<figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/2022111414114/63723d379c7e80680e0c9661jpeg.jpg" alt="" width="1846" height="1266"/><figcaption>Courtroom scene from Maitighar, 1966</figcaption></figure>While teaching at Kathmandu University School of Law, I ask my students if they or their seniors have danced to the Nepali song Maitighar. Nearly all students immediately raised their hands.Not surprising, since the song has been playing for decades in school assemblies, and has been unofficially incorporated as an essential school activity in Nepal’s academic curriculum.Next, I ask students if they are aware that the 1966 movie had an iconic courtroom scene where lawyers argue the facts of a murder case in which the admissibility of a dying declaration was a fact in issue.None of the 200 students were aware of this. Some were inspired to be lawyers after watching the American drama series Suits and Boston Legal. Some said they enjoyed watching Akshay Kumar in Bollywood’s Jolly LLB. But Nepali students of law were not inspired by a Nepali movie.Movies mirror the socio-cultural aspects of a society. How Nepal’s judiciary is portrayed in movies is the first impression of the <a href="https://www.nepalitimes.com/latest/what-is-happening-to-nepals-supreme-court/" target="_blank" rel="noopener noreferrer">delivery of justice for Nepalis</a> who don’t have access to speedy legal aid.The 13-minute climactic court room scene in Maitighar portrays a respectable judiciary. A three-judge bench gives a patient hearing and adheres to the principles of natural justice, a forensic doctor has been invited as an expert witness to guide the judiciary in technical matters of medicine, and public prosecutors and defence counsels are seen establishing a chain of causation of the crime.The dialogue is sound in law, and as the scene intensifies, viewers can’t help but focus their attention to how the judges will be delivering justice.In the 2014 movie Chha Ekan Chha, veteran actor Nir Shah plays the role of a judge who has to determine an adultery case and sets the courtroom decorum by shutting down a misogynic comment made by the lawyer. However, that promising scene immediately degenerates into another in which the judge decides to flirt with the woman in the witness box.The portrayal of this scene was upsetting, but not unprecedented in real life. A young lawyer friend once related to me how while arguing a case before the court, a judge stopped her to ask about her age and her father’s occupation.She answered politely and continued to defend her client. A few days later, she got the news that the judge was trying to find a suitable female practicing lawyer to marry his son.The star studded Chakka Panja 2 movie has a polyandry case shot in the premises of Patan High Court. The legal issue being argued is the validity of a marriage for the purpose of migrating to Australia.While cross-examining a witness, Priyanka Karki’s character makes an emotional argument stating that Nepali youth do not have faith in the country, and will not return to build the nation. The witness leaves the courtroom, disobeying the judge, thereby portraying the inability of the judge to hold court.The common theme in these movies circles around the <a href="https://www.nepalitimes.com/banner/are-women-not-nepali-enough/" target="_blank" rel="noopener noreferrer">rights of women</a>. However, the 2021 movie Eh Mero Hajur 4 seems to have digressed from this by portraying a custody battle. Not of a child, but a dog.The fact that the judge entertained a matter of an unmarried couple makes you wonder how the suit has locus standi, but when the judge goes on to pass a joint custody order over the dog it raises questions of jurisprudence.<figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/2022111414114/63723d3a9c7e80680e0c9662jpeg.jpg" alt="" width="886" height="1284"><figcaption> </figcaption></figure>In these scenes, the script is replete with sexist jokes and personal attacks at the judge. The arguments are over-expressive, all to get a few laughs from the audience. The judiciary is not portrayed as a formal and serious institution where distressed citizens come to receive justice, but a playground where justice is delivered based on populist arguments rather than resolute understanding of law.What has the Bar Council been doing? Its primary task is to uphold the ethical values of the legal fraternity and make it a respectable profession. The Judicial Council is also expected to instil faith in Nepali citizens’ access to justice by immediately addressing concerns about the independence of the judiciary. The portrayal in Nepali movies does not help when embarrassing behaviour by judges and lawyers frequently make the media headlines.Read also: <a href="https://www.nepalitimes.com/opinion/federalism-rule-of-law-and-the-judiciary/">Federalism, rule of law and the judiciary</a>, George Varughese and Iain Payne <a href="https://www.nepalitimes.com/opinion/devolving-the-judiciary/">Devolving the judiciary,</a> George Varughese and Iain Payne<figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/2022111414114/63723d3c9c7e80680e0c9663jpeg.jpg" alt="" width="1654" height="936"><figcaption> </figcaption></figure><a href="https://www.nepalitimes.com/latest/what-is-happening-to-nepals-supreme-court/">What is happening to Nepal’s Supreme Court?</a>, Santa Gaha MagarLast October, we had two <a href="https://www.nepalitimes.com/latest/nepals-lawyers-on-warpath-against-chief-justice/" target="_blank" rel="noopener noreferrer">lawyers punching each other</a> in the premises of Nepal Bar Association over a dispute about boycotting the bench assigned by Chief Justice Cholendra Shamsher Rana. In June an audio recording was leaked to the press in which a lawyer and Kathmandu District Court judge were found negotiating a deal for the bail of real estate tycoon Ichchha Raj Tamang.There were reports in July that more than 200 complaints had been filed before the Judicial Council on the <a href="https://archive.nepalitimes.com/article/editorial/fusion-of-powers,3760" target="_blank" rel="noopener noreferrer">illegal and political appointment</a> of judges by neglecting established principles of law. In September, Chief Justice Rana started disclosing political affiliations of various former and sitting judges while defending himself before the Impeachment Recommendation Committee of the Parliament.All this in a period less than 12 months. Expecting law teachers in Nepal to inspire the next generation of lawyers in the midst of all this is asking them to forge a false narrative of a profession which lacks role models. The present leaders of the legal profession need to act by example, to give hope for the upcoming generation.<a href="https://www.nepalitimes.com/latest/old-wine-in-old-bottle-in-nepal-politics/" target="_blank" rel="noopener noreferrer">Old wine in old bottle in Nepal’s politics</a>, Shristi KarkiIt is not surprising, therefore, that the portrayal of <a href="https://www.nepalitimes.com/here-now/supreme-court-puts-nepal-politics-back-on-track/" target="_blank" rel="noopener noreferrer">Nepal’s judiciary</a> in the country’s movies has been declining between 1960’s and 2020’s. The movies are just mirroring society. As a law teacher trying to mend things, I have to admit sadly that the way the judiciary is shown in films is accurate.Prajwal teaches law at Kathmandu University and was an Oxford Policy Fellow at the Ministry of Finance in Uganda.

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How the judiciary is depicted in Nepali movies

<figure><img width="3133" height="1879" src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221110161128/636d18c99c7e80680e0ac7e3jpeg.jpg" alt=""/><figcaption>Photo: #ajhaikatisahane</figcaption></figure>On 10 October 2020, the #ajhaikatisahane movement went <a href="https://www.nepalitimes.com/latest/social-movement-through-social-media/" target="_blank" rel="noopener noreferrer">viral on social media</a> and gained attention like we were hoping it would. In the weeks before it, public outrage had grown in response to the rape cases in Bajhang and Bhaktapur. It was crucial for such scrutiny of the government, and <a href="https://www.nepalitimes.com/banner/more-anti-government-rallies-in-nepal/" target="_blank" rel="noopener noreferrer">outrage against its failure in the investigation</a> of the cases. But the movement was overtaken by demands for capital punishment.  