“Yesterday I heard a song called Yo Man Ta Mero Nepali Ho by the band 1974AD. Do you know what happened in the year 1974?” asks South Korean Ambassador Taeyoung Park as he sat for an interview with Nepali Times. “It was the year Nepal and the Republic of Korea established diplomatic ties.” South Korea is one of the most sought-after labour destinations among Nepalis. Salaries are higher, labour rights are guaranteed and working conditions are much better than elsewhere. There are now nearly 100,000 Nepalis in Korea, working primarily in agriculture and manufacturing. At the same time, Korean pop culture, food and fashion have increasingly taken over the lifestyle of urban youth in Nepal. Korea’s soft power has become a powerful draw for Nepali youth. As Nepal and Korea prepare to mark 50 years of diplomatic relations, Park spoke to Nepali Times, reflecting on five decades of bilateral cooperation as well as the potential for tourism, trade, and better-paying jobs for Nepalis in Korea. Excerpts of the interview: Nepali Times: How have the 50 years been for Nepal and Korea? Taeyoung Park: It has been a journey of solidarity. We have been sharing prosperity between the two countries especially after we started taking migrant workers from Nepal through the Employment Permit System (EPS) in 2007. Nepali migrant workers have been helping the Korean economy prosper and Korea has shared its skills and knowledge. That exchange, I believe, solidified the foundation of friendship between the two countries. It was through this exchange that we started to understand each other better and share prosperity. Tens of thousands of Nepalis spend 5-10 years of their life in Korea gaining skills, knowledge and experience. Just last year, 20,000 Nepalis went to Korea for foreign employment, the record highest annual number to date. For 2024, there is a national quota of 165,000 foreign workers, and we hope to increase the number of Nepali workers. Nepal is also the biggest contributor among 16 EPS partner countries in Asia. Korea has a labour shortage due to its low birth rate, so we will continue to draw low-skill migrant workers from Nepal and prioritise human rights and labour rights providing them with the same conditions and protection that domestic workers enjoy. As of now, our need is for low-skilled Nepali workers, but bilateral relations between the two countries have also opened a wider window for skilled labourers. We would be happy to have more talented Nepali workers, they are known in Korea to be hardworking and reliable.  <figure><img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2024012702010_63b4098fcc2a714644b344392d889b7a2313170f9123bfed22043dc84f1bff9b.jpg" data-media-id="editor_0" data-image-id="2024012702010_63b4098fcc2a714644b344392d889b7a2313170f9123bfed22043dc84f1bff9b" data-rendition-name="original" width="2000" height="2667" loading="lazy" alt="Taeyoung Park"><figcaption>Photo: KUNDA DIXIT</figcaption></figure>  Last month, two Nepalis were killed during an EPS protest in Kathmandu. How can the system be better regulated? We were very saddened by the incident. I would like to share my sincere condolences to the families of Mr Rawat and Mr Shah who lost their lives. We have a separate EPS office that has been working closely with the Nepal government trying to sort out the problem. We will continue the practice of working closely. That being said, what we also have to understand is that there is a huge demand and supply gap. We are working with headquarters to increase the quota for Nepali workers, but the demand for jobs is much higher than supply of labour in Korea. When the demand and supply do not match, managing human resources does become a problem. The problem arises when there is too much demand, there have to be measures to calm down the demand. What do you think is the potential for closer Nepal-Korea bilateral ties? There are 3Ps in diplomacy: peace, people and prosperity. In terms of peace, our two countries have had no problems. There has always been a cooperative relationship between Korea and Nepal. Second is the people. Through the EPS system for labour and with tourism, people from both countries have had the chance for cultural and economic exchange. Citizens of both our countries have an affinity with each other. As for prosperity, there are many ways to prosper. Korea’s post-war prosperity rested on private-sector led growth. Investment by the private sector can be the new arena that can help Nepal’s economy flourish. Nepal is a priority country for Korean development cooperation. Foreign investors are entirely business people, not so much NGOs or philanthropists. Korea is the fourth largest investor in Nepal, and I see much potential for foreign investors here in Nepal. Although it might be too early to say, we are working on drawing up a bilateral investment treaty. Meanwhile, the Nepal government can also work on building a base to attract more Korean investors. What sectors have been of interest to the Korean government and private sector investors? We believe in the power of human resources, it is what our country is built on. Our initiatives in capacity building and vocational training in provinces like Bagmati, Gandaki and Lumbini is a reflection of our focus on human resources. We intend to have at least one vocational training centre in each province. Nepal’s energy sector is also something Korea is interested in. Korea has already invested in three hydropower plants: Modi Khola which was completed in 2000 and the Chameliya in 2018. The most recent investment was on the Upper Trisuli-1 hydropower plant which is to be completed in 2027, and this is the biggest project so far with 216 megawatt generation capacity. And then, there's the manufacturing sector. Samsung Electronics has been operating a tv Factory here in Nepal for almost a year now. Hyundai Motors of Korea and Nepal’s Laxmi Group have collaborated to assemble up to 5,000 automobiles a year from a factory in Nawalparasi district. Hi-mo's Nepal Mandumo is a Korean wig company which has opened a factory here creating job opportunities for 680 Nepali women. At the same time, Nepali herbs, tea, organic coffee and pashmina are things have a potential market in Korea. How can Nepal be made a more attractive destination for Korean tourists? Statistics show that Korea falls in the ninth position in terms of tourist arrivals. Last year the number of Korean tourists was around 24,000, and it is likely that we can reach the pre-pandemic number of 40,000. The spiritual link that connects Korean Buddhists to Nepal does increase the probability of more Korean tourists arriving in Nepal. Nepal being the Buddhist pilgrimage site has historical importance for the Korean Buddhists. The other link can be hiking and trekking. Koreans love to hike. Hiking and trekking in the Everest region is a dream for Korean hiking enthusiasts. The civil aviation authorities of the two countries are working to increase flights between Seoul and Kathmandu, including for Nepal Airlines. How can Nepal and Nepalis benefit more from Korea’s labour market in future? Two-thirds of the migrant workers from Nepal in Korea work in manufacturing industries and the rest in the agricultural sector. They are contributing greatly to Korea’s economy. But we do not want the benefits of their labour limited to our country, we want the returnees to utilise the skills and knowledge they gained over the years for their own entrepreneurial ventures when they return to Nepal. That is why, apart from other sectors, fostering education and entrepreneurship have also been our areas of interest. It is education that will pay off in the long run. Nepalis deserve better opportunities and high quality education. Our KOICA office is also helping with the Returnee Integration Program to help Nepali workers coming back from Korea get a new start. In the near future, we want to see Nepal as a country with a self-sustained economy. I would love to see Nepal where Korea is today.

