Some seek solitude, some the company of others, still others find a balance between the two. Yet, we all long for someone to go home to and share our smiles and sorrows. Kalina and Diwas find that someone in each other – most often, it must be said, in sorrow. Their story begins in a school sickroom. Kalina lies curled up with stomach pain, and Diwas stumbles in, bruised and breathless from a fall off the school roof. What starts as curiosity about each other’s pain turns into a friendship woven together with shared ache. This opening scene of the play Sickroom on the stage of <a href="http://kathaghera.com//">Katha Ghera</a> is a precursor to how, through the years and separate storms, Kalina and Diwas keep finding their way back to each other. In pain, in comfort, and the quiet knowing that even the wounded can become each other’s solace. <a href="https://nepalitimes.com/review/marriage-drama">Director Akanchha Karki</a>’s Sickroom is an adaptation of Gruesome Playground Injuries by American playwright Rajiv Joseph. The play moves in fragments that shift between childhood and adulthood, echoing the fractured nature of <a href="https://nepalitimes.com/here-now/memories-of-an-archivist">memories </a>and the scars people carry. After their first encounter in the school sickroom, we meet the two as their older selves. Kalina walks into a hospital room where Diwas lies injured, his eye wounded in a firework accident. Initially, their exchange is hesitant after years of separation. But the distance and time dissolve quickly. Their bond is stitched together by shared physical and emotional wounds. Diwas bears scrapes and scars from reckless acts, and Kalina struggles with mental health and self-harm tendencies.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2025070212074_23fd056bdd0161d9c2d25369f48c94d03486b7266eff3990c2ec8459c54556b2.jpg" data-media-id="editor_3" data-image-id="2025070212074_23fd056bdd0161d9c2d25369f48c94d03486b7266eff3990c2ec8459c54556b2" data-rendition-name="original" width="1103" height="735" loading="lazy" alt="Story of scars and solace"> </figure>  Their separate sufferings seem to always find a symmetry of quiet understanding and a desire to soothe the other, even when their own self is hurting. The two broken souls find healing not in saving themselves, but each other. The closeness they share carries the weight of love, and their hearts consistently orbit one another regardless of their partners. In one scene, an injured Diwas visits Kalina who is distant and withdrawn. It is soon revealed that she has been sleeping with her boyfriend, not out of desire, but in an attempt to dull the ache inside her. She has found a different outlet now, where her vulnerability is violated. Diwas is against this, and becomes a place of care for Kalina once again. And for him, Kalina’s touch is enough to mend even his deepest wounds. At one point, Diwas tells Kalina, “I am not someone else, I am you.” Noor Khanal and Abishek Khadka, as the younger Kalina and Diwas, bring an unfiltered innocence on stage, their exchanges so raw that it is like eavesdropping on real life in motion. There are flickers of humour, the scenes unfold with tender music. Akanchha Karki and Sudam CK step in as the older persona, delivering bold performances that show how relationships, over time, shift and knot themselves around personal grief. Towards the end, in an extraordinary moment, young and adult versions of Kalina and Diwas speak in tandem, transcending time as a young Kalina speaks to an adult Diwas, and adult Kalina to young Diwas. Our present selves are never far from the children we once were, the pieces of our past selves and past experiences linger within us forever. Sickroom explores Kalina and Diwas’s deep reliance on one another. It also lays bare their inability to fully settle into a conventional relationship because sometimes the aches leave us hollow, in search of no one but ourselves. Sickroom Till 12 July Kausi Theatre, Teku Sun-Fri except Tuesday: 5:15PM Saturday: 5:15PM, 1PM

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Story of scars and solace

