Through the intricate lattice window on the western facade of the palace must have been from where the Malla kings of Patan looked down at the square below.&nbsp; Today, visitors to Patan Museum can sit at the exact corner and see the same square which, several centuries later, remains largely unchanged. Except for the tourists and devotees at Krishna Mandir and other temples.&nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20240329060316_31791a3a564ecaf85ad9e9ee52488bff034a5336f6561a0df2cb6d8e740cacea.jpg" data-media-id="editor_0" data-image-id="20240329060316_31791a3a564ecaf85ad9e9ee52488bff034a5336f6561a0df2cb6d8e740cacea" data-rendition-name="original" width="1500" height="1000" loading="lazy" alt="A portal into Patan’s past and present Page 6-7 #1025 NT"> <figcaption>Keshav Narayan Chok. All photos: SUMAN NEPALI(Photo: suman)</figcaption> </figure>  Inside is the best-designed museum in Nepal, the work of <a href="https://archive.nepalitimes.com/article/Nepali-Times-Buzz/Back-to-Basics-in-Bhaktapur,1377">Götz Hagmüller</a> and his team of architects, who had made Bhaktapur his home and who died in February. Hagmüller did not just restore the old palace, but also designed the museum interior and curated the exhibits. But most importantly, the team ensured that the museum would have an independent governing body that would use revenue from fees and events for the museum’s upkeep. This has given the museum a rare longevity for an institution in Nepal. Read also: <a href="https://nepalitimes.com/news/kathmandu-s-legacy-is-goetz-hagmueller-s-legacy">Kathmandu’s legacy is Götz Hagmüller’s legacy</a>, Kunda Dixit  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20240329060316_460c6ade80ae4064d3f761de57b7a004f9b755645db3185366754b1d2ffe82e4.jpg" data-media-id="editor_3" data-image-id="20240329060316_460c6ade80ae4064d3f761de57b7a004f9b755645db3185366754b1d2ffe82e4" data-rendition-name="original" width="1500" height="1000" loading="lazy" alt="A portal into Patan’s past and present Page 6-7 #1025 NT"> </figure>  The result is more than one of Kathmandu’s most popular destinations for visitors, but a museum that serves an educational function for Nepali students, supplementing what they learn in social studies and history classes in school. The carefully curated bronze, stone and wooden figures span Nepal’s religious faiths, historical periods and geographical zones, providing a striking experience of exploration and learning. Hagmüller led the restoration project of the Keshav Narayan Chok and the dilapidated palace structure, preserving the traditional architecture of the palace while modernising it to suit modern museum necessities. Read also: <a href="https://www.nepalitimes.com/banner/learning-from-nepals-past-to-rebuild-its-future/" target="_blank">Learning from Nepal's past to rebuilt its future</a>, Prakriti Kandel  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20240329060316_bfc89739080a1339c9db8a83c7bc332aea37893f6cd9cb506b1a369ac9a68d00.jpg" data-media-id="editor_5" data-image-id="20240329060316_bfc89739080a1339c9db8a83c7bc332aea37893f6cd9cb506b1a369ac9a68d00" data-rendition-name="original" width="1500" height="1000" loading="lazy" alt="A portal into Patan’s past and present Page 6-7 #1025 NT"> </figure>  At a time when technology has taken over, and patience to learn through real experiences has decreased, Patan Museum is a space for young students and visitors to learn about Nepal’s glorious past, its culture, and observe intricate Nepali craftsmanship. “Patan Museum is a place of learning regarding two major aspects: heritage and art, specifically relating to Hinduism and Buddhism,” explains Suresh Man Lakhe of Patan Museum. “Students may learn about Buddha’s life in their textbooks, but the museum supplements that learning by letting them visualise his legacy.” &nbsp; Only 200 of the Museum’s expansive collection of 1,100 objects are currently on view, and they are spread across eight themed galleries. Images range from major gods of the Hindu pantheon such as Vishnu, Shiva and Ganesh to benign or fierce representations of Bodhisattvas.&nbsp; Read also: <a href="https://nepalitimes.com/banner/preserving-patan-post-earthquake">Preserving Patan post-earthquake</a>, Claire Burket  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20240329060316_40b0b223afe15566e200ac14f69a527eacc736b040f5b5d982930aa601c51b41.jpg" data-media-id="editor_7" data-image-id="20240329060316_40b0b223afe15566e200ac14f69a527eacc736b040f5b5d982930aa601c51b41" data-rendition-name="original" width="1000" height="1500" loading="lazy" alt="A portal into Patan’s past and present Page 6-7 #1025 NT"> <figcaption>Dipankara Buddha</figcaption> </figure>  The section on Buddhist chaityas has clear explanatory notes about the significance of their design. No student will look at Swayambhu or Boudha after learning why the spire and cupola look the way they do. Indeed, all the exhibits have bilingual captions with comprehensive backgrounds about the myths and symbols present in the art pieces and their approximate age. This helps answer frequently asked questions from students such as the reason behind the multiple heads and hands of deities, the symbolic ornaments of Shiva and Vishnu, and the significance of the stupa design.