What began as a joint effort to research Nepal’s natural resources has now become a global representation of <a href="https://nepalitimes.com/opinion/the-making-of-kathmandu-valley-style">indigenous craftsmanship</a>, and empowering women. Arati Subba and Samriddhi Gurung were raised in the UK, had years of experience in the fashion industry, and found themselves in Nepal during the Covid-19 pandemic. “I always wanted to explore what Nepal naturally offers,” says Gurung. “After a lot of research, we discovered that beeswax is a biowaste that lasts three times longer than soy or paraffin wax.” She researched the local market for lifestyle products, and found only paraffin candles for sale. So, they thought, why not create beeswax candles?  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2025012011018_dbdf64ffc6c18c926717a2214e902c4e6600e95aa2f2670e614647fe70d6d984.jpg" data-media-id="editor_1" data-image-id="2025012011018_dbdf64ffc6c18c926717a2214e902c4e6600e95aa2f2670e614647fe70d6d984" data-rendition-name="original" width="5472" height="3648" loading="lazy" alt="Reviving Nepal's craft NT"> <figcaption>Arati Subba and Samriddhi Gurung, founders of Riti Studio. Photo: RITI STUDIO</figcaption> </figure>  Together, they set up Riti Studio and have now diversified from candles to grow into a business in <a href="https://nepalitimes.com/here-now/seams-sustainable">sustainable lifestyle</a> products.&nbsp; Based in Nepal and Hong Kong, Riti's all-women team now also handcrafts candles, incense sticks, and ceramics. It strives to preserve Nepal’s craft traditions. “Do you know how to hand-roll incense sticks by yourself?” Gurung asks. “My grandmother still does it, but neither my mother nor I know how to do that. So, this is an effort to preserve our generational craft, and take it further.” The entrepreneur duo define their approach as ‘slow luxury of artisanal quality’ and collaborate with local artisans. Each ceramic piece, for example, is hand-crafted, reflecting the skill and dedication of those involved.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2025012011018_db44619728c2f031c8412a86206b6166cff7258796d170df73b8db3b85736ebd.jpg" data-media-id="editor_3" data-image-id="2025012011018_db44619728c2f031c8412a86206b6166cff7258796d170df73b8db3b85736ebd" data-rendition-name="original" width="1200" height="1600" loading="lazy" alt="Reviving Nepal's craft NT"> <figcaption>Photos: SANGYA LAMSAL</figcaption> </figure>  “Every piece is unique in itself,” says Subba. “The design is the same, but the actual printwork, texture, it is all different.” Sustainability remains a key priority, but financial viability is also important. In the early days, the two scoured nearly every <a href="https://nepalitimes.com/multimedia/honey-money?s=08">honey shop</a> they could find. Most honey sellers in Nepal also have their own farms where they source raw materials. Their search extended beyond honey, as they also sought local suppliers for ceramics and packaging. After finding the right materials, they sampled to ensure quality. Only then did they move to production and marketing, for which Nepali language was a must.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2025012011018_55c551fd62ed7dd91c2d511ab1561b76ad3805f7772cfb005bc6eeb133c479ae.jpg" data-media-id="editor_5" data-image-id="2025012011018_55c551fd62ed7dd91c2d511ab1561b76ad3805f7772cfb005bc6eeb133c479ae" data-rendition-name="original" width="1600" height="1200" loading="lazy" alt="Reviving Nepal's craft NT"> </figure>  “It was really hard to communicate and try to sound smart in Nepali while meeting with the suppliers at first,” she recalls. The language barrier meant some suppliers did not take her seriously in a largely male-dominated society.&nbsp; Things changed when the men started noticing their professionalism. “Now, the men are much more appreciative of who we are, and we are taken more seriously,” adds Gurung. The name Riti comes from the idea of having one’s own little ritual, focusing on self-care and self-love and the Nepali term रीती रिवाज, meaning rituals. When asked if they had any advice for other entrepreneurs just starting out, Gurung says, “You have to put your head down and get to work. Stop listening to the noise outside and stay focused.” Subba pipes in: “Find what interests you, and make something beautiful out of it.”&nbsp; Read also: <a href="https://nepalitimes.com/business/return-to-nature">Return to nature</a>

