Scream lies to drown the truth.
Gag free expression with free expression.
Spread falsehood faster than facts.
Sow distrust so facts don’t matter.
Jail the messenger.
That is the tip sheet of populist demagogues the world over to add a poison tip to social media. The disinformation is intended to unravel the social fabric, and dismantle trust in institutions to gain power. Blocking their way are the liberal democratic system and the press, and this is why they are targeted.
It is easy for populism to strike roots in democracies, including Nepal, because some in the established parties and the legacy media have squandered hard-won freedoms through lack of accountability and power brokering. The proximity of media tycoons to elected leaders provides grist to this anti-‘elite’ narrative.
Despots around the world are learning from each other how to weaponise social media platforms. Big Tech companies made this job easy by basing their business model on algorithmic radicalisation that manufactures outrage. Users quickly learn to exaggerate rage and magnify wrath to amass more followers. Facebook, X, YouTube reward them with digital pheromones, turning them into addicts.
In a commencement speech at Harvard University this week, <a href="https://www.rappler.com/voices/thought-leaders/full-text-maria-ressa-speech-2024-harvard-commencement-ceremony/" target="_blank">Nobel Prize winning Filipino journalist Maria Ressa</a> blamed Big Tech of coding divisions in society with hate speech, and being <a href="https://www.youtube.com/live/7dETo7ECQKc?app=desktop" target="_blank">“the accelerant to conflict and violence”</a>.
She went on: “Without facts, you can’t have truth. Without truth, you can’t have trust. Without these three, we have no shared reality, no rule of law, no democracy.”
Elected despots enabled by Big Tech spread chaos and break down trust. Which is why journalism is in the crosshairs: we stand in the way by standing for rule of law and an open society.
Here in Nepal we have survived dark periods when freedoms were crushed under the jackboots of royal-military authoritarians. The press and the political parties fought for freedom together. After 1990 and 2006, the media was often critical of those in government, exposing wrongdoing, but for the most part the main parties shared the same values -- that press freedom and democracy are two sides of the same coin.
Now, the leader of an independent party that rose dramatically in the 2022 election on an anti-incumbent platform is behaving like autocrats of yore by attacking the media. Nepal’s Home Minister Rabi Lamichhane is himself <a href="https://nepalitimes.com/here-now/after-balen-the-rabi-phenomenon" target="_blank">a former anchor</a> of a rabble-rousing tv show.
He was forced to resign during <a href="https://nepalitimes.com/news/the-rise-and-fall-of-rabi-lamichhane" target="_blank">his first stint</a> as home minister last year because of media exposures of his <a href="https://nepalitimes.com/here-now/rabi-lamichhane-is-home-less" target="_blank">US citizenship issue</a>. He deftly wriggled out of that one, and as home minister once again is charged with cheating depositors of several cooperatives of their savings and investing it in his tv channel.
The mainstream press relentlessly pursued this story, the most persistent being Nepal’s largest-circulation daily broadsheet, Kantipur. Last week, Lamichhane used the powers of his office <a href="https://nepalitimes.com/news/nepals-home-minister-vs-the-media" target="_blank">to jail the paper’s publisher Kailash Sirohiya</a>, strong-arming state agencies to detain him. A classic case of guilty until proven innocent.
The matter is in the Dhanusha court, and Siorhiya’s remand has been <a href="https://kathmandupost.com/national/2024/05/27/dhanusha-district-court-extends-kmg-chair-sirohiya-s-remand-by-three-days" target="_blank">extended by another three days.</a> There is little doubt that the publisher’s citizenship discrepancy, which could be a clerical oversight, has been used to hide skeletons rattling in Lamichhane’s own closet. The <a href="https://kathmandupost.com/national/2024/05/22/us-embassy-expects-dialogues-to-ensure-good-governance-and-press-freedom" target="_blank">US Embassy in Kathmandu</a> and international <a href="https://kathmandupost.com/interviews/2024/05/26/people-are-now-listening-to-democratically-elected-authoritarian-leaders" target="_blank">press freedom</a> watchdogs have <a href="https://www.ifj.org/media-centre/newsletters/detail/nepal-media-house-chair-arrested/category/press-releases" target="_blank">condemned the arrest</a>.
Using some of the same <a href="https://nepalitimes.com/here-now/after-balen-the-rabi-phenomenon" target="_blank">social media mobilisation</a> that got him elected, Lamichhane has unleashed troll platoons to cyber lynch anyone who dares question this vindictive abuse of office. The controversy stalled the budget session of Parliament for many weeks, as the opposition Nepali Congress (no saints themselves) demanded a house committee probe into the matter.
All top leaders of the three mainstream parties have said skeletons they use to blackmail each other and cancel each other out so nothing is ever investigated. Being the fourth largest in Parliament, Lamichhane’s RSP has the swing votes critical for this Left-led coalition to stay in power.
That is why top leaders of the Maoist Centre and the UML both looked away when Sirohiya was detained last week. They will benefit from journalists now too scared to investigate their scams. There is freedom of expression in Nepal, but not necessarily freedom after expression.
Nepal’s senior editors met Prime Minister Pushpa Kamal Dahal on Monday, and reminded him that this attack on the free press was happening on his watch. They <a href="https://kathmandupost.com/national/2024/05/25/21-editors-of-media-outlets-across-asia-call-on-pm-dahal-to-stop-media-intimidation" target="_blank">handed him a statement</a> that said: “There are serious questions about the manner in which Kailash Sirohiya was arrested and about the charges levelled against him, this is a direct attempt to put pressure on, and silence the independent press.’
Kunda Dixit

