The fourth Himal Media Mela on Friday, 25 July coincided with the 25th anniversary of Nepali Times, and workshops throughout the day focused on how the media can increase its reach and revenue in a rapidly evolving digital landscape. In his <a href="https://nepalitimes.com/news/journalism-reboot">opening remarks</a>, Nepali Times publisher Kunda Dixit spoke about the accelerated changes in the media sphere, and how legacy media exists in the digital space. “Big Tech has gradually dismantled the structures of content moderation,” said Dixit. “Algorithmic authoritarianism has polarised society, fuelling conflict and intolerance.” “The forces undermining democracy and freedom of expression through disinformation and fake news are the same people who are also vaccine and climate deniers, warmongers who cheer genocide, fan flames of ultra-nationalism and sectarianism,” Dixit continued.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250725050756_cf765c9e446e9a9b325ba8562b57446112e8751b8cf8d546b5d75031a46554f3.jpg" data-media-id="editor_1" data-image-id="20250725050756_cf765c9e446e9a9b325ba8562b57446112e8751b8cf8d546b5d75031a46554f3" data-rendition-name="original" width="2048" height="1385" loading="lazy" alt="Himal Media Mela 2025"> <figcaption>Welcome address by Nepali Times publisher Kunda Dixit. All photos: SUMAN NEPALI</figcaption> </figure>  However, even as operators of social media platforms are increasingly controlling how and to what degree the audience is able to connect with news and journalists, digital networks can also be a means of uniting against oppression and promoting public interest journalism. So controlling the internet because it has become violent is not the solution. Rather, Nepal should seek strict guidelines and their compliance, not by punishing journalists using irrelevant laws, as has been the case lately. “When we block platforms — along with the untruth, the truth also disappears,” noted Dixit. In her keynote, <a href="https://nepalitimes.com/news/journalism-will-never-be-out-of-fashion">Manisha Pande</a> of digital portal Newslaundry in India underscored the increased significance of journalism in the age of social media and AI. “In a democracy, journalism and access to clear, credible information is like access to clean water,” said Pande. “It is what allows people to make sensible electoral choices and it makes all the difference between a democracy and an autocracy.”  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250726160732_57f331e6fe568fa0b114412e69793a182e10f9f1a526ca5325fa0be2ed9f1b01.jpg" data-media-id="editor_3" data-image-id="20250726160732_57f331e6fe568fa0b114412e69793a182e10f9f1a526ca5325fa0be2ed9f1b01" data-rendition-name="original" width="2048" height="1365" loading="lazy" alt="Himal Media Mela 2025 NT"> <figcaption>Keynote speaker Manisha Pande of Newslaundry. </figcaption> </figure>  But the media industry finds itself in a financial crisis today, brought on by social media as well as economic collapse since before the Covid-19 pandemic. Interestingly, Newslaundry which was launched in 2012, is a 100% ad-free: no Google ads, no corporate ads, no political funding, and fully sustained by subscribers, allowing them greater independence. In an age when facts do not matter, journalism needs to be more proactive and go where the audience is. Said Pande: “We need to use the internet and social media tools we have to repackage traditional journalism in a way that is interesting to the audience.”  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250726160748_2041be8704d2347b2dedac87a4814dfa26b686808889f5b70371bf98d9a9842f.jpg" data-media-id="editor_4" data-image-id="20250726160748_2041be8704d2347b2dedac87a4814dfa26b686808889f5b70371bf98d9a9842f" data-rendition-name="original" width="2048" height="1365" loading="lazy" alt="Himal Media Mela 2025"> <figcaption>Networking during the Himal Media Mela 2025.</figcaption> </figure>  Designing a new digital space for journalism Echoing her sentiment was Anup Kaphle of Rest of World as he led the first session, Designing a New Digital Space for Journalism. “You have to meet your audience where they are, which is on their phones and social media,” said Kaphle, also noting that social media can be a “double-edged sword that is excellent for distribution but also vulnerable to misinformation.” Kaphle was previously Chief Editor of The Kathmandu Post, and has held Editorial positions at Buzzfeed, and The Washington Post. His talk focused on how newsrooms can evolve to thrive in the new digital media environment, and the need to accept that fact that how people consume text has fundamentally changed.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250726160744_f332b61bdf6dc7317dd960a2682f91f3aa594347c3aec2b484b5a8654207c74e.jpg" data-media-id="editor_5" data-image-id="20250726160744_f332b61bdf6dc7317dd960a2682f91f3aa594347c3aec2b484b5a8654207c74e" data-rendition-name="original" width="2048" height="1365" loading="lazy" alt="HImal Media Nepal 2025"> <figcaption>Himalkhabar editor Santa Gaha Magar with speaker Anup Kaphle of Rest of World. </figcaption> </figure>  The attention economy was a big focus of the talk. Most people are watching short form content on their phones - think TikTok, Instagram Reels, YouTube Shorts. “Every journalist should be able to go on camera and summarise their story in 30 seconds,” said Kaphle, also pointing out that building a loyal community of readers comes from consistency, quality, and trust Kaphle also emphasised the need to think about revenue, beyond the obsolete model of relying only on ads, and instead build diverse income streams, such as user generated revenue. He gave examples of the New York Times' metered paywall, where users get a certain number of free articles a month, and then The Guardian, which does not have a paywell but make convincing appeals for voluntary support from readers. There are also others that put most, or all of their content behind a hard paywall. An adjacent model is memberships, where paying members get access to events, behind-the-scenes, newsletters, or early access to content.