Last spring, I climbed a couple of easy 6,000ers in Nepal with Howard Lister. When we returned to Kathmandu, we had dinner with Richard Salisbury and Rodolphe Popier of The Himalayan Database.&nbsp; For them, Nepal’s 2023 spring climbing season had not been very interesting. Although there was a record number of climbers on Mt Everest and many more on the other 8,000ers in Nepal, almost all fall into what László Pintér calls ‘of only statistical value’ -- commercial expeditions repeating the ordinary routes on 8,000ers.&nbsp; It could seem like Himalayan climbing (defined as making new routes and early repeats) is in decline. There are a couple of myths about Himalayan climbing, that should be dispelled: &nbsp; Myth 1: The Himalaya is Crowded The record numbers of permits given for Everest and the famous images of queues of climbers on the South-East Ridge might make a casual observer think that the Himalaya is crowded. This is far from being the case.&nbsp; In the 2023 pre-monsoon season, 1,176 climbers were granted permits for the 374 ‘open’ mountains, making an average of only three climbers per mountain. That does not sound too crowded, but the distribution of climbers is indeed unbalanced. László writes about ‘guided summit collectors who seek fame’, and these were massively concentrated on 8,000m peaks with 41% of the climbers on Everest. Even there, they were almost all on the South Col route.&nbsp; Read also: <a href="https://nepalitimes.com/news/mt-everest-pvt-ltd">Mt Everest (Pvt) Ltd</a>, Vishad Onta Another 31% were on normal routes on Nepal's six other 8,000m peaks. Of the remaining 329, a quarter of the climbers were on Ama Dablam and a fifth on Everest’s near neighbour, Nuptse.&nbsp; That left another 187 climbers spread amongst 365 peaks, of which 346 had no visitors at all. If you want solitude in Nepal, it is not difficult to find. The magic 8,000m line has a massive influence on the choice of climbing objective. Whilst 847 people tried mountains of above 8,000m, with the exception of Nuptse, there were no attempts on any of the other 23 mountains between 7,500m and 8,000m.&nbsp; Myth 2: There Are No Climbing Challenges Left ‘Guided summit collectors’ tend to make up increasingly contorted claims to fame (‘first left-handed Zimbabwean’ or the ‘oldest dyslexic dentist’ to climb Everest). The casual observer might assume this is because there are no real climbing challenges left. That is absolutely not the case.&nbsp; Let us start with Lhotse, which essentially has three faces and three ridges. None of the ridges have ever been climbed, and almost all ascents have been by a single route on the North-West Face. The South Face was climbed 33 years ago, and waits for a repeat. This is a very wide wall on which multiple different lines would be possible. The North East Face of Lhotse has not even seen an attempt. Some of the other 8,000ers have had the most obvious routes picked off, but there are other climbing objectives to last a few centuries at the current rate of progress. The high 7,000ers in Nepal are mountains which differ from the 8,000ers only by being slightly below an arbitrary height line.&nbsp; Read also,<a href="https://nepalitimes.com/news/without-sherpas-there-is-no-mountaineering"> “Without Sherpas, there is no mountaineering”</a>, Bhadra Sharma Gyachung Kang, the world’s 15th highest mountain, is less than 50m short of being an eight thousander, but it has only had 10 ascents and no attempts for 18 years.&nbsp; Next is Annapurna II, which has been climbed only 5-6 times. For some Annapurna II may sound like a minor sub-peak of Annapurna, but being 30km away from Annapurna I and with a prominence of nearly 2,500m makes it indisputably a separate mountain.&nbsp; But these days hardly anyone attempts Annapurna II. There were 16 expeditions to it in the 1980s, three in the 1990s and three in the 2000s, but only one since 2008.&nbsp; Dhaulagiri, like Annapurna, is a name given to a series of mountains in a massif with Dhaulagiri II, III, IV and V -- all above 7,600m. Dhaulagiri III, IV and V may be considered subsidiary tops of Dhaulagiri II, but Dhaulagiri II is every bit as independent as Annapurna II, yet has received only 10 ascents, the last in 1986. None of Dhaulagiri III, IV or V have been attempted since the 1970s.&nbsp; If you Google ‘what is the most dangerous mountain in the world?’ you will get an answer based on the somewhat nonsensical measure of dividing the number of deaths by the number of successful summit climbers. It is declared to be Annapurna I followed by K2 and Nanga Parbat.&nbsp; Read also: <a href="https://www.nepalitimes.com/here-now/letters-from-everest-base-camp-1-vfqcer0e">Letters from Everest Base Camp 1</a>  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20240223060240_e4eb40276b95d06a98879c513b6e2d327ace35092e7b108b61497887e9fade3f.jpg" data-media-id="editor_3" data-image-id="20240223060240_e4eb40276b95d06a98879c513b6e2d327ace35092e7b108b61497887e9fade3f" data-rendition-name="original" width="595" height="842" loading="lazy" alt="Dangerous mountain"> </figure>  This is wrong because it only looks at 8,000m peaks. Annapurna is often quoted as having a ‘fatality rate’ of 32% (although the large number of commercial climbs in the last few years have brought this down to under 20%).&nbsp; That certainly does not make it the most dangerous mountain in the world. Twelve climbers have summitted Dhaulagiri IV, but 14 have died while trying, so the fatality rate on that peak is 117%. But Ngadi Chuli (Peak 29) is the world’s 20th highest mountain at 7,871m. It has had only two summiteers, but five people have died while trying, giving it a fatality rate of 250%. It has not even been attempted for more than 40 years. There is plenty of scope for new routes on all of these mountains. Excluding variants, Annapurna II has been climbed by two routes, Peak 29 by two, Dhaulagiri II by only one.