<figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221109181124/636be2f09c7e80680e083ed8jpeg.jpg" alt="" width="800" height="533"/><figcaption>All photos: DOUG BINGHAM/US EMBASSY NEPAL FACEBOOK PAGE</figcaption></figure>Pokhara is arguably the most well-known and popular destination for international and domestic tourists alike. Nestled beneath the towering Himalayas, the scenic valley is the base point for trekkers and climbers looking to take on the Annapurna circuit, or the casual traveller seeking to spend time relaxing near the Phewa lake and revel in the vibrant nightlife. As such, Pokhara gets over a million tourists every year.Tourism business operators in the city were hoping for a boom of visitors with Visit Nepal 2020, but the Covid-19 pandemic <a href="https://www.nepalitimes.com/here-now/survive-2020-revive-in-2021-and-thrive-in-2022/" target="_blank" rel="noopener noreferrer">brought tourism to a standstill</a> as much of the world hunkered down at home. However, <a href="https://www.nepalitimes.com/banner/pokhara-tourism-lifted-by-nepali-footfalls/" target="_blank" rel="noopener noreferrer">domestic visitors have begun to compensate</a> for the absence of foreign tourists in Nepal's foremost destination, flocking to the city during the festival season in October-November.Even so, the streets and shops of Pokhara are not busy this year, bringing to mind how the tiny city bustling with tourists might have looked a few decades ago.  These photos, taken between 1962-1963 by Doug Bingham--a US peace Corps volunteer who taught mathematics at Prithivi Narayan Campus--show the timeless appeal of Pokhara’s sights, culture, and its people.<figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221109181124/636be2f29c7e80680e083ed9jpeg.jpg" alt="" width="960" height="526"><figcaption>Pokhara Airport</figcaption></figure><figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221109181124/636be2f59c7e80680e083edajpeg.jpg" alt="" width="960" height="837"><figcaption>Doug Bingham teaches maths to his students at Prithivi Narayan Campus.</figcaption></figure><figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221109181124/636be2f89c7e80680e083edbjpeg.jpg" alt="" width="960" height="640"><figcaption>Locals at a welcome program organised for the arrival of King Mahendra.</figcaption></figure><figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221109181124/636be2fb9c7e80680e083edcjpeg.jpg" alt="" width="640" height="960"><figcaption>Kahun Danda</figcaption></figure><figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221109181124/636be2fd9c7e80680e083eddjpeg.jpg" alt="" width="960" height="640"><figcaption>A view of the mountains from Mahendra Pul tole.</figcaption></figure><figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221109181124/636be3009c7e80680e083edejpeg.jpg" alt="" width="960" height="640"><figcaption>Locals walk by Pokhara's main market.</figcaption></figure><figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221109181124/636be3039c7e80680e083edfjpeg.jpg" alt="" width="960" height="642"><figcaption>The main building of Prithivi Narayan Campus, founded in 1960.</figcaption></figure><figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221109181124/636be3059c7e80680e083ee0jpeg.jpg" alt="" width="960" height="640"><figcaption>A student performs in a programme at Prithivi Narayan Campus.</figcaption></figure>

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Pokhara, six decades ago

<figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221109141144/636baf039c7e80680e07802ajpeg.jpg" alt="" width="1329" height="928"/><figcaption>King George V with Prime Minister Chandra Shumshere Rana with a tiger trophy in Chitwan in 1911. Sotheby’s</figcaption></figure>Archiving should be a state responsibility, and Nepal does have a National Archive. But a Nepali working in the Gulf has shown how much can be achieved by just one individual with a passion for history.No one can find the original of the 1816 Sugauli Treaty anywhere. Important historical documents, agreements with Tibet, China and British India are also missing. Many of them probably went up when Singha Darbar caught fire in 1973.Which is why <a href="https://twitter.com/SantoshKhaderi">Santosh Khaderi</a> (pictured below) has taken it upon himself to archive as much as possible of official records, early photographs, letters and ephemera from Nepali history as he can. What started out as a hobby, has now become an important contribution to archiving in Nepal for this 28-year-old Dang native and college dropout.He has been in Abu Dhabi for the past six years, working night shifts. He found so much factually incorrect news about Nepal that he started collecting digital records of the country’s past wherever he could find them on the Internet. Working 6-7 hours during the day, Khaderi has built up a collection that he also shares widely through his Twitter account and with regular well-researched articles in Annapurna Post.