<figure><img width="1000" height="720" src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221114101124/637209a29c7e80680e0b5553jpeg.jpg" alt=""/><figcaption>Devi Sunar and her adopted daughter Maina in front of the picture of Devi’s late daughter Maina who was only 14 when she was tortured and killed by the Royal Nepal Army. Photo: GULIGO JIA.</figcaption></figure>These days, every other day seems like an anniversary of one of the more famous crimes committed during the insurgency years. Today marks 18 years since 14-year-old Maina Sunar was <a href="http://archive.nepalitimes.com/blogs/thebrief/2015/02/17/remembering-maina/">detained and murdered by the Royal Nepal Army</a> in Panchkhal of Kavre District.At the peak of the Maoist War, Maina’s case became a symbol of the human rights violations perpetrated by both sides in the decade-long conflict. Nearly two decades later, her mother Devi is <a href="http://archive.nepalitimes.com/blogs/thebrief/2013/02/16/still-waiting/">still fighting for justice</a> for the extrajudicial killing of her daughter.Unable to access official channels, Devi has written an open letter asking Prime Minister Sher Bahadur Deuba to uphold rule of law and respect the Court’s decision.'My daughter would have been 33 this year. I had many dreams for her, as I am sure you do too about your son. Everything was robbed from me and my family. Although I won’t be able to bring my daughter back, and nothing could repair that loss, I want to see those responsible brought to justice,' the letter reads.Read also: <a href="https://www.nepalitimes.com/latest/nepals-unpunished-war-crimes/">Nepal's unpunished war crimes</a>, Sabita AdhikariShe continues: 'This will give a sense of security and hope, not only to me and my family, but also to hundreds of victims who suffered from similar losses during the armed conflict.'On 17 February 2004, an army patrol looking for Devi detained Maina and her brother for interrogation as a suspected Maoist. Soon after, she disappeared, never to return. Her brother was however sent back. For three years, Sunar’s family kept looking for Maina, having known that she was taken by the soldiers. <img width="400" height="406" src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221114101124/637209a49c7e80680e0b5554jpeg.jpg" alt="">It was later revealed that Maina was <a href="http://archive.nepalitimes.com/issue/313/FromtheNepaliPress/12418#.Yg5Dse5Bz0s">electrocuted to death</a> on the same night as retribution for her mother Devi’s vocal criticism of the Army’s involvement in the murder of her niece, Reena Rasaili, accused of being a Maoist supporter.Under pressure from international rights groups, the Army set up a <a href="http://archive.nepalitimes.com/news.php?id=9966#.Yg5DxO5Bz0s">court of inquiry</a> to investigate the incident and the accused Colonel Bobby Khatri, Captain Sunil Prasad Adhikari and Amit Pun were sentenced to six months imprisonment, fined Rs50,000 and faced a ban on future promotions.But Devi did not think the punishment was commensurate with the crime and filed a case in the civil court. During this time, with help from the National Human Rights Commission (NHRC) and the United Nations Office of the High Commissioner for Human Rights (UNOHCHR), Maina’s body was exhumed from Panchkhal barracks.On 16 April 2017, after a thirteen-year-long legal battle, the District Court Kavre found three army officers guilty of murdering Maina but they have not been arrested or punished.Read also: <a href="https://www.nepalitimes.com/latest/still-missing-but-not-forgotten/">Still looking for dad missing in Nepa</a>l, Anita BhetwalIn her letter, Devi has questioned the existence of two commissions set up to investigate war crimes, the Disappearance Commission and the <a href="http://archive.nepalitimes.com/article/nation/conflict-victims-fear-TRC-only-serves-interests-of-state,2042">Truth and Reconciliation Commission</a> that have little to show in the way of delivering transitional justice.In fact, successive governments made up of former enemies the state has used the commissions to do their bidding and cover up their war crimes. Moreover, the Supreme Court’s order to amend the Transitional Justice Act mechanism is yet to be implemented.'Dear Prime Minister, I have promised my daughter that unless I bring those perpetrators to justice, I won’t rest. The remains of my daughter are still in the Teaching Hospital, and I am not able to perform her last rituals pending the implementation of the court’s decision,' concludes the letter. 'I am waiting to see your commitment to protecting victims instead of perpetrators and respecting court orders to ensure the rule of law in the country.'Read more: <a href="http://archive.nepalitimes.com/news.php?id=16781#.Yg5HPu5Bz0s">Open Wounds</a>, Mallika Aryal

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'She would have been 33 this year'

<figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/2022110813114/636a46529c7e80680e04d3d0jpeg.jpg" alt="" width="1500" height="1000"/><figcaption>'Comrade Pratista, 14, dances to the tune of a revolutionary song at a Maoist mass rally in Dang in 2001 during a Dasain ceasefire. Photo: TAKAAKI YAGISAWA/A PEOPLE WAR</figcaption></figure>Men and women in unisex combat fatigues dance energetically on stage. Their modernistic, martial moves would not look out of place in a tv reality show. But the lyrics tell a different story:It is time to sharpenthe shining khukri againThis YouTube video clip shows members of the Samana Cultural Group affiliated with the Biplav faction continuing where the mainstream Maoist party left off after the ceasefire in 2006.https://www.youtube.com/watch?v=Vpqh0qAN72sSongs like these were hits during the insurgency, when Maoist propaganda units toured the country performing and mustering public support for the revolution. In many places, it worked.But even though Nepal has gone from war to peace, from <a href="https://archive.nepalitimes.com/article/nation/nepal-from-royal-to-republic,3736" target="_blank" rel="noopener noreferrer">monarchy to republic</a>, and many of the performers have either migrated for work overseas or turned to other professions, members of the <a href="https://www.nepalitimes.com/here-now/its-a-crime-not-to-call-it-terrorism/" target="_blank" rel="noopener noreferrer">Biplav faction</a> are still singing to show that the revolution continues.The tradition of revolutionary songs did not begin with the Maoists. Ranudevi Adhikari, the first female voice on radio, sang songs against the <a href="https://archive.nepalitimes.com/article/Nepali-Times-Buzz/the-rana-reign-a-recap-of-history,3751" target="_blank" rel="noopener noreferrer">Rana regime </a>that were broadcast from clandestine stations in 1949. One of them went:                Nepali, Nepali,                Let’s march forward                with the flag of revolution in our handsThe genre came to be known as janabadi, and the songs were revived during the Panchayat when four youngsters, Raamesh, Raayan, <a href="http://archive.nepalitimes.com/news.php?id=3643#.XQtmIhYzaUk" target="_blank" rel="noopener noreferrer">Manjul </a>and Arim, established a group called Ralfa.“At the time, the only songs were about love, not about the harsh life of poor people,” remembers Raayan, who today heads the Nepal Academy of Music and Dance. “Our intention was to bring awareness and to change society through music.”https://www.youtube.com/watch?v=2UMN8Sm9H-sThe group went on to create rousing songs like <a href="http://archive.nepalitimes.com/news.php?id=868#.XQtmIxYzaUk" target="_blank" rel="noopener noreferrer">Gaun Gaun Bata Utha</a> and Gariba ko Chameli, and toured Nepal singing songs protesting against the Panchayat regime and establishing the pragatishil genre, which shares many features with protest music worldwide.The lyrics mainly dealt with social inequities and injustice. The music was often martial and easy to repeat and understand because it was based on simple folk tunes. When performed as dances, the songs were deliberately non-sexual, featuring uniformed men and women.https://www.youtube.com/watch?v=Mm-NhAb2XRAThe tunes were instrumental in the success of the anti-Panchayat people’s movement of 1990 and the 2006 anti-monarchy protests. During the 1996-2006 insurgency, the messages focused on injustice and an exhortation to rise up and fight. There were krantikari (revolutionary) songs eulogising courage on the battlefield and mournful ones about martyrs.“The function of revolutionary songs was to recruit people to the revolutionary cause, and to rally the people,” recalls Mani Thapa (video below), who headed a Maoist cultural group. “They were relevant at a particular moment in history, and we don’t really sing such battle-ready songs anymore.”https://www.youtube.com/watch?v=3UnxO2TAn_QMany of the songs are now lost because they were never recorded, but also because the cause dissipated after the war. Writer and music analyst Raman Ghimire believes this is the fate of all revolutionary songs: “They are associated with a particular ideology and are only relevant as long as the movement needs them. They are never going to be popular in the mainstream.”The Maoist party’s cultural wing attracted many talented lyricists, composers and singers, but it was later dismantled. “After the ceasefire we had intense debate about which way we should go, towards peace or towards another revolution (shanti ki kranti),” remembers Laxmi Gurung (video below) who joined the Maoists out of revenge after her leftist father was disappeared by state security and her husband killed. It is her voice in dozens of revolutionary songs, including Rana Maidan Ma, in which a line says, ‘the lives of brave warriors bloom in the battlefield’.https://youtu.be/zZRtHbEGuDYLaxmi Gurung (above) joined the Maoists after her father and husband were killed. She did vocals for dozens of revolutionary songs.