What does a journalist do when young protesters are shot in front of her? Does she do her job and stay neutral? Can you stay neutral?&nbsp; As protests engulfed Kathmandu, Nepal's journalists found themselves reporting a story that was personal. While doing their job, some of them were even targeted by mobs.&nbsp; Dart Asia Pacific Fellow <a href="https://www.linkedin.com/in/arunkarki/" target="_blank">Arun Karki</a> visited their newsrooms and spoke with his colleagues on their experience of reporting the GenZ protests that erupted on 8 September. These are the first-hand accounts of journalists who witnessed the turmoil in the city they call home. Sunita Karki was at a workshop in a hotel on 8 September. She saw the first waves of protests through hotel windows. Curfew alerts flooded her phone, a vehicle belonging to a human rights group sat burning across the road, young boys were taking their wounded friends on motorbikes to the Everest Hospital, and police were beating a teenager with hands raised up.&nbsp; “I cried a lot,” she said, but the tears were not out of fear -- they were because she felt guilt. “I couldn’t write the news. We were witnessing these scenes from a five-star hotel.” By evening, the death toll had reached 19. On 9 September at about 3:35 p.m. &nbsp;her outlet, the Annapurna Post's office in Tinkune, Kathmandu, was set on fire. Staff had to leave the building as parts of the newsroom burnt down.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250924040948_e1cc49c9e4fcc4bd4cd3c0163c782fc4e9956bf633cff7b53a63cf8e2dd74cff.jpg" data-media-id="editor_1" data-image-id="20250924040948_e1cc49c9e4fcc4bd4cd3c0163c782fc4e9956bf633cff7b53a63cf8e2dd74cff" data-rendition-name="original" width="1333" height="1000" loading="lazy" alt="Dart Centre Asia Pacific"> </figure>  When she knew her office was burning, she anxiously told her husband that she would resign from the job: "If we have to hide our identification cards in every protest, what kind of journalist am I?" she asked herself. She filed a story the next day, but her emotions kept bouncing between that of a journalist’s duty and shock. She said that in moments like this, it’s hard to feel truly neutral. After watching the police beat people, she felt a strong urge to step in, not just stand back and report. The first real calm came later, when people came to the street and lit small candles together. “This was a sort of victory procession. I felt some relief after brutal days,” she said. <a href="https://www.linkedin.com/in/angaddhakal/" target="_blank">Angad Dhakal</a> a photojournalist who works at Kantipur National Daily, was standing outside his office building when protesters stormed in and set parts of it on fire. He had already been informed that protesters were planning to torch his office building and &nbsp;rushed to his office hoping to save his hard drives containing ten years of photography work. He failed. He raised his camera and "forcefully" pressed the shutter - more to document the scene than out of "professional enthusiasm or duty".&nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250924040948_ebafaacb85c4ea045c41f2c63f1eff06fee9a4ddb5fbf419724e1a5d533781fa.jpg" data-media-id="editor_3" data-image-id="20250924040948_ebafaacb85c4ea045c41f2c63f1eff06fee9a4ddb5fbf419724e1a5d533781fa" data-rendition-name="original" width="1333" height="1000" loading="lazy" alt="It is hard to feel neutral NT"> <figcaption>Photo: GAURAV POKHAREL</figcaption> </figure>  “My office was burning. What should I photograph?” he recalled. A few moments later, a protester noticed the “PHOTO” label on his yellow Press jacket. Dhakal deflected it by saying he was an early career freelancer and YouTuber. So that protesters wouldn't find out, he went to one corner and took his jacket off. When it comes to covering street protests, &nbsp;Angad usually stands near the police because it feels safer. But on 8 September, fire and gunshots made even that area unsafe. A rubber bullet hit his friend Dipendra Dhungana that badly injured him.&nbsp; He thought, “Where do we go now? If we stay here, we’ll be hit.” After witnessing two days of protests, violence, and killings, and seeing his own office burning, he couldn't sleep for days. The same afternoon that government buildings burned and Kantipur was attacked, a message in a protest Discord forum talked openly of 'attacking Kantipur'.&nbsp; Rumours spread to other outlets. Outside OnlineKhabar's office, where <a href="https://www.linkedin.com/article/edit/7376157229248528384/?author=urn%3Ali%3Afsd_company%3A79132377#" target="_blank">Gaurav Pokharel</a> works, the newsroom manager saw “very suspicious people were walking around”. They lowered blinds, avoided windows, locked the front gate and dispersed staff to other places across the city. The outlet was threatened and effectively locked down, but not torched. Pokharel hid his press ID. “ I never showed the ID card. Sometimes I had to enter the crowd shouting slogans, just to blend in among the protesters,” he said. He watched people fall under gunfire, he helped pull one surrounded journalist out of a hostile crowd.&nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250924040948_3b335eee57280373cb51f460534ca4476df23f89c787ba9e4a66d116a537b1a3.jpg" data-media-id="editor_5" data-image-id="20250924040948_3b335eee57280373cb51f460534ca4476df23f89c787ba9e4a66d116a537b1a3" data-rendition-name="original" width="1333" height="1000" loading="lazy" alt="It is hard to feel neutral NT"> <figcaption>Photo: GAURAV POKHAREL</figcaption> </figure>  As a freelancer, Gaurav also contributed articles for international outlets. Later, while transcribing an interview of a young protest organiser, he wrote to his editor at an international outlet : “This was very hard to write. I cried many times while doing it.” He had been working at a stretch for days battling bouts of exhaustion and low blood pressure.&nbsp; Protesters vandalised and set fire within the Singha Darbar complex housing Nepal Television and Radio Nepal. They tried to disrupt public broadcasting.&nbsp; Surendra Paudyal began the day with his press ID hanging on his neck, thinking it would let him move freely. But when he reached Singha Darbar around 3:30PM, the situation felt dangerous.&nbsp; He put the ID in his pocket. When asked what mattered most, he answered without pause: life comes first. In that moment, he felt real fear and a strong duty to protect his team.&nbsp; His focus narrowed to basic things: stay calm, find exits, get everyone out safely. Later, they were able to keep the 8 pm news on air through a regional link. He felt mixed emotions and a sense of relief that the broadcast continued, but also sadness and anger that their own studio had come under attack. Reprinted with permission from the Dart Centre Asia Pacific, a regional hub that provides trauma-informed support and advice to journalists.

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"It is hard to feel neutral"

On September 9th, Dashrath Rai from Kantipur TV was reporting from the Lalitpur Satdobato area, when the station’s van with the camera crew, was stopped by protesters twice. “Kantipur Murdabad” the men shouted, and some other men in the crowd showed up to lead them away to make way for the TV van. As someone who spent about 14 years at KTV, I worried for my former colleagues. On September 8, cameraman Shyam Shrestha Dai had been injured during the shooting at the parliament, where 19 protesters were killed. The death toll would rise later to 72. As the reports of arson from different parts of the city came in, I texted my former colleague Rupesh Shrestha, Deputy News Chief at KTV, who was reporting from the streets. Stay safe! He said: Huss, didi. Three hours later, he was injured in an attack at KTV. The station was preparing for the 2PM bulletin when the attacks began. First, they pelted stones, then stormed the office. “We had been alerted of an imminent attack, but we were busy working and didn’t have the time to get away,” Sabina Karki, Presenter and Reporter, says. “I didn’t panic at first and thought we would be able to leave.”  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250915150928_94e82aa9ccb550abce0f8f6b50c2f29c592cd7fdf51adaf4113b6e9dffc780c9.jpg" data-media-id="editor_0" data-image-id="20250915150928_94e82aa9ccb550abce0f8f6b50c2f29c592cd7fdf51adaf4113b6e9dffc780c9" data-rendition-name="original" width="1280" height="960" loading="lazy" alt="Kantipur TV’s September storm"> <figcaption>All photos: RUPESH SHRESTHA</figcaption> </figure>  Soon after the attacks began, the staff tried to get out of the building. By the time they arrived on the ground floor, it was in shambles. “I thought of hiding in the toilet on the ground floor, but my colleague Surendra Kattel said, if this floor is gutted, we’ll never get out. So we went back upstairs and to the studio building [using the bridge that connects the two buildings]. We alerted colleagues at the News Control Room (NCR) who had no idea what was going on outside,” Sabina says. The staff looking for cover, converged outside the NCR and tried different exit doors but the doors didn’t give. News Chief Bijaya Poudel had to smash the glass door of the studio building so everyone could get out. He was hurt in the process. “Once outside, we saw people had big sticks, knives and someone even had a gun. I felt like I was in a movie scene or perhaps a war zone. We were so helpless. We didn’t know what they would do to us. We stood still,” Sabina recalls. “And then a stranger grabbed my hand and said get out of here and dragged me by the hand and left me outside the office gate.”  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250915150928_5554643519fe1870bbd2852a9fa233f3dcee5a0ba74db4140550dca6f3358610.jpg" data-media-id="editor_1" data-image-id="20250915150928_5554643519fe1870bbd2852a9fa233f3dcee5a0ba74db4140550dca6f3358610" data-rendition-name="original" width="1500" height="1125" loading="lazy" alt="Kantipur TV’s September storm"> </figure>  Some others were able to leave with Sabina. They pushed and jostled past protesters to get away from the building but when they tried to check on colleagues, armed men stopped them and made them leave. They ran past Kantipur Hospital and escaped into the inner lanes, navigating scenes of vandalism on the streets. A police station had been attacked. They sought shelter at a random, private home where Sabina waited for almost two hours and then shifted to a colleague's house to shelter for another couple of hours, before she was able to get home that night. “I couldn’t process anything. After I reached home, I felt scared.” Rupesh, who was working on a special editorial when the attack happened, was one of the last to leave the station building. As someone who had been on TV a lot, covering some major political events in the recent past, he became an easy target. “I had been doing live TV, so I was still wearing my studio attire and that might have made it easy for them to identify me,” Rupesh explains. “I was leaving through the gate when they started to hit me. My glasses fell and punches rained down on me. Some colleagues put their palms together and asked the vandals to let them go. They also told me to say sorry. And I said, why must I apologise when I haven’t done anything wrong? They hit me some more. I raised my arms in surrender.” They pulled his studio jacket off him, then yanked off his tie and dragged him away from the building, from where he was finally allowed to go. Rupesh found safety at someone's private home, from where he tried to contact colleagues, who had all fled in different directions. His phone died and it was 7:30PM when a colleague was finally able to help him get home. The attackers kept returning until midnight in installments, destroying more property and torching the building. Rupesh has a fractured nose from the attack and his face was swollen for days. His body is sore. His car was reduced into a skeleton. For the first two days, he did not want to speak to the world. He could not wrap his head around the violence. “At first we weren’t sure whether to transmit or not. Everything was gone and it felt like an impossible task. I had no confidence, I felt scared. How do we broadcast from the ashes, a masan? But then I thought, if we don’t do our jobs, who will?”  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250915150928_a4d508f9f974663a72b13c90c834e650b9a1b9fbde121de87b2f587a7edce45b.jpg" data-media-id="editor_2" data-image-id="20250915150928_a4d508f9f974663a72b13c90c834e650b9a1b9fbde121de87b2f587a7edce45b" data-rendition-name="original" width="960" height="1280" loading="lazy" alt="Kantipur TV’s September storm"> </figure>  The team sat down and worked out what they needed to get on the air again. Since the news studio building had been damaged, they decided to transmit from the scene of the wreckage. They retrieved just enough UPS batteries for one operation. Four devices with a newsroom network system support the current function. Battery back up goes out as soon as bright lights use them up and the teleprompter does not work. When KTV started broadcasting from the debris, some called it a stunt, and others called it cool. “Currently, salary and insurance issues persist but the owners have said they will address them,” Rupesh says, who has spent 19 years with Kantipur, punctuated by two brief departures and has seen many incidents of vandalism. “We hope incidents like this will not repeat.” During the April 2006 street protests, hundreds of people had stopped outside the Kantipur complex in Tinkune to clap and show gratitude for the good journalism it had done. I worked there at the time and I remember looking out the window, tears of gratitude streaming down my face. The same establishment received a different kind of treatment this time. Attack on the media is an attack on democracy and this calls for probe followed by action.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250915150932_90fe8832022207cc856bfa9fe2525605f05f13594f9ecadbe5f47b0e84e0d4bb.jpg" data-media-id="editor_3" data-image-id="20250915150932_90fe8832022207cc856bfa9fe2525605f05f13594f9ecadbe5f47b0e84e0d4bb" data-rendition-name="original" width="1600" height="1200" loading="lazy" alt="Kantipur TV’s September storm"> <figcaption>Sabina Karki and colleagues retrieving their belongings. Bijay Poudel, far left, in the photo.</figcaption> </figure>  While media houses are also about their owners and their advertisers, they are mostly about the journalists who run them, giving up their lives to uphold high journalism standards. Kantipur Media Group has had many journalists over the years, who have taken stands for the nation and its people. “We already know this wasn’t an attack by GenZ. This is the handiwork of people with personal vendetta. We already know the protest was infiltrated. This is the work of those who didn’t understand journalists are also people just doing their jobs,” Sabina says. When Sabina came back to the office after the curfews were in place and things had calmed down, she wanted to sit down on the rubble and weep. “Journalists operate on a small salary. Some of us have lost our life’s savings in this attack.” The KTV staff is traumatised. Sabina says she is frightened of loud sounds and strangers. “But at times like this, it’s better to work than to just wait in distress.”

