Nepali films have in the past often portrayed women in limited, one-dimensional roles: selfless mothers, obedient wives, or victims of abuse.&nbsp; Nepal’s very first feature film, Ama was a pioneering drama portraying the socio-political landscape of the 1960s <a href="https://nepalitimes.com/here-now/mob-movement-and-mayhem">Panchayat era Nepal</a>. But it reinforced traditional <a href="https://nepalitimes.com/banner/hop-over-the-gender-gap">gender roles</a> where women are caregivers, who silently bear emotional labour, while men are protectors and providers. The mother’s strength is portrayed in her endurance in separation from her soldier son, but she still exists largely just there to support the male protagonist’s journey. “A man was always the hero, that was the norm. Women are either victimised or their struggles are over sensitised,” says<a href="https://www.shantanepaliproductions.com/"> Shanta Nepali</a>, director and cinematographer. “Many have raised awareness through their films, but when it comes to true representation of <a href="https://nepalitimes.com/editorial/quality-of-equality-for-women">women’s issues</a>, we are still far behind.” Plan International Nepal in a <a href="https://plan-international.org/uploads/sites/79/2022/02/womenincinema_3.pdf">research paper </a>breaks down Matighar directed by BS Thapa and starring Bollywood star Mala Sinha into three acts: first where Maya is a romantic lead who is soon widowed and abandoned, she is then forced to flee with her young son and work in a brothel, and finally she seeks a better future for her son.&nbsp; In the end, Maya is accepted back into society but essentially through mercy, highlighting the film’s theme of domesticity as a woman’s rightful place. Not much has changed since the early days of <a href="https://nepalitimes.com/here-now/nepal-s-qfx-cinema-needs-a-happy-ending">Nepali cinema</a>, although there have been some recent attempts to alter the <a href="https://nepalitimes.com/uncategorized/stereotyping-women-as-victims">stereotype</a>. “Women are still largely seen as eye candy, sidekicks, or an element of glamour rather than a central character driving the story. Their portrayal remains superficial, lacking depth and complexity,” says theatre director and actor Akanchha Karki of <a href="http://kathaghera.com//">Katha Ghera</a>. “There has been some progress in recent years, but not nearly enough.” More recent movies like Shambhala and Rajagunj have tried to break through the mould. <a href="https://nepalitimes.com/here-now/min-bahadur-bham-s-cinematic-quest">Min Bahadur Bham</a>’s Shambhala is centred around a complex female character defined not just by men around her but her own ambitions and struggles. Pema played by <a href="https://nepalitimes.com/here-now/nepal-s-star-shines-in-locarno">Thinley Lhamo </a>is an active agent of her own story of self-discovery in the face of <a href="https://nepalitimes.com/opinion/perpetuating-patriarchy-in-nepal">patriarchy</a>. Rajagunj directed by Deepak Rauniyar follows inspector Pooja Thapa who is sent to a Madhes town to investigate the kidnapping of two boys amidst <a href="https://archive.nepalitimes.com/regular-columns/Comment/southern-nepal-in-middle-of-a-humanitarian-crisis,579">political unrest and violent protests</a>.&nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250329140320_22bd4b6cb901014afb3d166dc4d9e56217f049f3a024d6cd11025fc9c981986f.jpg" data-media-id="editor_12" data-image-id="20250329140320_22bd4b6cb901014afb3d166dc4d9e56217f049f3a024d6cd11025fc9c981986f" data-rendition-name="original" width="5796" height="3870" loading="lazy" alt="Rajagunj"> <figcaption>Still from Rajagunj </figcaption> </figure>  Read also:<a href="https://nepalitimes.com/review/powerful-movie-upacks-questions-of-identity"> Powerful movie upacks questions of identity</a>, Sophia L. Pandé Even the 2001 film Numafung by Nabin Subba stands out for an empowering portrayal of women, and a rare glimpse of Limbu customs. After being widowed early, Numafung is expected to marry her late husband’s younger brother but defies tradition in the pursuit of her own independence.&nbsp; Although the 2019 film Xira directed by Ashutosh Raj Shrestha was critically panned, it did introduce an action-oriented, assertive, revenge-driven female protagonist played by Namrata Sharma. Nepali cinema often takes<a href="https://archive.nepalitimes.com/article/Nepali-Times-Buzz/Lights-camera-copy-paste,1146"> inspiration from Bollywood</a> which has also seen a shift in how women are portrayed. Older films like Pink directed by Aniruddha Roy Chowdhury critiqued societal prejudices against independent women as well as emphasised the importance of consent. Last year’s Laapata Ladies directed by Kiran Rao was a critical and commercial success. Through slice-of-life storytelling, the satirical drama set in rural India advocates <a href="https://nepalitimes.com/news/the-goal-is-empowerment-and-independence-of-women">women’s empowerment</a>, <a href="https://nepalitimes.com/latest/sisterhoods-empowering-education-in-nepal?fb_comment_id=4994256443922836_5028381260510354">education</a>, and <a href="https://nepalitimes.com/opinion/placing-nepali-women-first-past-the-post">equality</a>. Meanwhile, Mrs, a Hindi adaptation of The Great Indian Kitchen, follows a young woman after an arranged marriage in which she finds her aspirations suppressed. A big part of the reason behind often stereotypical portrayals of women on screen is the lack of female filmmakers, directors, writers, and producers. “Many women who started alongside me are no longer in the field, people try to break you mentally,” says Shanta Nepali. “I also faced caste discrimination, so it is even more difficult for women from marginalised communities.” Nepali is creating platforms such as the Nepali Female Filmmakers’ Community for women to actively engage in the field. She adds: “Even men struggle in this industry but when a woman says she wants to direct, the discouragement outweighs the support. It feels like going to war.” Anjila is a recent biopic based on the real-life journey of Anjila Tumbapo Subba, the captain and goalkeeper of national women’s football team. Subba plays herself, and the movie depicts her struggles and achievements in a male-dominated field.&nbsp; Akanchha Karki says that women-centric films often struggle at the box office. Audience preference for action-packed, masala drama discourages <a href="https://nepalitimes.com/banner/taking-nepali-literature-to-the-world">nuanced narrative</a> as well as reinforces the traditional beauty standards, perpetuating unrealistic ideals.&nbsp; “Producers and directors don’t invest in them because they don’t do as well, making it harder to break the cycle,” explains Karki. “Even current women filmmakers in the field often feel compelled to prioritise commercial viability over authentic <a href="https://nepalitimes.com/here-now/they-have-stories-to-yell">storytelling</a>.”

