Kathmandu, the UNESCO-designated city of film, is all set to celebrate cinema with the 22nd edition of KIMFF from 28 May to 1 June. The <a href="https://nepalitimes.com/news/kimff-turns-21-wz756ixn">Kathmandu International Mountain Film Festival</a> this year features a selection of 65 films from all over the world on the theme of <a href="https://nepalitimes.com/here-now/knowing-our-mountains-43v4iyvo">mountains</a>. The festival opens with the Nepal premiere of Jeremy Power Regimbal’s documentary ‘Between the Mountain and the Sky’ featuring Surkhet-based educationist and CNN Hero Maggie Doyne.&nbsp; Launched in 2000 by a journalists’ collective, <a href="https://nepalitimes.com/review/kimff-2019-p8070ipt">KIMFF has evolved over the years</a>, bringing in new themes like climate breakdown, indigenous groups, tourism and Himalayan culture. “This time we are prioritising people-driven stories and, most importantly, <a href="https://nepalitimes.com/here-now/homecoming-with-music">Nepali voice</a>,” says KIMFF convener Ramyata Limbu.&nbsp; This year’s films reflect broader changes in <a href="https://nepalitimes.com/here-now/nepali-cinema-s-melodramatic-realism">Nepal’s filmmaking landscape</a>, as access to <a href="https://nepalitimes.com/opinion/comment/tech-and-transition-in-nepal">technology</a> and <a href="https://nepalitimes.com/here-now/they-have-stories-to-yell">storytelling platforms</a> expand. Kimff’s Nepal Panorama section over the years has become a launchpad for many of the country’s leading independent filmmakers. This year, The festival is widening its scope with its inaugural Kathmandu DocLab. This is a five-day incubator designed for the South Asians by the <a href="https://nepalitimes.com/here-now/documenting-the-anthropocene">South Asian filmmakers</a> and aims to foster local talent from the region and equip them with the tools to craft globally resonant stories.&nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2025052209054_6ae4c176750255257e98b623cec24307747b6d6ae08bd0c7c0aeaae014219f59.jpg" data-media-id="editor_8" data-image-id="2025052209054_6ae4c176750255257e98b623cec24307747b6d6ae08bd0c7c0aeaae014219f59" data-rendition-name="original" width="1920" height="1080" loading="lazy" alt="Kimff 2025 NT"> </figure>  “DocLab is a place for filmmakers to come together to work on their ideas and to make the stories even more engaging,” says its director Alok Adhikari. “Documentaries are regarded as a boring genre. We want to change the narrative by learning to tell engaging stories.” The DocLab aims to demystify fund-raising for films outside South Asia and simulate a real-world <a href="https://nepalitimes.com/opinion/comment/documentary-films-come-of-age">film market</a>. The nine selected participants will be mentored by Anam Abbas (Pakistan-Canada), Arun Bhattarai (Bhutan), and Rintu Thomas (India). “In <a href="https://archive.nepalitimes.com/news.php?id=12940">documentary filmmaking</a>, a regional context is even more crucial, which South Asians inherently understand,” explains Adhikari. “Too often, when these ideas are pitched to Western investors, key cultural elements get lost in translation.” After the workshop, participants will pitch ideas to audiences and filmmakers. The top three projects get prize money, and DocLab will also connect them with international industry partners to secure funds.&nbsp; This year’s festival will also host a Cut.Katha Documentary Pitch, supported by the British Council, in which five <a href="https://nepalitimes.com/here-now/she-is-the-story">Nepali women filmmakers </a>will pitch short documentary projects. Other highlights include a Nikon Youth photography/filmmaking workshop and a VR installation of &nbsp;Maya: The Birth of a Superhero. “Kathmandu is now a regional hub for documentary filmmaking, offering industry connection, creative collaboration and access to the global film market much like the world’s biggest film festivals,” says Ramyata Limbu. The festival is taking place simultaneously at QFX Chhaya Centre, Astrek Park, and GAA Hall in Thamel.&nbsp; <h2>Watchlist</h2> <h2>Have you seen my gods?&nbsp;</h2>  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2025052209054_82a2592d31907b782dadc670056d256424aec941d472803839252979377faed6.jpg" data-media-id="editor_12" data-image-id="2025052209054_82a2592d31907b782dadc670056d256424aec941d472803839252979377faed6" data-rendition-name="original" width="800" height="533" loading="lazy" alt="Kimff 2025 NT"> </figure>  A compelling and deeply personal journey to track down the whereabouts of <a href="https://nepalitimes.com/here-now/nepal-s-deities-in-transit">Kathmandu’s stolen sacred deities</a>, many of which are displayed in museums across the United States. To honour his grandmother’s final wish, Joshi looks for stolen gods. &nbsp; 60 min | Nepal/United States | 2025&nbsp; English/ Nepali Director: Amitabh Joshi&nbsp; <h2>Butterfly Bhutan &nbsp;</h2>  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2025052209054_8e90fc879ea35a62ea29fd7a25de1d3b591805ddabaa1ee88f8b553abeebc803.jpg" data-media-id="editor_14" data-image-id="2025052209054_8e90fc879ea35a62ea29fd7a25de1d3b591805ddabaa1ee88f8b553abeebc803" data-rendition-name="original" width="1920" height="1080" loading="lazy" alt="Kimff 2025 NT"> </figure>  Sonam Phuntsho, a devoted Buddhist, starts questioning the environmental impact of acrylic prayer flags. The documentary follows Sonam as he starts removing flags, getting push back from his own community.&nbsp; 30 min | Bhutan | 2024 Dzongkha Director: Sonam Yangzom <h2>Songs of Love and Hate&nbsp;</h2>  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2025052209054_2cde15daafd995354ae1f84a4cd5b1c85114181768bce612244d00ccd7a220f2.jpg" data-media-id="editor_15" data-image-id="2025052209054_2cde15daafd995354ae1f84a4cd5b1c85114181768bce612244d00ccd7a220f2" data-rendition-name="original" width="1920" height="1065" loading="lazy" alt="Kimff 2025 NT"> </figure>  Prem hosts a popular radio program on relationship advice. Afflicted by a heartbreak himself, he navigates an emotional rollercoaster of love along with his listeners.&nbsp; 17 min | Nepal | 2024&nbsp; Nepali Director: Saurav Ghimire&nbsp; <h2>The Lama’s Son&nbsp;</h2>  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2025052209054_d70f429797cafa56b540be1b7167a6349fe0288c040645a7dfe5107f9cf8952b.jpg" data-media-id="editor_16" data-image-id="2025052209054_d70f429797cafa56b540be1b7167a6349fe0288c040645a7dfe5107f9cf8952b" data-rendition-name="original" width="1920" height="1080" loading="lazy" alt="Kimff 2025 NT"> </figure>  A Bonpo Lama waits for his sushi chef son to return from New York. But he does not want to come back threatening the family’s ancestral lineage.&nbsp; 72 min | Nepal | 2025&nbsp; Lo-Kay/Tibetan Director: Kesang Tseten&nbsp; <h2>Kottukkaali</h2>  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2025052209054_d02176866a12a849d966afe64a25afcb09b1b788d1e3e7422efa87e24b7e040e.jpg" data-media-id="editor_17" data-image-id="2025052209054_d02176866a12a849d966afe64a25afcb09b1b788d1e3e7422efa87e24b7e040e" data-rendition-name="original" width="2049" height="1000" loading="lazy" alt="Kimff 2025 NT"> </figure>  A woman falls in love with a man from a lower caste, and spotlights the dangerous discrimination still dormant in Indian families and society.&nbsp; 101 min | India | 2023&nbsp; Tamil Director: Vinothraj PS