&nbsp; The composition, medium, symbols, and expressions of bronze gilt copper repoussé are explained in detail, including the craftsmanship of the lost wax process. Read also: <a href="https://nepalitimes.com/review/bedrock-of-buddhism">Bedrock of Buddhism</a>, Kunda Dixit  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20240329060316_8e1bcf9bace65f4b7ba2c8b05cf92337b1f54d12776ebc0841bd179b56faf7a9.jpg" data-media-id="editor_9" data-image-id="20240329060316_8e1bcf9bace65f4b7ba2c8b05cf92337b1f54d12776ebc0841bd179b56faf7a9" data-rendition-name="original" width="1500" height="1000" loading="lazy" alt="A portal into Patan’s past and present Page 6-7 #1025 NT"> <figcaption>Students can learn in detail the process of creating a repoussé mask at the Patan Museum.</figcaption> </figure>  Gallery B has explanations of Ganesh in a military avatar, ablaze with a flaming backdrop, and another of the elephantine god with six heads and six arms. He rests on snakes in one sculpture and is part of an oil lamp in another. There are nuanced variations in the depiction of Ganesh’s eyes and trunks in each of the objects. "Patan Museum, and indeed the whole Darbar Square, is a living heritage where our students learn history through the architecture, art, culture, and festivals,” says Rekha Pandey, a social studies teacher and educator at Rato Bangala Foundation. “It is ideal learning as the museum exhibits provide a multi-sensory experience that cannot be found in textbooks or lectures.” Museum staff are planning interactive worksheets and cards as learning devices with colourful and interactive worksheets ‘Let’s Discover Patan Darbar’ that allow students to navigate the historic square.&nbsp; Read also: <a href="https://nepalitimes.com/news/itumbahas-living-museum">Itumbaha's living museum</a>, Sahina Shrestha  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20240329060316_1d6a101fa7f8c593070171abbf2866b73497ac3a10f5660bb716f1aa85da9aa6.jpg" data-media-id="editor_11" data-image-id="20240329060316_1d6a101fa7f8c593070171abbf2866b73497ac3a10f5660bb716f1aa85da9aa6" data-rendition-name="original" width="1500" height="1000" loading="lazy" alt="A portal into Patan’s past and present Page 6-7 #1025 NT"> <figcaption>A 12th-century limestone sculpture of Uma-Maheswar depicting Shiva’s family on Mount Kailash.</figcaption> </figure>  Lakhe says the museum can expand its instructional function with a separate education department. “With additional resources devoted to education, we can focus on creating much more learning opportunities for students,” he adds. &nbsp; There is a story behind every exhibit at the Museum. Gallery B, for example, hosts a 12th-century limestone sculpture of Uma-Maheswar depicting Shiva’s divine family on Mount Kailash. This statue was stolen in 1982 and then returned by a museum in <a href="https://nepalitimes.com/here-now/how-did-a-nepali-ritual-altar-end-up-in-berlin">Berlin</a> in 1990. Another piece shows Vishnu carried by the Sunbird, a copper alloy sculpture dating back to the 17th century, adorned with metallic Garuda wings. Students can learn in detail the process of creating a repoussé mask, from an initial pencil design to the feeling of the hammer hitting the bronze sheet. Read also: <a href="https://nepalitimes.com/review/remembering-nepals-lost-and-the-found">Remembering Nepal's lost and the found</a>, Ashish Dhakal  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20240329060316_4431f200938cef4be6b390dbde827c0973d85c2ab36dcc1669e6b9dc92319f3e.jpg" data-media-id="editor_14" data-image-id="20240329060316_4431f200938cef4be6b390dbde827c0973d85c2ab36dcc1669e6b9dc92319f3e" data-rendition-name="original" width="1500" height="1000" loading="lazy" alt="A portal into Patan’s past and present Page 6-7 #1025 NT"> <figcaption>Tusha Hiti where King Siddhi Narsingh Malla used to pray and meditate in the 1640s.</figcaption> </figure>  Patan Museum provides an open-air experience, it is not limited to a building but has access to multiple courtyards including the Mul Chok and Sundari Chok with the exquisite Tusha Hiti step well, and the Bhandarkhal Tank. One of the treasures of the Patan Museum is Tusha Hiti step well where King Siddhi Narsingh Malla used to pray and meditate in the 1640s overlooking a gilded copper spout depicting a Garuda and Laxmi Narayan, and embellished by over 50 carved stone deities in thrones of carved foliage. Visitors can retrace the steps of past royals and their court treading the same stone steps that have been polished by the passage of feet and time.&nbsp; Read also: <a href="https://nepalitimes.com/review/patan-heritage-in-fantasy-fiction">Patan heritage in fantasy fiction</a>, Trishagni Sakya