&nbsp; And then there are mountains that have never been climbed like Shartse, a 7,591m peak on the East Ridge of Lhotse Shar.&nbsp; There are still some bold climbers making fantastic ascents, like Ukrainians Nikita Balabanov, Mikail Fomin and Viacheslav Polezhaiko on the South-East ridge of Annapurna III in 2021.&nbsp; The French pair of Boris Langenstein and Tiphaine Duperier last year explored the possibility of ascending the huge and untouched North East Face of Dhaulagiri II. Their plan to climb up and ski down was thwarted by route finding difficulties and bad weather, but this was a real pioneering attempt.&nbsp; Read also: <a href="https://nepalitimes.com/news/chopper-vs-chauri-below-everest">Chopper vs Chauri below Everest</a>, Bhadra Sharma One of the finest climbs on a high 7,000er was the alpine style ascent of a partially new route on the daunting North Face of Jannu by Americans Matt Cornell, Alan Rousseau and Jackson Marvell last autumn. If we compare the proportion of expeditions to the seven 8,000ers and the highest seven 7,000ers in the Nepal Himalaya by decade, we can see the picture very clearly. Mostly non-guided climbing of 7,000ers, making new routes and first or early ascents, peaked in the 1980s and has been much lower since, while 8,000m climbing, mainly by commercial expeditions, is growing almost exponentially.&nbsp; While ‘real’ Himalayan Climbing is not dying, it is declining and carried out by a relatively small number of highly talented climbers.&nbsp; That situation is masked by the large numbers of climbers on commercial routes on Everest, the other 8,000ers and a handful of popular mountains and by the publicity these climbs receive. The lack of such ‘adventurous climbs’ is not because there are no worthwhile objectives. Himalayan climbing is dangerous even on the heavily populated and well equipped mountains, and it is even more so for those who venture away from well-trodden paths to seek new challenges.&nbsp; Anyone who attempts such exploits needs to make their own mind up about the risks and difficulties involved. But if anyone believes there are no climbing challenges left in the Himalaya or that all mountaineering in Nepal involves long queues on fixed ropes, then they are absolutely wrong. &nbsp; Read also: <a href="https://nepalitimes.com/here-now/himalayans-on-the-frontlines">Himalayans on the frontlines</a>, Ang Tshering Sherpa  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2024022306024_d9a02bfe0967c9647b5d4d02aef5eb4ee985c7b16e8f142fc176c5e07080c8b5.jpg" data-media-id="editor_6" data-image-id="2024022306024_d9a02bfe0967c9647b5d4d02aef5eb4ee985c7b16e8f142fc176c5e07080c8b5" data-rendition-name="original" width="1136" height="702" loading="lazy" alt="Edward Morgan Book Details"> </figure>  Edward Morgan is the author of Lhotse South Face – The Wall of Legends. &nbsp;

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Dispelling myths about climbing

UN Secretary General António Guterres who is on a 4-day visit to Nepal has pledged to raise global awareness about the impact of the climate crisis on the Himalaya at the COP28 climate summit in Dubai next month. He flew by helicopter from Kathmandu to the shrinking glacier below Mt Everest on Monday to record a warning to the world that the planet is in grave peril. He also vowed to take up the cause of countries like Nepal that are vulnerable to climate impact in Dubai to raise money for adaptation, and a fund for loss and damage. “Nepal is an example of a country that does not contribute much to the climate crisis but is in the first line of impact of its consequences. And I’m here to show Nepal to the world and show how dramatic climate change is,” said Guterres following a visit to the Everest Base Camp (EBC) and Syangboche on Monday morning. Read also: <a href="https://nepalitimes.com/editorial/antonio-guterres-agenda-in-kathmandu">António Guterres' agenda in Kathmandu</a>, Editorial  <figure><img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20231030111020_250b078bd5f5d6f6e3fb6e39303c6604dc27fa1cda4744357f2f2f5796c345c8.jpg" data-media-id="editor_1" data-image-id="20231030111020_250b078bd5f5d6f6e3fb6e39303c6604dc27fa1cda4744357f2f2f5796c345c8" data-rendition-name="original" width="1920" height="1280" loading="lazy" alt="UN Sec General"><figcaption>Photo: RATNA SHRESTHA/RSSRSS</figcaption></figure>  He further noted that it was disheartening that countries like Nepal are experiencing consequences disproportionately. He added: “At COP28, we have to urge countries to reduce emissions and double contributions for adaptation and the loss and damage fund. It is not generosity, but their duty.” The UN Secretary-General spoke with the local community in Nepal’s Khumbu region about everyday challenges they face, including weather extremes, shrinking glaciers, the depletion of water sources, and climate-related disasters like glacial lake outbursts floods and avalanches. He also discussed solutions like clean energy, and residents asked for support for micro-hydro projects. Guterres later took to X (Twitter) to write: ‘Today from the base of Mt Everest, I saw for myself the terrible impact of the climate crisis on the Himalayas. As temperatures rise, glacier melt increases - threatening the lives and livelihoods of entire communities. #ClimateAction can’t wait.’ <div class="embed-block"><blockquote class="twitter-tweet">Today from the base of Mt. Everest, I saw for myself the terrible impact of the climate crisis on the Himalayas. As temperatures rise, glacier melt increases - threatening the lives and livelihoods of entire communities.