Pinki Sris Rana

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Festival of mountain films

<figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20230228150236/63fe11dc9c7e80680e0da4fcjpeg.jpg" alt="" width="973" height="690"/><figcaption>Director Bernardo Bertolucci and producer Jeremy Thomas, with photographer Lynn Davis (behind) and screenwriter Rudy Wurlitzer on the Little Buddha recce in Chitwan, 1992. Photo: LISA CHOEGYAL</figcaption></figure>In 2005, Hollywood actress Cameron Diaz, hosted a documentary series for MTV called Trippin’. The show had celebrities visit ecological locales around the world to educate young viewers about nature.The first episode was filmed in Nepal, featuring Diaz with actress Eva Mendes, rapper Redman and Mark Hoppus of the hit rock band Blink-182. The film was shot on location in Kathmandu and Chitwan.Carolyn Syangbo was a production liaison for the show in Nepal, and recalls the producers being concerned about paparazzi in Chitwan. In Honduras, the shoot was nearly ruined because fans and media recognised Diaz and Mendes.“In the end, I said, look, I am going to be really honest and burst your bubble, no one knows who Diaz is here,” Syangbo says. “It took me ages to convince them that we did not need a security protocol to control paparazzi in Chitwan.”When Michael Palin was in Pokhara in 2004 to shoot his BBC series Himalaya, he was pleasantly surprised not to be recognised at all by Nepalis — until he was mobbed by a British tour group while filming in Boudha.In 2015, Benedict Cumberbatch was being filmed near Pashupati dressed in a frayed overcoat followed by a camera crew and a microphone attached to a pole overhead.Marvel’s Doctor Strange was being shot in Kathmandu, but after the first photo went viral, crowds gathered in Thamel, Indra Chok, Swayambhu and Patan to catch a glimpse of the actor.<figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20230228150236/63fe11df9c7e80680e0da4fdjpeg.jpg" alt="" width="2878" height="1200"><figcaption> </figcaption></figure><figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20230228150236/63fe11e49c7e80680e0da4fejpeg.jpg" alt="" width="2880" height="1128"><figcaption> </figcaption></figure>Director Scott Derrickson decided to film Doctor Strange in Nepal to feature an “Eastern city" that would not be familiar to audiences. In the original comic, Strange travels to Tibet, but that was cancelled because of fears of Chinese censorship.Cumberbatch and Derrickson came to Nepal despite the 2015 earthquake so the film could potentially boost tourism here.On top of that, any Nepali watching the film would have felt a connection to see the title card ‘Kathmandu, Nepal’ about 21 minutes in, followed by a minute-long montage of Strange walking around the familiar historical and cultural sites in the Valley.Bollywood has also chosen Nepal as a location for its many films, starring major stars like Dev Anand in Haré Rama Haré Krishna in 1971 and Amitabh Bachchan in Uunchai last year. Finding one’s country represented in a Hollywood or Bollywood blockbuster, that too as an important piece in the story, is a moment of instant recognition and special delight.<figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20230228150236/63fe11e89c7e80680e0da4ffjpeg.jpg" alt="" width="1200" height="969"><figcaption> </figcaption></figure>Philippe de Broca’s 1965 adventure-comedy Les Tribulations d'un Chinois en Chine (later retitled Up to His Ears) starring the French screen idol Jean-Paul Belmondo features 15 minutes of Kathmandu landmarks and the Himalayan backdrop.Several scenes of the 1986 fantasy martial arts film The Golden Child with Eddie Murphy were also filmed around Asan and Indra Chok with some Nepali extras.Éric Valli’s Oscar-nominated 1999 adventure film Himalaya (also titled Caravan), was shot in widescreen over nine months on location in remote Upper Dolpo.Pier Paolo Pasolini’s 1974 fantasy adventure Arabian Nights includes a sequence with a character named Yunan whose story begins and ends in Nepal. In one scene, he plays hide and seek with his friends in and around the Jaisi Deval Temple in Kathmandu, and in another he runs to his father's palace on Kathmandu Darbar Square to tell him he wants to go to the sea. He finds his father in the sunken bath of Patan’s Sundari Chowk. After his return home from his adventures he says farewell to his royal life on Bhelukhel Square in Bhaktapur. Other places to feature in the film are the Kumari Baha, Ashok Binayak Temple in Kathmandu, the Golden Gate, the courtyard of Pujari Math in Bhaktapur, and Saraswati Hiti in Patan.<figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20230228150236/63fe11ec9c7e80680e0da500jpeg.jpg" alt="" width="1605" height="1000"><figcaption> </figcaption></figure><figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20230228150236/63fe11f09c7e80680e0da501png.png" alt="" width="1609" height="1000"><figcaption> </figcaption></figure><figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20230228150236/63fe11f79c7e80680e0da502jpeg.jpg" alt="" width="1870" height="1000"><figcaption> </figcaption></figure><figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20230228150236/63fe11fc9c7e80680e0da503png.png" alt="" width="1611" height="1000"><figcaption> </figcaption></figure><figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20230228150236/63fe12059c7e80680e0da504png.png" alt="" width="1610" height="1000"><figcaption> </figcaption></figure>The Hong Kong supernatural film Witch from Nepal and the British film To the North of Katmandu, were both shot on location in Nepal  in 1986.Then there is Bernardo Bertolucci’s ambitious drama Little Buddha, filmed in 1992 and released a year later, starring the pre-Matrix Keanu Reeves as Siddhartha Gautam. The film follows three children, one American and two Nepali, who might be the reincarnation of a Buddhist spiritual teacher Lama Dorje, and their story is told in parallel with the story of Gautam Buddha.Lisa Choegyal, who was a production liaison for Little Buddha in Nepal, remembers how the Bhaktapur Darbar Square had been transformed with fibre-glass sculptures and wood trellises to stand in for Siddhartha’s Kapilvastu palace.<img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20230228150236/63fe120c9c7e80680e0da505jpeg.jpg" alt="" width="640" height="480"><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20230228150236/63fe12119c7e80680e0da506jpeg.jpg" alt="" width="640" height="480"><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20230228150236/63fe12159c7e80680e0da507jpeg.jpg" alt="" width="640" height="480">Set designs showing the transformation of the Kathmandu Valley World Heritage Sites for the 1992 production of Little Buddha that starred Keanu Reeves. Photos: LISA CHOEGYALChoegyal wrote in her Nepali Times column in 2017 that local residents were confused because the recreated sets could not be differentiated from the real thing.“It was the most elaborate, ambitious movie to be filmed in Nepal then,” recalls Choegyal. “This was after the 1990 People’s Movement and Girija Prasad Koirala was prime minister. The Tourism Ministry really got behind us because it was the same crew who had done The Last Emperor in Beijing.”<figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20230228150236/63fe12199c7e80680e0da508jpeg.jpg" alt="" width="792" height="520"><figcaption> </figcaption></figure>The Last Emperor went on to win 13 Oscars, and after its release visitors to China increased by 25%. And that is why the production of Little Buddha was backed by Koirala’s cousin Niranjan who was adviser to the Ministry of Tourism. The Prime Minister’s Office also assigned a special official to iron out any problems while filming.“So, in the 10 months of preparation and three months of filming, we didn’t lose a single day,” recalls Choegyal.Little Buddha was very successful in France, and made around $48 million globally. It also featured in several Year-end lists, including The Washington Post and The New York Times. This kind of exposure, Choegyal says, is valuable to Nepal because it boosts tourism and the economy.<figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20230228150236/63fe121c9c7e80680e0da509jpeg.jpg" alt="" width="2010" height="1000"><figcaption> </figcaption></figure>Little Buddha’s production contributed one-tenth of 1992’s tourism revenue in Nepal. Doctor Strange employed around 70 Nepalis in the production side of things and 500 extras.But lavish productions like Little Buddha are no longer possible on the same scale. The cost of filming on location has gone up, as has the development of CGI and visual effects. For instance, BBC’s Black Narcissus, a 2022 three-episode series based on Rumer Godden's novel of the same name partly filmed in Jomsom, was made almost entirely in studios with only a handful of scenes filmed in Mustang.Unlike the 1998 IMAX documentary Everest, the 2015 movie Everest starring <a href="https://en.wikipedia.org/wiki/Jason_Clarke">Jason Clarke</a>, <a href="https://en.wikipedia.org/wiki/Jake_Gyllenhaal">Jake Gyllenhaal</a>, <a href="https://en.wikipedia.org/wiki/Josh_Brolin">Josh Brolin</a> and about the 1996 deaths on the mountain, was shot only till Base Camp. The rest of the climb was recreated in the Italian Alps and Pinewood Studios in the UK with real-life pilot Vijay Lama playing the character of the helicopter rescue pilot, Madan KC.Producers are also avoiding location shooting because of more expensive and stricter insurance and liability laws in the US and UK. Kathmandu’s notorious pollution could also be another reason.Bertolucci had clear blue skies and stretches of green hills, but Syangbo recalls filming for the upcoming film Tiger’s Nest in Chitwan and Surkhet: “The footage was just thick and murky. We were down there filming, and we couldn’t breathe and sometimes we couldn’t even see well.”She says it is not cheap to film in Nepal, and poor infrastructure adds to the risk.<figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20230228150236/63fe12219c7e80680e0da50ajpeg.jpg" alt="" width="1919" height="792"><figcaption> </figcaption></figure><figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20230228150236/63fe12249c7e80680e0da50bjpeg.jpg" alt="" width="1919" height="958"><figcaption> </figcaption></figure><figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20230228150236/63fe12289c7e80680e0da50cjpeg.jpg" alt="" width="1919" height="762"><figcaption> </figcaption></figure><figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20230228150236/63fe122b9c7e80680e0da50djpeg.jpg" alt="" width="1919" height="951"><figcaption> </figcaption></figure>Ram Krishna Pokhrel of Icefall Productions helps with location scouting for NatGeo, BBC, HBO and others. Among the projects he has worked on are the 2015 Japanese film Everest: The Summit of the Gods and the 2017 adventure comedy L'Ascension.“Our government doesn’t fully understand filmmaking and there has been no change in its attitude towards films,” Pokhrel laments. “They celebrate when a film comes out but are not supportive during production. Policies are not clear and there are too many restrictions.”Pokhrel believes that Nepal needs to keep up with international developments in filmmaking techniques to boost the country’s tourism. Nepal could also give tax incentives, like New Zealand, UK and Iceland, for international producers who were to shoot on location here.“It is not surprising why not many feature films which require large crews are shot in Nepal these days,” says Pokhrel. Documentaries and short films, by contrast, are smaller productions.<img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20230228150236/63fe122f9c7e80680e0da50ejpeg.jpg" alt="" width="316" height="785">When foreign filmmakers come to Nepal to shoot, it is also an opportunity for the local crew to learn and be familiar with what is happening in the industry outside Nepal.Kiran Bhakta Joshi of Incessant Rain, wants to promote Nepal as a location destination to create jobs and generate foreign exchange income. Right now, mountains remain the most popular subject, but Joshi believes we also need to explore our arts and culture in our films, whether narrative or documentary.“A step to take in that direction would be to create content ourselves and export abroad,” he adds. “In addition, the system right now does not allow for open competition and works almost like a syndicate. We see the same names making films in Nepal, and even though there are young, talented artists, they haven’t been able to enter the mainstream. This needs to change.”Joshi previously worked for Disney and co-developed the herding system for the wildebeest stampede sequence in The Lion King. He left the company in 2017 to establish Incessant Rain in Kathmandu, and has worked on visual effects and set extension for Stranger Things, House of the Dragon and A Series of Unfortunate Events.“We can even create a studio hub here, with a proper sound stage, green screen room,” adds Joshi. “Filmmakers from the US, Italy, even India will want to come here and make films in Nepal. We should think about promoting Nepal not just as a shooting location, but a filmmaking destination.”