original

674x448

610x380

500x500

400x266

400x240

400x203

301x200

1250x600

1084x550

A portal into Patan’s past and present

All Nepalis take pride in the fact that the Buddha was born in Nepal, but few may know that Kathmandu Valley has the longest uninterrupted Buddhist tradition. Legend has it that the Mauryan Emperor Ashoka visited the Valley and married his daughter Charumati to a Patan nobility 2,000 years ago. The stupas of Chabahil and Pim Baha date back to that period. Buddhism has been preserved and continuously practiced in Kathmandu Valley since then to this day. Because of Kathmandu Valley’s relative isolation, the monastic tradition survived here while it was destroyed by waves of Muslim invasion in north India. The centres of learning and worship safeguarded Theravada practices, while evolving into the unique Vajrayana traditions that are the characteristic of Newar Buddhism that then travelled north into Tibet, China and up to Japan, assimilating local influences along the way. It was in the Valley’s monastic sites, known as baha, that rituals and tantric practices of Newar Buddhism thrive to this day. Seven of Kathmandu Valley’s temple complexes are in UNESCO’s list of World Heritage Sites, and Itumbaha is one of five main Newar Buddhist monastic enclaves in Kathmandu. Read also: <a href="https://www.nepalitimes.com/news/itumbahas-living-museum">Itumbaha's living museum</a>, Sahina Shrestha The World Monument Watch has included Itumbaha in its list of most endangered sites. A visit to the square shows why: while the courtyard and temple are intact, it is now surrounded by concrete high-rises of inner city Kathmandu.&nbsp; Itumbaha has existed for at least 800 years, and many of the carved wooden struts and columns, steles and votive structures survived earthquakes, invasions and political upheavals. Indeed, Itumbaha is only one of only three monastic structures in Kathmandu Valley that have preserved their original architecture for so long.&nbsp; The monastery is a part of the community and its rituals and activities are managed by the local sangha made of non-celibate priests, and the leadership in itself has been passed down through the generations.&nbsp; Because of its importance, Itumbaha was selected for urgent protection in 2003, and work started in restoring the collapsed south wing of the courtyard by Kathmandu Valley Preservation Trust (KVPT) with support from the German Embassy and the local community. The eastern wing was subsequently restored with support from the World Monument Fund. Read also: <a href="http://archive.nepalitimes.com/news.php?id=604">Polishing up the past</a>, Nepali Times The historical and cultural importance of Itumbaha and its meticulous rehabilitation from 2002- 2016 is now documented in a new book launched by KVPT last week: Restoration of Itumbaha. The book has contributions from a star cast of heritage conservationists and architects like Niels Gutschow, Thomas Schrom, Rohit Ranjitkar and contributions by other local and international experts. Alexander von Rospatt of Berkeley has a longish chapter on the monastic traditions of Itumbaha and explains why its intangible heritage is the reason the place is such a culturally vibrant shrine to this day. Gutschow documents in great detail the restoration work, with revealing before and after illustrations. One of the elaborately carved wooden tympanum was stolen in 2003 and has never been found. It was probably sold by art dealers to collectors or museums. Read also: <a href="https://archive.nepalitimes.com/article/Nepali-Times-Buzz/Legends-of-pragya-paramita,3281">The legends of Pragya Paramita</a>, Shuvechchhya Pradhan As a part of the effort to protect existing artefacts and to spread awareness about heritage theft, a small room in the southwest corner of the courtyard is housing a museum that is being <a href="https://nepalitimes.com/news/itumbahas-living-museum">upgraded with support from the Rubin Museum</a>. The Itumbaha Initiative did not even try to fight the tidal wave of concrete that engulfed the historic heart of Kathmandu in the past decades. There was no legal way to stop private property owners to go high, and neither was there the political will to implement zoning laws. Gutschow notes: ‘Entering the courtyard one experiences a world of its own, a confined sanctuary with a horizon below the eaves. Rising the eyes only one is aware of the other world, contemporary Kathmandu … (with its) aggressive environment.’ And that is the message of this book: that Kathmandu’s best treasures like Itumbaha are hidden away. Finding them needs work. One has to walk down narrow alleys with cantilevered high-rises that block out the sky, through the fumes, noise and crowds of Asan Tole, to enter the Kayagunani square and from there cross the threshold of the inner courtyard and then the sanctum sanctorum. Read also: <a href="https://www.nepalitimes.com/review/remembering-nepals-lost-and-the-found">Remembering Nepal's lost and the found</a>, Ashish Dhakal Centuries of history speak from the corners, cobble stones are polished by the feet of ages, the bricks are eroded with time, chaityas encrusted with vermilion dot the courtyard.&nbsp; Restoration of Itumbaha is a documentation of the heritage and conservation of this priceless secret jewel of Kathmandu, and the book can serve as a useful guide for first time visitors and frequenters alike.&nbsp; Once is not enough because there is so much history and culture crammed into such a small space. Best to take the book along, sit in the square and let the architectural drawings, pre-restoration images and progress of pilgrims immerse you in Itumbaha's universe.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20230728060712_e361648b29caa0a50bc6b0d014cbaacbcdfe2ddad3cd70133f31fc3b5beb88a8.jpg" data-media-id="editor_5" data-image-id="20230728060712_e361648b29caa0a50bc6b0d014cbaacbcdfe2ddad3cd70133f31fc3b5beb88a8" data-rendition-name="original" width="3000" height="1500" loading="lazy" alt="Page 9 book details NT"> </figure>  Read also: <a href="https://www.nepalitimes.com/banner/faith-stolen-lost-in-nepal-found-in-america?fbclid=IwAR339kc1dVacPz-FtNvJMdX7wBCk68KWkYD9EYasJsPphlbsQdwG-cfMkSg">Faith Stolen: Lost in Nepal, found in America</a>, Lost Arts of Nepal