Theresa Rebeck’s 1992 script What We’re Up Against has been translated by Priyankar and directed by Akanchha Karki of Katha Ghera as Play द सिस्टम . The play shows a not uncommon experience of female employees in offices in Nepal.Namita is a young talented architect newly hired at a prestigious firm who is exasperated by lazy colleagues who hide their incompetence behind workplace politics.&nbsp; Played with panache by Ranjana Bhattarai, Namita is eager to work on projects, but her boss Sailesh (Eelum Dixit) is a scotch-swigging manipulative control freak who does not assign her anything because he is threatened by her competence.&nbsp; Namita is consigned to a converted storage room, while Pankaj Basyal (Rishikesh Basyal) has a much better location for his desk despite being even newer than Namita. Basyal is a sloppy grifter who makes pompous, long-winded presentations and curries favour with Sailesh by keeping the whiskey flowing.&nbsp; The office is involved in a big project to restore a mall in Lalitpur. Basyal is on the project, as is Biswas (Suraj Malla). Biswas understands what is going on behind the scenes between fellow staffers and is concerned about a piping problem that is delaying the project.&nbsp; The fifth person in the office is Chahana (Roshani Syangbo) who is not much of an architect but keeps her job by playing a ditzy simpering damsel who seconds anything the men say.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20240626120620_60a615435151b3721e96bacb1bef4063596bbfc5203dc65a9c4298877f89fca0.jpg" data-media-id="editor_0" data-image-id="20240626120620_60a615435151b3721e96bacb1bef4063596bbfc5203dc65a9c4298877f89fca0" data-rendition-name="original" width="5516" height="3677" loading="lazy" alt="Play the system"> </figure>  The deadline for the mall is looming and the only person with the solution is Namita. Sick of being underestimated and overlooked, she brings a design supposedly by Basyal to Sailesh, who initially okays it. But after finding out it was hers, he trashes it.&nbsp; Sailesh is incensed at Namita’s trick, and throws her out before putting Chahana on the project instead. Yet Namita is following Sailesh’s advice: to get work, you must show initiative.&nbsp; So Namita takes up a project Chahana has just about abandoned to modify a court building. Her pitch to the team is imaginative and focused on meeting the client’s demands.&nbsp; Sailesh uses his status and corporate doublespeak to dominate the meeting, and bully Namita. Humiliated, Namita confronts Chahana who sided with Sailesh in the meeting and the two have a row. Brilliantly acted, the scenes are a realistic portrayal of office hierarchy with gender politics also thrown in that gets in the way of getting work done. People want credit but do not want to work for it.&nbsp; The men cannot stand Namita because they all know she is a better architect. They describe her as difficult to work with and whiney. But they are fine with docile, unthreatening Chahana. However, she too is scared of the notion that she might soon have to play sidekick to Namita. &nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20240626120624_a694966f0f4ff4a53c36f81ee7b646078720234812a86a1232e6b95edcec4a86.jpg" data-media-id="editor_1" data-image-id="20240626120624_a694966f0f4ff4a53c36f81ee7b646078720234812a86a1232e6b95edcec4a86" data-rendition-name="original" width="2048" height="1431" loading="lazy" alt="Play the system"> <figcaption>Photo: TUPHAN JUNG THAPA</figcaption> </figure>  In a final act of rebellion, Namita ‘plays the system’ of egos to push a flawed design through Chahana to Sailesh, letting Chahana take credit. As Sailesh presents the imperfect plan to the firm’s founder, Biswas has found out what happened and comes to Namita’s office to talk, only to find her packing up, expecting to soon be fired. The two agree to talk about the piping problem over dinner.&nbsp; The play ends abruptly right here, leaving us guessing what happens to Namita. Bristling with swear-words, this is a tense, angry play, but has a light-hearted tone. The message seems to be that women can either be like Chahana, not getting in anyone’s way to keep her job. They will keep her, but have to squander her talent and self respect. Maybe Chahana was once competent too, but is now too jaded and resigned to her fate. Or, they can be like Namita. Confident and competent, and hence perceived as a threat. Many men do not like admitting that another man is better in their profession. But when it comes to women, their ego is hurt and they seek petty ways to get their own back.&nbsp; Sailesh refers to Namita as a “ball-crusher” (the word sounds pithier in Nepali). But if they looked around it would be clear why they are getting left behind: they drink too much, are easily flattered, and have too much time to backbite. They engage in many of the same behaviours that they may jeer at as feminine, such as gossip and hysteria.&nbsp; One scene in particular demonstrates this hypocrisy. Sailesh and Basyal are drinking in Sailesh’s office, a den of toxic masculinity. They make abusive remarks about Namita, but not once in the play do the two actually do any work.&nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20240626120624_3349985b6341a7913c6030f1f8b5c142e39e86420ee429a3eeed2126e54e9ef2.jpg" data-media-id="editor_2" data-image-id="20240626120624_3349985b6341a7913c6030f1f8b5c142e39e86420ee429a3eeed2126e54e9ef2" data-rendition-name="original" width="4166" height="2777" loading="lazy" alt="Play the system"> </figure>  Suddenly Namita invades the scene and Basyal cowers pathetically in his chair, not meeting her eye. Namita pours herself some of the whiskey (gasp) and downs it straight before threatening to go to the founder. &nbsp; While Biswas is smart enough to figure out what is going on, he does not &nbsp;have the courage to stand up to Sailesh, or ask Namita for the solution, or “do the right thing”.