The Imadol neighbourhood of Kathmandu Valley was among the worst hit by last weekend’s devastating floods. The Manohara River, swollen by incessant rainfall, overflowed into the settlements along its banks. A photograph taken by French anthropologist Corneille Jest in monsoon 1972 shows the Manohara meandering across a wide plain, its banks lush with ripening paddy. Two farmers cross the field carrying a kharpan, a sturdy traditional bamboo basket carried on shoulders, that has almost vanished from the Valley today. It is a tranquil view of a once-emerald Valley and its unique civilisation that blended urban living with intense agriculture on the fertile topsoil. Gazing at these images shows us the life and times of Old Nepal. This and other photographs taken by Jest during his research in Nepal’s Dolpo and Kathmandu 60 years ago are a reminder of how much in Nepal has changed, and what remains the same. Read also: <a href="https://nepalitimes.com/here-now/kathmandu-s-passage-of-time-in-photos">Kathmandu’s passage of time in photos</a>, Ashish Dhakal  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2024100505108_e5eae5b7745301134e49b009d519326ea826f2e11c76b33aa63ea13734fa9d2c.jpg" data-media-id="editor_1" data-image-id="2024100505108_e5eae5b7745301134e49b009d519326ea826f2e11c76b33aa63ea13734fa9d2c" data-rendition-name="original" width="2500" height="1667" loading="lazy" alt="An anthropologist's perspective of Nepal"> <figcaption>Offering a prayer flag at a pass above Tukuche in 1963.</figcaption> </figure>  Jest visited Nepal every other year since 1960, and the exhibition itself shows us the passage of time -- it is aesthetic and evocative, a lament and sometimes deeply nostalgic.&nbsp; The exhibition is organised by Mémoires de l’Himalaya, a French association that works to preserve works on the trans-Himalayan region. Jest was a prolific photographer and out of the 45,000 negatives in his collection, &nbsp;almost 100 black and white and colour prints were selected for this exhibition at the Patan Museum. “The data researchers collect rarely helps the community being studied.. So, it was Jest's idea and ours as an organisation to give back, what we can, to the local community,” says Rémi Chaix of Mémoires de l’Himalaya, who is also one of the curators. “The field notes taken by Jest can also be accessed.” Read also: <a href="https://nepalitimes.com/here-now/making-nepal-s-history-colourful">Making Nepal’s history colourful</a>, Kanak Mani Dixit  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20241004091020_eb98695b6253e9dde6f051b24596bc09060834bdba1219b9cff2ac080540c63c.jpg" data-media-id="editor_3" data-image-id="20241004091020_eb98695b6253e9dde6f051b24596bc09060834bdba1219b9cff2ac080540c63c" data-rendition-name="original" width="1500" height="3000" loading="lazy" alt="An Anthropologist's Early Glimpses of Nepal NT"> <figcaption>Members of the Tarap community at Dolpo's Drolma Pass during their pilgrimage to the Buddha-ri sacred mountain in 1960.Corneille Jest - Mémoires de l'Himalaya</figcaption> </figure>  Curated by Fernand Meyer, Kunsang Namgyal-Lama and Chaix, the first floor of the museum showcases photographs of Kathmandu Valley and the second floor is dedicated to Dolpo, especially Tarap Valley where Jest spent most of his time. This curatorial choice of placing the photographs of a place in a specific floor is important, allowing viewers to keep the two worlds separate. The photographs on the first floor are exclusive and published for the first time. There is also an 11 minute documentary on loop that captures the 1968 Seto Machhindranath festival. One does not just get to see this era but even hear its sounds. Photos of Dolpo on the second floor show how little the landscape and dwellings of this remote region has changed in the past decades, although with the road now reaching the district it will inevitably undergo rapid transformation. Read also: <a href="https://nepalitimes.com/here-now/memories-of-an-archivist">Memories of an archivist</a>, Anita Bhetwal  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20241004091020_ae632fde3aac88ac90bad7e348904446b10b793d650d7bfc4a2f7a977f6f84cc.jpg" data-media-id="editor_5" data-image-id="20241004091020_ae632fde3aac88ac90bad7e348904446b10b793d650d7bfc4a2f7a977f6f84cc" data-rendition-name="original" width="2000" height="884" loading="lazy" alt="An Anthropologist's Early Glimpses of Nepal NT"> <figcaption>Attendees at a Buddhist ritual, Tarap, 1963.Corneille Jest - Mémoires de l'Himalaya</figcaption> </figure>  Some of the Dolpo photographs have already been published in Jest’s books like ‘Tales of The Turquoise: A Pilgrimage in Dolpo’. “Jest had a habit of clicking the same image twice. One would be in black and white and the other would be in colour,” explains Chaix who along with other two curators had to decide which would be a better fit for the exhibit. Jest’s photos of Dolpo are intimate and let the audience peek into the Himalayan lifestyle at the time. Researching about the Himalayan people and the culture while living in Tarap Valley, Jest developed a particular affinity for Dolpo, shares Guillaume Jest, one of Corneille’s sons, who was here at the inauguration of the exhibition.&nbsp; “I think that my father’s fondness for the population of Dolpo and their religion and culture comes from the fact that they build their way of life in a very harsh but breathtaking world of the high valleys of the Himalayas,” says Guillaume. Read also: <a href="https://nepalitimes.com/here-now/adventures-of-a-lone-archivist">Adventures of a lone archivist</a>, Alisha Sijapati  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20241004091020_6cba26cf4cd2c38db65a4b00966f58ed87d46de3e01c8927f6ac1d8d3f5cadc3.jpg" data-media-id="editor_7" data-image-id="20241004091020_6cba26cf4cd2c38db65a4b00966f58ed87d46de3e01c8927f6ac1d8d3f5cadc3" data-rendition-name="original" width="2500" height="1666" loading="lazy" alt="An Anthropologist's Early Glimpses of Nepal NT"> <figcaption>Terraced maize and paddy fields during the 1972 monsoon at Imadol, which has been built over and was submerged on 28 September.Corneille Jest - Mémoires de l'Himalaya</figcaption> </figure>  Being an anthropologist, Jest’s focus is always on the people he encounters and the landscape or architecture being props. This is a rich visual documentation of what people wore, what they ate, what the houses looked like, their daily work in the fields, the harvest process, cultural rituals and celebrations. “Corneille Jest’s photographs give us a rare insight into the everyday life, culture, and landscapes of Nepal during a pivotal period in the country’s history, just after its opening to the rest of the world. They reveal the depth and diversity of Nepali culture,” says Virginie Corteval, French Ambassador to Nepal, who opened the exhibition last week. She adds: “These represent a testimony of the important work by pioneer French researchers such as Corneille Jest or Sylvain Lévi, in studying the diversity of the Nepali civilisation.” &nbsp; Read also: <a href="https://nepalitimes.com/here-now/an-archive-of-nepali-heritage">An archive of Nepali heritage</a>, Ashish Dhakal <h2>Lalita Niwas 60 years ago</h2>  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20241004091020_72859aaf3e5f323bfce71e7adb8ba84fe1016e7e7323b4b3458570be22572146.jpg" data-media-id="editor_9" data-image-id="20241004091020_72859aaf3e5f323bfce71e7adb8ba84fe1016e7e7323b4b3458570be22572146" data-rendition-name="original" width="2500" height="1667" loading="lazy" alt="An Anthropologist's Early Glimpses of Nepal NT"> </figure>  The Lalita Niwas Land grab scandal is making headlines today, and has implicated the high and mighty of the land. But few know what the original palace of Subarna Shumsher Rana looked like. Corneille Jest’s aerial photograph in 1963 of the neoclassical palace gives us an idea of the grandeur and size of the complex that spread over a 7 hectare plot in Baluwatar. After the property was nationalised during the Panchayat, it has been fragmented, bought and sold numerous times. The scandal has put 18 of the 310 individuals charged behind bars. The building now houses the Nepal Rastra Bank.&nbsp; Read also: <a href="http://archive.nepalitimes.com/news.php?id=19789#.YX-e4S8w3u0">The first photographs of us</a>, Kanak Mani Dixit An Anthropologist’s Early Glimpses of Nepal 10AM-6PM Till 18 October Patan Museum