Kunda Dixit

Bedrock of Buddhism

The irreplaceable loss of Kathmandu Valley’s historic hitiThe ancient trade route between India and Tibet cut diagonally through Kathmandu’s city core. At its northern edge was the historical gateway to the city through which Newar merchants passed on their way to and from Lhasa.Today a yellow concrete-and-glass commercial block stands on the spot just northwest of Rani Pokhari. The structure was built right on top of Jhanga Hiti, the ancient sunken spout that stood there till 35 years ago. “This was the spot where families bid tearful farewell to the merchants when they left on perilous journeys across the Himalaya to Lhasa. There is no trace of this historic landmark today,” explains tourism expert Gyanendra Ratna Tuladhar. The Tibet trade thrived for centuries until the Chinese annexation in the 1950s.Considered one of the greatest technological achievements of the Kathmandu Valley civilisation, hiti are traditional stone water spouts built inside conduit basins below the ground level, where drinking water flowed non-stop. The water was piped through underground channels made of Gathu Cha, a type of water-tight clay. <figure><img width="640" height="853" src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221104141140/636516cc9c7e80680e02c239jpeg.jpg" alt=""/><figcaption>Pic 1. Tindhara Hiti. Photos: Bikram Rai</figcaption></figure><img width="557" height="896" src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221104141140/636516cf9c7e80680e02c23ajpeg.jpg" alt="">The sources used to be in a complex network of aquifers, ponds, rivers or natural springs on the outskirts of the valley. This intricate network of water channels helped the valley’s kingdoms to thrive and support urban populations.Today, many of these hiti have dried out due to underground waterways being blocked by rampant construction and other infrastructure. <figure><img width="640" height="427" src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221104141140/636516d19c7e80680e02c23bjpeg.jpg" alt=""><figcaption> </figcaption></figure>When Jhanga Hiti went dry, locals forgot about its historical importance, and when piped water became available it was covered over and converted into prime real estate.A  local football club then laid claim to the land, and eventually obtained permission to build its club house on top of Jhanga Hiti in 1981, permanently burying its glorious history. The lower floors of the building are now rented out to shops, while the football club has offices and a meeting hall on the upper floors.Some 80m to the south is where Bhotahiti was discovered 4m below the surface in 1984 during the construction of an underpass. Water was still flowing from the spout when it was unearthed. The spout dates back to 621 CE and was originally called Vanta Hiti (Eastern Spout).<img style="max-width:100%" src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221104141140/636516d49c7e80680e02c23cjpeg.jpg">Bhotahiti was among seven water spouts in the area, and was first buried during the construction of Tundikhel in the 1880s. The underpass construction went ahead, and Bhotahiti was filled over a second time.The lower portions of the basin of Tindhara Hiti at the southern end of Darbar Marg is still moist with ground water today. Local apathy and official neglect have turned the historic waterspout into a wasteland.Engineering student Rohit Nepali studied Kathmandu’s 7th century Gairidhara, 2 km east of Darbar Marg, and says it dried up only a few years ago when large buildings went up in the vicinity.  <figure><img width="640" height="427" src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221104141140/636516d69c7e80680e02c23djpeg.jpg" alt=""><figcaption> </figcaption></figure><figure><img width="640" height="427" src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221104141140/636516d99c7e80680e02c23ejpeg.jpg" alt=""><figcaption> </figcaption></figure>“We must study and fully understand the physical structures that were built with very little technical resources compared to today, during the Licchavi and the Malla periods, before they all disappear,” Nepali says.Despite many hiti in Kathmandu going dry or filled over, there are still a handful of these historic spouts that provide water to this day to communities in Kathmandu, Patan and Bhaktapur.Maru Hiti is one of them, and it lies at the opposite southern end of the ancient trade route that once bisected Old Kathmandu. Crystal clear drinkable water still flows out of its ornate stone spout day and night.Alok  Siddhi Tuladhar  is a culture and heritage documentarian.

Water of the ages

It was pure drama: the political transition in Madhes unfolded by the dawn’s early light. At around 4AM on Monday, Province Head Sumitra Subedi Bhandari quietly departed Janakpur saying she was headed to Kathmandu for health reasons.&nbsp;
Outgoing Chief Minister Jitendra Sonal, whose coalition had begun to unravel, even saw her off, asking supporters to clear the road for her motorcade.
But an hour later, instead of continuing on to the capital, Bhandari stopped in Bardibas on the East-West Highway. There, as the sun started rising over the misty plains, she administered the oath of office to Saroj Kumar Yadav of the CPN-UML, invoking Article 168(3) of the Constitution.&nbsp;
Bhandari is also a member of the CPN-UML. The provision she invoked is typically used only after coalitions fail under Article 168(2), and the timing and location of the swearing-in have since drawn scrutiny.
Bhandari was subsequently relieved of her duties, and former National Planning Commission member Surendra Labh Karna was sworn in as the new Madhes province head on Tuesday.
Sonal had formed his government barely a month ago, with the backing of 56 provincial lawmakers but it became evident he would not secure the 54 votes needed to survive a confidence motion.&nbsp;
Several lawmakers in his coalition publicly signalled they would abstain. Still, the seven-party alliance that opposed Yadav’s appointment argues that the Province Head, who is the highest constitutional rank in the provincial structure, acted prematurely and under pressure from central UML party command.&nbsp;
A coalition of seven parties, including the Nepali Congress (NC), had been urging the Province Head to invite them to form a new government under Article 168(2). At the same time, the UML, which had been holding demonstrations outside the Province Head’s office in Janakpur, was calling for the formation of a minority government under Article 168(3).
The alliance of the seven parties that included the NC and Maoist Centre took to the streets. By mid-morning, protests had escalated outside Madhes Bhawan with cadre vandalising both the Chief Minister’s office and the Province Head’s office.
This was the third government in Madhes to fall since the 2022 provincial elections, and it follows a similar pattern. The previous Chief Minister Satish Kumar Singh of the Janamat Party, resigned before a scheduled confidence vote after losing the support of his own party and others including NC and LSP.&nbsp;
His resignation unfolded amid nationwide GenZ protests against corruption, demanding accountability and reform. The recurring instability points to a structural tension in Nepal’s federalism.&nbsp;
Provincial politics remain closely tied to alliances shaped in Kathmandu. The withdrawal of support by parties like the NC and Maoist Centre in provinces often reflects national-level calculations rather than provincial priorities.
As a result, the Provincial Assembly is repeatedly consumed by survival of the coalition instead of governance. Development work stalls. Budget execution slows. Public frustration grows. In a province that was at the forefront of the movement for federalism to counter what is seen as neglect, apathy and discrimination by Kathmandu, the sense that the system may not delivering on its promise is becoming increasingly pronounced.
If federalism is to be strengthened, provincial governments must be able to function with a degree of autonomy that currently exists more in principle than in practice. Otherwise, the perception that federalism is costly, unstable, and ineffective will continue to expand, providing fertile ground for anti-federal sentiment that is already gaining traction.
Earlier examples such as the NC General Secretary Bishwo Prakash Sharma in January calling for a new government in Madhes led by his party demonstrates how the central party leadership deliberately intervenes in provincial affairs. His remarks came during campaigns for bi-elections in Madhes when former CM Singh had been in office for six months only.&nbsp;
Likewise, in early June 2024, the federal coalition in Kathmandu shifted from a Maoist Centre and NC to form a new alliance between the NC &nbsp;and the UML. Within a day, coalition negotiations in Madhes changed to mirror this.
UML leaders publicly stated: “The issues at the federal and provincial levels will be resolved together.” This indicated that the realignment in Madhes followed national party decisions rather than provincial deliberation.
The events that unfolded in Madhes are a reminder that federalism in Nepal is still in transition, and that its success depends on political actors honouring the constitutional framework.