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Reviving Nepal’s craft

Eight years ago, Buddhimaya Ghale opened a handicraft shop in Chitwan with Rs300,000. The venture is now worth Rs30 million.
Ghale had less than a modest start, her family could not afford schooling and she had to drop out after Grade 7. But then she joined a group in her village organised by <a href="https://archive.nepalitimes.com/news.php?id=17635">Maiti Nepal </a>to spread awareness about women trafficking.
Before long, Ghale was even travelling to India to rescue young Nepali women sold to brothels there. She became deeply involved in not just rescue, but also to bring justice to victims of <a href="https://nepalitimes.com/news/human-trafficking-patterns-changing-in-south-asia">trafficking</a>, <a href="https://nepalitimes.com/latest/lockdown-and-the-surge-in-domestic-violence">domestic violence and abuse.</a>
Read also: <a href="https://nepalitimes.com/news/trafficked-nepali-woman-s-testimony">Trafficked Nepali woman’s testimony</a>
“I would spend all my time hounding the police and going to the courts,” recalls Ghale, now 37. “Seeing and listening to the women every day, both older and younger than me, used to cause me great pain. I even wished I was in a different line of work.”
Back in 2000, the National Trust for Nature Conservation was training people to use spinning wheels for woollen thread. Ghale enrolled and learnt handicraft.
Read also: <a href="https://nepalitimes.com/here-now/ex-guerrilla-s-revolution-in-rural-nepal">Ex-guerrilla’s revolution in rural Nepal</a>, Bhadra Sharma
Starting in 2005, she began selling her products but soon realised that access to the market was limited and that local women needed training in refining their products and in sales. So in 2016, Ghale set up a centre to train women in handicrafts.&nbsp;
She registered the centre at Kalika Municipality as a cottage industry and named it BM Hastakala Prashichyan Udhyog (BM Handicraft Training Industry).
After training over 600 women (and five men), most have found work as <a href="https://nepalitimes.com/banner/from-heads-to-toes">Dhaka fabric </a>weavers or in the carpet industry. Others are involved in the eco-friendly business of turning waste material like chicken feathers and plastic bottles into gifts and handicrafts.
“We started from 10 people, now we have 600, many of them from underprivileged families,” says Ghale.&nbsp;
Previously, the women used to gather firewood from the forest and sell it in the nearby market. If they were lucky, they could sell it in the market to buy food for the day. Now the women make as much as Rs30,000 a month after being trained at the centre.
Read also: <a href="https://nepalitimes.com/news/how-art-empowers-nepal-s-women">How art empowers Nepal’s women</a>, Anita Bhetwal
Initially, women faced resistance from their families for leaving to work outside the home, and the women themselves were skeptical. Now, Ghale has women as old as 70 at the centre, supplementing their families’ income.
“Even women from well-off households are treated as subordinates and are entirely dependent on their husbands or in-laws,” adds Ghale. “They are beaten if they assert themselves. When women have no money of their own, they get no respect. Income makes all the difference, and gives women power.”
BM Hastakala provides women with raw materials and machines to make woollen goods, Dhaka clothing, shopping bags and more. The products are then exported to more than 10 countries including Japan, India and China.
Having left school at such a young age, Ghale had thought she would not get to complete her education. But following financial and social success, she has enrolled in school again.
After a ten-year hiatus, Ghale joined eighth grade and just passed high school. “I was never more satisfied than when I completed school,” she says.
Ghale was honoured with the Women Entrepreneur Award from Bagmati Provincial Government in 2019, and in 2021 the best cottage industry entrepreneur in the Bagmati Province by the Ministry of Industry, Commerce and Supplies.
Read also: <a href="https://archive.nepalitimes.com/article/business/kesha-kumari-damini-awarded-by-norwegian-business-for-peace-foundation,1356">Empowerment through entrepreneurship</a>, Marit Bakke
Headquartered in Chitwan, BM Hastakala has a branch in Kathmandu. And now, this self-made entrepreneur wants to train more women so that they have economic independence to become their own person. She says: “The target is to increase the number of skilled women to 2,000 every year so the income empowers them.” &nbsp;

Weaving dreams for women

For Prime Minister Pushpa Kamal Dahal the past week has been eventful in more ways than one. His Home Minister Rabi Lamichhane’s troubles is shaking the coalition, and there are rumours of the NC and the UML in talks. By-elections in Ilam and Bajhang are set to become a referendum on legacy parties.&nbsp;
In the midst of all this, there was the overnight state visit of the emir of Qatar which was so epic the government declared a national holiday. Qatar and Nepal signed a commerce agreement, and to sweeten the deal the emir was gifted two elephants.&nbsp;
The Qatari visit set the stage for the third Nepal Investment Summit on 28-29 April that will showcase 150 projects for potential investors, including schemes for hydropower, transport, tourism, and agriculture.
Previous investment summits in 2017 and 2019 pledged $13.5 billion and $17 billion respectively, of which not much ever materialised. This time, the investment climate is worse because of political instability, too few laws, and too much red tape. &nbsp;
“The state of Nepal’s economy, combined with bureaucratic hurdles and the challenges faced by foreign investors in land and resource acquisition, has made attracting FDI difficult,” says Pushkar Bajracharya, formerly of &nbsp;the National Planning Commission.&nbsp;
Read also: <a href="https://nepalitimes.com/opinion/comment/nepal-looks-at-alternative-investments">Nepal looks at alternative investments</a>, Siddhant Raj Pandey
The same woes from the last two investment summits persist. Nepal has had three coalition governments in the last two years, banks are flush with cash because no one is borrowing, &nbsp;and there is a mass exodus of skilled Nepalis.&nbsp;
“Lack of political stability results in policy instability,” explains economist Posh Raj Pandey. “This is why Nepal’s FDI has not lived up to commitments. Potential investors have decided that internal risk factors outweigh any business opportunities.”&nbsp;
Everyone went to sleep after the last investment summit, and there was little preparation for this hurriedly planned one. Nepal’s private sector has long urged the government to amend laws to improve the investment climate. The government did amend nine out of dozens of laws, but through ordinance on Tuesday. &nbsp;
“What kind of message are we sending to internationals when we amend laws through ordinance rather than Parliament?" asks Pandey. “Amendment will not inspire confidence unless they are put into practice, which we historically have not done.”
Read also: <a href="https://nepalitimes.com/editorial/invest-in-investment">Invest in investment</a>, Nepali Times
While some experts think ordinances speed things up, they admit most legal changes brought to address Nepal's investment environment have been ad hoc and limited to paper.
Forget foreign investors, even domestic businesses face obstacles and corruption. Nepal’s internet service providers (ISPs) and the Nepal Telecommunication Authority are on the warpath.&nbsp;
ISPs have been unable to pay Indian firms that provide &nbsp;bandwidth after the government refused to provide them with INR, citing unpaid royalties and taxes.
Such stonewalling is present in just about every sector, dissuading investors in IT, banking and the service industry. Most investors are in natural resource extraction, which has little value added.&nbsp;
Read also: <a href="https://nepalitimes.com/editorial/invest-in-investment">Invest in investment</a>, Nepali Times
This time the government is &nbsp;giving investors a shopping list that includes 18 hydropower projects and 19 transport schemes.&nbsp;
“While hydropower may create short-term jobs, efficiency-seeking investment in the manufacturing, agricultural, and other sectors will create more long-term opportunities for Nepalis, and will be in our best interest,” says Pandey. &nbsp;&nbsp;
Although the summit will have attendees from over 50 countries, most potential investors are from India and China.
“Current investment summits seem to be guided by India and China’s vested interest in Nepal rather than the market and economic possibilities here,” notes Bajracharya. However, Nepal can leverage its proximity to hitch its wagons to these two giant locomotives.&nbsp;
Adds Bajracharya “Our long-term prospects look good, because India and China are set to overtake the US as the world's biggest economies over the next few years, which will attract investors from elsewhere. Our immediate goal must be to first create a conducive investment climate. After that, investments will come.” &nbsp;
Read also: <a href="https://nepalitimes.com/opinion/killing-investment-in-nepal-in-10-easy-steps">Killing investment in Nepal in 10 easy steps</a>, Dibesh Karmacharya

Shristi Karki

Why invest in Nepal?

