This is the 65th episode of Diaspora Diaries, a Nepali Times series in collaboration with Migration Lab. Right from my childhood, it seemed like I was lost in my own world. I was not interested in studying, I never paid attention in class and was completely disconnected from what the teacher was saying. I was not into <a href="https://nepalitimes.com/opinion/migrant-worker-finds-farming-in-nepal-more-rewarding">farming</a> or chores, which used to make my parents angry. Instead, I would scribble on the walls using clay and our <a href="https://nepalitimes.com/here-now/opening-their-home-to-others">mud-thatch house</a> was covered with my amateur art. There was <a href="https://nepalitimes.com/here-now/how-they-kept-nepal-in-the-dark-ages">no electricity</a> and I used to draw all night in the light of an oil lamp. My parents used to be irritated, but they started understanding my obsession with art. With time, my <a href="https://nepalitimes.com/here-now/early-nepal-drawings-come-full-circle">drawings</a> started improving. A turning point was when I drew my grandfather’s sketch. It brought a smile to his face.&nbsp; I overheard him talking to my father and other elders, saying the drawing was very realistic. That was very encouraging. But in class, teachers would punish me for not paying attention -- except my principal, who is now in his 70s, and encouraged me to participate in district-wide competitions. While I never did, the acknowledgement uplifted me. After Grade 7 I had to switch schools to one that was two hours away. My craft improved, and the science teacher was impressed with my artwork. By Grade 10, I was getting recognised for my art and would even be paid, for example by the school, to paint its signboard and drawings.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2025042705048_70b1e770c5c7126beaaf9b91c0eed0cbdb5ebf4abbfb64734a294664078c6de0.jpg" data-media-id="editor_4" data-image-id="2025042705048_70b1e770c5c7126beaaf9b91c0eed0cbdb5ebf4abbfb64734a294664078c6de0" data-rendition-name="original" width="1080" height="590" loading="lazy" alt="The world of a working artist"> </figure>  My uncle’s son told me it would be a good idea to go to Lucknow to pursue my <a href="https://archive.nepalitimes.com/article/review/Dhwoj-Gurung-Review,1936">passion for art</a>. There in India, I was exposed to diverse talent. My cousin had seen something in me, and we even started an Art Shop, which was a great learning experience.&nbsp; After Lucknow, I went to Chitwan to work at an art gallery under Prakash Thapa, a renowned artist who became my mentor. I used to watch his work closely as an employee and followed instructions, but I still lacked in-depth knowledge since I did not have any formal training.&nbsp; He advised me to go to Kathmandu and join Lalit Kala campus. I had the hunger to learn, but the campus did not take a student who had not passed SLC. So I went back to school, and was embarrassed that my former classmate was now my teacher. But I did not let that hurt my pride.&nbsp; Unlike my<a href="https://nepalitimes.com/here-now/82-in"> childhood days</a> as a weak student, this time I had a newfound purpose as a student. I passed, and I used to go to Lalit Kala Campus in the mornings and work during the days.&nbsp; One day, a friend offered me a job in Saudi Arabia where I could get paid to do art. Lucknow, Chitwan, Kathmandu—I had switched lanes, but now I had finally found a clear path that offered more stability and allowed me to focus on art.&nbsp; Starting in 2006, I worked in Saudi Arabia at an art gallery for ten years. I used to draw <a href="https://nepalitimes.com/banner/nepali-calligrapher-at-large">large paintings</a> that were kept in Saudi mansions and even palaces. I also painted ceilings, walls, even swimming pools.&nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250427050412_6685d36eca2fcd92649bb8d8d3f93972f62337c416c1caeca96999f83db88384.jpg" data-media-id="editor_8" data-image-id="20250427050412_6685d36eca2fcd92649bb8d8d3f93972f62337c416c1caeca96999f83db88384" data-rendition-name="original" width="720" height="942" loading="lazy" alt="The world of a working artist"> </figure>  Taking up art professionally in Saudi Arabia also introduced me to the works of global artists like Van Gogh and Picasso and helped me grow. But as an artist, I had to create <a href="https://archive.nepalitimes.com/news.php?id=13008">my own identity</a>, give my work my personal touch.