<img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221109141144/636baf069c7e80680e07802bjpeg.jpg" alt="" width="640" height="518"><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221109141144/636baf099c7e80680e07802cjpeg.jpg" alt="" width="598" height="474">It all started in 2016, as Nepal was reeling from the aftermath of the earthquake and the Indian Blockade. Khaderi found so many falsehoods and half-truths in media reports that he gave himself the mission to preserve history. Once, while watching Indian news channels he came across a documentary about Prime Minister PV Narsimha Rao which delved into archives to tell his story.“The hour-long episode was so in-depth and based on historical documents and records, that I wondered why a Nepali could not make a similar documentary about B P Koirala,” Khaderi said in a phone interview from the UAE.<figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221109141144/636baf0b9c7e80680e07802djpeg.jpg" alt="" width="627" height="806"><figcaption> </figcaption></figure>This is why, while carrying on his usual work of collecting historical records, he started zooming in on everything he could find on BP, including archival film footage of his funeral procession in Kathmandu in 1984, letters and other documents.“Being away from Nepal has made me value my homeland even more, and to stay in touch while being relevant to my roots and upbringing,” Khaderi says. “In addition, it gives me the opportunity to correct historical inaccuracies, bending of facts, or deliberate lies.”Indeed, his social media posts do not carry that angry tone common to many these days who all bristle with strong opinion about everything. He is not provocatively controversial, he just wants to lay out historical facts based on documents.Khaderi says it is thanks to the corpus of knowledge on the searchable Internet that he can do this work. Without the net it would be immensely complicated since the documents, records, news clips and film footage are scattered around the world.“It’s all there on the net, you just have to know how to search for it,” he says. “But I am limited to material that is in the public domain, I don’t have the money to pay for other content.”Among the rare items in his collection are Rana-era photos, letters written by the palace in Kathmandu to the British in India about the use of Simara airport during World War II, rare clips of Edward VIII, then Prince of Wales with Chandra Shumshere Rana during a hunting trip in Chitwan in 1921, or Tribhuvan’s funeral in Switzerland.<figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221109141144/636baf0d9c7e80680e07802ejpeg.jpg" alt="" width="3715" height="3253"><figcaption> </figcaption></figure>Khaderi’s archive so far has 600 videos, 700 books and newspaper clips, numerous government letters, even invitation cards from Mohan Shumshere for a diplomatic reception at the Nepal Embassy at Barakhamba Road in New Delhi in 1950.Khaderi has dug up news clips from 100 years ago to piece together Bishnu Shumshere Rana’s affair with a Hollywood dancer, and his eventual death in the Bahamas. What he does not have are photographs of Bishnu Shumshere’s body arriving in Banaras for cremation, which are in the Madan Puraskar Pustakalaya archives in Kathmandu.“It is disappointing that our country does not have any papers related to the Kalapani border issues and whatever news has been printed is just mudslinging between two governments, there are few fact-based statements,” he says.He has also dug up a 27-page booklet on Mohan Shumshere Rana that deals with the 1950 Indo-Nepal Treaty with the newly-independent India. Nepal’s claim to Kalapani is mentioned there too.“I believe that history is now more important than ever, so it is absolutely important for us to have historical evidence from the past. Nepal is at its weakest point now because we never cared about archives as they had vested interest somewhere else,” Khaderi says.<figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221109141144/636baf119c7e80680e07802fjpeg.jpg" alt="" width="2048" height="2881"><figcaption> </figcaption></figure>Among Khaderi’s archives is correspondence between Indian Ambassador and Prime Minister Nehru in 1950 in which he cites the Royal Nepal Army’s lack of preparedness to deal with external threats. Within two years of Prime Minister Matrika Prasad Koirala’s visit to India in 1952, Indian military communication units were placed at 17 points along the India-Nepal border.Khaderi has also dug up reports filed by Indian military about patrols to Kalapani in 1959 that prove that the Indian Army already had bases there. China had just annexed Tibet, the Dalai Lama had fled to India, and India and China were soon to go to war. But these documents prove that the Indian bases in Kalapani were not allowed there during or after the war, but perhaps as long before as 1956.“Our country and the government has a handful of shortcomings, but the biggest shortcoming is the lack of archives,” Khaderi says. “these should be digitised, stored, and even made public. Hardcopy files can be destroyed, misplaced or even disappear.”Khaderi says he went to the UAE for financial reasons, but he is itching to get back to Nepal where he wants to set up and maintain a historical archive, and what he has collected so far will be the starting point.<figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221109141144/636baf149c7e80680e078030jpeg.jpg" alt="" width="1117" height="896"><figcaption> </figcaption></figure>