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250726160744_a0d0029a1584fbd5367b3dc03776c16c54dd97f3a7a8164f8f0e23a1eef2ac1e.jpg" data-media-id="editor_6" data-image-id="20250726160744_a0d0029a1584fbd5367b3dc03776c16c54dd97f3a7a8164f8f0e23a1eef2ac1e" data-rendition-name="original" width="2048" height="1365" loading="lazy" alt="HImal Media Nepal 2025"> </figure>  “More and more newsrooms are opening up to their audience, talking to them about what kind of problems they would like to be solved,” said Kaphle, adding that publications with particularly loyal audiences may also think about merchandising —— think The New Yorker totes. In the meantime, there are a few fundamental things that make a story worth paying attention to. Can stories help readers understand complex information? Do stories add unique value? Are there news needs that are not being met? Are you tracking if, and when, your audience is reading? Do you have a journalistic mission that you are transparent about? TikTok and Journalism Meanwhile, Emad Zafar, head of communication from TikTok South Asia, said that while advertising models have put pressure on journalism, TikTok has emerged as a platform that promotes more democratised content.&nbsp; That has meant that even nations that call themselves democratic have put a blanket ban on the platform, citing concerns of privacy, national security, and safety. Nepal also banned the platform in November 2023, saying the social media platform is spreading social discord, but lifted it last year.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250726160748_a21a30928e26e5f4f63f6f89f4fa7fc47cbbdeb1e94b3b31a57d720ae7ead08a.jpg" data-media-id="editor_7" data-image-id="20250726160748_a21a30928e26e5f4f63f6f89f4fa7fc47cbbdeb1e94b3b31a57d720ae7ead08a" data-rendition-name="original" width="2048" height="1365" loading="lazy" alt="HImal Media Nepal 2025"> <figcaption>Karan Parihar of TikTok South Asia.</figcaption> </figure>  Despite being banned in numerous nations, including the most populous country in the world, the numbers that represent the platform are staggering. One in eight people across the world are on TikTok, creating 66,000 videos every minute. One billion people are on the platform every month.&nbsp; These figures make it clear why the platform is so important for journalists to get their content out to a much larger audience, said Karan Parihar of TikTok South Asia.&nbsp; Mamta Siwakoti, TikTok’s Trust and Safety Program Manager, explained the platform’s community guidelines and how journalists can use the platform, even as misinformation has become a major concern for users. TikTok has 21 fact-checking partners, which provide the platform with verified and real time information.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250726160732_407aeb7d1f657b6aac8451795da0353aad8baa9b6839930aa1cc9087395e29ae.jpg" data-media-id="editor_8" data-image-id="20250726160732_407aeb7d1f657b6aac8451795da0353aad8baa9b6839930aa1cc9087395e29ae" data-rendition-name="original" width="2048" height="1367" loading="lazy" alt="Himal Media Mela 2025 NT"> <figcaption>TikTok’s Trust and Safety Program Manager Mamta Siwakoti.</figcaption> </figure>  “Freedom of expression needs to be balanced with human rights,” said Siwakoti. “We consult experts while creating community guidelines, so that it serves our wider purpose of safety and security of our users.” Design and niche content Swarup Nhasiju Shrestha’s Design Sense for Journalists focused on shooting high quality video stories. Nhasiju is the creative head at V-Chitra advertising agency, and has done design and layout for many Nepali newspapers. “Your objective is to stop the scroll - nobody has the time to read anymore,” said Shrestha. He listed out the main types of shots and what they do for the story. A closeup of the face shows the subject’s emotions, a wide shot gives context to what is happening, and an unusual shot can show the subject in a different perspective. Cut every second that doesn’t move the story forward.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250726160736_b44d99be23087ee79eac0bc0fff39a75e000263a4bedc80c44eb32295bf4089a.jpg" data-media-id="editor_9" data-image-id="20250726160736_b44d99be23087ee79eac0bc0fff39a75e000263a4bedc80c44eb32295bf4089a" data-rendition-name="original" width="2048" height="1365" loading="lazy" alt="Himal Media Mela 2025 NT"> <figcaption>Designer Swarup Nhasiju Shrestha of V-Chitra advertising agency during his session.</figcaption> </figure>  Shrestha also emphasised the importance of audio. “The audience may forgive shaky video, but not bad audio.” As for text on videos, short sentences, in sans serif font, in black and white, is the easiest to read. Thumbnails are the new front page of a newspaper should have faces, action, and high contrast. In the meantime, a main piece of content can be split up into 3-4 minute ‘mini’ pieces that are less than a minute long. These get the most views, and can funnel viewers to the longer videos. And counterintuitively, release trailers after the main video. This way, anyone who sees a trailer and is interested, can go watch the main video right after. Also talking about high-impact video content was Sojan Prajapati of Kathmandu ko katha who started out with an aim to inform the public about culture and heritage.