&nbsp; At first, we copy the works of the great masters but as we mature, we start adding our own individuality. This is perhaps the journey of all creators, including singers who start by covering the songs of the greats.&nbsp; After a decade in Saudi Arabia, I returned to Nepal in 2017, but I did not find what I was looking for. And the money here also did not allow me to fulfil my duty as a father. After two years, I migrated to Dubai to work as an interior decorative artist. While I have painted art that hangs on the walls of some of the most luxurious palaces in the Middle East, I come from humble beginnings in Nepal.&nbsp; I had started out painting on clay walls of my home with brushes made from the tail hair of cows. Those art pieces I made on the walls of my house are now just etched in my memory. I had struggled in Saudi to get wider recognition as an artist but in Dubai, it was different. I started making portraits of famous Nepali personalities during my free time. These sketches, such as my picture of the late Satya Mohan Joshi, got wide attention on <a href="https://nepalitimes.com/news/no-comment">social media</a>. This was another turning point.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250427050412_aa45b66c31cb9e7b40f4fb23774addd893438180995f822b9c31866ffe90e1bd.jpg" data-media-id="editor_11" data-image-id="20250427050412_aa45b66c31cb9e7b40f4fb23774addd893438180995f822b9c31866ffe90e1bd" data-rendition-name="original" width="853" height="1280" loading="lazy" alt="The world of a working artist"> </figure>  Art draws me. I am hungry for art. When we are hungry, we find food no matter what. It is the same with art. When you have a hunger to create, you will create no matter what. In Saudi Arabia, I used to paint all night before going for my full time job in the morning. You never get tired, you are always encouraged and focused. Your creations will fuel you, make you content. And the more you enjoy it, the more excellence and depth there is in your work. But other than art, I am also interested in music and literature. Perhaps it is in my genes as both my parents were into music and they used to sing during community events in the village. As children, we used to write songs and sing them during cultural events. From songs, I started dabbling into poetry. Just the way I learnt art through noted artists, I also tried to learn from great poets like Bhupi Sherchan and <a href="https://nepalitimes.com/review/laxmi-prasad-devkota-in-english?fbclid=IwZXh0bgNhZW0CMTEAAR2VmkikQOjLTMsX1QRb8N6WjgJJ6IL1mMUb5F9Q4GDYodQVsMOhLnhj5rQ_aem_YhzUzG_aT5Mdxf4-pbVIgg">Laxmi Prasad Devkota</a>. I have published two books of <a href="https://archive.nepalitimes.com/news.php?id=10242">poems</a>, and my third one, Dhago, will be released this June in Darjeeling by Buk Ant. When I retire from my <a href="https://nepalitimes.com/banner/speaking-the-language-of-overseas-work">life overseas</a>, I want to dedicate my time to more art and literature. All my life, I have created for others as per their preferences, although I take a lot of ownership of the work I do.&nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250427050412_c97a9cc80aebb4a5e8e2a3e071f077b15fb3f85cf05920d2ca6302774c6d895c.jpg" data-media-id="editor_15" data-image-id="20250427050412_c97a9cc80aebb4a5e8e2a3e071f077b15fb3f85cf05920d2ca6302774c6d895c" data-rendition-name="original" width="1627" height="2048" loading="lazy" alt="The world of a working artist"> </figure>  But in Nepal, I want to start my own <a href="https://nepalitimes.com/multimedia/tsherin-sherpa-returns-home-to-takpa">art gallery</a> and create art based on my own interests and passions. All of us have our own priorities in life. Some are driven by money, others by community service. People often ask me why I do not have property in Kathmandu despite spending so many years overseas. I have never hankered for material goods. I enjoy <a href="https://nepalitimes.com/review/art-and-poetry-in-motion">art and literature </a>and want to get lost in it. Just like when I was a boy, I am lost in my own world.