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Adventures of a lone archivist

<img width="1620" height="1078" src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221109121112/636b8b119c7e80680e06b27ajpeg.jpg" alt=""/><img width="1622" height="1084" src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221109121112/636b8b149c7e80680e06b27bjpeg.jpg" alt="">The famous photograph of porters struggling to carry an automobile down from Chitlang Pass into Kathmandu during the Rana period. Original: Unknown/Madan Puraskar PustakalayaPassing time scouring the web in search of inspiration, graphic designer Bhushan Shilpakar stumbled across an open source software called ‘Deoldify’. True to its name, the software rendered old black and white photos into colour.The steps were fairly simple: the old prints had to be scanned, uploaded into the software which then simply worked its magic. Filling in the colour and texture to faces, clothing and landscapes to faded old sepia images restored their vibrancy and immediacy.Thrilled by the outcome, Shilpakar dusted off old family albums at home and began to deoldify photographs. Family members were excited that their photographic memorabilia had suddenly come alive.“The colours revealed to the eye things hidden in black and white. I found many old photographs were enhanced through this process,” Shilpakar says.What was originally a way to pass the time during the lockdown took on a new purpose as Shilpakar went into the digitsed archives of Nepal Picture Library and Madan Puraskar Pustakalaya and started colourising them.  <img width="640" height="488" src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221109121112/636b8b189c7e80680e06b27cjpeg.jpg" alt=""><img width="640" height="488" src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221109121112/636b8b1b9c7e80680e06b27djpeg.jpg" alt="">One of the earliest photographs taken in Nepal. King Surendra with courtiers and a visiting British dignitary 150 years ago. Photo: Clarence Comyn Taylor / Madan Puraskar PustakalayaIt was not until the 1950s that the first colour photographs were introduced to Nepal, and even then the films had to be taken down to Calcutta to process and print. A debate ensued between those who felt black and white was artistic, and many who found photographs in full colour much more accurate and realistic. With the advent of digital editing and mobile photography, that argument is obsolete. However, there is now a move worldwide to breathe new life to archival black-and-white photography -- and even motion pictures of early cinema by colourising them. With minimum amount of work, Shilpakar managed to turn old pictures, including one of the oldest photographs in Nepal of King Surendra with a British dignitary taken 150 years ago by Clarence Comyn Taylor, a solider in the East India Company.There are more recent portraits of King Mahendra and Queen Ratna, B P Koirala giving a speech ahead of the 1980 referendum, the writer Parijat, and group portraits of Newa families. Shilpakar also turned into colour the black and white prints of American photographer Kevin Bubriski taken in the 1970s. Nervously, Shilpakar emailed some of these renderings to Bubriski, and says he was much relieved when Bubriski replied that he liked them.Many value the aesthetics of black and white photography, and even regard deoldifying as disrespectful to the originals, others find this process revives old photographs, erases the passage of time, and brings viewers much closer to the era in which they were taken.  <figure><img width="1024" height="1385" src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221109121112/636b8b1e9c7e80680e06b27ejpeg.jpg" alt=""><figcaption>Sri 3 Maharaja Chandra Shumsher. Photo: Madan Puraskar Pustakalaya</figcaption></figure><img width="640" height="491" src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221109121112/636b8b219c7e80680e06b27fjpeg.jpg" alt=""><img width="640" height="492" src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221109121112/636b8b249c7e80680e06b280jpeg.jpg" alt="">The Maskey clan poses for a group photograph at Gujeswari in 1927. Photo: Narendra Lal Maskey Collection / Nepal Picture Library <img width="640" height="491" src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221109121112/636b8b269c7e80680e06b281jpeg.jpg" alt=""><img width="640" height="490" src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221109121112/636b8b299c7e80680e06b282jpeg.jpg" alt="">Women and children from the Kaji Narayan Bhakta Mathema household at Om Bahal in 1930.  