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Jail the messenger

Guilherme Canela is Chief of the Freedom of Expression and Safety of Journalists Section of UNESCO in Paris. He recently visited Nepal to discuss <a href="https://nepalitimes.com/editorial/internet-in-everything">freedom of expression in the digital media</a>. Nepali Times spoke to him about new challenges to free media. Excerpts: Nepali Times: Can you tell us about how the discussions with Nepal’s lawmakers went? Guilherme Canela: My visit, in partnership with the Inter-Parliamentary Union, was to have an open discussion with them about international standards on freedom of expression. It was very enriching to learn the key concerns of Members of Parliament regarding the current challenges Nepal faces regarding the existing legal framework regulating the media and digital ecosystem, vis a vis the immense changes in this environment related to the technological revolution we all are experiencing, and how these challenges can be addressed in alignment with the International Human Rights Law. There is a fine balance between freedom of expression and that same freedom being used to spread intolerance and hatred. What are the main conclusions of UNESCO’s own study on the governance of digital platforms?&nbsp; Digital platforms have become a new front in the pursuit of peace. They have had a transformative role in advancing human rights. They have democratised access to knowledge and culture, enabled new voices to be heard, and fostered global connections, but, as you say, at the same time they have become <a href="https://nepalitimes.com/banner/press-for-people">ecosystems of misinformation, disinformation, ideological polarisation, and incitement to violence, discrimination, and hate</a>.&nbsp; Such features have undermined democratic values and threatened human rights across the world. Our job, therefore, is too foster the huge positive side of this equation and to counter the negative externalities it generates. Thus, whereas the digital companies don’t operate with transparency, accountability and due diligence, many countries have embarked on regulatory processes without keeping a human rights approach as a main principle thereby risking the shrink of the civic space and leading to different kinds of restriction not aligned with International Human Rights Law. UNESCO aims to ensure that everyone’s <a href="https://nepalitimes.com/here-now/no-freedom-after-expression">freedom of expression</a>, access to information and diverse cultural content are guaranteed, while various stakeholders, including governments, deal with the problems of dis- and misinformation and hate speech online. These problems will be better addressed, in a way that aligns with international human rights law, through implementing the UNESCO Guidelines in a comprehensive and coherent manner. In a nutshell, UNESCO’s proposal, which was debated worldwide for almost 2 years, and received 10,000 comments coming from actors from 134 countries, suggests a governance system that can improve the processes currently used by the tech companies, aiming to expand freedom of expression, while dealing with the negative externalities. But when can we deem the risks so high that governments can justify restricting freedom of expression through digital platforms under international standards? The rapidly evolving digital era has seen the rise of the imposition of restrictive measures on freedom of expression and the press such as infringement on right to privacy, censorship, and the prevention of general access to the dissemination of information, both online and offline, including internet shutdowns. However, the justification for governments to restrict such freedoms on digital platforms arises when there are identifiable and/or substantial risks to public safety, national security, or individual rights which cannot be sufficiently mitigated through other means. Read also: <a href="https://nepalitimes.com/news/nepal-should-be-open-for-south-asia">Nepal should be open for South Asia</a> In order for any restriction to be legitimate it must fulfil the criteria set out in international standards on freedom of expression, such as the Articles 19 (3) and 20 of the International Covenant on Civil and Political Rights or the Three-Part Test, which demands that any interference must be provided for by the law, pursue a legitimate aim, and be necessary and proportional to secure one of those aims.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20240326090344_61e1f3e429a81b7cb025116ed038eadcd019e4a3dc0203af4e48abaa2c81fbe3.jpg" data-media-id="editor_4" data-image-id="20240326090344_61e1f3e429a81b7cb025116ed038eadcd019e4a3dc0203af4e48abaa2c81fbe3" data-rendition-name="original" width="853" height="1280" loading="lazy" alt="Guilherme Canela in Nepal "> <figcaption>Guilherme Canela(Photo: Sonia Awale)</figcaption> </figure>  In essence, any statutory restriction to freedom of expression must be subject to oversight and review mechanisms in order to uphold the principle of transparency, accountability and prevent abuse of power. While governments may be justified in <a href="https://nepalitimes.com/multimedia/gagging-the-press-in-installments">restricting freedom of expression</a> on digital platforms under certain circumstances, such restrictions must be carefully circumscribed to protect the fundamental rights of individuals and uphold the principles of democracy, pluralism, and open discourse in the digital age. Is there not a danger, then, that states can justify banning digital platforms using the excuse of maintaining “social harmony”? Measures applied by both companies and states should always be proportional to the harm that is intended to prevent. From companies, removal and blocking of content and account suspension should only be used as a last resort in the most serious cases. From the side of governments, <a href="https://nepalitimes.com/news/rattled-by-criticism-nepal-bans-tiktok">banning a digital platform</a> should be proportionate to the level of harm it causes and should be accompanied by transparent processes, due diligence, due process of law and consideration of alternative measures to mitigate risks while preserving the benefits of digital platforms for legitimate users. Additionally, regulatory actions should be based on evidence-based assessments and subject to judicial review to ensure they are fair, just, and consistent with principles of freedom of expression and the rule of law. <a href="https://nepalitimes.com/news/talking-about-tiktok">Banning digital platforms</a> can be considered proportionate in certain circumstances where their activities pose significant harm that outweighs the benefits they provide. Here are two scenarios where banning digital platforms might be considered proportionate. Systemic violation of international human rights standards: If a digital platform systemically violates international human rights standards despite warnings and sanctions. And second, Exploitative Practices: when platforms engage in exploitative practices such as facilitating illegal activities (such as child pornography) or enabling human trafficking. However, it is important to outline that our Guidelines do not call on the government to establish a department or organisation to moderate content. The Guidelines consider that digital platforms should not be held liable when they act in good faith and with due diligence, carry out voluntary investigations, or take other measures aimed at detecting, identifying, and removing or disabling access to content that is prohibited under article 20 of the ICCPR or that has been restricted in terms of article 19(3) of the ICCPR. How can journalists protect their freedoms when democracy itself is threatened? Journalists can protect their freedom by first keeping on doing their job and <a href="https://nepalitimes.com/editorial/censuring-censorship">hold all powers accountable</a>. But they cannot do it alone or in a vacuum, neither should they be left alone to deal with existential safety and viability challenges. As proclaimed by all UNESCO’s member states, journalism should be valued as a fundamental ‘public good’ with citizens putting their trust in it also through teaching and encouraging media and information literacy. It demands the State protect media viability, the rule of law institutions defending media freedom from all attacks, including by elected officials, and for politicians committing to respect the fundamentals of democracy, including the role of the press as a watchdog. There is an urgent need to further demonstrate to our societies the value of journalism (and all fundamental freedoms) not only to guarantee political and civil rights, but to guarantee all other rights. When someone is protesting to have better education or better health, ultimately what they want is to protect the rights of education and a healthy life, but they can’t do that if they don’t have freedom of expression in the first place and if watchdogs, like journalists, are being silenced. Your report also cites the critical need for digital platforms to protect electoral integrity. How can this be done?&nbsp; Firstly, in UNESCO Guidelines for the Governance of the Digital Platforms, we highlight the need for Digital platforms to recognise their role in supporting democratic institutions by preserving electoral integrity. Their acceptance of the role is not trivial as it implies an engagement regarding democracies. UNESCO also recommends establishing a comprehensive risk assessment process that focuses on the integrity of the electoral cycle leading up to and during major electoral events. These assessments should be conducted transparently and in consultation with all relevant stakeholders and should include a gender perspective to address the escalating online violence against women in electoral contexts. Proactive measures based on the identified risks are essential to prevent potential threats to the integrity of the electoral process. Read also: <a href="https://nepalitimes.com/editorial/dont-act-on-the-act">Don't act on the act</a>, Editorial Secondly, UNESCO urges digital platforms to ensure that users have access to a diverse range of information and ideas, in line with international human rights law. Attention should be given to automated tools to prevent any hindrances in accessing election-related content and diverse viewpoints. Additionally, digital platforms should review their products, policies, and practices related to political advertising to avoid arbitrary limitations on candidates' or parties' ability to disseminate their messages during the electoral cycle. The promotion of independent fact-checking, advertisement archives, and public alerts is highlighted as crucial measures to uphold electoral integrity in content dissemination.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20240326090344_d2b0d4b66fb1632336f876e84b0e72004620937c79e36d9f94828bd8478ab937.jpg" data-media-id="editor_10" data-image-id="20240326090344_d2b0d4b66fb1632336f876e84b0e72004620937c79e36d9f94828bd8478ab937" data-rendition-name="original" width="730" height="1029" loading="lazy" alt="UNESCO guidelines for the governance of digital platforms"> </figure>  Finally, transparency is emphasised across various aspects, including the use and impact of automated tools, engagement with stakeholders and governance systems, and the identification of political advertisements. Digital platforms are responsible for disclosing funding details, applying equal content moderation rules, and tracking the monetisation of political posts. The retention of advertisements in a publicly accessible online library, along with information on funding and targeted demographics, contributes to an accountable and transparent digital environment during electoral cycles. If put in place by the platforms, these measures will collectively reinforce the commitment to preserving electoral integrity in the digital age. How can digital platforms be held more responsible when Big Tech is controlled from outside national jurisdictions whereas the impact of their content is domestic?&nbsp; The strategy for the implementation of the UNESCO Guidelines for the Governance of Digital Platforms aims to promote the enabling environment for freedom of expression and information and enhance the responsibility of digital platforms worldwide by Building a Network of Networks by fostering international collaboration and cooperation among regulatory authorities and civil society to develop common standards and regulations for digital platforms. This can help ensure that platforms adhere to responsible practices regardless of their location of ownership and may also reduce lawfare. Then there are Public-Private Partnerships to address regulatory challenges associated with digital platforms. Collaboration between governments, industry stakeholders, and civil society can facilitate the development of effective governance frameworks. Read also: <a href="https://nepalitimes.com/news/media-melee-in-the-age-of-ai">Media mêlée in the age of AI</a>, Kunda Dixit Promoting transparency and accountability of the governance system (independent regulatory authorities) and of the digital platforms policies and practices. Human rights due diligence and content moderation and curation based on international human rights standards must be upheld. The governance system itself must have independent oversight mechanisms to monitor the activities of digital platforms within national jurisdictions. We must also empower users by providing them with tools and resources to understand and manage their online experiences through media and information literacy. This includes features for content control, privacy protection, and mechanisms for reporting harmful content or behaviour. Lastly, there must be ethical guidelines for digital platforms that prioritise transparency, fairness, and respect for human rights. These guidelines can serve as a foundation for responsible platform governance.