“More bloodshed will not be good for the country,” says Gurung now, adding that it is hard to survive as a singer in peacetime. Other members of her troupe have chosen other paths  too. Mani Thapa became a politician, while Maila Lama (video below) who sang songs exhorting guerrillas to battle, has joined the Biplov faction.Pragati Mahara of the Maoist Pratirodh Cultural Group today sings songs about social ills and transformation. “The songs about battles are a part of history,” says Mahara. “Now that our revolution is over, we are more focused on the need of the day.”https://www.youtube.com/watch?v=tfkOcWj7TJoMeanwhile, the original Ralfa generation is still active, perhaps more so than the Maoists who came after them. But even they have distanced themselves from politics. As head of a government institution, Raayan is focused on promoting Nepal’s folk art.Raamesh also shuns political affiliations, even though Ralfa’s songs were used by many political movements: first against the Panchayat, then by the Maoists, who saw them as precursors to their own revolutionary songs, and finally by political parties during the 2006 anti-monarchy protests.Raamesh is now more active as a children’s song creator. “We sing people’s songs, which speak up for the poor and disenfranchised. If anyone wants to use them for a good cause, they are welcome. But using it for vested political interests is a crime,” he says.Unlike Maoist songs, Ralfa’s numbers are evergreen because they speak of the larger causes of justice and equality. There is a lesson there in what makes a song endure, while others disappear.Jeevan Sharma, who established the Raktim Cultural Group, is among the few revolutionary singers who has gone mainstream. “The people always need a voice, and songs that speak truth to power. If they do that, songs do not need to be associated with any political party – they can have a life of their own.”Sharma’s own song of the life of the disenfranchised, Simali Chhaya ma Basera, has that long shelf-life.https://www.youtube.com/watch?v=Izb4dfqUt1ISince the Raktim Cultural Group was associated with the NCP Masaal led by Mohan Bikram Singh, Sharma’s songs were unofficially banned during the monarchy days and the composer himself was semi-underground during the Panchayat and the war years.Ironically the Maoists, who once promoted revolutionary songs, are today <a href="https://www.nepalitimes.com/opinion/creeping-control-over-the-press-in-nepal/" target="_blank" rel="noopener noreferrer">cracking down</a> on protest songs. Those who claimed to speak for people’s rights now try to ban songs like Pashupati Sharma’s Lutna Sake Loot.Raamesh himself is still writing songs, and his latest shows the fire has not gone out:                A great storm arose                To raise the fallen head of justice                Their deceitful face is now clear                Now we know they are regressive<figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/2022110813114/636a46559c7e80680e04d3d1jpeg.jpg" alt="" width="1500" height="985"><figcaption> </figcaption></figure><h2>Laxmi Gurung's wartime memories in pictures</h2><figure class="gallery-item"><a href="https://www.nepalitimes.com/wp-content/uploads/2019/06/laxmi-gurung-with-purna-gharti-another-revolutionary-artist.jpg" data-elementor-open-lightbox="default" data-elementor-lightbox-slideshow="55de498"><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/2022110813114/636a46589c7e80680e04d3d2jpeg.jpg" alt="" width="150" height="100" aria-describedby="gallery-1-28728"></a><figcaption id="gallery-1-28728" class="wp-caption-text gallery-caption">Laxmi Gurung with another revolutionary singer</figcaption></figure><figure class="gallery-item"><a href="https://www.nepalitimes.com/wp-content/uploads/2019/06/laxmi-gurung-with-sita-acharya-and-other-party-cadres.jpg" data-elementor-open-lightbox="default" data-elementor-lightbox-slideshow="55de498"><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/2022110813114/636a465b9c7e80680e04d3d3jpeg.jpg" alt="" width="150" height="108" aria-describedby="gallery-1-28729"></a><figcaption id="gallery-1-28729" class="wp-caption-text gallery-caption">laxmi gurung with Maoist singer Sita Acharya and other party cadres</figcaption></figure><figure class="gallery-item"><a href="https://www.nepalitimes.com/wp-content/uploads/2019/06/laxmi-gurung-is-welcomed-with-flowers-at-a-village-during-her-campaign-as-a-revolutionary-singer.jpg" data-elementor-open-lightbox="default" data-elementor-lightbox-slideshow="55de498"><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/2022110813114/636a465f9c7e80680e04d3d4jpeg.jpg" alt="" width="150" height="101" aria-describedby="gallery-1-28732"></a><figcaption id="gallery-1-28732" class="wp-caption-text gallery-caption">laxmi gurung is welcomed with flowers at a village</figcaption></figure><figure class="gallery-item"><a href="https://www.nepalitimes.com/wp-content/uploads/2019/06/laxmi-gurung-during-the-Maoist-era.jpg" data-elementor-open-lightbox="default" data-elementor-lightbox-slideshow="55de498"><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/2022110813114/636a46629c7e80680e04d3d5jpeg.jpg" alt="" width="150" height="101" aria-describedby="gallery-1-28733"></a><figcaption id="gallery-1-28733" class="wp-caption-text gallery-caption">Laxmi Gurung during her days as a member of Maoist Cultural troupe</figcaption></figure><figure class="gallery-item"><a href="https://www.nepalitimes.com/wp-content/uploads/2019/06/laxmi-gurung-with-maila-lama-a-revolutionary-artist-who-is-with-biplov-faction-today-1.jpg" data-elementor-open-lightbox="default" data-elementor-lightbox-slideshow="55de498"><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/2022110813114/636a46669c7e80680e04d3d6jpeg.jpg" alt="" width="150" height="97" aria-describedby="gallery-1-28734"></a><figcaption id="gallery-1-28734" class="wp-caption-text gallery-caption">laxmi Gurung with Maila Lama, a Maoist ]artist who is with Biplov faction today</figcaption></figure><figure class="gallery-item"><a href="https://www.nepalitimes.com/wp-content/uploads/2019/06/laxmi-gurung-with-sita-acharya-another-revolutionary-singer.jpg" data-elementor-open-lightbox="default" data-elementor-lightbox-slideshow="55de498"><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/2022110813114/636a46689c7e80680e04d3d7jpeg.jpg" alt="" width="150" height="103" aria-describedby="gallery-1-28730"></a><figcaption id="gallery-1-28730" class="wp-caption-text gallery-caption">Laxmi Gurung with Sita Acharya, a prominent member of Samana Cultural Group</figcaption></figure>Read also: <a style="text-indent: -15pt; background-color: #ffffff; letter-spacing: 0.01em;" href="http://archive.nepalitimes.com/issue/350/Nation/13572#.XQtlIBYzaUk">Voice of the party</a>, Govinda Luitel