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250726160736_822c94baf230a97d92d3dad3f77c2db47d0d987aedac5ee62c2a4dba47479f91.jpg" data-media-id="editor_10" data-image-id="20250726160736_822c94baf230a97d92d3dad3f77c2db47d0d987aedac5ee62c2a4dba47479f91" data-rendition-name="original" width="2048" height="1365" loading="lazy" alt="Himal Media Mela 2025 NT"> <figcaption>Sojan Prajapati of Kathmandu ko katha.</figcaption> </figure>  In his session, Niche Content Creation, Prajapati told the audience how he has also used his platform ‘Speak up Nepal’ on Instagram for social issues, went on to push 21 petitions to the House of Representatives, 11 of which are yet to be discussed, while four have been resolved. The main purpose of journalism should lie in reinstating hope and faith in citizens in a world which is constantly consumed by negative rather than positive news, he said. “Virality and vulnerability have a connection. There should be positive reinforcement for something good. You just have to be genuine for content creation, genuineness pays off well.”  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250726160748_8671ccafef079346e3fb3ae3a06129089e38be807be28d4ff63b1caec65dfada.jpg" data-media-id="editor_11" data-image-id="20250726160748_8671ccafef079346e3fb3ae3a06129089e38be807be28d4ff63b1caec65dfada" data-rendition-name="original" width="2048" height="1365" loading="lazy" alt="HImal Media Nepal 2025"> </figure>   <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250726160748_9d0f6bfeda6cfc73ed16aa2cf6308a67d2e58b239ac81c4cda144fa9e0cd6e62.jpg" data-media-id="editor_12" data-image-id="20250726160748_9d0f6bfeda6cfc73ed16aa2cf6308a67d2e58b239ac81c4cda144fa9e0cd6e62" data-rendition-name="original" width="2048" height="1365" loading="lazy" alt="HImal Media Nepal 2025"> </figure>  Future of the news In the last session of the day, The Future of News, Sundeep Narwani spoke about how AI and journalism intersect, and that AI can help journalists in copyrighting, social media captions, editing and translation that help reduce the cost of human resources. Generative AI, in turn, is getting more refined as we feed it with more data. Perplexity and Gemini in particular are competing to become real time search engines.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250726160748_74c59cba8159f704dadf6fe8f53532c8cbe1ccb15387da6c0788d7d2abc51085.jpg" data-media-id="editor_13" data-image-id="20250726160748_74c59cba8159f704dadf6fe8f53532c8cbe1ccb15387da6c0788d7d2abc51085" data-rendition-name="original" width="2048" height="1365" loading="lazy" alt="HImal Media Nepal 2025"> <figcaption>Sundeep Narwani spoke about AI and the future of journalism.</figcaption> </figure>  “Agents are beyond bots. A lot of things will become automated, making things serious and sensitive, even leading to loss of jobs,” said Narwani while also urging users to be careful of biases. Even search engines such as Google have been found to favour certain subjects while powerful figures have had the platform remove or clean their names. This was in line with a session earlier in the day where Naresh Newar showcased a fake video demonstrating the power of AI, and how it could be misused, urging media institutions to come up with guidelines, to not rely overly on these tools.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250726160736_9270a6f0c5b70d6ce5dccb78bc1d24682b28cf0008ea4aadea689eb3ecececa3.jpg" data-media-id="editor_14" data-image-id="20250726160736_9270a6f0c5b70d6ce5dccb78bc1d24682b28cf0008ea4aadea689eb3ecececa3" data-rendition-name="original" width="2048" height="1365" loading="lazy" alt="Himal Media Mela 2025 NT"> <figcaption>Tech writer Naresh Newar.</figcaption> </figure>  Pollster Madhu Acharya of Sharecase Data Initiative had sobering but optimistic insights. Comparing Nepal Media Survey results of the past year, Acharya deduced that tv had the most viewership in Nepal, but 20% of its revenue was coming from YouTube, while radio was the most trusted, even though it is seeing a rapid decline in audience, and those who remain are mostly older men. Newspapers, on the other hand, was still one of the most trusted sources, however, it is the source of news for only a little over 5% people. More surprisingly, it is the younger crowd between 18-24 who are reading newspapers the most. On the other hand, online outlets are the new mainstream with most readers between 35-59. Social media has the largest engagement with YouTube, Facebook and TikTok leading the race. In fact, 11.1 million Nepalis are watching YouTube daily, but these platforms have the lowest level of trust.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250726160736_c08e5abacdf87f66f21bd4f1ff05567d9dcd63271e34adce04b121dbeafdcc4b.jpg" data-media-id="editor_15" data-image-id="20250726160736_c08e5abacdf87f66f21bd4f1ff05567d9dcd63271e34adce04b121dbeafdcc4b" data-rendition-name="original" width="2048" height="1365" loading="lazy" alt="Himal Media Mela 2025 NT"> <figcaption>Madhu Acharya of Sharecase Data Initiative presenting the latest findings of the Nepal Media Survey.</figcaption> </figure>

