The scenes from Dhaka on Monday were eerily similar to the ransacking of the residences of Ferdinand Marcos or Gotabaya Rajapaksa. Protesters took selfies lying on Sheikh Hasina’s bed (pictured above), they lounged on her sofas, feasted on biryani, and looted whatever was portable.&nbsp;
As is usually the case, it only takes a spark to light a revolt when a people’s fury at ruthless rulers reaches the tipping point. Hasina’s regime cracked down brutally on demonstrators, killing more than 300.&nbsp;
After another day of bloodshed on 4 August, Hasina lost support of the security forces, and jubilant protesters watched as their <a href="https://edition.cnn.com/2024/08/05/asia/bangladesh-prime-minister-residence-stormed-intl/index.html">prime minister of 15 years fly off to India</a>. Army Chief Waker-Uz-Zaman announced an interim government would be formed.
There is a vital lesson from what has happened in Bangladesh for the rest of South Asia and beyond. Rulers cannot rest on their laurels just because they were freedom fighters. If citizens do not benefit from regime change, they will sweep rulers into the dustbin of history.
History is replete with examples of despots who plunder, torture and kill opponents, but are overthrown sooner or later. <a href="https://www.theguardian.com/world/article/2024/aug/05/why-bangladesh-prime-minister-sheikh-hasina-resigned">Sheikh Hasina</a>, was elected for the fifth time in a rigged election in January that was boycotted by the opposition BNP, and accepted only by India.
Hasina's fate is also a lesson for regional powers who back tyrants for geopolitical reasons: what they gain from such support can be tenuous and short-lived.
Nepal is presently not ruled by an elected despot, our press is the freest in the region, and the check and balance of democracy here function relatively well. Yet, the events in Bangladesh have an important lesson for our elderly rulers and mass media.&nbsp;
Are we in the media also partly to blame for increasing public frustration with politics as usual that is making Nepalis cynical and apathetic?
Nepal’s new politicians have exploited the fecklessness of old rulers by using the new media to gather populist support. Journalists are seen to be comrades-in-arms of the legacy leaders, and are collectively held responsible for Nepal’s decline.&nbsp;
In the age of citizen journalism, there is a misconception that the mass media has become redundant. However, in-depth journalism is more essential than ever to help citizens navigate information overload, disinformation and deep fakes.&nbsp;
The mobile phone and its algorithm-driven networking platforms are more for entertainment than information. And if information is a major part of content, then more often than not it is fake news and toxic trolling. Readership has not decreased, it has just migrated, and the sources of information have changed.
The main reason Nepal's politicians and journalists find themselves targetted is because they played active roles together in the people power movements of 1990 and 2006.
Indeed, journalists have been at the forefront of the restoration and protection of democracy and in upholding press freedom — through the conflict years, and after king Gyanendra’s coup in 2005.&nbsp;
But <a href="https://nepalitimes.com/editorial/stemming-asia-s-democratic-decay">when democracy fails to deliver</a>, the public and populists tend to blame not just elected politicians, but also journalists.&nbsp;
The irony is that Nepal’s leadership is reluctant to credit the mass media for helping defend democracy and making it possible for them to get to power. Instead, <a href="https://nepalitimes.com/banner/press-for-people">many politicians would like to muzzle the media</a> because of its role in holding their power to account and exposing corruption in high places.&nbsp;
The media is playing its mandated adversarial role in Nepal’s democracy, but click-bait media and <a href="https://nepalitimes.com/editorial/democracy-s-discontents">populist politicians</a> see public-interest journalism as competition for public attention.
We in the legacy media therefore find ourselves being distrusted by old guard politicians, and as rivals by YouTubers and TikTokers.
The state itself refuses thus far to recognise the communication enterprise as an industry, and successive governments <a href="https://nepalitimes.com/multimedia/gagging-the-press-in-installments">have tried to weaken the traditional mass media by laws and policies</a>. The ban on alcohol ads on grounds of public health, even though such goods can be openly bought and consumed, is part of that strategy.&nbsp;
New leaders like Kathmandu mayor Balen Shah were propelled to power by new media. The <a href="https://nepalitimes.com/news/nepals-home-minister-vs-the-media">RSP’s Rabi Lamichhane</a> also fanned cyber-populism to get elected, which is why he is so dismissive of the ‘Dirty Dozen’ (१२-भाइ एडिटर) of the legacy media that exposed his wrongdoings.
The lesson from the Bangladesh upheaval for Nepal’s rulers who have been at the helm now for decades is this: clean up your act and start delivering, or else face a similar fate.
<a href="https://www.bbc.com/news/articles/clywww69p2vo">Sheikh Hasina</a> persecuted the press, allowing social pressure to build up until it all exploded in her face. A free press is democracy’s safety valve, and it is in the self-interest of Nepal’s political parties to defend it.
Gunaraj Luitel is the Chief Editor of Nagarik Daily in Kathmandu.
@gunaraj

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Selfies on the prime minister’s bed

Scream lies to drown the truth.
Gag free expression with free expression.
Spread falsehood faster than facts.
Sow distrust so facts don’t matter.
Jail the messenger.
That is the tip sheet of populist demagogues the world over to add a poison tip to social media. The disinformation is intended to unravel the social fabric, and dismantle trust in institutions to gain power. Blocking their way are the liberal democratic system and the press, and this is why they are targeted.
It is easy for populism to strike roots in democracies, including Nepal, because some in the established parties and the legacy media have squandered hard-won freedoms through lack of accountability and power brokering. The proximity of media tycoons to elected leaders provides grist to this anti-‘elite’ narrative.
Despots around the world are learning from each other how to weaponise social media platforms. Big Tech companies made this job easy by basing their business model on algorithmic radicalisation that manufactures outrage. Users quickly learn to exaggerate rage and magnify wrath to amass more followers. Facebook, X, YouTube reward them with digital pheromones, turning them into addicts.
In a commencement speech at Harvard University this week, <a href="https://www.rappler.com/voices/thought-leaders/full-text-maria-ressa-speech-2024-harvard-commencement-ceremony/" target="_blank">Nobel Prize winning Filipino journalist Maria Ressa</a> blamed Big Tech of coding divisions in society with hate speech, and being <a href="https://www.youtube.com/live/7dETo7ECQKc?app=desktop" target="_blank">“the accelerant to conflict and violence”</a>.
She went on: “Without facts, you can’t have truth. Without truth, you can’t have trust. Without these three, we have no shared reality, no rule of law, no democracy.”
Elected despots enabled by Big Tech spread chaos and break down trust. Which is why journalism is in the crosshairs: we stand in the way by standing for rule of law and an open society.
Here in Nepal we have survived dark periods when freedoms were crushed under the jackboots of royal-military authoritarians. The press and the political parties fought for freedom together. After 1990 and 2006, the media was often critical of those in government, exposing wrongdoing, but for the most part the main parties shared the same values -- that press freedom and democracy are two sides of the same coin.
Now, the leader of an independent party that rose dramatically in the 2022 election on an anti-incumbent platform is behaving like autocrats of yore by attacking the media. Nepal’s Home Minister Rabi Lamichhane is himself <a href="https://nepalitimes.com/here-now/after-balen-the-rabi-phenomenon" target="_blank">a former anchor</a> of a rabble-rousing tv show.
He was forced to resign during <a href="https://nepalitimes.com/news/the-rise-and-fall-of-rabi-lamichhane" target="_blank">his first stint</a> as home minister last year because of media exposures of his <a href="https://nepalitimes.com/here-now/rabi-lamichhane-is-home-less" target="_blank">US citizenship issue</a>. He deftly wriggled out of that one, and as home minister once again is charged with cheating depositors of several cooperatives of their savings and investing it in his tv channel.
The mainstream press relentlessly pursued this story, the most persistent being Nepal’s largest-circulation daily broadsheet, Kantipur. Last week, Lamichhane used the powers of his office <a href="https://nepalitimes.com/news/nepals-home-minister-vs-the-media" target="_blank">to jail the paper’s publisher Kailash Sirohiya</a>, strong-arming state agencies to detain him. A classic case of guilty until proven innocent.
The matter is in the Dhanusha court, and Siorhiya’s remand has been <a href="https://kathmandupost.com/national/2024/05/27/dhanusha-district-court-extends-kmg-chair-sirohiya-s-remand-by-three-days" target="_blank">extended by another three days.</a> There is little doubt that the publisher’s citizenship discrepancy, which could be a clerical oversight, has been used to hide skeletons rattling in Lamichhane’s own closet. The <a href="https://kathmandupost.com/national/2024/05/22/us-embassy-expects-dialogues-to-ensure-good-governance-and-press-freedom" target="_blank">US Embassy in Kathmandu</a> and international <a href="https://kathmandupost.com/interviews/2024/05/26/people-are-now-listening-to-democratically-elected-authoritarian-leaders" target="_blank">press freedom</a> watchdogs have <a href="https://www.ifj.org/media-centre/newsletters/detail/nepal-media-house-chair-arrested/category/press-releases" target="_blank">condemned the arrest</a>.
Using some of the same <a href="https://nepalitimes.com/here-now/after-balen-the-rabi-phenomenon" target="_blank">social media mobilisation</a> that got him elected, Lamichhane has unleashed troll platoons to cyber lynch anyone who dares question this vindictive abuse of office. The controversy stalled the budget session of Parliament for many weeks, as the opposition Nepali Congress (no saints themselves) demanded a house committee probe into the matter.
All top leaders of the three mainstream parties have said skeletons they use to blackmail each other and cancel each other out so nothing is ever investigated. Being the fourth largest in Parliament, Lamichhane’s RSP has the swing votes critical for this Left-led coalition to stay in power.
That is why top leaders of the Maoist Centre and the UML both looked away when Sirohiya was detained last week. They will benefit from journalists now too scared to investigate their scams. There is freedom of expression in Nepal, but not necessarily freedom after expression.
Nepal’s senior editors met Prime Minister Pushpa Kamal Dahal on Monday, and reminded him that this attack on the free press was happening on his watch. They <a href="https://kathmandupost.com/national/2024/05/25/21-editors-of-media-outlets-across-asia-call-on-pm-dahal-to-stop-media-intimidation" target="_blank">handed him a statement</a> that said: “There are serious questions about the manner in which Kailash Sirohiya was arrested and about the charges levelled against him, this is a direct attempt to put pressure on, and silence the independent press.’
Kunda Dixit