<a href="https://twitter.com/hashtag/ClimateAction?src=hash&amp;ref_src=twsrc%5Etfw">#ClimateAction</a> can’t wait. <a href="https://t.co/Ih12Qb8roi">pic.twitter.com/Ih12Qb8roi</a>— António Guterres (@antonioguterres) <a href="https://twitter.com/antonioguterres/status/1718900241615736901?ref_src=twsrc%5Etfw">October 30, 2023</a></blockquote> <script async src="https://platform.twitter.com/widgets.js" charset="utf-8"></script></div> The Secretary-General flew on Monday to Pokhara, and on Tuesday will visit the base camp of Annapurna, another 8,000m Himalayan peak where the snowline is also receding dramatically. Guterres announced he will also be visiting Antarctica in November to highlight the thawing of the polar ice caps and the result this will have on seas level and weather patterns. At Annapurna Base Camp Guterress will be accompanied by glaciologists who will show him evidence of Elevation Dependent Warming which means that the Himalayan mountains are warming at 0.7 degrees Celsius higher than the global average. Even if atmospheric temperatures worldwide were to be capped at 2.0 Celsius by 2025, the Himalayan would be 2.7 Celsius. At that rate, two-thirds of Himalayan glaciers will be gone during this century. Read also: <a href="https://nepalitimes.com/news/antonio-guterres-meets-nepal-s-leaders">António Guterres meets Nepal’s leaders</a>, Nepali Times  <figure><img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20231030111020_4dbe27e0a919a04af43b45f2c457bf5f270a8b08392b96be17f738ad1f63a8a4.jpg" data-media-id="editor_4" data-image-id="20231030111020_4dbe27e0a919a04af43b45f2c457bf5f270a8b08392b96be17f738ad1f63a8a4" data-rendition-name="original" width="1800" height="1350" loading="lazy" alt="UN Sec Gen"><figcaption>Photo: RSS</figcaption></figure>  From there he will fly to Lumbini to the birthplace of the Buddha in southern Nepal to send a message of peace and compassion to the world. Guterres will be the sixth UN Secretary General to visit Lumbini. Back in 1967, Burmese Buddhist Secretary-General of the United Nations, U Thant, visited Nepal and flew to Lumbini for a pilgrimage. Seeing the ruins, U Thant during his meeting with King Mahendra in Kathmandu discussed restoring the nativity site and later set up a UN Committee to turn Lumbini into an international centre for peace. Another issue on the agenda for Guterres is Nepal’s long-standing commitment to the UN peacekeeping, the country is the second biggest contributor to the operations. Guterres told UN staff at a gathering in Kathmandu on Monday: “Nepal is an example of a country that is not only able to make peace with itself but also contributes to peace in conflict regions around the world.” Read also: <a href="https://nepalitimes.com/banner/climate-change-is-a-disaster-in-the-nepal-himalaya">Climate change is a disaster in the Nepal Himalaya</a>, Sonam Choekyi Lama

Below Mt Everest, António Guterres urges climate action

<figure><img width="640" height="825" src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/2022110918110/636bdcaf9c7e80680e08032cjpeg.jpg" alt=""/><figcaption>The Tengboche Monastery's gate wore a deserted look last week because of the Covid-19 crisis brought trekking nearly to a halt.</figcaption></figure>Anxiety caused by the impact of the Covid-19 pandemic and the collapse of a tourism-dependent economy appears to have deeply worried the head monk of Tengboche Monastery below Mt Everest who died on 10 October at age 86.<a href="https://www.nepalitimes.com/latest/nepals-sherpas-mourn-tengboche-abbott/" data-saferedirecturl="https://www.google.com/url?q=https://www.nepalitimes.com/latest/nepals-sherpas-mourn-tengboche-abbott/&amp;source=gmail&amp;ust=1604191988378000&amp;usg=AFQjCNEITzmt0lyxh4fWQTuV93JO_jpuWQ">Nawang Tenzin Zangbu</a> cared about the spiritual and material welfare of his people, and ever since he <a href="https://www.nepalitimes.com/opinion/the-himalaya-mourn-a-saintly-leader/" data-saferedirecturl="https://www.google.com/url?q=https://www.nepalitimes.com/opinion/the-himalaya-mourn-a-saintly-leader/&amp;source=gmail&amp;ust=1604191988378000&amp;usg=AFQjCNEAMSsnLVL31GMfL8sOSb0WrAKsKQ">became the Rinpoche</a>, he had worked tirelessly to make tourism a key element in lifting living standards of the Sherpa people, and help pay for conservation and clean-up of the Everest region.His death comes at an unfortunate time for the Khumbu, as the pandemic overwhelms Nepal’s fragile health system and <a href="https://www.nepalitimes.com/latest/everest-trek-closed-open-closed-open-again/" data-saferedirecturl="https://www.google.com/url?q=https://www.nepalitimes.com/latest/everest-trek-closed-open-closed-open-again/&amp;source=gmail&amp;ust=1604191988378000&amp;usg=AFQjCNHOqesvkWCrHOe08qBALNhD6nW2Rg">affects business from trekking and climbing</a> for most of 2020, causing great economic hardship to porters, guides, hotels and others dependent in the Everest region."This year he had too much to think about for the people, and this stress may have resulted in his early death," Pemba Gyanzen Sherpa, the Gerku (custodian) of Tengboche Monastery told us. He believes stress about the impact of the pandemic on the local population of the Khumbu may have played a role in hastening the Rinpoche's demise."On the day he died, the Rinpoche called me. He said that he was worried about this virus and wanted to protect all the people in Khumbu," said Pemba. The two then drew up plans for assembling and distributing protective buti amulets to all the people living in Khumbu. These pouches containing herbs and other material are believed to ward off illness and protect the wearer from ill fortune. <figure><img width="1574" height="1174" src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/2022110918110/636bdcb29c7e80680e08032djpeg.jpg" alt=""><figcaption> </figcaption></figure>Two days before he died, the Rinpoche had come down to Namche from Tengboche and was not feeling well. Upon reaching, he requested to have a shower. His caregiver feared that a shower would worsen his health, and so replied that it was not possible as there was no change of clothes.The Rinpoche had difficulty breathing, and Pemba recalls that they tried giving him oxygen, but he pushed away the tube. He then made an action with his hands, immediately after which he passed away.