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“Yo Man Ta Mero Nepali Ho”

<figure><img width="705" height="311" src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221110161132/636d19a49c7e80680e0ac82ejpeg.jpg" alt=""/><figcaption></figcaption></figure>From Bigbang to BTS, Train to Busan to Parasite, and Winter Sonata to Crash Landing on You, South Korean movies, tv series, and music have dominated the watching and listening preference of Nepalis for the past two decades. Adding to the <a href="https://www.nepalitimes.com/banner/k-pop-in-k-town/" target="_blank" rel="noopener noreferrer">growing Hallyu wave in Nepal</a>, and globally, is Netflix's runaway hit Squid Game.
The dystopian series, which debuted on Netflix in September, has amassed a huge following with the streaming platform reporting views from 111 million accounts in less than a month since its premiere, making it its ‘biggest-ever series at launch’.
The show follows a group of people from different walks of life, who pushed to the brink of desperation play dangerous versions of children’s games to win money. All of this is orchestrated by wealthy people looking for some entertainment.
The setting is brutal, and the show does not shy away from blood and gore – of which there is plenty throughout the nine episodes.
But what seems to have struck a chord with people globally and in Nepal is the series’ portrayal of the wealth gap prevalent in the real world today, and the values and morals humans are willing to stake for money.
The show’s success can be gauged by the numerous articles in the media, memes and clips circulating online, a spin-off reality show in China, the number of followers the cast has gained following the premiere, and even the viral videos and social posts about Dalgona candy used in the series for a game of ppopgi, where contestants need to carve out the image on the candy with a needle without breaking it. There are also viral challenges inspired by Squid Game doing rounds on TikTok, and media reports of record-breaking searches of Halloween costumes inspired by the show.
Much of the incredible reception can also be attributed to the hype generated by the initial reviews, and word of mouth. Many Nepali viewers watched the show when clips and reviews started flooding the social media because they did not want to be left behind. For others, it was an introduction to the world of K-dramas that are otherwise popular for rom-coms.
For a certain section, the Dalgona candy seems to have struck a sense of nostalgia as they reminisce about the craze of Dalgona coffee during the lockdown.
In Nepal, the character of Ali, a Pakistani migrant worker played by Anupam Tripathi seems to have hit home for many. The desperation to provide his family a good life, the loyalty he exhibits even till the end and the gruesome death he faces seems all too familiar to the tales of many Nepalis who leave the country every day in search of a better future in Korea and overseas.
But the success is not without criticism. The show’s writer-director Hwang Dong-hyuk has been accused of borrowing extensively from other survivor genre movies like the Hunger Games, Battle Royale and particularly the Japanese film As the Gods Will. And many have been put off by the bloodshed. There are also those who have watched it for the fear of missing out, but ended up calling it overrated.
As Squid Game has gripped the Nepali viewers we asked our readers: "What do you think about the underlying metaphor of the hit series?"
Here is what they had to say (some comments contain spoilers):
While the world seems to be obsessed with class disparity, I believe Squid Game is a screaming reminder of absurdity - the existential philosophy of people like Camus or Sartre. Combine it with a Kafkaesque sense of an impending sense of eternally being guilty of something - like in 'The Trial'. Replace overpowering sense of doom with 'debt anxiety' and suddenly the massive global debt (which includes South Korea) that the world seems to be drowning in starts making sense. On top of that, throw in the "illusion" of choice and you have a perfect mimicry of absurdity. Whether you play, or you don't, you're deemed to have a life full of inescapable suffering.                       Avinash Mishra
There's a lot about Squid Game that stands out but most particular is how class solidarity is made impossible by the realities of capitalism. The show does such a brilliant job of making "villains" out of Sang-Woo and Deok-su that as the audience, you almost forget that the real villains are the people orchestrating the whole thing. The Front Man and the VIPs (the capitalists who can afford to throw around 45.6billion won for "entertainment" and bet $1million on single players) are the ones we (the audience) should be rooting against and yet we forget that halfway through the series. Another example of how class solidarity is made impossible is illustrated by the marbles game. When the managers ask the remaining players to pick a partner, the instinctual thing for the players to do is to pick someone they trust, someone they know will not betray them at the last moment, and someone who is reliable. And what does the marble game make the players do? It pits teammates against each other in the most brutal and jarring way. When Sang-woo betrays Ali, someone he's not only helped earlier in the show but also allowed to refer to him as "hyung" (older brother), it's horrifying, yes. But it's also a reminder of how the core of capitalism was, is, and always will be individualism. This is only further highlighted at the end of the series when Gi-hu finally meets player 001 and finds out who the "mastermind" behind the games was. There was a relatively recent study that concluded that the more wealth you accumulate, the less empathy you