Pratibha Tuladhar

Kantipur TV’s September storm

I was asked to give a presentation at the <a href="https://nepalitimes.com/news/the-present-and-future-of-news">Himal Media Mela</a> on 25 July on the ethical and productive use of AI in journalism. I am using the first of this new monthly Technocrat column in Nepali Times to say what I did not have time for at my session about real dangers, real potentials, and hard-won lessons about AI, journalism, and ethics.
I’m not a natural public speaker, and a member of the audience last week told me I sounded like I was chewing gum. True, I mumble, and often lose my train of thought. But one does not need to be a great orator to get the message across. You just need to care deeply and speak the truth.
Nepali Times readers will have seen the supplement in last week’s edition in both print and online that carried a year-by-year summary from 2000 to 2025. I am told the five-member newsroom staff took weeks to put it all together.
They did a great job, but I used ChatGPT’s plus feature Deep Research to crawl 25 years of archives to produce similar content in a few hours with workable links and all the right references.&nbsp;
True, the text needed some fine tuning, but if this sort of normally exhausting human work can save time and energy then AI can be an amazing asset. &nbsp;
But many AI enthusiasts are dumbing down by using image and video generators, and wasting their credits. This is causing AI fatigue among young people on digital networking sites.
Before using AI effectively, we must first understand its true cost. The glossy marketing of AI tools hides the dark side of the deep learning machine underneath, a system built on a foundation of our work, often taken without our knowledge or consent. And you thought, all those words and sentences were AI magic!
AI is a hungry beast voraciously devouring whatever you post. Every article, every photograph, every personal post, every comment you make is raw material for training the next generation of AI models. It does not matter if you gave permission. Nobody is asking.&nbsp;
AI does not need permission to train itself using my sentences from the digital version of this column.
This is not 'fair use'. It is exploitation on an industrial scale. The very soul of our work is being strip-mined to build a technology that profits from our labour without credit, compensation, or consent.
And then there is the danger from deep fake that has moved from a niche experiment to an everyday threat. It is easy if you know the tricks for anyone to clone a voice, fake a video, or create a false event so realistic it can fool even experts.&nbsp;
Content Scrapers
AI is not a neutral force. It is a tool for scammers, a weapon to deny crimes, erase real incidents, and destroy reputations overnight. Teenage girls have been blackmailed with fake videos. In India and Bangladesh, politicians have seen their words twisted to incite chaos.
The scariest outcome is not just the production of individual fakes, it is the erosion of all trust. When ‘anything can be faked’, who can prove if they are telling the truth? The greatest risk is not that people will believe fake content, but that they will stop believing any content, undermining our shared foundation of reality.&nbsp;
As journalists, we risk becoming unwitting amplifiers of these falsehoods if we are not equipped to detect and expose them. AI is a stereotyping machine that amplifies our worst biases.&nbsp;
Prompts on platforms are sexualised, gendered, or reinforce harmful ethnic stereotypes. Many women participate in this cycle, sometimes out of curiosity, unconsciously reproducing the very biases inherent in patriarchal societies.
The faces of children are now circulating in AI-generated images worldwide, stripped of context, consent, or protection. A simple search for ‘Nepali or Indian or White girl’ on an AI image site brings up content no parent would ever want to see.&nbsp;
This is not just a privacy issue, it is a violation of dignity and safety. We make it easy for ‘content scrapers’ by posting photos and videos of our children on Tiktok.&nbsp;
Faced with these realities, we cannot afford to be silent. Indifference is not an option, it is complicity. Fortunately, there is a quiet but growing resistance among artists, musicians, and photographers. But journalists, the very people who create the facts and narratives that train AI, have been too slow to join the fight. &nbsp;
Naresh Newar is a writer on strategic communications and Artificial Intelligence and content specialist.

Being intelligent about journalism

Nepali Times was born at the dawn of the new millennium. It started publishing online in May 2000 before the #1 print edition in the week of 19-25 July 2000. But a month before that, there was a <a href="https://himalaya.socanth.cam.ac.uk/collections/journals/nepalitimes/pdf/Nepali_Times_000.pdf">practice #0</a> which had a Publisher’s Note titled ‘The Freedom To Be Fair’ on page 1. Here is an excerpt:&nbsp; ‘It was a journalist who once said that journalists are people without any ideas, but with an ability to express them. These are cynical times, and it is people in media who are most cynical about the media. For too long journalists have taken objectivity as our main mantra, forgetting fairness.&nbsp; Objectivity is not having to make up your mind about anything, fairness is hearing all sides. Globally, and within countries society’s balance of justice is heavily skewed by the weight of the powerful. Objectivity perpetuates this status quo, fairness tries to set things right. We at Nepali Times and other publications of the Himalmedia group are committed to professionalism and high-quality journalism … upholding the freedom to be fair.’ These were heady times for Nepal’s mainstream press during the constitutional monarchy days. One had to use dialup through a modem and phone line to access the Internet. Nepal Telecom had just started its GSM mobile service, and we all proudly carried around Nokia 3310s with tiny LCD displays.&nbsp; It would be six years before Twitter started. YouTube was launched in 2005 after its former PayPal founders were caught up in the Asian Tsunami in Thailand, and found there was no platform for sharing videos. It would be another eight years before algorithms began pushing cat videos to users.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250801110848_996e922379073386e7b137498f8f5b6979fe839d808669bc732d33b60827ba4e.jpg" data-media-id="editor_1" data-image-id="20250801110848_996e922379073386e7b137498f8f5b6979fe839d808669bc732d33b60827ba4e" data-rendition-name="original" width="1500" height="1000" loading="lazy" alt="Nepali Times 2000"> <figcaption>Nepali Times #1 19-25 July 2000</figcaption> </figure>  The masthead of the <a href="https://d1i1jdw69xsqx0.cloudfront.net/digitalhimalaya/collections/journals/nepalitimes/pdf/Nepali_Times_001.pdf">#1 print edition of Nepali Times of 19-25 July 2000</a> carried the ambitious ‘Nepal’s Top Newspaper’. The Editorial titled ‘A Sign of the Times’ said in part: ‘Newspapers do more than hold the mirror to society. They are the mirror. Journalism is called history in a hurry. It is also culture, sociology, anthropology, philology, and philosophy in a hurry. Nepali Times will aspire to be a true reflection of our times…’ Indian graphic designer Rustam Vania was invited to Kathmandu in April 2000 and designed a newspaper with a fresh, modern look. His rendition of the masthead and the page template has not changed in 25 years, though much has changed in Nepal, even while a lot has remained the same. Reports and op-eds about air pollution, hydropower exports, investment, political back-stabbing from two decades ago are as relevant today as they were then. Most of the protagonists are the same people, just a little greyer and chubbier. In the first of his many thoughtful columns ‘State of the State’, C K Lal lamented the cynicism in Nepali society: ‘Nepal’s nabobs of negativism hold forth in their nay-saying nooks. Cynicism is at least a reflection of exaggerated self-worth. Despair is much worse, it is a state of having lost all hope.’ Sounds familiar?  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250731110744_c270d9b78096edfeec71984033aae895e376a347b5cd1ba77362c8a8038b9856.jpg" data-media-id="editor_3" data-image-id="20250731110744_c270d9b78096edfeec71984033aae895e376a347b5cd1ba77362c8a8038b9856" data-rendition-name="original" width="1500" height="1000" loading="lazy" alt="Rewind: 2000"> <figcaption>Nepali Times #7 30 August - 5 September 2000</figcaption> </figure>  Water resources expert Dipak Gyawali argued in a commentary that it made more sense for private power producers to build reservoir projects not for export, but to make up for the dry season power shortfall. A debate even more prescient today. Manjushree Thapa's &nbsp;Nepaliterature column profiled Nepali writers with translated excerpts. The paper serialised chapters from Desmond Doig’s book In the Kingdom of the Gods. The Backside satire column featured ‘Under My Hat’ and ‘The Ass’. Nepali Times even carried a weekly horoscope, cigarette and alcohol advertisements.&nbsp; Journalism is indeed history in a hurry. Those who do not learn from it are doomed to repeat it. Browse the past 25 years of Nepali Times through the online archive on HTML and the ePaper through<a href="https://www.archivenepal.org/nepalitimes"> Archive Nepal</a>.