Original: Mukunda Bahadur Shrestha / Nepal Picture Library <figure><img width="1618" height="1078" src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221109121112/636b8b2c9c7e80680e06b283jpeg.jpg" alt=""><figcaption>Archive photograph of a Nepali family in the mountains. Original: Unknown/Madan Puraskar</figcaption></figure><figure><img width="1614" height="1180" src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221109121112/636b8b2f9c7e80680e06b284jpeg.jpg" alt=""><figcaption>King Mahendra and Queen Ratna in 1960. Original: Unknown / Madan Puraskar Pustakalaya</figcaption></figure><figure><img width="790" height="905" src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221109121112/636b8b339c7e80680e06b285jpeg.jpg" alt=""><figcaption>Kathmandu city. Photo: Madan Puraskar Pustakalaya</figcaption></figure><figure><img width="790" height="889" src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221109121112/636b8b359c7e80680e06b286jpeg.jpg" alt=""><figcaption>Swayambhunath temple. Photo: Madan Puraskar Pustakalaya</figcaption></figure><img width="640" height="633" src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221109121112/636b8b389c7e80680e06b287jpeg.jpg" alt=""><img width="640" height="632" src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221109121112/636b8b3b9c7e80680e06b288jpeg.jpg" alt="">Kathmandu Valley looking northwest from Dharara Tower in the 1960s with Darbar Square and Swayambhu. Original: Mukunda Bahadur Shrestha Collection / Nepal Picture Library <figure><img width="1150" height="798" src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221109121112/636b8b3e9c7e80680e06b289jpeg.jpg" alt=""><figcaption>Photograph with autograph of the writer Parijat in the 1960s. Original: Unknown / Madan Puraskar Pustakalaya</figcaption></figure><figure><img width="1024" height="1355" src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221109121112/636b8b409c7e80680e06b28ajpeg.jpg" alt=""><figcaption> Government officials to welcome Chinese Prime Minister Zhou Enlai, 1966. Photo: Madan Puraskar Pustakalaya</figcaption></figure><img width="640" height="495" src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221109121112/636b8b439c7e80680e06b28bjpeg.jpg" alt=""><img width="640" height="500" src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221109121112/636b8b469c7e80680e06b28cjpeg.jpg" alt="">A shaman in Yarsa village of Nuwakot in 1974. Original: Kevin Bubriski <figure><img width="1622" height="1220" src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221109121112/636b8b499c7e80680e06b28djpeg.jpg" alt=""><figcaption>Shaman in Gosainkunda cca 1974. Original: Kevin Bubriski</figcaption></figure><figure><img width="640" height="854" src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221109121112/636b8b4c9c7e80680e06b28ejpeg.jpg" alt=""><figcaption>Indra Jatra in 1978. Photo: Kevin Bubriski</figcaption></figure><img width="640" height="421" src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221109121112/636b8b4f9c7e80680e06b28fjpeg.jpg" alt=""><img width="640" height="423" src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221109121112/636b8b539c7e80680e06b290jpeg.jpg" alt=""><img width="2608" height="1430" src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221109121112/636b8b569c7e80680e06b291jpeg.jpg" alt="">BP Koirala giving a speech at Khula Manch in 1980. Original: Unknown / Madam Puraskar PustakalayaBhushan Shilpakar Photo: Niranjan Kunwar<img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221109121112/636b8b599c7e80680e06b292jpeg.jpg" alt="" width="355" height="208">

Making Nepal’s history colourful

The monsoon has got bad press because Nepal’s tourism operators actively told visitors to avoid <a href="https://nepalitimes.com/opinion/managing-the-monsoon?%2F">the rainy season</a>. It is time to change that. The reason can be found right here in the vast alpine meadows of Central Nepal where this time of year you can walk on velvet grass of pastures abloom with delicate pink, red and yellow flowers as the mist rolls up the valley. There is no sound except the hum of bumble bees. &nbsp;&nbsp; There are dozens of places across high Nepal called Chaurikharka, which means yak pasture. But this particular Chaurikharka in Rukum East located at an altitude of 4,000m stands out for its serene beauty, rustic charm and bucolic setting. There is just the occasional chime of <a href="https://nepalitimes.com/here-now/when-yaks-go-so-does-culture">yak bells</a> in the distance, and the sharp whistle of herders corralling sheep. &nbsp;&nbsp; The grass shoots are so fragile that one hesitates to step on them, the rounded ridges appear and quickly vanish in waves of mist. With the<a href="https://nepalitimes.com/here-now/before-the-next-monsoon"> arrival of monsoon</a>, these meadows are a soothing shade of green dotted with millions of <a href="https://nepalitimes.com/review/the-anatomy-of-a-flower?%2F=">multi-coloured flowers</a>. Until very recently, it took a week or so to hike up to places like Chaurikharka, but with the expansion of the road network even to these far-flung mountains in the lap of Dhaulagiri, they are much more accessible. It is just a three-hour uphill from the Mid-Hill Highway on the border between Baglung and Rukum East.