have. The way player 001 talks about how he and his rich friends were bored, and they basically developed their own version of the horse tracks and the callousness with which he wants to wait and watch the drunk man on the street die, show exactly this apathy that the wealthy have towards others. I, for one, kept waiting for Gi-hu to run down and help because the bet never said he couldn't do it. The fact that the old man was proven wrong adds to the central thesis of the show which in my opinion was: capitalism strips you of everything that makes you human and makes you believe that the cruelty and individualism and selfishness you see in the players are inherently human. But they're not. They cannot be. Because we see Gi-hu go out of his way to help and assist player 001 from the beginning. We see Sang-woo give his food to Ali. We see Ji-yeong sacrifice her life for someone she only just met because Sae-byeok had something and someone to live for. We see flashes of these players care for each other despite the circumstances. We see them resist the dehumanisation.
The cruelty, individualism, and selfishness are bred into humans by capitalism to foster itself. We are closer to Rousseau's idea of humanity rather than Hobbes's. There are so, so many more layers to this show, from gender to race to immigration to religious fanaticism to social Darwinism. The exploitation of the working class is at the core though. The fact is that no matter how hard some people work, their circumstances won't change because the odds have been stacked against them from the beginning. Maybe even before they were born.
UNDP's Human Development Report 2019 said that inequality was on the rise and "Far too often a person’s place in society is still determined by ethnicity, gender or his or her parents’ wealth."
I think this show does a wonderful job of illustrating this.                                          ]Andrea Upadhyay
The Squid game was a breath of fresh air especially because Asian tv shows <a style="letter-spacing: 0.01em;" href="https://archive.nepalitimes.com/news.php?id=19842#.YXlXTC2B3-Y" target="_blank" rel="noopener noreferrer">apart from rom com cliché</a> catching up to Hollywood is good. It also perfectly portrayed how the wealthy exploit the weaker member of the society, demonstrating the gap between the rich and the poor. And of course, the private debt trap, its impact on Korean society, Korean point of view of North Koreans. It might feel overrated for we are used to watching survival dramas on a big budget. But keeping that specific part aside, we can see many nuances of the society in the drama.                                                    Manisha Gadtaula
I just finished watching Squid Game. It depicts an underlying disparity between the ultra-rich and those struggling for survival daily. The rich treat the poor as "horses" and enjoy watching their death-surviving races akin to horses running on the track.      Shailesh Sharma
The underlying metaphor of the <a href="https://www.imdb.com/title/tt10919420/" target="_blank" rel="noopener noreferrer">K-drama ‘Squid Game’</a> is economic inequality. The ones affected by its impact in real life were participants who came to play games to win the prize but were later eliminated and killed for the sake of providing entertainment to the creator of the games, the old man himself, as well as to other VIP guest spectators. Just like that, people, especially from poor countries, are exploited and killed daily by rich nations for the sake of enjoyment from their hard work. There are several examples of how this drama is representative of many real life events, but one that instantly came to my mind was the death of hundreds of young and healthy <a href="https://www.nepalitimes.com/opinion/the-workers-football/" target="_blank" rel="noopener noreferrer">Nepali migrant workers constructing stadiums</a> for the FIFA World Cup 2022 in Qatar for spectators. The entire survival game of the drama is organised by player 001 (wealthy old man) who thinks the one thing that is common between rich, and poor is that everything gets boring in the end and hence is ready to do anything to relive the joyful moments. Likewise, the FIFA World Cup is something that is watched by half of the world, as proven by the 2018 FIFA World Cup Russia; so in essence, many migrant workers sacrificed their lives for the sake of providing enjoyment to half the world the next year. In the end, only one player was alive, who was also the winner of the game. Many migrants survived the construction of the stadiums, but it doesn’t justify <a href="https://www.nepalitimes.com/latest/world-cup-stadium-workers-in-qatar-unpaid/" target="_blank" rel="noopener noreferrer">the injustice</a>.                                                                                                                                 Subidha Parajuli
Once you have everything that you desire, you get bored and then your longing to feel such excitement again in life grows so much that it forces you to look for extreme ways of achieving that, most of which are ethically wrong because doing good things hardly give you the same rush as the bad stuff.                                                                     Avi Stha
The show seems to have been inspired by some of the Hollywood flicks, such as Saw and Hostel. Nevertheless, its metaphor is subtle and to the point and to some extent it is successful in showcasing the divide between the rich and the poor. What I liked about the series is that despite the impoverished and the poor being in the majority and sharing the same affliction, they still want to get to the top at the cost of others. This is a subtle jab at how our society works today.                                                        Sushil Rana