Ashish Dhakal

Lights, Camera, Action in Nepal

<img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/2022110811114/636a29ac9c7e80680e0458dejpeg.jpg" alt="" width="1500" height="1000"/>Given his multinational background, it was perhaps inevitable that it would be Pema Dhondup would make the first truly global Nepali feature film. Dhondup’s family moved down from Tibet to Jomsom after the Chinese annexation, and from there to Himachal Pradesh and cities across India. He has been living in the United States for the past 15 years.His movie <a href="https://www.imdb.com/title/tt5364878/" target="_blank" rel="noopener">The Man from Kathmandu</a> is shot in Kathmandu and Los Angeles, features a stellar cast of Nepali actors like <a href="https://www.imdb.com/name/nm4542007/?ref_=tt_cl_t8" target="_blank" rel="noopener">Karma</a>, <a href="https://www.imdb.com/name/nm0787463/?ref_=tt_cl_t11" target="_blank" rel="noopener">Neer Shah</a>, <a href="https://www.imdb.com/name/nm1200073/?ref_=tt_cl_t6" target="_blank" rel="noopener">Mithila Sharma</a>, <a href="https://www.imdb.com/name/nm7273293/?ref_=tt_cl_t5" target="_blank" rel="noopener">Anna Sharma</a> and international stars including <a href="https://www.imdb.com/name/nm0004109/?ref_=tt_cl_t1" target="_blank" rel="noopener">Gulshan Grover</a> from India, and other actors from Puerto Rico and Spain."Many people from across the world travel to be a part of the <a href="http://archive.nepalitimes.com/blogs/thebrief/page/87/" target="_blank" rel="noopener">terrorist group ISIS</a>, even educated men from Western countries. But so far not a single one of them has been a Nepali," says Dhondup, “I wanted to explore the story of that one man among thousands. I wanted to find out what is it about Kathmandu that brings about this phenomenon."Read also: <a href="https://www.nepalitimes.com/here-now/animated-in-nepal/" target="_blank" rel="noopener">Animated in Nepal</a>, Sikuma RaiTheme of his film is interaction between man and city, how Kathmandu changes the outlook of a radical half-Hindu-half-Muslim protagonist. Terrorism is just the backdrop to the plot, the real story is of a man's journey.To be sure, making Kathmandu the setting for this movie seems unusual, since Dhondhup is not Nepali and does not speak the language. And the film itself seems to be an effort on the part of the director to come to terms with his own identity and the definition of ‘home’."You can say the quest has ended in a way for me, in the form of my American passport. But does that really define who I am?" he asks.<figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/2022110811114/636a29af9c7e80680e0458dfjpeg.jpg" alt="" width="2000" height="1376"><figcaption> </figcaption></figure>We interview Dhondup in the Labim Mall office of the film’s producer Nakim Uddin of QFX. Despite his globe-trotting, the director says Kathmandu was the only city he could have filmed his story in. He has fond memories of Kathmandu from his childhood when he came here to visit family members, and in those days it was as exotic as visiting a foreign country."This is a place where identities and cultures are always in flux. In any other city, you immediately know who is who, what a particular person's origins are. But in Kathmandu, walk down a street and you cannot figure out people. Temples, monasteries, churches and mosques flourish side by side. The city has accepted and absorbed all kinds of identities," he adds.The theme of The Man from Kathmandu actually follows on from Dhondup's earlier movies where he explored the question of identity. His 2004 movie <a href="https://www.imdb.com/title/tt0452541/" target="_blank" rel="noopener">We're No Monks</a> was about a group of Tibetan boys coming out of their secluded existence to face the world. His documentaries have profiled members of the Tibetan diaspora scattered all over the world."It is very hard to make it in American filmdom, and not because of the reason you may be thinking," Dhondhup explains. "Being brown, or of any race, doesn't matter as much as you might expect. But it matters how well you fit into the capitalistic, money machine of Hollywood studios. If you fit, you can make progress. If you don't fit, and you want to experiment you will have a hard time."Still, years of working in Hollywood has given a certain rigour to his work which he feels is necessary for <a href="https://archive.nepalitimes.com/article/Nepali-Times-Buzz/Lights-camera-copy-paste,1146" target="_blank" rel="noopener">Nepali cinema</a> to make it on the global stage. Many Nepali films are still formulaic stories, but Dhondhup says that is not the real problem."No matter what kind of film you make, it has to be up to international technical standards, of sound, visual, editing, otherwise we have everything in Nepal to make world class cinema, from good actors to good equipment. Using these, we can tap into huge market in India and China just next door," he says.Whether or not The Man from Kathmandu will be ‘world cinema from Nepal’ and is of international standard remains to be seen. But Dhondup says it is already global in a sense that it meets technical specifications, and is set to be released in 50 countries after its Nepal premier this week. Dhondup hopes to continue working in Nepali cinema with Nakim Uddin, grooming and helping a new generation of Nepali filmmakers.https://www.youtube.com/watch?v=kMvpmY7zfoYThe movie will be in cinemas in Nepal from 15 March.