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250802130828_a0b06b494d751b2144ffbbf10894ea64b29e8aed844bc8c66171783abfaf4e16.jpg" data-media-id="editor_4" data-image-id="20250802130828_a0b06b494d751b2144ffbbf10894ea64b29e8aed844bc8c66171783abfaf4e16" data-rendition-name="original" width="2048" height="1365" loading="lazy" alt="Visit Nepal in the monsoon"> </figure>  Purists would say that such easy access devalues the sanctity of these remote high meadows, but it also means more people will be moved to treasure the experience, appreciate <a href="https://nepalitimes.com/banner/natures-fragile-gift-to-nepal">the value of nature </a>so they can take steps to protect it.&nbsp; To be sure, the <a href="https://nepalitimes.com/here-now/deadly-monsoon-in-nepal-turns-deadlier">monsoon season can be challenging for road travel</a>. The roads are rough even at the best of times, and in the monsoon they become muddy and treacherous, often blocked by<a href="https://nepalitimes.com/news/monsoon-deluge-in-nepal"> landslides</a>. But that could be precisely the kind of adventure that the more intrepid visitors crave. Improved road connectivity has already made Chaurikharka and places like Badimallika &nbsp;and other sacred lakes in the mountains of western Nepal popular with domestic tourists. What is driving this traffic is the urge to go to exotic new places and share videos and selfies on social media. Several of Nepal’s travel vloggers have visited Chaurikharka and popularised the place, enticing followers on TikTok or YouTube to retrace their footsteps. But even as they become more popular, these fragile and once-remote places should be protected from over-tourism.&nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250731110736_f97110b7cdc3e7f80d5877690948fc9f4c95a09c583deb23b07355491e6c5446.jpg" data-media-id="editor_8" data-image-id="20250731110736_f97110b7cdc3e7f80d5877690948fc9f4c95a09c583deb23b07355491e6c5446" data-rendition-name="original" width="1083" height="699" loading="lazy" alt="Visit Nepal in the monsoon NT"> </figure>  <h2>INCREASING FOOTFALL</h2> Chaurikharka is located in Bhume Rural Municipality of East Rukum, near the scenic valley of Dhorpatan in Baglung district. Even in the <a href="https://nepalitimes.com/banner/monsoon-culture">middle of the monsoon</a>, there is a steady stream of Nepali hikers trooping to these high pastures – especially during festival days like Saune Sankranti which this year was on 17 July and actually marks the auspicious beginning of the monsoon here. “This year the rains have not been as heavy and there have been some clear mornings when we could see everything from Dhaulagiri to Machapuchre,” says Khageswar Bhandari, who trekked up here from the road. “The flowers, the greenery and the snowy mountain views make this an incredibly unique place.”&nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250802130824_1b9e26f2e9853fdfe69154bb42a7c9ea6da4bf4940efc1da99b304dcfbd7d3d9.jpg" data-media-id="editor_10" data-image-id="20250802130824_1b9e26f2e9853fdfe69154bb42a7c9ea6da4bf4940efc1da99b304dcfbd7d3d9" data-rendition-name="original" width="2048" height="1152" loading="lazy" alt="Visit Nepal in the monsoon"> </figure>  Chaurikharka is worthwhile to get to in any season, but it has a different charm during the monsoon. Word has spread and because it is now easy to get to from Baglung or even Pokhara, people have been flocking here.&nbsp; “Holidays and Saturdays see the largest crowds, with up to 500 visitors every day,” says ward chair Mankaji Pun of Bhume.&nbsp; There was a time not too long ago when local herders brought sheep, goats, cows, buffaloes, horses, and mules to graze here during the monsoon. Although there are still livestock around, animals have been replaced by visitors taking selfies. Read also: <a href="https://nepalitimes.com/here-now/the-monsoon-and-nature-s-arithmetic">The monsoon, and nature’s arithmetic</a>, Tom Robertson Ward Chair Pun says infrastructure development is his main priority. A foot trail to Chaurikharka was built last year by the Tourism Division Office in Kohalpur, but access via the Raniwas-Koipa road section still remains challenging.&nbsp; “If we get more budget, we can improve the road and facilities to make Chaurikharka the main tourist attraction of this region,” says Bhume Municipality Chair Hom Prakash Shrestha. “After that, we hope to promote Chaurikharka as a top tourist spot.”&nbsp; Economic activity is also picking up with the arrival of visitors, but there seems to be a need to manage the makeshift sheds made of corrugated sheets that spoil the beauty of the place. Tea shops and lodges are also available but facilities are basic. Kuldeep Neupane took a three-day trip from Ghorahi in Dang to visit Chaurikharka recently, and says: “This is an ideal trip to make a quick getaway and let nature recharge your mind and body. And it is much more fun with a tent, to watch the sunrise over the Himalaya or the mist blowing in.”