Squid Game: latest addition to the global Hallyu wave

In the black and white photograph, General Wangdu smiles broadly in front of the dusty cactus garden in Kathmandu’s Annapurna Hotel. With an ill-fitting jacket and shaggy hair he looks benign enough, but this was the last leader of the Tibetan freedom fighters who led the resistance against the Chinese from their remote mountain hideouts in <a href="https://nepalitimes.com/here-now/comings-and-goings-in-mustang">Mustang</a>. Five months later, Wangdu was dead. Snapped in March 1974, I had only recently arrived in Nepal. How did I meet this legendary fighter? Possibly with his devoted camp follower, Lynne Klapecki, and probably in the Om Restaurant near Freak Street which was the preferred <a href="https://nepalitimes.com/banner/hippie-trail-nostalgia-in-kathmandu">hippie hang-out</a>. Om Lobsang and his brother Yeshe were <a href="https://archive.nepalitimes.com/page/earthquake-brings-back-memories-of-camps-for-tibetan-refugees">refugees from East Tibet </a>whose cafe offered a friendly welcome and<a href="https://nepalitimes.com/multimedia/momo-loco"> the best momos</a> - they became my in-laws after I married their eldest brother Tenzin, but that was a decade later.&nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2025052403054_4573b34282b0f5395c007243d6bef12c7ba76bfd520419e994cdcea048d795a1.jpg" data-media-id="editor_4" data-image-id="2025052403054_4573b34282b0f5395c007243d6bef12c7ba76bfd520419e994cdcea048d795a1" data-rendition-name="original" width="1000" height="1583" loading="lazy" alt="The last days of the Khampa NT"> <figcaption>Photo: LISA CHOEGYAL</figcaption> </figure>  Wangdu’s English was enthusiastically rudimentary, but even riding around town with him on the back of an aging <a href="https://nepalitimes.com/here-now/kathmandu-s-new-motorbike-museum">motorbike</a>, he was a commanding presence. Always flanked by armed outriders, impressive scars marked his forearms and a pistol hung from the cord around his neck. A charismatic guerrilla leader, Wangdu was celebrated by his followers for his tough commitment and respected for his measured pragmatism. He seemed so young to have shouldered such a responsibility of command, leading hundreds of hardened <a href="https://archive.nepalitimes.com/article/nation/50-years-after-the%20raid-into-Tibet,1012#google_vignette">Khampa combatants </a>through what had been a particularly <a href="https://nepalitimes.com/news/heavy-snowfall-over-nepal-himalaya">brutal winter in Mustang</a>, the last bastion to hold out against the Chinese invasion of their Tibetan homeland.&nbsp; The freedom fighters of Tibet, known as the Chushi-Gangdruk, had emerged to resist the <a href="https://nepalitimes.com/editorial/territorialism">Chinese takeover</a> of Tibet during the 1950s. Estimated to be 80,000-strong at the time of <a href="https://nepalitimes.com/here-now/what-or-who-after-the-dalai-lama">the Dalai Lama</a>’s final escape to India in 1959, the sheer number of Chinese deployed into Tibet eventually forced the Chushi-Gangdruk to retreat to Mustang, From this high Himalayan stronghold, they continued cross-border raids on the Chinese People’s Liberation Army (PLA) throughout the 1960s.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2025052403054_8a4a935ba25ae79dc3a63bb5c14626927020e5ec098093c45ccb9a5982e009fd.jpg" data-media-id="editor_10" data-image-id="2025052403054_8a4a935ba25ae79dc3a63bb5c14626927020e5ec098093c45ccb9a5982e009fd" data-rendition-name="original" width="1114" height="676" loading="lazy" alt="The last days of the Khampa NT"> <figcaption>Guerrillas known as the Chushi-Gangdruk emerged to resist the Chinese annexation of Tibet during the 1950s. Photo courtesy: MIKEL DUNHAM</figcaption> </figure>  Their Kathmandu base was a small discreet lodge in a back lane near Rani Pokhari. Sipping sweet tea from a blue mug with a chipped lid, I sat bemused in a corner of the Mustang Hotel room whilst Wangdu and his cohorts received a battered brown suitcase from their CIA connection, a tousle-haired American in a leather jacket. Heaved onto the dingy bedspread that covered the thin mattress, it was clicked open to reveal piles of neatly stacked dollar bills.&nbsp; I cannot think why Wangdu allowed me to witness this handover but I was clearly no threat, a newly arrived world traveller with no understanding of the stakes nor any Nepali or <a href="https://nepalitimes.com/multimedia/tibetan-music-in-nepals-sacred-valley">Tibetan language</a>. Despite armed guards in the corridor,Wangdu radiated confidence and bravado, and there was a practiced familiarity to the tense transaction. This deadly dance for many years had been funded by the Americans, tolerated by <a href="https://nepalitimes.com/here-now/the-kingdom-within-a-republic">Mustang’s residents</a>, and permitted by King Mahendra and the Nepali authorities who it suited to turn a blind eye.&nbsp; But Mahendra died in 1972, and times were changing. Richard Nixon’s ping-pong diplomacy thawed the cold war and signalled a fresh entente with China. Nepal’s yet-to-be-crowned <a href="https://nepalitimes.com/here-now/if-birendra-was-alive-nepal-could-still-be-a-monarchy">King Birendra </a>was under pressure to curb the irritating incursions against the PLA launched from the Nepali territory of Mustang. Keen to appease his northern neighbour, on several occasions the King summoned Wangdu for peace talks but, despite increasingly overwhelming odds, Wangdu refused to surrender.&nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2025052403054_a8efd5cfb92cd997bd7cb74296a936fef46e2f7428f9cd642b03f1ac4ea11ecb.jpg" data-media-id="editor_14" data-image-id="2025052403054_a8efd5cfb92cd997bd7cb74296a936fef46e2f7428f9cd642b03f1ac4ea11ecb" data-rendition-name="original" width="1055" height="885" loading="lazy" alt="The last days of the Khampa NT"> <figcaption>General Wangdu flanked by two Tibetan resistance fighters in Mustang in the 1970s. Photo courtesy: MIKEL DUNHAM</figcaption> </figure>   <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2025052403054_75969125a745847a2ef82b6fe8b9106c0b21a116d85b8efdf5d2ee89a347bb31.jpg" data-media-id="editor_15" data-image-id="2025052403054_75969125a745847a2ef82b6fe8b9106c0b21a116d85b8efdf5d2ee89a347bb31" data-rendition-name="original" width="1044" height="792" loading="lazy" alt="The last days of the Khampa NT"> <figcaption>King Birendra with General Wangdu (right in dark glasses) taken in 1974 possibly in Mustang after one of their few attempts at negotiation. Photo courtesy: RAJRNDRA KUNWAR</figcaption> </figure>  While I naively rode pillion around Kathmandu in the spring sunshine, Wangdu was in the midst of what turned out to be his final round of negotiations with the Nepal government. Refusing to cease hostilities with the Chinese, Wangdu must have suspected the cost of his decision, making his cheerful smile in the photograph all the more poignant and brave. It was only much later that I appreciated the significance of the moment. Wangdu had been sent to replace the first resistance leader in Mustang, Baba Gen Yeshe, a much derided corrupt character who stole money meant for his troops and exploited fleeing refugees by seizing their treasures. Baba Gen Yeshe never forgave Wangdu,and sought revenge in May 1974 by betraying him and his commanders to the Nepal authorities. Renewed Chinese incursions from the north, active PLA collusion with the Nepali forces under the new King, and treachery from within the Chushi-Gangdrukranks combined to seal their fate.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2025052403054_e0987a7c90d76431b0d7d5e6115ebfe3dbda7ab939e5941e079c18d722e884c0.jpg" data-media-id="editor_16" data-image-id="2025052403054_e0987a7c90d76431b0d7d5e6115ebfe3dbda7ab939e5941e079c18d722e884c0" data-rendition-name="original" width="1400" height="769" loading="lazy" alt="The last days of the Khampa NT"> <figcaption>British television journalists George Patterson and Adrian Cowell embedded themselves with Khampa guerrillas and accompanied them from Tsum Valley on a cross border raid on a Chinese Army convoy in 1964. Photo: ESSAYS ON NEPAL / SAM COWAN</figcaption> </figure>  Mikel Dunham, renowned author of Buddha’s Warriors, writes: ‘It is possible that Wangdu was waiting for some cue from the Dalai Lama’s government-in-exile in Dharamsala, India. It is equally possible – during that last, <a href="https://nepalitimes.com/multimedia/the-human-cost-of-nepal-s-yarsa-gold-rush?fbclid=IwZXh0bgNhZW0CMTEAAR31-Cqw8oyIwMPzf_35e4Skr0ululJvLf3_vDkzHn-AYG2h8uPw2rqqErg_aem_tGVn5coY1-jA7fze_xqhew">desolate winter </a>– that he made the decision to go out in glory rather than admit defeat. Over the last fifteen years, Wangdu had experienced Tibet’s organized resistance being squeezed and shoved around by every conceivable outside force.&nbsp; First they had been pushed out of their own country by the PLA; then they had been refused sanction while on <a href="https://nepalitimes.com/opinion/borderlines/nepal-india-trans-boundary-bonds?fbclid=IwAR0PpJ5zUEbwdug3g_U3ar6FUugngRY0S8Tl2v_7wqzrsHmXWcXsKjvL4t4">Indian soil</a>; then they were abandoned by the Americans because, apparently, Nixon wanted to make friends with Wangdu’s mortal enemies, the communists; then they had been betrayed by the vampiric Baba Gen Yeshe – a Tibetan and, even worse, a fellow Khampa; and now, finally Wangdu’s army was being evicted by the Nepalis. One thing was certain: Wangdu was a warrior. To imagine Wangdu simply giving up and settling down in the pacific squalor of a <a href="https://nepalitimes.com/here-now/elderly-left-in-bhutan-refugee-camp">refugee camp </a>was unthinkable.’  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2025052403054_8fc1ffef4ae751628b90ae781b66e11e51e4fdde2787207c9042efbee345ce49.jpg" data-media-id="editor_20" data-image-id="2025052403054_8fc1ffef4ae751628b90ae781b66e11e51e4fdde2787207c9042efbee345ce49" data-rendition-name="original" width="500" height="746" loading="lazy" alt="The last days of the Khampa NT"> <figcaption>The much derided Baba Gen Yeshe, the first Tibetan resistance leader in Mustang, who betrayed Wangdu for personal gain. Photo courtesy: MIKEL DUNHAM</figcaption> </figure>   <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2025052403054_b1d833cdb00d3ac4416b844d8730475cd88c238caaaf8da69889a584eea229a3.jpg" data-media-id="editor_21" data-image-id="2025052403054_b1d833cdb00d3ac4416b844d8730475cd88c238caaaf8da69889a584eea229a3" data-rendition-name="original" width="500" height="656" loading="lazy" alt="The last days of the Khampa NT"> <figcaption>Aditya SJB Rana of the Royal Nepal Army whose team ambushed Wangdu and his cohorts at the top of Tinker Pass in Darchula, West Nepal. Photo courtesy: GAUTAM SJB RANA</figcaption> </figure>  By August 1974 the game was up. Wangdu and six of his exhausted party were killed on their horses by <a href="https://archive.nepalitimes.com/news.php?id=7270">the Royal Nepal Army</a> on the brink of escape. The officer in charge, Aditya SJB Rana, cleverly predicted their route into India after they failed to silence a police radio in Yari. A carefully laid ambush trapped them near the summit of the Tinker Pass in Darchula,at 5,000 meters the highest military operation of its time. Wangdu’s body was helicoptered to Kathmandu, and a big show made of the royal Nepal victory.&nbsp; The Tibetan armed insurgency against China had reached its end.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250524030520_3ff9c6fc85a65bc9a2c3afe9736d9f5f9413de752e790a5d9dca0981ea94f9b4.jpg" data-media-id="editor_23" data-image-id="20250524030520_3ff9c6fc85a65bc9a2c3afe9736d9f5f9413de752e790a5d9dca0981ea94f9b4" data-rendition-name="original" width="1136" height="702" loading="lazy" alt="The last days of the Khampa NT"> </figure>