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Still dancing and singing for Nepal revolution

<figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221107171148/636937a39c7e80680e03fe4djpeg.jpg" alt="" width="1400" height="932"/><figcaption>Photo: THE TULIP</figcaption></figure>Greta Rana’s Hostage follows a simple Tharu man, Hari Prasad Mahato, in his journey for work in the Gulf. It is fiction, but might as well be fact – as we speak, these stories are happening to thousands of Nepali migrant workers.Hari is a boatman on the Rapti River, but yearns for a future in Qatar so he can earn enough money to redeem his debt to the landlord, and pay for his children’s school fees. We are introduced to Siva Bahadur, a young <a style="letter-spacing: 0.15px; background-color: #ffffff;" href="https://nepalitimes.atavist.com/ex-minor-ex-maoists" target="_blank" rel="noopener">Maoist</a> and his story provides a backdrop of the insurgency to the book. Again, Siva's story was repeated many thousands of times during <a style="letter-spacing: 0.15px; background-color: #ffffff;" href="https://www.nepalitimes.com/banner/forgotten-people-of-the-peoples-war/" target="_blank" rel="noopener">Nepal’s ten-year</a> war. Multiple plot twists lead Siva to the Gulf as well, where Hari and Siva end up as roommates. Siva was a young, boisterous young man whose loquacity often annoyed Hari, who was focused on his goal of saving enough.<img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221107171148/636937a69c7e80680e03fe4ejpeg.jpg" alt="" width="200" height="174">Three years pass by in one sentence, and one would have expected the author to dwell a little more on Siva and Hari's relationship after the energy she puts into developing both individual characters in the beginning.Greta Rana employs an informal tone throughout the book, and lets the characters’ thoughts and feelings propound the social injustices that drove them away from Nepal. Frustration about <a style="background-color: #ffffff; letter-spacing: 0.15px;" href="https://archive.nepalitimes.com/article/interview/corruption-and-democratic-decay,4144" target="_blank" rel="noopener">corruption</a> and exploitation burst through the pages, as characters dream of a better future for themselves, their families and the nation – all amidst the background of the dispiriting and unjust reality of home. The story line delves into the political ideologies of communism and extremism, and how individuals seek redress to inequality and discrimination.Read also: <a href="https://www.nepalitimes.com/review/shared-stories-shattered-dreams/" target="_blank" rel="noopener">Shared stories, shattered dreams</a>, Sonia Awale<figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221107171148/636937a79c7e80680e03fe4fjpeg.jpg" alt="" width="500" height="624"><figcaption> </figcaption></figure>Despite the strong plot and grim backdrop, the narration is passive, missing the passion that should be there to add depth and texture to the story. Crucial events like Hari’s first job and his relationship with Siva are described to us, rather than letting the protagonists show us through their actions. Like all discussion on ideology, the paragraphs go on a bit and seem detached from the characters’ experiences. The climax is frightening, but we do not quite get to the fears, terrors and significant tensions which arise.Read also:<a style="background-color: #ffffff; font-size: 15px; letter-spacing: 0.01em;" href="https://www.nepalitimes.com/opinion/changing-the-headlines-on-migration/" target="_blank" rel="noopener">Changing the headlines on migration</a>, Upasana Khadka<a style="letter-spacing: 0.01em; font-weight: bold; background-color: #ffffff; font-size: 15px;" href="https://www.nepalitimes.com/here-now/labour-pain/" target="_blank" rel="noopener">Labour Pain</a>, Om Astha RaiThe diversity of characters, however, is well-developed. Even though Hari and Siva’s disconnect makes us wonder if their two stories had to be told in the same narrative, the counterpoint between a simple Tharu villager to a Maoist rebel, corrupt Nepali politicians and Arabian lawyers keeps the story taut.The women are especially strong: Hari’s soft-spoken wife Jamuna, his intelligent and hard-working daughter Subhadra, or the politically progressive and astute Anjeli, Greta Rana’s women demonstrate strength as well as wisdom.Hari Prasad’s trajectory does depart from the general experience of most Nepali migrant workers -- especially with the twist in the climax that gives Hostage a distinct fictional flavour. To readers familiar with the contemporary exodus of young Nepalis, Hostage reinforces familiar tales of injustice that drive them away and is a one-sit read that could be a modern English version of Lil Bahadur Chhetri’s Nepali classic, Basain.