Pinki Sris Rana

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The present meets the past

Photographer Tashi R Ghale is known for his work in <a href="https://archive.nepalitimes.com/page/studying-snow-leopards-in-Nepal/1000">protecting snow leopards</a> through which he won the Disney Conservation Hero Award in 2018. During his research he saw the impact of climate breakdown in the Himalaya with receding glaciers and melting ice that was affecting the traditional habitat of the snow leopard. &nbsp; “I notice that global warming is bringing other species to snow leopard territory. Common leopards move up, and Himalayan grey wolves come down,” says Ghale, known for his exquisite <a href="https://nepalitimes.com/review/snow-leopard-redux">photographic documentation of the rare snow leopards</a> in Manang. Lowland leopards are now overlapping with snow leopards and competing for prey. But for his new photo exhibition ‘Shifting Perspectives’, Ghale has shifted gears — changing his focus from snow leopards to the impact of climate change.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20240515060528_dc4b5af0dc39e6d104175f691035201a3863cfefe2b8193ac44c88511023b3e2.jpg" data-media-id="editor_2" data-image-id="20240515060528_dc4b5af0dc39e6d104175f691035201a3863cfefe2b8193ac44c88511023b3e2" data-rendition-name="original" width="2048" height="1538" loading="lazy" alt="Ice to water NT"> <figcaption>Tashi R Ghale (right) with artist Tsherin Sherpa of Takpa gallery at the inauguration of the exhibition on 11 May. Photo: @tsedorje </figcaption> </figure>  But he uses his photographic skills, this time with more of an artistic eye than just for documentation purposes. He has captured some striking images of Gangapurna Lake in Manang to convey the impact of the rising temperatures on the <a href="https://archive.nepalitimes.com/article/Nepali-Times-Buzz/nepal-pallas-cat,1934">Himalayan ecology</a>. The images in Shifting Perspectives which are on exhibit at Takpa Gallery are close-ups of ice on the shores of Gangapurna Lake, which itself is expanding as the <a href="https://nepalitimes.com/banner/climate-change-is-a-disaster-in-the-nepal-himalaya">glacier recedes rapidly</a> up the mountain.&nbsp; Ghale has captured ephemeral bubbles, ripples, currents, shapes and textures of ice on the lake, and are separated into three categories: Illusion, Composition, and Frozen.&nbsp; Ghale used powerful telephoto lenses to zoom in on snow leopards, but here he uses macro lenses for extreme closeups.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20240515060540_be31d82614bfadd01f573ff4daa3a40ed24afcc2fe3003a6f1b1d1622c517615.jpg" data-media-id="editor_5" data-image-id="20240515060540_be31d82614bfadd01f573ff4daa3a40ed24afcc2fe3003a6f1b1d1622c517615" data-rendition-name="original" width="1440" height="960" loading="lazy" alt="Ice to water NT"> </figure>  One of his pictures, ‘Illusion VI,’ shows clusters of bubbles of various sizes entombed in ice just below the surface, casting small shadows on the lake floor.&nbsp; ‘Illusion III,’ has the dark blue, green and purple lake as the background while frozen ripples have formed in the ice that look like contour lines on a map.&nbsp; Some of the most striking images in the exhibition feature a contrast between warm and cool colours. ‘Frozen I’ shows ice-bound waves that catch the golden rays of the sunrise sending streaks of light in the direction the water was moving before it froze. ‘Composition I’ shows sunrise on the north face of Gangapurna reflected in the icy surface of the lake, the roughness of the ice giving the photograph an impressionist touch.&nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20240515060528_5a24c2a63fa09d5e2beee9e20cb5d93398e93636f41ca3028ddf18de7ab33bfa.jpg" data-media-id="editor_6" data-image-id="20240515060528_5a24c2a63fa09d5e2beee9e20cb5d93398e93636f41ca3028ddf18de7ab33bfa" data-rendition-name="original" width="1440" height="960" loading="lazy" alt="Ice to water NT"> </figure>  Other photos show mountains reflected partly on the water and the frozen surface of the lake. The contrast between the hard ice and the flowing water underneath is visual poetry — making us notice the turbulence of the water flowing beneath the smooth and unmoving ice.&nbsp; One element present in most of the photographs is that of ice next to mud on the shore with jagged textures. “During the night, the ice freezes hard into the ground, and in the morning it melts away but the patterns formed in the mud stay,” explains Ghale. ‘Composition IV,’ looks like a drone photograph of a big river flowing through jagged hills, but a leaf in the bottom right corner gives away the scale. The exhibition truly presents shifting perspectives using closeups of the ice and water as a metaphor for the larger scale impact of <a href="https://nepalitimes.com/here-now/nepal-s-mountains-are-melting">global warming</a>.&nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20240516060556_446298e12391d3c45cdce8e4f1e4d1182afd5e653d000ff30a86e815b0f89ca2.jpg" data-media-id="editor_8" data-image-id="20240516060556_446298e12391d3c45cdce8e4f1e4d1182afd5e653d000ff30a86e815b0f89ca2" data-rendition-name="original" width="3600" height="2400" loading="lazy" alt="Composition VII"> <figcaption>Composition VII</figcaption> </figure>   <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20240516080520_3a69d2644dd6f0105ec367e9445eb6acedf94ce84225d5e5aa75c066d5ae06e8.jpg" data-media-id="editor_9" data-image-id="20240516080520_3a69d2644dd6f0105ec367e9445eb6acedf94ce84225d5e5aa75c066d5ae06e8" data-rendition-name="original" width="2400" height="2400" loading="lazy" alt="Ice to Water"> </figure>   <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20240516080520_5ae61de1167da77d411c2bed91ba24c09d39017dd13972aa4be530b7a48598f7.jpg" data-media-id="editor_10" data-image-id="20240516080520_5ae61de1167da77d411c2bed91ba24c09d39017dd13972aa4be530b7a48598f7" data-rendition-name="original" width="2400" height="2400" loading="lazy" alt="Ice to water"> </figure>  &nbsp;Shifting Perspectives 11AM-6PM Tuesday-Thursday 11AM-7PM Friday-Sunday Until 26 May Takpa Gallery, Lazimpat <a href="https://takpagallery.com/">https://takpagallery.com</a>