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She is the story

There was controlled chaos at the Chhaya Centre on 8 September before the premiere of <a href="https://www.youtube.com/watch?v=N2EXOwDgrIg&amp;t=25s">Shambhala</a>, which has made history as the first South Asian film to be selected for the 2023 Berlinale in-competition lineup in three decades. <a href="https://www.imdb.com/name/nm5336883/">Director Min Bahadur Bham</a> ran around, dreadlocks flailing, to test the DCP in the projection room and welcome an all-star lineup of guests. Even so, he found time to sit down with us for an interview in a quiet corner in the lobby. Despite visible signs of stress, Bham’s passion for his craft shines through. The premiere was the culmination of years of work, but as Bham tells it, the true essence of filmmaking is the journey itself.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20240912100956_fe4bb576edb2f6ca22d460c425a8b9fdf8d3855dd4e9cac9e13fb56a69094cdd.jpg" data-media-id="editor_2" data-image-id="20240912100956_fe4bb576edb2f6ca22d460c425a8b9fdf8d3855dd4e9cac9e13fb56a69094cdd" data-rendition-name="original" width="616" height="585" loading="lazy" alt="Min Bham NT 3 "> </figure>  Min Bahadur Bham, 40, was born in isolated Mugu. As a boy he already knew he wanted to be a film director after his photographer and journalist father bought a cinema hall in his hometown.&nbsp; While watching Bollywood movies there, his friends all wanted to be actors and would imitate the mannerisms of their favourite stars. But Bham craved something more.&nbsp; “Even back then, I wondered who tells the actors what to do. There must be someone guiding and coordinating their performance,” he says. “I didn’t know at the time that it was done by a director, but I instinctively felt that was the person I wanted to be.”&nbsp; Read also: <a href="https://nepalitimes.com/here-now/a-director-from-kathmandu">A director from Kathmandu</a>, Sewa Bhattarai This early fascination set Bham on a journey that would take him far, far away from Mugu. In Grade 8 he was already saving money for film school, and by Grade 10 he had run away from home. He started in theatre in Kathmandu, learning acting, lighting, set design, and costume. This theatre background proved to be formative and influenced his later approach to cinema. “If I had to choose, I’d still give more points to theatre,” he tells us. “It’s a pure art form, it has a poetic and an artistic sense to it, requiring discipline and hard work, unlike the finances and glamour of cinema.” Beyond filmmaking, Bham developed a deep interest in <a href="https://nepalitimes.com/here-now/medication-to-meditation-in-the-mountains">spirituality</a>. “Creating art is a form of meditation,” Bham says, his eyes shimmering with intensity. “Filmmaking, like meditation, requires pouring all of yourself into it.” His debut feature,<a href="https://archive.nepalitimes.com/article/must-see/Kalo-pothi-review,3101"> Kalo Pothi (The Black Hen)</a> premiered at the Venice Film Festival in 2015, earning critical acclaim for its nuanced portrayal of two boys caught in the crossfire of <a href="https://nepalitimes.com/banner/all-is-fair-in-war-and-peace">Nepal’s Maoist insurgency</a>. The film’s success, however, left Bham ambivalent.&nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20240912110924_b4333fc1aeefc7adc6160a183f0dfc8ca5ee8cd66df6eab085f47436d83c8c4b.jpg" data-media-id="editor_7" data-image-id="20240912110924_b4333fc1aeefc7adc6160a183f0dfc8ca5ee8cd66df6eab085f47436d83c8c4b" data-rendition-name="original" width="1442" height="1008" loading="lazy" alt="Movie posters NT"> </figure>  “I felt burdened by the success," he confides. “Looking back, I’m critical about its lack of cinematic language: it felt more like a film essay.”&nbsp; Read more: <a href="https://archive.nepalitimes.com/article/Nepali-Times-Buzz/Narrating-stories-of-nepal,3082">Narrating Nepal</a>, Smriti Basnet Kalo Pothi was a personal story of Bham’s own memories when his friends in school were joining the Maoists, and he heard of the disappearances. A recurring theme in both Kalo Pothi and Shambhala is childhood. “All the characters in my films are reflections of myself,” Bham confesses. “Of course, they’re manipulated for the sake of the narrative, but their essence is drawn from my own childhood when I was very fragile and introverted.” As a boy, instead of playing with children his age, Bham preferred hanging out with older people, listening to their stories: “I missed out on a normal childhood, but had a wonderful one nonetheless.” These early experiences, the memories and nostalgia, became invaluable storytelling tools for cinema, and his PhD in anthropology was an asset as well. “As a filmmaker, it’s essential to grasp the nuances of human behaviour, culture, and politics,” he explains.&nbsp; Before Kalo Pothi, Bham wanted to study political science to get a &nbsp;deeper, holistic understanding of what was happening in Nepali society at the time.&nbsp; But it is with Shambhala that Bham truly comes into his own as a director. "Kalo Pothi was my love letter to my society, and Shambhala is a love letter to my existence,” he says.&nbsp; Shambhala benefits from Bham’s own spiritual journey. He started meditating at age 12, becoming a more serious practitioner by 15. “Through meditation, I began having vivid recurring dreams of a past life as a lama in a monastery in Dolpo,” he says.&nbsp; Read also: <a href="https://nepalitimes.com/review/daughter-of-chomolungma">Daughter of Chomolungma</a>, Pinki Sris Rana He travelled to Dolpo, where the terrain and people matched the dreamscape of the places from his meditation. “It was a surreal moment,” he says. “That’s when I realised I had to make Shambhala, to explore the subconscious and discover what I didn’t know.” When the film was selected for the Berlinale, Bham admits he was not very excited, perhaps because he was confident it was going to go places. In Berlin he did not attend any parties, cancelling all interviews and official meetings.&nbsp; “I wanted to be at peace and simply observe. I didn’t want to get caught up in the networking or the festivities,” he recalls. Though polyandry is a central element of Shambhala, Bham says it only serves as a backdrop to an inner quest into the meaning of existence, femininity and reincarnation. “Dolpo offers such incredible landscape that you can point the camera at anything and it will be stunning,” he says. “But it was not a love story, so I used the mountains as characters themselves.” Read also: <a href="https://nepalitimes.com/review/streaming-the-himalaya-on-film">Streaming the Himalaya on film</a>, Pinki Sris Rana The film’s protagonist is Pema (played by<a href="https://nepalitimes.com/here-now/nepal-s-star-shines-in-locarno"> Thinley Lhamo</a> for which she won the<a href="https://www.youtube.com/watch?v=0iCvN6jHVMQ&amp;t=973s"> Boccalino d’Oro Prize for Best Acting Performance at Locarno</a> last month) whose power and freedom challenge patriarchal norms.&nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20240912110944_491763c06fc1827cd131157b9b3750c9831ee8252fb1d378769dc800170c7f67.jpg" data-media-id="editor_13" data-image-id="20240912110944_491763c06fc1827cd131157b9b3750c9831ee8252fb1d378769dc800170c7f67" data-rendition-name="original" width="1080" height="719" loading="lazy" alt="Berlin film festival NT"> </figure>  “Pema’s character is a reflection of inner strength and independence, transcending gender,” Bham explains. “As a male director, I also wanted to explore my feminine side to understand it more deeply.”&nbsp; Read also: <a href="http://archive.nepalitimes.com/article/Nepali-Times-Buzz/feminity-to-masculinity,1952">From femininity to masculinity</a>, Bernardo Michael and George Varughese He adds that, in Shambhala the male characters reflect aspects of himself, while Pema represents his feminine side: “Developing the characters, I made sure the male side did not overshadow the feminine side in me.” Bham is researching ideas for his next film which might, for a change, be set in Kathmandu or Angkor Wat to discover his artistic sensibility, irrespective of locale.&nbsp; More than a geographical journey, Min Bahadur Bham is on an artistic voyage deep into his inner being to find the meaning of existence itself. &nbsp; Shambhala is set to release on 13 September in cinemas with Nepali and English subtitles.