Jail the messenger

Nepal’s Home Minister Rabi Lamichhane was <a href="https://nepalitimes.com/news/the-rise-and-fall-of-rabi-lamichhane">embroiled in a controversy over his US citizenship</a> during his first stint last year. Now, he is using his position to go after Kailash Sirohiya, the publisher of Nepal’s largest media company, over his citizenship.&nbsp; A police team arrested Sirohiya from the office of Kantipur Media Group in Kathmandu on Tuesday after an arrest warrant was issued against him by Dhanusha District Court after a complaint was filed against him for holding multiple citizenships. The media tycoon responded angrily before being taken away for his court proceedings in Dhanusha, saying the arrest warrant was to exact revenge on Kantipur for exposing <a href="https://nepalitimes.com/news/heads-roll">Home Minister Lamichhane’s alleged involvement</a> in siphoning off deposits from a cooperative into his tv channel.&nbsp; The Home Minister is said to have given Sirohiya’s arrest the go-head despite Prime Minister Pushpa Kamal Dahal's reluctance. On Wednesday, the Dhanusha District Court remanded Sirohiya to a three-day custody as the police investigates the issue of his citizenship.&nbsp; Nepal’s civil society and the public have expressed concern over the manner of Sirohiya’s arrest after he was taken directly into custody after a complaint was filed. Nepal’s public sphere is also abuzz about how Lamichhane himself was <a href="https://nepalitimes.com/here-now/rabi-lamichhane-is-home-less">never arrested for revelations about his own US citizenship</a> last year.&nbsp; Lamichhane is from the independent RSP that is the fourth largest party in Parliament, and his supporters praised him on social media for ‘holding the rich and powerful to account’, and accused Kanitpur of being a mouthpiece of politicians. Editors of Nepal’s mainstream media wrote to Prime Minister Pushpa Kamal Dahal on Wednesday, stating that Sirohiya’s arrest was driven by political vendetta and <a href="https://nepalitimes.com/news/press-under-pressure">intended to put pressure on the press and silence criticism</a>. During the editors’ meeting with the prime minister, &nbsp;Dahal is said to have taken responsibility for directing law enforcement to arrest Sirohiya as per the court’s arrest warrant.&nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20240522170520_8145a64963c59c82a8934bc30f080324963037dda1aa7d0c961afcac54de17d8.jpg" data-media-id="editor_4" data-image-id="20240522170520_8145a64963c59c82a8934bc30f080324963037dda1aa7d0c961afcac54de17d8" data-rendition-name="original" width="2570" height="1104" loading="lazy" alt="editors with PM"> <figcaption>Editors of Nepal's mainstream press reading out their letter to Prime Minister Dahal on Wednesday condemning the detention of Kantipur publisher Kailash Sirohiya.</figcaption> </figure>  Nepal’s opposition politicians, the Federation of Nepalese Journalists and the Nepal chapter of the International Press Institute, as well as the US Embassy in Kathmandu have censured the decision to detain Nepal’s most prominent publisher, calling it anti-democratic and an attack on press freedom.&nbsp; ‘Freedom of the press, accountability, and transparency are guiding principles for the United States as we continue to work towards “a more perfect union”,’ wrote the US Embassy on X. ‘We expect that as Nepal continues to shape its hard-won democracy, the Government and the people of Nepal also have a meaningful dialogue about how to ensure good governance, freedom of the press and people’s fundamental rights.’ On Wednesday, the RSP put out a press release justifying Sirohiya’s detention, saying that he was accused of ‘serious accusation of fraudulent citizenship’. ‘A person who runs a profitable private business is not the same as a hard-working journalist who writes news,’ read the party’s statement, rejecting that the arrest had anything to do with undermining press freedom in Nepal. &nbsp; ‘An investigation that has sufficient grounds and the permission of the court is not a violation of the freedom of the press. Rather, this misinterpretation makes the press, instead of being free, a slave network of unfair transactions,’ the statement continued. However, most independent analysts do not buy that argument, and say that the Home Minister’s action shows that he is thin-skinned and could not stomach press exposes about his alleged involvement of cheating cooperative depositors. Lamichhane has in the past lashed out at the mainstream press, <a href="https://nepalitimes.com/news/ghosts-of-war">calling its publishers the 'dirty dozen'</a>. Political leaders in PM Dahal own coalition have also criticised the handling by the government of Sirohiya’s citizenship issue.&nbsp; "Arresting Sirohiya’s on the basis of whether or not he is a citizen of Nepal is highly condemnable," said CPN-Unified Socialist chair Madhav Kumar Nepal, “The matter of two citizenship documents having the same number should be attributed not to the persons who hold the citizenships, but to the administration that issued them.” Sirohiya’s arrest has also deepened the political chasm between the opposition Nepali Congress (NC) and Rabi Lamichhane. Leaders of the opposition have been vehement in their condemnation of the RSP chair following Sirohiya’s arrest, just days after the main opposition in parliament finally allowed Lamichhane to speak in the Lower House.&nbsp; NC lawmakers had previously banned Lamichhane from speaking in parliament ever <a href="https://nepalitimes.com/editorial/what-difference-does-it-make">since the RSP joined the coalition</a> and Lamichhane got the Home Minister portfolio for the second time.&nbsp; The main parties in parliament finally agreed to form a parliamentary inquiry committee to look into the cooperatives scam case. However, it is unclear if Home Minister Lamichhane and his alleged involvement in the case will fall under the purview of the investigation.&nbsp; Meanwhile, the party chair’s public controversies have taken away from the promises of action that the party made to voters in the run-up to the elections in 2023, and also seem to have put fellow RSP lawmakers and leaders on the defensive, causing them to make public statements which insiders have said put the party leader above the party. Such rhetoric from RSP leaders, say analysts, points to a lack of understanding on the part of the party about how political language works and exposes how the party, two years past the election, still lacks a proper organisational structure and messaging strategy.&nbsp;

Shristi Karki

Nepal's home minister vs the media

The climate crisis is upon us today, whether we like to believe it or not. It is going to destroy much of what humanity has built in the last few hundred years, as well as the biodiversity that nature has bestowed on the planet. It is going to wash away our livelihoods in our lifetime.
Freedom of expression and democracy are the most important adaptation mechanisms to climate breakdown. If we cannot freely express our views and elect leaders, we will continue to build the wrong dam, the wrong roads, the wrong embankments in the wrong place, at the wrong price.
&nbsp;We already see bridges bridging nothing. Roads to nowhere. Airports not used, and vanity projects of politicians all built through our debt. This is because we are unable to speak out, because we do not have a say in what our governments do.
We take loans to build a bridge, a house, a school and bad weather destroys them. But the debt remains and we have to pay back the money without receiving the benefits from the loans we took.
The amount of money flowing out of our countries will amount to $900 billion in the next two years, mainly for debt servicing and repayments. Many climate vulnerable countries are in debt distress, and more than 15 will go into default this year. These countries have lost 20% of their GDP because of extreme weather events.
The environment, therefore, is no more a dispatch from environment correspondents. It is a major financial story. The impact extreme weather due to climate change has on the economy is tremendous.
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I now work for the Climate Vulnerable Forum (CVF), an intergovernmental organisation of 68 countries established in 2009 initially with nine countries including Nepal. I quit as the Speaker of the Maldives Parliament last year to set up the secretariat in Accra in Ghana.
Among other things, the CVF develops what we call Climate Prosperity Plans which are low carbon development strategies that would give the same outcomes of GDP growth of high employment and low inflation, but without damaging the planet.
To become resilient you must be prosperous. Being poor makes you less resilient, reduces your choices. So we are looking at new methods of farming, irrigation, harvesting, fertilisers, transport, and building cities and homes.
I have been attending COPs for nearly 30 years. We have been talking about Loss and Damage by using the ethical human rights argument of climate justice. But I do not think anyone ever listened, and nothing much has come out of the last 28 COPs. They are just talking shops.&nbsp;
The CVF wants to find solutions to the climate crisis, and one of the things we do is advise member countries on debt.
Sri Lanka is going into the IMF’s ‘Debt Sustainability Analysis’ program for the 17th time and Bangladesh for 24th. Year after year, the IMF bails them out on condition that they increase taxes, fire half the civil servants and reduce spending. These austerity prescriptions are not our way out of the debt, we cannot do so by suppressing growth.
More and more countries now want debt-for-nature swaps wherein those who want to protect the environment are willing to guarantee the new bond which asks the government to do more on specific environmental issues such that there is a conservation agent with, for instance, a forest management plan. The money is paid per usual, but you are also protecting nature while doing it.
We also encourage countries to do carbon exchanges. Most of the forests are in climate vulnerable countries today, capturing most of the carbon the world is emitting. At the same time, if we do not have forests, our very survival will be jeopardised. But we need money to look after our forests and our natural assets. Carbon exchange, therefore, can also be a mechanism to finance development.
Simply because industrialised countries have taken us to the brink, we cannot do the same. If we do, it is going to be the end of us all. We must find sustainable development paths that will also deliver prosperity.
People in the Maldives perhaps feel I have abandoned them. But to save the Maldives, I had to leave it. The Maldives cannot be saved unless the planet is saved. We had to do something else so that island nations and climate vulnerable countries have a better chance.&nbsp;
This is an excerpt of the keynote address by Mohamed Nasheed, the former president of the Maldives, an ex-journalist and a climate campaigner, at the Himal Media Mela 2024 on World Press Freedom Day on 3 May. He is now the Secretary-General of the Climate Vulnerable Forum. Watch his complete speech on our YouTube channel.
Mohamed Nasheed

Climate, Democracy and Media

Namaste, journalists, climate experts and friends of the planet! The third edition of the Himal Media Mela is going to be held on 3rd May 2024, Friday, at Yala Maya Kendra, Patan Dhoka, Lalitpur. This year, the theme is 'Journalism for the Planet', in keeping with UNESCO's theme for World Press Freedom Day 2024 - 'A press for the planet: journalism in the face of the environmental crisis'.&nbsp; We are excited to announce that we are offering workshops and knowledge sharing sessions that are interactive and for smaller groups this time. Sub-events will be held two at a time so please carefully comb through <a href="https://docs.google.com/forms/d/e/1FAIpQLSeveKsuPezOER4EK1Zz8mOjHyoRD1ACpFsThtksUz4b1WB2YQ/viewform?pli=1">this form</a> and let us know which ones you will be attending, so that we can save you a seat. Do have a look at the sessions and select your preferences here: <a href="https://t.co/xI5VbMAP3n" target="_blank">https://shorturl.at/pS239</a> This one-day conference will packed with events from 9AM until 6PM, with lunch provided and breaks in between. But do stay on for the closing reception (drinks, snacks and networking) after 6 PM. Seats are limited, so we will take your filling this form as your confirmation, along with your payment (see details below): Entry Ticket: Rs. 500 Payment to be made in advance via eSewa to: Samrat Tamrakar 9841359603 Thank you for your interest and participation! Looking forward to seeing you for another successful Media Mela where we share valuable insights with each other and grow together. Best, Team Himalmedia  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20240429100448_2250035690fc50a6d31f29de73759209122976dc2bd82fc63ad88a3e68be5b1e.jpg" data-media-id="editor_2" data-image-id="20240429100448_2250035690fc50a6d31f29de73759209122976dc2bd82fc63ad88a3e68be5b1e" data-rendition-name="original" width="680" height="680" loading="lazy" alt="Himal Media Mela 2024 registration"> </figure>

