<figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20230228150236/63fe11dc9c7e80680e0da4fcjpeg.jpg" alt="" width="973" height="690"/><figcaption>Director Bernardo Bertolucci and producer Jeremy Thomas, with photographer Lynn Davis (behind) and screenwriter Rudy Wurlitzer on the Little Buddha recce in Chitwan, 1992. Photo: LISA CHOEGYAL</figcaption></figure>In 2005, Hollywood actress Cameron Diaz, hosted a documentary series for MTV called Trippin’. The show had celebrities visit ecological locales around the world to educate young viewers about nature.The first episode was filmed in Nepal, featuring Diaz with actress Eva Mendes, rapper Redman and Mark Hoppus of the hit rock band Blink-182. The film was shot on location in Kathmandu and Chitwan.Carolyn Syangbo was a production liaison for the show in Nepal, and recalls the producers being concerned about paparazzi in Chitwan. In Honduras, the shoot was nearly ruined because fans and media recognised Diaz and Mendes.“In the end, I said, look, I am going to be really honest and burst your bubble, no one knows who Diaz is here,” Syangbo says. “It took me ages to convince them that we did not need a security protocol to control paparazzi in Chitwan.”When Michael Palin was in Pokhara in 2004 to shoot his BBC series Himalaya, he was pleasantly surprised not to be recognised at all by Nepalis — until he was mobbed by a British tour group while filming in Boudha.In 2015, Benedict Cumberbatch was being filmed near Pashupati dressed in a frayed overcoat followed by a camera crew and a microphone attached to a pole overhead.Marvel’s Doctor Strange was being shot in Kathmandu, but after the first photo went viral, crowds gathered in Thamel, Indra Chok, Swayambhu and Patan to catch a glimpse of the actor.<figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20230228150236/63fe11df9c7e80680e0da4fdjpeg.jpg" alt="" width="2878" height="1200"><figcaption> </figcaption></figure><figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20230228150236/63fe11e49c7e80680e0da4fejpeg.jpg" alt="" width="2880" height="1128"><figcaption> </figcaption></figure>Director Scott Derrickson decided to film Doctor Strange in Nepal to feature an “Eastern city" that would not be familiar to audiences. In the original comic, Strange travels to Tibet, but that was cancelled because of fears of Chinese censorship.Cumberbatch and Derrickson came to Nepal despite the 2015 earthquake so the film could potentially boost tourism here.On top of that, any Nepali watching the film would have felt a connection to see the title card ‘Kathmandu, Nepal’ about 21 minutes in, followed by a minute-long montage of Strange walking around the familiar historical and cultural sites in the Valley.Bollywood has also chosen Nepal as a location for its many films, starring major stars like Dev Anand in Haré Rama Haré Krishna in 1971 and Amitabh Bachchan in Uunchai last year. Finding one’s country represented in a Hollywood or Bollywood blockbuster, that too as an important piece in the story, is a moment of instant recognition and special delight.<figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20230228150236/63fe11e89c7e80680e0da4ffjpeg.jpg" alt="" width="1200" height="969"><figcaption> </figcaption></figure>Philippe de Broca’s 1965 adventure-comedy Les Tribulations d'un Chinois en Chine (later retitled Up to His Ears) starring the French screen idol Jean-Paul Belmondo features 15 minutes of Kathmandu landmarks and the Himalayan backdrop.Several scenes of the 1986 fantasy martial arts film The Golden Child with Eddie Murphy were also filmed around Asan and Indra Chok with some Nepali extras.Éric Valli’s Oscar-nominated 1999 adventure film Himalaya (also titled Caravan), was shot in widescreen over nine months on location in remote Upper Dolpo.Pier Paolo Pasolini’s 1974 fantasy adventure Arabian Nights includes a sequence with a character named Yunan whose story begins and ends in Nepal. In one scene, he plays hide and seek with his friends in and around the Jaisi Deval Temple in Kathmandu, and in another he runs to his father's palace on Kathmandu Darbar Square to tell him he wants to go to the sea. He finds his father in the sunken bath of Patan’s Sundari Chowk. After his return home from his adventures he says farewell to his royal life on Bhelukhel Square in Bhaktapur. Other places to feature in the film are the Kumari Baha, Ashok Binayak Temple in Kathmandu, the Golden Gate, the courtyard of Pujari Math in Bhaktapur, and Saraswati Hiti in Patan.<figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20230228150236/63fe11ec9c7e80680e0da500jpeg.jpg" alt="" width="1605" height="1000"><figcaption> </figcaption></figure><figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20230228150236/63fe11f09c7e80680e0da501png.png" alt="" width="1609" height="1000"><figcaption> </figcaption></figure><figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20230228150236/63fe11f79c7e80680e0da502jpeg.jpg" alt="" width="1870" height="1000"><figcaption> </figcaption></figure><figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20230228150236/63fe11fc9c7e80680e0da503png.png" alt="" width="1611" height="1000"><figcaption> </figcaption></figure><figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20230228150236/63fe12059c7e80680e0da504png.png" alt="" width="1610" height="1000"><figcaption> </figcaption></figure>The Hong Kong supernatural film Witch from Nepal and the British film To the North of Katmandu, were both shot on location in Nepal  in 1986.Then there is Bernardo Bertolucci’s ambitious drama Little Buddha, filmed in 1992 and released a year later, starring the pre-Matrix Keanu Reeves as Siddhartha Gautam. The film follows three children, one American and two Nepali, who might be the reincarnation of a Buddhist spiritual teacher Lama Dorje, and their story is told in parallel with the story of Gautam Buddha.Lisa Choegyal, who was a production liaison for Little Buddha in Nepal, remembers how the Bhaktapur Darbar Square had been transformed with fibre-glass sculptures and wood trellises to stand in for Siddhartha’s Kapilvastu palace.<img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20230228150236/63fe120c9c7e80680e0da505jpeg.jpg" alt="" width="640" height="480"><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20230228150236/63fe12119c7e80680e0da506jpeg.jpg" alt="" width="640" height="480"><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20230228150236/63fe12159c7e80680e0da507jpeg.jpg" alt="" width="640" height="480">Set designs showing the transformation of the Kathmandu Valley World Heritage Sites for the 1992 production of Little Buddha that starred Keanu Reeves. Photos: LISA CHOEGYALChoegyal wrote in her Nepali Times column in 2017 that local residents were confused because the recreated sets could not be differentiated from the real thing.“It was the most elaborate, ambitious movie to be filmed in Nepal then,” recalls Choegyal. “This was after the 1990 People’s Movement and Girija Prasad Koirala was prime minister. The Tourism Ministry really got behind us because it was the same crew who had done The Last Emperor in Beijing.”<figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20230228150236/63fe12199c7e80680e0da508jpeg.jpg" alt="" width="792" height="520"><figcaption> </figcaption></figure>The Last Emperor went on to win 13 Oscars, and after its release visitors to China increased by 25%. And that is why the production of Little Buddha was backed by Koirala’s cousin Niranjan who was adviser to the Ministry of Tourism. The Prime Minister’s Office also assigned a special official to iron out any problems while filming.“So, in the 10 months of preparation and three months of filming, we didn’t lose a single day,” recalls Choegyal.Little Buddha was very successful in France, and made around $48 million globally. It also featured in several Year-end lists, including The Washington Post and The New York Times. This kind of exposure, Choegyal says, is valuable to Nepal because it boosts tourism and the economy.<figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20230228150236/63fe121c9c7e80680e0da509jpeg.jpg" alt="" width="2010" height="1000"><figcaption> </figcaption></figure>Little Buddha’s production contributed one-tenth of 1992’s tourism revenue in Nepal. Doctor Strange employed around 70 Nepalis in the production side of things and 500 extras.But lavish productions like Little Buddha are no longer possible on the same scale. The cost of filming on location has gone up, as has the development of CGI and visual effects. For instance, BBC’s Black Narcissus, a 2022 three-episode series based on Rumer Godden's novel of the same name partly filmed in Jomsom, was made almost entirely in studios with only a