Visit Nepal in the monsoon

Two weeks ago, Prime Minister KP Sharma Oli announced jubilantly on social media that Nepal had achieved a historic annual growth of 81.8% in exports. He was right. Nepal’s trade did take a great leap forward compared to last year. But the dramatic rise was mainly due to processed soya bean oil.&nbsp; However, Nepal does not produce the edible oil it exports. In fact, the soya and palm oil that make up 44% of total exports are imported from Southeast Asia and South America, and simply re-exported, mostly to India.&nbsp; Under the SAFTA (South Asian Free Trade Area) Agreement, Nepal can export products to India duty-free if it has at least 30% value-added. Nepal’s traders have taken advantage of SAFTA even though the edible oils they export do not reach that value addition threshold. “The 30% value addition requirement is often only on paper,” says former commerce secretary Purushottam Ojha. “It is clear that simply packaging edible oils in Nepal does not fulfil the terms of the trade agreement.” Prime Minister Oli is aware of this, and even called Nepal’s export figures “fake” at an earlier event. The government is relying on other iffy figures to suggest that Nepal’s economy is strong and getting stronger. For example, the value of imports rose by 13.25% in 2024-25 compared to the previous fiscal year.&nbsp; Some of it was due to a jump in electric vehicle imports worth Rs 31.76 billion, but mostly it was because more wholesale soya oil was imported to be re-packaged and sold in India. The very fact that the government boasts about increased imports is an indication of how much it relies on taxing them for revenue. Touting such trade figures cannot be the basis to claim an economic rebound.&nbsp; “A jump in the value of imports can be interpreted as an increase in purchasing power, but it is not evidence of a stronger economy,” says economist Keshav Acharya. “Even though imports have increased, Nepal's domestic production and productive capacity have not improved.” Nepal Rastra Bank's semi-annual economic activity study report shows that industrial production was down in the first six months of the last fiscal year. This despite an increase in the number of new industries registered and investment commitments. Out of the Rs70.2 billion proposed foreign investment, Nepal received only Rs17.9 billion last year.&nbsp; Meanwhile, the rate of capital formation was limited to 24% last year, which is lower than the year before, suggesting that new investment, job creation and economic expansion all declined. If domestic production does not improve in relation to this year’s inflated trade figures, the outflow will put pressure on foreign exchange reserves like it did three years ago. At that time, Nepal borrowed from the IMF under its Extended Credit Facility Program to kickstart the economy.&nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2025080710084_2cdaaa5795828c4a7de93a0604ba884ef0a8b8f24cccd939f6c24e279ab6058f.jpg" data-media-id="editor_0" data-image-id="2025080710084_2cdaaa5795828c4a7de93a0604ba884ef0a8b8f24cccd939f6c24e279ab6058f" data-rendition-name="original" width="1633" height="723" loading="lazy" alt="Nepal's bubble economy NT"> <figcaption>Source: NEPAL RASTRA BANK</figcaption> </figure>  The macroeconomy is on firm footing with foreign exchange reserves at a comfortable Rs2,520 billion in May, up 23% from last year. This was largely due to remittances, and partly due to a falling NPR exchange rate. Real estate transactions and the stock market index have also been climbing as a result of government policies to revive the sector.&nbsp; However, former executive director of Nepal Rastra Bank Nar Bahadur Thapa cautions: “This is not organic growth, it is the result of deliberate policy decisions to relax rules on real estate and stock markets transactions.” In reality, the sharp rise in land prices have increased the cost of production, and excessive monetisation of the real estate has become the main source of Nepal’s economic woes. The central bank has announced a slew of new policies, shifting the terms of loan repayment for industrialists and entrepreneurs, reducing interest rates, and injecting more working capital — all designed to inject adrenaline into the real estate and stock market sectors.&nbsp; When he was governor, Mahaprasad Adhikari made several financial reforms during the latter half of his tenure to stimulate the economy, including tightening credit flow.&nbsp; By the last fiscal year, additional financial reforms had resulted in a credit expansion rate of around 8%. As the pace of credit expansion slows, real estate prices have started to fall. This is actually beneficial to the economy, because it lays the foundation for improvements in land-related entrepreneurship, production, and the construction sector. Just because real estate and the stock market transactions increase, it does not indicate an economic turnaround — especially when manufacturing and productive sector continues to languish.&nbsp; “It is foolish to believe that real estate and the stock market have magically revived our economy. Agriculture employs more than half of the population, but it is in decline. Investment in the productive sector has not increased, and job creation has not increased.” Two years ago, Nepal’s industrialists, business leaders, and political leadership predicted a recession amidst a sluggish business, declining market demand, large-scale job loss, and a shrinking real estate and share market.&nbsp; Still, the economy grew by 3.36% in fiscal year 2023/24. In fact, Nepal’s economy has grown nominally over the last two decades even when all sectors of the economy are in decline.&nbsp; Says Keshav Acharya: “The growth in trade, real estate, and the stock market are bubbles. The real economy remains stagnant.”