The #ajhaikatisahane movement brought to light the social, legal and moral grounds on why the death penalty is not a solution for such heinous crimes, as well as demands including the need for gender-neutral definitions and <a href="https://www.nepalitimes.com/latest/the-human-cost-of-nepals-political-deadlock/" target="_blank" rel="noopener noreferrer">punishment to mediators in cases of rape</a>. Forming and being a part of this team required people with aligning views on capital punishment, determination to take the risks, and most importantly, the ability to maintain solidarity for what lay ahead. For many of us in the team, it was our first experience participating in a street demonstration, and we were surprised by the outcome. After a flash mob at Maitighar, we saw hundreds of instant shares on social media, and  we started getting approached by people in positions of power with whom we were able to voice our concerns. The movement received widespread support and appreciation but also criticism, with some limiting our efforts to just a performance. Comments included labelling us as ‘सडकमा नाच्दैमा बलात्कार रोकिएलार ?', चटकीहरु चटक देखाउँछन्', 'डलरडानस' (‘Will street dancing stop rape? Magicians’ tricks, Dollar Dance). There seemed to be a general misunderstanding of people towards initiatives led by young women. Shockingly, such reaction was not restricted to a few individuals on social media sites but even public officials and political leaders who flippantly passed judgement about what we wore and our street performances. They completely overlooked our efforts in coordinating the movement in creative ways. More so, such insensitive remarks only strengthened our resolve and convinced us that the struggle was not just against the perpetrators but the society at large, which is still guided by patriarchal beliefs and values. The freedom of women in our societies <a href="https://www.nepalitimes.com/opinion/two-decades-of-debate-on-female-migration/" target="_blank" rel="noopener noreferrer">has been curtailed</a> for centuries, and their leadership questioned. Ironically, it is even more pronounced when <a href="https://www.nepalitimes.com/opinion/turning-outrage-into-justice/" target="_blank" rel="noopener noreferrer">women rebel to gain control </a>over rights and decisions. One need not look too far for examples. The government has time and again turned a blind eye to the status of women in the <a href="http://archive.nepalitimes.com/news.php?id=17546#.YW0oZi8w3u0" target="_blank" rel="noopener noreferrer">Badi community</a>. It has also largely ignored women’s fight for <a href="https://www.nepalitimes.com/banner/nepal-waits-for-an-unequal-citizenship-law/" target="_blank" rel="noopener noreferrer">equal citizenship rights</a>,  justifying the blatant discriminatory provisions with nationalism. When <a href="https://www.nepalitimes.com/here-now/worldwide-womens-activist/" target="_blank" rel="noopener noreferrer">women activists</a> come out, they need to fight not just for the issue that they have raised, but also be prepared to face a backlash they will most likely receive because they have broken the gender norms and societal expectations. Taking activism to the streets is already a struggle on its own. And while the street is only one of the platforms for protests, it is a powerful one. From the Green Wave Protest in Argentina to the Aurat March in Pakistan, such street rallies have played a significant role in initiating discourse, and sometimes also bringing about social reform and legal changes. It takes courage to defend the cause through street protests in a society that <a href="https://www.nepalitimes.com/opinion/coping-with-the-patriarchy/" target="_blank" rel="noopener noreferrer">expects women to stay put</a>. And at times I myself felt exhausted, the path ahead to achieve social justice seemed full of obstacles because we were discouraged and belittled at every step. Women are doubly tested and face many more hurdles than their male counterparts. It is visible not just when they take to the streets but also in decision-making, where <a href="https://www.nepalitimes.com/banner/women-leaders-seen-but-not-heard/" target="_blank" rel="noopener noreferrer">women politicians</a> are mostly relegated to ceremonial positions despite their potential. Misogynistic remarks often by sitting ministers and politicians, including those questioning a woman’s morals, are proof that women are still not treated as equal citizens despite the state’s claims of being progressive. While fighting a bigger fight, women are already exhausted halfway trying to establish their credibility, and this makes the entire process of demanding justice and change much more infuriating.  