original

674x448

610x380

500x500

400x266

400x240

400x203

301x200

1250x600

1084x550

thumbnail

viewImage

The present and future of news

हिमालमिडियाले हरेक वर्ष मनाउँदै आएको हिमाल मिडिया मेलाको यो चौथो संस्करणमा उपस्थित सबैलाई स्वागत ।&nbsp; महिनै पिछे विश्वव्यापी सूचना र सञ्चार प्रणालीले अर्को फड्को मारेको हुन्छ। विगत २ महिनामा नै एआई-संचालित उपकरणहरू अचम्मसंग फैलिएका छन।&nbsp; सामाजिक सञ्जालका प्लाटफर्महरुले पाठकहरूलाई परम्परागत समाचार प्रदायकहरूसंग जोडिदिने क्रम जानिजानि घटाउँदै छन।&nbsp; बिग टेकले कन्टे्ट मोडरेसनको संरचना एक पछि अर्को गर्दै हटाएका छन ।&nbsp; यो एल्गोरिथ्म-मय अधिनायकबादले समाजलाई ध्रुवीकृत गर्दै, द्वन्द्व र असहनसिलतालाई बढावा दिएको छ। कलम चलाउने बितिक्कै झम्टी हाल्ने, बोल्योकि क्रोध र ईर्ष्या बर्षिहाल्ने। &nbsp;पत्रकारहरुलाई शत्रु ठान्ने, “१२ भाई” भनेर चिढ्याउने, “डलरबादी” भन्दै धम्क्याउने, “पत्रुकार”को बिल्ला लगाएर ट्रोल गर्ने क्रम बढ्दै छ । तर त्यही नै डिजीटल संजालहरु फेरि उत्पीडनसँग लड्न एक्यबद्यता जुटाउने, र सार्वजनिक हितको पत्रकारिता फैलाउने माध्यम पनि हुन। त्यसैले, अब इन्टरनेट उग्र भयो भनेर त्सलाई नियन्त्रण गर्दा, प्लाटफोर्महरु ब्लक गर्दा — असत्यसंगै सत्यपनि गुम्छ ।&nbsp; कसरी डिजीटल माध्यमहरुमा उपलब्ध अवसरलाई रक्षा गर्दै सामजिक संजालमा हुने उपध्रोलाई नियमन गर्ने। नेपालमा कडा गाइडलाइन र त्यसको पालना खोजिनुपर्छ, बिद्युतिय कारोबार एन प्रयोग गरेर पत्रकारलाई सजाय दिएर होइन। अंग्रेजीमा भन्ने गरिन्छ, अहिलेको नेपालमा सान्दर्भिक होला: “The exercise of my freedom should not violate yours”. Welcome everyone to this fourth edition of Himal Media Mela. The fact that most of you have paid to be here is proof that you value these interactions at a time of accelerated change in the media sphere.&nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250725060748_949591d168fbf38f0e1d39b377b1cba0daeabd526ec387e64cc7eb7820ac9802.jpg" data-media-id="editor_0" data-image-id="20250725060748_949591d168fbf38f0e1d39b377b1cba0daeabd526ec387e64cc7eb7820ac9802" data-rendition-name="original" width="2048" height="1365" loading="lazy" alt="Himal Media Mela 2025"> </figure>  On World Press Freedom Day this year, Reporters without Borders published a map of the world in which each country was colour coded in varying shades of red to match the degree of press freedom there. Most of Asia was a sea of red. Only Japan, Korea — and Nepal — stood out as lonely white islands. Even so, we in Nepal cannot take our freedoms for granted. The forces undermining democracy and freedom of expression through disinformation and fake news are the same people who are also vaccine and climate deniers, warmongers who cheer genocide, fan flames of ultra-nationalism and sectarianism. Swimming against this tide, and fighting the good fight through brave, independent journalism is Manisha Pande of Newslaundry from a neighbouring country to our south with a name that begins with the letter ‘I’.&nbsp; Manisha, we are honoured to have you here, eager to listen to you, and be inspired by your journalism. Welcome.&nbsp; This year’s Media Mela will not dwell too much on the challenges faced by journalism. We all know what they are. So, instead of talkshops, we will have workshops. How can we cover the most important stories that affect the daily lives of Nepalis in such a way that it is watched and read to build public opinion and spur policy reform?&nbsp; In an age when facts do not matter, journalism has to be more proactive and go where the audience is. यसै अवसरको उपयोग गर्दै हिमालमिडिया र यसले लिने नयाँ बाटोको विषयमा अलिकति कुरा पनि राखि हाल्छु। हिमालमिडिया अब मुनाफा वितरण नगर्ने कम्पनीको रूपमा परिणत भएको छ। यसले अझ धेरै &nbsp;व्यक्ति, संस्थाहरूसँग जोडिन र सहकार्य गर्न सहज हुन्छ भन्ने विश्वास लिएका छौँ। यो नयाँ non-profit company मार्फत् हाम्रो पत्रकारिता अझै फराकिलो हुनेछ। समावेशी बन्नेछ। An advance thank you to all the workshop speakers for your time, thank you everyone for participating, and thank you to TikTok for powering this year’s Himal Media Mela. There was a social media post the other day in which someone said (and I quote): “Himal Media Mela powered by TikTok? TikTok requires no attention span, while Himal articles require substantial attention span. This is a bit like a Diabetic Convention powered by Lumbini Chini Karkhana.” जे भएपनि, अन्तमा: आजको कार्यशालाहरुले हामी मिडियाकर्मीहरूलाई एउटा नौलो मौका दिने अपेक्षा राखेका छौँ – कसरी डिजिटल औजारले पत्रकारलाई दिएको उपायहरु सिक्न । धैर्य गरेर सुनिदिनु भएकोमा धन्यबाद। एक पटक फेरि सबै सहभागीहरूमा हार्दिक नमन र स्वागत।&nbsp;