2000

25 years of journalism

The fourth Himal Media Mela on Friday, 25 July coincided with the 25th anniversary of Nepali Times, and workshops throughout the day focused on how the media can increase its reach and revenue in a rapidly evolving digital landscape. In his <a href="https://nepalitimes.com/news/journalism-reboot">opening remarks</a>, Nepali Times publisher Kunda Dixit spoke about the accelerated changes in the media sphere, and how legacy media exists in the digital space. “Big Tech has gradually dismantled the structures of content moderation,” said Dixit. “Algorithmic authoritarianism has polarised society, fuelling conflict and intolerance.” “The forces undermining democracy and freedom of expression through disinformation and fake news are the same people who are also vaccine and climate deniers, warmongers who cheer genocide, fan flames of ultra-nationalism and sectarianism,” Dixit continued.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250725050756_cf765c9e446e9a9b325ba8562b57446112e8751b8cf8d546b5d75031a46554f3.jpg" data-media-id="editor_1" data-image-id="20250725050756_cf765c9e446e9a9b325ba8562b57446112e8751b8cf8d546b5d75031a46554f3" data-rendition-name="original" width="2048" height="1385" loading="lazy" alt="Himal Media Mela 2025"> <figcaption>Welcome address by Nepali Times publisher Kunda Dixit. All photos: SUMAN NEPALI</figcaption> </figure>  However, even as operators of social media platforms are increasingly controlling how and to what degree the audience is able to connect with news and journalists, digital networks can also be a means of uniting against oppression and promoting public interest journalism. So controlling the internet because it has become violent is not the solution. Rather, Nepal should seek strict guidelines and their compliance, not by punishing journalists using irrelevant laws, as has been the case lately. “When we block platforms — along with the untruth, the truth also disappears,” noted Dixit. In her keynote, <a href="https://nepalitimes.com/news/journalism-will-never-be-out-of-fashion">Manisha Pande</a> of digital portal Newslaundry in India underscored the increased significance of journalism in the age of social media and AI. “In a democracy, journalism and access to clear, credible information is like access to clean water,” said Pande. “It is what allows people to make sensible electoral choices and it makes all the difference between a democracy and an autocracy.”  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250726160732_57f331e6fe568fa0b114412e69793a182e10f9f1a526ca5325fa0be2ed9f1b01.jpg" data-media-id="editor_3" data-image-id="20250726160732_57f331e6fe568fa0b114412e69793a182e10f9f1a526ca5325fa0be2ed9f1b01" data-rendition-name="original" width="2048" height="1365" loading="lazy" alt="Himal Media Mela 2025 NT"> <figcaption>Keynote speaker Manisha Pande of Newslaundry. </figcaption> </figure>  But the media industry finds itself in a financial crisis today, brought on by social media as well as economic collapse since before the Covid-19 pandemic. Interestingly, Newslaundry which was launched in 2012, is a 100% ad-free: no Google ads, no corporate ads, no political funding, and fully sustained by subscribers, allowing them greater independence. In an age when facts do not matter, journalism needs to be more proactive and go where the audience is. Said Pande: “We need to use the internet and social media tools we have to repackage traditional journalism in a way that is interesting to the audience.”  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250726160748_2041be8704d2347b2dedac87a4814dfa26b686808889f5b70371bf98d9a9842f.jpg" data-media-id="editor_4" data-image-id="20250726160748_2041be8704d2347b2dedac87a4814dfa26b686808889f5b70371bf98d9a9842f" data-rendition-name="original" width="2048" height="1365" loading="lazy" alt="Himal Media Mela 2025"> <figcaption>Networking during the Himal Media Mela 2025.</figcaption> </figure>  Designing a new digital space for journalism Echoing her sentiment was Anup Kaphle of Rest of World as he led the first session, Designing a New Digital Space for Journalism. “You have to meet your audience where they are, which is on their phones and social media,” said Kaphle, also noting that social media can be a “double-edged sword that is excellent for distribution but also vulnerable to misinformation.” Kaphle was previously Chief Editor of The Kathmandu Post, and has held Editorial positions at Buzzfeed, and The Washington Post. His talk focused on how newsrooms can evolve to thrive in the new digital media environment, and the need to accept that fact that how people consume text has fundamentally changed.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250726160744_f332b61bdf6dc7317dd960a2682f91f3aa594347c3aec2b484b5a8654207c74e.jpg" data-media-id="editor_5" data-image-id="20250726160744_f332b61bdf6dc7317dd960a2682f91f3aa594347c3aec2b484b5a8654207c74e" data-rendition-name="original" width="2048" height="1365" loading="lazy" alt="HImal Media Nepal 2025"> <figcaption>Himalkhabar editor Santa Gaha Magar with speaker Anup Kaphle of Rest of World. </figcaption> </figure>  The attention economy was a big focus of the talk. Most people are watching short form content on their phones - think TikTok, Instagram Reels, YouTube Shorts. “Every journalist should be able to go on camera and summarise their story in 30 seconds,” said Kaphle, also pointing out that building a loyal community of readers comes from consistency, quality, and trust Kaphle also emphasised the need to think about revenue, beyond the obsolete model of relying only on ads, and instead build diverse income streams, such as user generated revenue. He gave examples of the New York Times' metered paywall, where users get a certain number of free articles a month, and then The Guardian, which does not have a paywell but make convincing appeals for voluntary support from readers. There are also others that put most, or all of their content behind a hard paywall. An adjacent model is memberships, where paying members get access to events, behind-the-scenes, newsletters, or early access to content.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250726160744_a0d0029a1584fbd5367b3dc03776c16c54dd97f3a7a8164f8f0e23a1eef2ac1e.jpg" data-media-id="editor_6" data-image-id="20250726160744_a0d0029a1584fbd5367b3dc03776c16c54dd97f3a7a8164f8f0e23a1eef2ac1e" data-rendition-name="original" width="2048" height="1365" loading="lazy" alt="HImal Media Nepal 2025"> </figure>  “More and more newsrooms are opening up to their audience, talking to them about what kind of problems they would like to be solved,” said Kaphle, adding that publications with particularly loyal audiences may also think about merchandising —— think The New Yorker totes. In the meantime, there are a few fundamental things that make a story worth paying attention to. Can stories help readers understand complex information? Do stories add unique value? Are there news needs that are not being met? Are you tracking if, and when, your audience is reading? Do you have a journalistic mission that you are transparent about? TikTok and Journalism Meanwhile, Emad Zafar, head of communication from TikTok South Asia, said that while advertising models have put pressure on journalism, TikTok has emerged as a platform that promotes more democratised content.&nbsp; That has meant that even nations that call themselves democratic have put a blanket ban on the platform, citing concerns of privacy, national security, and safety. Nepal also banned the platform in November 2023, saying the social media platform is spreading social discord, but lifted it last year.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250726160748_a21a30928e26e5f4f63f6f89f4fa7fc47cbbdeb1e94b3b31a57d720ae7ead08a.jpg" data-media-id="editor_7" data-image-id="20250726160748_a21a30928e26e5f4f63f6f89f4fa7fc47cbbdeb1e94b3b31a57d720ae7ead08a" data-rendition-name="original" width="2048" height="1365" loading="lazy" alt="HImal Media Nepal 2025"> <figcaption>Karan Parihar of TikTok South Asia.</figcaption> </figure>  Despite being banned in numerous nations, including the most populous country in the world, the numbers that represent the platform are staggering. One in eight people across the world are on TikTok, creating 66,000 videos every minute. One billion people are on the platform every month.&nbsp; These figures make it clear why the platform is so important for journalists to get their content out to a much larger audience, said Karan Parihar of TikTok South Asia.&nbsp; Mamta Siwakoti, TikTok’s Trust and Safety Program Manager, explained the platform’s community guidelines and how journalists can use the platform, even as misinformation has become a major concern for users. TikTok has 21 fact-checking partners, which provide the platform with verified and real time information.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250726160732_407aeb7d1f657b6aac8451795da0353aad8baa9b6839930aa1cc9087395e29ae.jpg" data-media-id="editor_8" data-image-id="20250726160732_407aeb7d1f657b6aac8451795da0353aad8baa9b6839930aa1cc9087395e29ae" data-rendition-name="original" width="2048" height="1367" loading="lazy" alt="Himal Media Mela 2025 NT"> <figcaption>TikTok’s Trust and Safety Program Manager Mamta Siwakoti.</figcaption> </figure>  “Freedom of expression needs to be balanced with human rights,” said Siwakoti. “We consult experts while creating community guidelines, so that it serves our wider purpose of safety and security of our users.” Design and niche content Swarup Nhasiju Shrestha’s Design Sense for Journalists focused on shooting high quality video stories. Nhasiju is the creative head at V-Chitra advertising agency, and has done design and layout for many Nepali newspapers. “Your objective is to stop the scroll - nobody has the time to read anymore,” said Shrestha. He listed out the main types of shots and what they do for the story. A closeup of the face shows the subject’s emotions, a wide shot gives context to what is happening, and an unusual shot can show the subject in a different perspective. Cut every second that doesn’t move the story forward.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250726160736_b44d99be23087ee79eac0bc0fff39a75e000263a4bedc80c44eb32295bf4089a.jpg" data-media-id="editor_9" data-image-id="20250726160736_b44d99be23087ee79eac0bc0fff39a75e000263a4bedc80c44eb32295bf4089a" data-rendition-name="original" width="2048" height="1365" loading="lazy" alt="Himal Media Mela 2025 NT"> <figcaption>Designer Swarup Nhasiju Shrestha of V-Chitra advertising agency during his session.</figcaption> </figure>  Shrestha also emphasised the importance of audio. “The audience may forgive shaky video, but not bad audio.” As for text on videos, short sentences, in sans serif font, in black and white, is the easiest to read. Thumbnails are the new front page of a newspaper should have faces, action, and high contrast. In the meantime, a main piece of content can be split up into 3-4 minute ‘mini’ pieces that are less than a minute long. These get the most views, and can funnel viewers to the longer videos. And counterintuitively, release trailers after the main video. This way, anyone who sees a trailer and is interested, can go watch the main video right after. Also talking about high-impact video content was Sojan Prajapati of Kathmandu ko katha who started out with an aim to inform the public about culture and heritage.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250726160736_822c94baf230a97d92d3dad3f77c2db47d0d987aedac5ee62c2a4dba47479f91.jpg" data-media-id="editor_10" data-image-id="20250726160736_822c94baf230a97d92d3dad3f77c2db47d0d987aedac5ee62c2a4dba47479f91" data-rendition-name="original" width="2048" height="1365" loading="lazy" alt="Himal Media Mela 2025 NT"> <figcaption>Sojan Prajapati of Kathmandu ko katha.</figcaption> </figure>  In his session, Niche Content Creation, Prajapati told the audience how he has also used his platform ‘Speak up Nepal’ on Instagram for social issues, went on to push 21 petitions to the House of Representatives, 11 of which are yet to be discussed, while four have been resolved. The main purpose of journalism should lie in reinstating hope and faith in citizens in a world which is constantly consumed by negative rather than positive news, he said. “Virality and vulnerability have a connection. There should be positive reinforcement for something good. You just have to be genuine for content creation, genuineness pays off well.”  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250726160748_8671ccafef079346e3fb3ae3a06129089e38be807be28d4ff63b1caec65dfada.jpg" data-media-id="editor_11" data-image-id="20250726160748_8671ccafef079346e3fb3ae3a06129089e38be807be28d4ff63b1caec65dfada" data-rendition-name="original" width="2048" height="1365" loading="lazy" alt="HImal Media Nepal 2025"> </figure>   <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250726160748_9d0f6bfeda6cfc73ed16aa2cf6308a67d2e58b239ac81c4cda144fa9e0cd6e62.jpg" data-media-id="editor_12" data-image-id="20250726160748_9d0f6bfeda6cfc73ed16aa2cf6308a67d2e58b239ac81c4cda144fa9e0cd6e62" data-rendition-name="original" width="2048" height="1365" loading="lazy" alt="HImal Media Nepal 2025"> </figure>  Future of the news In the last session of the day, The Future of News, Sundeep Narwani spoke about how AI and journalism intersect, and that AI can help journalists in copyrighting, social media captions, editing and translation that help reduce the cost of human resources. Generative AI, in turn, is getting more refined as we feed it with more data. Perplexity and Gemini in particular are competing to become real time search engines.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250726160748_74c59cba8159f704dadf6fe8f53532c8cbe1ccb15387da6c0788d7d2abc51085.jpg" data-media-id="editor_13" data-image-id="20250726160748_74c59cba8159f704dadf6fe8f53532c8cbe1ccb15387da6c0788d7d2abc51085" data-rendition-name="original" width="2048" height="1365" loading="lazy" alt="HImal Media Nepal 2025"> <figcaption>Sundeep Narwani spoke about AI and the future of journalism.</figcaption> </figure>  “Agents are beyond bots. A lot of things will become automated, making things serious and sensitive, even leading to loss of jobs,” said Narwani while also urging users to be careful of biases. Even search engines such as Google have been found to favour certain subjects while powerful figures have had the platform remove or clean their names. This was in line with a session earlier in the day where Naresh Newar showcased a fake video demonstrating the power of AI, and how it could be misused, urging media institutions to come up with guidelines, to not rely overly on these tools.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250726160736_9270a6f0c5b70d6ce5dccb78bc1d24682b28cf0008ea4aadea689eb3ecececa3.jpg" data-media-id="editor_14" data-image-id="20250726160736_9270a6f0c5b70d6ce5dccb78bc1d24682b28cf0008ea4aadea689eb3ecececa3" data-rendition-name="original" width="2048" height="1365" loading="lazy" alt="Himal Media Mela 2025 NT"> <figcaption>Tech writer Naresh Newar.</figcaption> </figure>  Pollster Madhu Acharya of Sharecase Data Initiative had sobering but optimistic insights. Comparing Nepal Media Survey results of the past year, Acharya deduced that tv had the most viewership in Nepal, but 20% of its revenue was coming from YouTube, while radio was the most trusted, even though it is seeing a rapid decline in audience, and those who remain are mostly older men. Newspapers, on the other hand, was still one of the most trusted sources, however, it is the source of news for only a little over 5% people. More surprisingly, it is the younger crowd between 18-24 who are reading newspapers the most. On the other hand, online outlets are the new mainstream with most readers between 35-59. Social media has the largest engagement with YouTube, Facebook and TikTok leading the race. In fact, 11.1 million Nepalis are watching YouTube daily, but these platforms have the lowest level of trust.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250726160736_c08e5abacdf87f66f21bd4f1ff05567d9dcd63271e34adce04b121dbeafdcc4b.jpg" data-media-id="editor_15" data-image-id="20250726160736_c08e5abacdf87f66f21bd4f1ff05567d9dcd63271e34adce04b121dbeafdcc4b" data-rendition-name="original" width="2048" height="1365" loading="lazy" alt="Himal Media Mela 2025 NT"> <figcaption>Madhu Acharya of Sharecase Data Initiative presenting the latest findings of the Nepal Media Survey.</figcaption> </figure>