Himal Media Mela 2024 registration

Guilherme Canela is Chief of the Freedom of Expression and Safety of Journalists Section of UNESCO in Paris. He recently visited Nepal to discuss <a href="https://nepalitimes.com/editorial/internet-in-everything">freedom of expression in the digital media</a>. Nepali Times spoke to him about new challenges to free media. Excerpts: Nepali Times: Can you tell us about how the discussions with Nepal’s lawmakers went? Guilherme Canela: My visit, in partnership with the Inter-Parliamentary Union, was to have an open discussion with them about international standards on freedom of expression. It was very enriching to learn the key concerns of Members of Parliament regarding the current challenges Nepal faces regarding the existing legal framework regulating the media and digital ecosystem, vis a vis the immense changes in this environment related to the technological revolution we all are experiencing, and how these challenges can be addressed in alignment with the International Human Rights Law. There is a fine balance between freedom of expression and that same freedom being used to spread intolerance and hatred. What are the main conclusions of UNESCO’s own study on the governance of digital platforms?&nbsp; Digital platforms have become a new front in the pursuit of peace. They have had a transformative role in advancing human rights. They have democratised access to knowledge and culture, enabled new voices to be heard, and fostered global connections, but, as you say, at the same time they have become <a href="https://nepalitimes.com/banner/press-for-people">ecosystems of misinformation, disinformation, ideological polarisation, and incitement to violence, discrimination, and hate</a>.&nbsp; Such features have undermined democratic values and threatened human rights across the world. Our job, therefore, is too foster the huge positive side of this equation and to counter the negative externalities it generates. Thus, whereas the digital companies don’t operate with transparency, accountability and due diligence, many countries have embarked on regulatory processes without keeping a human rights approach as a main principle thereby risking the shrink of the civic space and leading to different kinds of restriction not aligned with International Human Rights Law. UNESCO aims to ensure that everyone’s <a href="https://nepalitimes.com/here-now/no-freedom-after-expression">freedom of expression</a>, access to information and diverse cultural content are guaranteed, while various stakeholders, including governments, deal with the problems of dis- and misinformation and hate speech online. These problems will be better addressed, in a way that aligns with international human rights law, through implementing the UNESCO Guidelines in a comprehensive and coherent manner. In a nutshell, UNESCO’s proposal, which was debated worldwide for almost 2 years, and received 10,000 comments coming from actors from 134 countries, suggests a governance system that can improve the processes currently used by the tech companies, aiming to expand freedom of expression, while dealing with the negative externalities. But when can we deem the risks so high that governments can justify restricting freedom of expression through digital platforms under international standards? The rapidly evolving digital era has seen the rise of the imposition of restrictive measures on freedom of expression and the press such as infringement on right to privacy, censorship, and the prevention of general access to the dissemination of information, both online and offline, including internet shutdowns. However, the justification for governments to restrict such freedoms on digital platforms arises when there are identifiable and/or substantial risks to public safety, national security, or individual rights which cannot be sufficiently mitigated through other means. Read also: <a href="https://nepalitimes.com/news/nepal-should-be-open-for-south-asia">Nepal should be open for South Asia</a> In order for any restriction to be legitimate it must fulfil the criteria set out in international standards on freedom of expression, such as the Articles 19 (3) and 20 of the International Covenant on Civil and Political Rights or the Three-Part Test, which demands that any interference must be provided for by the law, pursue a legitimate aim, and be necessary and proportional to secure one of those aims.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20240326090344_61e1f3e429a81b7cb025116ed038eadcd019e4a3dc0203af4e48abaa2c81fbe3.jpg" data-media-id="editor_4" data-image-id="20240326090344_61e1f3e429a81b7cb025116ed038eadcd019e4a3dc0203af4e48abaa2c81fbe3" data-rendition-name="original" width="853" height="1280" loading="lazy" alt="Guilherme Canela in Nepal "> <figcaption>Guilherme Canela(Photo: Sonia Awale)</figcaption> </figure>  In essence, any statutory restriction to freedom of expression must be subject to oversight and review mechanisms in order to uphold the principle of transparency, accountability and prevent abuse of power. While governments may be justified in <a href="https://nepalitimes.com/multimedia/gagging-the-press-in-installments">restricting freedom of expression</a> on digital platforms under certain circumstances, such restrictions must be carefully circumscribed to protect the fundamental rights of individuals and uphold the principles of democracy, pluralism, and open discourse in the digital age. Is there not a danger, then, that states can justify banning digital platforms using the excuse of maintaining “social harmony”? Measures applied by both companies and states should always be proportional to the harm that is intended to prevent. From companies, removal and blocking of content and account suspension should only be used as a last resort in the most serious cases. From the side of governments, <a href="https://nepalitimes.com/news/rattled-by-criticism-nepal-bans-tiktok">banning a digital platform</a> should be proportionate to the level of harm it causes and should be accompanied by transparent processes, due diligence, due process of law and consideration of alternative measures to mitigate risks while preserving the benefits of digital platforms for legitimate users. Additionally, regulatory actions should be based on evidence-based assessments and subject to judicial review to ensure they are fair, just, and consistent with principles of freedom of expression and the rule of law. <a href="https://nepalitimes.com/news/talking-about-tiktok">Banning digital platforms</a> can be considered proportionate in certain circumstances where their activities pose significant harm that outweighs the benefits they provide. Here are two scenarios where banning digital platforms might be considered proportionate. Systemic violation of international human rights standards: If a digital platform systemically violates international human rights standards despite warnings and sanctions. And second, Exploitative Practices: when platforms engage in exploitative practices such as facilitating illegal activities (such as child pornography) or enabling human trafficking. However, it is important to outline that our Guidelines do not call on the government to establish a department or organisation to moderate content. The Guidelines consider that digital platforms should not be held liable when they act in good faith and with due diligence, carry out voluntary investigations, or take other measures aimed at detecting, identifying, and removing or disabling access to content that is prohibited under article 20 of the ICCPR or that has been restricted in terms of article 19(3) of the ICCPR. How can journalists protect their freedoms when democracy itself is threatened? Journalists can protect their freedom by first keeping on doing their job and <a href="https://nepalitimes.com/editorial/censuring-censorship">hold all powers accountable</a>. But they cannot do it alone or in a vacuum, neither should they be left alone to deal with existential safety and viability challenges. As proclaimed by all UNESCO’s member states, journalism should be valued as a fundamental ‘public good’ with citizens putting their trust in it also through teaching and encouraging media and information literacy. It demands the State protect media viability, the rule of law institutions defending media freedom from all attacks, including by elected officials, and for politicians committing to respect the fundamentals of democracy, including the role of the press as a watchdog. There is an urgent need to further demonstrate to our societies the value of journalism (and all fundamental freedoms) not only to guarantee political and civil rights, but to guarantee all other rights. When someone is protesting to have better education or better health, ultimately what they want is to protect the rights of education and a healthy life, but they can’t do that if they don’t have freedom of expression in the first place and if watchdogs, like journalists, are being silenced. Your report also cites the critical need for digital platforms to protect electoral integrity. How can this be done?&nbsp; Firstly, in UNESCO Guidelines for the Governance of the Digital Platforms, we highlight the need for Digital platforms to recognise their role in supporting democratic institutions by preserving electoral integrity. Their acceptance of the role is not trivial as it implies an engagement regarding democracies. UNESCO also recommends establishing a comprehensive risk assessment process that focuses on the integrity of the electoral cycle leading up to and during major electoral events. These assessments should be conducted transparently and in consultation with all relevant stakeholders and should include a gender perspective to address the escalating online violence against women in electoral contexts. Proactive measures based on the identified risks are essential to prevent potential threats to the integrity of the electoral process. Read also: <a href="https://nepalitimes.com/editorial/dont-act-on-the-act">Don't act on the act</a>, Editorial Secondly, UNESCO urges digital platforms to ensure that users have access to a diverse range of information and ideas, in line with international human rights law. Attention should be given to automated tools to prevent any hindrances in accessing election-related content and diverse viewpoints. Additionally, digital platforms should review their products, policies, and practices related to political advertising to avoid arbitrary limitations on candidates' or parties' ability to disseminate their messages during the electoral cycle. The promotion of independent fact-checking, advertisement archives, and public alerts is highlighted as crucial measures to uphold electoral integrity in content dissemination.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20240326090344_d2b0d4b66fb1632336f876e84b0e72004620937c79e36d9f94828bd8478ab937.jpg" data-media-id="editor_10" data-image-id="20240326090344_d2b0d4b66fb1632336f876e84b0e72004620937c79e36d9f94828bd8478ab937" data-rendition-name="original" width="730" height="1029" loading="lazy" alt="UNESCO guidelines for the governance of digital platforms"> </figure>  Finally, transparency is emphasised across various aspects, including the use and impact of automated tools, engagement with stakeholders and governance systems, and the identification of political advertisements. Digital platforms are responsible for disclosing funding details, applying equal content moderation rules, and tracking the monetisation of political posts. The retention of advertisements in a publicly accessible online library, along with information on funding and targeted demographics, contributes to an accountable and transparent digital environment during electoral cycles. If put in place by the platforms, these measures will collectively reinforce the commitment to preserving electoral integrity in the digital age. How can digital platforms be held more responsible when Big Tech is controlled from outside national jurisdictions whereas the impact of their content is domestic?&nbsp; The strategy for the implementation of the UNESCO Guidelines for the Governance of Digital Platforms aims to promote the enabling environment for freedom of expression and information and enhance the responsibility of digital platforms worldwide by Building a Network of Networks by fostering international collaboration and cooperation among regulatory authorities and civil society to develop common standards and regulations for digital platforms. This can help ensure that platforms adhere to responsible practices regardless of their location of ownership and may also reduce lawfare. Then there are Public-Private Partnerships to address regulatory challenges associated with digital platforms. Collaboration between governments, industry stakeholders, and civil society can facilitate the development of effective governance frameworks. Read also: <a href="https://nepalitimes.com/news/media-melee-in-the-age-of-ai">Media mêlée in the age of AI</a>, Kunda Dixit Promoting transparency and accountability of the governance system (independent regulatory authorities) and of the digital platforms policies and practices. Human rights due diligence and content moderation and curation based on international human rights standards must be upheld. The governance system itself must have independent oversight mechanisms to monitor the activities of digital platforms within national jurisdictions. We must also empower users by providing them with tools and resources to understand and manage their online experiences through media and information literacy. This includes features for content control, privacy protection, and mechanisms for reporting harmful content or behaviour. Lastly, there must be ethical guidelines for digital platforms that prioritise transparency, fairness, and respect for human rights. These guidelines can serve as a foundation for responsible platform governance.

Balancing free expression with fake news on social media

Us journalists have always believed that informing the public is our job and it is the editors who decide what the public needs to know.&nbsp;
In the past, the modes for sharing information were limited: when something happened, a reporter would go interview witnesses or experts, write up the story, and news agencies distributed the news. This monopoly over selection, production and dissemination convinced media owners that they owned and controlled content, and defined its price.&nbsp;
The media business is about mass producing news and getting revenue from subscriptions and advertisements to pay for it. It was any other product and media companies believed the public should pay for news because it cost them to cover it.&nbsp;
Till recently, we were forced to consume whatever the mainstream media dished out. Gatekeepers at radio, tv and newspapers gave the audience what they thought they wanted, not what they needed. &nbsp;
This left the media ill-prepared for the Internet era when competition became stiff and audiences had the freedom over format and a global reach.&nbsp;
Read also: <a href="https://www.nepalitimes.com/news/investigation-introspection-and-investment-in-media">Investigation, introspection, and investment in media</a>
While in a hurry to adopt the next shiny thing, publishers gave away for free what they previously sold. Readers anywhere could access the product, which was regularly updated and more conveniently available on their monitors, free of charge.
Audience habits had changed, but the Nepali media and its business model did not. The new online portals that emerged in the 2000s and 2010s followed the footsteps of legacy publishers, and they are now the legacy media — depending on advertising.&nbsp;
Most users in Nepal are not paying for online news, many are not even going to new sites, but to YouTube and TikTok entertainment. Publishers rarely know how many are willing to pay or can be persuaded to pay.
While surviving on 100% paywalls, membership or subscriptions is still a far-fetched dream in Nepal, reader revenue can help increase accountability among publishers and, in turn, trust from the audience.
Read also: <a href="https://www.nepalitimes.com/news/media-melee-in-the-age-of-ai">Media mêlée in the age of AI</a>, Kunda Dixit
Much of the digital boom in Nepali media happened alongside Facebook. Which is why many mainstream publishers did not think about establishing themselves as a destination, a homepage to come home to. They relied instead on traffic that Facebook, Twitter and other platforms brought in.
These same platforms allow people to communicate directly and have proven to be good at helping them to share information. They can now easily find what they need without relying on journalists.
But there is much Facebook users need to know beyond what they share among friends. That is where journalism comes in — to report and investigate, add context and explain, to fact check and debunk assumptions.
Recently social media platforms have been weaponised to deface media itself. This week, Twitter in Nepal has been abuzz with a leaked audio clip of a conversation between a noted tv anchor and an interviewee, in which the latter asks when the interview will be aired. The journalist is heard explaining that while the program is ready, the station was still waiting for sponsors.&nbsp;
Read also: <a href="https://www.nepalitimes.com/news/journalism-is-all-about-storytelling-and-money">Journalism is all about storytelling (and money)</a>
Most comments on the thread attack the anchor, saying this is one more proof that the media is for sale and how news is not aired unless there is money involved. There were some journalists and others who defended the anchor, saying that is how tv functions anyway. But the damage was done.&nbsp;
Public trust in the media is wavering. A 2022 survey by Sharecast Initiative showed that &nbsp;for 76% of Nepalis, friends, family and neighbours were the primary source for local news and information: for national and international news it was 50%. Both were followed by Facebook, radio, YouTube and tv.
Media literacy in Nepal is low. Audiences confuse mainstream media for social media, opinion, or unfiltered content for news, and YouTubers for professional journalists. But pushing the accountability towards the audience is not the answer when the question is what can journalists do to change this.
Just when its role in safeguarding democracy and press freedom has become more important than ever before, journalism struggles to survive and retain its relevance. This ends up undermining the independent check-and-balance role of the fourth estate in defending democracy.
All this may look discouraging, but the internet, like all technologies, has always been a double edged sword. The only way out now is to compete with the entertainment-filled social channels and information pages masking as news sites, by focusing both on the content and the medium.
More than ever before, the medium is the message.
Read also: <a href="https://www.nepalitimes.com/news/the-new-news-age">The new news age</a>, Sonia Awale