Kunda Dixit

Journalism Reboot

The monsoon has got bad press because Nepal’s tourism operators actively told visitors to avoid <a href="https://nepalitimes.com/opinion/managing-the-monsoon?%2F">the rainy season</a>. It is time to change that. The reason can be found right here in the vast alpine meadows of Central Nepal where this time of year you can walk on velvet grass of pastures abloom with delicate pink, red and yellow flowers as the mist rolls up the valley. There is no sound except the hum of bumble bees. &nbsp;&nbsp; There are dozens of places across high Nepal called Chaurikharka, which means yak pasture. But this particular Chaurikharka in Rukum East located at an altitude of 4,000m stands out for its serene beauty, rustic charm and bucolic setting. There is just the occasional chime of <a href="https://nepalitimes.com/here-now/when-yaks-go-so-does-culture">yak bells</a> in the distance, and the sharp whistle of herders corralling sheep. &nbsp;&nbsp; The grass shoots are so fragile that one hesitates to step on them, the rounded ridges appear and quickly vanish in waves of mist. With the<a href="https://nepalitimes.com/here-now/before-the-next-monsoon"> arrival of monsoon</a>, these meadows are a soothing shade of green dotted with millions of <a href="https://nepalitimes.com/review/the-anatomy-of-a-flower?%2F=">multi-coloured flowers</a>. Until very recently, it took a week or so to hike up to places like Chaurikharka, but with the expansion of the road network even to these far-flung mountains in the lap of Dhaulagiri, they are much more accessible. It is just a three-hour uphill from the Mid-Hill Highway on the border between Baglung and Rukum East.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250802130828_a0b06b494d751b2144ffbbf10894ea64b29e8aed844bc8c66171783abfaf4e16.jpg" data-media-id="editor_4" data-image-id="20250802130828_a0b06b494d751b2144ffbbf10894ea64b29e8aed844bc8c66171783abfaf4e16" data-rendition-name="original" width="2048" height="1365" loading="lazy" alt="Visit Nepal in the monsoon"> </figure>  Purists would say that such easy access devalues the sanctity of these remote high meadows, but it also means more people will be moved to treasure the experience, appreciate <a href="https://nepalitimes.com/banner/natures-fragile-gift-to-nepal">the value of nature </a>so they can take steps to protect it.&nbsp; To be sure, the <a href="https://nepalitimes.com/here-now/deadly-monsoon-in-nepal-turns-deadlier">monsoon season can be challenging for road travel</a>. The roads are rough even at the best of times, and in the monsoon they become muddy and treacherous, often blocked by<a href="https://nepalitimes.com/news/monsoon-deluge-in-nepal"> landslides</a>. But that could be precisely the kind of adventure that the more intrepid visitors crave. Improved road connectivity has already made Chaurikharka and places like Badimallika &nbsp;and other sacred lakes in the mountains of western Nepal popular with domestic tourists. What is driving this traffic is the urge to go to exotic new places and share videos and selfies on social media. Several of Nepal’s travel vloggers have visited Chaurikharka and popularised the place, enticing followers on TikTok or YouTube to retrace their footsteps. But even as they become more popular, these fragile and once-remote places should be protected from over-tourism.&nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250731110736_f97110b7cdc3e7f80d5877690948fc9f4c95a09c583deb23b07355491e6c5446.jpg" data-media-id="editor_8" data-image-id="20250731110736_f97110b7cdc3e7f80d5877690948fc9f4c95a09c583deb23b07355491e6c5446" data-rendition-name="original" width="1083" height="699" loading="lazy" alt="Visit Nepal in the monsoon NT"> </figure>  <h2>INCREASING FOOTFALL</h2> Chaurikharka is located in Bhume Rural Municipality of East Rukum, near the scenic valley of Dhorpatan in Baglung district. Even in the <a href="https://nepalitimes.com/banner/monsoon-culture">middle of the monsoon</a>, there is a steady stream of Nepali hikers trooping to these high pastures – especially during festival days like Saune Sankranti which this year was on 17 July and actually marks the auspicious beginning of the monsoon here. “This year the rains have not been as heavy and there have been some clear mornings when we could see everything from Dhaulagiri to Machapuchre,” says Khageswar Bhandari, who trekked up here from the road. “The flowers, the greenery and the snowy mountain views make this an incredibly unique place.”&nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250802130824_1b9e26f2e9853fdfe69154bb42a7c9ea6da4bf4940efc1da99b304dcfbd7d3d9.jpg" data-media-id="editor_10" data-image-id="20250802130824_1b9e26f2e9853fdfe69154bb42a7c9ea6da4bf4940efc1da99b304dcfbd7d3d9" data-rendition-name="original" width="2048" height="1152" loading="lazy" alt="Visit Nepal in the monsoon"> </figure>  Chaurikharka is worthwhile to get to in any season, but it has a different charm during the monsoon. Word has spread and because it is now easy to get to from Baglung or even Pokhara, people have been flocking here.&nbsp; “Holidays and Saturdays see the largest crowds, with up to 500 visitors every day,” says ward chair Mankaji Pun of Bhume.&nbsp; There was a time not too long ago when local herders brought sheep, goats, cows, buffaloes, horses, and mules to graze here during the monsoon. Although there are still livestock around, animals have been replaced by visitors taking selfies. Read also: <a href="https://nepalitimes.com/here-now/the-monsoon-and-nature-s-arithmetic">The monsoon, and nature’s arithmetic</a>, Tom Robertson Ward Chair Pun says infrastructure development is his main priority. A foot trail to Chaurikharka was built last year by the Tourism Division Office in Kohalpur, but access via the Raniwas-Koipa road section still remains challenging.&nbsp; “If we get more budget, we can improve the road and facilities to make Chaurikharka the main tourist attraction of this region,” says Bhume Municipality Chair Hom Prakash Shrestha. “After that, we hope to promote Chaurikharka as a top tourist spot.”&nbsp; Economic activity is also picking up with the arrival of visitors, but there seems to be a need to manage the makeshift sheds made of corrugated sheets that spoil the beauty of the place. Tea shops and lodges are also available but facilities are basic. Kuldeep Neupane took a three-day trip from Ghorahi in Dang to visit Chaurikharka recently, and says: “This is an ideal trip to make a quick getaway and let nature recharge your mind and body. And it is much more fun with a tent, to watch the sunrise over the Himalaya or the mist blowing in.”