Min Bahadur Bham’s cinematic quest

On location in Pokhara

<img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/2022110811114/636a29ac9c7e80680e0458dejpeg.jpg" alt="" width="1500" height="1000"/>Given his multinational background, it was perhaps inevitable that it would be Pema Dhondup would make the first truly global Nepali feature film. Dhondup’s family moved down from Tibet to Jomsom after the Chinese annexation, and from there to Himachal Pradesh and cities across India. He has been living in the United States for the past 15 years.His movie <a href="https://www.imdb.com/title/tt5364878/" target="_blank" rel="noopener">The Man from Kathmandu</a> is shot in Kathmandu and Los Angeles, features a stellar cast of Nepali actors like <a href="https://www.imdb.com/name/nm4542007/?ref_=tt_cl_t8" target="_blank" rel="noopener">Karma</a>, <a href="https://www.imdb.com/name/nm0787463/?ref_=tt_cl_t11" target="_blank" rel="noopener">Neer Shah</a>, <a href="https://www.imdb.com/name/nm1200073/?ref_=tt_cl_t6" target="_blank" rel="noopener">Mithila Sharma</a>, <a href="https://www.imdb.com/name/nm7273293/?ref_=tt_cl_t5" target="_blank" rel="noopener">Anna Sharma</a> and international stars including <a href="https://www.imdb.com/name/nm0004109/?ref_=tt_cl_t1" target="_blank" rel="noopener">Gulshan Grover</a> from India, and other actors from Puerto Rico and Spain."Many people from across the world travel to be a part of the <a href="http://archive.nepalitimes.com/blogs/thebrief/page/87/" target="_blank" rel="noopener">terrorist group ISIS</a>, even educated men from Western countries. But so far not a single one of them has been a Nepali," says Dhondup, “I wanted to explore the story of that one man among thousands. I wanted to find out what is it about Kathmandu that brings about this phenomenon."Read also: <a href="https://www.nepalitimes.com/here-now/animated-in-nepal/" target="_blank" rel="noopener">Animated in Nepal</a>, Sikuma RaiTheme of his film is interaction between man and city, how Kathmandu changes the outlook of a radical half-Hindu-half-Muslim protagonist. Terrorism is just the backdrop to the plot, the real story is of a man's journey.To be sure, making Kathmandu the setting for this movie seems unusual, since Dhondhup is not Nepali and does not speak the language. And the film itself seems to be an effort on the part of the director to come to terms with his own identity and the definition of ‘home’."You can say the quest has ended in a way for me, in the form of my American passport. But does that really define who I am?" he asks.<figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/2022110811114/636a29af9c7e80680e0458dfjpeg.jpg" alt="" width="2000" height="1376"><figcaption> </figcaption></figure>We interview Dhondup in the Labim Mall office of the film’s producer Nakim Uddin of QFX. Despite his globe-trotting, the director says Kathmandu was the only city he could have filmed his story in. He has fond memories of Kathmandu from his childhood when he came here to visit family members, and in those days it was as exotic as visiting a foreign country."This is a place where identities and cultures are always in flux. In any other city, you immediately know who is who, what a particular person's origins are. But in Kathmandu, walk down a street and you cannot figure out people. Temples, monasteries, churches and mosques flourish side by side. The city has accepted and absorbed all kinds of identities," he adds.The theme of The Man from Kathmandu actually follows on from Dhondup's earlier movies where he explored the question of identity. His 2004 movie <a href="https://www.imdb.com/title/tt0452541/" target="_blank" rel="noopener">We're No Monks</a> was about a group of Tibetan boys coming out of their secluded existence to face the world. His documentaries have profiled members of the Tibetan diaspora scattered all over the world."It is very hard to make it in American filmdom, and not because of the reason you may be thinking," Dhondhup explains. "Being brown, or of any race, doesn't matter as much as you might expect. But it matters how well you fit into the capitalistic, money machine of Hollywood studios. If you fit, you can make progress. If you don't fit, and you want to experiment you will have a hard time."Still, years of working in Hollywood has given a certain rigour to his work which he feels is necessary for <a href="https://archive.nepalitimes.com/article/Nepali-Times-Buzz/Lights-camera-copy-paste,1146" target="_blank" rel="noopener">Nepali cinema</a> to make it on the global stage. Many Nepali films are still formulaic stories, but Dhondhup says that is not the real problem."No matter what kind of film you make, it has to be up to international technical standards, of sound, visual, editing, otherwise we have everything in Nepal to make world class cinema, from good actors to good equipment. Using these, we can tap into huge market in India and China just next door," he says.Whether or not The Man from Kathmandu will be ‘world cinema from Nepal’ and is of international standard remains to be seen. But Dhondup says it is already global in a sense that it meets technical specifications, and is set to be released in 50 countries after its Nepal premier this week. Dhondup hopes to continue working in Nepali cinema with Nakim Uddin, grooming and helping a new generation of Nepali filmmakers.https://www.youtube.com/watch?v=kMvpmY7zfoYThe movie will be in cinemas in Nepal from 15 March.

A director from Kathmandu

Nepal’s former king Gyanendra was greeted by flag-waving supporters as he arrived at Kathmandu Airport on Sunday afternoon from Pokhara after attending pro-monarchy rallies in various parts of the country. Gyanendra and his family were escorted from the airport by supporters to his residence at Nirmal Niwas, where his family has been living since 2008 when the Constituent Assembly abolished the monarchy. The 2015 Constitution then turned Nepal into a federal democratic republic. The deposed monarch had been on a two-month long tour of religious sites and local communities across western Nepal, ending in a two-week stay in Pokhara. After staying out of controversy, Gyanendra made a statement on Nepal’s Democracy Day last month in which he said he was willing to play a role in “saving the country”. There has been a surge of pro-monarchy posts and videos on social media, where the country’s previous kings have been glorified as being nationalists who were respected by the international community.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250309120340_07b324fee8d082ed3f8566544e24d45fcd600bbb122374fc39c7a94ce3d044f2.jpg" data-media-id="editor_0" data-image-id="20250309120340_07b324fee8d082ed3f8566544e24d45fcd600bbb122374fc39c7a94ce3d044f2" data-rendition-name="original" width="1914" height="1276" loading="lazy" alt="The ghost of monarchy returns to haunt Nepal NT"> </figure>   <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250309120340_769f688f3a5eb3602f4c24c350ba1caa6965a171c079d783e28db0f746b810d0.jpg" data-media-id="editor_1" data-image-id="20250309120340_769f688f3a5eb3602f4c24c350ba1caa6965a171c079d783e28db0f746b810d0" data-rendition-name="original" width="2000" height="1333" loading="lazy" alt="The ghost of monarchy returns to haunt Nepal NT"> </figure>  Nepal’s monarchists, which include Gyanendra’s backers, several pro-monarchist parties and other anti-government figures, think <a href="https://nepalitimes.com/editorial/new-year-same-difference">public disillusionment </a>with the country’s ageing and ineffective leaders and institutions is at breaking point.