Vishad Raj Onta

Ice to water

<img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221108141124/636a58e89c7e80680e054866jpeg.jpg" alt="" width="1400" height="855"/>Nepal and France might be celebrating 70 years of diplomatic ties, but the links between the two countries began to be forged centuries earlier.In the 1600s cloth merchant Jean-Baptiste Travernier became the first French citizen in Nepal, according to the book Six Voyages of Baron Aubonne, published in 1676. Other merchants and missionaries followed, including the Jesuit priest Dorville in 1665, who mentions the two cities of, ‘Catmandir’ and ‘Patan’ in one of his accounts sent to Rome. In the other direction, the 1908 European trip that inspired Chandra Shumsher’s modernisation drive also included a stop in France.All these events, and much more, are on display at Alliance Française Kathmandu, in a photo exhibition marking Nepal-France ties over the centuries. Highlighted are the past 70 years of the modern diplomatic relationship, with photographic evidence filling the white walls of the auditorium, including the Prime Minister KP Oli’s visit in June 2019.Read also: <a href="https://www.nepalitimes.com/banner/ancient-panautis-french-connection/" target="_blank" rel="noopener">Ancient Panauti’s French Connection</a>, Nepali Times <img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221108141124/636a58ec9c7e80680e054867jpeg.jpg" alt="" width="1400" height="535">The exhibition reveals some interesting and previously unknown facts about France in Nepal, such as the French influence in the military uniform of Prime Minister Bhimsen Thapa. Also, the sword of Prime Minister <a href="https://www.nepalitimes.com/here-now/jung-bahadurs-destitute-descendants/" target="_blank" rel="noopener">Jung Bahadur Rana</a> was gifted to him by Napoleon III, and is currently in the National Museum of Nepal.Photographs display Gurkha soldiers fighting alongside French soldiers in World War I and II, those bonds ‘formed in blood’ crucial to the nascent diplomatic relationship between the two countries.The last part of the exhibition highlights bilateral development projects and meetings, conversations and exchanges between the countries’ leaders and officials during the last 70 years.The photo exhibition is colour-coded: the red section exhibits photographs from the years before diplomatic ties, blue indicates pictures taken during the past 70 years and green is used to highlight photos of the bilateral projects carried out by the two countries.The exhibition will remain open until 30 September at the Alliance Française Kathmandu in Dhobighat.

Nepal-France ties in photos

<figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/2022110812110/636a36e19c7e80680e048331jpeg.jpg" alt="" width="1500" height="507"/><figcaption>Panauti in 2013. Photo: PRASANT SHRESTHA</figcaption></figure>The 13-century town of <a href="http://archive.nepalitimes.com/news.php?id=10973#.XMai0zAzaUk" target="_blank" rel="noopener">Panauti</a> has the ambience of a place that has been bypassed by history. The fertile valley along the Rosi Khola was given by the king of Bhaktapur as dowry to his newly-married sister.  However, archaeological finds prove that Panauti was settled much sooner, in the early Kirat period 1,500 years ago.It escaped the Gorkha invasion of the Valley, 30km to the west, and was annexed into the unified Kingdom of Nepal by default. Situated astride the India-Tibet trade route, <a href="http://archive.nepalitimes.com/article/nation/electing-better-future,3714" target="_blank" rel="noopener">Panauti</a> was set back far enough from it not to be tainted by commerce. In 1964, the Kodari Highway linking Nepal with China once more circumvented Panauti. Today, a new alternative road from Lalitpur to the B P Highway in Kavre passes through the town, but it is still not a major highway.<img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/2022110812110/636a36e49c7e80680e048332jpeg.jpg" alt="" width="170" height="250"><figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/2022110812110/636a36e49c7e80680e048333jpeg.jpg" alt="" width="640" height="426"><figcaption>Panauti in 1970s. Photo: GERARD TOFFIN</figcaption></figure><figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/2022110812110/636a36e89c7e80680e048334jpeg.jpg" alt="" width="640" height="426"><figcaption>Panauti today. Photo: PRASANT SHRESTHA</figcaption></figure><figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/2022110812110/636a36ec9c7e80680e048335jpeg.jpg" alt="" width="640" height="426"><figcaption>Photo: GERARD TOFFIN</figcaption></figure><figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/2022110812110/636a36ef9c7e80680e048336jpeg.jpg" alt="" width="640" height="426"><figcaption>Photo: PRASANT SHRESTHA</figcaption></figure>All this has meant that despite the march of modernity and the non-traditional reconstruction after many of its monuments were brought down by the <a href="http://archive.nepalitimes.com/blogs/kundadixit/2015/05/27/a-month-that-felt-like-a-year/" target="_blank" rel="noopener">2015 earthquake</a>, Panauti still retains much of its quaint and bucolic charm. The town has a sacred location at the confluence of the Rosi Khola and the Punyamati, as well as a third mythological river, Lilawati. Panauti is also the seat of the famous Indreswar Temple – one of Nepal’s oldest standing pagoda shrines, built in 1294 to honour Lord Shiva. The temple grounds now house a museum as well.Panauti also has intangible heritage: it is still a largely cohesive town, which has preserved its Newa culture that has similarities, but also differences, to Kathmandu Valley traditions. Piles of newly harvested paddy are still spread out to dry in golden circles along the brick-paved square of the old palace. Next month, on full moon day, the town will mark the three-day chariot festival and the exciting mass-crossing of the Punyamati by devotees.<figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/2022110812110/636a36f29c7e80680e048337jpeg.jpg" alt="" width="640" height="434"><figcaption>Picture taken in 1974. Photo: GERARD TOFFIN</figcaption></figure><figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/2022110812110/636a36f59c7e80680e048338jpeg.jpg" alt="" width="640" height="390"><figcaption>Harvested paddy is still spread out to dry in golden circles along the old palace today. Photo: PRASANT SHRESTHA</figcaption></figure>This year will also see the Makar Mela, which happens every 12 years in Panauti, when tens of thousands of people from surrounding districts -- including Kathmandu Valley -- will converge on the town to take a dip in the holy confluence of the rivers.  The month-long festival will be held in January.It was at the last Makar Mela in 2010 that Panauti native and photographer Prasant Shrestha met <a href="http://archive.nepalitimes.com/news.php?id=13550#.XMZ2d8Mza70">Gerard Toffin</a>, the French anthropologist who has researched Nepal’s Newa civilisation. Toffin is now emeritus professor at the <a href="http://www.cnrs.fr/en/research">Centre national de recherche scientifique (CNRS)</a> and was involved in detailed research of Panauti’s culture and architecture with Vincent Barré, Patrick Berger and Laurence Feveile. This led to French Government involvement in the restoration of Panauti and its urban renewal from 1979-1989, just as the <a href="https://www.nepalitimes.com/banner/clash-of-cultures-in-bhaktapur/" target="_blank" rel="noopener">Germans were involved in restoring Bhaktapur</a>.<figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/2022110812110/636a36f89c7e80680e048339jpeg.jpg" alt="" width="640" height="1016"><figcaption>Bramhayani temple in 1970s. Photo: GERARD TOFFIN</figcaption></figure><figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/2022110812110/636a36fb9c7e80680e04833ajpeg.jpg" alt="" width="640" height="1021"><figcaption>Bramhayani temple today. Photo: PRASANT SHRESTHA</figcaption></figure>To find out more about Panauti’s past, present and perhaps even the future, Shrestha and Toffin have collaborated on an exhibition of old and new photographs at the Alliance Française in Jhamsikhel, on display till 6 May. The exhibition is part of events to mark the 70th anniversary of the establishment of diplomatic relations between France and Nepal.Toffin’s photographs of Panauti from the 1970s are juxtaposed with Shrestha’s recent images from the same spot. The before-and-after photography depicts the changes that have taken place in the town in the past four decades, but it is also heartening to see how much of the core area of Panauti is preserved. In fact, a temple that is in ruins after the 1934 earthquake in Toffin’s photograph, has been meticulously restored in Shrestha’s image of the same shrine.<figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/2022110812110/636a36fe9c7e80680e04833bjpeg.jpg" alt="" width="640" height="426"><figcaption>Photo: GERARD TOFFIN</figcaption></figure><figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/2022110812110/636a37019c7e80680e04833cjpeg.jpg" alt="" width="640" height="426"><figcaption>Photo: PRASANT SHRESTHA</figcaption></figure>Says Shrestha: “We have managed to restore and salvage much of Panauti’s history and culture, and now we need to get the younger generation to value our heritage. That is why this exhibition is important: to prove that our past is precious.”Changes in PanautiPhoto ExhibitionTill 6 May, 9am-5pm<a href="http://www.alliancefrancaise.org.np/event/photo-exhibition-changes-in-panauti/">Alliance Française Kathmandu</a>Jhamsikhel  01 5009221Free Entry<img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/2022110812110/636a37049c7e80680e04833djpeg.jpg" alt="" width="200" height="283">