Balancing free expression with fake news on social media

Nepal’s religious leaders this week have expressed concern about the weaponisation of social media by religious extremists to disrupt Nepal’s social harmony. Members of Nepal’s diverse religious groups gathered under the auspices of the National Inter-Religious Network (NIRN)-Nepal to celebrate World Interfaith Harmony Week on 3 February in Kathmandu. Most speakers underlined the need for greater media literacy among the public so that people are aware of how social networking platforms can be misused to “spread unrestrained intolerance and bigotry and sow discord between various faiths”. They urged grassroots mobilisation of citizens to maintain social harmony. Religious leaders also expressed concern over the criminal activities of those claiming to be religious leaders. “Those who commit crimes cannot be called religious leaders,” said Damodar Gautam, Chair of National Inter-Religious Council (NIRC) Nepal. “Faith leaders have to earn that designation through proper conduct, decent behaviour and promotion of inter-faith tolerance.” The World Interfaith Harmony Week has been celebrated during the first week of February since King Abdullah II of Jordan put forward a proposal before the United Nations in 2010 to celebrate the coexistence of religions worldwide.&nbsp; NIRN Nepal was established in 2008 and now extends to 30 districts and 46 local levels countrywide. Leaders from Nepal’s Hindu, Buddhist, Islam, Kirat, Christian, Jain, Bahai, and Vedic Sanatan Dharma communities came together to mark Interfaith Harmony Week this year.&nbsp; The NIRN’s Narendra Pandey also presented a paper titled Media and Interfaith Harmony during the program, stating that the gap between media and religious leadership must be bridged.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2024020512024_a725d1d8ffa3a0971b542ca2f44c5b4539ce8da334bc79a597b28df672f2ebba.jpg" data-media-id="editor_0" data-image-id="2024020512024_a725d1d8ffa3a0971b542ca2f44c5b4539ce8da334bc79a597b28df672f2ebba" data-rendition-name="original" width="800" height="480" loading="lazy" alt="Social media misuse"> </figure>  There is growing concern that politically motivated attacks on minorities and religious intolerance in India is starting to spread in Nepal as well with some parties pushing for the revival of a Hindu monarchy. Priya Dasi, president of the National Inter-religious Network On Violence against Women, added that the media needs to exercise caution about the language used for reporting on issues about religion. “The relationship between religious leaders and media must be strengthened for the sake of societal harmony and transformation,” he said. &nbsp; Nahida Banu of the NIRN said that there is a “need to provide better explanation about religious tolerance in Nepal”. Attendees of the event also spoke about the NIRN’s work in ending child marriage, facilitating a school enrolment campaign, and the need for cooperation between religious leaders to smoothly facilitate this year’s vaccination campaign. Last year, tension erupted between the Hindu, Kirat, and Christian communities in Dharan in eastern Nepal over the construction of a Church across the street from a temple, as well as uproar over the public announcement about the consumption of beef by Dharan’s indigenous communities.&nbsp; Of late, Nepal’s public sphere has seen a shift to pro-Hindu sentiments corresponding with Hindutva in India and its growing influence in Nepal. Prominent political leaders, especially from the RPP, have called for abolishing secularism from the Constitution, and the restoration of a Hindu nation.&nbsp;

Nepal’s religious leaders urge harmony

Nepal’s netizens received an unwelcome gift from the government this Tihar: a blanket ban on TikTok, the only Asian-born major global social media platform that has 1.5 billion users globally.&nbsp;
In Nepal, Gen Z audiences and digital natives from small towns and villages are expected to miss it the most, as it was their most <a href="https://nepalitimes.com/here-now/huge-uptick-in-tiktok-during-nepal-lockdown">preferred social media channel</a> for creative self-expression, self-promotion. It was the online outlet that offered emotional empowerment with a convenient editing setup and easy upload process.&nbsp;
With AI-generated audio narration and simple templates, TikTok keeps itself uncomplicated enough to appeal to all kinds of users, ranging from casual creators to brand-focused influencers. No wonder, <a href="https://nepalitimes.com/news/why-internet-speed-is-slower-and-slower">its use among Nepalis</a> is an estimated 80% of all net users.
TikTok is a beast like no other. A catchy trending song with a synchronised dance video of lip-syncing twins plays on full-screen for 20 seconds, and without a moment's pause. This means no video ad to interrupt the experience.&nbsp;
The feed throws up another short, bite-sized comedic video of a young Nepali girl pretending to be her dad, ending with a silly punchline and a cackling SFX laugh track. Next appears an elaborate but sped up tutorial on how to apply lip colour that gives the look of fuller lips, coupled with pleasant pop music.&nbsp;
Another, and another, and another. An endless scroll, much like the home feed of any other social media platform, with a powerful algorithm that gobbles up hours without discrimination.&nbsp;
TikTok feeds the brain with shots of dopamine, with every swipe making way for more freshly uploaded videos. The Chinese-owned mega app easily rivals cigarettes and alcohol brands with easy access, little to no physical traces of addiction, and the fact that it is completely free for unlimited usage.&nbsp;
TikTok’s rise prompted competing apps to imitate its <a href="https://nepalitimes.com/banner/avoiding-the-quicksand-of-social-media">addictive, easy-to-consume content format</a> by launching products with copycat features such as Instagram Reels and YouTube Shorts. These features use the same psychological strategy on humans to keep fingers swiping and keep eyes on the app for longer.&nbsp;
But there is something that makes TikTok much bigger, more special, or more dangerous depending on how you look at it: its secret algorithm.&nbsp;
Upon closer inspection, TikTok is not all light-hearted LOLs and difficult dance challenges. It claims to regularly take down inappropriate, harmful and violent content, but it has been accused of pushing questionable clips to teenagers, such as videos promoting eating disorders, self-harm or depression.&nbsp;
Vulgar comments seen by underage users should make parents wary of the platform. It only takes a few hours for TikTok to capture how a user is feeling, whether they are happy or sad, and even whether they are sad because of a romantic breakup or perhaps mental depression by sneakily feeding related videos at regular intervals.
The algorithm pinpoints the user’s emotional state by tracking how long they linger over a video, whether they watch it until it ends or whether they drop off (and if they do, at what point), how they engage with it (do they like, follow or repost) and so on.&nbsp;
In economics, this could be called demand forecasting. But the algorithm has a voracious appetite for data and learns fast, using everything it learns to give back the user relevant content that, in turn, feeds the user’s appetite.
The wild side of TikTok’s secret algorithm is also <a href="https://nepalitimes.com/here-now/tiktok-has-taken-nepal-by-storm">what makes it attractive</a> for those seeking fame and following. A singer with raw talent from Baglung, a professional dancer from Bhairawa, a content creator from Parbat, a home cook from Kathmandu – these are all real personas who have leveraged the app to promote their talent, gain online popularity or push their small businesses to new audiences by spending lots of time and zero money.&nbsp;
For many, including disaster victims and women stuck in domestic working environments, TikTok was a bright, beaming bridge to the outside world. For them, the ban is particularly brutal. TikTok is a place of excitement, entertainment, and yes, escapism from the daily grind. &nbsp;
The cherry on top is TikTok’s ability to help a random video gain traction, without an easily identifiable pattern, making it tough to crack the algorithm unlike Instagram or YouTube.
<a href="https://nepalitimes.com/news/rattled-by-criticism-nepal-bans-tiktok" target="_blank">The TikTok ban has raised valid concerns</a> about citizens' right to information and freedom of expression, and it is typical of the government to ban the app instead of introducing regulatory policies or imposing taxes.&nbsp;
This ‘ban what you don't understand’ approach is familiar, and the reason why cryptocurrency never really took off in Nepal. There was a puzzling lack of credible justification for the ban, only that it ‘endangered Nepal’s social harmony’. Nepal has yet to run an effective digital media literacy campaign or social media health program to encourage users to be discerning content consumers, and make them aware of app settings like one-hour time limits to combat addiction.&nbsp;
The TikTok ban is a threat to Nepal’s internet freedom and <a href="https://nepalitimes.com/from-the-nepali-press/an-intolerant-state">freedom of expression</a>, but that is not the only danger. Everything is forever on the internet, yet nothing is. Content is available for permanent viewing unless deleted by the original uploader (plus, copies and screenshots may prove removal redundant).
But people’s attention spans and habits keep shifting and user behaviour trends are just that, trends. Platforms keep changing and audiences keep moving, but the quest to find one’s own digital space to proudly curate and to connect with strangers over common values remains.&nbsp;
Humans are social animals that enjoy validation and to form communities, no matter the medium. If a road is blocked, people will either find a different route or build a new one. Netizens will find ways around the TikTok ban to fulfil their emotional needs, find a different app to latch onto, or maybe even create a new one.
India survived the TikTok ban, and unless the ban is revoked in a sudden, positive turn of events, so will Nepal. Every social media giant has its day, as we saw with Facebook’s 18-year reign before it started declining in popularity in 2022. When their parents joined Facebook, millennials swiftly moved to Instagram, where they could create private accounts and share their authentic lives, or curate their alternate personas.&nbsp;
Now, Instagram is also populated with family and relatives, and Meta has equipped the app with features that makes it the closest competition to TikTok.
Meanwhile, Snap, the Gen Z favourite, is still around, quietly thriving without making too much noise, which perfectly suits its features. Snapchat’s ephemeral nature of content – it was the first of many apps to allow ‘disappearing’ content, a feature Facebook and Instagram have copied with the Stories feature.
This makes it the ideal platform for Gen Z, especially young teenagers with secret social lives and a priority to stay low-key, to avoid getting caught by their family.
Somewhere in Nepal, as we speak, developers could be working on the next TikTok, similar to Moj, Josh, MX Takatak and many apps that came up in India soon after TikTok’s exit. Homegrown TikTok alternatives could potentially enjoy the added advantage of no geopolitical data privacy concerns or propaganda suspicions.
And if the app makers are creative about it, culturally relevant touches to tempt the average Nepali into welcoming the new obsession into their home screen with open thumbs.