&nbsp; There is also disappointment with elected leaders and technocrats from new parties like the Rastriya Swatantra Party (RSP), with its <a href="https://nepalitimes.com/news/rabi-s-detention-churns-nepali-politics">leader Rabi Lamichhane under investigation</a> for his alleged involvement in a scandal involving diverting funds from cooperatives. One of the staunchest backers of Gyanendra’s comeback as king is former BBC journalist Rabindra Mishra, who has been active on social media platforms posting videos and text extolling the monarchy. He has referenced recent street uprisings in Sri Lanka, Bangladesh, and Syria, cautioning Nepal’s mainstream leaders not to dismiss support for the monarchy. ‘Support for a return to monarchy is increasing even though the mainstream parties may dismiss it,’ wrote Mishra. ‘Like the leaders of Sri Lanka and Bangladesh, they should not try to suppress the voices on the streets.’  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250309120340_d8758f6b7474c9f3aea3661ccd60955d8553971cb0d799039bbfd232aa1a0691.jpg" data-media-id="editor_4" data-image-id="20250309120340_d8758f6b7474c9f3aea3661ccd60955d8553971cb0d799039bbfd232aa1a0691" data-rendition-name="original" width="1890" height="1260" loading="lazy" alt="The ghost of monarchy returns to haunt Nepal NT"> </figure>   <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250309120340_63613759744c0fac33ff3eabc298079c3e525063882f4b3760954bbc0833b5cd.jpg" data-media-id="editor_5" data-image-id="20250309120340_63613759744c0fac33ff3eabc298079c3e525063882f4b3760954bbc0833b5cd" data-rendition-name="original" width="2000" height="1333" loading="lazy" alt="The ghost of monarchy returns to haunt Nepal NT"> </figure>  But for all their bluster, Nepal’s mainstream politicians who have rotated leadership of the country between themselves, seem worried about the crowds on the streets in support of the monarchy. The TikTok ban last year, which the government said was to ‘maintain social harmony’ was put into effect to prevent pro-monarchy groups from organising on the platform. The ban on TikTok has now been lifted, and supporters of the monarchy have mobilised platforms to fan nostalgia of the golden age of royalty, and to brand former kings Mahendra and Birendra as <a href="https://nepalitimes.com/review/a-past-foretold">nationalists who upheld Nepal’s sovereignty during the Cold War</a> and commanded respect worldwide. Archival video clips of Mahendra being received by President Eisenhower in 1960 and <a href="https://nepalitimes.com/here-now/if-birendra-was-alive-nepal-could-still-be-a-monarchy">Birendra </a>by President Reagan in 1983 have been liked by thousands. Comments contrast this to the incompetence and poor standing of Nepal’s current prime ministers.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250309120340_7dab05f5703e17a82da73277f0b39bf178c1005e0758aa50077ffe1a037f4af6.jpg" data-media-id="editor_8" data-image-id="20250309120340_7dab05f5703e17a82da73277f0b39bf178c1005e0758aa50077ffe1a037f4af6" data-rendition-name="original" width="1810" height="1206" loading="lazy" alt="The ghost of monarchy returns to haunt Nepal NT"> </figure>   <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250309120340_1ab38cdccfd076babd78579fa345520a7b2fa9c838322226a259540c8c290437.jpg" data-media-id="editor_9" data-image-id="20250309120340_1ab38cdccfd076babd78579fa345520a7b2fa9c838322226a259540c8c290437" data-rendition-name="original" width="1812" height="1206" loading="lazy" alt="The ghost of monarchy returns to haunt Nepal NT"> </figure>  While most of the people present at the demonstration included the older demographic, younger people have especially used social media to express their support for the monarchy. Young Nepalis, disillusioned with leaders who have been prime minister multiple times since the mid-1990s, are attracted to the idea of reinstating the monarchy as a form of anti-incumbent protest, but also because they have little to no memory of living under an authoritarian absolute monarchy. ‘Those who say the monarchy is paramount today are the ones who did not live through it in the past, and are dissatisfied with the current state of affairs,’ wrote Guna Raj Luitel, Chief Editor of Nagarik Daily, in an op-ed in the newspaper on Sunday.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250309120340_720d0059207b9918def39e983d9b5c114b6afb4e7ac0ed1dadd2cba2f20f9aa6.jpg" data-media-id="editor_10" data-image-id="20250309120340_720d0059207b9918def39e983d9b5c114b6afb4e7ac0ed1dadd2cba2f20f9aa6" data-rendition-name="original" width="2000" height="1333" loading="lazy" alt="The ghost of monarchy returns to haunt Nepal NT"> </figure>   <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250309120340_bfe50ebd413d1b177ebd02df5f837038d8a04c9d343afe39be1ebcde36db893a.jpg" data-media-id="editor_11" data-image-id="20250309120340_bfe50ebd413d1b177ebd02df5f837038d8a04c9d343afe39be1ebcde36db893a" data-rendition-name="original" width="2000" height="1333" loading="lazy" alt="The ghost of monarchy returns to haunt Nepal NT"> </figure>  He added: ‘For those of us who have spent parts of our lives under the rule of the king… we have not yet forgotten those days, when the institution was unable to do any useful work, a disheartening period characterised by Nepalis being unable to speak freely.’ Commentators have especially been pointing to Gyanendra’s military coup in 2005 when he dissolved parliament, and tried to take the country back to the time of absolute monarchy, just like his father Mahendra did in 1960. Gyanendra became king after his brother and most of his family were killed in the royal palace massacre in 2001. Many Nepalis still seem to believe that Gyanendra was responsible, and some of this is reflected in comments on monarchist social media posts. As the monarchist rallies spread, Prime Minister K P Oli said last week that if Gyanendra really wanted power, he should form a political party and run in the next elections in 2027. Other leaders have urged the former king to honour the 2008 Constitutional Assembly decision to abolish the monarchy, as well as Nepal’s 2015 Constitution.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250309120340_978ef979c7774312ac00d3192803d974ea57ec45d704f89663b301f4f0cc9704.jpg" data-media-id="editor_12" data-image-id="20250309120340_978ef979c7774312ac00d3192803d974ea57ec45d704f89663b301f4f0cc9704" data-rendition-name="original" width="1832" height="1221" loading="lazy" alt="The ghost of monarchy returns to haunt Nepal NT"> </figure>   <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250309120340_d11276de0161d258f135e8fba4d3eb37d0a9e579b06a4819c6609b4ecdbbe51e.jpg" data-media-id="editor_13" data-image-id="20250309120340_d11276de0161d258f135e8fba4d3eb37d0a9e579b06a4819c6609b4ecdbbe51e" data-rendition-name="original" width="2000" height="1333" loading="lazy" alt="The ghost of monarchy returns to haunt Nepal NT"> </figure>  &nbsp;In response, royalist leaders including Kamal Thapa, Rajendra Lingden, and Rabindra Mishra have responded that the monarchy is above the electoral system, calling for the reinstatement of a constitutional monarchy in which Gyanendra would be a figurehead. “There is no question of the king contesting an election, that is our job,” said RPP-Nepal chair Kamal Thapa in a tv interview. “The monarchy is a custodian of the nation, it is an institution above electoral politics.” However, there does seem to be a disagreement between hardline royalists who want a return to absolute monarchy in which Gyanendra would actually hold executive powers, and those who favour a ceremonial one. Gyanendra recently visited Bhutan, where he was given a royal welcome, and has made several trips to India where there is some support for reinstating Nepal as the world’s only Hindu kingdom.