&nbsp; Rebeck’s script came out in 1992, and 32 years later it still transcends time and space, and is a relatable and realistic depiction of the workplace anywhere. This a universal, perennial issue, and the play can also be taken as a call to maturity in gender relations. &nbsp; The play runs smooth as it uses one big set throughout, lighting up where the action takes place. In the centre is the presentation table and to the left and right are Chahana and Namita’s offices. Overlooking everything up a staircase is Sailesh’s office. The original script is in English, and it adapts well to a sort of Nepali-English hybrid dialogue that would feel natural to the Nepali Times readership. Rebeck curses quite liberally in the original English script, but the adaptation is a bit too generously sprinkled with colloquial Nepali swear words. It certainly has shock value and brings laughs.&nbsp; Kausi Theater, Lagan Every day except Tuesday till 15 July Time: &nbsp;5:15PM, &nbsp;Matinee show on Saturdays at 1PM Front row: Rs1,000&nbsp; General tickets: Rs500 Contact: 9861078876

Vishad Raj Onta

Hate the game, not the player

A couple enter the third decade of marriage even as their eldest daughter finds herself trapped in a failing one. The son doesn’t want to be hitched, while the youngest daughter is enthusiastic about her upcoming arranged marriage. On the stage of Kausi Theatre this is a microcosm of marriages in contemporary Nepal, acted out in a two-hour play.&nbsp; Bidushi (Ranjana Bhattarai), the youngest daughter of Rukmani (Loonibha Tuladhar) and Krishna Koirala (Aashant Sharma), is getting married to a man based in the US, a person she has never seen before.&nbsp; The family has come together for the wedding, with Hema (Kenipa Singh Pahari) making the trip from Australia to be part of the celebration. Her husband, still in Australia, is not in touch with her.&nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20230927070944_976c38a2cdcdb1e91bc42c946991002f583d9943678fb287d4e11fe4c4a5529f.jpg" data-media-id="editor_0" data-image-id="20230927070944_976c38a2cdcdb1e91bc42c946991002f583d9943678fb287d4e11fe4c4a5529f" data-rendition-name="original" width="960" height="640" loading="lazy" alt="Wedding Album"> </figure>  Amid wedding preparations, their sibling Rohit (Sudam Ck) tries to reconcile his own relationship with his girlfriend to the other marriage proposals coming his way. Meanwhile, Rukmani and Krishna’s own 30-year marriage is tainted by Krishna’s past abuse of his wife.&nbsp; There is added tension in the home because of the strained relationship between Rukmani and Kusum Didi, the Koiralas’ housekeeper. &nbsp; Wedding Album is directed by Katha Ghera co-founder Akanchha Karki, who also adapted the play into Nepali from Indian actor and dramatist Girish Karnad’s 2011 play originally written in Kannada, which Karnad translated into English himself.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20230927070916_c512eec6955be86eed0064de5a3cfd944f0ce20a2fc12804421610eb9f2555fc.jpg" data-media-id="editor_1" data-image-id="20230927070916_c512eec6955be86eed0064de5a3cfd944f0ce20a2fc12804421610eb9f2555fc" data-rendition-name="original" width="960" height="959" loading="lazy" alt="Akanchha Karki NT"> <figcaption>Director Akanchha Karki. Photo: AKANCHHA KARKI/FACEBOOK</figcaption> </figure>  Against the backdrop of the various conjugal conflicts, director Karki gets the cast to tackle issues including mental health, misogyny, domestic abuse, sexual violence, self-worth, and the female psyche. As individual stories and hidden truths of each of the family members unfold, Karki weaves these issues through their interaction with each other—showing how each personality constantly contradict itself. &nbsp; For instance, Bidushi is headstrong, outspoken, progressive, sexually liberated. She confronts men who sexually assault her in a cafe. Yet she is ready to be married off to someone she has never met. She is unable to understand why her sister is in an unhappy marriage.&nbsp; Hema lives with her family in Australia but is not more tolerant. She still disapproves of her brother’s Christian girlfriend. She is aware, but silent about her father’s abuse of her mother. Even as she tells her sister that it is okay to leave the relationship if she is not happy with her soon-to-be partner, she struggles to comprehend that she could leave her own crumbling marriage.