A director from Kathmandu

<figure><img width="1500" height="1000" src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221107171148/636937609c7e80680e03fe30jpeg.jpg" alt=""/><figcaption>Photo: OM ASTHA RAI</figcaption></figure>What is it about <a href="https://www.nepalitimes.com/editorial/the-lottery-of-migration/" target="_blank" rel="noopener">labour migration</a> that keeps drawing hundreds of thousands of people every year away from their homes and families despite the evident risks?<a href="http://panosa.org/" target="_blank" rel="noopener">Panos South Asia</a>’s new collection of reportage from the region, Uncertain Journeys: Labour Migration from South Asia seeks to answer this question through the eyes of 15 senior journalists who researched their stories in destination countries. Based on their interviews, they analyse various aspects of labour migration.Read also: <a href="https://www.nepalitimes.com/opinion/changing-the-headlines-on-migration/" target="_blank" rel="noopener">Changing the headlines on migration</a>, Upasana Khadka<a style="background-color: #ffffff; font-size: 15px; letter-spacing: 0.01em;" href="https://www.nepalitimes.com/here-now/labour-pain/" target="_blank" rel="noopener">Labour pain</a>, Om Astha RaiThe first chapter on Nepal is by <a href="https://archive.nepalitimes.com/article/nation/caught-in-the-middle/migration-agency-exploitation,4003" target="_blank" rel="noopener">Upasana Khadka</a>, who has reported widely on the issue of Nepali migrants in the Gulf and Malaysia <a href="https://www.nepalitimes.com/opinion/changing-the-headlines-on-migration/" target="_blank" rel="noopener">for this newspaper</a>. Khadka likens labour migration to a lottery, a culturally fatalistic view borne out of desperation to escape poverty back home. She narrates the stories of four individuals: Sharmila, Ramesh, Shama and Ram who are unlucky and are either caught, cheated, trafficked, or deported. Yet, even though they know the risks,  thousands of others take same route to seek their fortunes. <img width="200" height="174" src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221107171148/636937639c7e80680e03fe31jpeg.jpg" alt="">‘Individuals are often aware of the common risks of migration … however, many continue to make risky decisions, not always because of lack of information, but despite it … it is possibility of being lucky that encourages so many to take risks,” she writes.Khadka also talks about the lack of bilateral agreements that have encouraged  avenues for illegal migration. Case in point is the <a href="https://www.nepalitimes.com/banner/homes-away-from-home/" target="_blank" rel="noopener">blanket ban on female domestic workers leaving Nepal</a>, despite which migrants continue to risk unauthorised channels to make it to their destination, setting in motion the chain of trafficking.Janak Raj Sapkota, author of the much-acclaimed book Kahar: Baideshi Rojgarile Bitholindo Samaj’ delves into human trafficking in Nepal under the guise of legal foreign employment, and the lack of laws that makes the connection between the two that has helped traffickers work behind the scenes.He argues that the political protection enjoyed by the remittance industry has aided this form of modern-day slavery to flourish, and until the ambiguities in legal structures are cleared and stronger policies are in place, Nepalis abroad will continue to be duped, or worse, abused and <a href="https://www.nepalitimes.com/banner/paying-an-arm-and-a-leg/" target="_blank" rel="noopener">maimed</a>. Read also:<a href="https://www.nepalitimes.com/banner/paying-an-arm-and-a-leg/" target="_blank" rel="noopener">Paying an arm and a leg</a>, Om Astha Rai<a href="https://nepalitimes.atavist.com/nepalis-killed-in-the-line-of-duty" target="_blank" rel="noopener">Killed in the line of Duty</a>, Om Astha Rai and Sonia AwaleUncertain Journeys: Labour Migration from South AsiaEdited by A.S. PanneerselvanSpeaking Tiger Publishing, New Delhi Price: INR 499<img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221107171148/636937649c7e80680e03fe32jpeg.jpg" alt="" width="200" height="278">Filmmaker Kesang Tseten whose acclaimed 2008 documentary <a style="background-color: #ffffff; letter-spacing: 0.01em;" href="https://www.imdb.com/title/tt1519643/" target="_blank" rel="noopener">In Search of the Riyal</a> about four young Nepalis on journeys to the Gulf first bought the stark realities behind the remittances, also has a chapter about filming in Qatar and how he had to sneak behind aircraft crew to capture conversations with migrants inside the planes.Eleven years later he revisits characters from the first film for a sequel. He found that Danvir Jogi is still in Qatar and making good money, Navin Rai returned to a broken marriage and left again for Dubai, Prem Bareilly is in Dharan working as a silversmith amidst stigma of being a Dalit and Bhojraj Darzi is now a successful pig farmer in Nepal. But none of these are representative tales, Tsenten stresses, pointing out that it is vital to understand and sympathise with Nepalis opting to go abroad.The chapters on other South Asian show that there are a lot of similarities between the tragic tales of Nepali workers and those from Pakistan, Sri Lanka, Bangladesh and India. The case of Zulfiqar Ali of Pakistan who was charged with drug trafficking and consequently spent 13 years in death row in Indonesia reminds one of <a href="https://archive.nepalitimes.com/article/nation/nepalis-from-chitwan-to-chidoya,4110" target="_blank" rel="noopener">conviction and incarceration of Govinda Mainali</a>, who was falsely accused of the murder and robbery of a Japanese woman in Tokyo in 1997.Read also: <a href="https://archive.nepalitimes.com/article/nation/nepalis-from-chitwan-to-chidoya,4110" target="_blank" rel="noopener">From Chitwan to Chiyoda</a>, Kunda DixitIn a chapter appropriately titled ‘A Return to Nothingness’, narration of an everyday scene at Indian airports, of the body bags being unloaded is not unlike <a href="https://nepalitimes.atavist.com/nepalis-killed-in-the-line-of-duty" target="_blank" rel="noopener">Nepali migrants returning home in coffins at Kathmandu airport</a>. The migration of Sri Lankan farmers to the Gulf because of droughts caused by climate change is similar to that of <a href="https://nepalitimes.atavist.com/recharging-the-mountains-" target="_blank" rel="noopener">outmigration of people from the mid-hills of Nepal</a>. Bangladeshis overcharged and cheated of jobs in Singapore echo the plight of most <a href="https://www.nepalitimes.com/banner/kleptocrats-of-kathmandu-and-kualalampur/" target="_blank" rel="noopener">Nepali migrants in Malaysia</a>. Read also: <a href="https://www.nepalitimes.com/banner/kleptocrats-of-kathmandu-and-kualalampur/" target="_blank" rel="noopener">Kleptocrats of Kathmandu and Kuala Lumpur</a>, Ramu Sapkota and Alyaa Alhadjri<a href="https://nepalitimes.atavist.com/home-they-bring-the-workers-dead" target="_blank" rel="noopener">Home they bring workers dead</a>, Upasana Khadka Amidst the poignant stories of loss, there are tiny rays of hope. Following the three decades of war in Sri Lanka, women were forced to leave as domestic workers and toil hard in the Gulf, but discovered themselves in the process as individuals with rights and freedom.  What ties all of these stories together are the shared stories of aspiration and shattered dreams. Meanwhile all South Asian nations rely on the same destinations resulting in completion with each other, allowing employers to get away with little pay and exploitation in turn.Each chapter is a raw portrayal of a migrant life, and the book gives significant understanding of the poverty and social injustice in South Asia.The book is being launched at the Nepal Literature Festival in Pokhara during the weekend. <h2>Riyal revisited </h2> <figure><img width="1400" height="1024" src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221107171148/636937659c7e80680e03fe33jpeg.jpg" alt=""><figcaption> </figcaption></figure>“The tidal wave of migration that began 20 years ago continues…” That is how Kesang Tseten begins his documentary sequel to the 2008 film <a href="https://www.imdb.com/title/tt1519643/" target="_blank" rel="noopener">In Search of the Riyal</a>. He tries to locate migrant workers he had filmed a decade ago, to find out what has become of them.Were their dreams realised? Did the Nepali workers in Qatar and UAE find what they were looking for? Were the intervening years kind to them? In The Riyalists, acclaimed film-maker Tseten (pictured, above) spends the first five minutes setting the stage for the journey ahead. We get to revisit young Nepalis on scaffolds whom we first met in the previous award-winning documentary.Ten years ago Dhanvir Jogi, a lanky lad from Terathum left behind his three-month-old son and started training at an institute in Kathmandu. He was diligent and hopeful, but worried about falling sick in the hot desert. In In Search of the Riyal Prem Bareily who often faced the stigma of being a Dalit back home in Dharan, did not shy away from his fears: “They might be talking about killing me but I wouldn’t know… I won’t understand their language.” Bhoj Darzi was fully aware of the risk he was putting himself into. He had heard of Nepalis returning home in coffins. Yet he took a loan in the hope of trading his job as a tailor in Jhapa for a more financially secure position in the Gulf. Shy and awkard, Nabin Rai, has a sad story with a happy ending. Tseten narrates: “It was the image of Nabin in his crisp white shirt and his newly married wife sporting a blue umbrella that remained etched in my mind from the earlier film.” But after two years in Qatar, Nabin came back to find that his wife took off with another man and abandoned his twin daughters. Nabin remarried and left for Dubai. Today, he is a foreman at an offshore gas rig and earns a good salary. He gets to visit home every three months where he is building a new home for his family.Dhanvir, who is with the same construction company in Qatar, has managed to acquire some land, get his sisters married, send his son to school, but missed out on his upbringing. “I was thin and young when I came,” he says on camera, “I’ll go back old.”Prem left Doha because he was not paid on time and mistreated by employers, and now works as a silversmith but faces stiff competition. He proudly shows the best worker certificate he received in Qatar and often regrets his decision to return. “I make good enough living here but there is no saving for future,” he rues.In Bhoj, there is no trace of a young man who once explained with wonder how the food tray inside planes worked. He was deported from Dubai for going on strike, framed by fellow workers. He left for Qatar next but returned shortly afterwards when his wife fell sick. His mother and wife run a local garment factory and he recently overtook his dead brother’s profitable piggery. He believes Nepalis can make it at home if they work hard. The four men are just a few of the hundreds of thousands of Nepalis toiling abroad. Their lives are mostly fascinating, not tragic. But what draws audience to these individuals is Tseten’s simple but compelling storytelling, his poignant narration, flawless direction interwoven with clips from ten years ago. Viewers will be struck by his compassion for less fortunate compatriots.There are moments of laughter, of camaraderie, of loss and farewells. Through it all, Tsenten is with us, uncovering men’s lives, sharing their grief and intact hopes, bringing us an intimate portrayal of Nepali migrants away and at home. The day this documentary will be launched, another 1,500 young Nepali men and women will fly off, forsaking their fields and families for the hopes of a better future. This film will help us understand why they leave despite real risks, and the need to create opportunities at home. The Riyalists Directed by Kesang Tseten Sunyata Film Productions, 2018 61 minutesSonia Awale