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The world of a working artist

Samsung Nepal has opened pre-orders for the Galaxy A57 5G and A37 5G. Both phones run Samsung’s One UI 8.5, featuring AI capabilities like voice transcription, Circle to Search, and photo editing. They feature a 50MP triple-camera system, a Super AMOLED display, and six years of OS and security updates.

Galaxy A series

Know your Ministers

‘One early morning, we heard the ambassador’s wife cry out, “Ram, Ram, Ram!” A disaster has befallen Nepal!” She had heard on the radio that a fire had consumed Singha Durbar." This is not about the arson attack on 9 September 2025, but the one on 8 July, 1973. It started in the South Wing of the then single-largest building in all of Nepal. It took two days to bring the blaze under control, requiring the use of explosives to demolish one wing to protect the imposing western facade. As Bhekh Bahadur Thapa recalls in the English translation of his memoir A Life in Public Service: Nepal from Autocracy to Democracy, he was then on leave from the Nepal government serving with the IDRC in Ottawa.&nbsp; He had already served as Nepal’s Finance Secretary at age 25, went on to be Finance Minister and Governor of Nepal Rastra Bank. He was already younger than some of the GenZ ministers in Nepal’s present RSP government. Thapa, now 89, was at the launch of the book in February which was attended by former diplomats and bureaucrats. After speeches by panelists, there was a question from the audience about how Thapa had managed to be the diplomat he was, managing Nepal’s international relations on the world stage.&nbsp; Writer and journalist Akhilesh Upadhyay, who was moderating the panel, responded by going into the section of the book where we see Thapa as an ambassador to the US, playing tennis with White House officials, cultivating a network of contacts to project the identity and welfare of Nepal, and making it possible for a state visit by King Birendra to Ronald Reagan’s America. The book is full of anecdotes that suggest Thapa was a clever and strategic diplomat, always calm and unruffled, easily making friends in high places with his maturity and engaging sense of humour. Thapa’s memoir is heavy on details about Nepal’s administrative history during the years he was active in public service, serving as minister and ambassador under three kings: Mahendra, Birendra and Gyanendra, and alongside five prime ministers.&nbsp; Aside from an insider look on how certain treaties, development deals and research projects in Nepal came into fruition, Thapa goes into great detail about his personal and professional relationships with the kings, ministers, ambassadors, foreign leaders and politicians.&nbsp; As a reader, one is struck by the level of detail around the events that unfolded in Nepal over the years during Thapa’s tenure. Was Thapa recording a journal over the years of the events and the conversations that transpired, or were they committed to his phenomenal memory? Either way, the reader gets a glimpse of Nepal’s recent history from the early days of the Panchayat, through the People’s Movement and the democracy period, the Maoist insurgency, Royal Palace massacre of 2001, and Gyanendra’s coup of 2005.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2026041204048_125dc8ae300a1e33124f394abe724d42727f83e067b0201d2008b58d60c459a4.jpg" data-media-id="editor_0" data-image-id="2026041204048_125dc8ae300a1e33124f394abe724d42727f83e067b0201d2008b58d60c459a4" data-rendition-name="original" width="1584" height="1000" loading="lazy" alt="How to win friends and influence nations NT"> </figure>  Not enough is said about the political parties of the time whose presence led to the way Nepal’s multiparty democracy came to be shaped. The book keeps its focus on the administration and the key figures around it, mostly those in the Panchayat era. Towards the second half of the book, we do start to hear about political parties, but not in great depth. Another figure whose presence in the book is conspicuously less prominent is that of his wife, Rita Thapa — the person who seems to have rescued him every time financial quandary or family care became a challenge. Yet, we do not see her as a full person. Perhaps because of the personal tragedies in his life, the children are also barely mentioned.&nbsp; The book is therefore less personal and more technical. Throughout, we learn about Thapa’s thinking as he navigated the world of diplomacy to win him the trust of those who mattered. There are tips here for a new generation of Nepali officials and diplomats about how much commitment and focus is needed to be good at one’s job and serve the national interest. This book adds to tomes that have been written on Nepal’s fragile relationship with India. ‘India has always wished for Nepal to remain dependent on it,’ writes Thapa, who served as Nepal’s ambassador to India and later in the Eminent Persons Group &nbsp;on Indo-Nepal relations that has been allowed to languish. The book has several insights into the Indo-Nepal trysts with diplomacy and agency.&nbsp; China’s role is also recorded, viewed through conversations during a visit to Beijing, but all that was before Nepal’s neighbour to the north emerged as a world economic and military power. The book also has such sudden instances of quirkiness and humour. For instance, we see a young Thapa in America explaining to a government official why he would like to return to Nepal instead of settling down in the US. “Because, Nepal is beautiful,” he said. The text is immaculate and does not read much like a translation, credit for which clearly goes to the team that put the edition together: translator Prawin Adhikari, &nbsp;Anagha Neelakanthan and Bhekh Thapa’s daughter, Manjushree. As Nepal enters a new era of governance and diplomacy, A Life in Public Service: Nepal from Autocracy to Democracy should be essential reading for students of political science, economics and foreign affairs who can gain a fresh perspective on the country’s trajectory.&nbsp; There are dozens of forgotten state secrets recorded in the book, but the reader must also remember this is a story told from one person’s perspective and there may be others.&nbsp; So, what really made Thapa the diplomat he was? I met him in 2004 at the Kantipur TV studio when he was serving as king Gyanendra’s foreign minister. He was there for a studio interview, and I was just done with my English newscast.&nbsp; He surprised me at the door: “Pratibha! I’ve been reading your articles in The Kathmandu Post. You must keep writing.” I thanked him, glad to have been noticed for my work by a stranger. That was perhaps one of the things that set Thapa apart — he excelled at staying close to those in power, while also noticing those who were not.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20260412040412_213e706136a038ec9f5e2b8c6d7f7c1e9ceed9479e22fe2884872ad7bd20955f.jpg" data-media-id="editor_1" data-image-id="20260412040412_213e706136a038ec9f5e2b8c6d7f7c1e9ceed9479e22fe2884872ad7bd20955f" data-rendition-name="original" width="1136" height="702" loading="lazy" alt="Book details"> </figure>