A hostage situation

<img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221107171112/63692eb69c7e80680e03c068jpeg.jpg" alt="" width="1500" height="1125"/>Books are scattered around in a dark room, an earthen pot lies shattered to pieces, and clothes litter the floor. The sound of crickets chirping and a woman sobbing add to the eerie atmosphere. This is an installation at Nepal Art Council, recreating the room of a woman who was forcibly detained and raped by the security forces during the 1996-2006 war.It is part of an exhibition titled Memory, Truth, and Justice organised by Voices of Women Media and Conflict Victims Common Platform, which shares stories of more than 100 victims from both sides of the conflict. Some are audio-visual testimonies, there are photographs while others are artistic re-creations.“We wanted to bring these stories out because we realised that everyone was forgetting the war,” explains project manager Bikkil Sthapit. “The government and leaders are not doing anything. And even for family members of those killed and disappeared, memories are fading. Justice is being forgotten. We wanted to record these memories before they are totally gone, inform the public and advocate for justice.”Read also: <a href="http://archive.nepalitimes.com/article/nation/No-justice-yet-for-the-victims-of-peoples-war,2984" target="_blank" rel="noopener">“How many times do we need to share our story?”,</a> Seulki Lee<a href="https://www.nepalitimes.com/here-now/just-not-justice/">Just not justice</a>, Om Astha Rai<a style="background-color: #ffffff; font-size: 15px; letter-spacing: 0.01em;" href="http://archive.nepalitimes.com/news.php?id=10616#.W7X4vnszbIU" target="_blank" rel="noopener">The ten year war</a> cost 17,886 lives, 1,530 were forcibly disappeared, 8,191 were maimed, millions were displaced. The conflict left deep physical and psychological scars on individuals, families and society. Like most wars, many of the victims were civilians. Innocent bystanders lost their limbs in bus bombs, girls and women were subjected to sexual violence, suspects were tortured, former child soldiers sacrificed their childhood and are now abandoned.Conflict victims and family members have lent items they have preserved lovingly: a shirt bought from first salary, letters smuggled in with noodle packets. These items present victims’ stories with an urgency and immediacy that is lacking in the numbing statistics of war. The first person accounts, often graphic and intense, can be very hard to watch and listen to.“The exhibition reminds us that we should be ashamed that so little has been done for the justice of conflict victims,” says Prakash Wasti of the National Human Rights Commission. “These issues do not belong to the 100 people whose stories are represented here, but to the whole country.”Memory, Truth, and JusticeNepal Art Council Until 6 OctoberRead also: <a href="https://www.nepalitimes.com/here-now/its-all-in-the-mind/" target="_blank" rel="noopener">It's all in the mind</a>, Sonia Awale<a style="background-color: #ffffff; font-size: 15px; letter-spacing: 0.01em;" href="https://www.nepalitimes.com/banner/the-art-of-healing/" target="_blank" rel="noopener">The art of healing</a>, Sewa Bhattarai<h2>Sharmila Chaudhary, Dang​</h2> Sharmila is the mother of Jagi Ram Chaudhary, a Kamaiya who was disappeared at the age of 17."I still put some food for my son in this plate before I eat any meal. Though he was disappeared 16 years ago, I still hope that one day he will come back to eat what I serve."Read also:<a href="https://www.nepalitimes.com/banner/doors-closed/" target="_blank" rel="noopener"> Doors closed</a>, Om Astha Rai<a style="background-color: #ffffff; font-size: 15px; letter-spacing: 0.01em;" href="http://archive.nepalitimes.com/article/nation/children-of-maoist-conflict-in-nepal,1694" target="_blank" rel="noopener">Children of war,</a> Kunda Dixit<img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221107171112/63692eb99c7e80680e03c069jpeg.jpg" alt="" width="640" height="636"><h2>Shova Rayamajhi, Nuwakot</h2><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221107171112/63692ebd9c7e80680e03c06ajpeg.jpg" alt="" width="640" height="427"><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221107171112/63692ec09c7e80680e03c06bjpeg.jpg" alt="" width="640" height="427"><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221107171112/63692ec39c7e80680e03c06cjpeg.jpg" alt="" width="300" height="288">Shova Rayamajhi was 11 when she was given a gun to fight for a cause she did not understand. After the war, the UN Mission to Nepal (UNMIN) verified a total of 4,008 minors and ‘disqualified’ them from compensation. She missed out on education, even though she fought for the rights of the oppressed. She is now an activist demanding rights for child soldiers like her. The government had earmarked Rs 200,000 for child soldiers so they could reassimilate into society. A writ petition was filed against the decision which the Court stayed.Read also: <a href="https://nepalitimes.atavist.com/ex-minor-ex-maoists">Ex-minor ex-Maoist</a>, Om Astha Rai<figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221107171112/63692ec49c7e80680e03c06djpeg.jpg" alt="" width="5472" height="3648"><figcaption> </figcaption></figure><h2>Sandip Pun, Rukum</h2>Sandip's parents, Surya Prakash Pun and Parampara Gautam, were Maoists and were killed by the army. Parampara wrote this in her diary the day she left home. Sandip has treasured the diaries, but has never turned the pages to read them himself.The day I left my son behind(My son), a piece of heart holds me close.I tell him I am going to bring him some grapes. Son, I give him a loving kiss on the cheek and tell him I am leaving.On the way my mind and body are both unwell. My mind is not in its place. How can I leave the little one behind and travel to village after village. All these things trouble my heart.The bus continued at its speed. I was feeling dizzy. My head was aching. I do not feel like eating anything.When I see bunches of grapes somewhere. Suddenly I am reminded of my son and my heart was troubled anew.It’s ok, I hope my son lives. One day we will surely meet.- 1999/ 6/ 18, Paru<img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221107171112/63692ec89c7e80680e03c06ejpeg.jpg" alt="" width="640" height="639"><h2>Krishna Ghising, Dolakha</h2><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221107171112/63692ecc9c7e80680e03c06fjpeg.jpg" alt="" width="1920" height="1080">Even today, I get scared every time I hear a certain kind of music. There was music playing when I gained consciousness after 19 days in a coma. It was a radio jingle which played during intervals of news bulletins of Radio Nepal.I had gone to my village to make my passport with a dream of going to Korea. On the way back to Kathmandu, our bus was moving slowly when there was an explosion. Some passengers died on the spot, the injured were taken to hospital. I survived, but over half my body was paralysed because of a spinal injury. All my dreams were shattered.I left the hospital in a wheelchair after nine months. It was a difficult time. When I was in the ambulance, I felt like I was carrying my own corpse.I wanted make my son a famous person one day. The conflict made me incapable of looking after myself, who cannot move without the help of others.Perhaps, it would not have been so much pain if I was born disabled. But we were made disabled. It is the duty of the state to take care of us. Instead, they humiliate us. I have spent 15 years in a wheelchair now. This is my second life. I don’t know how long this one will last.Read also: <a style="background-color: #ffffff; letter-spacing: 0.01em;" href="http://archive.nepalitimes.com/article/nation/psychological-scars-of-maoist-conflict-on-young-survivors-take-longer-to-heal,1519">Post-conflict stress syndrome</a>, Taylor Caldwell<a href="https://archive.nepalitimes.com/article/nation/the-spark-that-lit-the-Maoist-revolution,2870"> </a><a href="https://archive.nepalitimes.com/article/nation/the-spark-that-lit-the-Maoist-revolution,2870">What the people think about the ‘People’s War</a>’, Seulki Lee