Monopoly on information

The <a href="https://www.nepalitimes.com/here-now/himal-media-mela-2022-726cqsd6">Himal Media Mela</a> 2023 sponsored by Ncell, opened on the World Press Freedom on 3 May in Kathmandu with practitioners from Nepal and the region examining journalism and how it can be meaningful and survive. “Press freedom is not just for journalists, it is a right of every citizen. We journalists have to safeguarded it,” said co-publisher of Himalmedia Kunda Dixit in his opening remarks. The theme of this year’s two-day Himal Media Media is ‘trust and introspection’ at a time when media has undergone a massive transformation in the recent years.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20230503120548_357accde61295e6a0914d0e23d94d8e7718160d4effa0ff69d68a222a08ee4b3.jpg" data-media-id="editor_1" data-image-id="20230503120548_357accde61295e6a0914d0e23d94d8e7718160d4effa0ff69d68a222a08ee4b3" data-rendition-name="original" width="2048" height="1366" loading="lazy" alt="Himal Media Mela 2023"> <figcaption>Himalmedia co-publisher Kunda Dixit giving his opening remarks. Photos: Gopen Rai and Suman Nepali</figcaption> </figure>  Legacy media and new portals alike are now vying for both readership and revenue with TikTok, YouTube and Facebook. And now with the use of <a href="https://nepalitimes.com/news/media-melee-in-the-age-of-ai">AI in the newsrooms</a>, there is a real question about the relevance of traditional journalism. On the other hand, with the proliferation of mis- and disinformation, the public's trust in mainstream media is eroding rapidly. The pressure to be the quickest to disseminate news without fact-checking information hasn’t helped matters.&nbsp; Read also: <a href="https://www.nepalitimes.com/news/media-as-the-custodian-of-people">Media as the custodian of the people</a>, Shristi Karki Added Dixit: “Nepal has entered a new decade, but we have more or less the same leaders, the same disputes, the same reactive media content that we have seen over the past two decades. Besides trying to find a new role for media in the age of AI, Nepal’s traditional press also needs to turn the gaze on itself.”  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20230503120544_c6cde8ff92cbbc50ff69aa71e5b53bd68997f497c5077a1e3401231a9bccab4e.jpg" data-media-id="editor_4" data-image-id="20230503120544_c6cde8ff92cbbc50ff69aa71e5b53bd68997f497c5077a1e3401231a9bccab4e" data-rendition-name="original" width="2048" height="1366" loading="lazy" alt="Himal Media Mela 2023"> <figcaption>Keynote speaker Siddharth Varadarajan, Founding Editor of The Wire.</figcaption> </figure>  Keynote speaker Siddhartha Varadarajan, the Founding Editor of The Wire said the media is under great threats and challenges even as there is a greater consciousness of human rights and democracy across the world. “Historically when democracy has come under strain and perished, it has because of the collapse of open, free democratic media,” said Varadarajan, giving next-door India’s example. “In Nepal, media freedom is seen as something sacrosanct. It is powerful that Nepal is a meeting place for Southasia when other countries are happy to close their borders to ideas.”  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20230503120544_1fc71ce0f69a74e5a161d20971370e9f84ee3e46ed15adb132cdc5815b71330a.jpg" data-media-id="editor_5" data-image-id="20230503120544_1fc71ce0f69a74e5a161d20971370e9f84ee3e46ed15adb132cdc5815b71330a" data-rendition-name="original" width="2048" height="1366" loading="lazy" alt="Himal Media Mela 2023"> </figure>  But just as social media and digital platforms have made it easier for the dissemination of news and content to reach more audience, technology has also allowed the government and censurers to further restrict and control media like the use of a spyware Pegasus for the surveillance of journalists. Reporters and publication houses are also being increasingly harassed with defamation, sedition and criminal charges. Worse, they are threatened with physical harm. Many journalists in the region have in fact lost their lives for their critical voice. Read also: <a href="https://www.nepalitimes.com/here-now/paradigm-shift-in-nepali-media">Paradigm shift in Nepali media</a>, Shristi Karki But perhaps the biggest change for mainstream media today is to sustain itself. Journalism today has an even more important role in safeguarding democracy and press freedom against populist demagogues but media companies are at their financially weakest. And a f<a href="https://nepalitimes.com/news/the-new-news-age">inancially weak media is not politically independent</a>.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20230503120544_372ba75c18c86065d1602425214026342bac2d4929359dd5f4a7df8c6b9a77b1.jpg" data-media-id="editor_8" data-image-id="20230503120544_372ba75c18c86065d1602425214026342bac2d4929359dd5f4a7df8c6b9a77b1" data-rendition-name="original" width="2048" height="1366" loading="lazy" alt="Himal Media Mela 2023"> </figure>  "The less media rely on government favours, large companies and sponsors, and more on your subscription, donation and contribution from your readers, viewers and the civic society, the more it will be sustainable and credible,” added Varadarajan who set up The Wire to be a non-profit digital platform. He also warned media and civil society in Nepal not to be complacent. “Don’t take Nepal’s openness for granted, guard it and protect it,” he said.&nbsp; Media and coverage of evolving geopolitics In the first panel of the day, speakers Sudheer Sharma of Kantipur and Kanak Mani Dixit of Himalmedia delved into increasing interest of India, China and now the United States in Nepal as the battle for regional dominance intensifies.  <figure> <img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20230503120544/90033c822b9a057369e821f5c28cd7ab216da08b6225af1f0c9d0a937074b802.jpg" alt="" /> <figcaption>First panel of the day, Media and coverage of evolving geopolitics. </figcaption> </figure>  This has further heightened the importance of how Nepali media balances its coverage with India-Sino and US-Sino relations arguably at its most fragile. “In Delhi, Nepal and our media is seen as pro-China whereas when I was in Beijing, I could see that the Chinese thought we have been Americanised following the ratification of the MCC,” said Sharma who is the editor of the largest daily in Nepal, Kantipur.&nbsp; He added: "But at a time when there are more challenges due to the increased geopolitical tension which needs to be tackled with zeal and alertness, the ability of our organisation and leadership seems to have dininished." Sharma also stressed that Nepali media’s coverage of geopolitics focused too much on political diplomacy and not much on economic diplomacy even as Nepal tries to export its hydropower surplus to India.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20230503120544_58fc10d372333add459796f274b8b12f2437f8832d286193aa498259f9c92d44.jpg" data-media-id="editor_10" data-image-id="20230503120544_58fc10d372333add459796f274b8b12f2437f8832d286193aa498259f9c92d44" data-rendition-name="original" width="2048" height="1366" loading="lazy" alt="Himal Media Mela 2023"> <figcaption>Speaker Sudheer Sharma, editor of Kantipur.</figcaption> </figure>  The installed capacity of hydropower projects in Nepal is expected to cross 3,000MW this monsoon and another 3,200MW will be added to the grid in the next three years. With domestic consumption at just 1,600MW, the only other alternative is to export surplus, except India doesn’t buy power from projects with Chinese investment or contractors. In fact, India is edging China out of Nepal’s river projects as water becomes a strategic commodity. “Media is raising these issues to an extent but that discourse is never really brought to the light because of politics and our parties,” said Kanak Mani Dixit, co-publisher of Himalmedia. “Nepal is the oldest nation-state in South Asia, but Nepali politicians have often put Nepal’s geopolitics on the line for their interests.”  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20230503120544_b0793aa82c9936af1b4dc2dcc10b38a503af060f319fa13f9f7f0b7d2b3e4336.jpg" data-media-id="editor_11" data-image-id="20230503120544_b0793aa82c9936af1b4dc2dcc10b38a503af060f319fa13f9f7f0b7d2b3e4336" data-rendition-name="original" width="2048" height="1366" loading="lazy" alt="Himal Media Mela 2023"> <figcaption>Speaker Kanak Mani Dixit, co-publisher of Himalmedia.</figcaption> </figure>  Ahead of the 2024 elections in India, speakers also warned of politicised use of Hindutva in Nepal and that Nepali media needs to be alert so as not to let the pincer of Hindutva enter our politics and society. “Nepal is too diverse a society to be defined by one form of Hindutva or the other but we have groups who wish these sentiments to flourish in Nepal but it is up to the media to take this up,” remarked Dixit. He added: "Nepal is a meeting place for South Asia and has to remain an open space for itself and for the region. And the media has to realise this soft power of Nepal." Data Journalism Data is crucial for good journalism. Paper trails and data mining have led to some of the biggest money laundering exposes. Data supported journalism has led to constructive discourse in a longer term. "In any developing or developed economy, availability of data, its quality and depth help citizens as well as policymakers to form democratic decisions. Data allows better discourse, it is critical when forming unbiased and objective judgement in any issue" said guest speaker Govindraj Ethiraj of IndiaSpend and BOOM FactCheck as he presented various case studies to prove the point.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20230503120544_319b0473f2a9d48dcb88a78a8e6aae2f179046880baeecc45ff8d7146fb527ca.jpg" data-media-id="editor_12" data-image-id="20230503120544_319b0473f2a9d48dcb88a78a8e6aae2f179046880baeecc45ff8d7146fb527ca" data-rendition-name="original" width="2048" height="1366" loading="lazy" alt="Himal Media Mela 2023"> <figcaption>Govindraj Ethiraj of IndiaSpend during his session on data journalism.</figcaption> </figure>  IndiaSpend found out that 12PM at noon has the best air quality in India for a walk, mornings were the worst much like in Kathmandu. They also found that odd-even vehicle rule did not actually help reduce air pollution in Delhi. Ethiraj also briefed the audience about an on-going project to measure methane emission in India, which they found out was among the biggest polluters in India with the country being the fourth biggest emitter. But oftentimes, it is hard to access data, either because they are withheld or because it is very time consuming to crunch all the numbers and clean them up. Other times, there is simply no data.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2023050313050_ed561208530ccbdf6b979738adc90851da17cad7b4ccfd692deab0f6b2e19c8b.jpg" data-media-id="editor_13" data-image-id="2023050313050_ed561208530ccbdf6b979738adc90851da17cad7b4ccfd692deab0f6b2e19c8b" data-rendition-name="original" width="2048" height="1366" loading="lazy" alt="Himal Media Mela 2023"> </figure>  “There will be data gaps especially on critical matters but let us ask for better quality data, more data but equally use the data that is already there in your hand to build high quality journalism which is really critical in this time and day. And project that data in a way people can make sense of it,” added Ethiraj. Given the importance of data in storytelling, there is often a question of whether the story comes first or data. Said Ethiraj: "Truth is, they go together. As much data, as many stories. This aids us in making unbiased opinions and objectives, presents a clearer picture, and empower people with better understanding."