<a href="http://archive.nepalitimes.com/news.php?id=9270#.X5wmES8RoWo" data-saferedirecturl="https://www.google.com/url?q=http://archive.nepalitimes.com/news.php?id%3D9270%23.X5wmES8RoWo&amp;source=gmail&amp;ust=1604191988378000&amp;usg=AFQjCNFu2JZA0WrGox0OZRnEBzCykD4i2Q">The Rinpoche</a> was born to a Sherpa family in Namche on the same day as the Dalai Lama in 1935, and was recognised at age five as the incarnation of Lama Gulu who founded Tengboche Monastery in 1916. He was sent to Tibet to study Buddhism, and returned to the Khumbu in 1956 to head the Tengboche gumba – three years after the first ascent of Mt Everest. After he died on 10 October, the Rinpoche’s body was brought back to Tengboche where he will lie in state for 49 days while prayer vigils are held for his timely reincarnation. After that the monks will determine whether to cremate the body or preserve it in a stupa near the Monastery. <figure><img width="1582" height="1186" src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/2022110918110/636bdcb59c7e80680e08032ejpeg.jpg" alt=""><figcaption> </figcaption></figure>The Rinpoche had been a quiet but steady presence in the Khumbu. Besides presiding over religious ceremonies for the Sherpa people, he <a href="http://archive.nepalitimes.com/news.php?id=9268#.X5wuJi8RoWq" data-saferedirecturl="https://www.google.com/url?q=http://archive.nepalitimes.com/news.php?id%3D9268%23.X5wuJi8RoWq&amp;source=gmail&amp;ust=1604191988378000&amp;usg=AFQjCNHZ2pCrk71wcD3rrOW7tcZAzs9Y2g">oversaw important initiatives</a> like the formation of the Sagarmatha National Park. Later on in life, he became increasingly concerned about the <a href="https://www.nepalitimes.com/banner/expeditions-brings-down-11-tons-of-mt-everest-trash/" data-saferedirecturl="https://www.google.com/url?q=https://www.nepalitimes.com/banner/expeditions-brings-down-11-tons-of-mt-everest-trash/&amp;source=gmail&amp;ust=1604191988378000&amp;usg=AFQjCNHEnY-wcCvtXix9wxluED5HFTvCMQ">garbage along the Everest Trail</a> and on the mountains left by expeditions and helped set up the <a href="https://www.nepalitimes.com/here-now/everest-garbage-caravan/" data-saferedirecturl="https://www.google.com/url?q=https://www.nepalitimes.com/here-now/everest-garbage-caravan/&amp;source=gmail&amp;ust=1604191988378000&amp;usg=AFQjCNHfUTjg14431EgtG3h0QMhTNFfmnQ">Sagarmatha Pollution Control Committee</a>. He also spoke of his worry about how the people of the mountains had to bear the brunt of climate warming through no fault of their own. <figure><img width="1028" height="1022" src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/2022110918110/636bdcb89c7e80680e08032fjpeg.jpg" alt=""><figcaption> </figcaption></figure>Ever since he was selected to be the high lama and right up to his death, he would wake up at 3am to read advanced Buddhist texts. Pemba recalled how he and other monks requested him to discontinue this practice, and sleep a little longer to preserve his deteriorating health. However, the Rinpoche replied that it was too late to change his habits, and he would continue getting up early till his dying day.October-November is also the time for the annual Mani Rimdu festival in Tengboche to commemorate the death of the Lama Gulu. Now in its 103rd year, Mani Rimdu has been held every year, and it appears it will not be cancelled this year despite the pandemic nor the death of the Rinpoche."The Rinpoche always celebrated the festival and would never have wanted us to miss it for any reason,” said Pemba. “Even when he was ill, we always did the Dorche Semba prayers, and the dances for the festival."The monks at Tengboche these days are busy, some of them praying through the night for the Rinpoche's timely reincarnation. Others are rehearsing a dance performance and completing the Dorche Semba ahead of the festival. Moreover, the Monastery is also raising funds and working out the logistics to fulfil the Rinpoche's dying wish of distributing the buti to all the people of Khumbu. <figure><img width="604" height="849" src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/2022110918110/636bdcba9c7e80680e080330jpeg.jpg" alt=""><figcaption> </figcaption></figure>“Foreseeing the possibility of his death, the Rinpoche made plans so his demise world not affect the local population of Khumbu,” explained Ang Nima Sherpa of Khumjung, adding that the Rinpoche’s duties would be handled by the Defuk Rinpoche of the nearby monastery of Pangboche.Meanwhile, details of the successor Rinpoche will appear to Sakya Trichen the high lama’s close friend and the 41st head of the Sakya order of Tibetan Buddhism. After he provides a name, teams of monks will have to go and search for the family selected. <figure><img width="2102" height="1178" src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/2022110918110/636bdcbc9c7e80680e080331jpeg.jpg" alt=""><figcaption> </figcaption></figure>The reincarnated Rinpoche will then have to pass a test, including remembering incidents from the lives of the earlier Tengboche Rinpoche. Upon completion of the test, he will be sent for training at different monasteries, after which the Rinpoche's position at Tengboche will be occupied once again.