The present and future of news

हिमालमिडियाले हरेक वर्ष मनाउँदै आएको हिमाल मिडिया मेलाको यो चौथो संस्करणमा उपस्थित सबैलाई स्वागत ।&nbsp; महिनै पिछे विश्वव्यापी सूचना र सञ्चार प्रणालीले अर्को फड्को मारेको हुन्छ। विगत २ महिनामा नै एआई-संचालित उपकरणहरू अचम्मसंग फैलिएका छन।&nbsp; सामाजिक सञ्जालका प्लाटफर्महरुले पाठकहरूलाई परम्परागत समाचार प्रदायकहरूसंग जोडिदिने क्रम जानिजानि घटाउँदै छन।&nbsp; बिग टेकले कन्टे्ट मोडरेसनको संरचना एक पछि अर्को गर्दै हटाएका छन ।&nbsp; यो एल्गोरिथ्म-मय अधिनायकबादले समाजलाई ध्रुवीकृत गर्दै, द्वन्द्व र असहनसिलतालाई बढावा दिएको छ। कलम चलाउने बितिक्कै झम्टी हाल्ने, बोल्योकि क्रोध र ईर्ष्या बर्षिहाल्ने। &nbsp;पत्रकारहरुलाई शत्रु ठान्ने, “१२ भाई” भनेर चिढ्याउने, “डलरबादी” भन्दै धम्क्याउने, “पत्रुकार”को बिल्ला लगाएर ट्रोल गर्ने क्रम बढ्दै छ । तर त्यही नै डिजीटल संजालहरु फेरि उत्पीडनसँग लड्न एक्यबद्यता जुटाउने, र सार्वजनिक हितको पत्रकारिता फैलाउने माध्यम पनि हुन। त्यसैले, अब इन्टरनेट उग्र भयो भनेर त्सलाई नियन्त्रण गर्दा, प्लाटफोर्महरु ब्लक गर्दा — असत्यसंगै सत्यपनि गुम्छ ।&nbsp; कसरी डिजीटल माध्यमहरुमा उपलब्ध अवसरलाई रक्षा गर्दै सामजिक संजालमा हुने उपध्रोलाई नियमन गर्ने। नेपालमा कडा गाइडलाइन र त्यसको पालना खोजिनुपर्छ, बिद्युतिय कारोबार एन प्रयोग गरेर पत्रकारलाई सजाय दिएर होइन। अंग्रेजीमा भन्ने गरिन्छ, अहिलेको नेपालमा सान्दर्भिक होला: “The exercise of my freedom should not violate yours”. Welcome everyone to this fourth edition of Himal Media Mela. The fact that most of you have paid to be here is proof that you value these interactions at a time of accelerated change in the media sphere.&nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250725060748_949591d168fbf38f0e1d39b377b1cba0daeabd526ec387e64cc7eb7820ac9802.jpg" data-media-id="editor_0" data-image-id="20250725060748_949591d168fbf38f0e1d39b377b1cba0daeabd526ec387e64cc7eb7820ac9802" data-rendition-name="original" width="2048" height="1365" loading="lazy" alt="Himal Media Mela 2025"> </figure>  On World Press Freedom Day this year, Reporters without Borders published a map of the world in which each country was colour coded in varying shades of red to match the degree of press freedom there. Most of Asia was a sea of red. Only Japan, Korea — and Nepal — stood out as lonely white islands. Even so, we in Nepal cannot take our freedoms for granted. The forces undermining democracy and freedom of expression through disinformation and fake news are the same people who are also vaccine and climate deniers, warmongers who cheer genocide, fan flames of ultra-nationalism and sectarianism. Swimming against this tide, and fighting the good fight through brave, independent journalism is Manisha Pande of Newslaundry from a neighbouring country to our south with a name that begins with the letter ‘I’.&nbsp; Manisha, we are honoured to have you here, eager to listen to you, and be inspired by your journalism. Welcome.&nbsp; This year’s Media Mela will not dwell too much on the challenges faced by journalism. We all know what they are. So, instead of talkshops, we will have workshops. How can we cover the most important stories that affect the daily lives of Nepalis in such a way that it is watched and read to build public opinion and spur policy reform?&nbsp; In an age when facts do not matter, journalism has to be more proactive and go where the audience is. यसै अवसरको उपयोग गर्दै हिमालमिडिया र यसले लिने नयाँ बाटोको विषयमा अलिकति कुरा पनि राखि हाल्छु। हिमालमिडिया अब मुनाफा वितरण नगर्ने कम्पनीको रूपमा परिणत भएको छ। यसले अझ धेरै &nbsp;व्यक्ति, संस्थाहरूसँग जोडिन र सहकार्य गर्न सहज हुन्छ भन्ने विश्वास लिएका छौँ। यो नयाँ non-profit company मार्फत् हाम्रो पत्रकारिता अझै फराकिलो हुनेछ। समावेशी बन्नेछ। An advance thank you to all the workshop speakers for your time, thank you everyone for participating, and thank you to TikTok for powering this year’s Himal Media Mela. There was a social media post the other day in which someone said (and I quote): “Himal Media Mela powered by TikTok? TikTok requires no attention span, while Himal articles require substantial attention span. This is a bit like a Diabetic Convention powered by Lumbini Chini Karkhana.” जे भएपनि, अन्तमा: आजको कार्यशालाहरुले हामी मिडियाकर्मीहरूलाई एउटा नौलो मौका दिने अपेक्षा राखेका छौँ – कसरी डिजिटल औजारले पत्रकारलाई दिएको उपायहरु सिक्न । धैर्य गरेर सुनिदिनु भएकोमा धन्यबाद। एक पटक फेरि सबै सहभागीहरूमा हार्दिक नमन र स्वागत।&nbsp;