Nepal’s bubble economy

The final investigation report on the crash of a Saurya Airlines jet on 24 July 2024 at Kathmandu airport has revealed flaws in the carrier’s technical operation procedures, poor monitoring by the Civil Aviation Authority of Nepal (CAAN) and gaps in the airport’s emergency response. Eighteen people including a child were killed, and only the captain survived as the plane plunged seconds after takeoff, crashing within the airport perimeter. This was the latest in a series of aircraft accidents in previous years, and further tarnished Nepal’s already poor aviation safety record and contributed to the country being retained in the EU’s air safety list. &nbsp;&nbsp;&nbsp; The circumstances in the Saurya crash were different from the Yeti Airlines crash in Pokhara in January 2022 that killed all 72 on board, and two Tara Air crashes in February 2016 and May 2022 on approach to Jomsom that together claimed 45 lives. However, all four tragedies were a result of negligence of carriers and crew, failure to follow procedures, regulatory slackness, and overconfidence. The Saurya crash, especially, was a glaring example of how an ailing airline broke its own rules to allow passengers, including non-employees, a joy ride to Pokhara on a maintenance ferry flight. CRASH REPORT The Final Investigation Report prepared by the Aircraft Accident Investigation Commission and released on the first anniversary of the crash last week carried a long list of rules that were ignored or broken, and of regulatory failure. The first mistake was to cram spares, tools and inflammable chemicals needed for the aircraft’s C-Check in Pokhara into the cargo hold flouting its own ground handling procedures.&nbsp; There was no check-in of passengers, some of whom were not even employees – even though regulations say only flight and maintenance crew should be on board a maintenance positioning flight. Many brought their own luggage into the plane and stored it unsecured in the cabin. There was no flight attendant to give a safety briefing to passengers. The load and trim charts given to the flight crew were rough estimates, and the total takeoff weight of the plane was 18,300kg plus or minus 200 kg. That would still have been all right, but there was a glaring mistake in the speedchart Saurya pilots were using to calculate the minimum takeoff speed (known as VR), and it had been wrong ever since the 21-year-old aircraft entered service with the airline in 2017. FAULTY DATA&nbsp; The Commission probed Flight Data Recorder inputs from previous takeoffs of the Canadian-built CRJ200-LR in 2023-2024 and found that the undetected error in the speedchart had caused the plane to pitch up at an abnormal rotation rate at least 18 times on previous takeoffs.&nbsp; Any rotation rate more than 3°/sec is regarded as unusual. But on at least two occasions, this aircraft with tail number 9N-AME had rotation rates of 5.8°/sec and 5.5°/sec, the second one was when the pilot who survived was flying in March 2024.&nbsp; On this particular day, the plane’s rotation rate was 6.5°/sec, causing it to go into a deep stall soon after takeoff, the Commission report said. Essentially, the plane was not flying fast enough down the runway to take off safely.&nbsp; It is not yet clear whether excess weight, unsecured luggage, wrong centre of gravity were also factors, but relying on a faulty speedchart for the given takeoff weight, the captain flying pulled back on the yoke before the plane had reached takeoff speed and at a pitch angle that was too steep. The investigation report says the plane then went into a deep stall and started banking right with the stick shaking. At this point, the flight officer on the right hand seat is heard on the cockpit voice recorder saying: “Whoa, whoa, whoa. Sir, Sir, Sir…” It then banked left before the pilot flying turned the plane sharply to the right again in an evasive action to avoid the parking aprons of the international and domestic terminals. Had he not done so, there would have been a disaster of a much greater magnitude at Kathmandu airport that day. The plane scraped the runway with its right wingtip, collided with a container having helicopter spare parts, and plunged into a gully east of the runway, exploding in a fireball. The investigation also noted that the impact forces seemed to be survivable for some occupants. The fire trucks took unnecessarily long to reach the site even though it was inside the airport perimeter. The absence of an ICAO-standard runway strip, inadequate rescue drills, lack of training, and a blocked emergency service gate leading to the crash site were cited as other factors. &nbsp;&nbsp; <h2>Timestamp of a Disaster</h2>  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250731110724_39cdd04693994ce6e55a5b302905c0fa4884fe85bed21ff0779bb1439f3a5725.jpg" data-media-id="editor_0" data-image-id="20250731110724_39cdd04693994ce6e55a5b302905c0fa4884fe85bed21ff0779bb1439f3a5725" data-rendition-name="original" width="778" height="826" loading="lazy" alt="Flouting rules caused Saurya tragedy NT"> </figure>  11:10:34 - The Saurya Airlines CRJ200 on the takeoff roll from runway 02. It had a takeoff weight of about 18,300kg, but the pilot’s speedcard had a previously undetected mistake about the minimum takeoff speed. 