handful of scenes filmed in Mustang.Unlike the 1998 IMAX documentary Everest, the 2015 movie Everest starring <a href="https://en.wikipedia.org/wiki/Jason_Clarke">Jason Clarke</a>, <a href="https://en.wikipedia.org/wiki/Jake_Gyllenhaal">Jake Gyllenhaal</a>, <a href="https://en.wikipedia.org/wiki/Josh_Brolin">Josh Brolin</a> and about the 1996 deaths on the mountain, was shot only till Base Camp. The rest of the climb was recreated in the Italian Alps and Pinewood Studios in the UK with real-life pilot Vijay Lama playing the character of the helicopter rescue pilot, Madan KC.Producers are also avoiding location shooting because of more expensive and stricter insurance and liability laws in the US and UK. Kathmandu’s notorious pollution could also be another reason.Bertolucci had clear blue skies and stretches of green hills, but Syangbo recalls filming for the upcoming film Tiger’s Nest in Chitwan and Surkhet: “The footage was just thick and murky. We were down there filming, and we couldn’t breathe and sometimes we couldn’t even see well.”She says it is not cheap to film in Nepal, and poor infrastructure adds to the risk.<figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20230228150236/63fe12219c7e80680e0da50ajpeg.jpg" alt="" width="1919" height="792"><figcaption> </figcaption></figure><figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20230228150236/63fe12249c7e80680e0da50bjpeg.jpg" alt="" width="1919" height="958"><figcaption> </figcaption></figure><figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20230228150236/63fe12289c7e80680e0da50cjpeg.jpg" alt="" width="1919" height="762"><figcaption> </figcaption></figure><figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20230228150236/63fe122b9c7e80680e0da50djpeg.jpg" alt="" width="1919" height="951"><figcaption> </figcaption></figure>Ram Krishna Pokhrel of Icefall Productions helps with location scouting for NatGeo, BBC, HBO and others. Among the projects he has worked on are the 2015 Japanese film Everest: The Summit of the Gods and the 2017 adventure comedy L'Ascension.“Our government doesn’t fully understand filmmaking and there has been no change in its attitude towards films,” Pokhrel laments. “They celebrate when a film comes out but are not supportive during production. Policies are not clear and there are too many restrictions.”Pokhrel believes that Nepal needs to keep up with international developments in filmmaking techniques to boost the country’s tourism. Nepal could also give tax incentives, like New Zealand, UK and Iceland, for international producers who were to shoot on location here.“It is not surprising why not many feature films which require large crews are shot in Nepal these days,” says Pokhrel. Documentaries and short films, by contrast, are smaller productions.<img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20230228150236/63fe122f9c7e80680e0da50ejpeg.jpg" alt="" width="316" height="785">When foreign filmmakers come to Nepal to shoot, it is also an opportunity for the local crew to learn and be familiar with what is happening in the industry outside Nepal.Kiran Bhakta Joshi of Incessant Rain, wants to promote Nepal as a location destination to create jobs and generate foreign exchange income. Right now, mountains remain the most popular subject, but Joshi believes we also need to explore our arts and culture in our films, whether narrative or documentary.“A step to take in that direction would be to create content ourselves and export abroad,” he adds. “In addition, the system right now does not allow for open competition and works almost like a syndicate. We see the same names making films in Nepal, and even though there are young, talented artists, they haven’t been able to enter the mainstream. This needs to change.”Joshi previously worked for Disney and co-developed the herding system for the wildebeest stampede sequence in The Lion King. He left the company in 2017 to establish Incessant Rain in Kathmandu, and has worked on visual effects and set extension for Stranger Things, House of the Dragon and A Series of Unfortunate Events.“We can even create a studio hub here, with a proper sound stage, green screen room,” adds Joshi. “Filmmakers from the US, Italy, even India will want to come here and make films in Nepal. We should think about promoting Nepal not just as a shooting location, but a filmmaking destination.”