Kunda Dixit

Journalism Reboot

Nepali Times: When did you feel the need for a digital portal like Newslaundry, and how are you doing things differently?
Manisha Pande: Newslaundry started in 2012 to do exactly what our name suggests: take the media to the cleaners. The media holds everyone accountable — from politicians to bureaucrats to film stars — but who holds the media accountable? We wanted to turn the spotlight inward: expose propaganda, track corporate and political influence, unpack ownership patterns, and make the fourth pillar of democracy answerable. 
Over time, we’ve grown into a platform known not just for media critique, but also for ground reportage and hard-hitting investigative journalism. What sets us apart is that we’re 100% ad-free: no Google ads, no corporate ads, no political funding. We’re fully powered by our subscribers, and I’m proud to say we’re the only truly successful subscription-driven news platform in India.
Does this mean that Newslaundry can now also be regarded as ‘mainstream’ media?
The idea of mainstream and alternate is perhaps redundant now in the age of the Internet. A small YouTube channel reporting on a district is mainstream for the people living there. But in terms of an important stop for credible information, perspective and context I think we’re right up there with what you’d call mainstream. But our ad-free model is as alternate as it gets. You won’t find that in legacy media.
How do you ensure that your voice is heard and taken seriously above the din of other social media platforms?
We stick to the fundamentals of good journalism: fairness, balance, rigour, and giving all sides a voice. But we use the tools of the digital age to deliver it. We speak the language of a newer audience without talking down to them or taking ourselves too seriously. We use podcasts, longform videos, even reels — formats that feel fresh but what we do essentially is rooted in old-school journalistic values. That’s what sets us apart from the noise and click-chasing chaos of social media.
The business model of mainstream media is in trouble, how have you adapted your engagement with readers in terms of content and revenue?
Yes it is and this is precisely why we have a model that has wholesale rejected advertisements. This means a lot of advocacy with our readers and listeners — telling them why it’s important to pay for news in a democracy. Everything we do is powered with the message that it’s possible to bring stories in public interest only when the public pays for news. Our motto is Pay To Keep News Free — and we’re constantly drilling that message. Like I just did here.
And you did it quite effectively. And how do you handle excessive and abusive trolling?
I think it’s pretty clear when someone engages with you in bad faith, I find it easy to ignore that. But I make sure I learn from criticism on the Internet that is genuinely engaging with our work, and there is plenty of that too. Ignore the abuse, but learn from your audience that wants you to do better — that’s how I keep it sane.
Is there still scope for journalists among all those content creators out there?
Yes absolutely. Journalism will never be out of fashion. Increasingly, there’s a hunger for information and context, and we are best poised to serve it.

“Journalism will never be out of fashion…”

More than 300 media practitioners from 40 countries will be in Kathmandu this week for the <a href="https://globalvoicesonline.org/">Global Voices</a> Summit 2024 for two days of deliberations on challenges and opportunities in the new digital media space. &nbsp; This is the <a href="https://globalvoices.org/about/annual-summits/">ninth Summit</a> of Global Voices on 6-7 December in which journalists, translators, activists, technologists, policymakers and development experts discuss issues related to free expression and language diversity.&nbsp; <a href="https://globalvoices.org/">Global Voices</a> was founded 20 years ago as an international multilingual community of editors and journalists, translators and human rights activists to use the Internet to tell stories that build understanding across borders.&nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20241203091216_01c2f2ccaae529abfced7db24a88364cd22a85321ea3e10736088883f8693eba.png" data-media-id="editor_3" data-image-id="20241203091216_01c2f2ccaae529abfced7db24a88364cd22a85321ea3e10736088883f8693eba" data-rendition-name="original" width="1415" height="666" loading="lazy" alt="Global Voices conference in Kathmandu"> </figure>  Its content is translated and shared in the media across the world in 52 languages, including Nepali. Participants will also examine threats to media freedom in authoritarian regimes, including those with elected autocrats, and also discuss political activism and climate justice. “Throughout the two days we will examine threats like transnational repression and digital authoritarianism, explore open knowledge initiatives in a fragmenting internet,” says <a href="https://summit2024.globalvoices.org/author/georgia-popplewell/">Georgia Popplewell</a>, a journalist from Trinidad and Tobago who is Managing Director of Global Voices. Since 2006, <a href="https://globalvoicesonline.org/about/annual-summits/">Global Voices Summits</a> have brought together innovative digital activists and citizen media networks from around the world. Past Summits were held in London, New Delhi, Budapest, Santiago de Chile, Nairobi, Cebu City, and Colombo. Nepali Times has partnered with Global Voices for the Kathmandu Summit.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20241206101236_a3407dcc4408d6ba76d2b6e44c2cb52d0b16951249d4cc910ceb38a058a992ed.jpg" data-media-id="editor_6" data-image-id="20241206101236_a3407dcc4408d6ba76d2b6e44c2cb52d0b16951249d4cc910ceb38a058a992ed" data-rendition-name="original" width="1600" height="738" loading="lazy" alt="global voices in Kathmandu"> </figure>   <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20241203091216_c4c4b0abd65c038466da9956432b8aecb1cd833fc565a45926a4ddf269902577.png" data-media-id="editor_7" data-image-id="20241203091216_c4c4b0abd65c038466da9956432b8aecb1cd833fc565a45926a4ddf269902577" data-rendition-name="original" width="1251" height="775" loading="lazy" alt="Global Voices conference in Kathmandu"> </figure>  “For each Summit, we seek a location that is of strategic importance for citizen media, and consider the country’s press freedom record and ease of access for visitors of different nationalities,” Popplewell added. “Nepal is home to a dynamic and diverse media landscape, which has managed to grow in the context of a fraught transition to democracy. &nbsp;The rest of the world has much to learn from the opportunities and challenges that Nepal's many online communities have experienced.” The packed <a href="https://gv2024.sched.com/list/simple/">Summit agenda</a> will kick off on Thursday with a plenary panel on The Past, Present and Future of Digital Conversations in Nepal with Ujjwal Acharya of Journalism Academy and Nepali Times publisher Kunda Dixit. Other conversations will be on topics like blogging, digital connectivity, AI and deep fakes, state control of internet content and multilingual media.&nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20241203091220_8d059c15a1bdc534c666cb8944c3944d05f5424a14c3fae00ccfc6e1dc94bfd4.jpg" data-media-id="editor_9" data-image-id="20241203091220_8d059c15a1bdc534c666cb8944c3944d05f5424a14c3fae00ccfc6e1dc94bfd4" data-rendition-name="original" width="1200" height="754" loading="lazy" alt="Global Voices conference in Kathmandu"> </figure>  News stories from Nepal are regularly translated across the languages of Global Voices, and the service also carries <a href="https://globalvoices.org/-/world/south-asia/nepal/">off-beat stories from Nepal</a>. Recent ones include why <a href="https://globalvoices.org/2024/12/01/the-journey-of-the-esperanto-movement-in-nepal-over-the-past-eight-decades/">Esperanto is so popular in Nepal</a>, the <a href="https://globalvoices.org/2024/11/25/in-a-nepali-village-residents-struggle-to-reconcile-traditional-artisanship-with-modernization/">vanishing craft of bamboo baskets</a>, and <a href="https://globalvoices.org/2024/11/18/scores-of-nepalis-tricked-into-joining-the-russian-army/">Nepalis tricked into joining the Russian Army</a>. Summit sessions will be available online and highlights posted on <a href="https://twitter.com/globalvoices">X</a>, <a href="https://www.instagram.com/globalvoicesonline/">Instagram</a>, <a href="https://www.facebook.com/globalvoicesonline?fref=ts">Facebook</a> and <a href="https://mstdn.social/@globalvoices/">Mastodon</a>.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20241203091216_3a8d608d4536081c1db5ce2832c6f51efa7f72b3390ccfea43c000a45c6e9471.png" data-media-id="editor_18" data-image-id="20241203091216_3a8d608d4536081c1db5ce2832c6f51efa7f72b3390ccfea43c000a45c6e9471" data-rendition-name="original" width="800" height="600" loading="lazy" alt="Global Voices conference in Kathmandu"> </figure>

Global Voices Summit in Kathmandu

Power corrupts, and absolute power corrupts absolutely. When the other pillars of democracy fail to act as check and balance, the press has to step in to hold power to account. 
Which is why authoritarian and elected autocrats around the world who have co-opted the judiciary, legislature and executive are now targeting the media. Journalists are <a href="https://nepalitimes.com/editorial/in-a-surveillance-state">surveilled</a>, threatened and even murdered for doing their job. 
The ill-gotten wealth of demagogues is mostly derived from licensing the exploitation of natural resources. Often, it is only <a href="https://nepalitimes.com/here-now/investing-in-investigative-journalism">investigative journalists</a> who stand in the way of greed and ambition.
UNESCO’s theme for World Press Freedom Day this year is ‘Press for the Planet’. Climate breakdown, mining, or illegal logging are no longer just ‘environmental’ features — they are stories of political crime.
Nepal is one of the most <a href="https://nepalitimes.com/news/nepal-should-be-open-for-south-asia">open societies in Asia</a> at present. But it was not always like this. Nepal has had its dark periods: 1960-90, 2005, 2016. Even at present, it is not smooth sailing for the mass media here. 
Successive governments in the eight years since the new Constitution have tried to squeeze the press. People posting on Facebook have been arrested, YouTubers taken to court, and last year the government banned TikTok.
<a href="https://nepalitimes.com/news/rattled-by-criticism-nepal-bans-tiktok">Censorship in instalments</a> is a way to test the waters to see if the backlash from freedom activists can be handled before imposing stricter restrictions. 
Local reporters, who do not have the protection enjoyed by more high-profile journalists in the capital, are threatened and gagged from reporting on activities that harm nature and livelihoods. 
Rabi Lamichhane has been under a cloud ever since he was Home Minister last year. A former tv anchor, Lamichhane is open about his contempt for the mainstream press, which he calls the ‘Dirty Dozen’.
Soon after becoming minister this time, he directed local officials to monitor news and social media posts in all 77 districts to keep track of content critical of the government.
He was forced to withdraw this daft idea after a backlash, but is now employing other channels to hit at Big Media mainly through portals, police and the investigation bureau he commands. The man obviously has much to hide, and is blaming the messenger.
Mayors Balen Shah in Kathmandu and Harka Sampang in Dharan who were propelled to office by social media propagation of their populist personas have shown thin skins, and a disdain for journalists critical of their methods. 
The draft Media Council Bill will allow a government secretary to select its chair and members. The Council is supposed to ‘advise’ the government in formulating media policies and code of conduct, much like a fox guarding the chicken coop.
Journalism in Nepal is already in crisis because of the collapse of the business model of <a href="https://nepalitimes.com/news/the-new-news-age">legacy media</a>. Just when we need an independent press to safeguard freedoms, it is more exposed to corporate and political pressure. There is a steady erosion of democracy in South Asia with varying degrees of censorship. Nepal has flourished as a place for the meeting of the minds, where nationals of neighbouring countries come for free and open discussion. But that space could close if journalists here do not fully defend our constitutionally-guaranteed freedom of expression.
Some of our neighbours have decided that democracy and a free press keep them economically backward, and have adopted the East Asian authoritarian model. We in Nepal have tried strongman rule before, and it failed quite spectacularly. 
Media has an agenda-setting role in a democracy. It amplifies the public voice so people are empowered to demand action from elected officials against wrongdoing. Lack of accountability lies at the root of everyday problems like underdevelopment, lack of jobs, air pollution, or environmental degradation.
The current wildfire emergency in this country is a result of decades of official neglect, political apathy and fatalism. 
Journalists reporting on the <a href="https://nepalitimes.com/here-now/climate-crisis-drought-food-deficit-migration">climate crisis</a>, natural resource exploitation or biodiversity loss have shown great courage and sacrifice to get the truth out. Many have been killed. Others have been threatened and silenced. Climate deniers troll science journalists. 
Here in Nepal,<a href="https://nepalitimes.com/here-now/a-nation-built-on-sand"> illegal sand mining</a>, quarrying and logging have destroyed ecosystems. The climate emergency is now magnifying the impact of such wanton destruction on Nepal’s economy. 
Disasters like <a href="https://nepalitimes.com/banner/nepal-valley-suffers-quadruple-disaster">Melamchi</a> and <a href="https://nepalitimes.com/news/sikkim-flood-is-warning-to-nepal">Sikkim</a> could hit cascade projects along the Marsyangdi, Sun Kosi and Arun rivers. Journalists cannot just wait for disasters to strike any more, they must warn of them.
This week, even as smoke from wildfires blanketed the country, the Tarai is reeling under a heat wave. Jhapa was 43°C with 40% humidity, that is very near the lethal wet bulb temperature. 
What media chooses not to report, what to report on and how much prominence is given to it determines whether action is taken in time to mitigate danger. 
These ‘environmental’ stories are political stories: 
<ul><li>The government banned plastic bags three times but had to lift it because of lobbying by powerful pellet importers.</li><li>Air pollution can be reduced by incentivising electric transport, but there are vested interests in the fossil lobby.</li><li>Nijgad is not an airport project, it is a logging concession controlled by political cronies. </li></ul>
The job of a free press is not just to name and shame crooks, but also to restore the people’s faith in <a href="https://nepalitimes.com/here-now/populism-vs-pluralism">democracy and pluralism</a>. It is the democratic system with freedom of speech and fair elections to reward performance that makes this system work. 
We may have no expectations from our tried, tested and failed politicians, but let us not blame the system that they have abused.