Tengboche abbott’s last wish

We often see ourselves reflected in the other. For someone who grew up in Kathmandu Valley in the eighties and nineties, this maxim comes alive with an even greater force. Nepal’s media ecosystem was dismal, the school curriculum was narrow and did not provide opportunities for creative expression. Perhaps that is why I became obsessed with MTV videos and Bollywood films. I saw my developing self reflected in these story-lines and razzmatazz. When the media and education system do not engage the public and reflect myriad interests, aspirations and lifestyles of the population, citizens get detached and disconnected from their roots. I left for America for further studies, and was somewhat determined to never return to Nepal. It was a country full of potholes and black-outs. But foreigners have been fascinated with our country for decades. In the early 19th century, Francis Buchanan-Hamilton led a pioneering expedition and documented more than a thousand species of plants native to the region. Almost a century later, in 1905, Frenchman Sylvan Levi published ‘the first attempt to produce a comprehensive study of Nepal’, drawing on not just indigenous but available Chinese and European sources as well. After Nepal opened up in the 1950s, different kinds of foreigners have traveled here -- most notably, cold-war era spies disguised as diplomats, and later came the hippies. I returned to Nepal in 2013 and was primarily struck by two major demographics - the artists and the expats. Energised by the recent revolution, the creatives were making vibrant, powerful works. The expats, on the other hand, demonstrated a different way to navigate life in Kathmandu Valley. These two groups of people re-introduced Nepal to me and I began seeing my country and my hometown with a renewed perspective. Which is why one particular image from Giovanna Caruso’s ongoing show at the <a href="https://www.instagram.com/thekalasalon/?hl=en" target="_blank">Kalā</a><a href="https://www.instagram.com/thekalasalon/?hl=en" target="_blank"> Salon</a> curated by <a href="https://nepalitimes.com/review/facades-and-flowers-from-nepal-to-italy" target="_blank">Sophia L Pandé</a> instantly caught my attention -- rather, it called out to me, as if it was composed for me, framing a key moment from my own life. Its title is, coincidentally, 2013. Like most of her other works, the pen-and-ink drawing is punctuated by an explosion of watercolour: a woman standing confidently in front of a Newa-style house, a leg arched up, as if she is fixing a strap around an ankle before stepping out on an adventure. The watercolour depicts a rainbow streaming out of a pot through a second-floor window. The rest of the details are rendered in realism – clusters of garlic and onion hanging to dry from the rafters, and further down a stack of corn. There are towels drying, even an old water pump.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20251201121216_f440de5b5402fe0877dc46d94f41647bd46b00035b61241d46fc9f7ffbd87d0f.jpg" data-media-id="editor_3" data-image-id="20251201121216_f440de5b5402fe0877dc46d94f41647bd46b00035b61241d46fc9f7ffbd87d0f" data-rendition-name="original" width="4032" height="3024" loading="lazy" alt="art review Kala Salon"> </figure>  When I walked over to this artwork with Caruso, she chuckled, “Ah, this work is a celebration of my 30 years in Nepal.” It was while trying to calm a restless group of students during her teaching days in Italy that Caruso first came across an iconic image of Kathmandu Darbar Square. She had found an old box of slides and while projecting images from the Himalaya to engage her students, the artist was determined to travel to Nepal. The first flat she rented was close to the square and the view from her rooftop was the same as the one she had encountered inside her classroom. She has been traveling to Nepal every year since. Some of her favourite drawings depict Khokana in morning fog. From 1993-2006, she drew murals at Ram Mandir and Pashupatinath, asking sadhus to guide her and correct her depictions. Caruso received a classical education, which means she was trained to focus on perspective and geometry while capturing mainly portraits and still lives. She is influenced by M C Escher and his explorations of mathematics and symmetry. No wonder she finds the Darbar Square architecture so compelling. She also names as inspiration Gustave Dore, whose style is different from Escher’s and I can see how she has fused these influences in her body of work: Escher’s austerity complimented and slightly dislodged by Dore’s comics and caricatures. “Before starting, the painting needs to be complete in my mind,” she explains as we pass a series of portraits titled Saraswati, Lakshmi, Kali Dancing, and Durga dominated by a roaring tiger. “These are all real people, I ask my friends and family members to sit for me.” The Kali in the drawing has the artist’s fiery copper red hair and she is dancing, surrounded by various men with flowing hair. The artist seems to have experimented here, drawing the revelers from above, and indulging in playful abandon. Depictions of Nepal are often in danger of being exoticised. But Caruso is familiar with her subjects, knows our alleys and temples intimately. Her colours and compositions are passionate and dense. In an essay, Anirudh S Chari writes the artist’s work is splashed with rapturous energy and most drawings have a carnivalesque element. ‘Kali Dancing’ illustrates this idea perfectly in that she has turned Kali’s usual fearsome portrayal on its head by depicting and embracing another feminine principle - the capacity to celebrate and create joy. Apart from drawing inspiration from Hindu goddesses and Nepal’s multi-colored rituals, Caruso has also drawn the Sumerian Ianna and Lillith and the Egyptian Nut. She enjoys drawing Nataraja, and says it is because “Shiva is a good husband”. We stand another painting titled 100 Days a Lion. “There is a saying in Italian, Better one day as a lion than a hundred days as a sheep, but I thought why not 100 Days a Lion?” This sentiment captures this nomadic artist’s spirit spanning four decades, in which she has captured urban energy as well as the sacred imagery of ‘life diaries on canvas’. From Venezia to Kathmandu and Journeys In Between Giovanna Caruso The Kalā Salon Chhaya Centre Mall, Thamel Till 12 December 10am- 8pm

Looking at Nepal from Venice

Shantanu Dhakal wakes up to a cold misty dawn, dons his college uniform and fastens his tie, tightening it carefully so as not to dislodge the tracheostomy tube protruding from his throat.
Gingerly, he brushes his teeth, mindful not to hurt the wound on his left cheek, where a bullet tore through during the GenZ protests on 8 September in the highway town of Itahari in eastern Nepal.&nbsp;
Dhakal, 18, came home from college that day three months ago and then took the bus to Itahari to join some friends who were protesting in front of the sub-metropolitan city office. It was mid-afternoon, and the crowd was chanting anti-corruption slogans and holding up placards.
Like most young Nepalis, Dhakal and his friends had been angered by videos on social media of the offspring of Nepal’s rich and powerful flaunting their lavish lifestyles.&nbsp;
"That was the trigger for me to join the protest, it opened my eyes to just how widespread nepotism and corruption was," Dhakal told Nepali Times.&nbsp;
The police arrested a few students, angering the crowd even more. They massed at the gate of a nearby police station to demand their friends be released. &nbsp;
Dhakal was standing across the street from the police station when the first shots rang out. The crowd scattered. As he ran for cover, there was a searing pain in his left jaw. Blood was streaming and it took some time for him to realise he had been shot.&nbsp;
“I was bleeding profusely and couldn’t speak. My vision blurred, there was a ringing in my ears,” Dhakal recalls. “I collected myself and continued to run, fearing that I would be shot a second time.”