The ghost of monarchy returns to haunt Nepal

Kathmandu was once a lake inhabited by <a href="https://nepalitimes.com/news/snakes-on-plains">serpents</a>, until Manjushree visiting from present-day China saw a fluorescent lotus in the water. To reach it, the sage used his flaming sword to cut a gorge <a href="https://nepalitimes.com/from-the-nepali-press/dry-port-at-chobhar-faces-resistance">at Chobhar</a>, draining the lake and turning it into a fertile valley. The Manjushree Trail Race (MTR) is inspired by this legend. There are five categories along a near-circular route around the rim of <a href="https://nepalitimes.com/banner/bringing-silicon-valley-to-kathmandu-valley">Kathmandu Valley</a>: 10k, 30k, 50k, 100k, and one that is 100 miles that is 157.7km (map, right). The 100 miles category starts at 8AM on 14 March, and runners have 52 hours until noon on 16 March to complete it. Arjun Kulung Rai’s 26:52:56 is the current record, set in 2024. “<a href="https://archive.nepalitimes.com/news.php?id=17327">The Manjushree legend</a> and the perfect loop make the race very meaningful, and I wanted to do it,” says participant Dong Sheng from the northern Chinese city of Harbin who started running in 2016 with 5k until he accomplished a 100 miler in 2022. “<a href="https://archive.nepalitimes.com/article/nation/first-edition-ultra-trail-kathmandu,1050">Running </a>is spiritual, as you are always trying to overcome what you could previously do.” Sheng is one of 131 international runners who have signed up for the Manjushree race, where there are a total of 502 participants this year, 94 of them women. The first edition of the race only had 7 runners total. Read also: <a href="https://nepalitimes.com/here-now/nepali-trail-running-champions">Nepali trail running champions</a>, Preeti Khattri “A reason this race is popular is because it is a good mix of rural and accessible,” says Jimmy Oostrom, a Dutch runner. “Often, 100-milers are way out of the way. Here, the start is only a short drive after landing in Kathmandu.”&nbsp; The 100 mile and 50km are now qualifier races for the Asia Trail Masters, an international series of trail races based in Hong Kong. Last year, a Nepali team competed and won in the Asia Trail Master Championship series in Borneo. The 100-mile category starts and finishes at Single Tree on Nagarjun, other distances have different start and end points. On the winning team was Rashila Tamang, who is part of Trailmandu that implements logistics for the race, such as recruiting and training volunteers, and marking the route. “Nepal has great <a href="https://archive.nepalitimes.com/news.php?id=9938">geography</a> for <a href="https://nepalitimes.com/here-now/mira-rai-racing-to-help-other-runners">trail running</a>, but it is still very hard to make it your career,” says Tamang.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2025031219034_98b83aa3d42c7d5e8a2ef2f80dc03512374413e31eb55441234cd075bea7e113.jpg" data-media-id="editor_8" data-image-id="2025031219034_98b83aa3d42c7d5e8a2ef2f80dc03512374413e31eb55441234cd075bea7e113" data-rendition-name="original" width="1244" height="598" loading="lazy" alt="Manjushree Trail map "> </figure>  The MTR has a guidebook detailing the categories, route, checkpoints, rules and what is available at each stop.&nbsp; “If we say we’re going to start at 8, we’re going to start at 8,” says Narayan Acharya, the man behind naming the race ‘Manjushree’. “People tried to sign up after the deadline, we had to tell them no.” Acharya who builds <a href="https://nepalitimes.com/banner/foundations-for-sustainable-buildings-in-nepal">traditional rammed earth houses</a> through his company Sustainable Future Nepal, has been long involved with promoting trail running in Nepal, and hailing from Jumla himself, mentored <a href="https://nepalitimes.com/here-now/run-sunmaya-run">Sunmaya Budha</a> also from Jumla, now a trail running star in and outside Nepal. Read also: <a href="https://nepalitimes.com/here-now/sunmaya-budha-stays-in-the-running">Sunmaya Budha stays in the running</a>, Vishad Raj Onta&nbsp; The organisers are sponsoring up to 50 runners from <a href="https://nepalitimes.com/banner/portrait-of-a-photographer-in-rural-nepal">rural Nepal</a> who may not afford the Rs6,000 entry fee to participate. “It is hard to get sponsors to give us money because Nepal is still a pretty small market,” says Oostrom, currently on crutches due to an ACL injury. “We also have to take the necessary precautions to make sure we can quickly help a runner in trouble.” The logistics of an ultra trail race are more complicated than a <a href="https://archive.nepalitimes.com/news.php?id=1223">marathon</a>. Marking and maintaining the trail requires careful work, especially as signs often get lost. The <a href="https://nepalitimes.com/multimedia/the-steadfastness-of-a-long-distance-runner">long distances </a>also require runners to run through the night.&nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2025031219030_19111e03939541b8980007437c89966dc7a8fd6246b8407440694503bf7890a3.jpg" data-media-id="editor_15" data-image-id="2025031219030_19111e03939541b8980007437c89966dc7a8fd6246b8407440694503bf7890a3" data-rendition-name="original" width="2250" height="1501" loading="lazy" alt="Manjushree Trail "> </figure>  A <a href="https://nepalitimes.com/business/buddha-air-gets-state-of-the-art-flight-tracking-system">live tracking system </a>would ensure a runner’s safety as well as prevent cheating, but for now organisers are relying on vigilant volunteers and fellow runners to find runners needing help. There are strict rules for the race, and breaking them can result in significant time penalties or even disqualification. Get food or drink assistance outside of the checkpoints and you get a penalty of 15 minutes. Miss any pieces of mandatory gear and an hour is added to your time. Take some sort of shortcut or cheat using a vehicle, and you are disqualified. There are dangers like cliffs <a href="https://archive.nepalitimes.com/page/cantilever-trail-nepal">along the trail</a>, lightning on exposed ridges, <a href="https://nepalitimes.com/banner/disasters-in-nepal-come-in-waves">landslides caused by earthquakes</a>, <a href="https://nepalitimes.com/banner/trekking-to-save-nepals-snow-leopards">leopards</a>, and hornet swarms. Ultra running takes a massive toll on the body. The brain may shut off certain areas to be able to keep going, so volunteers watch runners carefully.&nbsp; “After mile 50, your body starts digesting itself,” says Oostrom.&nbsp; Alongside Acharya and Oostrom, the organising crew is made up of race director Ashish Mishra, and Jeevan Lama and Rashila Tamang from Trailmandu. “We can execute this race well because we are all passionate runners ourselves,” says Acharya. The team has taken measures to make the race safe and comfortable for female participants. ‘Run freely, speak openly, and wear what makes you feel comfortable in our races,’ says the guidebook. Prize money is the same for male and female winners, across categories.&nbsp; Lately, Nepal has been steadily building itself as a destination for<a href="https://nepalitimes.com/banner/taking-the-high-line"> adventure sports </a>such as <a href="https://nepalitimes.com/here-now/nepal-pushes-mountain-bike-tourism">mountain biking</a> and trail running. And with the Manjushree race, enthusiasts have hopes to set the standard for other trail races in the country. Sheng has been part of big races in China. “The better the economy, and more money people have, the more they can get involved in such pursuits,” he says. “But I have to say, for the scale of this race, everything has been done very professionally.”&nbsp;

Around Kathmandu in 100 miles

Generative <a href="https://nepalitimes.com/here-now/artificial-censorship">AI models</a> such as <a href="https://nepalitimes.com/banner/chatgpt-news-about-nepal">ChatGPT</a> and Sonnet are trained on massive amounts of data that have over time enabled them to answer general questions. But they do not perform as well on narrower domains, even hallucinating or making things up.