How to win friends and influence nations

Prime Minister Balendra Shah on Wednesday broke tradition and met with 17 foreign envoys collectively, a move that was a notable departure from how his predecessors operated.&nbsp;
Shah had already set himself apart by talking less, listening more, and delegating to trusted friends. But by meeting all ambassadors at one go in the presence of the Foreign Ministry, he signalled a paradigm shift in how he wants Nepal to be seen: no longer just balancing India and China, but as a country confident about its <a href="https://nepalitimes.com/opinion/guest-editorial/tripolar-contestation-over-nepal">strategic importance and place in the world</a>.
In just two weeks, the <a href="https://nepalitimes.com/news/rsp-dos-and-don-ts">RSP has sprung into action </a>on multiple fronts to implement its ambitious 100-point, 100-days action plan. It has taken short-term measures to mitigate the impact of the Gulf war, as well as medium- and long- term measures to streamline the bureaucracy. A few high-profile figures have been made examples of to drive the message home.
Earlier this week, the government recalled six politically appointed ambassadors, the most notable being long-serving Shankar Sharma from New Delhi. The Kathmandu District Court issued arrest warrants against former prime minister Sher Bahadur Deuba and his former foreign minister wife Arzu Rana on charges of money laundering and corruption.
Each ministry has been trying to clean up the accumulated rot from the past three decades: regulatory overhaul of microfinance, education, health and service delivery.&nbsp;
These actions widely disseminated campaign-style on YouTube and TikTok have made most Nepalis hopeful that the party they installed in power means business.
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BACKLASH
But such attempts to overhaul a long-entrenched political culture were bound to face backlash. In their impatience and enthusiasm to get things done, some of Prime Minister Shah’s ministers have over-reached.
It was common knowledge that government-paid advertising in the mainstream press was kickback-driven, but the PMO’s directive that official notices be published or broadcast only on state-run media has been denounced — especially as the media industry struggles to stay afloat.
More serious are some recent appointments by ministers of relatives and figures closely associated with the RSP to key positions. This has rankled because this party built its political plank on ending nepotism and graft.&nbsp;
News that Home Minister Sudan Gurung allegedly had not paid rent on leased land, which illegally encroached on the lake in Pokhara did not help. &nbsp;
Prime Minister Shah himself has come under scrutiny for appointing a kitchen cabinet full of male buddies from his time as Kathmandu mayor. To douse criticism he brought in as adviser investigative journalist Deepa Dahal, who has exposed corruption in high places of the previous coalitions.&nbsp;
Shah’s appointment of another political adviser Asim Shah to the head Constitution Amendment Task Force, is also seen as problematic. He is a filmmaker and former lawmaker, but does not have a background in constitutional law.&nbsp;
Even more controversial is the Cabinet’s decision to appoint RSP Chair Rabi Lamichhane’s legal counsel, Narayan Kandel, as Attorney General. Kandel used to be a UK permanent resident, and does not have as much experience practicing law in Nepal.&nbsp;
Kandel’s appointment drew flak and raised eyebrows, and with the pending legal cases against Lamichhane this appointment represents a flagrant conflict of interest.
Health Minister Nisha Mehta was also accused of favouritism after reappointing Junu Shrestha, wife of Labour Minister Dipak Kumar Shah, as member of the Health Insurance Board which had earlier suspended her. The Labour Minister’s rambling rant at the Board’s meeting on Tuesday has not helped the RSP’s image.&nbsp;
(UPDATE: On Thursday, Prime Minister Shah sacked the Labour Minister after the RSP found him in breach of the party's code of conduct and discipline. He served 14 days in the Cabinet, one of the shortest tenures for a minister in Nepal )
It is hard to know what <a href="https://nepalitimes.com/news/ball-in-balen-s-court">Balendra Shah is thinking</a>, and how Rabi Lamichhane is going to justify some of these moves. After all, making politics, governance, and bureaucracy a meritocracy has been the core tenet of the RSP, and it risks alienating its mainly youth base if these missteps persist.
But at least for now, most RSP supporters seem to be giving the party the benefit of doubt.

passion-for-art

The world of a working artist

Galaxy A series

Know your Ministers

How to win friends and influence nations

Nepal’s new government springs into action