Chronic instability in the Madhes

New and old, businessmen and former diplomats, engineers and academics — they have all been trooping to the Election Commission to register political parties ahead of the Sunday deadline.
Till press time Thursday, five new parties had been registered and 21 new parties were in the process of applying. Behind the scenes, new parties are head-hunting, well-known figures are shopping for parties to join, while older parties are splitting or uniting to form new united parties.
“It is reason for optimism that people are enthused to form new parties,” notes political analyst Indra Adhikari. But, she adds, this does not mean that despite the celebrity status they will win votes and succeed in politics.
The outlier in all this are the Nepali Congress (NC) and the UML, which are still licking the wounds after being swept out of power by the GenZ protests in September. Neither are too keen on elections because of the prospect of losing badly.
Former prime minister K P Oli is the most recalcitrant, and seems to want to scuttle elections so Parliament will be reinstated. After announcing that he was stepping down, the NC’s Sher Bahadur Deuba has had a change of heart in Singapore and is gunning to restore Parliament.
Neither party and their leaders have shown any remorse for the 8 September massacre, or understood the outrage on the streets against their decades-long incompetence and corruption. &nbsp;
Among those registering parties are various GenZ youth groups and family members of those killed during the September protests. Notable among the new parties certified this week was Gatishil Loktantrik Party (गतिलो) backed by Buddha Air founder Birendra Basnet and led by sociologist Dinesh Prasai. Dharan Mayor Harka Sampang’s Shram Sanskriti Party is also registered.
Energy and Infrastructure Minister in the interim government Kulman Ghising has backed the Ujyalo Nepal with former secretary Anup Kumar Upadhyaya as its chair. Ghising has been playing coy about his political ambitions, and is planning to resign from his cabinet post before elections.&nbsp;
Ghising had been talking to Rabi Lamichhane’s RSP about joining, but that negotiation failed. Former RSP lawmaker Sumana Shrestha was supposed to join Ghising, but pulled out following Ghising’s reluctance to resign from government.
Ghising has much public support because he is credited with ending power cuts as head of the Nepal Electricity Authority, but is now getting flak for being unwilling to give up his ministerial portfolios while still wanting to contest elections. &nbsp;
Ujyalo has hit other snags. GenZ activist Tashi Lhazom, who was considered for a Cabinet position last month but was dropped by Prime Minister Sushila Karki, has said she is not in Ujyalo despite being listed as a Central Committee member. Another member has said that he will not be a part of Ujyalo due its “a lack of political culture”.
Even though Nepalis from across backgrounds and professions are eager to participate in the country’s new political landscape, there are doubts about the structure of their parties, ideology and electoral platforms.&nbsp;
Hurriedly set up parties without a shared philosophy have less chance of political influence and longevity. For example, the RSP was formed just months before the 2022 polls to become the fourth-largest party in Parliament, has lost its momentum, and its leader is in jail.
“Parties like the RSP, which did some positive work after being elected, have still not been able to establish a clear ideological roadmap or organisational structure,” Adhikari says. &nbsp;“It is easy to form parties, the real work goes into building an institution, which is the hard part”
Meanwhile, despite expectations of increased and inclusive youth participation not just at the polling booths but also on the ballot, only a few GenZ-led parties are applying at the Election Commission. They include the Rastriya Pariwartan Party and the Rastriya GenZ Party Nepal. Most other parties are led by men in their 40s, even in their 70s.&nbsp;
Analysts note that despite hopes of young blood in politics, Nepalis are still inclined to trust those with experience, as evidenced by GenZ’s choice of Sushila Karki to succeed KP Oli as Prime Minister after the September protests.&nbsp;
“So it will be difficult for young Nepalis without prior political experience to lead parties and it will be even more difficult for them to cultivate enough public trust to get votes,” says Adhikari.&nbsp;
Then there are the old political players, who have been breaking up and making up new alliances. Resham Chaudhary quit his Nagarik Unmukti Party and registered a new one.
Last week, Puspha Kamal Dahal’s Maoist Centre, and Madhav Kumar Nepal’s Unified Socialists merged along with smaller leftist parties to form the Nepali Communist Party (NCP). Disgruntled former UML members like Bhim Rawal have also joined the NCP. On the other hand, Janardan Sharma has fallen out with Dahal and is going his own way.&nbsp;
Even though the NC, UML and NCP show little sign that they have learnt their lesson and will be turning a new leaf, they still have the party organisation and vote banks to fall back on at election time in the runup to 5 March. &nbsp;
Says Adhikari: “At the end of the day, Nepali society remains hyper-partisan. And although the newly-formed parties and their popular candidates may give older leaders a run for their money, established parties will still benefit from their solid vote base.”