Ancient Panauti’s French Connection

<figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/2022110811118/636a2ad59c7e80680e04593djpeg.jpg" alt="" width="1200" height="1500"/><figcaption>Oligaun is an hour by foot from the district capital at Mangalsen of Achham. It is less remote than most villages and is made up of mixed families of Chhetris, Pariyar and Mijar. Mangala Nepal Rastriya Madhyamik Vidhyalaya offers technical education, and is he only one of its kind in Achham. Most households at least one member – mostly the men – working in India. Many young people aspire to leave. It is common for girls to marry by 16 even though the legal age of marriage for girls is 18 with parental consent and 20 on their own. Chhaupadi was outlawed in 2005 and criminalised since August 2018. Oligaun has been declared Chhaupadi-free by local authorities, but the tradition persists. All photos: UMA BISTA</figcaption></figure>Photographer Uma Bista’s exhibition Our Songs from the Forest is a gentle invitation into the remote mountains of Achham where we meet young women coming of age in a fast-changing society.The women are learning to navigate superstition and ingrained patriarchy in their community while balancing it alongside new aspirations of equality. They are asking questions, and pushing boundaries.<figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/2022110811118/636a2ad89c7e80680e04593ejpeg.jpg" alt="" width="2000" height="1600"><figcaption> </figcaption></figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/2022110811118/636a2adb9c7e80680e04593fjpeg.jpg" alt="" width="1500" height="1200"><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/2022110811118/636a2adf9c7e80680e045940jpeg.jpg" alt="" width="2000" height="1600"><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/2022110811118/636a2ae29c7e80680e045941jpeg.jpg" alt="" width="2000" height="1600"><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/2022110811118/636a2ae59c7e80680e045942jpeg.jpg" alt="" width="2000" height="1600">Women are considered impure during menstruation, and even though the practice of being banished to the cowshed during their periods is now outlawed and is gradually fading away, it is still happens. These brave women are challenging societal norms, and trying to speak against the superstition that perpetuates the practice.Many women still believe that the gods are angered if they do not isolate themselves in the outhouses every month. They are held responsible for ills that might befall the family, especially the menfolk, if they break the rules.<img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/2022110811118/636a2ae89c7e80680e045943jpeg.jpg" alt="" width="1600" height="2000"><figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/2022110811118/636a2aec9c7e80680e045944jpeg.jpg" alt="" width="1200" height="1500"><figcaption> </figcaption></figure>Despite new laws that criminalise these practices, the fear runs deep: fear of angering the gods, fear of being labeled immoral, fear of being ostracised by the community, fear of change. Can such fears be replaced by the fear of legal consequences? Will destroying the sheds free us of the tradition associated with them?Uma Bista takes us into the forests around Oligaun, where the young women seek freedom from the inequality they face daily and the shame they are forced to endure every month. In the forest, the skies are open, the air is free and they feel no fear. They can sing and laugh as loudly as they wish.<img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/2022110811118/636a2aef9c7e80680e045945jpeg.jpg" alt="" width="1600" height="2000"><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/2022110811118/636a2af29c7e80680e045946jpeg.jpg" alt="" width="2000" height="1600"><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/2022110811118/636a2af69c7e80680e045947jpeg.jpg" alt="" width="2000" height="1600">Our Songs from the ForestTill 10  AprilChhaya CentreThamel 11AM-7PM(01 )5543501 (photo.circle)