Saniaa Shah

TikTok ban won’t stop Nepali netizens

Bidhya Chapagain left a secure job in journalism in which she has already become a household name in Nepal to venture out to fulfil her passion in journalism -- to give a voice to those who have been deprived of it. She started her own video production group to go around the country to talk to people whom journalists never bothered to report about. The stories she brought out were so important in shining the light on a Nepal that was invisible to Kathmandu that it became most-seen on YouTube and other social media. “I was living my journalism dream at the BBC, but as I travelled for work and saw that we were telling the same stories of the same people, I realised that this was not my dream," said Chapagain during her conversation with Rajneesh Bahndari of Nepal Investigative Multimedia Journalism Network (NIMJN) at the HImal Media Mela 2023.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20230504060520_1df44df7843f5dee5c7a3752c63e2d07a9be3e8eef0312e30f4f62e6256e44ea.jpg" data-media-id="editor_0" data-image-id="20230504060520_1df44df7843f5dee5c7a3752c63e2d07a9be3e8eef0312e30f4f62e6256e44ea" data-rendition-name="original" width="2048" height="1366" loading="lazy" alt="Himal Media Mela Day 2- Going Back to Good Storytelling"> <figcaption>Rajneesh Bahndari and Bidhya Chapagain. All photos: GOPEN RAI AND SUMAN NEPALI</figcaption> </figure>  So Chapagain and her colleague Kamal Kumar set out to find those extraordinary stories of ordinary people across Nepal largely ignored by mainstream media. They knew that these stories needed to be told through video since it is the medium most suited to the stories, but also because they had some expertise in it.&nbsp; Five years down the line, Herne Katha has broadcast 104 episodes and is one of the most popular and credible Nepali shows known for bringing impactful and extraordinary stories from some of the remotest parts of the country. The team was recently in Accham and locals easily recognised them as ‘Herne Katha’.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20230504070524_4c8572857a8426c2661a020290285c11abfd88cabff0a69088f2f2f509422c67.jpg" data-media-id="editor_1" data-image-id="20230504070524_4c8572857a8426c2661a020290285c11abfd88cabff0a69088f2f2f509422c67" data-rendition-name="original" width="2048" height="1366" loading="lazy" alt="Himal Media Mela 2023- Going Back to Good Storytelling"> <figcaption>Bidhya Chapagain</figcaption> </figure>  “It is not as difficult to find the subject matter or stories, we have to want to find them in the first place,” said Chapagain, recounting some of the risky trips she had taken to document her characters for Herne Katha.&nbsp; But while new age digital shows like Herne Katha have the audience, sustainability continues to be a challenge. Chapagain revealed that YouTube revenue is not as significant and the team also relies on advertisement, membership and donations.&nbsp; Said Chapagain: “It has been five years but we still have not figured out a business model best suited to us. But if we want to sustain and continue telling the stories, we must figure it out.” The business side of news  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20230504070528_69fc80c46460ab73c782b5f9b7c3bfa8bdbe91087f3f5b9ff26f4500c6f2e062.jpg" data-media-id="editor_2" data-image-id="20230504070528_69fc80c46460ab73c782b5f9b7c3bfa8bdbe91087f3f5b9ff26f4500c6f2e062" data-rendition-name="original" width="2048" height="1366" loading="lazy" alt="Himal Media Mela 2023- Digital Reader Revenue"> <figcaption>A panel on Digital Reader Revenue.</figcaption> </figure>  Across the world and in Nepal, eyeballs have moved online but advertisers have not. This has made the sustainability of legacy media increasingly difficult at a time when even online portals are competing with the new age mass media like TikTok, YouTube and Facebook for both audience and revenue.&nbsp; How readers consume news have also changed media’s traditional business model but the print still brings in the money, said Sambridhi Gyawali of Nepal Republic Media which publishes Nagarik Daily. “We haven’t been able to monetise digital platforms, paywalls have not worked in Nepal,” she added during the panel Digital Reader Revenue.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20230504070528_4efc53201ef0de22dcac55a43124d37a9e165f07f2339a3741c7e193ee173872.jpg" data-media-id="editor_3" data-image-id="20230504070528_4efc53201ef0de22dcac55a43124d37a9e165f07f2339a3741c7e193ee173872" data-rendition-name="original" width="2048" height="1366" loading="lazy" alt="Himal Media Mela 2023- Digital Reader Revenue"> <figcaption>Sambridhi Gyawali</figcaption> </figure>  Ameet Dhakal, editor of Setopati which pioneered long-form online portal in Nepal shared the humble beginnings of the digital platform, and financial challenges they faced in the early days while also the crisis Nepali media as a whole is undergoing. “It used to be cheaper to advertise in online portals because they didn’t have high operating costs of printing but now advertisers have even cheaper platforms like Facebook and Google who don't even need to pay people in Nepal,” added Dhakal. “We are now facing the same problem that print media has been facing for a while now.”  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20230504070528_983f3b9c42b40ff3b9b1f1630b4371ea9cd8d80f04eef172662a0b326fd41c18.jpg" data-media-id="editor_4" data-image-id="20230504070528_983f3b9c42b40ff3b9b1f1630b4371ea9cd8d80f04eef172662a0b326fd41c18" data-rendition-name="original" width="2048" height="1366" loading="lazy" alt="Himal Media Mela 2023- Digital Reader Revenue"> <figcaption>Ameet Dhakal</figcaption> </figure>  Traditional media has always relied on advertisements but it is also known to interface with editorial decision-making. Recently, there has been a new model entirely based on contributions from readers. Pranaya Rana was with an independent online portal The Record Nepal (TRN) before it closed down last year, unable to sustain itself financially. “The idea was to get the grant and eventually move on to the membership model but we failed. Maybe Nepal is not ready for it yet, the fact that we are an English publication didn’t help matters,” said Rana who now publishes Off the Record, a weekly newsletter every Friday.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20230504070536_e3aadb74467fe8e5493fb0dbad39ae16df2b39767343c3665da5fcbb956acd61.jpg" data-media-id="editor_5" data-image-id="20230504070536_e3aadb74467fe8e5493fb0dbad39ae16df2b39767343c3665da5fcbb956acd61" data-rendition-name="original" width="2048" height="1366" loading="lazy" alt="Himal Media Mela 2023- Digital Reader Revenue"> <figcaption>Pranaya Rana</figcaption> </figure>  He added: “But we have realised that we need a business plan and we cannot ignore the market, we are trying to figure out how we can bring in the advertisements without compromising our journalism.” Much like the TRN, Ukaalo has joined Nepal's cybersphere as an independent digital platform that relies entirely on contributions. Said co-funder Amod Pyakuryal: “Public supported media have worked elsewhere so why not in Nepal? We have people who are well educated and informed, they can pay us for unbiased agenda setting content.”  