The Last Days of the Khampa

Starting 17 September Turkish Airlines will fly daily to Seville, one of Spain’s major tourist draws. This is Turkish’s sixth destination in Spain after Madrid, Barcelona, Valencia, Malaga, and Bilbao. Seville is in the Andalusia region on Spain’s south coast with a rich Moor history. There are approximately 30,000 Nepalis living in Spain.&nbsp;

Turkish to Seville

The newly-formed Himalayan Art Council is set to launch Nepal’s National Art Protection Platform that seeks to preserve <a href="https://nepalitimes.com/banner/the-history-of-heritage">Nepal’s unique cultural heritage </a>using<a href="https://nepalitimes.com/here-now/artificial-censorship"> AI-powered tools</a>. The Council seeks to safeguard <a href="https://nepalitimes.com/banner/nepali-art-going-places">Nepali art works</a> from neglect, theft and counterfeiting as well as preserve existing artwork and celebrate living masters by giving them a cultural space to continue the <a href="https://nepalitimes.com/banner/sacred-survival">sacred art traditions</a>. "We are introducing a new digital platform designed to preserve, verify and elevate <a href="https://nepalitimes.com/banner/nepals-new-generation-of-alternative-artists">Nepal’s art for generations to come,</a>” says a statement from the Council, adding that the digital platform will use AI told for authentication and blockchain to keep track of works of art. Artists can now be protected by <a href="https://nepalitimes.com/multimedia/ayo-ai?fbclid=IwAR1uwmTVq4gUB70ljfRezjzukD9ArWXPuMnUikopeQ8PoiZMjicToPSwhKE&amp;=1">AI tools</a> that detect forgeries, identify their work even when unsigned, and ensure they receive proper recognition and credit. The archives will be searchable with translated inscription and interactive guides. Says curator Meena Lama: “AI and blockchains are tools that give us the power to detect fakes and identify unsigned paintings and track every piece. With these tools we can restore trust, secure authorship and give artists the dignity they deserve.”  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250514170544_2ab58f6313c0458f75114a692b0016bd9efb3b59d5f8f07f0da72e1e37b82f53.jpg" data-media-id="editor_6" data-image-id="20250514170544_2ab58f6313c0458f75114a692b0016bd9efb3b59d5f8f07f0da72e1e37b82f53" data-rendition-name="original" width="1300" height="1000" loading="lazy" alt="Artwork at the Traditional Art Exhibition at Patan Museum."> <figcaption>Artwork at the Traditional Art Exhibition at Patan Museum.</figcaption> </figure>  The Council is also holding an exhibition of Nepali cultural masterpieces with 50 historical <a href="https://archive.nepalitimes.com/article/Nepali-Times-Buzz/Buzz-the-art,671">thangka and paubha </a>by past masters and <a href="https://nepalitimes.com/review/between-the-sacred-and-everyday">contemporary works by current artists</a>. This curated collection is a living tribute to <a href="https://nepalitimes.com/here-now/when-yaks-go-so-does-culture">Himalayan culture</a> with economic depictions of deities, mandala and sacred narratives. The exhibition at <a href="https://nepalitimes.com/multimedia/a-portal-into-patan-s-past-and-present">Patan Museum</a> also provides an opportunity to meet painters and custodians of art and culture. Read also: <a href="https://nepalitimes.com/review/golden-deities">Golden deities</a>, Sewa Bhattarai ‘The exhibition is only the first step in a long journey to ensure that Nepali art is no just seen but fully understood, <a href="https://archive.nepalitimes.com/article/nation/Narratives-of-Faith-and-Memory-Remembering-the-Lost-Sculptures-of-Kathmandu-exhibition,987">protected and remembered</a>,’ the Council says. Artist Kailash K Shrestha of Artudio has spent decades promoting thankha and paubha traditions because of their beauty and devotional meaning. But he also says artists are underpaid, exploited and ignored. He adds, “AI and blockchain are not just buzzwords, they are powerful tools that can protect Nepal’s artists from fraud, verify authenticity and build a permanent record of provenance.” Traditional Art Exhibition Till 17 May Patan Museum