Visit Nepal in the monsoon

Two weeks ago, Prime Minister KP Sharma Oli announced jubilantly on social media that Nepal had achieved a historic annual growth of 81.8% in exports. He was right. Nepal’s trade did take a great leap forward compared to last year. But the dramatic rise was mainly due to processed soya bean oil.&nbsp; However, Nepal does not produce the edible oil it exports. In fact, the soya and palm oil that make up 44% of total exports are imported from Southeast Asia and South America, and simply re-exported, mostly to India.&nbsp; Under the SAFTA (South Asian Free Trade Area) Agreement, Nepal can export products to India duty-free if it has at least 30% value-added. Nepal’s traders have taken advantage of SAFTA even though the edible oils they export do not reach that value addition threshold. “The 30% value addition requirement is often only on paper,” says former commerce secretary Purushottam Ojha. “It is clear that simply packaging edible oils in Nepal does not fulfil the terms of the trade agreement.” Prime Minister Oli is aware of this, and even called Nepal’s export figures “fake” at an earlier event. The government is relying on other iffy figures to suggest that Nepal’s economy is strong and getting stronger. For example, the value of imports rose by 13.25% in 2024-25 compared to the previous fiscal year.&nbsp; Some of it was due to a jump in electric vehicle imports worth Rs 31.76 billion, but mostly it was because more wholesale soya oil was imported to be re-packaged and sold in India. The very fact that the government boasts about increased imports is an indication of how much it relies on taxing them for revenue. Touting such trade figures cannot be the basis to claim an economic rebound.&nbsp; “A jump in the value of imports can be interpreted as an increase in purchasing power, but it is not evidence of a stronger economy,” says economist Keshav Acharya. “Even though imports have increased, Nepal's domestic production and productive capacity have not improved.” Nepal Rastra Bank's semi-annual economic activity study report shows that industrial production was down in the first six months of the last fiscal year. This despite an increase in the number of new industries registered and investment commitments. Out of the Rs70.2 billion proposed foreign investment, Nepal received only Rs17.9 billion last year.&nbsp; Meanwhile, the rate of capital formation was limited to 24% last year, which is lower than the year before, suggesting that new investment, job creation and economic expansion all declined. If domestic production does not improve in relation to this year’s inflated trade figures, the outflow will put pressure on foreign exchange reserves like it did three years ago. At that time, Nepal borrowed from the IMF under its Extended Credit Facility Program to kickstart the economy.&nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2025080710084_2cdaaa5795828c4a7de93a0604ba884ef0a8b8f24cccd939f6c24e279ab6058f.jpg" data-media-id="editor_0" data-image-id="2025080710084_2cdaaa5795828c4a7de93a0604ba884ef0a8b8f24cccd939f6c24e279ab6058f" data-rendition-name="original" width="1633" height="723" loading="lazy" alt="Nepal's bubble economy NT"> <figcaption>Source: NEPAL RASTRA BANK</figcaption> </figure>  The macroeconomy is on firm footing with foreign exchange reserves at a comfortable Rs2,520 billion in May, up 23% from last year. This was largely due to remittances, and partly due to a falling NPR exchange rate. Real estate transactions and the stock market index have also been climbing as a result of government policies to revive the sector.&nbsp; However, former executive director of Nepal Rastra Bank Nar Bahadur Thapa cautions: “This is not organic growth, it is the result of deliberate policy decisions to relax rules on real estate and stock markets transactions.” In reality, the sharp rise in land prices have increased the cost of production, and excessive monetisation of the real estate has become the main source of Nepal’s economic woes. The central bank has announced a slew of new policies, shifting the terms of loan repayment for industrialists and entrepreneurs, reducing interest rates, and injecting more working capital — all designed to inject adrenaline into the real estate and stock market sectors.&nbsp; When he was governor, Mahaprasad Adhikari made several financial reforms during the latter half of his tenure to stimulate the economy, including tightening credit flow.&nbsp; By the last fiscal year, additional financial reforms had resulted in a credit expansion rate of around 8%. As the pace of credit expansion slows, real estate prices have started to fall. This is actually beneficial to the economy, because it lays the foundation for improvements in land-related entrepreneurship, production, and the construction sector. Just because real estate and the stock market transactions increase, it does not indicate an economic turnaround — especially when manufacturing and productive sector continues to languish.&nbsp; “It is foolish to believe that real estate and the stock market have magically revived our economy. Agriculture employs more than half of the population, but it is in decline. Investment in the productive sector has not increased, and job creation has not increased.” Two years ago, Nepal’s industrialists, business leaders, and political leadership predicted a recession amidst a sluggish business, declining market demand, large-scale job loss, and a shrinking real estate and share market.&nbsp; Still, the economy grew by 3.36% in fiscal year 2023/24. In fact, Nepal’s economy has grown nominally over the last two decades even when all sectors of the economy are in decline.&nbsp; Says Keshav Acharya: “The growth in trade, real estate, and the stock market are bubbles. The real economy remains stagnant.”