Nepal should be open for South Asia

<figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221114111120/637216cd9c7e80680e0ba9b3jpeg.jpg" alt="" width="1100" height="1269"/><figcaption>Illustration: DIWAKAR CHETTRI</figcaption></figure>The past two years have accelerated the trends already buffeting the media industry pre-Covid: migration of readers and advertisers from legacy to digital media, entertainment replacing information, a losing battle against fake content, and so on.Kitty videos went viral even as the virus shut society down. Social media became the new mass media.Till three years ago in Nepal, <a href="https://www.nepalitimes.com/banner/how-nepals-media-landscape-is-being-transformed/" data-saferedirecturl="https://www.google.com/url?q=https://www.nepalitimes.com/banner/how-nepals-media-landscape-is-being-transformed/&amp;source=gmail&amp;ust=1651624304899000&amp;usg=AOvVaw3t8DpuKSKgqz-bOvPRD1R3">‘Facebook’ was synonymous with ‘Internet’</a>. But in <a href="https://www.nepalitimes.com/editorial/new-news/" data-saferedirecturl="https://www.google.com/url?q=https://www.nepalitimes.com/editorial/new-news/&amp;source=gmail&amp;ust=1651624304899000&amp;usg=AOvVaw3CLJ3__F60u9ijYJAn_Bsz">2019 YouTube users overtook Facebook</a>, and now a <a href="https://www.nepalitimes.com/here-now/huge-uptick-in-tiktok-during-nepal-lockdown/" target="_blank" rel="noopener noreferrer">TikTok takeover</a> makes dance routines on the platform consume nearly a quarter of the country’s bandwidth.The power and reach of global digital platforms and online portals have transformed the way people stay informed, while <a href="https://www.nepalitimes.com/editorial/the-message-is-the-medium-2/" data-saferedirecturl="https://www.google.com/url?q=https://www.nepalitimes.com/editorial/the-message-is-the-medium-2/&amp;source=gmail&amp;ust=1651624304899000&amp;usg=AOvVaw3_LES6c-wOoyW5ET4vUl3F">some prefer to be deliberately disinformed</a>. Since digital content can be manipulated and multiplied, it is easier for populism to replace pluralism.As algorithms radicalise voters and confine them to echo chambers, elected demagogues across the world threaten democracies, and despots get voted to power.The print media in Nepal went fully digital during the 2020 lockdowns, and even though revenue plummeted, readership hit the roof. Newspapers like this one resumed print editions and reclaimed <a href="https://archive.nepalitimes.com/regular-columns/guest-editorial/readers-editorial,1059" data-saferedirecturl="https://www.google.com/url?q=https://archive.nepalitimes.com/regular-columns/guest-editorial/readers-editorial,1059&amp;source=gmail&amp;ust=1651624304899000&amp;usg=AOvVaw3UUu5VRVBiBEucIhJFjFPt">loyal hardcopy readers</a>, but there are many times more users online now for multimedia content. The economics of the media business has also changed, possibly forever.Nepal’s economy was just beginning to recover from the downturn caused by the pandemic when <a href="https://www.nepalitimes.com/here-now/ukraine-crisis-hits-nepal-economy-hard/" target="_blank" rel="noopener noreferrer">the war in Ukraine</a> scored another direct hit on <a href="https://www.nepalitimes.com/latest/the-geopolitics-of-food/" target="_blank" rel="noopener noreferrer">fuel and food prices</a> worsening hard currency reserves and the country’s balance of payments.New restrictions on bank loans and imports have hit businesses hard, and this has had a direct impact on advertising -- the main source of revenue for media companies.Just when its role in safeguarding democracy and press freedom has become more vital than ever before, journalism struggles to survive and retain its relevance. This ends up <a href="https://www.nepalitimes.com/editorial/censuring-censorship/" target="_blank" rel="noopener noreferrer">undermining the independent check and balance role</a> of the fourth estate in defending democracy.Nepal’s media practitioners need to be more vigilant than ever -- especially at a time when we see the largest, oldest and most vibrant democracies in the region and around the world being dismantled by leaders who have co-opted democratic institutions to propel themselves to power and remain there.All this may look pretty discouraging for those who believe in an open society, and value tolerance, inclusiveness, and the freedom to express themselves. But the Internet has always been a double-edged sword, like all other technologies that preceded it.Fake news, disinformation and gossip did not begin with the social web. They are as old as the written word itself. Elon Musk calls Twitter the global ‘town square’, but town squares through history have also been violent places – unleashing lynch mobs, witch hunts, burnings at the stake and public hangings.There are equivalents of early newspapers inciting pogroms in Russia and Germany, later of radio in Rwanda sparking genocide. The only difference with online posts is their instantaneous amplification and global reach. And effect of this can be fast and brutal, as seen by the calls for mass killings of the Rohingya in Facebook posts, and lynchings in India triggered by WhatsApp groups.Cancel culture, trolling and cyber-lynching by bot armies also dampen voices calling for moderation, science-based decision making, and acceptance of diversity.<a style="font-size: 15px; letter-spacing: 0.01em;" href="https://www.nepalitimes.com/editorial/dont-act-on-the-act/" target="_blank" rel="noopener noreferrer">Attempts to regulate Internet content</a> collide head on with accepted norms of free speech. Where does one draw the line? It might first be important to distinguish between ‘journalism’ broadly defined on the one hand, and on the other, posts inciting violence or troll factories manufacturing hate on assembly lines.These and other issues will be the subject of the day-long ‘Connectivity in the Age of Disinformation’ conference at the Himal Media Mela on 7 May, marking Himalmedia’s own 25th anniversary year. Media practitioners will be taking stock of the media’s role in these changed circumstances.The <a href="https://www.nepalitimes.com/banner/the-death-of-print-is-exaggerated/" target="_blank" rel="noopener noreferrer">death of print media is exaggerated</a>. There is still power in print because the powerful read it. A survey in 2020 also showed that most Nepalis were not reading print media because <a href="https://www.nepalitimes.com/editorial/new-news/" data-saferedirecturl="https://www.google.com/url?q=https://www.nepalitimes.com/editorial/new-news/&amp;source=gmail&amp;ust=1651624304899000&amp;usg=AOvVaw3CLJ3__F60u9ijYJAn_Bsz">roadside shops had stopped stocking newspapers</a> and magazines.That survey by <a href="https://www.sharecast.org.np/" data-saferedirecturl="https://www.google.com/url?q=https://www.sharecast.org.np/&amp;source=gmail&amp;ust=1651624304899000&amp;usg=AOvVaw0zGgEqvlW8X0_WPVzK5j2c">Sharecast Initiative Nepal</a> revealed 96% of Nepalis had mobile phones, and <a href="https://www.nepalitimes.com/editorial/new-news/" data-saferedirecturl="https://www.google.com/url?q=https://www.nepalitimes.com/editorial/new-news/&amp;source=gmail&amp;ust=1651624304899000&amp;usg=AOvVaw3CLJ3__F60u9ijYJAn_Bsz">showed that</a> 94% of those following the mainstream press are still reading the paper newspaper because they found it more ‘trustworthy’. Although respondents said they used social media platforms, more than 90% said they did not believe everything in it.And that is the niche that Nepal’s mainstream press now need to fill: to be the credible source of news, present verified facts, correct online falsehoods, as well as to explain, interpret and analyse events and trends.Gazing into the future, <a href="https://www.nepalitimes.com/here-now/the-new-reality-of-nepals-virtual-celebrities/" data-saferedirecturl="https://www.google.com/url?q=https://www.nepalitimes.com/here-now/the-new-reality-of-nepals-virtual-celebrities/&amp;source=gmail&amp;ust=1651624304899000&amp;usg=AOvVaw2KtE3bnQpem6LSBL3c-go4">social media</a> platforms will be useful dissemination tools, social media platforms will be even more entertainment-driven, and it will be the papers and their digital editions with credibility and exclusive content that will stay afloat.

Internet in everything

<img width="1135" height="975" src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221114101148/63720ee49c7e80680e0b7943jpeg.jpg" alt=""/>Nepal’s governments have been biologically incapable of going to the root of any issue to find solutions. Instead, they introduce <a href="https://www.nepalitimes.com/latest/nepal-town-to-ban-mothers-migrating/" target="_blank" rel="noopener noreferrer">knee-jerk rules and banket bans that impinge on citizens’ rights</a>.
The latest is the 11th amendment to the National Broadcasting Regulation in the Nepal Gazette. Like all previous ill thought out rules, this one is vague, contradictory, and unconstitutional.
The new amendment seeks to regulate Over the Top (OTT), Video on Demand (VOD) and internet television in Nepal. OTT is the service of displaying tv programs through the internet without using direct-to-home cable or satellite. It also includes media streaming services through other online platforms.  
Now, any individual or organisation uploading a video via internet tv ‘on a regular basis’ needs to register. The licensing fee is Rs500,000. 
The National Broadcasting Regulation is concerned with frequency allocation, not the internet. Regulating <a href="https://www.nepalitimes.com/banner/mobile-nepal-is-hooked-on-youtube/" target="_blank" rel="noopener noreferrer">net content </a>is not the purview of broadcast rules.
Advocate Prabin Subedi explains that the National Broadcasting Act does not regulate the internet. The government is trying to restrict the freedom of choice of citizens. 
Any new law should either try to solve a problem or to facilitate a solution. But this is not just a clumsy attempt to <a href="https://www.nepalitimes.com/banner/no-freedom-after-expression/" target="_blank" rel="noopener noreferrer">restrict freedom of expression</a>, but a blunt sword that can be used to go after anyone the government does not like. For example, what is a ‘regular broadcast’? Once a month? Once a week? When is an occasional post ‘regular’?
Even if it is to regulate ‘regular’ social media content, it should go through an internet specific law like the proposed<a href="https://www.nepalitimes.com/editorial/rule-by-law/" target="_blank" rel="noopener noreferrer"> Information Technology Bill</a>. If it is about a tax on the earnings of online/social media it should be governed by corporate or taxation laws, explains Santosh Sigdel of Digital Rights Nepal.
Read Also: <a href="https://www.nepalitimes.com/banner/gagging-the-press-in-installments/" target="_blank" rel="noopener noreferrer">Gagging the press in installments</a>, Sewa Bhattarai
By its very nature, the internet is an <a href="https://www.nepalitimes.com/here-now/digitial-path-to-social-buffers-in-nepal/" target="_blank" rel="noopener noreferrer">open ecosystem where people can communicate openly</a>. Nepal's Constitution guarantees freedom of expression, and the country is also party to the International Covenant on Civil and Political Rights (ICCPR), Article 19. 
The amendment is against the Constitution because it limits freedom of expression. This is like needing a license to speak up.
After a public outcry, officials have tried to justify the amendment. But even if this is an attempt to curb fake news, open defamation and mala fide YouTube videos, it is crude and ham-handed. Instead of introducing draconian regulations, the emphasis should have been on spreading media literacy among citizens. 
Sigdel told us the problem is that the government just does not understand the Internet’s convergence of text, video, audio and graphics. It is still trying to regulate them individually. It is clear that in this <a href="https://www.nepalitimes.com/banner/nepals-local-election-gives-power-back-to-people/" target="_blank" rel="noopener noreferrer">year of elections</a>,  politicians are concerned about the influence of social media content.
“Content cannot be regulated by state’s intervention. Most people can distinguish between genuine and fake news on YouTube, and we can create awareness through media literacy,” says Subedi.
Nepal appears to be following the example of its neighbours in subduing internet content. China has its Great Firewall, and last year India introduced controversial rules that have been used selectively to target opponents while allowing hate speech on other platforms. In February, Bangladesh came up with a draft regulation similar to India’s IT rules to curb social and digital media including OTT platforms. It is as if countries are exchanging notes on the most effective way to muzzle the media. 
Successive governments in Nepal have tried to constrict the public sphere, the <a href="https://www.nepalitimes.com/editorial/in-a-surveillance-state/" target="_blank" rel="noopener noreferrer">right to privacy </a>and media freedom through various bills and regulations. Their vagueness is deliberately designed for arbitrary application against people the government does not like. 
Nepal today stands as a beacon of press freedom in a region where the mediascape is increasingly constricted. Our lawmakers and bureaucrats should abandon the notion that they can suppress free expression just because other countries have. 
Read also: <a href="https://www.nepalitimes.com/opinion/protecting-free-speech-on-nepals-cybersphere/">Protecting free speech on Nepal’s cybersphere</a>, Sabina Devkota