&nbsp; Middle child Rohit plays the ideal, responsible, long-suffering son fending off unwanted marriage proposals. But his personality is transformed once out of the home. He also agrees that his sister Bidushi should leave her husband if the relationship breaks down, but mistreats his own girlfriend.&nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20230927070944_f35d97f6b552b5698ee333662acce965465e704fb9d1d7463b4ef91dbea739bf.jpg" data-media-id="editor_2" data-image-id="20230927070944_f35d97f6b552b5698ee333662acce965465e704fb9d1d7463b4ef91dbea739bf" data-rendition-name="original" width="960" height="640" loading="lazy" alt="Wedding Album"> </figure>  The Koiralas are educated and ‘liberal’, but still willing to marry off their daughter to someone they have not met before. They are not impervious to the inherent wastefulness and spectacle of extravagant South Asian weddings meant to show off wealth, rather than a contained celebration of love. The strength of the play lies in its cast. LoonibhaTuladhar and Ashanta Sharma are brilliant as Rukmani and Krishna, while Kenipa Singh, Sudam Ck, and RanjanaBhattarai hold their own as the three siblings. The supporting cast is solid, if a bit melodramtic at times.&nbsp; The clever staging and set design enhance the production. Director Karki does not employ unnecessary movement just for the sake of covering the entire stage. A particularly poignant scene sees Rukmani and Krishna at opposite ends of the stage, their anger palpable. Meanwhile, props and music have been used sparingly. As the end of the play approaches, there are a lot of loose ends in the stories of the siblings and parents. Perhaps as in life itself.&nbsp; Wedding Album will play at Kausi Theatre in Teku until 14 October.

Marriage drama

Nepal’s cricket team first beat powerhouse West Indies in two out of three matches in September, the first time it won a match and then a series against a test-playing nation.&nbsp; Then the Rhinos played six qualifiers in Oman for the 2026 T20 World Cup which is being held in India and Sri Lanka from 7 February to 8 March next year. The national team qualified comfortably with two games to spare, and won all six matches anyway. In the three months before the World Cup, cricketers will play the second season of the Nepal Premier League from 17 November to 13 December.&nbsp; After a hugely successful first season, steady upgrades have been made. The flood-lit Tribhuvan University Cricket Ground has been fitted with 15,000 seats, even though this takes away from the festival-like atmosphere of fans on their feet on the grassy slope.&nbsp; Last season, matches began at noon and three in the afternoon. Late-evening matches in winter under flood lights will increase attendance and viewership.&nbsp; There is also now technology that will display how far a six was hit and how fast a ball was bowled. Foreign players who will play in the league include Chris Lynn, D’arcy Short, Ravi Bopara, and Sohail Tanvir, all good ex-international players that people have heard of.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20251101031128_9db0830fb65d0743e3d36cc4b4473e61d750789028a130f5dff8a619307b0215.jpg" data-media-id="editor_0" data-image-id="20251101031128_9db0830fb65d0743e3d36cc4b4473e61d750789028a130f5dff8a619307b0215" data-rendition-name="original" width="1365" height="1803" loading="lazy" alt="Nepal cricket"> <figcaption>Aasif Sheikh drives through the covers on his way to 69 off 41 vs Samoa.</figcaption> </figure>  But the most important point of the Nepal Premier League will be to prepare and experiment for the World Cup, which starts less than two months after the NPL ends. Team Nepal will be extra eager to play well, given that the matches are happening in South Asia and Nepali fans can make the trip.&nbsp; Head coach Stuart Law will be watching each NPL match keenly, to gain more insight into how to best use his current starters.&nbsp; As each of the eight teams are only allowed a maximum of four foreign players in their starting eleven, Law and Nepali fans will also be scouting new talent who will be hungry to emerge and prove themselves to earn a place in the World Cup Squad.&nbsp; ALL-ROUNDERS One of the most unusual features of the current Nepali squad is how many all-rounders there are. Kushal Bhurtel, Rohit Paudel, Kushal Malla, Gulshan Jha, and Dipendra Singh Airee are all regular starters, and they all bat and bowl. Opener Aasif Sheikh is also the wicketkeeper.&nbsp; Airee, of course, is also an excellent fielder. In the first five games of the qualifiers, he got a record five runouts with direct hits, and was on a roll with a run in every single game. This depth means that almost always seven players bowl for Nepal, and the wealth of options keeps the opponent batting order guessing, but it may create hesitancy within the team in tough situations against stronger teams.