Ashish Dhakal

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Lights, Camera, Action in Nepal

Know your Ministers

‘One early morning, we heard the ambassador’s wife cry out, “Ram, Ram, Ram!” A disaster has befallen Nepal!” She had heard on the radio that a fire had consumed Singha Durbar." This is not about the arson attack on 9 September 2025, but the one on 8 July, 1973. It started in the South Wing of the then single-largest building in all of Nepal. It took two days to bring the blaze under control, requiring the use of explosives to demolish one wing to protect the imposing western facade. As Bhekh Bahadur Thapa recalls in the English translation of his memoir A Life in Public Service: Nepal from Autocracy to Democracy, he was then on leave from the Nepal government serving with the IDRC in Ottawa.&nbsp; He had already served as Nepal’s Finance Secretary at age 25, went on to be Finance Minister and Governor of Nepal Rastra Bank. He was already younger than some of the GenZ ministers in Nepal’s present RSP government. Thapa, now 89, was at the launch of the book in February which was attended by former diplomats and bureaucrats. After speeches by panelists, there was a question from the audience about how Thapa had managed to be the diplomat he was, managing Nepal’s international relations on the world stage.&nbsp; Writer and journalist Akhilesh Upadhyay, who was moderating the panel, responded by going into the section of the book where we see Thapa as an ambassador to the US, playing tennis with White House officials, cultivating a network of contacts to project the identity and welfare of Nepal, and making it possible for a state visit by King Birendra to Ronald Reagan’s America. The book is full of anecdotes that suggest Thapa was a clever and strategic diplomat, always calm and unruffled, easily making friends in high places with his maturity and engaging sense of humour. Thapa’s memoir is heavy on details about Nepal’s administrative history during the years he was active in public service, serving as minister and ambassador under three kings: Mahendra, Birendra and Gyanendra, and alongside five prime ministers.&nbsp; Aside from an insider look on how certain treaties, development deals and research projects in Nepal came into fruition, Thapa goes into great detail about his personal and professional relationships with the kings, ministers, ambassadors, foreign leaders and politicians.&nbsp; As a reader, one is struck by the level of detail around the events that unfolded in Nepal over the years during Thapa’s tenure. Was Thapa recording a journal over the years of the events and the conversations that transpired, or were they committed to his phenomenal memory? Either way, the reader gets a glimpse of Nepal’s recent history from the early days of the Panchayat, through the People’s Movement and the democracy period, the Maoist insurgency, Royal Palace massacre of 2001, and Gyanendra’s coup of 2005.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2026041204048_125dc8ae300a1e33124f394abe724d42727f83e067b0201d2008b58d60c459a4.jpg" data-media-id="editor_0" data-image-id="2026041204048_125dc8ae300a1e33124f394abe724d42727f83e067b0201d2008b58d60c459a4" data-rendition-name="original" width="1584" height="1000" loading="lazy" alt="How to win friends and influence nations NT"> </figure>  Not enough is said about the political parties of the time whose presence led to the way Nepal’s multiparty democracy came to be shaped. The book keeps its focus on the administration and the key figures around it, mostly those in the Panchayat era. Towards the second half of the book, we do start to hear about political parties, but not in great depth. Another figure whose presence in the book is conspicuously less prominent is that of his wife, Rita Thapa — the person who seems to have rescued him every time financial quandary or family care became a challenge. Yet, we do not see her as a full person. Perhaps because of the personal tragedies in his life, the children are also barely mentioned.&nbsp; The book is therefore less personal and more technical. Throughout, we learn about Thapa’s thinking as he navigated the world of diplomacy to win him the trust of those who mattered. There are tips here for a new generation of Nepali officials and diplomats about how much commitment and focus is needed to be good at one’s job and serve the national interest. This book adds to tomes that have been written on Nepal’s fragile relationship with India. ‘India has always wished for Nepal to remain dependent on it,’ writes Thapa, who served as Nepal’s ambassador to India and later in the Eminent Persons Group &nbsp;on Indo-Nepal relations that has been allowed to languish. The book has several insights into the Indo-Nepal trysts with diplomacy and agency.&nbsp; China’s role is also recorded, viewed through conversations during a visit to Beijing, but all that was before Nepal’s neighbour to the north emerged as a world economic and military power. The book also has such sudden instances of quirkiness and humour. For instance, we see a young Thapa in America explaining to a government official why he would like to return to Nepal instead of settling down in the US. “Because, Nepal is beautiful,” he said. The text is immaculate and does not read much like a translation, credit for which clearly goes to the team that put the edition together: translator Prawin Adhikari, &nbsp;Anagha Neelakanthan and Bhekh Thapa’s daughter, Manjushree. As Nepal enters a new era of governance and diplomacy, A Life in Public Service: Nepal from Autocracy to Democracy should be essential reading for students of political science, economics and foreign affairs who can gain a fresh perspective on the country’s trajectory.&nbsp; There are dozens of forgotten state secrets recorded in the book, but the reader must also remember this is a story told from one person’s perspective and there may be others.&nbsp; So, what really made Thapa the diplomat he was? I met him in 2004 at the Kantipur TV studio when he was serving as king Gyanendra’s foreign minister. He was there for a studio interview, and I was just done with my English newscast.&nbsp; He surprised me at the door: “Pratibha! I’ve been reading your articles in The Kathmandu Post. You must keep writing.” I thanked him, glad to have been noticed for my work by a stranger. That was perhaps one of the things that set Thapa apart — he excelled at staying close to those in power, while also noticing those who were not.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20260412040412_213e706136a038ec9f5e2b8c6d7f7c1e9ceed9479e22fe2884872ad7bd20955f.jpg" data-media-id="editor_1" data-image-id="20260412040412_213e706136a038ec9f5e2b8c6d7f7c1e9ceed9479e22fe2884872ad7bd20955f" data-rendition-name="original" width="1136" height="702" loading="lazy" alt="Book details"> </figure>

How to win friends and influence nations

In a classic arc of political sociology, a revolutionary figure takes several decades to complete their cycle: mobilisation, institutionalisation, and finally governance. 