Dhakal collapsed some distance away, and a fellow protestor took him to a nearby hospital, where doctors bandaged his jaw. He was referred to Birat Medical Teaching Hospital, where surgeons immediately performed an emergency operation. &nbsp;
The bullet had torn through his left jaw, shattering the bone, teeth, and soft tissue. Blood had rushed into his throat, obstructing the airway so doctors first performed a tracheostomy, installing a tube in his throat to help him keep breathing. A week later, the doctors reconstructed his jaw with metallic plates, grafting skin from his chest and transplanting it to the lower left side of his face.&nbsp;
Dhakal spent three weeks in hospital before being discharged. But the relief of being home was marred by disturbing thoughts. He says, “Just sitting there doing nothing began to take a toll on my mental health.” &nbsp;
Since he was always interested in content creation and <a href="https://www.youtube.com/@docsbyshantanu">producing short documentaries</a>, he decided to document online his near-death experience and post-protest life.&nbsp;
Shantanu Dhakal’s Instagram and TikTok <a href="https://www.instagram.com/shantanu__dhakal/">posts are simple, short videos</a> every other day about his treatment process, dressing his wound and cleaning his tracheostomy tube, attending events with others injured during the protests, and scenes from everyday life in his family farm.&nbsp;
The comment section has Nepalis and people from around the world reaching out to ask how he is doing and keeping his spirits up. Dhakal now has a caring social media community, and he uses the platforms to keep in touch with other injured protestors across the country.&nbsp;
Life is returning to a new normal. This week, he returned to college to resume classes after more than two months and is making up for lost time. He has adjusted to speaking and eating with the tube, although the pain never quite goes away.&nbsp;
“I can eat mostly fine, but it is still difficult to speak,” he says. Soon, he will go to hospital for his fortnightly follow-up, and doctors will determine when his tracheostomy tube can be removed.
Like other young Nepalis, Dhakal is now even more politically engaged and actively reads the news of the interim government installed after the GenZ protests.&nbsp;
With the 5 March elections only three months away, young Nepalis like Dhakal hope that the elections will throw out the old and bring in the new. He is among the more than 800,000 new voters who have registered.&nbsp;
“The most important thing is that we have stable government,” he says. “As far as candidates go, an ideal one for me would be a person who prioritises health and education. But if the candidates in my constituency are not up to mark, I may not vote.”
Dhakal along with other injured protesters and relatives of those killed met &nbsp;Energy Minister Kulman Ghising, who has launched his own Ujyalo Nepal Party, and he is cautiously optimistic about the work of the current leadership. &nbsp;
It is a different story in Kathmandu, where Prime Minister Sushila Karki is struggling to manage the expectations of various youth collectives while trying to convince the old parties to participate in elections.&nbsp;
While the UML and NC are actively trying to delegitimise Karki’s government as they prepare to hold their respective general conventions, they are also preparing to give out tickets for elections.&nbsp;
Self-proclaimed GenZ leaders who used Discord to elect Karki prime minister are putting up their own conditions for the polls, even demanding her resignation for failing to meet their demands. This is in sharp contrast to the feelings of many of those injured during the protests who want elections so the nation can heal, and move on.

A new normal

It is quite a feat for just two actors on a darkened stage to hold an audience spellbound for more than one hour. Yet, ‘के? Us.’ at Kausi Theatre does just that. It is a thought-provoking but baffling work that leaves the audience questioning reality, the recurring metaphors in this intriguing and powerful dark comedy haunting us for days afterwards.&nbsp; The unsettling sound of deep breathing mingles with percussive drumming and a driving guitar that pulsates amidst a red glow, dimly illuminating shadowy structures charred by fire. A door leads to what is later revealed to be the ancestral home of two brothers which is ‘under renovation’. One of the brothers Ashim (Bijaya Tamrakar) lives in Nepal caring for a supposedly comatose mother who is only depicted by a tree draped with red LED lights that circulate arterial blood corpuscles. Visiting him is a long-lost brother Aaryan (Eelum Dixit) who has returned (deported?) from America.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20251202071248_d3050fcd38e1ba471ea48e18fde6a8393a086a5b3afeef71eda190f3e01366e2.jpg" data-media-id="editor_0" data-image-id="20251202071248_d3050fcd38e1ba471ea48e18fde6a8393a086a5b3afeef71eda190f3e01366e2" data-rendition-name="original" width="2048" height="1365" loading="lazy" alt="Chaos play review"> </figure>  The stage is littered with scattered paper trash, a run-down motorcycle chassis, a tattered sofa, and beat-up table and chairs. The stage is set for a sinister plot. Are the characters to be punished in perdition?&nbsp; It does not take long for the audience to grasp that this is an apocalyptic Nepal that, following absurdist traditions, could exist at any time in the future or the present day <a href="https://nepalitimes.com/editorial/election-vs-escalation">post-GenZ protest state</a>. Ashim and Aaryan Adhikari have reunited after 15 years. Ashim, the younger brother, has been burdened with the responsibility of taking care of their brain-dead mother. Aaryan, returns after having migrated to the US, where he married, had children, divorced, and lost everything. He has been at “minus 20 and is now back to zero”.