Remembering not to forget the people's war

The monsoon has got bad press because Nepal’s tourism operators actively told visitors to avoid <a href="https://nepalitimes.com/opinion/managing-the-monsoon?%2F">the rainy season</a>. It is time to change that. The reason can be found right here in the vast alpine meadows of Central Nepal where this time of year you can walk on velvet grass of pastures abloom with delicate pink, red and yellow flowers as the mist rolls up the valley. There is no sound except the hum of bumble bees. &nbsp;&nbsp; There are dozens of places across high Nepal called Chaurikharka, which means yak pasture. But this particular Chaurikharka in Rukum East located at an altitude of 4,000m stands out for its serene beauty, rustic charm and bucolic setting. There is just the occasional chime of <a href="https://nepalitimes.com/here-now/when-yaks-go-so-does-culture">yak bells</a> in the distance, and the sharp whistle of herders corralling sheep. &nbsp;&nbsp; The grass shoots are so fragile that one hesitates to step on them, the rounded ridges appear and quickly vanish in waves of mist. With the<a href="https://nepalitimes.com/here-now/before-the-next-monsoon"> arrival of monsoon</a>, these meadows are a soothing shade of green dotted with millions of <a href="https://nepalitimes.com/review/the-anatomy-of-a-flower?%2F=">multi-coloured flowers</a>. Until very recently, it took a week or so to hike up to places like Chaurikharka, but with the expansion of the road network even to these far-flung mountains in the lap of Dhaulagiri, they are much more accessible. It is just a three-hour uphill from the Mid-Hill Highway on the border between Baglung and Rukum East.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250802130828_a0b06b494d751b2144ffbbf10894ea64b29e8aed844bc8c66171783abfaf4e16.jpg" data-media-id="editor_4" data-image-id="20250802130828_a0b06b494d751b2144ffbbf10894ea64b29e8aed844bc8c66171783abfaf4e16" data-rendition-name="original" width="2048" height="1365" loading="lazy" alt="Visit Nepal in the monsoon"> </figure>  Purists would say that such easy access devalues the sanctity of these remote high meadows, but it also means more people will be moved to treasure the experience, appreciate <a href="https://nepalitimes.com/banner/natures-fragile-gift-to-nepal">the value of nature </a>so they can take steps to protect it.&nbsp; To be sure, the <a href="https://nepalitimes.com/here-now/deadly-monsoon-in-nepal-turns-deadlier">monsoon season can be challenging for road travel</a>. The roads are rough even at the best of times, and in the monsoon they become muddy and treacherous, often blocked by<a href="https://nepalitimes.com/news/monsoon-deluge-in-nepal"> landslides</a>. But that could be precisely the kind of adventure that the more intrepid visitors crave. Improved road connectivity has already made Chaurikharka and places like Badimallika &nbsp;and other sacred lakes in the mountains of western Nepal popular with domestic tourists. What is driving this traffic is the urge to go to exotic new places and share videos and selfies on social media. Several of Nepal’s travel vloggers have visited Chaurikharka and popularised the place, enticing followers on TikTok or YouTube to retrace their footsteps. But even as they become more popular, these fragile and once-remote places should be protected from over-tourism.&nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250731110736_f97110b7cdc3e7f80d5877690948fc9f4c95a09c583deb23b07355491e6c5446.jpg" data-media-id="editor_8" data-image-id="20250731110736_f97110b7cdc3e7f80d5877690948fc9f4c95a09c583deb23b07355491e6c5446" data-rendition-name="original" width="1083" height="699" loading="lazy" alt="Visit Nepal in the monsoon NT"> </figure>  <h2>INCREASING FOOTFALL</h2> Chaurikharka is located in Bhume Rural Municipality of East Rukum, near the scenic valley of Dhorpatan in Baglung district. Even in the <a href="https://nepalitimes.com/banner/monsoon-culture">middle of the monsoon</a>, there is a steady stream of Nepali hikers trooping to these high pastures – especially during festival days like Saune Sankranti which this year was on 17 July and actually marks the auspicious beginning of the monsoon here. “This year the rains have not been as heavy and there have been some clear mornings when we could see everything from Dhaulagiri to Machapuchre,” says Khageswar Bhandari, who trekked up here from the road. “The flowers, the greenery and the snowy mountain views make this an incredibly unique place.”&nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250802130824_1b9e26f2e9853fdfe69154bb42a7c9ea6da4bf4940efc1da99b304dcfbd7d3d9.jpg" data-media-id="editor_10" data-image-id="20250802130824_1b9e26f2e9853fdfe69154bb42a7c9ea6da4bf4940efc1da99b304dcfbd7d3d9" data-rendition-name="original" width="2048" height="1152" loading="lazy" alt="Visit Nepal in the monsoon"> </figure>  Chaurikharka is worthwhile to get to in any season, but it has a different charm during the monsoon. Word has spread and because it is now easy to get to from Baglung or even Pokhara, people have been flocking here.&nbsp; “Holidays and Saturdays see the largest crowds, with up to 500 visitors every day,” says ward chair Mankaji Pun of Bhume.&nbsp; There was a time not too long ago when local herders brought sheep, goats, cows, buffaloes, horses, and mules to graze here during the monsoon. Although there are still livestock around, animals have been replaced by visitors taking selfies. Read also: <a href="https://nepalitimes.com/here-now/the-monsoon-and-nature-s-arithmetic">The monsoon, and nature’s arithmetic</a>, Tom Robertson Ward Chair Pun says infrastructure development is his main priority. A foot trail to Chaurikharka was built last year by the Tourism Division Office in Kohalpur, but access via the Raniwas-Koipa road section still remains challenging.&nbsp; “If we get more budget, we can improve the road and facilities to make Chaurikharka the main tourist attraction of this region,” says Bhume Municipality Chair Hom Prakash Shrestha. “After that, we hope to promote Chaurikharka as a top tourist spot.”&nbsp; Economic activity is also picking up with the arrival of visitors, but there seems to be a need to manage the makeshift sheds made of corrugated sheets that spoil the beauty of the place. Tea shops and lodges are also available but facilities are basic. Kuldeep Neupane took a three-day trip from Ghorahi in Dang to visit Chaurikharka recently, and says: “This is an ideal trip to make a quick getaway and let nature recharge your mind and body. And it is much more fun with a tent, to watch the sunrise over the Himalaya or the mist blowing in.”