Their songs from the forest

In the black and white photograph, General Wangdu smiles broadly in front of the dusty cactus garden in Kathmandu’s Annapurna Hotel. With an ill-fitting jacket and shaggy hair he looks benign enough, but this was the last leader of the Tibetan freedom fighters who led the resistance against the Chinese from their remote mountain hideouts in <a href="https://nepalitimes.com/here-now/comings-and-goings-in-mustang">Mustang</a>. Five months later, Wangdu was dead. Snapped in March 1974, I had only recently arrived in Nepal. How did I meet this legendary fighter? Possibly with his devoted camp follower, Lynne Klapecki, and probably in the Om Restaurant near Freak Street which was the preferred <a href="https://nepalitimes.com/banner/hippie-trail-nostalgia-in-kathmandu">hippie hang-out</a>. Om Lobsang and his brother Yeshe were <a href="https://archive.nepalitimes.com/page/earthquake-brings-back-memories-of-camps-for-tibetan-refugees">refugees from East Tibet </a>whose cafe offered a friendly welcome and<a href="https://nepalitimes.com/multimedia/momo-loco"> the best momos</a> - they became my in-laws after I married their eldest brother Tenzin, but that was a decade later.&nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2025052403054_4573b34282b0f5395c007243d6bef12c7ba76bfd520419e994cdcea048d795a1.jpg" data-media-id="editor_4" data-image-id="2025052403054_4573b34282b0f5395c007243d6bef12c7ba76bfd520419e994cdcea048d795a1" data-rendition-name="original" width="1000" height="1583" loading="lazy" alt="The last days of the Khampa NT"> <figcaption>Photo: LISA CHOEGYAL</figcaption> </figure>  Wangdu’s English was enthusiastically rudimentary, but even riding around town with him on the back of an aging <a href="https://nepalitimes.com/here-now/kathmandu-s-new-motorbike-museum">motorbike</a>, he was a commanding presence. Always flanked by armed outriders, impressive scars marked his forearms and a pistol hung from the cord around his neck. A charismatic guerrilla leader, Wangdu was celebrated by his followers for his tough commitment and respected for his measured pragmatism. He seemed so young to have shouldered such a responsibility of command, leading hundreds of hardened <a href="https://archive.nepalitimes.com/article/nation/50-years-after-the%20raid-into-Tibet,1012#google_vignette">Khampa combatants </a>through what had been a particularly <a href="https://nepalitimes.com/news/heavy-snowfall-over-nepal-himalaya">brutal winter in Mustang</a>, the last bastion to hold out against the Chinese invasion of their Tibetan homeland.&nbsp; The freedom fighters of Tibet, known as the Chushi-Gangdruk, had emerged to resist the <a href="https://nepalitimes.com/editorial/territorialism">Chinese takeover</a> of Tibet during the 1950s. Estimated to be 80,000-strong at the time of <a href="https://nepalitimes.com/here-now/what-or-who-after-the-dalai-lama">the Dalai Lama</a>’s final escape to India in 1959, the sheer number of Chinese deployed into Tibet eventually forced the Chushi-Gangdruk to retreat to Mustang, From this high Himalayan stronghold, they continued cross-border raids on the Chinese People’s Liberation Army (PLA) throughout the 1960s.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2025052403054_8a4a935ba25ae79dc3a63bb5c14626927020e5ec098093c45ccb9a5982e009fd.jpg" data-media-id="editor_10" data-image-id="2025052403054_8a4a935ba25ae79dc3a63bb5c14626927020e5ec098093c45ccb9a5982e009fd" data-rendition-name="original" width="1114" height="676" loading="lazy" alt="The last days of the Khampa NT"> <figcaption>Guerrillas known as the Chushi-Gangdruk emerged to resist the Chinese annexation of Tibet during the 1950s. Photo courtesy: MIKEL DUNHAM</figcaption> </figure>  Their Kathmandu base was a small discreet lodge in a back lane near Rani Pokhari. Sipping sweet tea from a blue mug with a chipped lid, I sat bemused in a corner of the Mustang Hotel room whilst Wangdu and his cohorts received a battered brown suitcase from their CIA connection, a tousle-haired American in a leather jacket. Heaved onto the dingy bedspread that covered the thin mattress, it was clicked open to reveal piles of neatly stacked dollar bills.&nbsp; I cannot think why Wangdu allowed me to witness this handover but I was clearly no threat, a newly arrived world traveller with no understanding of the stakes nor any Nepali or <a href="https://nepalitimes.com/multimedia/tibetan-music-in-nepals-sacred-valley">Tibetan language</a>. Despite armed guards in the corridor,Wangdu radiated confidence and bravado, and there was a practiced familiarity to the tense transaction. This deadly dance for many years had been funded by the Americans, tolerated by <a href="https://nepalitimes.com/here-now/the-kingdom-within-a-republic">Mustang’s residents</a>, and permitted by King Mahendra and the Nepali authorities who it suited to turn a blind eye.&nbsp; But Mahendra died in 1972, and times were changing. Richard Nixon’s ping-pong diplomacy thawed the cold war and signalled a fresh entente with China. Nepal’s yet-to-be-crowned <a href="https://nepalitimes.com/here-now/if-birendra-was-alive-nepal-could-still-be-a-monarchy">King Birendra </a>was under pressure to curb the irritating incursions against the PLA launched from the Nepali territory of Mustang. Keen to appease his northern neighbour, on several occasions the King summoned Wangdu for peace talks but, despite increasingly overwhelming odds, Wangdu refused to surrender.&nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2025052403054_a8efd5cfb92cd997bd7cb74296a936fef46e2f7428f9cd642b03f1ac4ea11ecb.jpg" data-media-id="editor_14" data-image-id="2025052403054_a8efd5cfb92cd997bd7cb74296a936fef46e2f7428f9cd642b03f1ac4ea11ecb" data-rendition-name="original" width="1055" height="885" loading="lazy" alt="The last days of the Khampa NT"> <figcaption>General Wangdu flanked by two Tibetan resistance fighters in Mustang in the 1970s. Photo courtesy: MIKEL DUNHAM</figcaption> </figure>   <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2025052403054_75969125a745847a2ef82b6fe8b9106c0b21a116d85b8efdf5d2ee89a347bb31.jpg" data-media-id="editor_15" data-image-id="2025052403054_75969125a745847a2ef82b6fe8b9106c0b21a116d85b8efdf5d2ee89a347bb31" data-rendition-name="original" width="1044" height="792" loading="lazy" alt="The last days of the Khampa NT"> <figcaption>King Birendra with General Wangdu (right in dark glasses) taken in 1974 possibly in Mustang after one of their few attempts at negotiation. Photo courtesy: RAJRNDRA KUNWAR</figcaption> </figure>  While I naively rode pillion around Kathmandu in the spring sunshine, Wangdu was in the midst of what turned out to be his final round of negotiations with the Nepal government. Refusing to cease hostilities with the Chinese, Wangdu must have suspected the cost of his decision, making his cheerful smile in the photograph all the more poignant and brave. It was only much later that I appreciated the significance of the moment. Wangdu had been sent to replace the first resistance leader in Mustang, Baba Gen Yeshe, a much derided corrupt character who stole money meant for his troops and exploited fleeing refugees by seizing their treasures. Baba Gen Yeshe never forgave Wangdu,and sought revenge in May 1974 by betraying him and his commanders to the Nepal authorities. Renewed Chinese incursions from the north, active PLA collusion with the Nepali forces under the new King, and treachery from within the Chushi-Gangdrukranks combined to seal their fate.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2025052403054_e0987a7c90d76431b0d7d5e6115ebfe3dbda7ab939e5941e079c18d722e884c0.jpg" data-media-id="editor_16" data-image-id="2025052403054_e0987a7c90d76431b0d7d5e6115ebfe3dbda7ab939e5941e079c18d722e884c0" data-rendition-name="original" width="1400" height="769" loading="lazy" alt="The last days of the Khampa NT"> <figcaption>British television journalists George Patterson and Adrian Cowell embedded themselves with Khampa guerrillas and accompanied them from Tsum Valley on a cross border raid on a Chinese Army convoy in 1964. Photo: ESSAYS ON NEPAL / SAM COWAN</figcaption> </figure>  Mikel Dunham, renowned author of Buddha’s Warriors, writes: ‘It is possible that Wangdu was waiting for some cue from the Dalai Lama’s government-in-exile in Dharamsala, India. It is equally possible – during that last, <a href="https://nepalitimes.com/multimedia/the-human-cost-of-nepal-s-yarsa-gold-rush?fbclid=IwZXh0bgNhZW0CMTEAAR31-Cqw8oyIwMPzf_35e4Skr0ululJvLf3_vDkzHn-AYG2h8uPw2rqqErg_aem_tGVn5coY1-jA7fze_xqhew">desolate winter </a>– that he made the decision to go out in glory rather than admit defeat. Over the last fifteen years, Wangdu had experienced Tibet’s organized resistance being squeezed and shoved around by every conceivable outside force.&nbsp; First they had been pushed out of their own country by the PLA; then they had been refused sanction while on <a href="https://nepalitimes.com/opinion/borderlines/nepal-india-trans-boundary-bonds?fbclid=IwAR0PpJ5zUEbwdug3g_U3ar6FUugngRY0S8Tl2v_7wqzrsHmXWcXsKjvL4t4">Indian soil</a>; then they were abandoned by the Americans because, apparently, Nixon wanted to make friends with Wangdu’s mortal enemies, the communists; then they had been betrayed by the vampiric Baba Gen Yeshe – a Tibetan and, even worse, a fellow Khampa; and now, finally Wangdu’s army was being evicted by the Nepalis. One thing was certain: Wangdu was a warrior. To imagine Wangdu simply giving up and settling down in the pacific squalor of a <a href="https://nepalitimes.com/here-now/elderly-left-in-bhutan-refugee-camp">refugee camp </a>was unthinkable.’  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2025052403054_8fc1ffef4ae751628b90ae781b66e11e51e4fdde2787207c9042efbee345ce49.jpg" data-media-id="editor_20" data-image-id="2025052403054_8fc1ffef4ae751628b90ae781b66e11e51e4fdde2787207c9042efbee345ce49" data-rendition-name="original" width="500" height="746" loading="lazy" alt="The last days of the Khampa NT"> <figcaption>The much derided Baba Gen Yeshe, the first Tibetan resistance leader in Mustang, who betrayed Wangdu for personal gain. Photo courtesy: MIKEL DUNHAM</figcaption> </figure>   <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2025052403054_b1d833cdb00d3ac4416b844d8730475cd88c238caaaf8da69889a584eea229a3.jpg" data-media-id="editor_21" data-image-id="2025052403054_b1d833cdb00d3ac4416b844d8730475cd88c238caaaf8da69889a584eea229a3" data-rendition-name="original" width="500" height="656" loading="lazy" alt="The last days of the Khampa NT"> <figcaption>Aditya SJB Rana of the Royal Nepal Army whose team ambushed Wangdu and his cohorts at the top of Tinker Pass in Darchula, West Nepal. Photo courtesy: GAUTAM SJB RANA</figcaption> </figure>  By August 1974 the game was up. Wangdu and six of his exhausted party were killed on their horses by <a href="https://archive.nepalitimes.com/news.php?id=7270">the Royal Nepal Army</a> on the brink of escape. The officer in charge, Aditya SJB Rana, cleverly predicted their route into India after they failed to silence a police radio in Yari. A carefully laid ambush trapped them near the summit of the Tinker Pass in Darchula,at 5,000 meters the highest military operation of its time. Wangdu’s body was helicoptered to Kathmandu, and a big show made of the royal Nepal victory.&nbsp; The Tibetan armed insurgency against China had reached its end.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250524030520_3ff9c6fc85a65bc9a2c3afe9736d9f5f9413de752e790a5d9dca0981ea94f9b4.jpg" data-media-id="editor_23" data-image-id="20250524030520_3ff9c6fc85a65bc9a2c3afe9736d9f5f9413de752e790a5d9dca0981ea94f9b4" data-rendition-name="original" width="1136" height="702" loading="lazy" alt="The last days of the Khampa NT"> </figure>