The struggle for justice in individual cases therefore has to go hand-in-hand with the struggle to change public perception of women in leadership, and the form of protest they chose for their activism.  It is not enough to see young women activists as leaders of tomorrow. Their presence, contribution and significance have to be acknowledged today.Sagoon Bhetwal is a final year student of Social Sciences at Kathmandu’s National College. <img width="89" height="109" src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221110161128/636d18cc9c7e80680e0ac7e4jpeg.jpg" alt="">Read also: <a href="https://www.nepalitimes.com/latest/protesting-to-protect-the-right-to-protest/">Social movement through social media</a>, Diya Rijal

Protesting to protect the right to protest

<figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/2022111011114/636ccd469c7e80680e08bc6ajpeg.jpg" alt="" width="1500" height="844"/><figcaption></figcaption></figure>Many people do not know where Maitighar intersection got its name: there used to be the office of the Nepali movie माइतीघर in the 1960s with a sign board there. In 2002, Mayor Keshav Sthapit had the Mandala built for the <a href="http://archive.nepalitimes.com/issue/75">SAARC Summit</a>, and the area automatically got the name माइतीघर मण्डल. This later became the <a href="https://www.nepalitimes.com/here-now/open-spaces-and-open-society/" target="_blank" rel="noopener noreferrer">preferred site for civic protests</a>.In this week’s episode of <a href="https://www.facebook.com/saglosamaj">Saglo Samaj</a>, Kanak Mani Dixit speaks to Renchin Yonjan who oversaw the construction of the Mandala, the only artistic <a href="https://www.nepalitimes.com/here-now/a-green-city-is-a-smart-city/" target="_blank" rel="noopener noreferrer">open space built in Kathmandu</a> in the past four decades. Kanak Mani Dixit: How did the idea of constructing this Mandala come about?Renchin Yonjan: Originally, it was called ‘Garden of Hope’ to give Kathmandu residents a small oasis of beauty at a time when its heritage was disappearing. The mandala was added later. It was meant to be a symbol of impermanence and that if we do not protect it aesthetic beauty can be ephemeral.https://youtu.be/cUx8TLbrMKcAnd for the past 20 years, Kathmandu’s commuters have passed this site every day and experience that moment of peace. How does that make you feel? There is a sense of satisfaction, but also dissatisfaction. The upkeep is not as we had intended. There was supposed to be water here, the stone spouts are dry, the grass is supposed to be green. Still, I am glad that there is this sight for sore eyes amidst Kathmandu’s chaos and urbanisation.Originally, we had planned to plant only white flowers here to spread the message of peace. Now they have planted flowers in all colours. But the saddest thing are the addition of these garish coloured rope lights.I do not like them at all. When I pass the Mandala at night, it looks like a red light district in Thailand. We could have lights that imitate oil lamps to give it that devotional look. But look at these ugly lights, snaking around in blue, red, yellow.<figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/2022111011114/636ccd499c7e80680e08bc6bjpeg.jpg" alt="" width="1500" height="844"><figcaption></figcaption></figure>Can what you did with the Mandala be an example for other neighbourhoods in Kathmandu to revive open spaces?Definitely. And it is not even that expensive to carry out. Just needs imagination. The Municipality is now maintaining this space, but the idea should not be to make money out of it, but to think how it can provide contentment and peace to this city’s residents. I used to think of all those commuters in crowed buses on hot days, and how people may get a tinge of pleasure as they pass the garden and flowers so that when they reach their office or home they will feel less stressed and happy.Yes, let us hope the Mandala can inspire other neighbourhoods to also do the same. Yes, and my request would be that whoever uses these open space they keep it clean. There are discarded plastic water bottle and trash here. It would be best if everything treated this space as their own.

