<figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/2022111414114/63723d379c7e80680e0c9661jpeg.jpg" alt="" width="1846" height="1266"/><figcaption>Courtroom scene from Maitighar, 1966</figcaption></figure>While teaching at Kathmandu University School of Law, I ask my students if they or their seniors have danced to the Nepali song Maitighar. Nearly all students immediately raised their hands.Not surprising, since the song has been playing for decades in school assemblies, and has been unofficially incorporated as an essential school activity in Nepal’s academic curriculum.Next, I ask students if they are aware that the 1966 movie had an iconic courtroom scene where lawyers argue the facts of a murder case in which the admissibility of a dying declaration was a fact in issue.None of the 200 students were aware of this. Some were inspired to be lawyers after watching the American drama series Suits and Boston Legal. Some said they enjoyed watching Akshay Kumar in Bollywood’s Jolly LLB. But Nepali students of law were not inspired by a Nepali movie.Movies mirror the socio-cultural aspects of a society. How Nepal’s judiciary is portrayed in movies is the first impression of the <a href="https://www.nepalitimes.com/latest/what-is-happening-to-nepals-supreme-court/" target="_blank" rel="noopener noreferrer">delivery of justice for Nepalis</a> who don’t have access to speedy legal aid.The 13-minute climactic court room scene in Maitighar portrays a respectable judiciary. A three-judge bench gives a patient hearing and adheres to the principles of natural justice, a forensic doctor has been invited as an expert witness to guide the judiciary in technical matters of medicine, and public prosecutors and defence counsels are seen establishing a chain of causation of the crime.The dialogue is sound in law, and as the scene intensifies, viewers can’t help but focus their attention to how the judges will be delivering justice.In the 2014 movie Chha Ekan Chha, veteran actor Nir Shah plays the role of a judge who has to determine an adultery case and sets the courtroom decorum by shutting down a misogynic comment made by the lawyer. However, that promising scene immediately degenerates into another in which the judge decides to flirt with the woman in the witness box.The portrayal of this scene was upsetting, but not unprecedented in real life. A young lawyer friend once related to me how while arguing a case before the court, a judge stopped her to ask about her age and her father’s occupation.She answered politely and continued to defend her client. A few days later, she got the news that the judge was trying to find a suitable female practicing lawyer to marry his son.The star studded Chakka Panja 2 movie has a polyandry case shot in the premises of Patan High Court. The legal issue being argued is the validity of a marriage for the purpose of migrating to Australia.While cross-examining a witness, Priyanka Karki’s character makes an emotional argument stating that Nepali youth do not have faith in the country, and will not return to build the nation. The witness leaves the courtroom, disobeying the judge, thereby portraying the inability of the judge to hold court.The common theme in these movies circles around the <a href="https://www.nepalitimes.com/banner/are-women-not-nepali-enough/" target="_blank" rel="noopener noreferrer">rights of women</a>. However, the 2021 movie Eh Mero Hajur 4 seems to have digressed from this by portraying a custody battle. Not of a child, but a dog.The fact that the judge entertained a matter of an unmarried couple makes you wonder how the suit has locus standi, but when the judge goes on to pass a joint custody order over the dog it raises questions of jurisprudence.<figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/2022111414114/63723d3a9c7e80680e0c9662jpeg.jpg" alt="" width="886" height="1284"><figcaption> </figcaption></figure>In these scenes, the script is replete with sexist jokes and personal attacks at the judge. The arguments are over-expressive, all to get a few laughs from the audience. The judiciary is not portrayed as a formal and serious institution where distressed citizens come to receive justice, but a playground where justice is delivered based on populist arguments rather than resolute understanding of law.What has the Bar Council been doing? Its primary task is to uphold the ethical values of the legal fraternity and make it a respectable profession. The Judicial Council is also expected to instil faith in Nepali citizens’ access to justice by immediately addressing concerns about the independence of the judiciary. The portrayal in Nepali movies does not help when embarrassing behaviour by judges and lawyers frequently make the media headlines.Read also: <a href="https://www.nepalitimes.com/opinion/federalism-rule-of-law-and-the-judiciary/">Federalism, rule of law and the judiciary</a>, George Varughese and Iain Payne <a href="https://www.nepalitimes.com/opinion/devolving-the-judiciary/">Devolving the judiciary,</a> George Varughese and Iain Payne<figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/2022111414114/63723d3c9c7e80680e0c9663jpeg.jpg" alt="" width="1654" height="936"><figcaption> </figcaption></figure><a href="https://www.nepalitimes.com/latest/what-is-happening-to-nepals-supreme-court/">What is happening to Nepal’s Supreme Court?</a>, Santa Gaha MagarLast October, we had two <a href="https://www.nepalitimes.com/latest/nepals-lawyers-on-warpath-against-chief-justice/" target="_blank" rel="noopener noreferrer">lawyers punching each other</a> in the premises of Nepal Bar Association over a dispute about boycotting the bench assigned by Chief Justice Cholendra Shamsher Rana. In June an audio recording was leaked to the press in which a lawyer and Kathmandu District Court judge were found negotiating a deal for the bail of real estate tycoon Ichchha Raj Tamang.There were reports in July that more than 200 complaints had been filed before the Judicial Council on the <a href="https://archive.nepalitimes.com/article/editorial/fusion-of-powers,3760" target="_blank" rel="noopener noreferrer">illegal and political appointment</a> of judges by neglecting established principles of law. In September, Chief Justice Rana started disclosing political affiliations of various former and sitting judges while defending himself before the Impeachment Recommendation Committee of the Parliament.All this in a period less than 12 months. Expecting law teachers in Nepal to inspire the next generation of lawyers in the midst of all this is asking them to forge a false narrative of a profession which lacks role models. The present leaders of the legal profession need to act by example, to give hope for the upcoming generation.<a href="https://www.nepalitimes.com/latest/old-wine-in-old-bottle-in-nepal-politics/" target="_blank" rel="noopener noreferrer">Old wine in old bottle in Nepal’s politics</a>, Shristi KarkiIt is not surprising, therefore, that the portrayal of <a href="https://www.nepalitimes.com/here-now/supreme-court-puts-nepal-politics-back-on-track/" target="_blank" rel="noopener noreferrer">Nepal’s judiciary</a> in the country’s movies has been declining between 1960’s and 2020’s. The movies are just mirroring society. As a law teacher trying to mend things, I have to admit sadly that the way the judiciary is shown in films is accurate.Prajwal teaches law at Kathmandu University and was an Oxford Policy Fellow at the Ministry of Finance in Uganda.