<img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221108131144/636a4f899c7e80680e04fd11jpeg.jpg" alt="" width="1920" height="1080"/>https://www.youtube.com/watch?v=byB2UFWlCs4&amp;feature=youtu.beWhen actress, fashion designer and, more recently, the director of her debut film #Horror, Tara Subkoff, popularised the term ‘upcycling’, she may not have known that she was launching a new fashion trend. Even in faraway Nepal.Young, idealistic Nepali social entrepreneurs may have borrowed the word, but they have gone beyond the world of fashion to craft items for everyday household use repurposed from products that would otherwise be discarded at landfill sites. The idea is not just to be trendy and smart, but also to address growing environmental concerns among customers about garbage, pollution and consumerism.In this centrefold, Nepali Times profiles some companies that have upscaled upcycling to a whole new level.<h2>Shailee Crafts</h2><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221108131144/636a4f8c9c7e80680e04fd12jpeg.jpg" alt="" width="1080" height="1350">PHOTOS: SHAILEE CRAFTSAfter water buffaloes are converted into momos, their innards are often discarded by the banks of Kathmandu’s rivers, where kites, crows and dogs pick at them, while their bones are ground into powdered <a href="https://www.nepalitimes.com/banner/getting-our-shit-together/" target="_blank" rel="noopener">fertiliser</a>.But lately, some of the horns and bones are collected from butcher shops and taken to <a href="https://www.youtube.com/watch?v=SG-de1eofhM&amp;t=9s&amp;fbclid=IwAR01xSi7CBBWUnHIHBQ_4KNnc1xArLG-P0BHnDz0ZOhmVzw1OH6Re_kojZ0" target="_blank" rel="noopener">Shailee Crafts</a>, where they are turned into carved figures, pendants and buttons.Shailee was set up by the father of Success Dhamala and his brother Shailesh to make handicraft items that had a strangely Polynesian look. In 2013, years after their father’s shop went out of business, Success and Shailesh revived the business to sell modern items with ethnic designs, made from natural and sustainable materials.Their raw material of choice: buffalo horns and bones. The raw materials are gathered, cleaned, cut, shaped and carved by the steady hands of local artisans, who use traditional Nepali tools to fashion intricate Maori designs like the Pikorua (twist), Toki or Hei-Matau (fish hook). Buttons and statues are made with keen attention given to minute details, each ridge and curve carved with precision.<img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221108131144/636a4f8e9c7e80680e04fd13jpeg.jpg" alt="" width="640" height="800"><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221108131144/636a4f919c7e80680e04fd14jpeg.jpg" alt="" width="1080" height="1620"><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221108131144/636a4f949c7e80680e04fd15jpeg.jpg" alt="" width="640" height="800">Shailee Crafts also makes pendants based on Game of Thrones themes, with the sigils of House Stark, Targaryen and Greyjoy. And beyond the traditional Pacific or pop culture designs, the brothers also turn buffalo bones into quirky buttons with geometric cutouts and unorthodox patterns.<img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221108131144/636a4f969c7e80680e04fd16jpeg.jpg" alt="" width="1080" height="1350"><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221108131144/636a4f999c7e80680e04fd17jpeg.jpg" alt="" width="1080" height="1080"><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221108131144/636a4f9c9c7e80680e04fd18jpeg.jpg" alt="" width="720" height="900">Although upcycling bones and horns is new to Nepal, pendants made from carved bones have been an integral part of Polynesian and Maori culture for centuries. Leftover bones from animals have been used to create traditional jewellery, like fish hook pendants, or hunting tools, like spears.“When we first started using buffalo bones for pendants, we were just following what they do elsewhere, but we realised we were also reducing <a href="http://archive.nepalitimes.com/news.php?id=15234#.XTBlpfIzbIU" target="_blank" rel="noopener">Kathmandu’s waste </a>by upcycling,” says Success Dhamala.<img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221108131144/636a4f9f9c7e80680e04fd19jpeg.jpg" alt="" width="1080" height="1080">Prayer beadsShailee Crafts uses natural products like hemp and recycled fabric for the buffalo bone necklaces, adding a modern feel to traditional Tibetan prayer beads and ensuring that horns and bones do not come from buffaloes that have been sacrificed.The store also conducts weekly carving workshops on Sundays, where visitors can hone their skills carving horns with traditional tools.<h2>Lahana Paper Crafts</h2><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221108131144/636a4fa19c7e80680e04fd1ajpeg.jpg" alt="" width="193" height="257"> PHOTOS: LAHANA PAPERPaper makes up 9% of Kathmandu’s household waste and 23% of commercial waste. Although discarded in landfills, much of this is actually recyclable.Co-Founder Ramita Maharjan first got the idea for Lahana Paper Crafts while an undergrad at Kathmandu University. She learnt to turn discarded paper into baskets and jewellery, and today, the company employs women and reduces paper waste in the city.At Lahana, newspapers, magazines, school books, invitation cards, calendars, brochures and comic books are transformed into colourful earrings, necklaces, bracelets, pens, even laundry baskets. Discarded paper is gathered and shredded into strips, and rolls of paper are turned into ‘beads’ and attached to metal pieces, or woven into baskets.The work is done by local women, who sit in a circle chatting away as their nimble fingers skilfully weave rolls of paper around waste baskets or cut up old magazines and newspapers faster than a machine. Maharjan makes sure that the women are paid well and given meals and transportation fees.<img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221108131144/636a4fa49c7e80680e04fd1bjpeg.jpg" alt="" width="1242" height="1191"><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221108131144/636a4fa79c7e80680e04fd1cjpeg.jpg" alt="" width="1242" height="1164">Like any other upcycling business, Lahana Paper Crafts also faces difficulties in convincing customers to buy its products. Many in Kathmandu still doubt the durability of the products, even though they are sturdy. Besides, it is the thought of being less wasteful that counts.Today, Lahana has buyers from all over Nepal and even abroad. Maharjan also holds workshops to train people interested in making paper accessories.She adds, “Our products are becoming more popular because they are handicrafts and they help manage paper waste.”<h2>Taalo</h2>When clothing items like saris, t-shirts, kurtas and shawls are made, unused fabric is just thrown away. Sujhan Ghimire set up Taalo to repurpose these scraps into wearable fashion items. He designs all the products himself and has curated a line of brightly coloured ties and bow-ties, scrunchies, headbands and scarves, all within the Rs120-200 price range.From silks to chiffons and Lycra to cotton, Taalo’s products are made from a variety of available and usable fabric.To reduce fabric waste, the business has also partnered with textile factories, clothes manufacturers and even tailors to upcycle and recycle their scrap.