Party Time

You do not have to be a climate expert or atmospheric pandit to claim that Nepal is not pulling its weight on the grand narratives of the Anthropocene. As a heavily populated ‘country-on-an-incline’ from the Tarai to the Himalaya, Nepal is a thermometer of global warming.&nbsp; Its people are human witnesses to environmental and climate breakdown, but remain mute observers to the unfolding crises. Nepal should be leading the pack at the COP30 climate conference in Belém, backed by science and lived experience. But it is doubtful that two of the most crucial climate-related subjects central to the culture, economies and human wellbeing in the Himalaya and South Asia will be discussed at the summit that started this week in Brazil.&nbsp; The first topic that should be raised at COP is Black Carbon or the South Asian Brown Cloud, made up of tiny suspended particles in the air. This is not just a transboundary health hazard, there is now enough science to make the case that Himalayan snowmelt is accelerated significantly by the albedo effect that makes ice melt faster because of reduced reflectivity. But Kathmandu has not been able to make governments near and far listen. In 2014, I wrote a short piece published in Outlook magazine explaining why India’s Prime Minister Modi looking northward from a SAARC Summit retreat in Dhulikhel was unable to see the Jugal Himal range barely 30km away. His view was obscured by the pollution layer arriving from as far away as Lahore with substantial contribution from the Delhi region. That summit itself was an opportunity for Nepal to inform the Indian and Pakistani prime ministers that much of the haze, smog, dust and soot that settles on our slopes was generated in Sindh, Punjab, Punjab, Haryana, Western UP and Delhi NCR, carried by prevailing westerly winds up to the Himalaya. The forest fires within Nepal as well as Kathmandu Valley’s pollution contribute to the haze, but the shroud that suffocates the region through autumn, winter and spring is mostly transnational. Last year, these anthropogenic fine aerosols actually curled over the Bay of Bengal and invaded the airspace of Sri Lanka and Maldives.&nbsp; Even as the soot particles accelerate glacial melt and impact everything from infrastructure to public health, the most visible effect is on tourism. Nepal’s economic future is based on tourism, and much of this relies on being able to see the snow mountains. Why should travellers go to Pokhara if they cannot see the Annapurnas?&nbsp; Hoteliers in Nagarkot have started a campaign: ‘Visit Nagarkot 2025: More than Sunrise and Sunset’. While clever, the slogan is a response to the acclaimed Himalayan vista from Everest to the Annapurnas from the hill station, now obscured by the brown curtain of haze for most of the year. As the bellwether country of South Asia when it comes to the climate crisis, Nepal must build diplomatic confidence to reach out to the governments of Pakistan and India even in their present state of antagonism. Kathmandu must launch ‘haze diplomacy’ for its own sake and for the region.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20251113001132_16c9941da7b31c1d4683c06dc0f8a572803240701270606848851f915140329c.jpg" data-media-id="editor_0" data-image-id="20251113001132_16c9941da7b31c1d4683c06dc0f8a572803240701270606848851f915140329c" data-rendition-name="original" width="1005" height="695" loading="lazy" alt="permafrost"> </figure>  IMPERMANENT FROST&nbsp; Permafrost is understood mostly as a phenomenon of the Arctic, Antarctica, Siberia and Alaska. Mountains elsewhere did not figure, though it was natural for the ground to freeze all year round at high altitudes.&nbsp; In the Himalaya, besides the snowfields and glaciers, frozen moisture binds rocks and stabilises slopes. But global warming is melting the permafrost that used to cement mountain flanks, including boulders, sand and scree slopes. Some of the debris (गेग्रान) did tumble down, but much of it remained entombed on high, thanks to permafrost. Pokhara Valley and the Seti River reaching all the way up to the base of the Annapurnas, is the best place to observe this dance of geology between gravity and the mountain range. Rubble from the collapse about <a href="https://nepalitimes.com/here-now/remembering-the-seti-disaster">700 years ago of paleo-Annapurna IV </a>created the sediment field on which Pokhara is situated today. However, much of the debris from the crumbled mountain is still lodged up on and around Annapurna IV, but the binding is loosening with the warming earth. A <a href="https://www.icimod.org/event/analysing-permafrost-in-the-hindu-kush-himalaya-using-open-access-tools/">2024 report by the International Centre for Integrated Mountain Development (ICIMOD)</a> indicates that global warming is thawing the permafrost across High Asia. Among the unintended consequences of climate breakdown is that mountains and moraines are collapsing, with <a href="https://www.icimod.org/press-release/everest-region-a-hotspot-of-cryosphere-linked-hazards-icimods-new-study-on-nepals-2024-thame-flood-confirms/">cascading impact</a> that includes glacial lake outburst floods, reduced groundwater recharge as well as winter flow in the Ganga, Indus and Brahmaputra. No one has calculated the total volume of rubble locked in by permafrost across the Himalaya. Despite the increased risk, there is accelerated construction of highways, hydropower projects, housing and tourism infrastructure across the Himalaya. While the COP conferences discuss rising oceans and receding glaciers (without doing much about it), Himalayan permafrost has been melting unremarked. In their path-breaking September 2024 <a href="https://nepalitimes.com/multimedia/the-not-so-permanent-frost">article in Nepali Times</a>, Wilfried Haeberli and Alton C Byers argued that the extreme events of the past few years that led to mountain and moraine collapses, unleashing destructive debris flows downstream, were the result of melting permafrost. Haeberli and Byers suggest that the avalanches and floods including those of <a href="https://archive.nepalitimes.com/article/nation/Anatom-of-a-Himalayan-tsunami,1330">Seti (2012)</a>, <a href="https://www.icimod.org/article/understanding-the-chamoli-flood-cause-process-impacts-and-context-of-rapid-infrastructure-development/">Chamoli (2021)</a>, Birendra Tal (2023), <a href="https://www.sciencedirect.com/science/article/pii/S2772883825000251">Sikkim (2023)</a>, <a href="https://nepalitimes.com/news/climate-breakdown-linked-to-thame-flood">Thame (2024)</a>, <a href="https://himat.org/publication/byers-rockfall-induced-2019/">Barun (2017)</a> and <a href="https://nepalitimes.com/banner/drones-to-the-rescue-in-melamchi">Melamchi (2021)</a> were the result of the thawing of frozen ground. They say that the collapse of the lateral moraine on the <a href="https://nepalitimes.com/news/sikkim-flood-is-warning-to-nepal">South Lhonak glacial lake</a> in Sikkim on 4 October 2023 that swept away more than 100 people, destroyed the $1 billion Chungthang Dam as well as houses, roads and farms far downstream, was also caused by cloudburst on a lateral moraine that had lost its permafrost adhesive. There will be permafrost sceptics, as there have been climate change deniers. But it is time to wake up to the reality that the Himalayan peaks are no longer the immutable sentinels as regarded by humanity since prehistoric times.&nbsp; Modern society has pumped so much greenhouse gas into the atmosphere that now even the mountains are giving up. And we have not even begun to think about the bacteria and viruses locked away in the permafrost up the slope.&nbsp; Loss of permafrost adds to the cumulative impact of climate breakdown, including extreme weather events, drought and cloudbursts, heat waves in the plains affecting lives and livelihoods, creating mass migration, social unrest, and upending politics and geopolitics. The government and polity of Nepal have a duty to themselves and the larger humanity to wake up to the climate breakdown. The Sagarmatha Sambaad conclave organised by the Government in May failed to emerge as a pulpit for global warming and associated ills. Our political class, bureaucracy and academia should make up for lost opportunities to rise to the occasion and take the lead.&nbsp; Kanak Mani Dixit is writer, commentator and founding editor of Himal Southasian.