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20230504070536_a5be03ea31d7589d7cf026ce235c98f18fe9d47e087c956990bcb0b2e06e6f7a.jpg" data-media-id="editor_6" data-image-id="20230504070536_a5be03ea31d7589d7cf026ce235c98f18fe9d47e087c956990bcb0b2e06e6f7a" data-rendition-name="original" width="2048" height="1366" loading="lazy" alt="Himal Media Mela 2023- Digital Reader Revenue"> <figcaption>Amod Pyakuryal</figcaption> </figure>  Meanwhile Gyawali noted that it might be time for an internal reflection for Nepali media and the kind of content that is being dished out. To that effect, Rana added that the media should be writing and developing content for the younger generation. “But our young generation are hooked into TikTok. First, we have to find ways to get the content they want and only then we can think about monitisation,” he added.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2023050408050_8f139dd0e78ede3cbc4f0961d3e301319c6b3ff76a48e6a1c7ddff7efcbffbae.jpg" data-media-id="editor_7" data-image-id="2023050408050_8f139dd0e78ede3cbc4f0961d3e301319c6b3ff76a48e6a1c7ddff7efcbffbae" data-rendition-name="original" width="2048" height="1400" loading="lazy" alt="Himal Media Mela- Digital Reader Revenue"> <figcaption>Madhu Acharya</figcaption> </figure>  But interestingly, while audiences are consuming content on social media and on online portals, the general public do not trust them, they still trust mainstream media over others, noted moderator Madhu Acharya of the Sharecast Initiative quoting the recent survey conducted by his organisation as he concluded the panel.&nbsp; Climate change in media&nbsp; The climate emergency is arguably the biggest crisis of our times. How the media cover it can define the actions to be taken for adaptation and mitigation, and how soon.&nbsp; “Europe realised the impacts of climate change early on and began to take action. It took 25 or so more years for the US to catch-up. This was because of the coverage in he European media,” noted Kunda Dixit, author of Dateline Earth: As If the Planet Mattered during the panel on covering the climate crisis. “European media had a more global outlook, published news from around the world, and pressured their governments.”  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20230504090516_e393bf333d549e0027dbcf31d8db33062fc0c082343159110426d1af5d99cc0f.jpg" data-media-id="editor_8" data-image-id="20230504090516_e393bf333d549e0027dbcf31d8db33062fc0c082343159110426d1af5d99cc0f" data-rendition-name="original" width="2048" height="1366" loading="lazy" alt="Himal Media Mela 2023- How the Media Can Cover the Climate Crisis"> <figcaption>Kunda Dixit</figcaption> </figure>  But for the media to inform the public and the policymakers alike they need to understand the science themselves. Also speaking at the panel, atmospheric scientist Arnico Panday said that Nepali media has been focusing on weather, not so much climate which is measured over a longer period. Panday is now a meber of the RSP, wch is the fourth largest party in Parliament. Nitu Ghale who is with the Annapurna Post shared her experience of trying to highlight stories on climate change while also tackling inherent challenges. “There is just not enough data and even when there is data, they are not managed properly. It is also not easy to get the right experts to talk to,” she added.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20230504090516_5f3ce88cc495c15800896ef8b51dd82344ec0cf46fdaf4b6f72b414bdea2ede6.jpg" data-media-id="editor_9" data-image-id="20230504090516_5f3ce88cc495c15800896ef8b51dd82344ec0cf46fdaf4b6f72b414bdea2ede6" data-rendition-name="original" width="2048" height="1366" loading="lazy" alt="Himal Media Mela 2023- How the Media Can Cover the Climate Crisis"> <figcaption>Nitu Ghale</figcaption> </figure>  But either way, climate change often does not get the prominence it deserves in Nepali media, often sidelined by the political and economic issues. But panellists stressed that climate change is not an environmental issue for us but rather economic and political.&nbsp; Nepal’s import of petroleum is polluting the air and worsening public health but it is also emptying our foreign reserves. Petroleum accounts for over 20% of Nepal’s import. Switching to electric mass transit would save billions.&nbsp; “What Nepal does or does not won’t save the planet but will save our economy from collapsing and maintain our political independence by reducing our trade deficit, so they should be given the prominence they deserve in our coverage,” explained Dixit. “But having said that, climate change is becoming more of an excuse for leaders to blame their inaction and the discount governance failures and historical state neglect.”  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20230504090516_8d4b3a774da7b2ec877f74278f6c3a256428d8acc694c3243699ebe2cee307ec.jpg" data-media-id="editor_10" data-image-id="20230504090516_8d4b3a774da7b2ec877f74278f6c3a256428d8acc694c3243699ebe2cee307ec" data-rendition-name="original" width="2048" height="1366" loading="lazy" alt="Himal Media Mela 2023- How the Media Can Cover the Climate Crisis"> <figcaption>Panel on How the Media Can Cover the Climate Crisis.</figcaption> </figure>  But not everything is lost. China is developing itself as the centre of green energy whereas the United States under Biden has committed to convert 35% of all the automobiles into battery operated vehicles in eight years.&nbsp; Arnico Panday admitted that he entered politics after realising that science is not enough to bring urgent change to problems like air pollution and climate crisis. He asked the audience to vote for the party that actually works to resolve the climate emergency, among others, in the next election -- amidst much applause from the rapt audience.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2023050409058_bfebb45fb60bbb93f1a9b833ec83e0a3f43b6a00c117b7295f7e42a4d6bc8c8a.jpg" data-media-id="editor_11" data-image-id="2023050409058_bfebb45fb60bbb93f1a9b833ec83e0a3f43b6a00c117b7295f7e42a4d6bc8c8a" data-rendition-name="original" width="2048" height="1366" loading="lazy" alt="Himal Media Mela 2023- How the Media Can Cover the Climate Crisis"> <figcaption>Arnico Panday</figcaption> </figure>  Nepali translation of Dixit’s Dateline Earth: As If the Planet Mattered and the third edition of the English version were launched following the panel discussion. The book has now been translated into five Asian languages.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2023050410050_ce529ecb914b5e946464e039722db60313f3a13a057a93c444f1538cba80aa35.jpg" data-media-id="editor_12" data-image-id="2023050410050_ce529ecb914b5e946464e039722db60313f3a13a057a93c444f1538cba80aa35" data-rendition-name="original" width="2048" height="1366" loading="lazy" alt="Himal Media Mela 2023-Dateline Earth Book Launch"> <figcaption>Nepali translation of Dateline Earth: As If the Planet Mattered and the third edition of the English version were launched following the panel discussion.</figcaption> </figure>