The Last Days of the Khampa

Starting 17 September Turkish Airlines will fly daily to Seville, one of Spain’s major tourist draws. This is Turkish’s sixth destination in Spain after Madrid, Barcelona, Valencia, Malaga, and Bilbao. Seville is in the Andalusia region on Spain’s south coast with a rich Moor history. There are approximately 30,000 Nepalis living in Spain.&nbsp;

Turkish to Seville

The newly-formed Himalayan Art Council is set to launch Nepal’s National Art Protection Platform that seeks to preserve <a href="https://nepalitimes.com/banner/the-history-of-heritage">Nepal’s unique cultural heritage </a>using<a href="https://nepalitimes.com/here-now/artificial-censorship"> AI-powered tools</a>. The Council seeks to safeguard <a href="https://nepalitimes.com/banner/nepali-art-going-places">Nepali art works</a> from neglect, theft and counterfeiting as well as preserve existing artwork and celebrate living masters by giving them a cultural space to continue the <a href="https://nepalitimes.com/banner/sacred-survival">sacred art traditions</a>. "We are introducing a new digital platform designed to preserve, verify and elevate <a href="https://nepalitimes.com/banner/nepals-new-generation-of-alternative-artists">Nepal’s art for generations to come,</a>” says a statement from the Council, adding that the digital platform will use AI told for authentication and blockchain to keep track of works of art. Artists can now be protected by <a href="https://nepalitimes.com/multimedia/ayo-ai?fbclid=IwAR1uwmTVq4gUB70ljfRezjzukD9ArWXPuMnUikopeQ8PoiZMjicToPSwhKE&amp;=1">AI tools</a> that detect forgeries, identify their work even when unsigned, and ensure they receive proper recognition and credit. The archives will be searchable with translated inscription and interactive guides. Says curator Meena Lama: “AI and blockchains are tools that give us the power to detect fakes and identify unsigned paintings and track every piece. With these tools we can restore trust, secure authorship and give artists the dignity they deserve.”  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250514170544_2ab58f6313c0458f75114a692b0016bd9efb3b59d5f8f07f0da72e1e37b82f53.jpg" data-media-id="editor_6" data-image-id="20250514170544_2ab58f6313c0458f75114a692b0016bd9efb3b59d5f8f07f0da72e1e37b82f53" data-rendition-name="original" width="1300" height="1000" loading="lazy" alt="Artwork at the Traditional Art Exhibition at Patan Museum."> <figcaption>Artwork at the Traditional Art Exhibition at Patan Museum.</figcaption> </figure>  The Council is also holding an exhibition of Nepali cultural masterpieces with 50 historical <a href="https://archive.nepalitimes.com/article/Nepali-Times-Buzz/Buzz-the-art,671">thangka and paubha </a>by past masters and <a href="https://nepalitimes.com/review/between-the-sacred-and-everyday">contemporary works by current artists</a>. This curated collection is a living tribute to <a href="https://nepalitimes.com/here-now/when-yaks-go-so-does-culture">Himalayan culture</a> with economic depictions of deities, mandala and sacred narratives. The exhibition at <a href="https://nepalitimes.com/multimedia/a-portal-into-patan-s-past-and-present">Patan Museum</a> also provides an opportunity to meet painters and custodians of art and culture. Read also: <a href="https://nepalitimes.com/review/golden-deities">Golden deities</a>, Sewa Bhattarai ‘The exhibition is only the first step in a long journey to ensure that Nepali art is no just seen but fully understood, <a href="https://archive.nepalitimes.com/article/nation/Narratives-of-Faith-and-Memory-Remembering-the-Lost-Sculptures-of-Kathmandu-exhibition,987">protected and remembered</a>,’ the Council says. Artist Kailash K Shrestha of Artudio has spent decades promoting thankha and paubha traditions because of their beauty and devotional meaning. But he also says artists are underpaid, exploited and ignored. He adds, “AI and blockchain are not just buzzwords, they are powerful tools that can protect Nepal’s artists from fraud, verify authenticity and build a permanent record of provenance.” Traditional Art Exhibition Till 17 May Patan Museum