“Sight for sore eyes in Kathmandu”

In the black and white photograph, General Wangdu smiles broadly in front of the dusty cactus garden in Kathmandu’s Annapurna Hotel. With an ill-fitting jacket and shaggy hair he looks benign enough, but this was the last leader of the Tibetan freedom fighters who led the resistance against the Chinese from their remote mountain hideouts in <a href="https://nepalitimes.com/here-now/comings-and-goings-in-mustang">Mustang</a>. Five months later, Wangdu was dead. Snapped in March 1974, I had only recently arrived in Nepal. How did I meet this legendary fighter? Possibly with his devoted camp follower, Lynne Klapecki, and probably in the Om Restaurant near Freak Street which was the preferred <a href="https://nepalitimes.com/banner/hippie-trail-nostalgia-in-kathmandu">hippie hang-out</a>. Om Lobsang and his brother Yeshe were <a href="https://archive.nepalitimes.com/page/earthquake-brings-back-memories-of-camps-for-tibetan-refugees">refugees from East Tibet </a>whose cafe offered a friendly welcome and<a href="https://nepalitimes.com/multimedia/momo-loco"> the best momos</a> - they became my in-laws after I married their eldest brother Tenzin, but that was a decade later.&nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2025052403054_4573b34282b0f5395c007243d6bef12c7ba76bfd520419e994cdcea048d795a1.jpg" data-media-id="editor_4" data-image-id="2025052403054_4573b34282b0f5395c007243d6bef12c7ba76bfd520419e994cdcea048d795a1" data-rendition-name="original" width="1000" height="1583" loading="lazy" alt="The last days of the Khampa NT"> <figcaption>Photo: LISA CHOEGYAL</figcaption> </figure>  Wangdu’s English was enthusiastically rudimentary, but even riding around town with him on the back of an aging <a href="https://nepalitimes.com/here-now/kathmandu-s-new-motorbike-museum">motorbike</a>, he was a commanding presence. Always flanked by armed outriders, impressive scars marked his forearms and a pistol hung from the cord around his neck. A charismatic guerrilla leader, Wangdu was celebrated by his followers for his tough commitment and respected for his measured pragmatism. He seemed so young to have shouldered such a responsibility of command, leading hundreds of hardened <a href="https://archive.nepalitimes.com/article/nation/50-years-after-the%20raid-into-Tibet,1012#google_vignette">Khampa combatants </a>through what had been a particularly <a href="https://nepalitimes.com/news/heavy-snowfall-over-nepal-himalaya">brutal winter in Mustang</a>, the last bastion to hold out against the Chinese invasion of their Tibetan homeland.&nbsp; The freedom fighters of Tibet, known as the Chushi-Gangdruk, had emerged to resist the <a href="https://nepalitimes.com/editorial/territorialism">Chinese takeover</a> of Tibet during the 1950s. Estimated to be 80,000-strong at the time of <a href="https://nepalitimes.com/here-now/what-or-who-after-the-dalai-lama">the Dalai Lama</a>’s final escape to India in 1959, the sheer number of Chinese deployed into Tibet eventually forced the Chushi-Gangdruk to retreat to Mustang, From this high Himalayan stronghold, they continued cross-border raids on the Chinese People’s Liberation Army (PLA) throughout the 1960s.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2025052403054_8a4a935ba25ae79dc3a63bb5c14626927020e5ec098093c45ccb9a5982e009fd.jpg" data-media-id="editor_10" data-image-id="2025052403054_8a4a935ba25ae79dc3a63bb5c14626927020e5ec098093c45ccb9a5982e009fd" data-rendition-name="original" width="1114" height="676" loading="lazy" alt="The last days of the Khampa NT"> <figcaption>Guerrillas known as the Chushi-Gangdruk emerged to resist the Chinese annexation of Tibet during the 1950s. Photo courtesy: MIKEL DUNHAM</figcaption> </figure>  Their Kathmandu base was a small discreet lodge in a back lane near Rani Pokhari. Sipping sweet tea from a blue mug with a chipped lid, I sat bemused in a corner of the Mustang Hotel room whilst Wangdu and his cohorts received a battered brown suitcase from their CIA connection, a tousle-haired American in a leather jacket. Heaved onto the dingy bedspread that covered the thin mattress, it was clicked open to reveal piles of neatly stacked dollar bills.