<img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221108131144/636a4faa9c7e80680e04fd1djpeg.jpg" alt="" width="758" height="1132">PHOTO: ABHILASHA SHRESTHAAt first, Ghimire found it hard to convince consumers to buy his products. Many were sceptical about upcycling and believed the products were made from used clothes. After an awareness campaign to explain that the fabrics were never worn, sales boomed.Now in its second year of operations, Taalo has a consumer base that runs from teenagers to environmentally-conscious adults. The company’s popularity is also a result of growing consumer consciousness among Kathmandu citizens, who see a lot of trash lying about. People are becoming more aware of sustainable alternatives to products that they want to buy.<img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221108131144/636a4fac9c7e80680e04fd1ejpeg.jpg" alt="" width="1000" height="1334">PHOTO: TAALOGhimire’s venture is not only environmentally conscious, but also socially aware. The <a href="http://archive.nepalitimes.com/news.php?id=12487#.XTBm__IzbIU" target="_blank" rel="noopener">Kamlari </a>women from Nepalganj who manufacture Taalo’s products are paid an extra Rs2 for every product that they make, in addition to their daily wages.“People are becoming more aware about what they are spending money on and where the products come from,” Ghimire explains. “At Taalo, they can buy things they want knowing that they are helping both women from underprivileged backgrounds and the environment.”Ghimire says he now wants to expand Taalo’s upscaled product line to include bracelets and even backpacks.<h2>Tatwa</h2>In the last fiscal year, Nepal imported 10 million bottles of alcohol. While some of them are recycled, many cannot be rebottled in Nepal and end up as shards of glass on the banks of rivers and around <a href="http://archive.nepalitimes.com/article/nation/recycle-reuse-reduce-garbage-kathmandu,1279" target="_blank" rel="noopener">landfill sites</a>.Doko Recyclers has been collecting garbage house-to-house in Kathmandu to covert organic waste into fertiliser and recycle other material. Now, it has launched a new brand for upcycled products called Tatwa, which takes unrecyclable imported beer, wine and liquor bottles and converts them into candle holders, drinking glasses, tumblers, glass containers and even toothpick holders. Tatwa has so far repurposed over 6,000 imported bottles collected from households, restaurants and hotels around the country.Discarded bottles are first thoroughly cleaned and sterilised before being cut down by industrial machines. Then comes the time-consuming, labour-intensive sanding and finishing phase to give the products a smooth texture. With Tatwa’s minimalistic and logoless designs, the finished products barely resemble the alcohol bottles they once were.<img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221108131144/636a4faf9c7e80680e04fd1fjpeg.jpg" alt="" width="4142" height="3100"><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221108131144/636a4fb29c7e80680e04fd20jpeg.jpg" alt="" width="1444" height="960"><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221108131144/636a4fb59c7e80680e04fd21jpeg.jpg" alt="" width="1000" height="1500">Says Tatwa’s Shivani Saria, “We rethink each item considered to be waste, where it comes from, what its source element is and how a thoughtful recovery of those items would mean valuing the environment and understanding waste from a new perspective.”Tatwa means ‘element’ in Nepali, and Saria says the venture is all about focusing on the importance of understanding waste as a resource that has lost utility in its present form. Beyond blue and green-hued glass products, Tatwa is also working on items like metal straws, bamboo toothbrushes and reusable cloth bags. It hopes to create an entire range of sustainable upcycled products to replace objects of daily use.<img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221108131144/636a4fb89c7e80680e04fd22jpeg.jpg" alt="" width="1000" height="750">PHOTOS: TATWASaria says, “Recycling in Nepal is a new industry and there are not many recycling facilities, which is why we have to explore options in upcycling, turning non-recyclable and difficult to recycle <a href="http://archive.nepalitimes.com/article/nation/reusing-waste,1280" target="_blank" rel="noopener">waste </a>items into products that can re-enter the market. With upcycling, we reduce waste that would otherwise end up in the landfill with creative business ventures that also generate jobs.”<h2>Dhaasoo</h2>When Dhaasoo was established in 2015, no one in Kathmandu really knew what upcycling was. Four years later, Dhaasoo has changed the game for reusable utilities and home decor.Dhaasoo is Bollywood movie slang that roughly translates to ‘daami’ in Nepali or ‘awesome’ in English. Founder Nitesh Sharma wanted an attention-grabbing name to draw customers to a new concept. It worked.From glass bottles to cans, car parts and even cars, Dhaasoo has upcycled and sold them all. It has upcycled hookahs, lamps, planters, book shelves and even a desk made from an Eco Sport car.<img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221108131144/636a4fba9c7e80680e04fd23jpeg.jpg" alt="" width="562" height="562"><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221108131144/636a4fbc9c7e80680e04fd24jpeg.jpg" alt="" width="1080" height="1080">Dhaasoo works on one project a day, taking requests for customised products or selling in-house designs. Customers either arrive with a product concept in mind and guide the designers, or they simply ask the company to create something new. Many of the products are therefore literally ‘priceless’.“Our products don’t have price tags because everything is made to order,” Sharma explains. “We never know what the customer will request and what it will cost.”But while Dhaasoo is becoming popular, it is not what you would call mass market. Sharma still struggles to make people understand that just because a product is upcycled it is not always cheaper, as a lot of work goes into repurposing those materials.<img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221108131144/636a4fbf9c7e80680e04fd25jpeg.jpg" alt="" width="758" height="611">PHOTOS: DHAASOO<img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221108131144/636a4fc29c7e80680e04fd26jpeg.jpg" alt="" width="2554" height="1937">Read also: <a href="http://archive.nepalitimes.com/article/Nepali-Times-Buzz/Kathmandu-waste-management-problem-solution,1416" target="_blank" rel="noopener">Waste should not be wasted</a>, Bhrikuti Rai<a style="background-color: #ffffff; font-size: 15px; letter-spacing: 0.01em;" href="https://www.nepalitimes.com/business/return-to-nature/" target="_blank" rel="noopener">Return to nature</a>, Nepali Times<a style="background-color: #ffffff; font-size: 15px; letter-spacing: 0.01em;" href="https://www.nepalitimes.com/here-now/plastic-money/" target="_blank" rel="noopener">Plastic money</a>, Samuel Johns<a style="background-color: #ffffff; font-size: 15px; letter-spacing: 0.01em;" href="http://archive.nepalitimes.com/article/nation/making-money-from-garbage-in-kathmandu,2055" target="_blank" rel="noopener">Rupees from rubbish</a>, Sahina Shrestha