However, the timeline of this trajectory has been telescoped in the case of Home Minister Sudan Gurung, who in 2025 described himself as a social activist and volunteer, has gone from the barricades of the GenZ protests to the mahogany desk of the Ministry of Home Affairs.
Gurung is a personal pick of Prime Minister Balendra Shah, and played a pivotal role in getting him to join the RSP by mediating with Rabi Lamichhane. His journey serves as a real test bed for the ‘Outsider-to-Insider Transition’, raising a fundamental question about someone who now leads the very apparatus that he once fought against: the police, intelligence service, and the bureaucracy.
Social capital can indeed be built during a crisis exacerbated by state failure, and that is where we first see Sudan Gurung — expediting relief delayed by systemic corruption and red tape. Gurung’s delivery aid through a social-media-driven volunteer network bypassed the government. 
Whether or not he really rushed a dying child to hospital after the 2015 earthquake does not matter, it has become an urban legend. 
His work evolved into the non-profit Hami Nepal in 2020, serving as a ‘parallel state’ mechanism that would later become central to his public identity. Later, his group sprang into action during the Covid crisis, organising oxygen cylinders and beds . He was there after flood disasters in Manang and Sidhupalchok, and even organised Rs15m worth of aid to Turkey after the 2023 earthquake. 
Moral Legitimacy became his primary source of power, and he strategically positioned himself as an alternative emergency response system. But the real rupture happened on 8 September 2025 when years of frustration, corruption scandals, lack of transparency and state accountability culminated in a rally that the next day descended into anarchy. 
There was no single leader. The movement was fully decentralised, but as elsewhere such upheavals produces a recognisable face. Among them was Sudan Gurung. Who despite being a millennial himself, became the most visible interlocutor of the GenZ movement. 
He negotiated with the state’s key actors, including the president and the Chief of Army staff, during the period of uncertainty When the country was on the brink. This led to the dissolution of parliament and the formation of the interim government under Sushila Karki, paving the way for the election on 5 March.
Since then, Sudan Gurung’s role has become contradictory. Within days of touching Prime Minister Karki’s feet after her swearing in, he was at the gates of Baluwatar spearheading midnight demonstrations calling for her resignation. He accused her and Home Minister Om Prakash Aryal of not consulting the youth over Cabinet appointments and not arresting the previous government officials.
This oscillation became a hallmark of Gurung’s own version of the ‘Radical Flank Effect’ — erratic behaviour to force the establishment to make concessions. 
On 18 January Gurung formally joined the RSP, and started campaigning from his home constituency of Gorkha-1. He won decisively and was appointed home minister by Balendra Shah. The transition was complete. 
As minister his role spans core security areas: overseeing internal security through the Nepal Police, Armed Police Force and the intelligence bureau. The man who took part in anti-government rallies is now in charge of the riot police that aresupposed control anti-government protests.
His portfolio also handles state administration matters such as citizenship, immigration, and border security, coordinates with the judicial system on prisons, detention, and policies related to punishment and clemency. For example will be overseeing the fraud case against his own party’s chair, Lamichhane.
In his book Power in Movement, political scientist Sidney Tarrow observes that social movement leaders encounter ‘institutional capture’ upon entering government. In a sociological paradox, the man who previously denounced the police for killing youth protesters is now the person who issues directives to those same forces.