&nbsp; Countries at the top level of the sport tend to have more specialists. Perhaps Stuart Law might want to tell Bhurtel to really focus on his batting, or Airee to hone his bowling, which seems to be their strengths. The team would be better off with them performing one aspect consistently well than being hit or miss with both. &nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20251101031128_c30fdbab65736ea728f2f94fa121d2169e4d3627194ce1fe9de26eebdb3fc5b3.jpg" data-media-id="editor_1" data-image-id="20251101031128_c30fdbab65736ea728f2f94fa121d2169e4d3627194ce1fe9de26eebdb3fc5b3" data-rendition-name="original" width="957" height="1269" loading="lazy" alt="Nepal cricket"> <figcaption>Lalit Rajbhansi with tricky left arm spin, 3/13 vs Samoa.</figcaption> </figure>  POWERPLAYS The Nepali team likes batting first. It chased only against Japan, but they struggle to put up really competitive scores of say, above 170 unless two batsmen do really well.&nbsp; In the second match against the West Indies, Aasif Sheikh’s 68 and Sundeep Jora’s 63 set up Nepal at 173/6. Against Samoa, Aasif Sheikh had 69 and Airee had 53, before Lokesh Bam’s fierce 39 off 12 featuring 4 sixes set up 211/4.&nbsp; Besides these games, Nepal tends to score up to 150 batting first. To the experienced teams that Nepal will face at the world cup, this is not at all an intimidating score. One reason is that Nepal just cannot seem to get going in the first six powerplay overs, when there are limited fielders on the boundaries.&nbsp; A solution to this might be to promote Gulshan Jha up the order. Although Jha has also been an excellent batter in the end overs, using him at three or four might help set up a more productive powerplay and bigger scores. He should try it out with the Karnali Yaks.&nbsp; Despite all the controversy that comes with Sandip Lamichhane, and his strange decision to sit out the West Indies series minutes before the first match started, his output with the ball is undeniable.&nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20251101031128_453d54ce627367c537d459c38d260d8aca1d56949c49c8023de582f3e72bb678.jpg" data-media-id="editor_2" data-image-id="20251101031128_453d54ce627367c537d459c38d260d8aca1d56949c49c8023de582f3e72bb678" data-rendition-name="original" width="1499" height="1000" loading="lazy" alt="Nepal cricket"> <figcaption>Nepalis turn out to support the team vs Samoa at Al Ameret Stadium in Oman.</figcaption> </figure>  He took wickets in each of the six qualifiers, most notably five vital ones in the match against Qatar that Nepal won by five runs. Lamichhane also gives away very few runs, which cuts some of the more part-time bowlers some slack.&nbsp; Airee is also economical, and his 3/22 was vital in the one-run win against the UAE. Together with Lamichhane the duo constricted the opposition in the middle overs. Veteran Sompal Kami has not been as productive with the ball, and gave away a lot of runs in the series against the West Indies.&nbsp; This is a weakness, because Kami does not contribute with the bat much. While his experience is valuable to ground the young Nepali team, Stuart Law should look out for fast bowlers during the NPL to help balance out quality spinners.&nbsp; One of the most impressive and professional parts of Nepal’s winning streak has been the attention to detail. The players have been generally excellent in the field, giving away very few runs due to wides or no balls. They had three run outs against the UAE and two against Qatar and Japan and in the first game against the West Indies.&nbsp; The fielders seem much calmer and focused when executing difficult catches, a welcome change from past complacency. This attention to detail makes the difference in narrow games and keeps morale high.&nbsp; The Nepali team has performed well, but besides the narrowly-beaten UAE, all the matches were against teams ranked lower in the world T20 rankings. And the series against the West Indies was against a weakened team. In the world cup, Nepal will be facing much stronger teams and will lack the element of surprise it had in the 2024 World Cup.&nbsp; If Nepal wants to keep improving, it now has to be able to dominate teams like Kuwait and Oman. It also should set up more series with associate nations like Scotland, Ireland, Namibia and The Netherlands. This will help accurately gauge the team’s progress and expose its weaknesses.

Nepal’s prospects at World Cup 2026

With the holidays over and elections only four months away, Nepal’s interim government led by Prime Minister Sushila Karki is trying to get down to brass tacks. But it is not easy.
On Wednesday, Karki held the first three-way meeting between GenZ representatives, political parties and the government. Despite some acrimony, there was near unanimity about creating the environment for elections on 5 March. 