Journalism is all about storytelling (and money)

The <a href="https://www.nepalitimes.com/here-now/himal-media-mela-2022-726cqsd6">Himal Media Mela</a> 2023 sponsored by Ncell, opened on the World Press Freedom on 3 May in Kathmandu with practitioners from Nepal and the region examining journalism and how it can be meaningful and survive. “Press freedom is not just for journalists, it is a right of every citizen. We journalists have to safeguarded it,” said co-publisher of Himalmedia Kunda Dixit in his opening remarks. The theme of this year’s two-day Himal Media Media is ‘trust and introspection’ at a time when media has undergone a massive transformation in the recent years.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20230503120548_357accde61295e6a0914d0e23d94d8e7718160d4effa0ff69d68a222a08ee4b3.jpg" data-media-id="editor_1" data-image-id="20230503120548_357accde61295e6a0914d0e23d94d8e7718160d4effa0ff69d68a222a08ee4b3" data-rendition-name="original" width="2048" height="1366" loading="lazy" alt="Himal Media Mela 2023"> <figcaption>Himalmedia co-publisher Kunda Dixit giving his opening remarks. Photos: Gopen Rai and Suman Nepali</figcaption> </figure>  Legacy media and new portals alike are now vying for both readership and revenue with TikTok, YouTube and Facebook. And now with the use of <a href="https://nepalitimes.com/news/media-melee-in-the-age-of-ai">AI in the newsrooms</a>, there is a real question about the relevance of traditional journalism. On the other hand, with the proliferation of mis- and disinformation, the public's trust in mainstream media is eroding rapidly. The pressure to be the quickest to disseminate news without fact-checking information hasn’t helped matters.&nbsp; Read also: <a href="https://www.nepalitimes.com/news/media-as-the-custodian-of-people">Media as the custodian of the people</a>, Shristi Karki Added Dixit: “Nepal has entered a new decade, but we have more or less the same leaders, the same disputes, the same reactive media content that we have seen over the past two decades. Besides trying to find a new role for media in the age of AI, Nepal’s traditional press also needs to turn the gaze on itself.”  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20230503120544_c6cde8ff92cbbc50ff69aa71e5b53bd68997f497c5077a1e3401231a9bccab4e.jpg" data-media-id="editor_4" data-image-id="20230503120544_c6cde8ff92cbbc50ff69aa71e5b53bd68997f497c5077a1e3401231a9bccab4e" data-rendition-name="original" width="2048" height="1366" loading="lazy" alt="Himal Media Mela 2023"> <figcaption>Keynote speaker Siddharth Varadarajan, Founding Editor of The Wire.</figcaption> </figure>  Keynote speaker Siddhartha Varadarajan, the Founding Editor of The Wire said the media is under great threats and challenges even as there is a greater consciousness of human rights and democracy across the world. “Historically when democracy has come under strain and perished, it has because of the collapse of open, free democratic media,” said Varadarajan, giving next-door India’s example. “In Nepal, media freedom is seen as something sacrosanct. It is powerful that Nepal is a meeting place for Southasia when other countries are happy to close their borders to ideas.”  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20230503120544_1fc71ce0f69a74e5a161d20971370e9f84ee3e46ed15adb132cdc5815b71330a.jpg" data-media-id="editor_5" data-image-id="20230503120544_1fc71ce0f69a74e5a161d20971370e9f84ee3e46ed15adb132cdc5815b71330a" data-rendition-name="original" width="2048" height="1366" loading="lazy" alt="Himal Media Mela 2023"> </figure>  But just as social media and digital platforms have made it easier for the dissemination of news and content to reach more audience, technology has also allowed the government and censurers to further restrict and control media like the use of a spyware Pegasus for the surveillance of journalists. Reporters and publication houses are also being increasingly harassed with defamation, sedition and criminal charges. Worse, they are threatened with physical harm. Many journalists in the region have in fact lost their lives for their critical voice. Read also: <a href="https://www.nepalitimes.com/here-now/paradigm-shift-in-nepali-media">Paradigm shift in Nepali media</a>, Shristi Karki But perhaps the biggest change for mainstream media today is to sustain itself. Journalism today has an even more important role in safeguarding democracy and press freedom against populist demagogues but media companies are at their financially weakest. And a f<a href="https://nepalitimes.com/news/the-new-news-age">inancially weak media is not politically independent</a>.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20230503120544_372ba75c18c86065d1602425214026342bac2d4929359dd5f4a7df8c6b9a77b1.jpg" data-media-id="editor_8" data-image-id="20230503120544_372ba75c18c86065d1602425214026342bac2d4929359dd5f4a7df8c6b9a77b1" data-rendition-name="original" width="2048" height="1366" loading="lazy" alt="Himal Media Mela 2023"> </figure>  "The less media rely on government favours, large companies and sponsors, and more on your subscription, donation and contribution from your readers, viewers and the civic society, the more it will be sustainable and credible,” added Varadarajan who set up The Wire to be a non-profit digital platform. He also warned media and civil society in Nepal not to be complacent. “Don’t take Nepal’s openness for granted, guard it and protect it,” he said.&nbsp; Media and coverage of evolving geopolitics In the first panel of the day, speakers Sudheer Sharma of Kantipur and Kanak Mani Dixit of Himalmedia delved into increasing interest of India, China and now the United States in Nepal as the battle for regional dominance intensifies.  <figure> <img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20230503120544/90033c822b9a057369e821f5c28cd7ab216da08b6225af1f0c9d0a937074b802.jpg" alt="" /> <figcaption>First panel of the day, Media and coverage of evolving geopolitics. </figcaption> </figure>  This has further heightened the importance of how Nepali media balances its coverage with India-Sino and US-Sino relations arguably at its most fragile. “In Delhi, Nepal and our media is seen as pro-China whereas when I was in Beijing, I could see that the Chinese thought we have been Americanised following the ratification of the MCC,” said Sharma who is the editor of the largest daily in Nepal, Kantipur.&nbsp; He added: "But at a time when there are more challenges due to the increased geopolitical tension which needs to be tackled with zeal and alertness, the ability of our organisation and leadership seems to have dininished." Sharma also stressed that Nepali media’s coverage of geopolitics focused too much on political diplomacy and not much on economic diplomacy even as Nepal tries to export its hydropower surplus to India.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20230503120544_58fc10d372333add459796f274b8b12f2437f8832d286193aa498259f9c92d44.jpg" data-media-id="editor_10" data-image-id="20230503120544_58fc10d372333add459796f274b8b12f2437f8832d286193aa498259f9c92d44" data-rendition-name="original" width="2048" height="1366" loading="lazy" alt="Himal Media Mela 2023"> <figcaption>Speaker Sudheer Sharma, editor of Kantipur.</figcaption> </figure>  The installed capacity of hydropower projects in Nepal is expected to cross 3,000MW this monsoon and another 3,200MW will be added to the grid in the next three years. With domestic consumption at just 1,600MW, the only other alternative is to export surplus, except India doesn’t buy power from projects with Chinese investment or contractors. In fact, India is edging China out of Nepal’s river projects as water becomes a strategic commodity. “Media is raising these issues to an extent but that discourse is never really brought to the light because of politics and our parties,” said Kanak Mani Dixit, co-publisher of Himalmedia. “Nepal is the oldest nation-state in South Asia, but Nepali politicians have often put Nepal’s geopolitics on the line for their interests.”  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20230503120544_b0793aa82c9936af1b4dc2dcc10b38a503af060f319fa13f9f7f0b7d2b3e4336.jpg" data-media-id="editor_11" data-image-id="20230503120544_b0793aa82c9936af1b4dc2dcc10b38a503af060f319fa13f9f7f0b7d2b3e4336" data-rendition-name="original" width="2048" height="1366" loading="lazy" alt="Himal Media Mela 2023"> <figcaption>Speaker Kanak Mani Dixit, co-publisher of Himalmedia.</figcaption> </figure>  Ahead of the 2024 elections in India, speakers also warned of politicised use of Hindutva in Nepal and that Nepali media needs to be alert so as not to let the pincer of Hindutva enter our politics and society. “Nepal is too diverse a society to be defined by one form of Hindutva or the other but we have groups who wish these sentiments to flourish in Nepal but it is up to the media to take this up,” remarked Dixit. He added: "Nepal is a meeting place for South Asia and has to remain an open space for itself and for the region. And the media has to realise this soft power of Nepal." Data Journalism Data is crucial for good journalism. Paper trails and data mining have led to some of the biggest money laundering exposes. Data supported journalism has led to constructive discourse in a longer term. "In any developing or developed economy, availability of data, its quality and depth help citizens as well as policymakers to form democratic decisions. Data allows better discourse, it is critical when forming unbiased and objective judgement in any issue" said guest speaker Govindraj Ethiraj of IndiaSpend and BOOM FactCheck as he presented various case studies to prove the point.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20230503120544_319b0473f2a9d48dcb88a78a8e6aae2f179046880baeecc45ff8d7146fb527ca.jpg" data-media-id="editor_12" data-image-id="20230503120544_319b0473f2a9d48dcb88a78a8e6aae2f179046880baeecc45ff8d7146fb527ca" data-rendition-name="original" width="2048" height="1366" loading="lazy" alt="Himal Media Mela 2023"> <figcaption>Govindraj Ethiraj of IndiaSpend during his session on data journalism.</figcaption> </figure>  IndiaSpend found out that 12PM at noon has the best air quality in India for a walk, mornings were the worst much like in Kathmandu. They also found that odd-even vehicle rule did not actually help reduce air pollution in Delhi. Ethiraj also briefed the audience about an on-going project to measure methane emission in India, which they found out was among the biggest polluters in India with the country being the fourth biggest emitter. But oftentimes, it is hard to access data, either because they are withheld or because it is very time consuming to crunch all the numbers and clean them up. Other times, there is simply no data.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2023050313050_ed561208530ccbdf6b979738adc90851da17cad7b4ccfd692deab0f6b2e19c8b.jpg" data-media-id="editor_13" data-image-id="2023050313050_ed561208530ccbdf6b979738adc90851da17cad7b4ccfd692deab0f6b2e19c8b" data-rendition-name="original" width="2048" height="1366" loading="lazy" alt="Himal Media Mela 2023"> </figure>  “There will be data gaps especially on critical matters but let us ask for better quality data, more data but equally use the data that is already there in your hand to build high quality journalism which is really critical in this time and day. And project that data in a way people can make sense of it,” added Ethiraj. Given the importance of data in storytelling, there is often a question of whether the story comes first or data. Said Ethiraj: "Truth is, they go together. As much data, as many stories. This aids us in making unbiased opinions and objectives, presents a clearer picture, and empower people with better understanding."