Sonia Awale

Shared stories, shattered dreams of South Asian migrant workers

Many of us former Nepal Peace Corps volunteers (PCVs) would agree that our time in Nepal changed in significant but very different ways our perspectives on life if not the future paths we chose to follow. Of no one was this truer than Dorothy Mierow. Dorothy was born in 1920, in Colorado Springs. Her father Charles C Mierow was a classics scholar and Latin professor, who served for ten years as president of Colorado College.&nbsp; Dorothy developed an interest in animals as a child, graduated with a BA degree in natural history from Carlton College in 1942, a Master’s in biology from the University of Pittsburgh, and another Master’s in geography from the University of Minnesota.&nbsp; As a young woman, Dorothy traveled with her father throughout Europe, including a visit to ancient Greek ruins, and took a Magellan Tour by cruise ship around the world in 1958.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2025071901074_0bad133ab22aada319e74bbad95d563e191371db291c08f373839fbd15440262.jpg" data-media-id="editor_0" data-image-id="2025071901074_0bad133ab22aada319e74bbad95d563e191371db291c08f373839fbd15440262" data-rendition-name="original" width="903" height="1178" loading="lazy" alt="How the Peace Corps changed a volunteer's life"> <figcaption>HOME AWAY FROM HOME: Dorothy Mierow as a college student in her native Colorado.</figcaption> </figure>  She was a college teacher during much of the 1940s, also teaching at a girls’ school in Hawaii. Then back to her native Colorado in 1953, where she became a curator and later director of the Colorado College Natural History Museum. She taught geography classes, and in her free time, Dorothy climbed 22 of Colorado’s 14,000-foot peaks. Traveling in India in 1960, Dorothy decided to spend two weeks in Nepal. In late 1961, she filled out an application to join the Peace Corps and specified that she wanted to go to Nepal, ‘because I admired the people so much when my father and I were there on our trip’.&nbsp; Dorothy reached Kathmandu in September 1962 as the first group of American Peace Corps volunteers in Nepal. She stood out from the others: one of the few women in that group, surely the oldest at age 41, a world traveler, and a woman who already had established a professional career.&nbsp; One doubts if Dorothy had had a husband and children whether she would ever have gone to work and spend much of the rest of her life in Nepal.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2025071901078_68e84ade1ffb0f6c83c7f8fa5c1e7315b5f6c543217f96cde012e4d86f171515.jpg" data-media-id="editor_1" data-image-id="2025071901078_68e84ade1ffb0f6c83c7f8fa5c1e7315b5f6c543217f96cde012e4d86f171515" data-rendition-name="original" width="1259" height="910" loading="lazy" alt="How th Peace Corps changed a volunteer's life NT"> <figcaption>Pokhara Bazar in 1962.</figcaption> </figure>  The Peace Corps assigned Dorothy to teach geography at Tri-Chandra College. After the school closed in the winter due to lack of heating, USAID and the College of Education asked Dorothy to help train general science teachers.&nbsp; She taught for two months and became involved in a textbook-writing project, commenting: ‘I would like the children to know something about public health, conservation (the trees are going fast and so is the soil), and learn the names of some of their common birds, trees, and flowers. They are more impressed with electricity, airplanes, and cell structure.’ When a new college opened in Pokhara in 1963, Dorothy was transferred there and lived with a Nepali family. The college boasted 30 students and no permanent buildings.&nbsp; In October 1963, Dorothy wrote: ‘Pokhara is a town of almost 5,000 people … We are in a fertile valley surrounded by foothills … There is a small Mission Hospital … a Leper Hospital and Tibetan Refugee Camp started by the Red Cross and now run by the Swiss. With winter approaching, more Tibetans are appearing in town, often with pack horses or donkeys. Some have been carrying large boxes of powdered milk,donated (by USAID) to the camp from the airport … There is no electricity, and the transportation problems make many items scarce and expensive. I am really a sort of a museum. The landlord brings all kinds of people in to see how I live and count my shoes and dresses. They express amazement at my books, pictures, tin oven, Nepali dolls from Kathmandu, screened food shelves and curtained closet.’ The standard term for Peace Corps volunteers was two years, but Dorothy extended her term and was still at Prithvi Narayan College at the end of 1965, when she wrote that she had 20 Geography students in the first-year class and 6 in the second year preparing for the IA Examination. The college enrollment was 125 students, and the foundation for a new science building was being excavated.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2025071901074_c6a80e5e0db0c705b2f8733c6d30dc0386fe3abbd2238ea9d947b7d746f94a29.jpg" data-media-id="editor_2" data-image-id="2025071901074_c6a80e5e0db0c705b2f8733c6d30dc0386fe3abbd2238ea9d947b7d746f94a29" data-rendition-name="original" width="902" height="605" loading="lazy" alt="How the Peace Corps changed a volunteer's life"> <figcaption>Mierow and friends at Phewa Lake.</figcaption> </figure>  Dorothy noted that she ate one meal a day at the (Shining Mission) Hospital but otherwise lived on dal-bhat, momo, and potato curry at local shops. However, she had developed a new passion: to build what she initially called the Pokhara Museum of the Himalaya. In commendable Peace Corps fashion, Dorothy always worked with Nepalis and respected the culture. ‘The greatest joy and satisfaction I have had has been from the building of a Museum-Library in memory of my parents … It has been possible to feel like a wealthy benefactor with the money saved by father for the family’s education and now available for the education of others… (Father) would have loved to be in on the founding of a new college and be able to plan a library. Several hundred of the books to be in the museum-library came from his collection and were carefully selected to be of use for students in Nepal…’&nbsp; ‘The museum part is to satisfy my own inclinations and was thought of when I found how little diversion there was for the people of Pokhara… It is part of the University requirements for the college that it should have a geography and biology museum. The museum building is small but adequate.&nbsp; I have tried to design it in harmony with Nepalese architecture and decorate it with some of the art of the best artists or woodcarvers… Posts holding up the porch roof are carved by Cottage Industries to represent different peoples of Nepal in typical costumes. The door was carved by a local wood carver and has typical birds of Nepal around it. Inside are 10 roof-support carvings designed by the retired Director of the National Museum in Kathmandu, Mr. C.M. Maskey.&nbsp; They were carved by the best wood carvers in Patan very skilfully. The building has three rooms: the library, the exhibition room, and a smaller workroom which can be used by our newly formed Woman’s Club as well as other groups or classes.’  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2025071901074_03d3359c65389d30a0134e9a4862778994121e7e833b7d28b18e06e36fc76ff8.jpg" data-media-id="editor_3" data-image-id="2025071901074_03d3359c65389d30a0134e9a4862778994121e7e833b7d28b18e06e36fc76ff8" data-rendition-name="original" width="629" height="599" loading="lazy" alt="How the Peace Corps changed a volunteer's life"> <figcaption>Mierow with local women in Pokhara in 1969.</figcaption> </figure>  Dorothy promoted her project to influential Nepalis connected with organisations whose support she solicited: The Department of Archaeology, the Department of Agriculture, the Godavari Botanical Gardens; Tribhuvan University’s Science and Education Department, Nature Conservation Society.&nbsp; The museum was opened officially in early 1967. The Annapurna Natural History Museum, the building Dorothy designed and had constructed, is still open and features some exhibits which she created many years ago.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2025071901074_54326a8a0685e980e782378076de2f5cd02d2426e9b0d94eed972d3dbe83af26.jpg" data-media-id="editor_4" data-image-id="2025071901074_54326a8a0685e980e782378076de2f5cd02d2426e9b0d94eed972d3dbe83af26" data-rendition-name="original" width="1333" height="1000" loading="lazy" alt="How the Peace Corps changed a volunteer's life"> <figcaption>The Annapurna Natural History Museum.</figcaption> </figure>  Dorothy returned to America in 1967, but she longed for Nepal. In the spring of 1969, she again tried to enroll as a Peace Corps volunteer but was told that as she had spent more than four years, she would not be eligible for another assignment. Undeterred, she persuaded the college in Pokhara to invite her to return as a teacher.&nbsp; UNICEF and the Forestry Department sponsored Dorothy to prepare charts on trees, birds, animals and flowers in colour for distribution to the schools of Nepal. Dorothy, back in the Peace Corps, returned to Pokhara and the Museum in 1972. She formed a friendship with her former geography student from Sikles, Chandra Prasad Gurung, and in 1974, she brought Chandra to America, where he enrolled in Colorado College and studied cultural anthropology.&nbsp; Chandra subsequently earned his PhD in geography from the University of Hawaii and returned to Pokhara to become director of the Annapurna Conservation Area Project. Gurung actively promoted ecotourism, landscape conservation, and biodiversity conservation in Nepal. His life was cut short along with those of 23 other Nepalis and foreigners who perished in a helicopter crash near Taplejung in September 2006.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2025071901074_322d3c3ac6f1b08ffa07c44a19998b937a7db9eb43527f7539cf6481e1546314.jpg" data-media-id="editor_5" data-image-id="2025071901074_322d3c3ac6f1b08ffa07c44a19998b937a7db9eb43527f7539cf6481e1546314" data-rendition-name="original" width="2500" height="1000" loading="lazy" alt="How the Peace Corps changed a volunteer's life"> <figcaption>Mierow's four books on Nepal and its biodiversity. </figcaption> </figure>  Dorothy worked with several well-known Nepalis to publish her paintings and photos in beautifully illustrated books. She and Hemanta Mishra of the National Parks and Wildlife Service wrote Wild Animals of Nepal (Ratna Pustak Bhandar, 1976). More than 400 photos Dorothy took on treks to the Everest region, Gosaikunda, Muktinath, Jumla and Rara Lake, as well as travels in the Tarai, appeared in Himalayan Flowers and Trees (Sahayogi Prakashan, 1978).&nbsp; The botanist Tirtha Bahadur Shrestha identified the species. Dorothy and Kesar Lall published This Beautiful Nepal (Sahayogi Press, 1981). Birds of the Central Himalayas (1988) contained Dorothy’s paintings of 250 species of birds found along the areas of the Kali Gandaki River, Pokhara, Chitwan and the central Tarai. Dorothy summed up her life and work in Nepal in Thirty Years in Pokhara (Pilgrims Book House, 1997). Dorothy returned to Pokhara and her adopted Gurung family several times during the 1980s and 1990s to celebrate festivals and meet old friends. Her final years were spent at her mountain cottage in Green Mountain Falls north of Colorado Springs. She died at the age of 79 in August, 2000. Nepal gave new meaning and purpose to Dorothy Mierow’s life. Daniel W Edwards was a Peace Corps volunteer in 1966 and is the author of several books on Nepal. The author thanks Special Collections, Tutt Library, Colorado College.