Now here comes <a href="https://www.anthromind.com/">Anthromind</a>, a startup developed by a 28-year-old Nepali engineer Pratik Karki in the tech-womb at <a href="https://nepalitimes.com/here-now/nepal-in-the-decade-of-ai">Silicon Valley</a>, which develops datasets to improve the performance of AI models in specific areas.
Large<a href="https://nepalitimes.com/here-now/nepal-bhasa-on-google-translate"> language models </a>are ‘distilled’ by running them on smaller, higher-quality data. AI is first used to assist with labelling or generating data. After that, human experts look at the responses and explain how they are wrong, helping tune the model just right.
Karki got the idea while working at Google, where he saw that while companies were trying to create their own models, they failed because the data was of low quality. In 2024, he left his lucrative job and took a risk by <a href="https://nepalitimes.com/here-now/nepal-can-create-a-business-friendly-environment?fb_comment_id=2995148037177314_6370548419637242">setting up a business </a>that could make real impact.
It has not been easy. At Google he was one of over 100,000 employees, but after launching Anthromind, Karki has had to do sales, <a href="https://archive.nepalitimes.com/news.php?id=4323">marketing</a>, and recruiting, as well as leading a whole new team.
“At some point in your career, everything turns into sales,” Karki told us by phone. “You need to sell <a href="https://nepalitimes.com/news/why-invest-in-nepal">potential investors</a> on your vision, and you get a million no’s before a yes.” The connections he made at Google helped, and he even managed to poach a few and others became <a href="https://nepalitimes.com/here-now/nepal-has-to-curb-corruption-before-wooing-investors">investors</a>.
Karki studied in Biratnagar before moving to Kathmandu to do his A-levels where he did business courses. He remembers those formative years and credits his teachers in Nepal for encouraging him to put himself out there and to speak up when needed.
He then went to Grinnell College in Iowa where he studied computer science and statistics, and realised that he liked to code: “I especially got a high debugging a program until it worked.”&nbsp;
He went on to pursue a Master’s in Computer Science and describes the course as a pure program with some very difficult machine learning courses.
Read also: <a href="https://nepalitimes.com/opinion/comment/tech-and-transition-in-nepal">Tech and transition in Nepal</a>, Ashutosh Mani Dixit
Karki was recruited to Google from a highly selective early career program and got to work closely with the companies that were then building the generative Large Language Models that have since taken the world by storm. He worked on essential training infrastructure, including data warehousing and <a href="https://archive.nepalitimes.com/news.php?id=9825">computing </a>needs.
“Internally, we all knew about this<a href="https://nepalitimes.com/opinion/makeshift/addressing-nepals-digital-divide"> technology </a>and how disruptive they would be,” says Karki. “But I also saw its limitations.”
Karki took a calculated risk in setting up his own company, knowing fully well that for Anthromind to succeed he would need a very obsessive and disciplined mindset.&nbsp;
“Every Friday evening I look at weekly data, and what worked and what didn’t, especially in terms of getting customers,” he says. “I had to be very deliberate with everything I did.”
Karki attributes this discipline and frugality to growing up in Nepal, which he misses dearly, especially his family and the community. His best friends in California are Nepalis, they meet often and have already made plans to celebrate the approaching <a href="https://nepalitimes.com/editorial/new-year-same-difference">Nepali New Year</a> with home-made <a href="https://nepalitimes.com/banner/adventures-of-a-little-dumpling-named-momo-and-other-books">momos</a>.&nbsp;
Karki sees a lot more potential in the <a href="https://nepalitimes.com/news/it-is-it">IT industry in Nepal</a>, at the moment saturated with service-based companies when ideally new businesses should focus on products.&nbsp;
He explains how companies that provide offshore <a href="https://nepalitimes.com/opinion/tech-away/nepal-s-health-tech-industry-is-here-to-stay">tech services </a>operate in a ‘default:alive’ state, where they can carry on even if they only have one client.
The alternative is a company whose success depends entirely on the quality of the product it puts out, a ‘default:dead’ state. This forces programmers to adopt an urgent, disciplined mindset. While a lot harder and riskier, it also has higher returns.
Read also: <a href="https://nepalitimes.com/opinion/people-power/nepal-as-an-ai-power-bank">Nepal as an AI power bank</a>, Bikash Pandey
Karki is in a cohort of <a href="https://nepalitimes.com/opinion/12-full-opinion/let-s-listen-to-nepal-s-young-changemakers">young Nepalis</a> in the <a href="https://archive.nepalitimes.com/article/Nepali-Times-Buzz/it-is-all-about-it-in-nepal,3887">IT industry</a> who have proven that serious tech innovation can come out of Nepal. Pukar Hamal of SecurityPal was recently featured in Forbes, while Sameer Maskey’s FuseMachines has been listed on NASDAQ.
Financially independent since 18, Karki says <a href="https://nepalitimes.com/news/1-in-5-nepal-families-lack-food">Nepali families</a> should encourage their children to make such moves. Nepal’s education system should reward curiosity, instead of quelling it, to promote <a href="https://archive.nepalitimes.com/article/business/kesha-kumari-damini-awarded-by-norwegian-business-for-peace-foundation,1356">entrepreneurship</a>.&nbsp;
He says, “Students should be rewarded for thinking individually and speaking out, like I was.”