&nbsp; I cannot think why Wangdu allowed me to witness this handover but I was clearly no threat, a newly arrived world traveller with no understanding of the stakes nor any Nepali or <a href="https://nepalitimes.com/multimedia/tibetan-music-in-nepals-sacred-valley">Tibetan language</a>. Despite armed guards in the corridor,Wangdu radiated confidence and bravado, and there was a practiced familiarity to the tense transaction. This deadly dance for many years had been funded by the Americans, tolerated by <a href="https://nepalitimes.com/here-now/the-kingdom-within-a-republic">Mustang’s residents</a>, and permitted by King Mahendra and the Nepali authorities who it suited to turn a blind eye.&nbsp; But Mahendra died in 1972, and times were changing. Richard Nixon’s ping-pong diplomacy thawed the cold war and signalled a fresh entente with China. Nepal’s yet-to-be-crowned <a href="https://nepalitimes.com/here-now/if-birendra-was-alive-nepal-could-still-be-a-monarchy">King Birendra </a>was under pressure to curb the irritating incursions against the PLA launched from the Nepali territory of Mustang. Keen to appease his northern neighbour, on several occasions the King summoned Wangdu for peace talks but, despite increasingly overwhelming odds, Wangdu refused to surrender.&nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2025052403054_a8efd5cfb92cd997bd7cb74296a936fef46e2f7428f9cd642b03f1ac4ea11ecb.jpg" data-media-id="editor_14" data-image-id="2025052403054_a8efd5cfb92cd997bd7cb74296a936fef46e2f7428f9cd642b03f1ac4ea11ecb" data-rendition-name="original" width="1055" height="885" loading="lazy" alt="The last days of the Khampa NT"> <figcaption>General Wangdu flanked by two Tibetan resistance fighters in Mustang in the 1970s. Photo courtesy: MIKEL DUNHAM</figcaption> </figure>   <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2025052403054_75969125a745847a2ef82b6fe8b9106c0b21a116d85b8efdf5d2ee89a347bb31.jpg" data-media-id="editor_15" data-image-id="2025052403054_75969125a745847a2ef82b6fe8b9106c0b21a116d85b8efdf5d2ee89a347bb31" data-rendition-name="original" width="1044" height="792" loading="lazy" alt="The last days of the Khampa NT"> <figcaption>King Birendra with General Wangdu (right in dark glasses) taken in 1974 possibly in Mustang after one of their few attempts at negotiation. Photo courtesy: RAJRNDRA KUNWAR</figcaption> </figure>  While I naively rode pillion around Kathmandu in the spring sunshine, Wangdu was in the midst of what turned out to be his final round of negotiations with the Nepal government. Refusing to cease hostilities with the Chinese, Wangdu must have suspected the cost of his decision, making his cheerful smile in the photograph all the more poignant and brave. It was only much later that I appreciated the significance of the moment. Wangdu had been sent to replace the first resistance leader in Mustang, Baba Gen Yeshe, a much derided corrupt character who stole money meant for his troops and exploited fleeing refugees by seizing their treasures. Baba Gen Yeshe never forgave Wangdu,and sought revenge in May 1974 by betraying him and his commanders to the Nepal authorities. Renewed Chinese incursions from the north, active PLA collusion with the Nepali forces under the new King, and treachery from within the Chushi-Gangdrukranks combined to seal their fate.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2025052403054_e0987a7c90d76431b0d7d5e6115ebfe3dbda7ab939e5941e079c18d722e884c0.jpg" data-media-id="editor_16" data-image-id="2025052403054_e0987a7c90d76431b0d7d5e6115ebfe3dbda7ab939e5941e079c18d722e884c0" data-rendition-name="original" width="1400" height="769" loading="lazy" alt="The last days of the Khampa NT"> <figcaption>British television journalists George Patterson and Adrian Cowell embedded themselves with Khampa guerrillas and accompanied them from Tsum Valley on a cross border raid on a Chinese Army convoy in 1964. Photo: ESSAYS ON NEPAL / SAM COWAN</figcaption> </figure>  Mikel Dunham, renowned author of Buddha’s Warriors, writes: ‘It is possible that Wangdu was waiting for some cue from the Dalai Lama’s government-in-exile in Dharamsala, India. It is equally possible – during that last, <a href="https://nepalitimes.com/multimedia/the-human-cost-of-nepal-s-yarsa-gold-rush?fbclid=IwZXh0bgNhZW0CMTEAAR31-Cqw8oyIwMPzf_35e4Skr0ululJvLf3_vDkzHn-AYG2h8uPw2rqqErg_aem_tGVn5coY1-jA7fze_xqhew">desolate winter </a>– that he made the decision to go out in glory rather than admit defeat. Over the last fifteen years, Wangdu had experienced Tibet’s organized resistance being squeezed and shoved around by every conceivable outside force.