How the Peace Corps changed a volunteer’s life

· On the night of 15 May, two glacial lakes burst in Tharka in Humla and the debris flow washed away homes and bridges.&nbsp; · Last week, a slurry surge on the Kali Gandaki in Upper Mustang caused at least Rs15 million in damage, and was traced to a melting glacier. · Dozens are feared dead after <a href="https://nepalitimes.com/news/rasuwa-flood-likely-a-glof">an expanding glacial lake in Tibet overflowed</a>, sweeping down into Nepal and damaging four hydropower plants generating 230MW, nearly 8% of the country’s total grid supply.&nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250718060748_45225dc707c1e9c2968ca8dbf6e564e01e4eb6e2ff254fb8eb940cf62cdd910b.jpg" data-media-id="editor_1" data-image-id="20250718060748_45225dc707c1e9c2968ca8dbf6e564e01e4eb6e2ff254fb8eb940cf62cdd910b" data-rendition-name="original" width="2667" height="1500" loading="lazy" alt="Rasuwa flood"> <figcaption>Miteri friendship bridge connecting Nepal and China was swept away in the Rasuwa flood. Photo: PRAKASH CHANDRA TIMILSENA / NPL</figcaption> </figure>  And those are just in the past month. Climate scientists say Himalayan glacial lake outbursts are becoming more frequent and destructive, and a warning for Nepal not to put all its eggs in the hydropower basket.&nbsp; <a href="https://nepalitimes.com/editorial/when-it-rains-it-pours-ksqprbu3">Record precipitation last September</a> unleashed floods that killed 200 people, and temporarily slashed Nepal’s total generation capacity of 3,000MW by nearly half. The <a href="https://nepalitimes.com/banner/nepal-valley-suffers-quadruple-disaster">Melamchi flood of 2021</a> caused by <a href="https://nepalitimes.com/multimedia/the-not-so-permanent-frost">permafrost melting</a> on a glacier upstream nearly destroyed a $800 million water supply scheme, Nepal’s largest infrastructure project which four years later still has not resumed full operation. The <a href="https://nepalitimes.com/news/sikkim-flood-is-warning-to-nepal">glacial lake overflow in Sikkim</a> caused by record rainfall in September 2023 that destroyed the $1.2 billion Chungthung Dam and caused catastrophic damage to infrastructure on the Teesta River. This was a warning to the cascade of hydropower plants on the Arun and Marsyangdi river basins.&nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250718060736_6f61797a6be308321e3bae26e55d2f64cba4b9e5eb262adacb9e92fb5f3c6152.jpg" data-media-id="editor_6" data-image-id="20250718060736_6f61797a6be308321e3bae26e55d2f64cba4b9e5eb262adacb9e92fb5f3c6152" data-rendition-name="original" width="919" height="549" loading="lazy" alt="hydro disasters and hydropower plants"> </figure>  Nepal has set a target of generating an additional 28,500MW by 2035 -- out of the feasible 48,000MW -- but how viable is an energy strategy that is exposed to heightened risk due to climate breakdown? &nbsp; “As extreme weather events increase, we must design and build infrastructures respecting river flow and topography,” says former Energy Secretary Dwarika Nath Dhungel. “We must make the best use of our water resources, but not by letting excavators loose everywhere mining riverbeds and building haphazardly where we shouldn’t.”&nbsp; Although no project can be disaster-proof, <a href="https://nepalitimes.com/banner/climate-smarter-himalayan-infrastructure">climate smart design</a> can minimise damage from flash floods and landslides. Recent disasters have driven up insurance premiums for energy projects in Nepal, and smaller ones cannot even afford them. The 456MW Upper Tamakosi hydroelectric project which is still not fully functional after the September floods has claimed insurance worth Rs1.8 billion. The alternative to high risk high investment hydropower projects is <a href="https://nepalitimes.com/here-now/what-s-cooking-in-nepal-besides-politics">energy diversification</a> to other renewables such as solar, wind or biogas. Nepal gets annual sunlight of 300 days with 6-7 hours on average to total 50,000 terawatt-hours (TWh) per year.&nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250718060744_4acd452b4117180ca9bb5d3be839ff46dfd5464e4d507f5ad3704cef6253bc48.jpg" data-media-id="editor_9" data-image-id="20250718060744_4acd452b4117180ca9bb5d3be839ff46dfd5464e4d507f5ad3704cef6253bc48" data-rendition-name="original" width="1080" height="720" loading="lazy" alt="solar power"> <figcaption>Farmers in Tarai using solar powered water pump. Photo: GHAMPOWER</figcaption> </figure>  The Solar and Wind Energy Resource Assessment (SWERA) calculates that Nepal could source 3,000MW from wind energy alone, considering 10% of the area with more than 300W/m2 wind power density. <a href="https://nepalitimes.com/opinion/people-power/decentralising-power-in-nepal">Solar energy</a> stations are cheaper and quicker to build, and would be an ideal alternative to reliance on hydropower.&nbsp; “There has been some investment in solar power, especially from the state sector,” says water expert Madhukar Upadhyay. “But there is an issue of land acquisition since the arrays need a lot of space. It is comparatively easier to get a permit to put up a hydropower plant on a river.” As for biogas, there is simply no incentive to build on past success with household level plants to <a href="https://nepalitimes.com/here-now/more-bullshit">promote industrial-scale production</a>. Scaling up biogas by integrating it with urban biodegradable waste would still be a viable alternative to LPG.&nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250718060744_715d44afd5eb4ba8dafa209b0ad0f19400665797b5f078f5636821e600f96684.jpg" data-media-id="editor_12" data-image-id="20250718060744_715d44afd5eb4ba8dafa209b0ad0f19400665797b5f078f5636821e600f96684" data-rendition-name="original" width="1419" height="954" loading="lazy" alt="windmill"> <figcaption>A wind mill in Hapsikot in Nawalpur. Photo: WINPOWER NEPAL</figcaption> </figure>  Nepal’s public sphere is buzzing with excitement over the discovery of potentially 430 billion cubic metres of methane gas beneath Dailekh district that, if properly harnessed, would meet the country’s energy demand for the next 50 years. Even though a feasibility study is awaited, politicians from the prime minister down see this as a petro bonanza that will make Nepal rich. But drilling, storage and distribution of CNG in the country’s current kleptocratic state make that unlikely. If Nepal was to get rich solely on its hydro-energy potential, it could have done so in the past 50 years. Says Dhungel: “This is not exactly a new discovery, but it is premature to celebrate until its extraction is proven to be cost effective. And let us hope it does not get <a href="https://nepalitimes.com/news/balance-of-power">tangled in geopolitics</a>, since China is involved in the prospecting and drilling, which could make India uneasy.”&nbsp; The country suffers from the Dutch Disease curse even before its resource is fully exploited. And the same cronyism, corruption and rent-seeking structure cannot deliver the riches we expect from Dailekh’s methane discovery. Now, <a href="https://nepalitimes.com/here-now/right-climate-for-nepal-s-energy-transition">with hydropower in jeopardy</a>, Nepal’s planners will have to evolve a new strategy for energy security into the future. But first, governance needs to be cleaned up with long-term strategic planning that takes climate risk into account. For example, do we need to mine fossil gas when there are renewable options? Will Dailekh take Nepal away from its climate commitments? Says Madhukar Upadhyay: “Nepal has always been resource rich and management poor. And the larger the resource, the bigger our management incapacity. It is a societal malaise.”&nbsp;