Nepal’s bubble economy

The final investigation report on the crash of a Saurya Airlines jet on 24 July 2024 at Kathmandu airport has revealed flaws in the carrier’s technical operation procedures, poor monitoring by the Civil Aviation Authority of Nepal (CAAN) and gaps in the airport’s emergency response. Eighteen people including a child were killed, and only the captain survived as the plane plunged seconds after takeoff, crashing within the airport perimeter. This was the latest in a series of aircraft accidents in previous years, and further tarnished Nepal’s already poor aviation safety record and contributed to the country being retained in the EU’s air safety list. &nbsp;&nbsp;&nbsp; The circumstances in the Saurya crash were different from the Yeti Airlines crash in Pokhara in January 2022 that killed all 72 on board, and two Tara Air crashes in February 2016 and May 2022 on approach to Jomsom that together claimed 45 lives. However, all four tragedies were a result of negligence of carriers and crew, failure to follow procedures, regulatory slackness, and overconfidence. The Saurya crash, especially, was a glaring example of how an ailing airline broke its own rules to allow passengers, including non-employees, a joy ride to Pokhara on a maintenance ferry flight. CRASH REPORT The Final Investigation Report prepared by the Aircraft Accident Investigation Commission and released on the first anniversary of the crash last week carried a long list of rules that were ignored or broken, and of regulatory failure. The first mistake was to cram spares, tools and inflammable chemicals needed for the aircraft’s C-Check in Pokhara into the cargo hold flouting its own ground handling procedures.&nbsp; There was no check-in of passengers, some of whom were not even employees – even though regulations say only flight and maintenance crew should be on board a maintenance positioning flight. Many brought their own luggage into the plane and stored it unsecured in the cabin. There was no flight attendant to give a safety briefing to passengers. The load and trim charts given to the flight crew were rough estimates, and the total takeoff weight of the plane was 18,300kg plus or minus 200 kg. That would still have been all right, but there was a glaring mistake in the speedchart Saurya pilots were using to calculate the minimum takeoff speed (known as VR), and it had been wrong ever since the 21-year-old aircraft entered service with the airline in 2017. FAULTY DATA&nbsp; The Commission probed Flight Data Recorder inputs from previous takeoffs of the Canadian-built CRJ200-LR in 2023-2024 and found that the undetected error in the speedchart had caused the plane to pitch up at an abnormal rotation rate at least 18 times on previous takeoffs.&nbsp; Any rotation rate more than 3°/sec is regarded as unusual. But on at least two occasions, this aircraft with tail number 9N-AME had rotation rates of 5.8°/sec and 5.5°/sec, the second one was when the pilot who survived was flying in March 2024.&nbsp; On this particular day, the plane’s rotation rate was 6.5°/sec, causing it to go into a deep stall soon after takeoff, the Commission report said. Essentially, the plane was not flying fast enough down the runway to take off safely.&nbsp; It is not yet clear whether excess weight, unsecured luggage, wrong centre of gravity were also factors, but relying on a faulty speedchart for the given takeoff weight, the captain flying pulled back on the yoke before the plane had reached takeoff speed and at a pitch angle that was too steep. The investigation report says the plane then went into a deep stall and started banking right with the stick shaking. At this point, the flight officer on the right hand seat is heard on the cockpit voice recorder saying: “Whoa, whoa, whoa. Sir, Sir, Sir…” It then banked left before the pilot flying turned the plane sharply to the right again in an evasive action to avoid the parking aprons of the international and domestic terminals. Had he not done so, there would have been a disaster of a much greater magnitude at Kathmandu airport that day. The plane scraped the runway with its right wingtip, collided with a container having helicopter spare parts, and plunged into a gully east of the runway, exploding in a fireball. The investigation also noted that the impact forces seemed to be survivable for some occupants. The fire trucks took unnecessarily long to reach the site even though it was inside the airport perimeter. The absence of an ICAO-standard runway strip, inadequate rescue drills, lack of training, and a blocked emergency service gate leading to the crash site were cited as other factors. &nbsp;&nbsp; <h2>Timestamp of a Disaster</h2>  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250731110724_39cdd04693994ce6e55a5b302905c0fa4884fe85bed21ff0779bb1439f3a5725.jpg" data-media-id="editor_0" data-image-id="20250731110724_39cdd04693994ce6e55a5b302905c0fa4884fe85bed21ff0779bb1439f3a5725" data-rendition-name="original" width="778" height="826" loading="lazy" alt="Flouting rules caused Saurya tragedy NT"> </figure>  11:10:34 - The Saurya Airlines CRJ200 on the takeoff roll from runway 02. It had a takeoff weight of about 18,300kg, but the pilot’s speedcard had a previously undetected mistake about the minimum takeoff speed. 11:10:55 -The plane with tail number 9N-AME goes into deep stall soon after takeoff because it does not have enough speed to lift its weight. The plane also has an abnormally steep nose-up attitude.&nbsp; 11:11:03 - Without enough speed to generate lift, the plane banks right, then left and right again in CCTV photos taken from the domestic apron (below). If it had not banked right, it could have hit the aprons and terminal buildings. Seen parked is Saurya’s other CRJ200 with tail number 9N-ANM.&nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250731110732_608132f7225c649125cca2691dd6a6bf930984c5b359e888d7ad9e5eacce3afd.jpg" data-media-id="editor_1" data-image-id="20250731110732_608132f7225c649125cca2691dd6a6bf930984c5b359e888d7ad9e5eacce3afd" data-rendition-name="original" width="770" height="555" loading="lazy" alt="Flouting rules caused Saurya tragedy NT"> </figure>  11:11:08 - The plane scrapes the runway with its right wingtip, and falls into the gully. The captain is thrown off the left side of the cockpit and survives. 11:11:15: Plane explodes in a fireball inside the airport perimeter. Firefighters take time to reach the site because of lack of access road and a blocked gate. Read the full investigation report <a href="https://www.tourism.gov.np/files/9N-AME%20AIC%20Final%20Report.pdf">here</a>.