&nbsp; The brothers have intense back-and-forths that expose their cynicism, the conversation tangentially alluding to Nepal’s unstable political landscape, migration, an economy in shambles, aging population, alcoholism and other mental health issues. Even the sibling argument about the relative merits of momos and burgers seems metaphorical. The stagecraft uses lighting and sound effects brilliantly, transporting the audience to a surreal world in which Tamrakar and Dixit improvise their lines — no two shows are exactly the same, although the overall plotline has continuity.&nbsp; In the first scene, Aaryan approaches the house tentatively, creeping rodent-like, and carrying a briefcase and an old-fashioned lantern. And at the end, Ashim screams, “I am chaos.” Is this the end of the beginning, or the beginning of the end?&nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20251202071252_a49af0960d3f6f61cd8e9d5ea9c5af64655b89865711f5566f3054b701840da1.jpg" data-media-id="editor_2" data-image-id="20251202071252_a49af0960d3f6f61cd8e9d5ea9c5af64655b89865711f5566f3054b701840da1" data-rendition-name="original" width="2048" height="1365" loading="lazy" alt="Choas play review"> </figure>  At one point Aaryan seems perturbed by the sound of protest outside (the Gen Z movement?) and the taut atmosphere grips the audience with fear, shock, and apprehension of the recent death and destruction.&nbsp; Throughout the play there is the sound of breathing, as if through a ventilator, a thumping heartbeat, the morbid buzzing of flies and the glowing red LED veins -- signifying the presence of the comatose Aama. She is featured in a prologue-esque home video at the start of the play in which she reminisces about her two sons and rues her failing memory.&nbsp; The sound of breathing gets accentuated each time a brother gets closer to the tree, and it seems to fuel Ashim’s belief that Aama may be brain-dead but she is still among them. This play can go as deep as each individual in the audience wants it to go.&nbsp; The silenced, comatose mother could be Nepali Aama muted by an entrenched patriarchy. Or, she could be the symbol of a helpless country while her children fight over the ruins of what is left. The cake cutting is a delightfully Shakespearean subplot where we wonder if one of the brothers is going to poison, or knife, the other. The message is clear: how can we move forward if it is brother against brother? The stairs signify political transition (elections, constitutional change, new coalitions) promising upward movement, but eventually lead to falls, leaving the nation exactly where it started, or worse. The mother’s terminal illness evokes an ailing state apparatus, hollowed out by corruption and deep-seated social decay. Yet the brothers cling to an irrational hope — instead of confronting the harsh truth and pursuing radical solutions, suggesting a blind faith in the mother.&nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20251202071252_e30df0ea03c2db1759a09e2e3e3111d9d238d5cd5595a68b8052bbbc8e9ec6b3.jpg" data-media-id="editor_3" data-image-id="20251202071252_e30df0ea03c2db1759a09e2e3e3111d9d238d5cd5595a68b8052bbbc8e9ec6b3" data-rendition-name="original" width="2048" height="1365" loading="lazy" alt="Chaos play review"> </figure>  The brothers are lost. Aaryan climbs up stairs that lead nowhere, Ashim holds on to unrealistic hope that somehow Aama will get better. Tamrakar and Dixit deliver powerful performances, even more remarkable for the fact that they are improvising their lines as they go along. When Aaryan breaks a wall and directly addresses the audience, spectators turn from being passive observers to active participants (‘the society’). The audience then become oglers in this drama, suddenly made self-aware of our role as the scrutinising, cavilling voyeurs that society represents. There is some discomfort of being watched and judged.&nbsp; By asking his brother what he is afraid of while pointing at the audience, Aaryan suggests that the brother's (and perhaps the character's core) fear is not just of the house, or the mother's illness, but of external judgment and societal censure. After the stage goes dark, the applause takes some time. Audience members shuffle out in silence, minds reeling from the collective soul-searching they have just participated in.&nbsp; After ‘के? Us.’ the din at Teku intersection outside sounds different as we wait for our Pathao ride below the खरी tree where <a href="https://www.google.com/search?q=Shukra+Raj+Shastri&amp;client=safari&amp;sca_esv=75e8315709cd5118&amp;rls=en&amp;sxsrf=AE3TifMJhwukjdBBT0n4QcQWe8IYSaEVsw%3A1764648053799&amp;ei=dWQuaYbIMOy94-EPn4ygyAE&amp;ved=2ahUKEwiU1ciogp6RAxXq3TQHHeo9LBIQgK4QegQIARAB&amp;uact=5&amp;oq=nepal+tree+where+martyrs+were+hanged&amp;gs_lp=Egxnd3Mtd2l6LXNlcnAiJG5lcGFsIHRyZWUgd2hlcmUgbWFydHlycyB3ZXJlIGhhbmdlZDIIECEYoAEYwwRIug5QAFiNC3AAeAGQAQCYAc4BoAHrCKoBBTAuNS4xuAEDyAEA-AEBmAIDoALlBMICBRAAGO8FmAMA4gMFEgExIECSBwUwLjEuMqAHzw-yBwUwLjEuMrgH5QTCBwcwLjIuMC4xyAcM&amp;sclient=gws-wiz-serp&amp;mstk=AUtExfCLIneLVW3SFBzxBc964wFcTJ936tcAPSDcvNKljck0PIqDJddMZ_t8Pg610M98MCx14aNdnyLHs9QM0jWLhI7JYmkPhugX1ZHfSQvdCHZE9E5m2_ZQY5Jr893UcGjQfpabtA_C48NfB9Pg56uYMOmTtEBEcGuvz3d96Qaifyb86sI8mAkrRNo_367cv_xmFjLZ55iQkfHtORuOvZSUkIdMvAdpweuf4jPjjI4anbv9lc-uCImdP0JSvtvEGL8ePxwsWWOzYpIbjNP1zofjcWXK&amp;csui=3" target="_blank">Shukra Raj Shastri</a> was hanged in 1941 by the Rana regime. Language and Literature Students, 2026.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20251202071252_f2dc03a35cba33b382a66bbd43905206d9d3eb5ec3ebdcf973aeefbb4a50b6b2.jpg" data-media-id="editor_5" data-image-id="20251202071252_f2dc03a35cba33b382a66bbd43905206d9d3eb5ec3ebdcf973aeefbb4a50b6b2" data-rendition-name="original" width="1080" height="1350" loading="lazy" alt="Chaos play review"> </figure>  ‘के? Us.’ Kausi Theatre, Teku Till 7 December (except 2 December) Bookings: +977 9842156109, 9842574607

Staged chaos evokes state of Nepal

Nepali Times spoke to Manoj Kumar Gyawali, CEO of Nabil Bank about the post-GenZ economic condition of the country. Excerpts:
Nepali Times: With COP30 in Brazil having failed to agree on tangible goals on phasing out fossil fuels, how important is the concept of sustainable banking in Nepal?