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How the judiciary is depicted in Nepali movies

<figure><img width="3133" height="1879" src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221110161128/636d18c99c7e80680e0ac7e3jpeg.jpg" alt=""/><figcaption>Photo: #ajhaikatisahane</figcaption></figure>On 10 October 2020, the #ajhaikatisahane movement went <a href="https://www.nepalitimes.com/latest/social-movement-through-social-media/" target="_blank" rel="noopener noreferrer">viral on social media</a> and gained attention like we were hoping it would. In the weeks before it, public outrage had grown in response to the rape cases in Bajhang and Bhaktapur. It was crucial for such scrutiny of the government, and <a href="https://www.nepalitimes.com/banner/more-anti-government-rallies-in-nepal/" target="_blank" rel="noopener noreferrer">outrage against its failure in the investigation</a> of the cases. But the movement was overtaken by demands for capital punishment.  The #ajhaikatisahane movement brought to light the social, legal and moral grounds on why the death penalty is not a solution for such heinous crimes, as well as demands including the need for gender-neutral definitions and <a href="https://www.nepalitimes.com/latest/the-human-cost-of-nepals-political-deadlock/" target="_blank" rel="noopener noreferrer">punishment to mediators in cases of rape</a>. Forming and being a part of this team required people with aligning views on capital punishment, determination to take the risks, and most importantly, the ability to maintain solidarity for what lay ahead. For many of us in the team, it was our first experience participating in a street demonstration, and we were surprised by the outcome. After a flash mob at Maitighar, we saw hundreds of instant shares on social media, and  we started getting approached by people in positions of power with whom we were able to voice our concerns. The movement received widespread support and appreciation but also criticism, with some limiting our efforts to just a performance. Comments included labelling us as ‘सडकमा नाच्दैमा बलात्कार रोकिएलार ?', चटकीहरु चटक देखाउँछन्', 'डलरडानस' (‘Will street dancing stop rape? Magicians’ tricks, Dollar Dance). There seemed to be a general misunderstanding of people towards initiatives led by young women. Shockingly, such reaction was not restricted to a few individuals on social media sites but even public officials and political leaders who flippantly passed judgement about what we wore and our street performances. They completely overlooked our efforts in coordinating the movement in creative ways. More so, such insensitive remarks only strengthened our resolve and convinced us that the struggle was not just against the perpetrators but the society at large, which is still guided by patriarchal beliefs and values. The freedom of women in our societies <a href="https://www.nepalitimes.com/opinion/two-decades-of-debate-on-female-migration/" target="_blank" rel="noopener noreferrer">has been curtailed</a> for centuries, and their leadership questioned. Ironically, it is even more pronounced when <a href="https://www.nepalitimes.com/opinion/turning-outrage-into-justice/" target="_blank" rel="noopener noreferrer">women rebel to gain control </a>over rights and decisions. One need not look too far for examples. The government has time and again turned a blind eye to the status of women in the <a href="http://archive.nepalitimes.com/news.php?id=17546#.YW0oZi8w3u0" target="_blank" rel="noopener noreferrer">Badi community</a>. It has also largely ignored women’s fight for <a href="https://www.nepalitimes.com/banner/nepal-waits-for-an-unequal-citizenship-law/" target="_blank" rel="noopener noreferrer">equal citizenship rights</a>,  justifying the blatant discriminatory provisions with nationalism. When <a href="https://www.nepalitimes.com/here-now/worldwide-womens-activist/" target="_blank" rel="noopener noreferrer">women activists</a> come out, they need to fight not just for the issue that they have raised, but also be prepared to face a backlash they will most likely receive because they have broken the gender norms and societal expectations. Taking activism to the streets is already a struggle on its own. And while the street is only one of the platforms for protests, it is a powerful one. From the Green Wave Protest in Argentina to the Aurat March in Pakistan, such street rallies have played a significant role in initiating discourse, and sometimes also bringing about social reform and legal changes. It takes courage to defend the cause through street protests in a society that <a href="https://www.nepalitimes.com/opinion/coping-with-the-patriarchy/" target="_blank" rel="noopener noreferrer">expects women to stay put</a>. And at times I myself felt exhausted, the path ahead to achieve social justice seemed full of obstacles because we were discouraged and belittled at every step. Women are doubly tested and face many more hurdles than their male counterparts. It is visible not just when they take to the streets but also in decision-making, where <a href="https://www.nepalitimes.com/banner/women-leaders-seen-but-not-heard/" target="_blank" rel="noopener noreferrer">women politicians</a> are mostly relegated to ceremonial positions despite their potential. Misogynistic remarks often by sitting ministers and politicians, including those questioning a woman’s morals, are proof that women are still not treated as equal citizens despite the state’s claims of being progressive. While fighting a bigger fight, women are already exhausted halfway trying to establish their credibility, and this makes the entire process of demanding justice and change much more infuriating.  The struggle for justice in individual cases therefore has to go hand-in-hand with the struggle to change public perception of women in leadership, and the form of protest they chose for their activism.  It is not enough to see young women activists as leaders of tomorrow. Their presence, contribution and significance have to be acknowledged today.Sagoon Bhetwal is a final year student of Social Sciences at Kathmandu’s National College. <img width="89" height="109" src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221110161128/636d18cc9c7e80680e0ac7e4jpeg.jpg" alt="">Read also: <a href="https://www.nepalitimes.com/latest/protesting-to-protect-the-right-to-protest/">Social movement through social media</a>, Diya Rijal