Nepal should be open for South Asia

The mainstream and online media have a voracious appetite for hard news because they need to keep feeding the beast. Press meets are cheap to cover on deadline, they do not need much context or analysis.&nbsp;
Politicians know that, and provide reporters with soundbites masquerading as 'news'. In this symbiotic politico-media landscape, politicians know that journalists know that it is all spin. But they still need it for their perpetual news machines. &nbsp;&nbsp;
Politicians play to the gallery, and the mainstream media laps it all up to push it out as straight news through social media handles. &nbsp;As politics and media merge, it is also getting difficult to tell the difference between what used to be the mass media and <a href="https://www.nepalitimes.com/editorial/the-message-is-the-medium-z5w3ekk2">social media</a>.&nbsp;
The tail is wagging the dog. Social media videos and posts by politicians become grist for the mass media, which then pushes it out as news via the same platforms on <a href="https://www.nepalitimes.com/editorial/internet-in-everything">the social web</a>. The public therefore has no need to subscribe to or read newspapers, or tune into the evening news on radio or tv. Everything they want to know is right there on their smartphones.&nbsp;
In the past, newspapers competed with radio and tv. More recently, the legacy media vied for readership with news portals. Now, online news sites have also become legacy media since they rely on the same revenue sources: advertising or corporate promoters. Paywalls, subscriptions and crowd-funding have not worked in Nepal for online media.
The real mass media in this new news age is <a href="https://www.nepalitimes.com/here-now/tiktok-has-taken-nepal-by-storm">TikTok</a>, <a href="https://www.nepalitimes.com/banner/mobile-nepal-is-hooked-on-youtube">YouTube</a> and Facebook. Information has to compete with entertainment for eyeballs, and it is a losing battle.&nbsp;
At a time when journalism has an ever more important role in safeguarding democracy and press freedom against populist demagogues, media companies are at their financially weakest, struggling for revenue, and to remain relevant.
International <a href="https://www.nepalitimes.com/banner/press-for-people">Press Freedom</a> Day on 3 May serves as a reminder that a financially dependent media cannot be politically independent. Governments around the world know this, and are glad the press is no longer holding power to account.&nbsp;
Much of this was on display this week as Prime Minister Pushpa Kamal Dahal, the RSP’s Rabi Lamichhane, and Gagan Thapa of the NC all took to social media either directly or through legacy media reporters to position themselves in the new scenario after by-elections. &nbsp;&nbsp;&nbsp;&nbsp;
Between inaugurating a new cable car and attending a trade union event on 1 May, Prime Minister Dahal squeezed in a meeting with <a href="https://nepalitimes.com/news/the-reign-god">Rabi Lamichhane of the RSP</a>.&nbsp;
Dahal and Lamichhane lead the third and fourth largest parties in Parliament, and need each other. Lamichhane’s political capital went up after his party’s wins in last week's by-elections. Lamichhane is driving a hard bargain, and is not in a mood to settle for anything less than Home Minister and deputy prime minister.
If Dahal does not maintain <a href="https://nepalitimes.com/editorial/old-wine-in-old-bottles">the magic 138 votes in Parliament</a>, he will have to seek a third vote of confidence. For his part, Lamichhane needs the post to make his dual passport case go away.&nbsp;
In the coming days, it will be revealing to read into social media posts of politicians, as journalists try to go beyond the soundbites to make sense of why they are saying what they are saying. &nbsp;

Sonia Awale

The new news age

<figure><img width="960" height="682" src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/2022111414114/63723d4c9c7e80680e0c9669jpeg.jpg" alt=""/><figcaption>Photo courtesy: Anjana Aryal</figcaption></figure>The woman rummages through her pantry.Wheat flour? Check,Ghee? Check,Smartphone? Check.She cooks a family recipe, nimki for Tihar. Her daughter films her deep-frying the dough as they chat. Soon, the nimki recipe shows up on the For You Page of more than a million TikTok users.In her everyday life, <a href="https://www.tiktok.com/@anjana.aryal?lang=en" data-saferedirecturl="https://www.google.com/url?q=https://www.tiktok.com/@anjana.aryal?lang%3Den&amp;source=gmail&amp;ust=1667291608851000&amp;usg=AOvVaw1X-gdnfnmnUNreWcEIRC4L">Anjana Aryal</a> is a regular homemaker. But on TikTok, she conducts cooking masterclasses right from her kitchen for her more than 400k followers. When not cooking, she documents her daily life on the app."Food is a universal language. Maybe that is why my content resonated with so many people," says Aryal, showing us her best Home-Chef Award.When her luscious lalmohan recipe video attracted watchers from Nepal and India to her account, she went from being a faceless TikTok creator to one of the Nepali heavyweights on the app. These days people on the road and in shops recognise her by her voice alone."Voice reaches people faster on Tiktok," Aryal explains, "people use my audio for their videos. It goes viral quickly."When a user creates a Tiktok video, they can use any audio uploaded on the app: be it a chorus sung in an expensive studio or a recipe recorded from a smartphone. This feature has been integral to the success of musicians from international pop stars like Doja Cat to Nepali musicians like Wangden Sherpa.Aryal's recipes are tried and tested by hundreds of other creators using her narration as voiceovers for their own videos. <figure><img width="640" height="846" src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/2022111414114/63723d4e9c7e80680e0c966ajpeg.jpg" alt=""><figcaption>Photo courtesy: Anjana Aryal</figcaption></figure>"I can’t believe something I’d do for fun in lockdown would become this big," says Aryal, smiling.TikTok's easy-to-use editing tools, the no frills aesthetic and a vast library of licensed music along with its powerful algorithm that helps discoverability on the For You Page (FYP) has helped blur the lines for many Nepalis to turn from being consumers to creators. <figure><img width="718" height="901" src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/2022111414114/63723d519c7e80680e0c966bjpeg.jpg" alt=""><figcaption>Photo courtesy: Ajashala Bajracharya</figcaption></figure><a href="https://www.tiktok.com/@chainfuskyo?lang=en" data-saferedirecturl="https://www.google.com/url?q=https://www.tiktok.com/@chainfuskyo?lang%3Den&amp;source=gmail&amp;ust=1667291608851000&amp;usg=AOvVaw3wvzXj6iywrjIpqLGEZGN_">Ajashala Bajracharya</a>, an undergraduate student who posts cosplay, gaming, and art content, also downloaded TikTok due to lockdown boredom. She started with arts and crafts, then posted cosplays and gaming.TikTok's algorithm has connected her to others interested in the same niche interests as her.  "I had a small friend circle before," remarks Ajashala. "Not anymore."As she spent more time on the platform, Ajashala - like many Nepali TikTokers - adapted to trends. Quarantine TikTok saw the rise of POVs, lip-syncs, and dances. Now, Nepali people have switched to TikTok Live, an entrepreneurial gold mine.Nepali content creators like Ansh Verma have accumulated millions of followers utilising TikTok Live. They host ‘Follow for Follow’ lives where they instruct hopefuls wanting to go Live to follow each other. The app requires creators to have a thousand followers to go live."Friends, you are following each other for yourself. After you get a thousand followers, you can earn gifts. TikTok algorithm boosts your account if you interact," says Chiranjibi Dhakal, scratching recharge cards number by number in his TikTok live. <figure><img width="247" height="462" src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/2022111414114/63723d539c7e80680e0c966cjpeg.jpg" alt=""><figcaption>Screenshot from Ansh Verma's live</figcaption></figure><img width="244" height="462" src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/2022111414114/63723d569c7e80680e0c966djpeg.jpg" alt="">Nepali people anxious over their visas tune into tarot readers shuffling cards. Lok-Sewa tuition and movie screenings happen daily on the app. All these lives prioritise 'gifters', encouraging viewers to send creators gifts, which are currencies in the virtual world of TikTok Live. Creators can redeem real money from the gifts. Consequently, TikTok live has become a source of income for many Nepali.Nepali creators aren't eligible to apply to TikTok's Creator Fund, meaning they cannot earn money from views on Tiktok.For creators like Ajashala who use TikTok for fun, it is not a big deal. Other creators like Aryal, however, have branched out to YouTube. Aryal used her TikTok fan  base to kickstart her YouTube career. Her YouTube channel, Anjana’s Nepali Kitchen, is gathering steam.<a href="https://www.tiktok.com/@abhinavbajra1?lang=en" data-saferedirecturl="https://www.google.com/url?q=https://www.tiktok.com/@abhinavbajra1?lang%3Den&amp;source=gmail&amp;ust=1667291608851000&amp;usg=AOvVaw19NWVGE3phChiU4Pf1Zkid">Abhinav Bajracharya</a>, a food vlogger on TikTok known for his slogan 'Mitho, mitho, mitho' (yum-yum-yum) also plans to expand his brand to YouTube.The undergrad entered the competitive food scene in Nepali Tiktok with restaurant reviews. An ordinary student before TikTok, Abhinav now gets invitations from restaurants to come and try their food."I get many invitations, and they provide us everything for free," Abhinav says," In fact. I am returning from another restaurant right now."To ensure enough content for his page, Abhinav goes to restaurants regularly. He claims that posting content daily is vital to keep his popularity on the app. Boosted by his existing audience, his newly created backup account for non-food content is also doing well. <figure><img width="843" height="1123" src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/2022111414114/63723d589c7e80680e0c966ejpeg.jpg" alt=""><figcaption>Photo courtesy: Abhinav Bajracharya</figcaption></figure>"My original account is at risk. One more strike from TikTok and my account will get banned. That is why I created a backup," says Abhinav, "I have gotten three warnings for violating community guidelines already."TikTok guidelines work in mysterious ways. Despite Abhinav's two violations being proven untrue, it still adds up. Creators can also get banned when they are falsely accused of breaking community violations. TikTok doesn’t explain why something is being taken down or shadow-banned and creators don’t get to defend themselves while appealing.This is something American polyglot sociologist <a href="https://www.tiktok.com/@thewildamalia?lang=en" data-saferedirecturl="https://www.google.com/url?q=https://www.tiktok.com/@thewildamalia?lang%3Den&amp;source=gmail&amp;ust=1667291608851000&amp;usg=AOvVaw18kZhJhCami_-J40VCdAqV">Amalia Rubin</a> knows all too well. Her video educating people about the lost arts of Nepal got taken down for sharing the contact number of a museum. TikTok categorised the public number as private information. Rubin guesses she was most likely mass-reported for spreading awareness about this issue. <figure><img width="1356" height="1356" src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/2022111414114/63723d5b9c7e80680e0c966fjpeg.jpg" alt=""><figcaption>Photo courtesy: Amalia Rubin</figcaption></figure>Rubin has dealt with targeted attacks before. Being a Jewish educator, she deals with anti-semitism on the platform regularly since extremist ideology runs rampant on the app. It manifests itself in the form of organised counter-movements.TikTok has not been able to keep up with the constantly evolving hate symbols. Dog whistles, threats or terminology disguised to appear normal to the majority, goes undetected. And creators are more likely to be taken down from being mass-reported by an organised group.“Tiktok is creating a space for people to harass and threaten creators, especially marginalised creators,” says Rubin.Users using loopholes in the Tiktok system to get away with hate speech is not uncommon. TikTok doesn’t recognise Nepali curse words. It does nothing when Nepali anti-feminist hate accounts upload TikToks of young Nepali girls, criticising their appearance and speech or when vulgar comments flood an underage user’s notifications.As trends evolve faster than moderators can keep track of, creators say the app needs think ahead to prevent extremists from sidestepping their effort to curb misinformation and hate among its closely-connected users.But connectivity is also what attracts Nepalis to TikTok. Nepalis spam comments. They give gifts during TikTok Live to raise Nepal's ranking in country rank contests.TikTok more than any other platform seems to have cohered Nepal and Nepali to the world. For Nepali people who lack representation, TikTok's affinity is exceptionally appealing.This connectivity empowers content creators too. Rubin fundraised for the treatment of her Nepali student through TikTok. Aryal's travel TikToks promote local tourism, while Abhinav's brings business to local restaurants and Ajashala's TikToks inspire people to be unapologetically them.Says Aryal, "I was Anjana to my friends, family, and community. Now, I am Anjana to so many people through TikTok. I am seen."