Sahina Shrestha

Don't act on the Act

One smoggy winter morning in February 2019, Ekta regretted coming to her sculpture class. It was the first day of her period, and the 19-year-old wished she was home, curled up in bed with a hot water bag to soothe her cramps.
Her class was at Kalapremi Ceramic Studio, a dark room on the ground floor of a house in Maharajganj, and Ekta’s teacher was the artist Gopal Das Shrestha ‘Kalapremi’, a noted sculptor.
Two other students were already there, using all their muscle strength to knead the sculpting clay. Ekta, now 24, recalls how Kalapremi asked her if she was feeling all right. She avoided him, as she did not want everyone to know she was menstruating.
Kalapremi repeatedly asked Ekta what was wrong. She finally muttered that she was having her period, after which he grabbed her hand and led her to a partitioned corner of the studio and sat her on a chair. Before she could stop him, he slid his hand under her dress, and started massaging her abdomen.
“I was horrified,” Ekta recalls. “I told him to stop, but he didn’t listen, asking me not to be shy, saying he knew how to relieve my pain. He stopped only after I protested furiously.”&nbsp;
The art tutor then said, “You’re like my daughter. I’m doing it out of love to make you feel better, but you’re so stubborn.”&nbsp;
“Instead of saying sorry he acted like I was the one having crazy thoughts,” remembers Ekta, adding that from April 2016 to August 2020 beginning the time she was 16, the artist sexually abused and harassed her on several occasions. &nbsp;
Now, Ekta and the artist’s other former students are finally sharing their experiences and some are pressing legal charges against him, hoping that others do not have to endure what they did.&nbsp;
Award-winning artist and teacher Gopal Das Shrestha ‘Kalapremi’ (the name means ‘Art Lover’) is known for his ceramic art, sculpture, and contemporary pottery. He was <a href="https://nepalitimes.com/review/the-house-of-kalapremi">profiled in Nepali Times after a collaborative exhibition</a>, ‘Where the Wild Things Are’ at the Siddhartha Art Gallery three years ago.&nbsp;
His pieces, titled Gaalis, featured sculpted female figures with the heads of dogs, sheep, and donkeys (pictured) to depict derogatory terms for women. Some critics said the collection was a satire on feminists.
Kalapremi started his artistic and teaching career in 1983 and over the years taught at Bhanubhakta School, Kathmandu University School of Arts, Lalitkala Campus and at his private Kalapremi Ceramic Studio. He has also lectured at Jeonju University in South Korea and recently at Tabor Academy in the United States.
Seven of Kalapremi’s former students were interviewed for this story. Five female students said he touched them inappropriately in his studio or at Kathmandu University. Two male students said they witnessed him abuse and harass the women. In all cases, the students struggled to recognise the abuse when it occurred, and the lack of reporting systems left them to cope on their own for years.&nbsp;
Earlier this year, students shared a social media post hinting at Kalapremi’s history of abusive behaviour following which more students of the artist reached out sharing similar experiences. Some students spoke of abuse that happened as long as 20 years ago.
Kalapremi, 60, has denied the allegations. He told Nepali Times: “Some years ago, there was a movement encouraging people to hug and kiss. I used to do it purely out of friendship and love. But after seeing posts on social media last year calling out my behaviour, I realised my actions may have hurt some people. I understand now that I should have been more mindful.”
He added: “I am also an auxiliary health worker, so I know the exact points to massage to relieve menstrual pain. It’s not just menstruation, I take anyone who is ill to the hospital.”
Sexual abuse is much more rampant than reported given how difficult it is to prove it in court. The law defines sexual abuse as occuring when someone touches another’s private parts, coerces them into touching theirs, uses vulgar language, shows degrading images, or behaves indecently towards them without consent.&nbsp;
Ekta and her fellow students are consulting lawyer Suneeta Regmi Pokhrel, who says they know that even if the court decides in their favour, it is difficult to survive after speaking up, and influential men defend themselves saying they are being framed.&nbsp;
“They are in a lot of pain and weep when recalling how he abused them,” Regmi Pokhrel told us. “They are angry and have filed a case against him, but they are also terrified. They know he is a powerful man and they have seen how our society treats women who speak up against abusers. Unless people speak up, perpetrators will be emboldened.”
Art and academia in Nepal simply reflect the power imbalances in society where people with intersecting identities experience worse forms of abuse. Theatre actors Raj Kumar Pudasaini, Rajan Khatiwada, and Sunil Pokhrel were called out during the #MeToo movement in the Nepali theatre scene in 2019. Even after the allegations Pokhrel went on to receive national awards, while others continued to work without repercussions.
“If you speak up against abusers, you gradually get sidelined from projects,” explained a theatre artist who wished anonymity fearing professional setbacks. “The theatre scene in Nepal is quite small, you just have to make peace with the perpetrators and work with them if you want to sustain yourself.”&nbsp;
In academia there is a history of faculty members sexually harassing students and getting away with it. After Tribhuvan University (TU) lecturer Krishna Bhattachan was accused of harassing women students, the university said it would follow Nepal’s sexual harassment law and set up a reporting mechanism. But nothing happened to the professor, who had already retired. Instead, he counter-accused the students of 'attacking the indigenous people’s movement with baseless allegations' as <a href="https://kathmandupost.com/letters/2019/01/29/bhattachan-responds">he told the Kathmandu Post in 2019</a>. He continues to be featured as a prominent speaker including at TU.
Other faculty members previously accused of sexual harassment include Jagadish Murti Koirala from TU, Bishnu Prasad Acharya from Ratna Rajya Campus, and Bodha Raj Tripathee from Lalitpur Madhyamik Vidhyalaya. A woman staff member from TU also filed a sexual abuse complaint against Dambar Chemjong from TU.
Prominent figures like <a href="https://nepalitimes.com/news/the-rise-and-fall-of-nims-purja">mountaineer Nims Purja</a> have been <a href="https://www.nytimes.com/2024/05/31/sports/mountaineering-sexual-harassment-abuse-nims-purja.html">accused of sexual assault</a>, and cricketer Sandeep Lamichhane, actor <a href="https://nepalitimes.com/news/celebrity-rape-case-spotlights-nepal-laws">Paul Shah</a>, and former speaker of Parliament <a href="https://nepalitimes.com/news/mahara-arrested">Krishna Bahadur Mahara</a> have been accused of rape, but society-at-large has let off the alleged perpetrators amdist a larger debate about justice for survivors and punishment of perpetrators.&nbsp;
‘Gaushala-26’ is the court name given to the 18-year-old who accused Sandeep Lamichhane, former captain of Nepal’s national cricket team and skipper of Biratnagar Kings in the <a href="https://nepalitimes.com/here-now/here-comes-the-nepal-premier-league">ongoing Nepal Premier League</a>, of rape. She left the country citing society questioning her character affecting her mental health while Lamichhane got an outpouring of support. In May, the Patan High Court overturned a prior verdict that found Lamichhane guilty of rape and had sentenced him to eight years in prison. During the 23-month legal battle to pursue justice, Gaushala-26 faced threats of gang rape and acid attacks.&nbsp;
Exhausted by the struggle, Gaushala-26 sought to “move to a new world” where she could live free without hiding her identity.
Actress Samragyee Rajya Laxmi Shah in an Instagram video now deleted detailed the harassment she faced from a filmmaker during a movie shoot. She did not name any name but veteran actor Bhuwan KC filed a defamation case against Rana, but the court ruled that the charge lacked sufficient evidence.&nbsp;
Former Kathmandu mayor <a href="https://nepalitimes.com/opinion/theytoo">Keshav Sthapit also mocked the #MeToo movement</a>, calling accusations against him by journalists Rashmila Prajapati and Ujjwala Maharjan “a rape of men’s rights”.
Serial Abuse
Back at the Kalapremi Ceramics studio, another former student, 24-year-old Rajiv, says he felt the need to speak out after seeing his female classmates being abused.&nbsp;
“He frequently kissed them on their cheeks,” he told Nepali Times. “Whenever they walked into the studio he flailed his arms like a child asking for a hug. They awkwardly hugged him from the side, but he pulled them closer, held their chin, and kissed their cheeks.”&nbsp;
Rajiv says he also saw Kalapremi pull the women’s bra straps, touch their breasts, and slap their buttocks. The young students would freeze, not knowing how to react, and if they protested, he would say it was “normal in art”. Rajiv, 19 at the time like his classmates, remembers thinking perhaps the well-respected artist was right after all.
Another student, Luna, who took lessons at Kalapremi’s studio from 2020 to 2022 did try to confront the tutor after he made an obscene proposal to her. She recalls: “One day when the other students had left the studio and it was just the two of us, he told me that God had given him special artistic talent and he could transfer those powers to me. But to do that both of us will have to be naked, inside a dark room, and have sex.”
Luna, who was 18 then, was livid and told him she did not want any of his powers, but she says he laughed at her as if he was joking. She did not tell her family about the incident because she thought no one would believe her.&nbsp;
“They were all in awe of this famous artist and felt I should be grateful that to be learning sculpting from him,” she says. “I was scared to be alone with him in case he talked about sex again. My coping mechanism was to be rude so he wouldn’t try to come close to me.”
Seeing how some classmates were standing up to Kalapremi, Ekta too tried to push back against his advances, but she said he found ways to coerce her. Since Ekta, Rajiv, and Luna could not afford Kalapremi’s Rs30,000 monthly fee for lessons, he had offered them all a stipend to assist him in the studio.
“He had spondylosis and took me to his therapy sessions to learn massage techniques, then he often made me and other students massage him,” says Ekta. Whenever she refused, he would feign pain to make her feel sorry for him. “He would insist that I put my hands under his shirt so that I could massage him better,” she adds.
The art tutor often tried to “seduce sympathy” from Ekta by sharing how he had never been loved as a child and was “sexually frustrated” as an adult.&nbsp;
“At 7PM, he would pour himself Signature whiskey and immediately go off again about how he was sex-starved. I didn’t know how to respond. It took me time to realise alcohol was just an excuse to talk about sex,” Ekta says.
If convicted, Kalapremi could face financial penalty and/or a prison sentence of up to three years according to Section 224 of National Penal (Code) Act 2017.&nbsp;
Data suggests that victims of child sexual abuse on average take nearly 24 years to tell someone about their trauma, and some may never disclose it at all.&nbsp;
“In our culture, children are rarely taught about boundaries. They often react, show anger when adults pinch their cheeks. But adults insist they did it out of love, and force the children to accept it,” says Sita Lama, a psychotherapist at Manka Kura. “And even when someone touches them inappropriately they struggle to identify and verbalise it.”
When perpetrators claim to be “acting out of love”, Lama says survivors are likely to perceive it as something safe, rather than recognising it as abuse.&nbsp;
“It may take years for them to realise they were abused,” she explains. "And even when they become aware, the power imbalance with the abuser and the associated shame often prevents survivors from speaking up."
Other former students from the School of Art at Kathmandu University have also come forward years later, saying Kalapremi sexually abused them. As young adults, they felt his behaviour was off but were uncertain if it was inappropriate, illegal, or they did not know how to respond. After having understood that it was indeed abuse, they say they are speaking out now to protect others.&nbsp;
Amina Singh, a visiting faculty member at Kathmandu University, says there is no clause against sexual abuse in contracts of teachers, and there is no formal grievance handling mechanism for the students.&nbsp;
“So the only way students can to deal with sexual abuse is approach someone they trust,” she says.
Eight other former art students of Lalit Kala Campus and Srijana College of Fine Arts of Tribhuvan University and other private art studios in Kathmandu say they were also sexually abused by their art teachers. Three faculty members interviewed from these institutions said they saw the abuse, but felt it was futile to report it given how powerful the teachers were.
In the absence of a formal system, some longtime women artists warned each other about “problematic” artists. They shared &nbsp;a “heads-up” to be more cautious when collaborating with them, and avoided responding to their calls and texts after work hours.
To ensure art institutions are safe for all, galleries, museums, artist studios, and smaller art spaces need to develop policies on sexual harassment. This would include a code of conduct or studio policies that hold the leadership accountable and outline the principles of professional ethics.&nbsp;
Students and employees should inquire about accountability mechanisms for raising concerns, both formally and informally, advocates say.
Three years after Ekta left the ceramics studio, she learnt that Kalapremi had harassed many other women. Still trying to get a footing in the art industry, she attended a workshop in Kathmandu where women artists discussed ways to stay safe in the art sector.&nbsp;
Since it was a close-knit group Ekta opened up about how she felt violated and realised she was not alone, he had been abusing underprivileged students for years, and this was common knowledge among artists in Nepal.
Ekta says that even after she quit, Kalapremi continued sending her text messages like ‘I am thinking of you’, ‘Why have you stopped speaking with me’, or ‘I am waiting for your call’.&nbsp;
But what really forced her to act was when Ekta found out that he was sending similar texts to her younger sister.&nbsp;
“I’ve had enough,” she told us. “He abused me all these years but I won’t let him abuse my sister.” &nbsp;
Ekta, Rajiv and Luna are not the real names of the students.&nbsp;