Protesting to protect the right to protest

<figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/2022111011114/636ccd469c7e80680e08bc6ajpeg.jpg" alt="" width="1500" height="844"/><figcaption></figcaption></figure>Many people do not know where Maitighar intersection got its name: there used to be the office of the Nepali movie माइतीघर in the 1960s with a sign board there. In 2002, Mayor Keshav Sthapit had the Mandala built for the <a href="http://archive.nepalitimes.com/issue/75">SAARC Summit</a>, and the area automatically got the name माइतीघर मण्डल. This later became the <a href="https://www.nepalitimes.com/here-now/open-spaces-and-open-society/" target="_blank" rel="noopener noreferrer">preferred site for civic protests</a>.In this week’s episode of <a href="https://www.facebook.com/saglosamaj">Saglo Samaj</a>, Kanak Mani Dixit speaks to Renchin Yonjan who oversaw the construction of the Mandala, the only artistic <a href="https://www.nepalitimes.com/here-now/a-green-city-is-a-smart-city/" target="_blank" rel="noopener noreferrer">open space built in Kathmandu</a> in the past four decades. Kanak Mani Dixit: How did the idea of constructing this Mandala come about?Renchin Yonjan: Originally, it was called ‘Garden of Hope’ to give Kathmandu residents a small oasis of beauty at a time when its heritage was disappearing. The mandala was added later. It was meant to be a symbol of impermanence and that if we do not protect it aesthetic beauty can be ephemeral.https://youtu.be/cUx8TLbrMKcAnd for the past 20 years, Kathmandu’s commuters have passed this site every day and experience that moment of peace. How does that make you feel? There is a sense of satisfaction, but also dissatisfaction. The upkeep is not as we had intended. There was supposed to be water here, the stone spouts are dry, the grass is supposed to be green. Still, I am glad that there is this sight for sore eyes amidst Kathmandu’s chaos and urbanisation.Originally, we had planned to plant only white flowers here to spread the message of peace. Now they have planted flowers in all colours. But the saddest thing are the addition of these garish coloured rope lights.I do not like them at all. When I pass the Mandala at night, it looks like a red light district in Thailand. We could have lights that imitate oil lamps to give it that devotional look. But look at these ugly lights, snaking around in blue, red, yellow.<figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/2022111011114/636ccd499c7e80680e08bc6bjpeg.jpg" alt="" width="1500" height="844"><figcaption></figcaption></figure>Can what you did with the Mandala be an example for other neighbourhoods in Kathmandu to revive open spaces?Definitely. And it is not even that expensive to carry out. Just needs imagination. The Municipality is now maintaining this space, but the idea should not be to make money out of it, but to think how it can provide contentment and peace to this city’s residents. I used to think of all those commuters in crowed buses on hot days, and how people may get a tinge of pleasure as they pass the garden and flowers so that when they reach their office or home they will feel less stressed and happy.Yes, let us hope the Mandala can inspire other neighbourhoods to also do the same. Yes, and my request would be that whoever uses these open space they keep it clean. There are discarded plastic water bottle and trash here. It would be best if everything treated this space as their own.

“Sight for sore eyes in Kathmandu”

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How the judiciary is depicted in Nepali movies

Protesting to protect the right to protest

“Sight for sore eyes in Kathmandu”