Flouting rules caused Saurya tragedy

American artist Peter Makela was in Nepal in 2022 on a Fulbright scholarship when he experienced the Matya festival in Patan in which devotees made the rounds of the city’s shrines.&nbsp;
He joined the procession, walking through 2,600 stupa and 140 bahal of the town. That immersion left a lasting impression.
As part of Gallery Mcube’s international residency program in Patan, he put his inspiration to canvas in the exhibition Yala Yatra: Walking, Working, Worshipping. The exhibition also coincides with this month’s Matya festival.&nbsp;
Makela has visited Nepal often in the past 11 years but he mostly stayed in and spent his time around Boudha. “This time I stayed in Patan, put the sites I wanted to visit on my map, and off I went,” he tells us. “Each of my artwork is inspired by the stupas and shrines in Patan that I visited.”
The stupa and Ganesh are recurring motifs in his watercolours, and the elephant gods are located in chaityas — reflecting the interplay and blending of the Hindu and Buddhist faiths in Kathmandu Valley.&nbsp;
The stupas and Ganesh are painted in vivid red, yellow, blue and green against abstract backgrounds meant to represent the sky.
“I use the sky as a backdrop because the sky has no border,” says Makela. “The four colours represent the four elements, the different Buddha families and also lights bouncing off of a rainbow.”
The use of just four colours for all the artwork stands out, and combined with the absence of heavy canvases, frames or stands render Makela’s art striking in its simplicity.&nbsp;
The Ganesh is always holding something and the art also portrays the elephant god’s sacred vehicle, the mouse.
While his vibrant stupas and Ganesh reflect the tangibility of Patan’s tradition and heritage, it is as if the backdrops with their shades of grey and red and yellow capture the soul of the city’s shrines.
“If you look closely, there is a sense of form and formlessness at the same time,” he says.&nbsp;
Makela walked 108 kora around the shrines during his exploration of the town, and in the process developed a spiritual connection with Patan’s heritage and traditions.&nbsp;
The exhibition connects with visitors on a deeper, more spiritual, level as well. And with it, they feel a sense of pride as well as the need to urgently preserve Patan’s heritage for future generations.
“Peter’s inclination and approach towards Nepali art and culture is fascinating, and it reflects in his work,” says Mcube curator Manish Lal Shrestha, whose international artist residency program promotes Nepal’s cultural heritage. &nbsp;&nbsp;
Yala Yatra: Walking, Working, Worshipping
1-5 August&nbsp;
10AM-7PM
Gallery Mcube, Patan

himal-media-mela-2025

The present and future of news

Journalism Reboot

Visit Nepal in the monsoon

Nepal’s bubble economy

Flouting rules caused Saurya tragedy

Walking, working, worshipping in Patan