Upscaling Upcycling

“I don’t know if I picked jewellery, but jewellery might have picked me.”<figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/2022110710110/6368c97b9c7e80680e02f2b6jpeg.jpg" alt="" width="1400" height="788"/><figcaption>Ayesha Shakya</figcaption></figure>‘Jill of all trades, master of some’ is how Arpana Rayamajhi might describe herself -- there seems to be nothing the jewellery designer, model and self-made entrepreneur cannot do. The Nepali in New York has been seamlessly juggling hats, while making a name for herself and her jewellery on the world stage.Barely four years since she launched <a href="http://archive.nepalitimes.com/article/Nepali-Times-Buzz/%20East-meets-West%20,3152">her jewellery line</a>, Rayamajhi has been featured in Vogue, Harper’s Bazaar, included in The New York Times 30-under-30 list and her jewellery adorned by the likes of supermodel Adriana Lima and Gigi Hadid on the runways of the Victoria’s Secret Fashion Show.“I don’t know if I picked <a href="http://archive.nepalitimes.com/article/Nepali-Times-Buzz/Be-jewelled-by-Ayusha-Shresthas-AAMO,3042">jewellery</a>, but jewellery might have picked me,” Rayamajhi tell us in a recent interview. Always creative, Rayamajhi took up painting and sculpting at The Cooper Union School of Art, and the passion to create her own jewellery grew out of necessity after graduation.https://www.youtube.com/watch?v=tVFWlEuy65MShe explains: “I started working with <a href="http://archive.nepalitimes.com/article/nation/assimilating-generations-of-Newari-muslims,2937">beads</a> because I was broke and I couldn’t afford anything else. I was waiting tables and babysitting to earn money, but I realised if I didn’t do jewellery now, I would never do it.”Rayamajhi started off selling her designs to friends and their friends, but it wasn’t until she began modelling her jewellery herself and posting photos on Instagram that things really took off. Soon, she scored a feature on Vogue and began amassing tens of thousands of loyal followers on Instagram.<figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/2022110710110/6368c97e9c7e80680e02f2b7jpeg.jpg" alt="" width="800" height="836"><figcaption> </figcaption></figure>“If you don’t believe in your work, no one will. Sincerity and producing my own work was important to me,” says Rayamajhi. Indeed, it is her identity as an artist that makes her jewellery so unique and transcendent.“I am really invested in making work that shows the artists' persona and how their mind works,” explains Rayamajhi. Colourful, playful, eclectic, and incorporating quirky elements like synthetic hair, tassels and miniature idols, Rayamajhi’s jewellery defines her.It also defines how she has grown as an artist. Starting with beads, Rayamajhi made a big jump into diamond jewellery for the ‘Diamonds with a Story’ series by Australian Diamonds in January.<figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/2022110710110/6368c9819c7e80680e02f2b8jpeg.jpg" alt="" width="640" height="697"><figcaption> </figcaption></figure>This was the first time Rayamajhi became an art director herself, and only designed the jewellery, instead of making them herself. Always socially and environmentally conscious, she only took up the offer because the diamonds were conflict free.Rayamajhi also chooses to remain close to her Nepali roots, but incorporates elements that make her jewellery truly global. Her popularity has not gone unnoticed in Nepal, and that does come to her as a pleasant surprise.“The kind of reaction I got from the Nepali audience on the Victoria’s Secret Fashion show was amazing. Craze dekhera danga thiyei,” says Rayamajhi, breaking into Nepali to explain how she was encouraged by the reaction.Rayamajhi went back to Nepal twice last year after a gap of five years, and remembers re-seeing Kathmandu in all its beauty and chaos. She wants to have a flagship store in Nepal to encourage more artisanal talent and support a comeback for <a href="http://archive.nepalitimes.com/article/nation/rebuilding-temples-a-chance-to-creat-jobs-and-to-revive-woodcarving-industry%20,2347">Nepali handicraft</a>.She adds: “I will consider myself really successful if I am able to move a generation. In the end, I want people to see me and see themselves in me. I want them to feel that if she can do it, so can I.”Read also:<a href="http://archive.nepalitimes.com/article/Nepali-Times-Buzz/%20East-meets-West%20,3152  ,  http://archive.nepalitimes.com/article/Nepali-Times-Buzz/%20East-meets-West%20,3152">East meets West</a>,  Ayesha Shakya<a href="http://archive.nepalitimes.com/article/Nepali-Times-Buzz/Be-jewelled-by-Ayusha-Shresthas-AAMO,3042">Be jewelled</a>,  Smriti Basnet