Manoj Kumar Gyawali: Sustainable banking is not optional anymore for countries like Nepal. It’s essential. We are one of the most climate-vulnerable countries in the world, and our financial decisions today will determine the kind of Nepal we leave behind.
When Nabil joined the Partnership for Carbon Accounting Financials (PCAF) it encouraged us to take a much closer look at our financed emissions. And the truth is, once you start measuring your impact, you can’t unsee what the numbers tell you. It naturally pushes you to rethink how and where you deploy capital.
For Nabil Bank, sustainable banking is about more than compliance, it’s about directing finance toward sectors that safeguard the environment, uplift communities, and strengthen governance. Frameworks like PCAF give us a credible, globally recognised way to measure and manage our ESG impacts. 
That level of transparency and accountability not only improves our own decision-making, it also positions Nepal to tap into blended finance and other concessional funding streams that reward responsible, forward-looking investments.
So, for Nepal, sustainable banking is not a niche activity - it’s central to how we operate.
But is sustainable banking itself sustainable, given that international commitment to climate financing is not adequate to tackle climate breakdown?
This is a concern I hear quite often, and it’s valid. Global climate finance must increase, especially for countries like Nepal. Our economy is already feeling the impact of climate change across agriculture, hydropower, tourism. But sustainable banking, in my view, does not depend solely on external funding.
For us, it’s fundamentally about managing climate and environmental risks more intelligently, understanding the footprint of our own portfolio, and reallocating capital toward climate-positive and resilient sectors. These are things we must do anyway if we want long-term financial stability. It also means embedding strong ESG practices into our daily operations, supporting social impact, advancing financial inclusion, and driving sustainable economic development.
So even if global climate finance remains inadequate, sustainable banking is planned to be sustainable for Nepal in long run. It strengthens the resilience of our financial system, safeguards our clients, and positions banks to tap into emerging opportunities in the green economy. More importantly, it ensures that Nepal’s development pathway remains environmentally responsible, socially inclusive, and anchored in good governance. For now, we are not looking at whether sustainable banking is sustainable financially but considering our responsibility as the leading bank of Nepal.
Nepal’s banks, including yours have a lot of exposure in hydropower. Is there not a need to diversify Nepal’s energy mix
Hydropower is and will remain Nepal’s strongest natural advantage. At Nabil, we have financed 56 hydropower projects across 37 rivers in 21 districts with a total installed capacity of over 3,000 MW, so we understand the scale and importance of this sector.
But we also cannot ignore the realities of climate change — unpredictable rainfall, increased glacier melt, more frequent glacier lake outburst incidents, floods, and landslides. These risks make it clear that while hydropower is essential, Nepal must diversify its energy mix to remain resilient. 
The good news is Nepal has enormous solar potential and wind corridors. Our national commitments already call for at least 15% of total energy demand to come from clean energy, with 5–10% from solar and other renewables. This creates real opportunities for banks like Nabil to support solar, wind, and emerging clean technologies alongside hydropower. We have already approved financing of 5 solar projects having a total capacity of 120 MW.
Tax rebates on EVs allowed Nepal to take a lead in adopting battery-operated vehicles in Nepal. How can we build on this to reduce our petroleum import bill?
The EV push has already shown results—we saw a reduction of nearly Rs22 billion in our petroleum import bill in 2024/25. That's a notable achievement.
But if we want to truly scale EV adoption, we need three things: More charging infrastructure that is reliable, widespread, and commercially viable, Local assembly and value creation we should be assembling EVs here, and Stable policy that gives people and businesses confidence to invest.
We are ready with financing models for EV fleets, public transport, and charging infrastructure. With the right ecosystem, Nepal can significantly cut its oil dependency.
The GenZ uprising showed the urgent need for transparency in government and investment in productive sectors to create jobs. What would be the banking sector’s role in this? 
The GenZ movement is more than a protest, it’s a clear message. Young Nepalis are demanding transparency, good governance, and real opportunities at home, and their concerns could be considered justified. The banking sector has a major responsibility: we need to direct more lending toward the real economy, sectors that create jobs, build productivity, and strengthen long-term growth, while also encouraging businesses to adopt stronger ESG practices.
Our financing has helped support around 112,000 direct jobs, with nearly 30% held by women. And through initiatives like the Nabil School of Social Entrepreneurship and our wider CSR programs, we’re working directly with communities to uplift the most vulnerable and nurture the next generation of entrepreneurs.
Across Nepal we also see evidence of haphazard over-development, at Nabil do you have guidelines about projects that result in environmental degradation?
Absolutely. We cannot afford to support development that harms the environment, it eventually becomes a financial risk as well. Environmental stewardship is one of our core priorities. Haphazard development may look profitable in the short term, but it leads to long-term economic, social, and ecological losses and ultimately becomes a financial risk. 
Nabil has a strong Environmental and Social Risk Management (ESRM) Guideline, a clear exclusion list in our credit policy, and a Sustainable Banking Policy to guide our decisions.
Every project we finance must meet both local regulations and international standards. If it doesn’t, we simply don’t fund it. Our goal is straightforward: to support development that is responsible, sustainable, and in Nepal’s long-term interest.
Nepal’s macroeconomy is looking good, remittances are up, but the economy is not growing as fast as it should. Banks have cash, but no one is borrowing. Do you see a light at the end of the tunnel?
Nepal’s economy today carries both optimism and caution. As you say, remittances are strong, reserves are healthy, and liquidity is available. Yet investment appetite remains subdued because of structural issues like political instability, slow government spending, and weak investor confidence.
That said, I do see early signs of improvement. Lower interest rates are beginning to restore public and business confidence. Rising remittances provide a safety net and fresh investment capacity for households. And if government capital expenditure continues to improve, it will act as the essential boost for private sector activity.
From Nabil’s side, we are ready to finance strong, bankable projects. With stable policies and timely execution, I believe Nepal is on a path toward gradual but meaningful economic recovery. The road ahead may be challenging, but the lights are definitely there.