Sonia Awale

Press under Pressure

This text has been updated. Ten days after being nominated caretaker, Prime Minister Sushila Karki has added four more members to her Council of Ministers: Magsaysay winner Mahabir Pun, tv anchor Jagadish Kharel, former Justice Anil Kumar Sinha and Samata Foundation chair Madan Pariyar. Karki was under pressure to complete her compact Cabinet quickly. But it appears that her attempt to find professionals with non-political background, integrity, a record of professionalism while making the selection inclusive has not been easy.&nbsp; Several candidates that Prime Minister Karki had approached is said to have refused to join the interim government. Some have political ambitions and were worried that they would not be able to campaign ahead of early elections called for 5 March 2026.&nbsp; Among those who opted out for various reasons include famed ophthalmologist Sanduk Ruit who said his main responsibility was running his Tilganga Institute of Ophthalmology. Also considered for the role of the Health Minister was cardiologist Bhagwan Koirala who is thought to have declined because of his association with Min Bahadur Gurung, owner of Bhat-Bhateni supermarket chain who had pledged Rs410 million to his Kathmandu Institute of Child Health. Twelve Bhat-Bhateni stores across the country were looted and set on fire during the GenZ protests on 9 September.&nbsp; The Prime Minister had finalised public health expert Sangita Kaushal Mishra for Health Minister, sending her name to the President's office along with the other Cabinet picks on Sunday evening. But the PM withdrew Mishra's name from the list on Monday after it emerged she was under a corruption investigation.&nbsp; Mahabir Pun of the National Innovation Center is the new Minister of Education, Science and Technology. Tv talk show host Jagadish Kharel who runs a popular current affairs program will lead the Ministry of Communication, while Anil Kumar Sinha seems set to be named Minister of Law, Justice and Parliamentary Affairs. Sinha and Mishra are from the Madhes. The new ministers will be sworn in on Monday. The names of the new ministers were finalised in consultation with the representatives of the GenZ protesters. Appointments of new ministers last week, especially of advocate Om Prakash Aryal as Home Minister, was rejected by Sudan Gurung of Hami Nepal, one of the GenZ campaigners, who even demanded resignation of the newly appointed Prime Minister Sushila Karki because his group was not consulted. Last week, advocate Om Prakash Aryal was appointed Home Minister as well as Minister of Law, while former CEO of NEA Kulman Ghising as Energy Minister Urban Development Minister and Minister of Physical Infrastructure, and former finance Secretary Rameshwore Khanal as Finance Minister last week and were sworn in on 15 September. The new ministers have their work cut out as Prime Minister Sushila Karki has set elections for the House of Representatives for 5 March 2026. Electoral reform such that Nepalis outside the country could vote remains a challenge due to time limitation and because of the dissolution of Parliament. The interim government could ask for two more months beyond the initial six to prepare for voting.&nbsp; KNOW THE MINISTERS Names of possible ministers and their portfolios: Mahabir Pun, Minister of Education, Science and Technology  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250921150956_5e04418c4d79e283ac66932fbe9cffa8bfdccb8973c7ba867b3a241d0a5c19a4.jpg" data-media-id="editor_0" data-image-id="20250921150956_5e04418c4d79e283ac66932fbe9cffa8bfdccb8973c7ba867b3a241d0a5c19a4" data-rendition-name="original" width="2365" height="3143" loading="lazy" alt="Mahabir Pun"> </figure>  He is the founding chair of the National Innovation Center which was set up in 2012 and most recently restored 484 medical devices including ventilators, dialysis machines, X-rays and autoclaves worth Rs243 million in government hospitals.&nbsp; Pun, 70, is the recipient of the prestigious Ramon Magsaysay Award for community leadership in 2007 for his effort in connecting rural Nepal with wireless internet. Jagadish Kharel, Minister of Communications and Information Technology  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250921150956_25b90f5febc65782a3e74a288212175d075b4078802cdd1c0fe16767cf9dd95c.jpg" data-media-id="editor_1" data-image-id="20250921150956_25b90f5febc65782a3e74a288212175d075b4078802cdd1c0fe16767cf9dd95c" data-rendition-name="original" width="1920" height="1080" loading="lazy" alt="Jagadish Kharel"> </figure>  He is a tv journalist with nearly 20 years of experience. He is currently the news head of Image Channel as well as the host of the show Hot Seat, and is known for in-depth political and government policy analysis and commentary. Kharel was previously thought to have been invited to join Rabi Lamichhane’s Rastriya Swatantra Party (RSP) after it emerged as the fourth biggest party in Parliament after the last elections. Anil Kumar Sinha, Minister of Industry, Commerce and Supply; Minister of Law, Justice and Parliamentary Affairs; Minister of Land Reforms, Cooperatives and Poverty Alleviation  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250921150956_ba224a8c2d4c4434ed6e08e858d798b382a06c8606583841c935f927acb5d2f4.jpg" data-media-id="editor_2" data-image-id="20250921150956_ba224a8c2d4c4434ed6e08e858d798b382a06c8606583841c935f927acb5d2f4" data-rendition-name="original" width="1200" height="710" loading="lazy" alt="Anil Kumar Sinha"> </figure>  Anil Kumar Sinha was appointed as a Supreme Court Justice in 2016, and retired in 2023, after reaching the age limit of 65. Home Minister Om Prakash Aryal was formerly also given the responsibility of leading the Ministry of Law. Sinha specialises in tax and corporate law. Most recently, Sinha was a member of the Supreme Court bench that issued a verdict allowing an investigation into misappropriation of government land at Lalita Niwas in Baluwatar. Sinha played a significant role in the eventual impeachment of the then chief of the Commission for the Investigation of Abuse of Authority (CIAA) Lokman Singh Karki ion 2016 over legality of his appointment. He also resolved the dispute concerning the first dissolution of the House of Representatives by then-Prime Minister KP Sharma Oli on 20 December 2020. Madan Pariyar, Minister of Agriculture&nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250921180928_83a9a885704826f04b439cf5096063a0596544a750f78b5ff02ee82df43ca0cf.jpg" data-media-id="editor_3" data-image-id="20250921180928_83a9a885704826f04b439cf5096063a0596544a750f78b5ff02ee82df43ca0cf" data-rendition-name="original" width="640" height="640" loading="lazy" alt="Madan Pariyar"> </figure>  Madan Pariyar is a scholar with notable research contribution in several fields including poverty alleviation, inclusion, good governance, agriculture, industry resource management. He obtained his doctorate and master'sin enginerring from the Asian Institute of Technology in Bangkok and Bachelors of Science in Agricultural Engineering from the Allahabad Agricultural Institute in India. Bcck in 2011, the government appointed Pariyar the chair of the State Restructuring Commission (SRC) which was tasked with advising the Constitutional Assembly on the best possible model of federalism to be adopted for Nepal. Pariyar is also the chair of Samata Foundation that advocates for the rights of the Dalit people and their capacity building.&nbsp; OTHER NAMES Ajaya Bhadra Khanal, research director of the thinktank Center for Social Innovation and Foreign Policy (CESIF Nepal) is likely to be appointed the chief adviser to the Prime Minister. GenZ campaigners have also suggested the name of veteran Nepal Airlines aptain Vijay Lama for the Minister of Culture, Tourism and Civil Aviation. Rights activist Mohna Ansari, heritage conservationist Ganapati Lal Shrestha and Mansi Bhattarai, daughter of former Maoist prime minister Babauram Bhattarai have also been floated for various ministries. PM Karki has said she will limit her cabinet to 11 members for 22 ministries. Karki is likely to handle two or more ministries herself. At present, Kulman Ghising is leading three ministries while Om Prakash Aryal has two.&nbsp;