Kathmandu Valley to Silicon Valley

Throughout human history, civilisations have been named after the rivers along which they flourished: Indus Valley, Nile, Tigris-Euphrates. Many of these cultures later collapsed, partly because they could not manage their water needs properly. Three recent books about Himalayan rivers look at their history and geography, and how they nourished civilisations downstream. The rivers gave birth to the world’s major religions, their waters and the mountains from which they sprang were revered. Mythology and geology converge in High Asia. Mt Kailash is holy to the Hindu, Jain, Buddhist and Bon faiths as the centre of the world and the abode of the gods. Indeed, from its vicinity emerge Asia’s great rivers: the Indus and Sutlej, Ganga and the Yarlung Tsangpo (Brahmaputra) and Karnali (Mapcha Tsangpo).&nbsp; Legend has it that Kathmandu Valley was once a primordial lake drained by Manjushree who cut a mountain with his flaming sword. There is scientific evidence that the paleo lake was indeed emptied in stages starting 40,000 years ago after a tsunami unleashed by a major earthquake epicentred in Langtang. The Bon faith describes the Tibetan Plateau being pushed up from a roiling primeval sea, confirming current evidence about the orogenesis of the Himalaya. In local lore, supernatural lha (animal deities) and lu (serpents, naga) moved from sea to land, just as the theory of evolution explains the emergence of early amphibians and land creatures. In <a href="https://www.routledge.com/Rivers-of-the-Asian-Highlands-From-Deep-Time-to-the-Climate-Crisis/Gamble-Tan-Xu-Beavis-Maurer-Pittock-Powers-Wasson/p/book/9781032490595?srsltid=AfmBOopjkpgcN1_7t1jTI_Z1_27yRthBTbdHA15OWcE9Ge3S409jhUX3">Rivers of the Asian Highlands: From Deep Time to the Climate Crisis</a>, Himalayan historian <a href="https://scholars.latrobe.edu.au/rgamble">Ruth Gamble</a> and co-authors begin by tracing the genesis of the Himalaya, citing evidence that the Tibetan Plateau pre-dated the collision of the Indian and Eurasian plates 50 million years ago. Asia’s main rivers co-emerged with the mountains, their waters cutting canyons through rocks as they were uplifted. The gigantic pileup acted as a moisture trap for the proto-monsoon, the rain and ice sculpting peaks as they rose. But so strong were tectonic forces that the uplift outpaced erosion on the Tibetan Plateau. These dynamic processes are still at work, but in many places across High Asia there is a new factor at play: modern infrastructure (like haphazard road-building in Nepal) is increasing erosion faster than the uplift rate.&nbsp; ‘This is an example of human action overcoming tectonics,’ write the authors in Rivers of the Asian Highlands, in which the chapters look at Himalayan rivers from a planetary scale, their socio-cultural histories, to present-day engineering to regulate them. An ongoing dam-building spree and anthropogenic climate breakdown combine to bring about the most rapid change the Himalaya and their rivers have seen for millions of years. One example is the Medog Hydropower Station being built on the Yarlung Tsangpo at a bend on the Brahmaputra before it enters India. The river drops 2,000m within a 50km stretch, the gradient allowing it to generate 60,000MW — the biggest single hydroelectric plant in the world. Gamble and the authors of Rivers of the Asian Highlands highlight the Gravitational Potential Energy (GPE) of the Himalaya that allows falling water to be converted into electricity. But GPE also unleashes landslides, rockfalls, avalanches, Glacial Lake Outburst Floods (GLOFs) and Landslide Lake Outburst Floods (LLOFs), the risks posed by them magnified by climate change and seismicity. <blockquote>The Asian Highlands’ abundance of Gravitational Potential Energy (GPE) can support the region’s energy transition, but it needs to be produced in much less hazardous and less environmentally and socially impactful ways. The best means of doing this is through off-river, pumped-storage hydropower stations that back up solar and wind energy generators. Smaller projects such as this would also involve less risky tunneling and displacement.</blockquote> Rivers of the Asian Highlands: From Deep Time to the Climate Crisis by Ruth Gamble, et al. There is geological evidence that megafloods on Himalayan rivers are more responsible than mass wasting in weathering down the mountains. One big LLOF, for example, could ‘move 1,000 times more sediment than would otherwise be transported over millions of years’. Permafrost melting in the Tibetan Plateau and inside moraines caused recent back-to-back GLOFs in Chamoli in the Indian Himalaya, Melamchi in Nepal, and the South Lhonak in Sikkim — all deadly disasters that together destroyed billions of dollars worth of infrastructure downstream. Rivers of the Asian Highlands travels from deep time to the present climate crisis, taking readers through neatly divided chapters titled Mountain Rivers, Climatic Rivers, Frozen Rivers, Living Rivers, Human Rivers, Territorializing Rivers, Agricultural and Pastoral Rivers, even NGOs and Rivers.&nbsp; Although the book’s title is about the ‘Asian highlands’, it <a href="https://www.himalmag.com/comment/eastern-himalaya-cradle-ethnogenesis">focuses mainly on the Dri Chu (Yangtse)</a> and Yarlung Tso (Brahmaputra). Readers looking for references to Nepal’s rivers will be disappointed, although there is quite a bit about Bhutan. This is surprising because 70% of the annual flow in the Ganga is from tributaries in Nepal, some of them rivers like Karnali, Arun or Bhote Kosi that traverse the Tibetan rimlands. As demand for water and energy grows in the large and increasingly affluent population of north India, and climate breakdown melts Himalayan glaciers, storing monsoon runoff on reservoirs in Nepal is going to be the geopolitical issue of the next decades.&nbsp; The chapter on NGOs and Rivers also fails to cite the work of Nepal’s civil society groups like the Alliance for Energy that built international solidarity in 1995 against the Arun III project on a river that starts in Tibet and flows into Nepal. Ultimately, the World Bank pulled out of the project and the Nepal government invested in smaller decentralised plants. Today, a cascade of power plants are being built by Indian companies on the Arun which do not seem to have taken into account the <a href="https://www.science.org/doi/10.1126/science.ads2659">2023 Sikkim GLOF</a> that swept away the $1 billion dollar Teesta III and destroyed other infrastructure. The World Bank itself is back with the Upper Arun project located directly below expanding glacial lakes in Tibet.&nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250222020256_f2b33e60e6b386308bdf59b58b59e116e90e2e4466a06200faf76fd851f53505.jpg" data-media-id="editor_4" data-image-id="20250222020256_f2b33e60e6b386308bdf59b58b59e116e90e2e4466a06200faf76fd851f53505" data-rendition-name="original" width="5712" height="3213" loading="lazy" alt="Teesta"> <figcaption>The Super Trisuli project in Nepal has ruined the most scenic and ecologically sensitive part of the river to generate just 100MW of power. Photo: KUNDA DIXIT</figcaption> </figure>  Despite geographical gaps, Rivers of the Asian Highlands reads like an encyclopedia of Himalayan rivers. The authors look at them not in isolation but as interconnected systems which need a multidisciplinary approach to study the geological, religio-cultural, infrastructure, climate and ecosystem services aspects of catchments.&nbsp; Mt Kailash (Kang Rinpoche) is a case in point. It is fascinating to think that it was part of a mountain range even before the collision of the continents that formed the Himalaya, and was probably buried in ice 3km thick till 15,000 years ago during the Last Glacial Maximum.&nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2025022203020_23c02ec4671f5c3c561fa6b450c1f209720a25794e067b9bb5db0f4649b1b6dc.jpg" data-media-id="editor_5" data-image-id="2025022203020_23c02ec4671f5c3c561fa6b450c1f209720a25794e067b9bb5db0f4649b1b6dc" data-rendition-name="original" width="1500" height="1000" loading="lazy" alt="Mt Kailash"> <figcaption>Mt Kailash. Photo: NABIN BARAL</figcaption> </figure>  Lake Mansarovar and Mt Kailash are also the subject of the new Nepali language book छालबाटो (Road by the Waves) by environmental journalist <a href="https://nepalitimes.com/news/nepal-and-china-to-study-trans-himalayan-railway">Ramesh Bhushal</a> in which he walked, rafted and drove from the source of the Karnali in Tibet, right through 500km of western Nepal, and on to India <a href="https://nepalitimes.com/banner/dancing-with-the-river">where the river meets the Ganga</a>. In his entourage is activist, <a href="https://archive.nepalitimes.com/regular-columns/Comment/rivers-fighting-back,993">Megh Ale</a>, who is on a campaign to stop dams and infrastructure on <a href="https://nepalitimes.com/banner/dams-and-dreams-a-journey-down-the-karnali">Nepal’s longest and only free-flowing river</a>. The book profiles his lonely upstream struggle to conserve the country’s rivers. “We worship rivers, but we don’t love them,” laments Ale. Bhushal’s book is as much about the landscape of this transboundary river as it is about the people he meets along the way, and their relationship with <a href="https://nepalitimes.com/banner/climate-denial-in-the-himalaya">a river that most regard as a curse </a>keeping them poor because they believe it flows out of Rakshas Tal (Lagngar Tso) in Tibet, regarded as a lake of demons, unlike the sacred Mansarovar nearby. The expedition is out to prove that the <a href="https://nepalitimes.com/banner/a-karnali-portrait">Karnali River</a> actually starts in the mountains 50km southwest of the Mansarovar (Mapamyu Tso) at the <a href="https://www.youtube.com/watch?v=jQ9Za5QDkvY">Peacock Falls (Mapchu Khambap)</a>. The Indus is called Sengge (Lion), Sutlej is Langchen (elephant) and the Brahmaputra is Tamchok (horse), all starting within 60km of Mansarovar but flowing out in different directions. <blockquote>“I have visited hundreds of rivers around the world, but for some reason I have never seen a river as beautiful as the Karnali. One day I would like to visit its source.”</blockquote> River conservation activist Megh Ale quoted in छालबाटो by Ramesh Bhusal. But all this reverence for the mountains and rivers may not be enough to save the region from the impact of climate breakdown. Heat stress in the Subcontinent will coincide with a shortage of water in the coming decades.&nbsp; <a href="https://www.nytimes.com/2018/12/01/opinion/himalayas-mountains-dams.html">Sunil Amrith</a> in his 2019 book, <a href="https://nepalitimes.com/here-now/the-monsoon-and-nature-s-arithmetic">Unruly Waters: How Mountain Rivers and Monsoons Have Shaped South Asia’s History</a> takes a broader look at how geotectonics, geopolitics, colonialism and nationalism have determined the relations between human beings and rivers. The Himalayan water cycle starts from monsoon moisture that precipitates with orographic uplift along the mountains, atmospheric rivers unleash cloudbursts, ground water emerges from springs that join up to flow down to rivers and the ocean. The Third Pole is the biggest repository of fresh water stored as ice after the polar regions. But it is a hotspot both because of the climate crisis and geopolitical tensions, which impacts on river basin cooperation, early warning data sharing, and ultimately in mitigation of greenhouse gas emission and planning for new risks faced by infrastructure. After independence, India adopted the colonial extraction model for rivers. Inaugurating the Bhakra-Nangal Dam in 1953, Jawaharlal Nehru called it “a temple of &nbsp;modern India … worthy of worship’. Gamble also alludes to this in her book about the European attitude about rivers as a resource to be ‘enclosed, extracted, scrutinised, commodified’. <a href="https://dialogue.earth/en/water/review-unrully-waters/" target="_blank">Amrith</a> profiles the work of Sir Arthur Cotton who was building canals linking rivers in British India at about the same time his contemporaries like botanist <a href="https://nepalitimes.com/here-now/republic-of-nepal-s-animal-kingdom" target="_blank">Joseph Dalton-Hooker </a>were exploring the <a href="https://nepalitimes.com/here-now/saving-kangchenjunga" target="_blank">Teesta and other rivers</a> in the Himalaya to catalogue new plant species. India's current National River Linking Project that would join 37 rivers with 9,000km of canals builds on Cotton’s early work. <blockquote>If there is one consistent lesson in Unruly Waters, it is that water management never has been, and can never be, a purely technical or a scientific question; neither can it be addressed on a purely national scale … the battle continues to understand the monsoons and mountain rivers that shape Asia.</blockquote> Unruly Waters: How Mountain Rivers and Monsoons Have Shaped South Asia’s History by Sunil Amrith And in Nepal, hydropower has become the holy grail as the government unveiled an Energy Development Roadmap to generate 28,500MW by 2035 at a cumulative cost of nearly $50billion. This means no river in Nepal will be left free-flowing. The Trisuli along the Prithvi Highway is being dammed for only 100MW of power, destroying the most scenic part of a river that has rapids famous internationally for white water rafters. Even before it was completed, the dam site suffered Rs200 million in damage in last September’s flood.&nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2025022203020_d9610a11bccb593d32bf4d214479caa17dfbdd6cdfe5e8c38fdcb8eb752fc0ec.jpg" data-media-id="editor_18" data-image-id="2025022203020_d9610a11bccb593d32bf4d214479caa17dfbdd6cdfe5e8c38fdcb8eb752fc0ec" data-rendition-name="original" width="4032" height="2268" loading="lazy" alt="Trisuli"> <figcaption>Boulders and sediment 80m deep were brought down by the Teesta after a GLOF destroyed the $1 billion Teesta III plant in Sikkim in 2023. Photo: KUNDA DIXIT</figcaption> </figure>  In Sikkim, there is strong <a href="https://india.mongabay.com/2025/02/political-stir-follows-expert-panels-approval-to-rebuild-teesta-dam-in-sikkim/">local opposition to rebuild Teesta III</a> but investors are looking at the huge economic windfall from the river as it drops from 5,000m below Kangchenjunga to 300m within 80km — one of the highest Gravitational Potential Energy of any river in the world. Besides Nepal and Bhutan, the ‘watersheds’ of the Himalaya are turning into ‘powersheds’ as India and China compete for hydro-hegemony. India is said to be planning to dam the Brahmaputra to offset the disruption caused by China’s Medog Dam upstream (see map, below).&nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2025022203024_37c60bd2a45a32cd23928c900615b6c7045b2e0265050c4761c3749361181999.png" data-media-id="editor_20" data-image-id="2025022203024_37c60bd2a45a32cd23928c900615b6c7045b2e0265050c4761c3749361181999" data-rendition-name="original" width="1918" height="668" loading="lazy" alt="Himalayan rivers map"> </figure>  The thread running through all three books is the need to recognise the ecosystem services that the inhabitants of High Asia provide by protecting our rivers. Not all rivers need to be monetised, conserving rivers and the cultures they retain protects a nation’s natural wealth into the future as the humans of High Asia try to survive climate breakdown. The highlands will be under even more pressure in the coming decades as people in the plains migrate en masse to higher latitudes or higher altitudes to escape deadly heat and ocean expansion.&nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2025022203028_524a74bf65111db3826bfd246576329c45cd4bd0a48b15024b6a520582bbf05a.jpg" data-media-id="editor_21" data-image-id="2025022203028_524a74bf65111db3826bfd246576329c45cd4bd0a48b15024b6a520582bbf05a" data-rendition-name="original" width="1136" height="702" loading="lazy" alt="River of Asian Highlands cover"> </figure>   <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2025022203028_20c17a9b92b11c8bb33df5f2fc2781498464288533c310ccd61e1245e709d99c.jpg" data-media-id="editor_22" data-image-id="2025022203028_20c17a9b92b11c8bb33df5f2fc2781498464288533c310ccd61e1245e709d99c" data-rendition-name="original" width="1136" height="702" loading="lazy" alt="Unruly waters cover"> </figure>   <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250222030212_649cc2ba02e806da2b128fccaf5de2e5c830e10646ba0b43d56da39f65a70f9f.jpg" data-media-id="editor_23" data-image-id="20250222030212_649cc2ba02e806da2b128fccaf5de2e5c830e10646ba0b43d56da39f65a70f9f" data-rendition-name="original" width="1136" height="702" loading="lazy" alt="Chaalbato cover"> </figure>

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