Digital protection for Nepal’s art

<a href="https://www.instagram.com/prabalgurung/" target="_blank">Prabal Gurung</a> left Nepal for New York in 1999 to escape years of bullying, sexism and homophobia, and to pursue his dream of becoming a fashion designer. He <a href="https://www.youtube.com/watch?v=KqN0VaoAI5w" target="_blank">realised his dream</a>, but did not escape discrimination and racism in the new world. Propelled by passion for fashion, Gurung overcame everything America threw at him. He has attained <a href="https://www.vanityfair.com/style/story/prabal-gurung-recalls-his-first-met-gala-when-zoe-saldana-was-at-his-side?srsltid=AfmBOooy-H0oGgxMit864FnW_Pmw8mUnV8rYrh-co-f6OyYK6m2ip5hP" target="_blank">fame and recognition</a> for his haute couture dress designs while remaining true to his Nepali roots, and is even more resolute in <a href="https://www.youtube.com/watch?v=dSmNauyzACk" target="_blank">fighting prejudice</a> in all its forms. Prabal Gurung’s newly-released memoir <a href="https://www.amazon.com/Audible-Walk-Like-Girl-Memoir/dp/B0DG11HCDQ?fbclid=IwY2xjawKZfpxleHRuA2FlbQIxMQABHuZcIJO2OXyXcRm1oq1iG6wzeoF7VJFrQ7GXOFI0YxuZZ4id_CNvSZSZZIna_aem_pG_mOKG73RTnYvN8JaC4fA">Walk Like a Girl</a> is a saga of harrowing abuse in boarding schools in Nepal and India, only finding himself facing a different kind of bullying in the US. He prevails over it all to be where he is today: an award-winning American fashion designer with his own label. Walk Like a Girl was launched last week in New York at a time when everything Gurung fought for — tolerance, inclusion and diversity — are in retreat in his adopted country because of a president who has espoused a culture of bullying. The book is a searing, raw exposé of how cruel and abusive people can be even at a young age in school. On the other hand, it also shows that there are generous, compassionate and open-minded souls out there. In his book, <a href="https://www.youtube.com/watch?v=K4le_uWX7YE">Prabal Gurung</a> calls out those who tormented and tried to hold him back (some of their names have been altered). The moral of his story is: resist, never stop believing in yourself, do not let others define you, never lose sight of your dream, and help those who have been kept out. “Walk like a girl” was a slur used by bullies back in school in Nepal and India for Gurung’s effeminate ways. He fought back then, and he is still resisting by turning those words into something to be proud of.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250519170544_4ffc9c3f565dd2cfa754d10b224816897b82bb31ebaee91b6d79d469fc96f14e.jpg" data-media-id="editor_6" data-image-id="20250519170544_4ffc9c3f565dd2cfa754d10b224816897b82bb31ebaee91b6d79d469fc96f14e" data-rendition-name="original" width="1000" height="1253" loading="lazy" alt="Prabal Gurung NT"> <figcaption>Prabal Gurung at home in Kathmandu in the 1990s.</figcaption> </figure>  “Living through it all was one thing, but writing about it is one of the hardest things I have done in my life,” admitted Gurung during the launch. “I broke down constantly during the six-year writing process.” He continues: “I did not want this to be a victim’s book. I did not want to burden my readers with my emotions. I wanted my struggle to be an inspiration for others facing what I faced. I am grateful to those who bullied me in school, they made me a stronger person ready to face the world.” Indeed, this book is a departure from his earlier one titled simply, Prabal Gurung (Abrams, 2019), which was a lush pictorial autobiography of his career in fashion. Walk Like a Girl is not a typical fashion book, it is an intimate tale of <a href="https://archive.nepalitimes.com/news.php?id=16997">Gurung’s travails and triumphs</a>, and how he willed himself to succeed. Prabal pays a lavish tribute to his mother Durga Rana. We find out she is a descendant of the first wife of the eldest son of Jang Bahadur Rana who was banished to Palpa in the late 19th century. Prabal’s father served in the Singapore Police and that is where he was born before the family returned to Nepal when he was four. Gurung relates with brutal honesty about the violence his mother endured from his father. Durga raises three children as a single mother in Nepal, and Prabal credits her for his fierce determination to resist patriarchy and injustice, which in time manifests itself in his hyper-feminine and subversive dress designs. Writing the book has been a cathartic experience for Gurung, who says he is now relieved of the burdens of his past. It no longer haunts him, and he does not have to prove anything to anyone anymore. Walk Like a Girl has life lessons not just for the <a href="https://www.instagram.com/p/DJmOcSgxdWz/" target="_blank">fashion industry</a>, but for every other profession. How can my job serve a greater cause? Gurung tells us his work is <a href="https://asiasociety.org/blog/asia/why-designer-prabal-gurung-doesnt-want-just-stick-fashion" target="_blank">bigger than just making clothes</a>, it is about making the world a better place because it could do with a lot of improvement.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250519170544_d75296ad8bfdc00d88935f40d23543c6fea3d4d6a10e61a99d6cfc6127f2ee5b.png" data-media-id="editor_10" data-image-id="20250519170544_d75296ad8bfdc00d88935f40d23543c6fea3d4d6a10e61a99d6cfc6127f2ee5b" data-rendition-name="original" width="1516" height="1000" loading="lazy" alt="Prabal Gurung"> </figure>  This story of chasing the American dream may sound familiar to many immigrants: knocking on doors for jobs, rejections, trying to survive from day to day on expensive rent, and dealing with subtle racism in white America. Gurung finds racism is rife, and he is often mockingly called ‘gaysian’. He writes: ‘There was a strong hypocrisy — this idea of independence felt like a marketting ruse … and for all the talk of feminism in America, these high society women were trapped by the patriarchy just like in Nepal and India.’ After a trek to the Khumbu region in 2013, Gurung is inspired to use the colours, palette and textures of Nepal for his collection exhibited on Manhattan’s 8th Avenue. A major buyer tells him bluntly: “Stick to making pretty dresses … if I need to see a collection like this, I could buy a copy of National Geographic.” The New York Times was equally dismissive: ‘The designer tries to draw connections between blistered techo-fabric used to construct it and the topography of his homeland, Nepal. But, at the moment, he has lost his map.’ One potential investor tells Gurung he cannot design for Americana because “you do not look American”. Gurung wants to use expletives, but restrains himself. After a fundraiser in New York for the Nepal earthquake in 2015, some belittled his effort, saying: “Here comes the saviour."&nbsp; Read also: <a href="https://nepalitimes.com/review/prabal-gurung-by-prabal-gurung">Prabal Gurung by Prabal Gurung</a>, Kunda Dixit The Gurkha DNA must be dominant in Prabal Gurung’s genes because he does not take such mistreatment lying down. When asked by a fashion publicist why he was designing clothes for fat people, he snaps back: “Because of people like you.” He joins the Black Lives Matter and #MeToo movements, launches the Shikshya Foundation charity in Nepal, and has powerful allies among celebrities who wear clothes he designed: Michelle Obama, Oprah Winfrey, Sara Jessica Parker, Kamala Harris, Deepika Padukone … it is a long list.&nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250519150556_48a5f4211991a23fa85b64bbd5377575ca7081d97309d7542035591dda5180fe.png" data-media-id="editor_12" data-image-id="20250519150556_48a5f4211991a23fa85b64bbd5377575ca7081d97309d7542035591dda5180fe" data-rendition-name="original" width="1114" height="1534" loading="lazy" alt="Being Prabal Gurung by design"> <figcaption>Nigerian novelist Chimamanda Ngozi Adichie wearing Atelier Prabal Gurung’s design for Met Gala 2025 in which the theme was ‘Superfine: Tailoring Black Style’. </figcaption> </figure>  “I don’t dress women to look beautiful, they already are,” Gurung says. “I try to bring out their innate strength and grace.” <a href="https://www.instagram.com/stories/highlights/17908766880140171/" target="_blank">Admirers</a> tell Gurung he makes it all look so easy, but he used to put up a strong facade to not show his own vulnerabilities in public. “I was closed because of my childhood experiences,” he says. “I was always on guard to defend myself because I never knew where the next punch would come from.” But in <a href="https://www.youtube.com/watch?v=PPVepzPA210" target="_blank">Walk Like a Girl,</a> Gurung comes to terms with his vulnerability, and bares his soul. It has not been easy, it took sustained will power and support from his mother, sister Kumudini and a circle of close friends. “I made unbelonging my power,” he says. “Nepal is where I still have my heart and soul. Nepal grounds you. It is where people go to find themselves. But I escaped.” Recently appointed vice-chair of the <a href="https://cfda.com/about-cfda" target="_blank">Council of American Fashion Designers</a>, Gurung says: “I can’t believe I am here, it feels like it is happening to someone else. Writing this book, the healing has finally begun.” <h2>‘Everything is better in color’</h2> The Met Gala was two weeks later, and my table was an example of everything I’d been fighting for all these years as my guests represented everything I believed in: dynamic, powerful, influential women who were unapologetically original and unabashedly graceful. I was grateful to Anna for inviting me to host and dress a table that reflected my ethos—and for her guidance in doing so. I was also aware of the privilege as one of the first-­ever Asian fashion designers—not just from Nepal, but from the entire continent— to get the opportunity to do so. That fact was not lost on me. I reached out beyond the expected Hollywood celebrities and well-­known socialites to curate a table of exceptional women who inspired me. I invited Deepika Padukone and Alia Bhatt for their first-­ever Met Galas, as well as Michelle Yeoh, Mindy Kaling, Camila Cabello, Ashley Park, Denée Benton, KiKi Layne, Quannah Chasinghorse, and Grace Elizabeth. Together we checked many boxes: Asian, Black, Latinx, and Indigenous, each woman undeniably chic and powerful, a dazzling array of skin tones and experiences that proved my decades‑in‑the-­making hypothesis: everything is better in color. Excerpt from Walk Like a Girl Viking © 2025 by Prabal Gurung  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250519170520_6b91d560e9f072c37d16876901058c073a51ffa05e7ad1b9461d19e1c9c28215.jpg" data-media-id="editor_16" data-image-id="20250519170520_6b91d560e9f072c37d16876901058c073a51ffa05e7ad1b9461d19e1c9c28215" data-rendition-name="original" width="1136" height="702" loading="lazy" alt="Prabal Gurung book details NT"> </figure>   <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250519170520_345240c21be400e2ce2ec629b52bd82bb53890e5bd86fe95b48340d84b5f1748.jpg" data-media-id="editor_17" data-image-id="20250519170520_345240c21be400e2ce2ec629b52bd82bb53890e5bd86fe95b48340d84b5f1748" data-rendition-name="original" width="1136" height="702" loading="lazy" alt="Prabal Gurung book details NT"> </figure>  &nbsp;