Climate of tragedy and apathy

The very first frame in The Lama’s Son starts with a vision of Shangrila and the quest of a mythical utopia in the Himalaya when the rest of the world is crumbling away. It is also the personal search of filmmaker Kesang Tseten, but what he finds there are adherents of the Bon Po faith clinging to the last remnants of a culture as it erodes away like the sandstone cliffs of Mustang. “It was while editing the documentary that the story became distilled: how does what we see in the high Himalaya relate to the notion of the Shangrila idyll that especially the West ascribed to them,” asked Tseten during a recent trip to Kathmandu from Berne where he now lives. He continued: “Often and perhaps rightly criticised as an orientalist construct, I wondered if there was any basis at all to the Shangrila notion, and I hung the film on that idea.”&nbsp; Tseten takes us to the vast visas of Mustang and Dolpo, a landscape of his Tibetan ancestors. This is as much an intimate documentation of families on Nepal’s Himalayan rimland torn between remoteness and globalness as it is about Tseten’s own quest for rootedness.&nbsp; We start from Lubra, a 3,000m village in Mustang the 15 households of which follow the Bon faith. Lama Tsultrim is from a 900-year-old lineage of the animist faith and an exponent of the tradition that is slowly being subsumed first by Buddhism and now modernism. For Tseten, the material is familiar, and not at all exotic as it is for non-Nepalis and indeed for many urban Nepalis. Bon, founded in Tibet, predates Buddhism, but over time, the two religions have come to resemble each other.&nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20251113111156_ecf8148fbaa17b93c81ddfa3ed244bed266e3ef6af0cd5e6ca7b64c181b97d45.jpg" data-media-id="editor_0" data-image-id="20251113111156_ecf8148fbaa17b93c81ddfa3ed244bed266e3ef6af0cd5e6ca7b64c181b97d45" data-rendition-name="original" width="1920" height="1080" loading="lazy" alt="The periphery cannot hold NT"> </figure>  ‘Both believe in karma, rebirth, and that humans can become enlightened. Nature and spirits are predominant in Bon, and rituals are what keep them benign and alight,’ says Tseten, who rarely narrates in his documentaries. “This is not really a personal film as such, but it has a point of view,” Tseten said. “I decided to have a voice-over on this one and cast my presence in the film.”&nbsp; Lubra's Lama Tsultrim is called upon to perform rituals from Kagbeni and other villages, but there is no one to continue the tradition after him, which is passed from father to son. Lama Tsultrim’s son (hence the title of the film) is a sushi chef in New York and has been gone for 20 years. “The Lama is like a setting sun, his son should come back and take over his father’s responsibilities,” says a local youngster chatting with friends. “If he dies tomorrow, where do we go? We can’t just light butter lamps ourselves to the gods.” It is not only the Lama’s son who has left. The village is nearly empty, and more are planning to leave. One of them is Chimi, a teacher who will be joining her fiancé who is an Uber driver in New York. Her brother is already in Hong Kong. In Lo Manthang a local is back home for a three-month vacation after being in New York for 12 years. A shopkeeper was in Japan for several years, and has returned. “Everything has changed, our language, our tsampa, our religion. We used to work and live together, now the children live separately,” says a middle-aged woman. “There are roads now, and vehicles stop right outside our house, but what’s the point? No one stays home.”  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20251113111156_47b4c4984fa33e42791b16dba1f078aaa7f9d8bd51ca3bfd5415b436c3a0bf2c.jpg" data-media-id="editor_1" data-image-id="20251113111156_47b4c4984fa33e42791b16dba1f078aaa7f9d8bd51ca3bfd5415b436c3a0bf2c" data-rendition-name="original" width="1920" height="1080" loading="lazy" alt="The periphery cannot hold NT"> </figure>  Like most of Tseten’s films, The Lama’s Son is an honest documentation of a place and people whose lifestyle, culture and heritage cling precariously to the past. In Dri village we come across local women filling their buckets with water. Tseten asks them why the village is so empty: “Where is everyone?” The women reply that they are “here, there and everywhere”. Then it is their turn to ask Tseten about where he lives and what he is doing in their village. Migration is a recurring theme in Tseten’s documentaries from We Corner People, In Search of the Riyal, or Saving Dolma. His previous film Diversity Plaza documented the lives of Nepali and Tibetan emigrants in Jackson Heights in the borough of Queens in New York.