‘Art Lover’ accused of sexual abuse

It was 8:15 in the evening of 25 March 1968 when everyone in the village of Batulechaur near Pokhara heard a deafening sound like thunder as a bright flashing object hurtled down to land in a field.&nbsp; That field belonged to Kul Timilsina, and the next morning he retrieved a sheet of metal about 2m by 1m and carried it home with the help of a few others, thinking it would be useful for his buffalo shed.&nbsp; Before he died at age 83 three years ago, Timilsina had told photo archivist Sunil Ulak that the black metal sheet was not rectangular and had rounded corners. There are a few witnesses still alive who have a clear recollection of the object that fell from the sky that night.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2024120707128_75cc85aac56b9cc4a77366471f058d7b3eb6868776811b0923845c2d0a61f014.jpg" data-media-id="editor_0" data-image-id="2024120707128_75cc85aac56b9cc4a77366471f058d7b3eb6868776811b0923845c2d0a61f014" data-rendition-name="original" width="1170" height="601" loading="lazy" alt="UFO over Pokhara"> <figcaption>The field in Batulechaur belonging to Kul Timilsina where fragments of a flying object fell from the sky in 1968.</figcaption> </figure>  One of them is Timilsina’s wife Gyanu, who was 22 at the time. She had been at home, and remembers hearing the big bang and the sky becoming very bright. “We saw the thing in the field in the morning,” she told us. “It looked like a lid, a covering of some sort. The way it was stuck in the ground, it must have fallen from the sky. We thought we could use it to dry clothes on, and took it home.”&nbsp; Another witness is Kul Narayan Paudel. “I was only eight then. We ran to the field to see what had fallen. It was a four-sided metal sheet. The elders took it away, and I don't know what happened to it.” &nbsp; Ram Bahadur Baniya, a teacher at the local school, says he had heard the sheet had been brought to the school, and later handed over to the Zonal Commissioner at the time, Nanda Prasad Malla. “But that is all hearsay,” he says.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2024120707128_0bf207a12063fb8155b3c8d9a00a94887b126380c9e0627527c84cf5e1101f54.jpg" data-media-id="editor_1" data-image-id="2024120707128_0bf207a12063fb8155b3c8d9a00a94887b126380c9e0627527c84cf5e1101f54" data-rendition-name="original" width="1170" height="610" loading="lazy" alt="UFO over Pokhara"> <figcaption>Gyanu Timilsina, wife of Kul Timilsina.</figcaption> </figure>  There are two versions of what happened to Kul Timilsina’s metal sheet. One is that an American Peace Corp Volunteer teaching at the nearby Bindyabasini School took it, and another is that it was handed over to the government. Recently declassified Central Intelligence Agency (CIA) and US State Department documents from the time say that the US Embassy in Kathmandu tracked down the object two years later and had it shipped back to the US. A telegram from the Department of State and Department of Defense tagged as ‘MOON DUST / Space Fragments’ dated 1 March 1972 stated: ‘1. Restored space fragment will be on board Embassy support flight 115 arriving Kathmandu on or about March 10. Fragment is packed in shipping crate (cargo no. 72-33365) marked in care of DAO.&nbsp; 2. State and Defense representatives examined fragments prior to shipment finding restoration acceptable.’  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20241207071212_929d903ee06d41baa4f6040e981cd7c7d7bd75cc9c37c9b617d307fc8538d2df.png" data-media-id="editor_2" data-image-id="20241207071212_929d903ee06d41baa4f6040e981cd7c7d7bd75cc9c37c9b617d307fc8538d2df" data-rendition-name="original" width="856" height="568" loading="lazy" alt="UFO over Pokhara"> <figcaption>Declassified CIA documents about the investigation into the object sighted in Pokhara. </figcaption> </figure>  The documents show that the US government, military and intelligence agencies investigated this incident thoroughly when it occurred, and have continued to revisit it ever since, as recently as five years ago. What is even more intriguing is that the object that fell in Pokhara was not the only unidentified space object that fell to earth that year. There were similar sightings of objects falling from the sky in Ladakh, Sikkim and Bhutan between 19 February and 25 March 1968.&nbsp; These mysteries were the subject of a CIA investigation in 1968 titled ‘<a href="https://www.cia.gov/readingroom/docs/CIA-RDP81R00560R000100070007-8.pdf">Sighting of Unidentified Flying Objects in Ladakh, Nepal, Sikkim and Bhutan</a>’, and the report is part of the recent online declassification of 800,000 top-secret documents from the period.&nbsp; &nbsp;Although unidentified flying objects (UFOs) have a connotation now of being alien craft, it could be pieces of satellite, missile, rocket or even aircraft. The CIA report documents six sightings in 1968 and quotes local sources as describing all of them having similar characteristics: bright blue or red streaks in the sky accompanied by loud sounds like lightning and thunder and objects falling to the ground. Aside from the metallic object that was found in Batlechaur, there were other items also found nearby in Tallakot, Tureypasal, Armalakot and Maidan. Whatever the object was, it seems to have disintegrated even before it hit the ground.&nbsp; The CIA report records the first sighting on 19 February 1968 in various parts of Sikkim and Olangchung Gola and Ghunsa in eastern Nepal. The light was said to be ‘long and thin’ and giving out ‘green and red light’. &nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20241207071212_c3c825027d966a2aedc846970390eebe063957503c7eacc8e01e0517843f9bbb.png" data-media-id="editor_4" data-image-id="20241207071212_c3c825027d966a2aedc846970390eebe063957503c7eacc8e01e0517843f9bbb" data-rendition-name="original" width="892" height="596" loading="lazy" alt="UFO over Pokhara "> </figure>  Two days later on 21 February, a soundless blue object was seen traveling fast across the sky above Thimphu in Bhutan. Then on 4 March there were multiple daytime sightings or white streaks in the sky at Chang La Pass, Fukche and Koyul in Ladakh. There were more sightings in Ladakh on the very day fragments fell near Pokhara on 25 March 1968.&nbsp; After the sightings in Pokhara, rumours started flying in Kathmandu that these were aliens trying to land on Earth, it could be Russian or Chinese spy planes or satellites, and some even say it as a sign from heaven that the end of the world was near. This was at the height of the Cold War. The Russians and Americans were testing their thermonuclear devices as well as intercontinental ballistic missile delivery systems. The Washington-Beijing rapprochement had not yet happened, and China was making quick progress testing atomic bombs. Within two years after its first atomic test, in 1966 China exploded its first hydrogen bomb at the Lop Nur site in Xinjiang, 3,000km to the north from Nepal. After neary six decades, what is still intriguing is that all the sightings within a few months of each other in 1968 were along the Himalayan arc bordering Tibet: from Bhutan, Sikkim Nepal, to Ladakh. The US military intelligence seems to have concluded that this was not a coincidence and there were frequent research trips to the site in Pokhara by American officials in the months after the incident. With the help of the Royal Nepal Army, the region north of Pokhara was thoroughly searched.&nbsp; A confidential memo dated 25 June 1968 by Jerry C Trippy to a ‘Mr Farley’ mentions that the US Air Force’s Foreign Technology Division had decided that the debris could be important because it may be related to a Chinese missile test or a Soviet ‘Vehicle Venik’ rocket.&nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20241207071216_feb5425692dc36b20187de4e4fcc2ce9fd12b6d9e1b8724398e50bcdbf9032fe.jpg" data-media-id="editor_5" data-image-id="20241207071216_feb5425692dc36b20187de4e4fcc2ce9fd12b6d9e1b8724398e50bcdbf9032fe" data-rendition-name="original" width="1500" height="1000" loading="lazy" alt="UFO over Pokhara"> </figure>  On 28 August 1968 the US Embassy in Kathmandu sent a letter to Washington DC saying that the object could be of Soviet origin, possibly from when the rocket carrying the ‘Kosmos 208’ satellite re-entered the atmosphere. But why were the fragments falling to earth several weeks apart, and in the same region? No one knows where the metal sheet that Kul Timilsina recovered is now. It was definitely packed in a crate and taken to the US, and although it is rumoured that it was returned that is not very likely. Archivist Sunil Ulak heard from the Timilsina family that CIA officials had returned to the site five years ago. &nbsp; Interest in UFOs peaked in the US in the 1950s, with the Cold War space race and tests of atomic weapons and delivery rockets. CIA and scientists were being sent to investigate sightings, both publicly and privately. Could the Pokhara fragments as well as the sightings in Ladakh and Bhutan actually be alien craft falling to earth? The renewal in interest in space travel in large part due to Elon Musk’s SpaceX, UFOs and sightings are again subjects of public interest.&nbsp; Even 57 years later, even if there was definitive proof about whether the Batlechaur fragment was from a Chinese missile or a soviet rocket, it has not been made public in documents declassified so far. We may never know.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20241207071216_b6938795f40731e7657fd6dcbb3cf460a326186a15eb11d4f832f602201ff598.jpg" data-media-id="editor_6" data-image-id="20241207071216_b6938795f40731e7657fd6dcbb3cf460a326186a15eb11d4f832f602201ff598" data-rendition-name="original" width="642" height="320" loading="lazy" alt="UFO over Pokhara"> </figure>  Sunil Ulak speculates if the debris actually came from an American aircraft, perhaps on an intel mission upon China. “Which could explain why they were so thorough in collecting the fragments in Pokhara,” he says. But that still does not explain the multiple sightings weeks apart in 1968.&nbsp; Indeed, US military aircraft were at that time flying frequent night-time missions from air force bases in India to supply weapons to Khampa guerrilla camps in Nepal located north of Pokhara in Mustang. It could very well be that the Chinese shot down one such aircraft. The other sightings could have been contrails of US spy planes, or Chinese anti-aircraft missiles.&nbsp; There were quite a few developments regarding UFOs in 2024. In a US congressional hearing in July, former intelligence officer David Grusch claimed that the government had long been involved in a program to investigate and retrieve non-human craft crashes, and then try to reverse engineer them. However Grusch did not show any evidence.&nbsp; The UAP Disclosure Act of 2024 was signed into law by Joe Biden in December 2023. It plans to oversee the public disclosure of UFO information. However, there is a clause in it that prevents disclosure if it would cause threats to military defense, intelligence operations or foreign relations.&nbsp; It is unlikely that the declassified documents about sightings in the Himalayan will cause any real surprise about definite evidence of alien life even if it was found. It seems humanity will continue, at least for now, to wonder about curious lights in the sky and whether there is anybody out there.&nbsp;

UFO over Pokhara

When Rastriya Swatantra Party (RSP) president Rabi Lamichhane was arrested in October on charges of defrauding depositors of cooperatives, the party’s vice president Swarnim Wagle gifted him Fareed Zakaria’s book, Age of Revolutions.
Since then, Lamichhane has been shunted around from Kathmandu to Pokhara to Chitwan and back to Pokhara to attend police investigations and court proceedings. He was being flown to Birganj via Kathmandu on Buddha Air on Monday. There is another pending case in Janakpur.
Human rights groups and civil society have criticised the government for hounding Lamichhane with inhumane treatment that borders on physical torture. The two parties in the coalition, Nepali Congress (NC) and the UML, see Lamichhane’s RSP as a potentially formidable challenge to their power.
Even if the fraud charges against Lamichhane are true, the Nepali public is increasingly looking at the government’s actions through the police and courts as political vendetta.
Despite all the travelling, sometimes by plane and often by road at night, Lamichhane appears to be in high spirits, waving to supporters who often gather if they know he is going to be driven around. A social media video shows him giving high fives to fellow passengers on a recent flight to Pokhara.&nbsp;
In the past weeks, streets in Pokhara have erupted with parallel protests by Lamichhane’s supporters as well as depositors of cooperatives who lost their savings to the scam.&nbsp;
Although family visits are allowed, prison officials in Pokhara told Nepali Times that not many people visit Lamichhane these days. He added, “When he does get visitors, he asks them to bring him books.”
Lamichhane is currently Nepal’s most high-profile public figure in custody, and highlights the stark difference between how influential prisoners are treated compared to ordinary inmates.
There are six prison cells at Kaski District Police Office’s two-story detention centre, three on each floor. And while authorities pack prisoners into already overcrowded cells, Lamichhane has an entire room on the second floor to himself.&nbsp;
He has also been allowed to call his family every few days. Other prisoners are not permitted phone calls except for emergencies.
Meanwhile, Lamichhane’s former business partner Chhabilal Joshi, an ex-Deputy Inspector General of Police with whom he established his Gorkha Media Network, is in custody under the same charges in the prison cell next to him.
Lamichhane is accused of siphoning off depositors' money to the tv network in which he was part-owner and anchor. &nbsp;
Both Lamichhane and Joshi are able to buy food from the police canteen instead of being served the regular meal like other prisoners. Joshi has also given his statement to authorities in Rupandehi and Kathmandu for his alleged role in the scam. Lamichhane is yet to be presented in Kathmandu for questioning.
While he was in custody at the Kathmandu District Police Complex, Joshi expressed his desire to sleep in a police officer’s office, reportedly assuring authorities that he would not run away and he was entitled to certain facilities as a former officer of the law.
“He seemed to be under the impression that he is still a police officer,” says a source at the Kathmandu District Police. “We made it clear to him that as someone accused of a crime, he was not entitled to special treatment.”
Former ministers Balkrishna Khand and Top Bahadur Rayamajhi, and ex-home secretary Tek Narayan Pandey, who were arrested in connection with the fake refugee scam last year, were similarly housed in the offices of law enforcement officials instead of prison cells. Khand has since been released after six months in jail.
While there is no legal provision to keep high-ranking officials in separate detention centres when they are arrested, authorities granting them special facilities is not uncommon. Law enforcement officials say VIP detainees expect preferential treatment while in police custody.
Among those is former Kosi Province minister Lila Ballav Adhikari, who was arrested from Biratnagar on 10 November over his alleged involvement in human trafficking and brought to Kathmandu. Adhikari had flown to Japan without government approval with three individuals on 29 October to attend a cultural conference, but had been sent back to Nepal from Narita.&nbsp;
His three companions were arrested at Kathmandu airport upon their arrival, but Adhikari was able to exit unscathed from the VIP lounge. Adhikari had resigned as the Kosi Province Minister for Internal Affairs and Law when it became public that his companions had been taken into custody, and was himself arrested shortly after. He has since been cleared by the courts.
Throughout his detention, Adhikari was kept separately from other inmates. Senior Superintendent of Police (SSP) Basant Rajouri, head of the Bhadrakali complex, says that while there is no separate detention area for VIPs, some detainees are kept separately depending on the nature of their crime.
However, sources say that arrangements were made for retired judges and others to visit Adhikari frequently worked at the office of a Deputy Superintendent of Police (DSP) during his time in custody.&nbsp;
“He used to constantly pester the authorities to let him sit outside in the sun, and to be able to use the police officer’s shower area,” added an officer.
Adhikari was released on 25 November after the government prosecutor’s office decided not to charge him in a move that was seen to expose the government’s double standards.
Over at Kathmandu’s Dilli Bazar Prison, former Kist Bank CEO Kamal Gyawali emerges from his prison cell into the courtyard of the prison’s ‘Ka (क)’ block every morning with a thick book in his hands, ready to give his daily sermon.
With his long beard, Gyawali, who is serving a prison sentence for banking fraud, looks the part of a religious guru as he implores his rapt listeners to “walk the right path, abandon bad thoughts and turn to scripture and spirituality”.&nbsp;
Afterward, the attendees gather to discuss politics and current affairs. Inmates at his daily sermons at the prison include other high-profile detainees, including former MP Ichchha Raj Tamang, who is in jail for money laundering and cooperatives fraud, former joint secretary Chudamani Sharma, who was convicted of corruption, as well as NC leader Chandra Bahadur Lama and Krishna Bahadur Upreti of the UML both of whom are on trial for embezzling billions of rupees.
Victims of the cooperatives scam that former lawmaker Tamang was involved in have made trips to the prison and requested visits, but he has refused to meet with any of them.
“Tamang often complains that the state has prevented him from returning the money to the victims by locking him up,” says a police officer at the Dili Bazar jail.
“All you hear every day from the VIP prisoners is that they have been framed,” adds the officer. “No one admits that they were involved in misdeeds.”
But while most high-profile prisoners complain about prison conditions, one exception is former provincial lawmaker Deepak Manange, who is serving a sentence at Dilli Bazar Jail for attempted murder.
“He is the happiest prisoner here,” says a warden. “Unlike the others, he doesn’t claim to have been framed, in fact he doesn’t seem to care that he is in prison.”
Manange is detained in the ‘Kha (ख)’ block of the prison complex, which he renovated at his own expense. The block previously housed female prisoners, but Manange used his influence to transfer them elsewhere. He faces no shortage of visitors, who range from political leaders to people from the underworld.
Along with Manange, other well-known prisoners in this block include Nepal Telecom Managing Director Sunil Poudel, and former executive director of the Surakshan Printing Centre Bikal Poudel, who are serving time for corruption.
Former prisoners at Dilli Bazar prison include ex-ministers Khum Bahadur Khadka and Shyam Sundar Gupta, NC leader Ganesh Lama, Maoist MP Balkrishna Dhungel, Nagarik Unmukti Party leader Resham Chaudhary, as well as former IGs Ramesh Chand Thakuri, Om Bikram Rana, and Hem Bahadur Gurung.
Section 54 of Nepal’s Prison Act assigns each prison’s internal administration the
responsibility of governing its prisoners, which means the more favourable the jail management is, the more comfortable it is for prisoners.
Dilli Bazar prison has been the prison of choice for many high-ranking prisoners, especially those convicted of white collar crimes, due to its more accommodating administrators. The prison, which has the capacity to house 700 inmates, is also less crowded than other jails.
Anuj Bhattarai, spokesperson of the Department of Prison Management, says that there is no legal classification in Nepal for felons to be assigned prisons based on the nature of their crimes.
“That Dilli Bazar Jail has a higher number of prisoners convicted of crimes like corruption is most likely a coincidence,” says Bhattarai. “There is no provision for influential people to be able to choose where they will be incarcerated.”&nbsp;
Translated by Shristi Karki from the Nepali original published in himalkhabar.com