Preventive detention, surveillance, and the control of public festivals are the same instruments that the former old guard employed to stifle his movement. The activist who demanded transparency at the B P Koirala Institute now manages the state’s most secretive security apparatus.
In this arc, Gurung is not alone, there are parallels around the world for leaders emerging from the ashes of revolt. It is not so much a prediction, but for Gurung the challenge is even more acute because youth expectations are so high.
The bar for performance has been raised by citizens demanding change and quicker, more efficient service delivery. He is under constant public scrutiny, which is why he has to take YouTubers every time he goes on inspections of the airport, the BP Highway, police stations, picking trash on the sidewalks or meeting the Swiss ambassador to ask about repatriating the ill-gotten wealth of politicians.
Sudan Gurung is facing intense public glare. There have been calls to reveal the truth behind Hami Nepal’s finances, the alleged links to Free Tibet, and lately not paying five years of rent for an illegal lakefront property in Pokhara. 
As minister, he will find that moral legitimacy alone is no longer sufficient, it must be reinforced by transparent and consistent institutional accountability. Sudan Gurung’s ascent is evidence that the public mostly trusts ‘outsiders’ during times of crisis. However, history also cautions us that the state only permits ‘insiders’ to operate. 
Gurung will have to organise systemic reform to inject the transparency of his volunteer days to the Home Ministry’s traditionally secretive disbursements. If he fails, he runs the risk of validating Michels’ Iron Law of Oligarchy, which would serve as a warning about how revolutionary energy is dissipated by the very structures it was intended to overthrow.
Nepal is watching the man who said he once held a dying child in his arms after an earthquake. The volunteer has become the Warden.
Nischal Raj Gautam is a student of Media Studies and Mass Communication at St. Xavier's College, Maitighar. He is a member of the EU Delegation's Youth Sounding Board (YSB), and a journalist for TheirWorld's The Education Issue 2026.

He said no to politics. Now he runs it.

This is the 91st episode of Diaspora Diaries, a Nepali Times series in collaboration with Migration Lab providing a platform to share experiences of living, working and studying abroad. I have still not come to terms with the reality that my daughter Ruby Thakur is now the Deputy Speaker of Nepal’s Parliament. Sometimes, when I am walking, the thought hits me, and I cannot believe it.&nbsp; Things changed for my daughter in a very short time. I had dreamt that the best my daughter could achieve was a good engineering job. Fate had bigger plans for her. She is no longer just my daughter, she is the nation’s daughter. Nepal’s daughter.&nbsp; My children’s education was always my foremost priority. That is the main reason I went overseas for employment. I realised the value of education while working in Saudi Arabia. In my office, colleagues with good education earn $8,000 per month working on computers. Those with low education toil outdoors in the heat for much lower wages. A good education or skills can change everything. I am in Nepal on vacation and will soon return to my job. Ruby is all set now. But I still have to take care of my other children's education. As the eldest son, I myself never got a chance to prioritise my own education. I dropped out in Grade 7 because I had to take care of my ageing parents and younger siblings. I have done all kinds of jobs. I worked in a landlord’s field for a share of the harvest. Even now my wife and I farm for the land owner and have to give away half of what we grow.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20260413120444_051b61e01a5189af538aa1e011acd3e2b38d5f42825116b2afd325d93d0c519b.jpg" data-media-id="editor_0" data-image-id="20260413120444_051b61e01a5189af538aa1e011acd3e2b38d5f42825116b2afd325d93d0c519b" data-rendition-name="original" width="4032" height="2268" loading="lazy" alt="DD"> <figcaption>Sogarath Thakur during a break in Nepal with wife tending to his farm.</figcaption> </figure>   <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20260413120448_8a1c3ac3fd559026bc6f981cc8dc82cb8ad09a3a4f55fb9f6f7fd5f49c3d5571.jpg" data-media-id="editor_1" data-image-id="20260413120448_8a1c3ac3fd559026bc6f981cc8dc82cb8ad09a3a4f55fb9f6f7fd5f49c3d5571" data-rendition-name="original" width="4032" height="2268" loading="lazy" alt="DD"> </figure>  Then I worked as a barber, my family’s line of occupation. I went door to door cutting people’s hair and later worked in a relative’s saloon. Hairstyles were simple back then, and I got to keep half the fee. I also worked in a brick factory where I was paid weekly. &nbsp; I married when I was 16, and my wife was a year younger. As my family and responsibilities grew, I had to migrate leaving behind my three children including Ruby who was just three months old.