Nepal PM expands her Cabinet

A security guard with <a href="https://www.bbsm.com.np/" target="_blank">Bhat-Bhateni Supermarket </a>pleads with attackers not to destroy the store. In the widely-shared YouTube video, the mob can be seen surging ahead to ransack and set fire to the store anyway. Twenty-one of the 28 Bhat-Bhateni outlets nationwide were vandalised and looted, 12 of them were completely gutted. The one at Boudha was smouldering for three days till 12 September. Nepal’s biggest supermarket chain is a target in just about every political upheaval in Nepal. The Koteswor branch was looted in the royalist protest in March. This time, the destruction was much more complete and widespread. What began as a youth-led protest against corrupt leaders turned escalated into widespread looting and arson last week, and Bhati-Bhateni’s prominent blue highrise stores became prime targets.&nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250918110952_d60fbd65ee7fc18d2d0deb74ede8eb5b5f133f32eca13c9281b869e0bd479761.jpg" data-media-id="editor_1" data-image-id="20250918110952_d60fbd65ee7fc18d2d0deb74ede8eb5b5f133f32eca13c9281b869e0bd479761" data-rendition-name="original" width="1319" height="783" loading="lazy" alt="Bhatbhateni burning"> </figure>  Min Bahadur Gurung toured the ruins of his stores over the weekend, and said: “Watching the buildings burn felt painful to the core of my heart. But we will rebuild, we will rise again.” Born in Khotang, Gurung came to Kathmandu in the 1980s to open a small grocery. Gifted with a strong business sense, he expanded this into Nepal’s biggest retail empire, employing 20,000 people which became essential for consumer goods all over Nepal. Gurung was also admired as a symbol of success. A homegrown businessman who has invested in Nepal, creating jobs so people do not have to migrate, Gurung has also donated generously to many charities. He built a 72-bed emergency ward at the Teaching Hospital, funded scholarships for students from remote areas, and recently pledged Rs410 million to Bhagwan Koirala’s project to establish the Kathmandu nstitute of Child Health. But in Nepal, high profile success breeds envy, attracts threats and demands of extortion. To his loyal supporters, he’s a self-made visionary, but protester last week did not see it that way.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250918110948_1ec60e598ed202a4c4d68025707029bed12452121183433ad512d06fcb90964f.png" data-media-id="editor_2" data-image-id="20250918110948_1ec60e598ed202a4c4d68025707029bed12452121183433ad512d06fcb90964f" data-rendition-name="original" width="1583" height="1350" loading="lazy" alt="Min Bahadur Gurung"> <figcaption>Min Bahadur Gurung</figcaption> </figure>  By the evening of 9 September, Bhat-Bhateni stores were in flames inKathmandu and cities across the country. Whatever Gurung’s faults, it is his 20,000 employees, customers, and small vendors who paid the price. At least six bodies charred beyond recognition have been pulled out of the the Boudha outlet and three in Dharan. Some are said to be employees, others could have been looters trapped in the upper floors. But why does Bhat-Bhateni always end up being in the crosshairs? Some in online discourses say it is a symbol of elite privilege and unchecked corporate power. Others say the arson and looting spree was propelled by envy and greed.&nbsp; No matter the motive, the fallout is real: cashiers, stock handlers, managers, delivery staff have lost their income. Suppliers, transporters and small vendors lose sales, the national economy is dragged down, and the attacks could also drive more Nepalis to migrate for work.&nbsp; WIDESPREAD CONDEMNATION On-site, many Bhat-Bhateni staff cleaning up the debris and ash were reluctant to speak to us. It has been too much of a shock. But online, workers have been puring out their distress.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250918110956_749cb4ae348a15cfe5f11e4b821e7aeee06d7270e6b634065da3c1e42f2f186c.jpg" data-media-id="editor_3" data-image-id="20250918110956_749cb4ae348a15cfe5f11e4b821e7aeee06d7270e6b634065da3c1e42f2f186c" data-rendition-name="original" width="1600" height="1200" loading="lazy" alt="Bhatbhateni burning "> <figcaption>Photos: SANGYA LAMSAL</figcaption> </figure>   <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250918110956_90930fa1218b07aa8e4043cd229ca7907c074bfd152559ad2b9799b8d83e2d12.jpg" data-media-id="editor_4" data-image-id="20250918110956_90930fa1218b07aa8e4043cd229ca7907c074bfd152559ad2b9799b8d83e2d12" data-rendition-name="original" width="1600" height="1200" loading="lazy" alt="Bhatbhateni burning"> </figure>  From Biratnagar, store employee Smritee Joshi shared a haunting video of the outlet still burning the morning after, writing: ‘This was just a supermarket for some of you, but it was more than home for every employee out there. It sears &nbsp;me to see tears on our team members.’ A user wrote in the subreddit r/Nepal on Reddit: ‘This is going to lead to a major crisis. Yes, Bhat-Bhateni might have insurance and might take care of employees for some time, but this is massive damage. It’s not just one branch, 12 branches have been have been looted and destroyed. Most employees will lose their jobs just before Dasain, and businesses are ruined, all at the time of Dashain.’ TikTok creator SpeakUp with Sandesh rushed to Bhat-Bhateni Kalanki as it reopened, posting a video saying: ‘You managed to burn down Min Bahadur Gurung’s store, but not his fighting spirit. Bhat-Bhateni is back in business!’ In Pokhara, employee Ansu Aana posted a tearful video saying, ‘Bhat-Bhateni gives so many young people jobs. Min Bahadur Gurung gave us a chance to earn for our studies and expenses. I don’t believe Gen Z did this – just before, many were urging not to vandalise. So how could the same people set it on fire? We don’t know who infiltrated the protests.’ Aana added: ‘Ministers and politics created no opportunities for youth in this country, and the one who did give us opportunities had his spirit burnt.’ In another video, she warned looters that CCTV and online evidence were being collected, urging them to return stolen goods before facing legal action. A TikTok page called ‘BhatBhateni Chor’ has nearly 400 followers, which has since exposed those who misused the protests to rob stores.&nbsp; Ironically, some protestors chanting against corruption just hours before were also caught stealing, a hypocrisy viewers and fellow demonstrators have sharply condemned online. Hundreds have taken to Facebook and other platforms to share their feelings. Noted conservationist Shailendra Thakali recalled the supermarket’s humble beginnings, posting: ‘Nearly 30 years ago, when my family lived in Naxal, we shopped at a small kirana pasal near the Bhatbhateni temple. None of us imagined that modest shop would oneday become Nepal’s largest retail chain.’ He adds: “Many of us still see the story, the struggle, and the incredible success behind it all. And we believe it deserves respect.’  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2025091812090_d07cb4b5681f752235727500bdd20759bc2fa6b0f8785db21f906188298bdaea.jpg" data-media-id="editor_5" data-image-id="2025091812090_d07cb4b5681f752235727500bdd20759bc2fa6b0f8785db21f906188298bdaea" data-rendition-name="original" width="1600" height="1200" loading="lazy" alt="Bhatbhateni burning"> </figure>  The Gurung community has rallied around Bhatbhateni. The Tamu (Gurung) Bouddha Sewa Samit stated: ‘Even after repeated attacks, the supermarket has continued its services uninterrupted. We strongly urge an immediate investigation.’ Likewise, Ekaa Kombucha, Nepal’s first GMP-certified Kombucha brand, declared support: “For countless small and medium businesses like ours, Bhat-Bhateni has been a vital platform, offering space, visibility, and the chance to reach millions across Nepal.’ ‘Amid rising unemployment and capital flight, Bhat-Bhateni has been providing employment to 22,000 youths, not only employment generation, it also significantly continues to contribute to the local economy,’ the Tamu (Gurung) Educational and Career Advancement Network (TECANET) wrote in a statement this week, urging immediate investigation into the destruction of Bhatbhateni and other public and private institutions.&nbsp; Meanwhile, newly appointed Finance Minister Rameshore Khanal visited the heavily damaged Koteswor Bhat-Bhateni on Tuesday, with Min Bahadur Gurung seen walking him through the destruction.

Bhat-Bhateni burning

Robert Redford was an A-list megastar who had dominated Hollywood throughout the 1970s, generally considered the high water mark of American cinema.&nbsp; In those days Nepal was a fashionably remote destination, so it was not unusual for us to be looking after celebrity visitors. But Robert Redford was huge by any standards.&nbsp; “Call me Bob,” was the first thing he said to me, with that wonderful embracing smile that had lit up screens and quickened heartbeats around the world throughout the previous decade.&nbsp; We met over a cosy Mountain Travel dinner in Al Read’s brick and stucco house in Dhobighat. The floors were traditional terracotta tiles, the low beams darkly varnished and a cheerful fire warmed the October chill.&nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250921110940_32dd66ba4b578a843bbbf6a74bca7d47f9ac7083c3bf50f8213ac3e5322974fd.jpg" data-media-id="editor_0" data-image-id="20250921110940_32dd66ba4b578a843bbbf6a74bca7d47f9ac7083c3bf50f8213ac3e5322974fd" data-rendition-name="original" width="1396" height="920" loading="lazy" alt="Robert Redford in Nepal"> <figcaption>Robert Redford in 1982 at Meghauli airfield in Chitwan with young Kirsten Annapurna Read, the daughter of Al Read, managing director of Mountain Travel Nepal.</figcaption> </figure>  Our heroes often seem diminished in real life and Redford was shorter than expected, though taller than his friends and co-stars Paul Newman and Dustin Hoffman. But most striking was his pock-marked skin which must have challenged makeup artists over the years.&nbsp; I was disappointed he was not wearing his trademark cowboy boots, but Bob’s fame infused the room with his gentle politeness and low-key glamour. Next morning I picked him up from the Malla Hotel for some light sightseeing around the Valley. Under strict instruction from ‘his people’ that any fuss from fans was to be minimised, I was surprised to see him wearing a Sundance tee-shirt – just in case no one recognised him.&nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250921040916_1674398340a9501127e9f8b6b775f41b35703253f772ee05c6ab064819cd0abb.jpg" data-media-id="editor_1" data-image-id="20250921040916_1674398340a9501127e9f8b6b775f41b35703253f772ee05c6ab064819cd0abb" data-rendition-name="original" width="840" height="1280" loading="lazy" alt="Robert Redford in Nepal"> <figcaption>Robert Redford exploring the Kathmandu Valley in 1982. Photo: GALEN ROWELL </figcaption> </figure>  Unmolested, we walked the ancient streets of Bhaktapur, and Bob was duly entranced by the visual impact of Malla Newar’s enduring culture. Robert Redford’s main purpose in Nepal was to trek in the Khumbu with his friend Galen Rowell, an adventure photographer, conservationist and mountaineer who met a premature death in 2002 in a small plane crash in Bishop, California.&nbsp; There may have been some talk of a film about Everest, but nothing came of it. After the trek, Bob and Galen explored the grasslands and forests of Chitwan, staying with us at Tiger Tops Jungle Lodge to view wildlife from the back of a well-trained elephant.&nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250921110948_7c2339d73cedfcc9e659169d1d1bc2239d3d9973f6c4b1a945bfeb74b9b74d19.jpg" data-media-id="editor_2" data-image-id="20250921110948_7c2339d73cedfcc9e659169d1d1bc2239d3d9973f6c4b1a945bfeb74b9b74d19" data-rendition-name="original" width="723" height="958" loading="lazy" alt="Robert Redford in Nepal"> <figcaption>Robert Redford in Chitwan, with Tiger Tops Manager KK Gurung on 9 December 1982. Photo: GALEN ROWELL</figcaption> </figure>  Confiding that he was not much of a traveller, Bob told us Nepal was one of his first trips outside the USA. Bob preferred his homes in Malibu on the Pacific coast and the wide open spaces of Utah, which he named Sundance after his favourite role.&nbsp; SOARING GRANDEUR With his strong affinity for the outdoors, Redford’s horizons must have been significantly expanded by the soaring grandeur of Nepal's sublime mountains, untamed rivers, and tiger and rhino infested lowlands. Galen’s knowledge and enthusiasm for all things Himalayan made him the perfect person to introduce this prominent novice tourist to Nepal’s wild places. Framed photographs of Bob taken by Galen’s skilled camera still grace tourist lodges on the Everest trail, and I confess to having one hanging in our downstairs loo.&nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250921070932_7bff2986293742e6e97c91c879f2549f2a99095f1f4a98c50e3b74c7f91f7b84.jpg" data-media-id="editor_3" data-image-id="20250921070932_7bff2986293742e6e97c91c879f2549f2a99095f1f4a98c50e3b74c7f91f7b84" data-rendition-name="original" width="1076" height="1624" loading="lazy" alt="Rovert Redford in Nepal"> <figcaption>Robert Redford in snowbound Namche Bazar in 1982.</figcaption> </figure>  His movie classics that defined our youth included the iconic Butch Cassidy and the Sundance Kid, The Sting, All The President’s Men and The Way We Were. With many Oscar nominations, his personal best was Ordinary People, his directing debut which swept the award board in 1980, shortly before his Nepal trip. But Robert Redford was more than just an all American action man actor and successful film director. He chose roles that highlighted his political and social outlook. He was admired as an active environmental campaigner, using his fame to fight for clean air and pure water, serving as a trustee of the Natural Resources Defence Council.&nbsp; Redford once said: “The danger of success is that it forces you into a mould. I prefer independence.” Choosing the wilds of Utah over the jungles of Hollywood, in 1981 he started the Sundance Institute to cultivate controversial and independent movie talent.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250921040916_081aa6b2c1f9f82f3ea6a550c6887d9a991f2983a0a976456d627d711ae8a2e2.jpg" data-media-id="editor_4" data-image-id="20250921040916_081aa6b2c1f9f82f3ea6a550c6887d9a991f2983a0a976456d627d711ae8a2e2" data-rendition-name="original" width="2448" height="3264" loading="lazy" alt="Robert Redford in Nepal"> <figcaption>Robert Redford being shown around Bhaktapur by Lisa Choegyal on 21 Nov 1982. Photo: GALEN ROWELL</figcaption> </figure>  Festival screenings and workshops gave thousands of film people a chance of artistic freedom, nurturing a galaxy of filmmaker greats. At the end of his long life, Redford’s Sundance is widely recognised as having profoundly influenced American cinema.&nbsp; I like to think that Robert Redford’s rare overseas holiday amidst the stunning natural beauty of Nepal’s high mountains, Sherpa villages, living heritage and endangered animals might have opened his eyes and perhaps even sparked his lifelong concern for social and environmental issues.&nbsp;