Arpana's world of quirky jewellery

Fenerbahçe Beko won the Turkish Airlines EuroLeague finals in Abu Dhabi, held 23-25 May, defeating Monaco 81-70 in the final. Olympiacos, who defeated Panathinaikos 97-93, finished the series in third place. The Most Valuable Player (MVP) of the final match, Nigel Hayes-Davis from Fenerbahçe Beko, received a prize of 1,000,000 Miles&amp;Smiles from Turkish Airlines’ Chief Commercial Officer Ahmet Olmuştur. The carrier has been the title sponsor of the Turkish Airlines EuroLeague, a top tier tournament, since 2010.

Turkish Basketball

In the black and white photograph, General Wangdu smiles broadly in front of the dusty cactus garden in Kathmandu’s Annapurna Hotel. With an ill-fitting jacket and shaggy hair he looks benign enough, but this was the last leader of the Tibetan freedom fighters who led the resistance against the Chinese from their remote mountain hideouts in <a href="https://nepalitimes.com/here-now/comings-and-goings-in-mustang">Mustang</a>. Five months later, Wangdu was dead. Snapped in March 1974, I had only recently arrived in Nepal. How did I meet this legendary fighter? Possibly with his devoted camp follower, Lynne Klapecki, and probably in the Om Restaurant near Freak Street which was the preferred <a href="https://nepalitimes.com/banner/hippie-trail-nostalgia-in-kathmandu">hippie hang-out</a>. Om Lobsang and his brother Yeshe were <a href="https://archive.nepalitimes.com/page/earthquake-brings-back-memories-of-camps-for-tibetan-refugees">refugees from East Tibet </a>whose cafe offered a friendly welcome and<a href="https://nepalitimes.com/multimedia/momo-loco"> the best momos</a> - they became my in-laws after I married their eldest brother Tenzin, but that was a decade later.&nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2025052403054_4573b34282b0f5395c007243d6bef12c7ba76bfd520419e994cdcea048d795a1.jpg" data-media-id="editor_4" data-image-id="2025052403054_4573b34282b0f5395c007243d6bef12c7ba76bfd520419e994cdcea048d795a1" data-rendition-name="original" width="1000" height="1583" loading="lazy" alt="The last days of the Khampa NT"> <figcaption>Photo: LISA CHOEGYAL</figcaption> </figure>  Wangdu’s English was enthusiastically rudimentary, but even riding around town with him on the back of an aging <a href="https://nepalitimes.com/here-now/kathmandu-s-new-motorbike-museum">motorbike</a>, he was a commanding presence. Always flanked by armed outriders, impressive scars marked his forearms and a pistol hung from the cord around his neck. A charismatic guerrilla leader, Wangdu was celebrated by his followers for his tough commitment and respected for his measured pragmatism. He seemed so young to have shouldered such a responsibility of command, leading hundreds of hardened <a href="https://archive.nepalitimes.com/article/nation/50-years-after-the%20raid-into-Tibet,1012#google_vignette">Khampa combatants </a>through what had been a particularly <a href="https://nepalitimes.com/news/heavy-snowfall-over-nepal-himalaya">brutal winter in Mustang</a>, the last bastion to hold out against the Chinese invasion of their Tibetan homeland.&nbsp; The freedom fighters of Tibet, known as the Chushi-Gangdruk, had emerged to resist the <a href="https://nepalitimes.com/editorial/territorialism">Chinese takeover</a> of Tibet during the 1950s. Estimated to be 80,000-strong at the time of <a href="https://nepalitimes.com/here-now/what-or-who-after-the-dalai-lama">the Dalai Lama</a>’s final escape to India in 1959, the sheer number of Chinese deployed into Tibet eventually forced the Chushi-Gangdruk to retreat to Mustang, From this high Himalayan stronghold, they continued cross-border raids on the Chinese People’s Liberation Army (PLA) throughout the 1960s.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2025052403054_8a4a935ba25ae79dc3a63bb5c14626927020e5ec098093c45ccb9a5982e009fd.jpg" data-media-id="editor_10" data-image-id="2025052403054_8a4a935ba25ae79dc3a63bb5c14626927020e5ec098093c45ccb9a5982e009fd" data-rendition-name="original" width="1114" height="676" loading="lazy" alt="The last days of the Khampa NT"> <figcaption>Guerrillas known as the Chushi-Gangdruk emerged to resist the Chinese annexation of Tibet during the 1950s. Photo courtesy: MIKEL DUNHAM</figcaption> </figure>  Their Kathmandu base was a small discreet lodge in a back lane near Rani Pokhari. Sipping sweet tea from a blue mug with a chipped lid, I sat bemused in a corner of the Mustang Hotel room whilst Wangdu and his cohorts received a battered brown suitcase from their CIA connection, a tousle-haired American in a leather jacket. Heaved onto the dingy bedspread that covered the thin mattress, it was clicked open to reveal piles of neatly stacked dollar bills.&nbsp; I cannot think why Wangdu allowed me to witness this handover but I was clearly no threat, a newly arrived world traveller with no understanding of the stakes nor any Nepali or <a href="https://nepalitimes.com/multimedia/tibetan-music-in-nepals-sacred-valley">Tibetan language</a>. Despite armed guards in the corridor,Wangdu radiated confidence and bravado, and there was a practiced familiarity to the tense transaction. This deadly dance for many years had been funded by the Americans, tolerated by <a href="https://nepalitimes.com/here-now/the-kingdom-within-a-republic">Mustang’s residents</a>, and permitted by King Mahendra and the Nepali authorities who it suited to turn a blind eye.&nbsp; But Mahendra died in 1972, and times were changing. Richard Nixon’s ping-pong diplomacy thawed the cold war and signalled a fresh entente with China. Nepal’s yet-to-be-crowned <a href="https://nepalitimes.com/here-now/if-birendra-was-alive-nepal-could-still-be-a-monarchy">King Birendra </a>was under pressure to curb the irritating incursions against the PLA launched from the Nepali territory of Mustang. Keen to appease his northern neighbour, on several occasions the King summoned Wangdu for peace talks but, despite increasingly overwhelming odds, Wangdu refused to surrender.&nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2025052403054_a8efd5cfb92cd997bd7cb74296a936fef46e2f7428f9cd642b03f1ac4ea11ecb.jpg" data-media-id="editor_14" data-image-id="2025052403054_a8efd5cfb92cd997bd7cb74296a936fef46e2f7428f9cd642b03f1ac4ea11ecb" data-rendition-name="original" width="1055" height="885" loading="lazy" alt="The last days of the Khampa NT"> <figcaption>General Wangdu flanked by two Tibetan resistance fighters in Mustang in the 1970s. Photo courtesy: MIKEL DUNHAM</figcaption> </figure>   <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2025052403054_75969125a745847a2ef82b6fe8b9106c0b21a116d85b8efdf5d2ee89a347bb31.jpg" data-media-id="editor_15" data-image-id="2025052403054_75969125a745847a2ef82b6fe8b9106c0b21a116d85b8efdf5d2ee89a347bb31" data-rendition-name="original" width="1044" height="792" loading="lazy" alt="The last days of the Khampa NT"> <figcaption>King Birendra with General Wangdu (right in dark glasses) taken in 1974 possibly in Mustang after one of their few attempts at negotiation. Photo courtesy: RAJRNDRA KUNWAR</figcaption> </figure>  While I naively rode pillion around Kathmandu in the spring sunshine, Wangdu was in the midst of what turned out to be his final round of negotiations with the Nepal government. Refusing to cease hostilities with the Chinese, Wangdu must have suspected the cost of his decision, making his cheerful smile in the photograph all the more poignant and brave. It was only much later that I appreciated the significance of the moment. Wangdu had been sent to replace the first resistance leader in Mustang, Baba Gen Yeshe, a much derided corrupt character who stole money meant for his troops and exploited fleeing refugees by seizing their treasures. Baba Gen Yeshe never forgave Wangdu,and sought revenge in May 1974 by betraying him and his commanders to the Nepal authorities. Renewed Chinese incursions from the north, active PLA collusion with the Nepali forces under the new King, and treachery from within the Chushi-Gangdrukranks combined to seal their fate.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2025052403054_e0987a7c90d76431b0d7d5e6115ebfe3dbda7ab939e5941e079c18d722e884c0.jpg" data-media-id="editor_16" data-image-id="2025052403054_e0987a7c90d76431b0d7d5e6115ebfe3dbda7ab939e5941e079c18d722e884c0" data-rendition-name="original" width="1400" height="769" loading="lazy" alt="The last days of the Khampa NT"> <figcaption>British television journalists George Patterson and Adrian Cowell embedded themselves with Khampa guerrillas and accompanied them from Tsum Valley on a cross border raid on a Chinese Army convoy in 1964. Photo: ESSAYS ON NEPAL / SAM COWAN</figcaption> </figure>  Mikel Dunham, renowned author of Buddha’s Warriors, writes: ‘It is possible that Wangdu was waiting for some cue from the Dalai Lama’s government-in-exile in Dharamsala, India. It is equally possible – during that last, <a href="https://nepalitimes.com/multimedia/the-human-cost-of-nepal-s-yarsa-gold-rush?fbclid=IwZXh0bgNhZW0CMTEAAR31-Cqw8oyIwMPzf_35e4Skr0ululJvLf3_vDkzHn-AYG2h8uPw2rqqErg_aem_tGVn5coY1-jA7fze_xqhew">desolate winter </a>– that he made the decision to go out in glory rather than admit defeat. Over the last fifteen years, Wangdu had experienced Tibet’s organized resistance being squeezed and shoved around by every conceivable outside force.&nbsp; First they had been pushed out of their own country by the PLA; then they had been refused sanction while on <a href="https://nepalitimes.com/opinion/borderlines/nepal-india-trans-boundary-bonds?fbclid=IwAR0PpJ5zUEbwdug3g_U3ar6FUugngRY0S8Tl2v_7wqzrsHmXWcXsKjvL4t4">Indian soil</a>; then they were abandoned by the Americans because, apparently, Nixon wanted to make friends with Wangdu’s mortal enemies, the communists; then they had been betrayed by the vampiric Baba Gen Yeshe – a Tibetan and, even worse, a fellow Khampa; and now, finally Wangdu’s army was being evicted by the Nepalis. One thing was certain: Wangdu was a warrior. To imagine Wangdu simply giving up and settling down in the pacific squalor of a <a href="https://nepalitimes.com/here-now/elderly-left-in-bhutan-refugee-camp">refugee camp </a>was unthinkable.’  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2025052403054_8fc1ffef4ae751628b90ae781b66e11e51e4fdde2787207c9042efbee345ce49.jpg" data-media-id="editor_20" data-image-id="2025052403054_8fc1ffef4ae751628b90ae781b66e11e51e4fdde2787207c9042efbee345ce49" data-rendition-name="original" width="500" height="746" loading="lazy" alt="The last days of the Khampa NT"> <figcaption>The much derided Baba Gen Yeshe, the first Tibetan resistance leader in Mustang, who betrayed Wangdu for personal gain. Photo courtesy: MIKEL DUNHAM</figcaption> </figure>   <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2025052403054_b1d833cdb00d3ac4416b844d8730475cd88c238caaaf8da69889a584eea229a3.jpg" data-media-id="editor_21" data-image-id="2025052403054_b1d833cdb00d3ac4416b844d8730475cd88c238caaaf8da69889a584eea229a3" data-rendition-name="original" width="500" height="656" loading="lazy" alt="The last days of the Khampa NT"> <figcaption>Aditya SJB Rana of the Royal Nepal Army whose team ambushed Wangdu and his cohorts at the top of Tinker Pass in Darchula, West Nepal. Photo courtesy: GAUTAM SJB RANA</figcaption> </figure>  By August 1974 the game was up. Wangdu and six of his exhausted party were killed on their horses by <a href="https://archive.nepalitimes.com/news.php?id=7270">the Royal Nepal Army</a> on the brink of escape. The officer in charge, Aditya SJB Rana, cleverly predicted their route into India after they failed to silence a police radio in Yari. A carefully laid ambush trapped them near the summit of the Tinker Pass in Darchula,at 5,000 meters the highest military operation of its time. Wangdu’s body was helicoptered to Kathmandu, and a big show made of the royal Nepal victory.&nbsp; The Tibetan armed insurgency against China had reached its end.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250524030520_3ff9c6fc85a65bc9a2c3afe9736d9f5f9413de752e790a5d9dca0981ea94f9b4.jpg" data-media-id="editor_23" data-image-id="20250524030520_3ff9c6fc85a65bc9a2c3afe9736d9f5f9413de752e790a5d9dca0981ea94f9b4" data-rendition-name="original" width="1136" height="702" loading="lazy" alt="The last days of the Khampa NT"> </figure>