Only the UML is holding out, still not taking responsibility for the 8 September massacre, and calling for the reinstatement of Parliament. GenZ delegates poured their wrath on the unrepentant UML, but were themselves talking at cross purposes on the demand for a directly-elected executive. 
Karki was on the defensive, her exasperation spilling over: “How do we undo the damage done by corruption, exploitation, and discrimination over the last 35 years in a single month?” 
She is reported to have added, “There is a tendency to not allow this government to work, and then turn around to criticise it for not achieving anything. We are trying our best, and will fulfil our goal of elections no matter what.” 
The Wednesday meeting does seem to have turned the attention of old parties towards elections, and spurred the GenZ and others with political ambition to form parties.
With the deadline for party registration looming, several like-minded individuals and collectives are coalescing, or trying to. The Election Commission is already reviewing applications from more than a dozen new political parties. 
Kathmandu Mayor Balen Shah has held talks with RSP members, but his popularity on social media is not matched by public visibility and accessibility. Intriguingly, Shah and his supporters on social media have been publicly asking for the resignation of Home Minister Om Aryal for not arresting members of the UML-NC government for the 8 September killings. Aryal used to be Mayor Shah’s legal adviser.
Sudan Gurung of GenZ, ex-RSP Sumana Shrestha, and Energy Minister Kulman Ghising are all shopping for existing or new political parties to join. 
The RSP with its alternative anti-corruption agenda would be the logical choice, but there is a question mark over the role of its head Rabi Lamichhane, who is back in jail on charges of embezzlement.
LARGER CABINET
This week, Karki expanded her Cabinet for the third time by inducting Sudha Sharma Gautam as Minister for Health and activist Bablu Gupta as the Minister for Youth and Sports. 
Recommended by GenZ members, Gupta, 28, is the youngest Minister in Karki’s team. But, as has become the norm with this electoral government, two other controversial nominations fell through. Khagendra Sunar was dropped as Minister for Labour because of several ongoing criminal charges, including for assault and inflammatory speech. And Ganapati Lal Shrestha for Minister of Land Management declined at the last moment after he was not given the Tourism and Culture portfolio as preferred. 
Critics say there is a lack of due diligence on the part of Karki’s advisers in selecting candidates. Last month, Sangeeta Mishra who was nominated for Health Minister was dropped after it turned out that she was under investigation at the CIAA. However, Kulman Ghising also had complaints filed at the anti-corruption body, but was still given three portfolios. 
Then the nomination of Tashi Lhazom was withdrawn after an online controversy over her citizenship. There was also outrage on social media about Mishra and Lhazom being singled out for their ethnicity and gender.
Internal leaks making her choices prematurely public has made Karki’s team overcautious about Cabinet expansion. It is also distracting her from her main goal — to hold credible elections by striking a balance between the political parties and GenZ groups.
After a preliminary hearing on 16 writ petitions against the House dissolution and appointment of new government, the Supreme Court on Wednesday refused to issue an interim order.
“The formation of the government is unconstitutional, and a government formed unconstitutionally is not allowed to make any decisions, until the final hearing,” stated advocate Surendra Bhandari. 
The UML, still smarting from the September protests, is trying to put a spanner in the works of the election government. The GenZ, meanwhile, still do not have a consensus over fundamental demands prior to elections. Combined, these two factors portend a precarious future.

Future imperfect

A little more than one month into its six-month term, Nepal's interim government recalled ambassadors from 11 countries: China, Japan, Malaysia, Qatar, Saudi Arabia, Israel, Russia, Spain, Germany, the UK, the US, and Japan.&nbsp;
Mostly appointed by previous governments, they have to return to Kathmandu by 6 November. The envoys who were retained, even if they were political appointees, tended to be women or from various ethnic minorities.
The recall has met with criticism back home. Prime Minister Sushila Karki is blamed for borrowing a page out of its predecessors’ playbook. Although it was a symbolically inclusive move in a diplomatic corps dominated by established groups, the government may have got its timing wrong.