Digital protection for Nepal’s art

<a href="https://www.instagram.com/prabalgurung/" target="_blank">Prabal Gurung</a> left Nepal for New York in 1999 to escape years of bullying, sexism and homophobia, and to pursue his dream of becoming a fashion designer. He <a href="https://www.youtube.com/watch?v=KqN0VaoAI5w" target="_blank">realised his dream</a>, but did not escape discrimination and racism in the new world. Propelled by passion for fashion, Gurung overcame everything America threw at him. He has attained <a href="https://www.vanityfair.com/style/story/prabal-gurung-recalls-his-first-met-gala-when-zoe-saldana-was-at-his-side?srsltid=AfmBOooy-H0oGgxMit864FnW_Pmw8mUnV8rYrh-co-f6OyYK6m2ip5hP" target="_blank">fame and recognition</a> for his haute couture dress designs while remaining true to his Nepali roots, and is even more resolute in <a href="https://www.youtube.com/watch?v=dSmNauyzACk" target="_blank">fighting prejudice</a> in all its forms. Prabal Gurung’s newly-released memoir <a href="https://www.amazon.com/Audible-Walk-Like-Girl-Memoir/dp/B0DG11HCDQ?fbclid=IwY2xjawKZfpxleHRuA2FlbQIxMQABHuZcIJO2OXyXcRm1oq1iG6wzeoF7VJFrQ7GXOFI0YxuZZ4id_CNvSZSZZIna_aem_pG_mOKG73RTnYvN8JaC4fA">Walk Like a Girl</a> is a saga of harrowing abuse in boarding schools in Nepal and India, only finding himself facing a different kind of bullying in the US. He prevails over it all to be where he is today: an award-winning American fashion designer with his own label. Walk Like a Girl was launched last week in New York at a time when everything Gurung fought for — tolerance, inclusion and diversity — are in retreat in his adopted country because of a president who has espoused a culture of bullying. The book is a searing, raw exposé of how cruel and abusive people can be even at a young age in school. On the other hand, it also shows that there are generous, compassionate and open-minded souls out there. In his book, <a href="https://www.youtube.com/watch?v=K4le_uWX7YE">Prabal Gurung</a> calls out those who tormented and tried to hold him back (some of their names have been altered). The moral of his story is: resist, never stop believing in yourself, do not let others define you, never lose sight of your dream, and help those who have been kept out. “Walk like a girl” was a slur used by bullies back in school in Nepal and India for Gurung’s effeminate ways. He fought back then, and he is still resisting by turning those words into something to be proud of.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250519170544_4ffc9c3f565dd2cfa754d10b224816897b82bb31ebaee91b6d79d469fc96f14e.jpg" data-media-id="editor_6" data-image-id="20250519170544_4ffc9c3f565dd2cfa754d10b224816897b82bb31ebaee91b6d79d469fc96f14e" data-rendition-name="original" width="1000" height="1253" loading="lazy" alt="Prabal Gurung NT"> <figcaption>Prabal Gurung at home in Kathmandu in the 1990s.</figcaption> </figure>  “Living through it all was one thing, but writing about it is one of the hardest things I have done in my life,” admitted Gurung during the launch. “I broke down constantly during the six-year writing process.” He continues: “I did not want this to be a victim’s book. I did not want to burden my readers with my emotions. I wanted my struggle to be an inspiration for others facing what I faced. I am grateful to those who bullied me in school, they made me a stronger person ready to face the world.” Indeed, this book is a departure from his earlier one titled simply, Prabal Gurung (Abrams, 2019), which was a lush pictorial autobiography of his career in fashion. Walk Like a Girl is not a typical fashion book, it is an intimate tale of <a href="https://archive.nepalitimes.com/news.php?id=16997">Gurung’s travails and triumphs</a>, and how he willed himself to succeed. Prabal pays a lavish tribute to his mother Durga Rana. We find out she is a descendant of the first wife of the eldest son of Jang Bahadur Rana who was banished to Palpa in the late 19th century. Prabal’s father served in the Singapore Police and that is where he was born before the family returned to Nepal when he was four. Gurung relates with brutal honesty about the violence his mother endured from his father. Durga raises three children as a single mother in Nepal, and Prabal credits her for his fierce determination to resist patriarchy and injustice, which in time manifests itself in his hyper-feminine and subversive dress designs. Writing the book has been a cathartic experience for Gurung, who says he is now relieved of the burdens of his past. It no longer haunts him, and he does not have to prove anything to anyone anymore. Walk Like a Girl has life lessons not just for the <a href="https://www.instagram.com/p/DJmOcSgxdWz/" target="_blank">fashion industry</a>, but for every other profession. How can my job serve a greater cause? Gurung tells us his work is <a href="https://asiasociety.org/blog/asia/why-designer-prabal-gurung-doesnt-want-just-stick-fashion" target="_blank">bigger than just making clothes</a>, it is about making the world a better place because it could do with a lot of improvement.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250519170544_d75296ad8bfdc00d88935f40d23543c6fea3d4d6a10e61a99d6cfc6127f2ee5b.png" data-media-id="editor_10" data-image-id="20250519170544_d75296ad8bfdc00d88935f40d23543c6fea3d4d6a10e61a99d6cfc6127f2ee5b" data-rendition-name="original" width="1516" height="1000" loading="lazy" alt="Prabal Gurung"> </figure>  This story of chasing the American dream may sound familiar to many immigrants: knocking on doors for jobs, rejections, trying to survive from day to day on expensive rent, and dealing with subtle racism in white America. Gurung finds racism is rife, and he is often mockingly called ‘gaysian’. He writes: ‘There was a strong hypocrisy — this idea of independence felt like a marketting ruse … and for all the talk of feminism in America, these high society women were trapped by the patriarchy just like in Nepal and India.’ After a trek to the Khumbu region in 2013, Gurung is inspired to use the colours, palette and textures of Nepal for his collection exhibited on Manhattan’s 8th Avenue. A major buyer tells him bluntly: “Stick to making pretty dresses … if I need to see a collection like this, I could buy a copy of National Geographic.” The New York Times was equally dismissive: ‘The designer tries to draw connections between blistered techo-fabric used to construct it and the topography of his homeland, Nepal. But, at the moment, he has lost his map.’ One potential investor tells Gurung he cannot design for Americana because “you do not look American”. Gurung wants to use expletives, but restrains himself. After a fundraiser in New York for the Nepal earthquake in 2015, some belittled his effort, saying: “Here comes the saviour."&nbsp; Read also: <a href="https://nepalitimes.com/review/prabal-gurung-by-prabal-gurung">Prabal Gurung by Prabal Gurung</a>, Kunda Dixit The Gurkha DNA must be dominant in Prabal Gurung’s genes because he does not take such mistreatment lying down. When asked by a fashion publicist why he was designing clothes for fat people, he snaps back: “Because of people like you.” He joins the Black Lives Matter and #MeToo movements, launches the Shikshya Foundation charity in Nepal, and has powerful allies among celebrities who wear clothes he designed: Michelle Obama, Oprah Winfrey, Sara Jessica Parker, Kamala Harris, Deepika Padukone … it is a long list.&nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250519150556_48a5f4211991a23fa85b64bbd5377575ca7081d97309d7542035591dda5180fe.png" data-media-id="editor_12" data-image-id="20250519150556_48a5f4211991a23fa85b64bbd5377575ca7081d97309d7542035591dda5180fe" data-rendition-name="original" width="1114" height="1534" loading="lazy" alt="Being Prabal Gurung by design"> <figcaption>Nigerian novelist Chimamanda Ngozi Adichie wearing Atelier Prabal Gurung’s design for Met Gala 2025 in which the theme was ‘Superfine: Tailoring Black Style’. </figcaption> </figure>  “I don’t dress women to look beautiful, they already are,” Gurung says. “I try to bring out their innate strength and grace.” <a href="https://www.instagram.com/stories/highlights/17908766880140171/" target="_blank">Admirers</a> tell Gurung he makes it all look so easy, but he used to put up a strong facade to not show his own vulnerabilities in public. “I was closed because of my childhood experiences,” he says. “I was always on guard to defend myself because I never knew where the next punch would come from.” But in <a href="https://www.youtube.com/watch?v=PPVepzPA210" target="_blank">Walk Like a Girl,</a> Gurung comes to terms with his vulnerability, and bares his soul. It has not been easy, it took sustained will power and support from his mother, sister Kumudini and a circle of close friends. “I made unbelonging my power,” he says. “Nepal is where I still have my heart and soul. Nepal grounds you. It is where people go to find themselves. But I escaped.” Recently appointed vice-chair of the <a href="https://cfda.com/about-cfda" target="_blank">Council of American Fashion Designers</a>, Gurung says: “I can’t believe I am here, it feels like it is happening to someone else. Writing this book, the healing has finally begun.” <h2>‘Everything is better in color’</h2> The Met Gala was two weeks later, and my table was an example of everything I’d been fighting for all these years as my guests represented everything I believed in: dynamic, powerful, influential women who were unapologetically original and unabashedly graceful. I was grateful to Anna for inviting me to host and dress a table that reflected my ethos—and for her guidance in doing so. I was also aware of the privilege as one of the first-­ever Asian fashion designers—not just from Nepal, but from the entire continent— to get the opportunity to do so. That fact was not lost on me. I reached out beyond the expected Hollywood celebrities and well-­known socialites to curate a table of exceptional women who inspired me. I invited Deepika Padukone and Alia Bhatt for their first-­ever Met Galas, as well as Michelle Yeoh, Mindy Kaling, Camila Cabello, Ashley Park, Denée Benton, KiKi Layne, Quannah Chasinghorse, and Grace Elizabeth. Together we checked many boxes: Asian, Black, Latinx, and Indigenous, each woman undeniably chic and powerful, a dazzling array of skin tones and experiences that proved my decades‑in‑the-­making hypothesis: everything is better in color. Excerpt from Walk Like a Girl Viking © 2025 by Prabal Gurung  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250519170520_6b91d560e9f072c37d16876901058c073a51ffa05e7ad1b9461d19e1c9c28215.jpg" data-media-id="editor_16" data-image-id="20250519170520_6b91d560e9f072c37d16876901058c073a51ffa05e7ad1b9461d19e1c9c28215" data-rendition-name="original" width="1136" height="702" loading="lazy" alt="Prabal Gurung book details NT"> </figure>   <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250519170520_345240c21be400e2ce2ec629b52bd82bb53890e5bd86fe95b48340d84b5f1748.jpg" data-media-id="editor_17" data-image-id="20250519170520_345240c21be400e2ce2ec629b52bd82bb53890e5bd86fe95b48340d84b5f1748" data-rendition-name="original" width="1136" height="702" loading="lazy" alt="Prabal Gurung book details NT"> </figure>  &nbsp;

korean-wave

“Yo Man Ta Mero Nepali Ho”

Squid Game: latest addition to the global Hallyu wave

The Last Days of the Khampa

Turkish to Seville

Digital protection for Nepal’s art

Being Prabal Gurung by design