&nbsp; First they had been pushed out of their own country by the PLA; then they had been refused sanction while on <a href="https://nepalitimes.com/opinion/borderlines/nepal-india-trans-boundary-bonds?fbclid=IwAR0PpJ5zUEbwdug3g_U3ar6FUugngRY0S8Tl2v_7wqzrsHmXWcXsKjvL4t4">Indian soil</a>; then they were abandoned by the Americans because, apparently, Nixon wanted to make friends with Wangdu’s mortal enemies, the communists; then they had been betrayed by the vampiric Baba Gen Yeshe – a Tibetan and, even worse, a fellow Khampa; and now, finally Wangdu’s army was being evicted by the Nepalis. One thing was certain: Wangdu was a warrior. To imagine Wangdu simply giving up and settling down in the pacific squalor of a <a href="https://nepalitimes.com/here-now/elderly-left-in-bhutan-refugee-camp">refugee camp </a>was unthinkable.’  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2025052403054_8fc1ffef4ae751628b90ae781b66e11e51e4fdde2787207c9042efbee345ce49.jpg" data-media-id="editor_20" data-image-id="2025052403054_8fc1ffef4ae751628b90ae781b66e11e51e4fdde2787207c9042efbee345ce49" data-rendition-name="original" width="500" height="746" loading="lazy" alt="The last days of the Khampa NT"> <figcaption>The much derided Baba Gen Yeshe, the first Tibetan resistance leader in Mustang, who betrayed Wangdu for personal gain. Photo courtesy: MIKEL DUNHAM</figcaption> </figure>   <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2025052403054_b1d833cdb00d3ac4416b844d8730475cd88c238caaaf8da69889a584eea229a3.jpg" data-media-id="editor_21" data-image-id="2025052403054_b1d833cdb00d3ac4416b844d8730475cd88c238caaaf8da69889a584eea229a3" data-rendition-name="original" width="500" height="656" loading="lazy" alt="The last days of the Khampa NT"> <figcaption>Aditya SJB Rana of the Royal Nepal Army whose team ambushed Wangdu and his cohorts at the top of Tinker Pass in Darchula, West Nepal. Photo courtesy: GAUTAM SJB RANA</figcaption> </figure>  By August 1974 the game was up. Wangdu and six of his exhausted party were killed on their horses by <a href="https://archive.nepalitimes.com/news.php?id=7270">the Royal Nepal Army</a> on the brink of escape. The officer in charge, Aditya SJB Rana, cleverly predicted their route into India after they failed to silence a police radio in Yari. A carefully laid ambush trapped them near the summit of the Tinker Pass in Darchula,at 5,000 meters the highest military operation of its time. Wangdu’s body was helicoptered to Kathmandu, and a big show made of the royal Nepal victory.&nbsp; The Tibetan armed insurgency against China had reached its end.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250524030520_3ff9c6fc85a65bc9a2c3afe9736d9f5f9413de752e790a5d9dca0981ea94f9b4.jpg" data-media-id="editor_23" data-image-id="20250524030520_3ff9c6fc85a65bc9a2c3afe9736d9f5f9413de752e790a5d9dca0981ea94f9b4" data-rendition-name="original" width="1136" height="702" loading="lazy" alt="The last days of the Khampa NT"> </figure>

The Last Days of the Khampa

Starting 17 September Turkish Airlines will fly daily to Seville, one of Spain’s major tourist draws. This is Turkish’s sixth destination in Spain after Madrid, Barcelona, Valencia, Malaga, and Bilbao. Seville is in the Andalusia region on Spain’s south coast with a rich Moor history. There are approximately 30,000 Nepalis living in Spain.&nbsp;

Turkish to Seville

Fenerbahçe Beko won the Turkish Airlines EuroLeague finals in Abu Dhabi, held 23-25 May, defeating Monaco 81-70 in the final. Olympiacos, who defeated Panathinaikos 97-93, finished the series in third place. The Most Valuable Player (MVP) of the final match, Nigel Hayes-Davis from Fenerbahçe Beko, received a prize of 1,000,000 Miles&amp;Smiles from Turkish Airlines’ Chief Commercial Officer Ahmet Olmuştur. The carrier has been the title sponsor of the Turkish Airlines EuroLeague, a top tier tournament, since 2010.