On Sunday, however, the Supreme Court issued an interim order against government decision to recall the 11 ambassadors. The court questioned the neccesssity and justification of such a move, concerned that it could affect Nepal's relations with the host countries.&nbsp;
Karki has said <a href="https://nepalitimes.com/news/future-imperfect">her priority is to hold elections in March</a>, and by recalling Nepal’s emissaries from important capitals like Washington, London, Bonn, Tokyo, Abu Dhabi and Kuala Lumpur her government has cut channels of communication and support from development partners and with the international community.&nbsp;
Nepal’s anti-corruption GenZ protest and the devolution of the youth movement into <a href="https://nepalitimes.com/here-now/relocate-reallocate-recover">arson, looting, and violence</a> after the targeted killing of protestors in September put the nation in the international spotlight. And the interest was especially keen in neighbouring New Delhi and Beijing.&nbsp;
The Nepal unrest has sparked similar protests across the world from <a href="https://nepalitimes.com/here-now/nepal-genzs-inspired-filipinos">the Philippines</a> to East Timor, Madagascar and Peru. But there is also worry in India where exposure of #nepokids on social media as well as corruption in high places could instigate copycat youth unrest.
And in China, there is still a lingering memory of the deadly protests in 1989 Tiananmen Square. But the Chinese also suspect that some in the GenZ movement have links to free-Tibet. &nbsp;
Foreign policy experts in Nepal reject conspiracy theories about foreign backing for the GenZ, characterising it as mostly triggered by home-grown outrage over chronic corruption of the governing elite.&nbsp;
Throughout its history Nepal has always had to balance the geo-strategic interests of its neighbours: the British in India and the Chinese Empire, and more recently independent India and Communist China.
When former PM K P Oli resigned, he had <a href="https://nepalitimes.com/opinion/comment/when-xi-meets-modi-and-oli">just returned from a visit to Beijing</a> and was a week away from making an official visit to India. A new Nepali prime minister typically makes the first visit to India, but Oli broke that tradition last year by going to China to sign the Belt and Road Initiative (BRI) framework agreement.
"Oli was China's trusted partner supporting <a href="https://nepalitimes.com/news/china-syndrome">Nepal’s participation in BRI</a> and SCO (Shanghai Cooperation Organization)," says geopolitical analyst Sanjay Upadhya. "Now, some in Beijing are apprehensive that there is external support for the youth protests that contributed to Oli’s sudden departure. It is perceived as a strategic setback for China."
Despite an ongoing dispute with India over a 364 sq km border territory, Nepal is heavily dependent economically on India with which it has an open border.&nbsp;
Rulers in Kathmandu have usually leaned over backwards to be closer to China to counterbalance India’s gravitational pull following a strategy of ‘equidistance’ between the two giant neighbours.&nbsp;
Growing American and Western disinterest in the region is making India and China more assertive towards smaller nations. Educator Dovan Rai says, “China is also becoming more aggressive and trying to show its presence in and around South Asia.”
She adds, “Nepal is an important neighbour for China, especially considering issues it regards as sensitive, like the Dalai Lama and Tibet.”
Indeed, the Chinese are said to be suspicious about the links that the <a href="https://nepalitimes.com/here-now/nepal-s-historic-youth-dissensus">GenZ movement</a> was infiltrated by elements linked with Free Tibet or with US-based interests.&nbsp;
What must have especially raised eyebrows at the Chinese Embassy in Kathmandu was that the Dalai Lama’s office in exile in India congratulated Sushila Karki — the first time in history it has sent such a greeting to a new prime minister of Nepal.&nbsp;
Although Nepal’s two neighbours do not see eye-to-eye, both agree and are worried about instability in Nepal, and if it might trigger a refugee crisis, empower extremist factions, or attract Western interference.&nbsp;
Nepal’s September protests were preceded and succeeded by similar movements in the region and around the world. In light of this global eruption of youth frustration, and desire to lead from the front, the hardline governments of Nepal’s two neighbours are undoubtedly wary of the possibility of similar unrest within their own borders.&nbsp;
‘India advocates democratic legitimacy, while China prioritises control and predictability. Recent upheavals demonstrate that neither democracy nor stability alone suffices for sustainable nationhood,’ Upadhya wrote in a recent blog.
With early elections scheduled for 5 March, <a href="https://nepalitimes.com/news/one-month-later">the main challenge for Karki’s transition government</a> is to maintain dialogue and establish consensus between youth groups, political parties, and other agitating forces to participate in polls — all while ensuring there is no covert external influence.&nbsp;
Indeed, with <a href="https://nepalitimes.com/here-now/nepals-democracy-keeps-doubting-itself">Nepal’s democracy</a> at stake as well as new political forces with competing interests set to battle it out in a new political landscape, experts warn that there could be powers that will want to fish in troubled waters.&nbsp;
Explains Dovan Rai: “Along with soft power, foreign countries including our neighbours could intervene in the online information space to promote their interests in Nepal. Fake narratives and disinformation could be spread &nbsp;through digital platforms. We must be careful and vigilant about our digital space.”