Nepal’s Resource Curse

चौतारा rest stops have long been an integral part of scenic touristic town of <a href="https://nepalitimes.com/news/pokhara-six-decades-ago">Pokhara </a>but are now rarely seen as the city bursts at the seams. They say inhabitants of Pokhara saw a plane before they saw cars. Indeed, the grass airfield was built in the 1950s, while the Kathmandu highway 20 years later. Before roads, people walked to get around, pausing to rest or even nap under the shade of banyan-pipal trees. <a href="https://nepalitimes.com/here-now/pokhara-s-desperation-and-hope">Pokhara airport’</a>s ‘terminal’ in those days was a shady chautara where passengers waited for their flights. The chautara bore silent witness to daily life, whether it was travellers seeking a brief respite from the summer heat or villagers gathering for a chat in the mornings and evenings. But with the roads came vehicles, and then houses started filling up spaces, even farmlands. Pokhara began transforming from a serene village to a <a href="https://nepalitimes.com/news/pokhara-comes-alive-at-night">bustling city</a>.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250719010724_d101fa482441ce67afdf5bc4e4547b334e7662c1cf0a20e9d31a0e8dff66f04b.jpg" data-media-id="editor_3" data-image-id="20250719010724_d101fa482441ce67afdf5bc4e4547b334e7662c1cf0a20e9d31a0e8dff66f04b" data-rendition-name="original" width="2147" height="1581" loading="lazy" alt="Trees of life and living NT"> <figcaption>Photo: DURGA RANA MAGAR</figcaption> </figure>  The banyan-pipal trees were chopped down to make way for wider intersections and buildings. The once-iconic rest stops that carried Pokhara’s identity had all but vanished. “Building chautara was once considered a religious duty, which is why so many of them were constructed across Pokhara,” says archivist Sunil Ulak. <a href="https://archive.nepalitimes.com/news.php?id=10927">Ekai Kawaguchi</a>, a Japanese Buddhist monk, who visited Nepal 120 years ago en route to Tibet, documented <a href="https://nepalitimes.com/banner/no-visitors-in-pokhara-to-admire-view">the landscape of Pokhara</a> and its surroundings. In his book, Three Years in Tibet, he reflects on the natural beauty of the town and its shady trees. A chautara used to be surrounded by ponds, where shepherds would bring their cattle to drink from while they took a nap under the shade. The gentle rustling of leaves in the cool breeze lent a soothing melody as did the chirping of birds, while the insects took refuge in the branches and leaves. Read also: <a href="https://nepalitimes.com/here-now/pokhara-800-years-ago">Pokhara 800 years ago</a>, Kunda Dixit This ‘nature’s breeze’, as botanist Kalyan Panta puts it, is now history due to <a href="https://nepalitimes.com/banner/cost-of-living-in-a-big-city">haphazard urbanisation</a>. “When the wind strikes against one leaf, it creates a domino effect and other leaves start waving as well,” he explains. There were 632 chautara in the city until 1977, and by 2000 the number had fallen to 278. But in some wards the number of trees fell from 55 in 1984 to only five now.&nbsp; The gradual loss of these resting places has meant habitat <a href="https://nepalitimes.com/banner/between-existence-and-extinction-in-nepal">destruction of birds and insects</a>, it has also damaged the environment and natural beauty of the city.&nbsp; Researcher Jagannath Adhikari’s study showed that infrastructure projects ignored the environment, and concluded that that urbanisation in Pokhara was unsustainable.&nbsp; The destruction continues to this day. Recently, old chaurata in wards 6, 13 and 14 were cleared to make way for a sacrificial ritual. In fact, ward 6 got a permit from the local government to clear its remaining trees.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250719010724_cee1d4faf8376e7ba18b9c7012ea4215b7c3fbf7e0983b0c97005df5567d6de0.jpg" data-media-id="editor_9" data-image-id="20250719010724_cee1d4faf8376e7ba18b9c7012ea4215b7c3fbf7e0983b0c97005df5567d6de0" data-rendition-name="original" width="1500" height="1000" loading="lazy" alt="Trees of life and living NT"> <figcaption>Photo: DURGA RANA MAGAR</figcaption> </figure>  But in wards 13 and 14, the Human Service Foundation cut down some 33 trees for which it is in a dispute with the metropolitan city as there is no unclear jurisdiction regarding who gives the permit. The Kaski Division Forest Office is currently investigating the matter. Elsewhere in ward 19, the ward office had launched ‘मेरो रूख, म काट्छु’ campaign due to an alleged chaos caused by monkeys in the area. The decision was rescinded after an all-around opposition.&nbsp; To be sure, there are policies in place to protect trees such as the Gandaki Province Forestry Act, 2080, and the Regulations, 2081. The province government also introduced an act in 2019 per which no tree, including pipal, silk cotton and other <a href="https://nepalitimes.com/opinion/suburban-tales/trees-trees?%2F">trees of natural and historical importance</a> shall be damaged, eroded or removed. But the local government, responsible for implementing the Act, is doing the opposite. “If this rapid rate of tree felling continues, neither trees nor chautara will survive for the future generation,” conservationist Ram Bahadur Poudel tells us, adding that old trees are being cleared under the pretext of pruning branches. Interestingly, Ulak notes that Pokhara-8 was called सिमलचौर in the past because there were so many majestic silk cotton trees, but there are very few left, if any, and hence altering the identity of a place. With modernisation, people have questioned the significance of chautara in this day and age. But they still have relevance. Urban centres in Pokhara and Kathmandu are much hotter than the outskirts because of the <a href="https://nepalitimes.com/news/in-the-heat-of-the-moment-5xcycyot">urban heat island effect</a>. Says archivist Ulak: “While their original purpose was to provide rest, today they continue to play a crucial role in regulating temperature, beautifying the city, and preserving our environment.”