The Sundance Kid in Nepal

A week after Nepal’s deadly protests, the country’s three main political parties whose offices were torched have been coming out in public pledging to reform themselves.
Pushpa Kamal Dahal of the Maoist-Centre visited his gutted party headquarters on Tuesday and said it would be rebuilt “on an even grander scale”.&nbsp;
Five-time prime minister Sher Bahadur Deuba of the Nepali Congress (NC) and his wife are still being treated for the wounds they suffered while being attacked at their home on 9 September.&nbsp;
In both parties, younger members have said it is time for their seniors to step down as leaders.&nbsp;
K P Oli who was ousted as prime minister last week after the GenZ protests turned violent with a loss of 74 lives, is also under Nepal Army protection in a base inside Shivapuri National Park outside Kathmandu. But his UML party has said it is not looking at a change in leadership at present.
All the main parties have offered sympathies for the lives lost in last week’s violence, and some members said it was time for a generational change within their parties as well. But all sides tip-toed around one crucial point: the GenZ demand for a change in leadership and political culture.
Former prime ministers Deuba, Dahal and Oli have been playing musical chairs taking turns to be prime ministers in 12 coalition governments in the past 10 years — despite their differing political ideologies.
What stands out in the recent statements of political leaders is not what was said, but what was left unsaid: none have raised the issue of transferring leadership to younger figures, let alone democratising their parties internally.&nbsp;
“Parties that do not appeal to the people, especially young people, will stop being relevant,” says Uddhab Pyakurel, a professor of political sociology at Kathmandu University (KU). “However, political &nbsp;parties are an integral component of our democracy.”&nbsp;
The youth wings of the main three parties do not shy away from criticising the impunity of their seniors, but have not been able to bring internal reform within their organisations.&nbsp;
Activists in the GenZ movement that toppled the regime last week say they do not follow any -isms, but Roshan Thapa Magar of the &nbsp;ANNISU (Revolutionary) that is affiliated to the Maoists says: “Ideologies still matter, the sacrifices of the parties in Nepal’s democratic struggles, and what they continue to represent, remain indispensable.”&nbsp;
He admits being taken aback by the way Maoist leaders and their relatives were portrayed in the #NepoBaby social media campaign: “It was disheartening and disappointing to see how power and position misused by our leaders in a party made up of ordinary people. It is now up to us to reform and restructure our parties to gain this trust again.”
Nawaraj Tripathee, a former Nepal Student Union (NSU) member and now the NC’s Secretary of the Department of Natural Resources says: “Only our party embodies the spirit of democracy etched into its core. But we have lost touch with democracy from within, therefore people are frustrated with us and a leadership that has acted with impunity and a tight grip on power.”
But he adds: “But this public disillusionment with us does not mean that we give up on the values of our party, it means we restructure the leadership and renew at all levels so that a new generation can lift the party up again.”&nbsp;
SHOCK THERAPY
Yet both acknowledge frustrations with their own leadership and say that the voices they raised against corruption were not loud enough to be heard. The deadly protests last week should be shock therapy to the leadership — especially if they want to recoup before early elections that have been called for 5 March 2026.
Thapa Magar says student politics has been important for the bottom-up voice of youth to be brought to the leadership level. He says, “If the GenZ organised the protests better, then we would perhaps not see the kind of looting and destruction on 9 September. We in the student wings of political parties know how to mobilise protests better.”
Over at the CPN-UML student wing ANNFSU, chair Sujan Kadariya and Abdus Miya quit their parties in dramatic fashion via Facebook following the bloodbath on 8 September, only to stage equally dramatic returns.&nbsp;
Miya justified it thus: ‘When Nepali youths fell to bullets, I believed the Prime Minister must resign. Even by 2pm the next day, he still hadn’t stepped down, and at 2:01 I declared I was quitting the party.’ KP Oli resigned shortly after that post, putting Miya in a dilemma.&nbsp;
Kadariya also deleted his post: ‘Feeling that the student politics of our entire generation has failed, I resign as President of the ANNISU Central Committee.” Later, he admitted he had posted out of fear for his life and felt ashamed for betraying the party. His final clarification: he had not officially resigned and remains committed to the party.
Miya and Kadariya expose the thin ideological fabric of student politics in Nepal. Their resignations were seen by many less as statements of principle than opportunism, and precisely what is wrong with the mainstream parties.
The Rastriya Swatantra Party (RSP) which was the fourth largest in Parliament, also faced criticism for lacking a clear ideological foundation. The RSP’s former Education Minister Sumana Shrestha at first denied rumours she was leaving the party, but resigned anyway the next day declaring: ‘I QUIT’ on social media. &nbsp;She has also said she is not joining the interim government, it remains to be seen if she goes back on that too.
The RSP’s rapid rise is closely tied to its founder Rabi Lamichhane, whose citizenship and cooperatives scandals and his attacks on media continue to test the party’s credibility. Lamichhane’s jailbreak on the second day of the protests was on his 50th birthday, and on Monday he voluntarily went back behind bars.&nbsp;
LEADERSHIP TRAPS
In the last two decades, Nepal’s revolving door politics has seen only three protagonists: Deuba, Dahal and Oli. Earlier this month, Oli changed the UML rulebook to make way for his third term as party chief. Deuba has headed the NC since 2016. Dahal has been a permanent fixture as the Maoists’ great helmsman for the past 30 years.&nbsp;
With the exception of Youth Congress Nepal, the student bodies of UML and the Maoists have not explicitly called for a change in party leadership. ANNISU (Revolutionary)’s Thapa Magar admitted his Maoist party has not held a central committee meeting to discuss succession, but hoped that a democratic route to new leadership could secure the party’s future relevance.
Some within the NC see Gagan Thapa as a natural heir apparent to Deuba. Both rose up the ranks through the party’s student wings and were jailed during the Panchayat. Nawaraj Tripathee of the NC says: “Gagan Thapa is best suited to lead the party at this time. But leaders cannot save parties unless they have institutional frameworks in place for dissenting voices to democratically replace leaders.”
This issue extends beyond the NC. Absolute power within political parties seems to undermine intra-party institutions absolutely. Unchecked leaders have consolidated power in ways that even impact the functioning of Parliament, and hence governance.&nbsp;
Pyakurel says: “It is evident in last week’s protests and its aftermath that political literacy is not strong in the new generation. Calling politics a dirty game does not encourage meaningful participation. Corruption is corruption, it is not politics. Equating corruption with politics implies that corruption is inherent to politics, but it doesn't have to be so.”
Thapa Magar says: “A party is not just its leader, it is an ideology that its members are committed to. Political parties need to democratise their systems and allow meaningful participation of their members, as some are not in the party to climb up the ranks, but to serve a bigger purpose collectively.”
In the case of Rabi Lamichhane, repeated controversies followed by his victimhood narrative and deflections of accountability have gone unchallenged by his own party leaders, enabling him to act with impunity.
RSP founding member Bipin Acharya says criticism about the party’s ideology is unfounded since democratic governance, inclusion and equity are enshrined in the party doctrine.
“It is not fair to compare Rabi Lamichhane to other party leaders, he has not even completed one term. He is innocent until proven guilty and we trust due process in the new judiciary under the GenZ interim government,” he added about Lamichhane.
Nepal’s political parties have deep roots embedded in Nepali society through a network of institutional bodies and sister organisations,” explains Uddhab Pyakurel. “Yet their relevance now depends on whether they can adapt. To regain public trust, they will need to mobilise these structures in ways that genuinely reflect citizens’ concerns, rather than operate as brokers of political power.”&nbsp;
Ayusha Chalise is a communication and development researcher specialising in how politics is experienced in the digital space.

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