Visit Nepal in the monsoon

Two weeks ago, Prime Minister KP Sharma Oli announced jubilantly on social media that Nepal had achieved a historic annual growth of 81.8% in exports. He was right. Nepal’s trade did take a great leap forward compared to last year. But the dramatic rise was mainly due to processed soya bean oil.&nbsp; However, Nepal does not produce the edible oil it exports. In fact, the soya and palm oil that make up 44% of total exports are imported from Southeast Asia and South America, and simply re-exported, mostly to India.&nbsp; Under the SAFTA (South Asian Free Trade Area) Agreement, Nepal can export products to India duty-free if it has at least 30% value-added. Nepal’s traders have taken advantage of SAFTA even though the edible oils they export do not reach that value addition threshold. “The 30% value addition requirement is often only on paper,” says former commerce secretary Purushottam Ojha. “It is clear that simply packaging edible oils in Nepal does not fulfil the terms of the trade agreement.” Prime Minister Oli is aware of this, and even called Nepal’s export figures “fake” at an earlier event. The government is relying on other iffy figures to suggest that Nepal’s economy is strong and getting stronger. For example, the value of imports rose by 13.25% in 2024-25 compared to the previous fiscal year.&nbsp; Some of it was due to a jump in electric vehicle imports worth Rs 31.76 billion, but mostly it was because more wholesale soya oil was imported to be re-packaged and sold in India. The very fact that the government boasts about increased imports is an indication of how much it relies on taxing them for revenue. Touting such trade figures cannot be the basis to claim an economic rebound.&nbsp; “A jump in the value of imports can be interpreted as an increase in purchasing power, but it is not evidence of a stronger economy,” says economist Keshav Acharya. “Even though imports have increased, Nepal's domestic production and productive capacity have not improved.” Nepal Rastra Bank's semi-annual economic activity study report shows that industrial production was down in the first six months of the last fiscal year. This despite an increase in the number of new industries registered and investment commitments. Out of the Rs70.2 billion proposed foreign investment, Nepal received only Rs17.9 billion last year.&nbsp; Meanwhile, the rate of capital formation was limited to 24% last year, which is lower than the year before, suggesting that new investment, job creation and economic expansion all declined. If domestic production does not improve in relation to this year’s inflated trade figures, the outflow will put pressure on foreign exchange reserves like it did three years ago. At that time, Nepal borrowed from the IMF under its Extended Credit Facility Program to kickstart the economy.&nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2025080710084_2cdaaa5795828c4a7de93a0604ba884ef0a8b8f24cccd939f6c24e279ab6058f.jpg" data-media-id="editor_0" data-image-id="2025080710084_2cdaaa5795828c4a7de93a0604ba884ef0a8b8f24cccd939f6c24e279ab6058f" data-rendition-name="original" width="1633" height="723" loading="lazy" alt="Nepal's bubble economy NT"> <figcaption>Source: NEPAL RASTRA BANK</figcaption> </figure>  The macroeconomy is on firm footing with foreign exchange reserves at a comfortable Rs2,520 billion in May, up 23% from last year. This was largely due to remittances, and partly due to a falling NPR exchange rate. Real estate transactions and the stock market index have also been climbing as a result of government policies to revive the sector.&nbsp; However, former executive director of Nepal Rastra Bank Nar Bahadur Thapa cautions: “This is not organic growth, it is the result of deliberate policy decisions to relax rules on real estate and stock markets transactions.” In reality, the sharp rise in land prices have increased the cost of production, and excessive monetisation of the real estate has become the main source of Nepal’s economic woes. The central bank has announced a slew of new policies, shifting the terms of loan repayment for industrialists and entrepreneurs, reducing interest rates, and injecting more working capital — all designed to inject adrenaline into the real estate and stock market sectors.&nbsp; When he was governor, Mahaprasad Adhikari made several financial reforms during the latter half of his tenure to stimulate the economy, including tightening credit flow.&nbsp; By the last fiscal year, additional financial reforms had resulted in a credit expansion rate of around 8%. As the pace of credit expansion slows, real estate prices have started to fall. This is actually beneficial to the economy, because it lays the foundation for improvements in land-related entrepreneurship, production, and the construction sector. Just because real estate and the stock market transactions increase, it does not indicate an economic turnaround — especially when manufacturing and productive sector continues to languish.&nbsp; “It is foolish to believe that real estate and the stock market have magically revived our economy. Agriculture employs more than half of the population, but it is in decline. Investment in the productive sector has not increased, and job creation has not increased.” Two years ago, Nepal’s industrialists, business leaders, and political leadership predicted a recession amidst a sluggish business, declining market demand, large-scale job loss, and a shrinking real estate and share market.&nbsp; Still, the economy grew by 3.36% in fiscal year 2023/24. In fact, Nepal’s economy has grown nominally over the last two decades even when all sectors of the economy are in decline.&nbsp; Says Keshav Acharya: “The growth in trade, real estate, and the stock market are bubbles. The real economy remains stagnant.”