&nbsp; Diversity Plaza was shown at DOC NYC in 2023, and The Lama’s Son will be one of only two Asian films shown next week at one of the biggest documentary film festivals in the world.&nbsp; “The Lama’s Son is not loud, not attention grabbing but intimate, so I was surprised they chose a quiet film for a big, flashy event,” Tseten told us. In Lama’s Son, we also see how climate breakdown is impacting Nepal’s trans-Himalayan regions. Lama Tsultrim shows us the aftermath of a recent glacial flood that swept away houses and fields. The debris-covered farms are as hard as cement.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20251113111156_c82126a3c2dc4577b99beb9bef20aafa16f532a3f41e59caea17c93914c59fff.jpg" data-media-id="editor_2" data-image-id="20251113111156_c82126a3c2dc4577b99beb9bef20aafa16f532a3f41e59caea17c93914c59fff" data-rendition-name="original" width="1920" height="1080" loading="lazy" alt="The periphery cannot hold NT"> </figure>  The nearby village of Dhey at 3,900m is a high and dry cold desert. Farmers get one crop in a year, but the springs have gone dry and there is no snow in winter. So they are relocating to New Dhey, closer to the road. We follow Kesang Tseten to Samling in Dolpo, which at 4,200m is another Bon village. Locals are preparing for the Walchu festival in which Lama Sherrab carries out elaborate rituals to appease spirits that can turn malevolent. But unlike Lama Tsultrim in Lubra, Lama Sherrab has a community of lamas to help him, including two sons, one of whom will eventually take on his role. We move on to the adjacent village of Bicher and listen in as locals talk about how despite being dirt poor, they thrive in scarcity and are resilient. “We wear sheepskin, eat stew and yak meat, and drink wine. But we are very poor, we have nothing. Look at how dirty our clothes are. We may be dirty, but we have few illnesses,” says one. But even here in Upper Dolpo, a week’s walk from the nearest road, things are changing. There are mobile phones, readymade clothes and instant noodles.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20251113111156_d1472165cfa9ffa6edbf72de59167e8cbddcc2bf4a7928f7830e099966259a78.jpg" data-media-id="editor_3" data-image-id="20251113111156_d1472165cfa9ffa6edbf72de59167e8cbddcc2bf4a7928f7830e099966259a78" data-rendition-name="original" width="1920" height="1080" loading="lazy" alt="The periphery cannot hold NT"> </figure>  At the Walchu ritual, Tseten watches men and women with hand-woven blankets and down jackets sing and dance after the main ceremony. He narrates: “Bon is sustained by a way of life that fosters a fine but fragile balance between nature and people, where humans come before gods. This is what lies at the heart of Shangrila if there is such a thing.” The film then takes us half-way around the world to a Bon centre in New York, but (spoiler alert) the eponymous Lama’s son never appears. He did not want to be filmed, but it makes for a more powerful portrayal of the life of emigrants forever trapped between two worlds. “Bon villages may be in danger, but the Bon has spread widely across the world,” narrates Tseten, a director who likes to call his storytelling ethnographic, and avoids coming to an apt conclusion. Lama Sherrab’s words after the Walchu ritual is a perfect segue:&nbsp; “Whether you say om mani padme hum (in Buddhism) or matri mi yu (in Bon) they are the same. When you go up, it’s the same heavenly realm. If you go down, it’s still the lord of death who awaits. There isn’t a separate heaven and hell for Buddhists and Bon, it has to be the same for both.” &nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2025111312110_82817ef48840bb6baa1732d5b0b90c90ead2f9bd9eb0c289940fa61d8058de8d.jpg" data-media-id="editor_4" data-image-id="2025111312110_82817ef48840bb6baa1732d5b0b90c90ead2f9bd9eb0c289940fa61d8058de8d" data-rendition-name="original" width="7087" height="10004" loading="lazy" alt="The Lama's Son NT"> </figure>  The Lama’s Son by Kesang Tseten, 2025 Shunyata Films To be screened at DOC NYC 16 November at 2:05PM local time, Online: 17-30 November Details <a href="https://www.docnyc.net/film/the-lamas-son/">here</a>.