11:10:55 -The plane with tail number 9N-AME goes into deep stall soon after takeoff because it does not have enough speed to lift its weight. The plane also has an abnormally steep nose-up attitude.&nbsp; 11:11:03 - Without enough speed to generate lift, the plane banks right, then left and right again in CCTV photos taken from the domestic apron (below). If it had not banked right, it could have hit the aprons and terminal buildings. Seen parked is Saurya’s other CRJ200 with tail number 9N-ANM.&nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250731110732_608132f7225c649125cca2691dd6a6bf930984c5b359e888d7ad9e5eacce3afd.jpg" data-media-id="editor_1" data-image-id="20250731110732_608132f7225c649125cca2691dd6a6bf930984c5b359e888d7ad9e5eacce3afd" data-rendition-name="original" width="770" height="555" loading="lazy" alt="Flouting rules caused Saurya tragedy NT"> </figure>  11:11:08 - The plane scrapes the runway with its right wingtip, and falls into the gully. The captain is thrown off the left side of the cockpit and survives. 11:11:15: Plane explodes in a fireball inside the airport perimeter. Firefighters take time to reach the site because of lack of access road and a blocked gate. Read the full investigation report <a href="https://www.tourism.gov.np/files/9N-AME%20AIC%20Final%20Report.pdf">here</a>.

Flouting rules caused Saurya tragedy

American artist Peter Makela was in Nepal in 2022 on a Fulbright scholarship when he experienced the Matya festival in Patan in which devotees made the rounds of the city’s shrines.&nbsp;
He joined the procession, walking through 2,600 stupa and 140 bahal of the town. That immersion left a lasting impression.
As part of Gallery Mcube’s international residency program in Patan, he put his inspiration to canvas in the exhibition Yala Yatra: Walking, Working, Worshipping. The exhibition also coincides with this month’s Matya festival.&nbsp;
Makela has visited Nepal often in the past 11 years but he mostly stayed in and spent his time around Boudha. “This time I stayed in Patan, put the sites I wanted to visit on my map, and off I went,” he tells us. “Each of my artwork is inspired by the stupas and shrines in Patan that I visited.”
The stupa and Ganesh are recurring motifs in his watercolours, and the elephant gods are located in chaityas — reflecting the interplay and blending of the Hindu and Buddhist faiths in Kathmandu Valley.&nbsp;
The stupas and Ganesh are painted in vivid red, yellow, blue and green against abstract backgrounds meant to represent the sky.
“I use the sky as a backdrop because the sky has no border,” says Makela. “The four colours represent the four elements, the different Buddha families and also lights bouncing off of a rainbow.”
The use of just four colours for all the artwork stands out, and combined with the absence of heavy canvases, frames or stands render Makela’s art striking in its simplicity.&nbsp;
The Ganesh is always holding something and the art also portrays the elephant god’s sacred vehicle, the mouse.
While his vibrant stupas and Ganesh reflect the tangibility of Patan’s tradition and heritage, it is as if the backdrops with their shades of grey and red and yellow capture the soul of the city’s shrines.
“If you look closely, there is a sense of form and formlessness at the same time,” he says.&nbsp;
Makela walked 108 kora around the shrines during his exploration of the town, and in the process developed a spiritual connection with Patan’s heritage and traditions.&nbsp;
The exhibition connects with visitors on a deeper, more spiritual, level as well. And with it, they feel a sense of pride as well as the need to urgently preserve Patan’s heritage for future generations.
“Peter’s inclination and approach towards Nepali art and culture is fascinating, and it reflects in his work,” says Mcube curator Manish Lal Shrestha, whose international artist residency program promotes Nepal’s cultural heritage. &nbsp;&nbsp;
Yala Yatra: Walking, Working, Worshipping
1-5 August&nbsp;
10AM-7PM
Gallery Mcube, Patan