What Nepal’s VIP prisoners do in jail

Four international names in architecture, Shigeru Ban, Rem Koolhaas, Tadao Ando and Louis Isadore Kahn, all left their mark in Nepal. But despite their best intentions, the ambitious designs fizzled out. Ban, Koolhaas and Ando won Pritzkers, the best known international award for architecture, and Kahn could have won it had the prize been given in his lifetime. But their designs fell short of transforming Nepali architecture and did not help inspire local architects.&nbsp; Why were these four ‘starchitects’ unable to pull off their Nepal projects and enrich the country with exemplary contemporary designs? The failure, especially the violation of Kahn’s design, also raises larger questions about how much contemporary architecture is valued in Nepal.&nbsp; Whereas Sri Lanka had Geoffrey Bawa and Bangladesh had Mazharul Islam, the pioneers of contemporary architecture in Nepal have had far less public appreciation. One wonders if Nepali architecture only refers to the monuments and heritage of the past. Nepal does have examples of outstanding modern architecture such as the &nbsp;पाङ्रे घर ‘Wheel House’ and खुट्टे घर &nbsp;‘House on Legs’ by Shankar Nath Rimal in the 1960s. These are the best examples of how some Nepali designers successfully tailored modern architecture to the Nepali context.&nbsp; Ten years ago, Nepal had three architecture magazines, SPACES, praXis and Business Architecture, but none of these survived. This newspaper has prominently covered contemporary architecture, and the built environment, but these are exceptions in Nepal’s media. There have been a few encouraging signs. The 2024 exhibition Modern Encounters in Architecture in Kathmandu Valley (1945-1985) at the Taragaon Museum had many visitors and its accompanying book is a seminal document.&nbsp; In 2023, the Mountain Architecture Dialogue (MAD) that focused on examples of good-practice sustainable contemporary architecture for the mountainous terrains of Nepal was a packed event with over 300 young architects, engineers, environmentalists and architecture students. <h2>Shigeru Ban</h2>  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2024122003128_8bb8dde080c5698c2585966bef27ce4c08e4ee488d3432b2caac98b9de762dfe.png" data-media-id="editor_0" data-image-id="2024122003128_8bb8dde080c5698c2585966bef27ce4c08e4ee488d3432b2caac98b9de762dfe" data-rendition-name="original" width="990" height="1074" loading="lazy" alt="Forgotten international starchitects in Nepal NT"> </figure>  Shigeru Ban had already built a name for himself in post-disaster construction when he came to Nepal following the 2015 earthquakes in which 500,000 people lost their homes. The basic design and its 3D-rendered images were reviewed in upbeat articles on DOMUS, Architectural Review, Dezeen, and Arch Daily.&nbsp; But his signature cardboard tubes could not handle the monsoon and the roof structure had to be re-designed with timber. Only two shelters were completed in Sindupalchok, and only one of them still stands at the Hyatt Regency grounds today, as Ban’s souvenir to Nepal.&nbsp; <h2>Rem Koolhaas</h2>  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2024122003128_58afec9b57accfa38327af0936648c6eb2f2e11ff18f1af8ca27383dc57dc222.png" data-media-id="editor_1" data-image-id="2024122003128_58afec9b57accfa38327af0936648c6eb2f2e11ff18f1af8ca27383dc57dc222" data-rendition-name="original" width="750" height="722" loading="lazy" alt="Forgotten international starchitects in Nepal NT"> </figure>  The designs of Dutch architect Rem Koolhaas have a specific signature: bold shapes and an intriguing architectural typology that challenges standard building blocks. Some designs even seem to defy gravity, like the CCTV headquarters in Beijing: an angular, continuous geometry of glass and steel.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20241220031216_a18dc8a8d6b97bc6fa9d590036cf374f9dc3709c699fe5c5787304bbd05cb17d.png" data-media-id="editor_2" data-image-id="20241220031216_a18dc8a8d6b97bc6fa9d590036cf374f9dc3709c699fe5c5787304bbd05cb17d" data-rendition-name="original" width="1812" height="1168" loading="lazy" alt="Forgotten international starchitects in Nepal"> <figcaption>Rem Koolhaas' design for Ullen's School in Khumaltar.</figcaption> </figure>  Koolhaas was commissioned by Belgian billionaire Guy Ullens to design a new building for Ullens School in Khumaltar. The most prominent feature is its vertical glass block staircase. Some interior spaces have lowered windowsills, which provide ample views and daylight. But the school building has gone unremarked in Nepal. <h2>Tadao Ando</h2>  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20241220031212_cc16bd6feb8be07a7198285b847a45d2126dc3a479e0cc7370331861fc544675.png" data-media-id="editor_3" data-image-id="20241220031212_cc16bd6feb8be07a7198285b847a45d2126dc3a479e0cc7370331861fc544675" data-rendition-name="original" width="626" height="628" loading="lazy" alt="Forgotten international starchitects in Nepal"> </figure>  Doctors providing aid to victims of the Great Hanshin earthquake in 1995 in Japan requested Tadao Ando, who had donated his Pritzker money to the victims, to also make a design for a hospital in Butwal.&nbsp; Ando’s contribution would be pro-bono and the construction was funded by the Hanshin Earthquake victims and by the popular Japanese newspaper Mainichi, as a tribute to Nepali doctors. The first block that Ando designed for the Siddhartha Children and Women’s Hospital (SCWH) was the out-patient department. He quickly realised that he would not be able to pull off structures with his typical style of smooth-finished, high-quality concrete.&nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20241220031216_73ec0950d52320277ccc81d4a66fa6aa6acb38141e7b7633683e4cf8179dc579.png" data-media-id="editor_4" data-image-id="20241220031216_73ec0950d52320277ccc81d4a66fa6aa6acb38141e7b7633683e4cf8179dc579" data-rendition-name="original" width="1594" height="958" loading="lazy" alt="Forgotten international starchitects in Nepal"> <figcaption>Tadao Ando's Siddhartha Children and Women Hospital in Butwal.</figcaption> </figure>  Ando wrote in the online architectural catalog Architectuul, that the two main problems with the project were costs and the availability of local technology. ‘It became a facility that has a slightly different expression from the buildings I have completed so far,’ he wrote. He designed a colonnade for the west façade that would provide shelter from harsh sunlight, and the exposed brick walls were locally manufactured bricks.&nbsp; The hospital is characterised by modernist cuboidal massing, but the outer brick façades now appear unintentionally badly weathered by monsoons. The interiors lack both sufficient natural light and natural ventilation. <h2>Louis I Kahn</h2>  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2024122003128_612e199d62fb3e72b6b8f6a936b0fa0451d8c0aa3d831c071320bf423ee3d67f.png" data-media-id="editor_5" data-image-id="2024122003128_612e199d62fb3e72b6b8f6a936b0fa0451d8c0aa3d831c071320bf423ee3d67f" data-rendition-name="original" width="694" height="926" loading="lazy" alt="Forgotten international starchitects in Nepal NT"> </figure>  American architect Louis I Kahn had experience of projects in South Asia, and several were under construction when he died suddenly in 1974. Amongst these were the National Assembly complex in Dhaka, the Indian Institute of Management in Ahmedabad and the Family Planning and Maternal Child Welfare Centre in Kathmandu.&nbsp; Kahn had started the USAID funded project in Nepal by developing a master plan for the government institutional zone in Kathmandu, which included a building for the Health Ministry. The building’s façade in exposed brick has deeply recessed vertical windows for shading.&nbsp; The balancing of accentuated horizontal lines in the brickwork with the verticality of the larger composition is the work of a master. The brick walls rise up into punctured parapet walls at the roof level. These square apertures ‘frame the sky’.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20241220031216_69c2e4972dbe38773e0a3a3f1129485c9c87033ee84cd454e24ae0dc772d05cf.png" data-media-id="editor_6" data-image-id="20241220031216_69c2e4972dbe38773e0a3a3f1129485c9c87033ee84cd454e24ae0dc772d05cf" data-rendition-name="original" width="1924" height="1242" loading="lazy" alt="Forgotten international starchitects in Nepal"> <figcaption>Louis Kahn's plan for the Ministry of Health.</figcaption> </figure>  When Kahn died, only the eastern half of the building was finished. The Western part was never built and Nepal’s bureaucrats decided that without paint, the exposed brick façade was not finished. Then in 1995, citing roof leakage and a space crunch, the Health Ministry added a floor.&nbsp; The frames-to-the-sky in the roof parapet were converted into windows and topped off with a sloping roof of corrugated steel sheets, whose only virtue was that it was cost-effective.&nbsp; Kahn’s orthogonal composition, which clean horizontal and vertical lines, was desecrated despite a public outcry and legal challenges from architects and cultural organisations. A version of this article was first published in HIMAL Southasian. Illustrations by Varun S Bapu.