread to Bhaktapur as well, houses stand over former clay pits.Read also: <a style="font-weight: bold; letter-spacing: 0.15px; background-color: #ffffff;" href="http://archive.nepalitimes.com/article/nation/nation-bhaktapur,597" target="_blank" rel="noopener">Bhaktapur's Mithila influence</a>, Bhaskar Koirala<img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221107171132/6369336b9c7e80680e03df99jpeg.jpg" alt="" width="1400" height="934">“I am using my two-year-old stockpile of black clay that I bought for Rs2,000 back then, it is much more expensive now,” he says.Nhuchhe Ram Prajapati sources his clay from Harisiddhi, from outside the Valley, or from someone who is building a tall house that need foundations deep enough to reach the black clay layer.Shumser Prajapati is the owner of Samrat Ceramics, and the only one from his generation to still be involved in the ancestral profession. He has been innovating with design and texture of his clay products. “I see it more as an art than a profession,” says Shumsher, who sells double the number of earthen lamps in Tihar compared to the rest of the year.His pala have better designs and finish, and now come with inbuilt wax and wick already attached. He has also started making scented lamps with wax of different colours. His son Samrat takes the lamps to the Asan market in Kathmandu every morning in a van. The father and son say their greatest problem now is to find suitable clay, not buyers.Read also: <a href="http://archive.nepalitimes.com/article/nation/rebuilding-new-structures-using-old-traditions,2827" target="_blank" rel="noopener">Rebuilding new structures using old tradition</a>, Sahina Shrestha<a href="https://archive.nepalitimes.com/page/tourists-trickle-back-to-Bhaktapur" target="_blank" rel="noopener">Bhaktapur is waiting for you</a>, Peregrine Frissell<img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221107171132/6369336e9c7e80680e03df9ajpeg.jpg" alt="" width="1400" height="934">

festival-of-lights

The cost of light

Bhaktapur’s potters adapt to survive