&nbsp; I went to Qatar where I continued working as a barber. It was a large saloon and the standards for cleanliness and professionalism were higher. I had to hand over 70% of my daily earnings to the employer. I had to rely on my colleague to translate what the customer wanted. But I slowly became fluent in Arabic. I used to jot down words in Nepali and Arabic and memorise them. In Qatar, customers even came at night for haircuts, and people stayed up late. I would work till 3AM.&nbsp; Communicating with my family was one-way. I would go to Bismillah and ask someone to type out questions to my family about their whereabouts, how the harvest was that season. I would offer very little information about my life in Qatar because it was not easy. What was the point of getting them all worried? What could they do? I never received a letter in return, so throughout my time in Qatar, I never knew how my family was faring. When I appeared in the village after five years without any advance notice, it was a bittersweet reunion, and I had no gifts. I still remember how unfamiliar my village felt when I came home after so many years. I had to ask for directions. When I came home, Ruby was already in school. I had left her in my wife’s arms five years prior. I missed her growing up, and did not even see her pictures. My wife had to introduce her to me as her father. But it took just 15 minutes for her to warm up to me.&nbsp; The Arabic skills I had picked up in Qatar came in handy when I remigrated two years later to Saudi Arabia. I worked as a labourer in the desert heat, but once my company found out I spoke Arabic, I was hired for an indoor job as an office boy. The struggle in Qatar had paid off. I worked in an air conditioned office serving tea or coffee, doing bank runs or getting documents signed and photocopied. I have worked in the same company for the past 20 years, sending money home.&nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20260413120448_f083fa873a6d77b19c8b0bdde623415c643a151fb550c57ff4e52b3c2431355f.jpg" data-media-id="editor_2" data-image-id="20260413120448_f083fa873a6d77b19c8b0bdde623415c643a151fb550c57ff4e52b3c2431355f" data-rendition-name="original" width="5712" height="3213" loading="lazy" alt="DD"> </figure>   <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20260413120452_5ccd9a01ee05ce26b71381725108215d0f0d3806508b0cb482aabcfea09bbaef.jpg" data-media-id="editor_3" data-image-id="20260413120452_5ccd9a01ee05ce26b71381725108215d0f0d3806508b0cb482aabcfea09bbaef" data-rendition-name="original" width="4032" height="3024" loading="lazy" alt="DD"> </figure>  My wife is not just my children’s guardian, but also mine throughout the two decades I was away. I trust her with all my earnings, and she manages our household finances well. She makes sure that the children’s school fees and other expenses are paid on time. These days, with video calls, things have become much easier for me to stay in touch with home.&nbsp; When Ruby told me she wanted to do an engineering diploma, I was happy. Later, her friends inspired her to join politics so she started getting involved with Shram Sanskriti Party. I first found out she got the proportional representation nomination through social media while on my work duty in Saudi Arabia. I was so excited, but even more so when she was elected Deputy Speaker. I was back home in Dhanusha on my vacation at the time.&nbsp; We are overjoyed and waiting for her to come back to the village for a visit when she gets a chance so we can celebrate properly with everyone. I plan to go back to Saudi Arabia as originally planned, I have a good job and will work for maybe five more years. Ruby has taken 75% of the load off my back. She can help take care of her siblings.&nbsp; I sleep at 8PM every day and wake up at 5AM to exercise before my day in Saudi Arabia begins – I have stuck to the same routine for the last two decades and it has worked well for me and my health. I have a good rapport with my boss who is an Egyptian. My requests to resign have often been met with counter-offers to stay on. My honesty and hard work have won me the company's trust. I will go back and resume working as I have, despite my daughter’s huge achievements. I am still a farmer’s son, a simple man who has to fulfil his family responsibilities. My colleagues in Saudi Arabia are aware that Ruby is Deputy Speaker in Nepal’s Parliament, they are all happy for me and have congratulated me. This time, when I go back, I have promised them that I will throw a bakhri party to celebrate my daughter’s achievement.

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