Turkish Basketball

The newly-formed Himalayan Art Council is set to launch Nepal’s National Art Protection Platform that seeks to preserve <a href="https://nepalitimes.com/banner/the-history-of-heritage">Nepal’s unique cultural heritage </a>using<a href="https://nepalitimes.com/here-now/artificial-censorship"> AI-powered tools</a>. The Council seeks to safeguard <a href="https://nepalitimes.com/banner/nepali-art-going-places">Nepali art works</a> from neglect, theft and counterfeiting as well as preserve existing artwork and celebrate living masters by giving them a cultural space to continue the <a href="https://nepalitimes.com/banner/sacred-survival">sacred art traditions</a>. "We are introducing a new digital platform designed to preserve, verify and elevate <a href="https://nepalitimes.com/banner/nepals-new-generation-of-alternative-artists">Nepal’s art for generations to come,</a>” says a statement from the Council, adding that the digital platform will use AI told for authentication and blockchain to keep track of works of art. Artists can now be protected by <a href="https://nepalitimes.com/multimedia/ayo-ai?fbclid=IwAR1uwmTVq4gUB70ljfRezjzukD9ArWXPuMnUikopeQ8PoiZMjicToPSwhKE&amp;=1">AI tools</a> that detect forgeries, identify their work even when unsigned, and ensure they receive proper recognition and credit. The archives will be searchable with translated inscription and interactive guides. Says curator Meena Lama: “AI and blockchains are tools that give us the power to detect fakes and identify unsigned paintings and track every piece. With these tools we can restore trust, secure authorship and give artists the dignity they deserve.”  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250514170544_2ab58f6313c0458f75114a692b0016bd9efb3b59d5f8f07f0da72e1e37b82f53.jpg" data-media-id="editor_6" data-image-id="20250514170544_2ab58f6313c0458f75114a692b0016bd9efb3b59d5f8f07f0da72e1e37b82f53" data-rendition-name="original" width="1300" height="1000" loading="lazy" alt="Artwork at the Traditional Art Exhibition at Patan Museum."> <figcaption>Artwork at the Traditional Art Exhibition at Patan Museum.</figcaption> </figure>  The Council is also holding an exhibition of Nepali cultural masterpieces with 50 historical <a href="https://archive.nepalitimes.com/article/Nepali-Times-Buzz/Buzz-the-art,671">thangka and paubha </a>by past masters and <a href="https://nepalitimes.com/review/between-the-sacred-and-everyday">contemporary works by current artists</a>. This curated collection is a living tribute to <a href="https://nepalitimes.com/here-now/when-yaks-go-so-does-culture">Himalayan culture</a> with economic depictions of deities, mandala and sacred narratives. The exhibition at <a href="https://nepalitimes.com/multimedia/a-portal-into-patan-s-past-and-present">Patan Museum</a> also provides an opportunity to meet painters and custodians of art and culture. Read also: <a href="https://nepalitimes.com/review/golden-deities">Golden deities</a>, Sewa Bhattarai ‘The exhibition is only the first step in a long journey to ensure that Nepali art is no just seen but fully understood, <a href="https://archive.nepalitimes.com/article/nation/Narratives-of-Faith-and-Memory-Remembering-the-Lost-Sculptures-of-Kathmandu-exhibition,987">protected and remembered</a>,’ the Council says. Artist Kailash K Shrestha of Artudio has spent decades promoting thankha and paubha traditions because of their beauty and devotional meaning. But he also says artists are underpaid, exploited and ignored. He adds, “AI and blockchain are not just buzzwords, they are powerful tools that can protect Nepal’s artists from fraud, verify authenticity and build a permanent record of provenance.” Traditional Art Exhibition Till 17 May Patan Museum