Nepal’s bubble economy

The final investigation report on the crash of a Saurya Airlines jet on 24 July 2024 at Kathmandu airport has revealed flaws in the carrier’s technical operation procedures, poor monitoring by the Civil Aviation Authority of Nepal (CAAN) and gaps in the airport’s emergency response. Eighteen people including a child were killed, and only the captain survived as the plane plunged seconds after takeoff, crashing within the airport perimeter. This was the latest in a series of aircraft accidents in previous years, and further tarnished Nepal’s already poor aviation safety record and contributed to the country being retained in the EU’s air safety list. &nbsp;&nbsp;&nbsp; The circumstances in the Saurya crash were different from the Yeti Airlines crash in Pokhara in January 2022 that killed all 72 on board, and two Tara Air crashes in February 2016 and May 2022 on approach to Jomsom that together claimed 45 lives. However, all four tragedies were a result of negligence of carriers and crew, failure to follow procedures, regulatory slackness, and overconfidence. The Saurya crash, especially, was a glaring example of how an ailing airline broke its own rules to allow passengers, including non-employees, a joy ride to Pokhara on a maintenance ferry flight. CRASH REPORT The Final Investigation Report prepared by the Aircraft Accident Investigation Commission and released on the first anniversary of the crash last week carried a long list of rules that were ignored or broken, and of regulatory failure. The first mistake was to cram spares, tools and inflammable chemicals needed for the aircraft’s C-Check in Pokhara into the cargo hold flouting its own ground handling procedures.&nbsp; There was no check-in of passengers, some of whom were not even employees – even though regulations say only flight and maintenance crew should be on board a maintenance positioning flight. Many brought their own luggage into the plane and stored it unsecured in the cabin. There was no flight attendant to give a safety briefing to passengers. The load and trim charts given to the flight crew were rough estimates, and the total takeoff weight of the plane was 18,300kg plus or minus 200 kg. That would still have been all right, but there was a glaring mistake in the speedchart Saurya pilots were using to calculate the minimum takeoff speed (known as VR), and it had been wrong ever since the 21-year-old aircraft entered service with the airline in 2017. FAULTY DATA&nbsp; The Commission probed Flight Data Recorder inputs from previous takeoffs of the Canadian-built CRJ200-LR in 2023-2024 and found that the undetected error in the speedchart had caused the plane to pitch up at an abnormal rotation rate at least 18 times on previous takeoffs.&nbsp; Any rotation rate more than 3°/sec is regarded as unusual. But on at least two occasions, this aircraft with tail number 9N-AME had rotation rates of 5.8°/sec and 5.5°/sec, the second one was when the pilot who survived was flying in March 2024.&nbsp; On this particular day, the plane’s rotation rate was 6.5°/sec, causing it to go into a deep stall soon after takeoff, the Commission report said. Essentially, the plane was not flying fast enough down the runway to take off safely.&nbsp; It is not yet clear whether excess weight, unsecured luggage, wrong centre of gravity were also factors, but relying on a faulty speedchart for the given takeoff weight, the captain flying pulled back on the yoke before the plane had reached takeoff speed and at a pitch angle that was too steep. The investigation report says the plane then went into a deep stall and started banking right with the stick shaking. At this point, the flight officer on the right hand seat is heard on the cockpit voice recorder saying: “Whoa, whoa, whoa. Sir, Sir, Sir…” It then banked left before the pilot flying turned the plane sharply to the right again in an evasive action to avoid the parking aprons of the international and domestic terminals. Had he not done so, there would have been a disaster of a much greater magnitude at Kathmandu airport that day. The plane scraped the runway with its right wingtip, collided with a container having helicopter spare parts, and plunged into a gully east of the runway, exploding in a fireball. The investigation also noted that the impact forces seemed to be survivable for some occupants. The fire trucks took unnecessarily long to reach the site even though it was inside the airport perimeter. The absence of an ICAO-standard runway strip, inadequate rescue drills, lack of training, and a blocked emergency service gate leading to the crash site were cited as other factors. &nbsp;&nbsp; <h2>Timestamp of a Disaster</h2>  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250731110724_39cdd04693994ce6e55a5b302905c0fa4884fe85bed21ff0779bb1439f3a5725.jpg" data-media-id="editor_0" data-image-id="20250731110724_39cdd04693994ce6e55a5b302905c0fa4884fe85bed21ff0779bb1439f3a5725" data-rendition-name="original" width="778" height="826" loading="lazy" alt="Flouting rules caused Saurya tragedy NT"> </figure>  11:10:34 - The Saurya Airlines CRJ200 on the takeoff roll from runway 02. It had a takeoff weight of about 18,300kg, but the pilot’s speedcard had a previously undetected mistake about the minimum takeoff speed. 11:10:55 -The plane with tail number 9N-AME goes into deep stall soon after takeoff because it does not have enough speed to lift its weight. The plane also has an abnormally steep nose-up attitude.&nbsp; 11:11:03 - Without enough speed to generate lift, the plane banks right, then left and right again in CCTV photos taken from the domestic apron (below). If it had not banked right, it could have hit the aprons and terminal buildings. Seen parked is Saurya’s other CRJ200 with tail number 9N-ANM.&nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250731110732_608132f7225c649125cca2691dd6a6bf930984c5b359e888d7ad9e5eacce3afd.jpg" data-media-id="editor_1" data-image-id="20250731110732_608132f7225c649125cca2691dd6a6bf930984c5b359e888d7ad9e5eacce3afd" data-rendition-name="original" width="770" height="555" loading="lazy" alt="Flouting rules caused Saurya tragedy NT"> </figure>  11:11:08 - The plane scrapes the runway with its right wingtip, and falls into the gully. The captain is thrown off the left side of the cockpit and survives. 11:11:15: Plane explodes in a fireball inside the airport perimeter. Firefighters take time to reach the site because of lack of access road and a blocked gate. Read the full investigation report <a href="https://www.tourism.gov.np/files/9N-AME%20AIC%20Final%20Report.pdf">here</a>.

Flouting rules caused Saurya tragedy

American artist Peter Makela was in Nepal in 2022 on a Fulbright scholarship when he experienced the Matya festival in Patan in which devotees made the rounds of the city’s shrines.&nbsp;
He joined the procession, walking through 2,600 stupa and 140 bahal of the town. That immersion left a lasting impression.
As part of Gallery Mcube’s international residency program in Patan, he put his inspiration to canvas in the exhibition Yala Yatra: Walking, Working, Worshipping. The exhibition also coincides with this month’s Matya festival.&nbsp;
Makela has visited Nepal often in the past 11 years but he mostly stayed in and spent his time around Boudha. “This time I stayed in Patan, put the sites I wanted to visit on my map, and off I went,” he tells us. “Each of my artwork is inspired by the stupas and shrines in Patan that I visited.”
The stupa and Ganesh are recurring motifs in his watercolours, and the elephant gods are located in chaityas — reflecting the interplay and blending of the Hindu and Buddhist faiths in Kathmandu Valley.&nbsp;
The stupas and Ganesh are painted in vivid red, yellow, blue and green against abstract backgrounds meant to represent the sky.
“I use the sky as a backdrop because the sky has no border,” says Makela. “The four colours represent the four elements, the different Buddha families and also lights bouncing off of a rainbow.”
The use of just four colours for all the artwork stands out, and combined with the absence of heavy canvases, frames or stands render Makela’s art striking in its simplicity.&nbsp;
The Ganesh is always holding something and the art also portrays the elephant god’s sacred vehicle, the mouse.
While his vibrant stupas and Ganesh reflect the tangibility of Patan’s tradition and heritage, it is as if the backdrops with their shades of grey and red and yellow capture the soul of the city’s shrines.
“If you look closely, there is a sense of form and formlessness at the same time,” he says.&nbsp;
Makela walked 108 kora around the shrines during his exploration of the town, and in the process developed a spiritual connection with Patan’s heritage and traditions.&nbsp;
The exhibition connects with visitors on a deeper, more spiritual, level as well. And with it, they feel a sense of pride as well as the need to urgently preserve Patan’s heritage for future generations.
“Peter’s inclination and approach towards Nepali art and culture is fascinating, and it reflects in his work,” says Mcube curator Manish Lal Shrestha, whose international artist residency program promotes Nepal’s cultural heritage. &nbsp;&nbsp;
Yala Yatra: Walking, Working, Worshipping
1-5 August&nbsp;
10AM-7PM
Gallery Mcube, Patan

peoples-war