Neighbourhood watch on Nepal

The autumn mountaineering season is not over yet, and already there have been 12 fatalities on Himalayan peaks in Nepal.
Of the 1,450 climbing permits issued, 436 were for Mt Ama Dablam (6,812m), 374 for Mt Manaslu (8,163m) and 186 for Himlung Himal (7,126m). There were deaths on all three mountains.
The death of two French climbers on Ama Dablam happened before unseasonal blizzards hit the mountains. But Cyclone Montha from the Bay of Bengal brought on high winds and up to 1m of snow in the peak trekking and mountaineering season.
This increased avalanche conditions, and made helicopter evacuation of stranded and injured climbers difficult. Lower down the mountains, more than 1,000 trekkers from Nepal and around the world were stuck in the Annapurnas, Manaslu circuit and the Khumbu.
However, there have also been allegations that it was not just the weather that delayed rescues. Multiple levels of bureaucracy and the need for flight permits to restricted areas like Manang and Manaslu critically delayed evacuation flights.
Italian climbers Farronato Stefano and Caputo Alessandro were found dead in their tent at Panbari Himal Camp I (6,887m) in the Manaslu area. They had been trapped by heavy snowfall since 28 October, and their bodies were found on 4 November by a team from the expedition organisers, Sherpa Alpine Trekking Service. The team was made up of high level mountain guides and expedition leader Valter Perlino.
The team had been climbing to Camp 3 but decided to descend to base camp because of thrombosis in Perlino’s left foot. The two climbers who would eventually get trapped decided to break at Camp I, a decision that would prove fatal after the projected six-day snowfall arrived two days early.
“They were sleeping in a tent and were buried under 2.5 metres of compacted snow. It happened during the night between Thursday and Friday. While they were sleeping, absurd,” said Perlino.
A deadly incident took place the morning of 3 November, when five foreigners and two Nepalis died in an avalanche on Yalung Ri at 5,630m in the Rolwaling. They were part of a larger group of 15 that were acclimatising for an attempt on the nearby Dolma Khang (6,332m).
Local authorities in Gauri Shankar Conservation Area say calls were immediately made to helicopter companies as well as various ministries in Kathmandu that have to issue permits to fly to the region bordering China.
But the permits for rescue flights to Rolwaling Valley were delayed by eight hours. Rescue flights in these areas require permission from the Ministry of Tourism, the Ministry of Defence, the Home Ministry, and the Civil Aviation Authority of Nepal (CAAN).
Experts say this should be exempted in times of emergency when time is of the essence. CAAN spokesperson Pratap Babu Tiwari claimed to not know of the avalanche on Yalung Ri and deflected questions to the permission department.&nbsp;
There was a similar tragedy on Himlung Himal in Manang as well. Australian Chin-Tark Chan, 49, was climbing with 8K Expeditions and fell ill on 27 October at about 6,800m, developing snow blindness and loss of mobility. The guides immediately called the US insurance company Global Rescue for authorisation of a longline rescue.
Global Rescue refused, saying a rescue at that height would violate Nepal’s aviation rules and put the pilot at unacceptable risk. They asked the guides to transport Chan to Camp 3 at 6,400m to a permitted altitude. Seeing it was a life-or-death situation for its client, 8K called in an aerial rescue anyway, but the helicopter could not land due to bad weather. Chan died slightly below Camp 3 on 29 October.
Global Rescue said in a statement that it was ready to send in a helicopter after Chan had been transported to Camp 3, but several hours were lost for that attempt, and the weather did not get better in the next few days.
To underscore just how dangerous helicopter rescues in the Himalaya can be in bad weather, a chopper from Altitude Air skidded off the helipad at Lobuche below Mt Everest while trying to rescue trekkers in whiteout conditions.&nbsp;
CAAN announced a ban on flights during blizzards or dense fog. While rescue missions are often heroic and courageous, they should not be foolhardy if conditions are unsafe and the risk to pilots and rescuers too high. This autumn was a lesson for future expeditions and for the Nepal government.&nbsp;
The Italian duo on Panbari were caught out by snow that arrived two days ahead of schedule, but the group on Yalung Ri should have postponed their ascent after multiple warnings from the Department of Hydrology and Meteorology to avoid high altitudes.