The Last Days of the Khampa

Starting 17 September Turkish Airlines will fly daily to Seville, one of Spain’s major tourist draws. This is Turkish’s sixth destination in Spain after Madrid, Barcelona, Valencia, Malaga, and Bilbao. Seville is in the Andalusia region on Spain’s south coast with a rich Moor history. There are approximately 30,000 Nepalis living in Spain.&nbsp;

Turkish to Seville

The newly-formed Himalayan Art Council is set to launch Nepal’s National Art Protection Platform that seeks to preserve <a href="https://nepalitimes.com/banner/the-history-of-heritage">Nepal’s unique cultural heritage </a>using<a href="https://nepalitimes.com/here-now/artificial-censorship"> AI-powered tools</a>. The Council seeks to safeguard <a href="https://nepalitimes.com/banner/nepali-art-going-places">Nepali art works</a> from neglect, theft and counterfeiting as well as preserve existing artwork and celebrate living masters by giving them a cultural space to continue the <a href="https://nepalitimes.com/banner/sacred-survival">sacred art traditions</a>. "We are introducing a new digital platform designed to preserve, verify and elevate <a href="https://nepalitimes.com/banner/nepals-new-generation-of-alternative-artists">Nepal’s art for generations to come,</a>” says a statement from the Council, adding that the digital platform will use AI told for authentication and blockchain to keep track of works of art. Artists can now be protected by <a href="https://nepalitimes.com/multimedia/ayo-ai?fbclid=IwAR1uwmTVq4gUB70ljfRezjzukD9ArWXPuMnUikopeQ8PoiZMjicToPSwhKE&amp;=1">AI tools</a> that detect forgeries, identify their work even when unsigned, and ensure they receive proper recognition and credit. The archives will be searchable with translated inscription and interactive guides. Says curator Meena Lama: “AI and blockchains are tools that give us the power to detect fakes and identify unsigned paintings and track every piece. With these tools we can restore trust, secure authorship and give artists the dignity they deserve.”  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250514170544_2ab58f6313c0458f75114a692b0016bd9efb3b59d5f8f07f0da72e1e37b82f53.jpg" data-media-id="editor_6" data-image-id="20250514170544_2ab58f6313c0458f75114a692b0016bd9efb3b59d5f8f07f0da72e1e37b82f53" data-rendition-name="original" width="1300" height="1000" loading="lazy" alt="Artwork at the Traditional Art Exhibition at Patan Museum."> <figcaption>Artwork at the Traditional Art Exhibition at Patan Museum.</figcaption> </figure>  The Council is also holding an exhibition of Nepali cultural masterpieces with 50 historical <a href="https://archive.nepalitimes.com/article/Nepali-Times-Buzz/Buzz-the-art,671">thangka and paubha </a>by past masters and <a href="https://nepalitimes.com/review/between-the-sacred-and-everyday">contemporary works by current artists</a>. This curated collection is a living tribute to <a href="https://nepalitimes.com/here-now/when-yaks-go-so-does-culture">Himalayan culture</a> with economic depictions of deities, mandala and sacred narratives. The exhibition at <a href="https://nepalitimes.com/multimedia/a-portal-into-patan-s-past-and-present">Patan Museum</a> also provides an opportunity to meet painters and custodians of art and culture. Read also: <a href="https://nepalitimes.com/review/golden-deities">Golden deities</a>, Sewa Bhattarai ‘The exhibition is only the first step in a long journey to ensure that Nepali art is no just seen but fully understood, <a href="https://archive.nepalitimes.com/article/nation/Narratives-of-Faith-and-Memory-Remembering-the-Lost-Sculptures-of-Kathmandu-exhibition,987">protected and remembered</a>,’ the Council says. Artist Kailash K Shrestha of Artudio has spent decades promoting thankha and paubha traditions because of their beauty and devotional meaning. But he also says artists are underpaid, exploited and ignored. He adds, “AI and blockchain are not just buzzwords, they are powerful tools that can protect Nepal’s artists from fraud, verify authenticity and build a permanent record of provenance.” Traditional Art Exhibition Till 17 May Patan Museum

nepali-handicraft