Trees of life and living

Nepalis are living longer than ever. By 2028, the country is set to join the ranks of other <a href="https://nepalitimes.com/news/nepals-demographic-window-is-closing">ageing societies</a> around the world, and by 2054, 1 out of every 7 people in Nepal will be over 65. Life expectancy at birth has risen dramatically from just 55 in 1990 to 71 today, &nbsp;thanks to improvements in public health and access. But as more people live longer, the country must also prepare for a parallel rise in age-related illnesses and the complex social and medical needs that come with an <a href="https://archive.nepalitimes.com/article/Nepali-Times-Buzz/need-to-prepare-for-ageing-society,3624">ageing population</a>. Extended families have always acted as a safety net for <a href="https://nepalitimes.com/news/home-sweet-home-for-older-nepalis">the elderly</a>, with children and grandchildren shouldering most caregiving duties. But with more than 1,600 <a href="https://nepalitimes.com/banner/migration-not-a-wish-but-necessity-for-nepalis">Nepalis migrating </a>every day, older parents are left behind with no one to care for them. <a href="https://nepalitimes.com/editorial/the-new-equaliser">Remittances</a> from migrating youth, which account for nearly a third of Nepal’s GDP, have kept the economy afloat. But money sent home cannot make up for the chronic departure of kin and caregivers, who are often the first to catch the signs and symptoms of disease in elders. In rural areas where over 85% of Nepal’s elderly live, the absence of this daily vigilance means early signs of illness often go unnoticed until they become debilitating. As a result, chronic conditions like hypertension, diabetes, and depression are left unmanaged.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250720130748_213f2c65f2638872e9ac0550a7ac251e4960c3726dc5c76215962a23ba71dff1.jpg" data-media-id="editor_5" data-image-id="20250720130748_213f2c65f2638872e9ac0550a7ac251e4960c3726dc5c76215962a23ba71dff1" data-rendition-name="original" width="1064" height="701" loading="lazy" alt="Smart ageing is Nepal’s next frontier"> </figure>  Geriatric medicine is largely absent from medical curricula and there is no national plan in place to manage cognitive decline, memory loss and confusion. These are often mistaken for signs of normal ageing, instead of <a href="https://archive.nepalitimes.com/article/nation/dementia-brings-new-problem-that-families-have-little%20knowledge-of,2151">dementia</a>, delaying care until it is too late. The same pattern plays out with strokes, osteoarthritis, and vision problems — conditions that could be managed early but are instead allowed to spiral into <a href="https://nepalitimes.com/opinion/comment/changing-disability-to-this-ability-h68f6sq2">disability</a>. Nepal is not ready for an older future. It needs a strategy for ‘smart ageing’ where the focus is not adding years to life, but enhancing years lived through the intelligent application of policy, infrastructure, and crucially, <a href="https://nepalitimes.com/opinion/comment/tech-and-transition-in-nepal">technology</a>. Many models of smart ageing, however, are sculpted around modern societies where independent living in later life is the norm. Furthermore, eroding traditional family care and an underdeveloped formal care system means there is a large gap that can’t simply be filled by copy-pasting from foreign models. Nepal must shape its own version of smart ageing. The <a href="https://nepalitimes.com/news/healthcare-moving-from-hospitals-to-homes?%2F">tech boom</a> has led to homegrown digital healthcare apps such as Hamro Doctor, Cura Health, Jeevee and Health Yaad Ayo which offer teleconsultations, online appointments, and at-home test bookings. As <a href="https://nepalitimes.com/review/nepal-s-new-digital-landscape">smartphones and internet access</a> extend to the most rural fringes of the Nepali countryside, geography is no longer a barrier to the use of these digital tools. What limits their use is the lack of digital proficiency among the older generation. Others find the idea of turning to a device instead of a familiar, reassuring face unfathomable. That is why <a href="https://nepalitimes.com/opinion/addressing-nepals-digital-divide?ref=blog.togglecorp.com">digital literacy</a> efforts must be paired with guided human support to build trust alongside technical skill. Such a model of community-led digital mediation is already gaining traction elsewhere. In the UK, ‘digital health ambassadors’—often young people or even schoolchildren—are trained to co-design and advocate for online platforms that resonate with peers who might otherwise feel excluded from automated health services. A Nepali version could engage cohorts of nursing students, tech-savvy youngsters and returnee migrants to assist elders in navigating digital health platforms and troubleshooting problems, and most of all, normalising the idea of health apps being a reliable recourse.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250720130748_fcb94ab76e76b5574189757e88d76fccad4e115e78dd9eae92a3bd4c882c3431.png" data-media-id="editor_12" data-image-id="20250720130748_fcb94ab76e76b5574189757e88d76fccad4e115e78dd9eae92a3bd4c882c3431" data-rendition-name="original" width="2246" height="1590" loading="lazy" alt="Smart ageing is Nepal’s next frontier"> </figure>  Nepal’s own network of Female Community Health Volunteers (FCHVs), whose credibility is rooted in long-standing relationships across rural communities, could be similarly upskilled, their roles in <a href="https://nepalitimes.com/here-now/target-2030-for-maternal-and-newborn-health">maternal and child health </a>expanded and repurposed to also include geriatric tech support. However, there is a limit to how much older adults can adapt to new technologies. So, Nepal should simultaneously invest in passive technologies—tools that monitor and act for the elderly, instead of demanding active use. That is where wearables and in-home smart health devices collectively known as 'gerontechnology' come in. Picture an 82-year-old in far-flung Rolpa, away from the facilities of an urban hospital. Installed in her home are low-cost motion sensors that monitor prolonged inactivity or signs of a fall, instantly triggering alerts to the nearest health post when necessary. On her wrist, a wearable bracelet continuously tracks her sleep, vital signs, oxygen saturation, and glucose levels. This data is encrypted and synced to a digital dashboard accessible by health staff at the local post. If the system flags an acute risk—such as a potential stroke or hypoglycemia—a nearby health worker is dispatched immediately to her home. If her readings over time indicate a trend toward a <a href="https://nepalitimes.com/news/why-do-so-many-nepalis-have-high-blood-pressure">chronic condition</a> like diabetes, community health volunteers step in. They help schedule a virtual consultation with an endocrinologist in Butwal. Based on the advice received, she gets a prescription and picks up her medication from the local community pharmacy, along with a smart dispenser to ensure she sticks to her treatment plan without missing doses. This is not as far-fetched as it may sound. Many of the individual devices forming this connected medical system called an Internet of Medical Things (IoMT) already exist in Nepal as imported commercial products. What is missing is a stronger framework for <a href="https://nepalitimes.com/business/public-health-partnership">public-private collaboration</a>: one where health tech companies continue developing locally adapted tools, and the government actively integrates these innovations into public health delivery. <a href="https://nepalitimes.com/opinion/people-power/nepal-as-an-ai-power-bank">Nepal’s tech ecosystem</a> is maturing, but policymaking must evolve in tandem, especially when it affects an older generation largely resistant to change. The backlash against the recent mandate requiring National Identity Cards for accessing social security benefits revealed the pitfalls of imposing top-down reforms without adequate preparation or support for seniors. For Nepalis to age well, community caregivers, doctors, innovators, and above all, the state, must step in where families have stepped away. The goal is not to replicate traditional care, but to build a coordinated system of support that connects everyone through technology. The future is older for Nepal, let us be wiser too. The writers are pursuing their undergraduate studies in biomedical engineering at the Hong Kong Polytechnic University.

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