TikTok has taken Nepal by storm

<img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221114121112/637222909c7e80680e0c0302jpeg.jpg" alt="" width="1500" height="1000"/>Lions in Africa have been known to use quicksand to trap prey. For example, it is when a wildebeest finds itself mired in mud that the lioness approaches for the kill.There is an uncanny parallel between the wildebeest and today’s youngsters who encounter Instagram or TikTok for the first time, unaware of what they are getting into. Watching a funny reel on Instagram, mindlessly scrolling through TikTok videos, or waiting for likes on a Facebook post – they all deliver instant gratification.The addiction rides stealthily on the algorithms, fueled by feel-good hormones whenever the user procrastinates on important homework to watch YouTube or take a break from an assignment to post a #bored selfie.Dopamine rushes through the brain whenever they get a new like or a mention, resulting in a rush that is as addictive as a drug.  Studies have shown that it is when users seek to be constantly rewarded with such short-lived emotional highs that it starts to affect their personality and real life social skills.The human mental circuitry gets accustomed to frequent flashes of joy, and users find it increasingly difficult to concentrate and invest time in things that actually matter, that take time and energy to accomplish. Gratification is then not deferred, but is needed immediately and frequently.In Nepal and elsewhere, disruptions brought out by the Covid-19 pandemic and the home isolation of lockdowns increased screen time. TikTok video uploads and downloads alone take up a quarter of Nepal’s entire internet bandwidth.Read also: <a href="https://www.nepalitimes.com/opinion/so-you-want-to-become-an-influencer/">So you want to become an influencer?</a>, Anjana RajbhandariEven as the virus wanes, social media users yearn to go viral. As young people get back to in-person classes and physical meetings, social media dependence now manifests in other spheres of life. Everyone wants fast results, top grades without putting in the work, a restaurant meal to share on IG, and to show friends how much fun I am having.Students spend most of their years waking hours swiping through reels, clocking likes, scrolling through stories. They are getting used to making fast judgements, only to realise that real life moves at a slower pace, and friendships are made face-to-face and not on Facebook.Of all the things that social media offers, the one thing it can never teach is patience and reflection. An adolescent then is deprived of real-life friendships, thinking and talking about career goals, going on a slow trek through the mountains – all this takes too much more effort than updating an Instagram feed or posting a TikTok clip.Deferred gratification is when we resist the temptation of short-term pleasures in the hopes of a lasting reward and it is so much harder because it requires patience.Just as the habitat of the wildebeest and the lion is the savannah, human habitat today is the cybersphere. Nearly 60% of the world’s population browses the net, and we spend an average of 2.5 hours a day networking on our phones. These numbers have shot up after Covid so that we are surrounded by posts, comments and notifications. We are lost without the device to access them.Social media algorithms ensnare users in the quicksand.Media literacy in schools would make today’s young be better informed about social networking sites, and how they cleverly reinforce preferences and reward choices. This could perhaps push them to understand the influence it has on their lives, and make a more rational use of this media resource.Read also: <a href="https://www.nepalitimes.com/banner/nepals-interface-with-information/">Nepal’s interface with information</a>, Kunda DixitSilicon Valley mines personal data for revenue, and the more time users spend on their sites, the more money they make. They call it ‘Improving user experience’ but that is just a euphemism for the algorithm that engulfs users in the quicksand.To be sure, there is much to be gained from sensible use of social media: promoting an enterprise, catching up with friends or advocating for a social cause. But how do we maximise its usefulness and avoid the swamp?<ol><li>The first step is a self-realisation and determination to improve our use of social media. You first need to want to kick the habit.</li></ol><ol start="2"><li>Mute notifications. We have been conditioned to react instantly to notifications. Checking a notification feels like unwrapping a present and getting a shot of dopamine. But what starts out as a quick check ends up being a binge watch of videos. Muting cuts this distraction at the source and short-circuits the algorithm.</li></ol><ol start="3"><li>The third step may be the hardest, and what makes the difference between taming the lion or being tamed by it. The best course of action for the wildebeest is to remain still. The more it moves, the more it sinks in the ooze. The more you are online, the more social media tracks you, keeping you engaged through clever customisation. Minimising use helps extricate users from the bog.</li></ol>Think before posting, don’t share unverified posts, resist double tapping just because you have nothing better to do, and self-examine your own social media use. Like many things in life, it is ultimately your own choice.<img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221114121112/637222939c7e80680e0c0303jpeg.jpg" alt="" width="78" height="109">Yugottam Koirala is a student at St Xavier’s College, Kathmandu.Read also: <a href="https://www.nepalitimes.com/opinion/digital-discrimination/">Digital discrimination</a>, J B Biswokarma

Avoiding the quicksand of social media

<figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/2022111412118/637221fd9c7e80680e0c02e4jpeg.jpg" alt="" width="1920" height="1280"/><figcaption>Illustration: GERD ALTMANN/PIXABAY</figcaption></figure>The advent of social media and its reach has meant that anyone can become an influencer today. The chances of succeeding in the creative field are better than ever before. Brands are investing billions of dollars in online content creators to advertise their products that would have previously been used on models and celebrities.But how does one become an influencer, and what does it really mean? It is not simply posting content on your social media frequently as youths are prone to these days. An influencer has a job to keep posting content online regularly to keep the audience engaged and monetise it.It sounds pretty easy. However, the success rate for an influencer depends on their followers and the engagement of the audience including likes, comments and purchases using the links.A report published in the <a href="https://morningconsult.com/influencer-report-engaging-gen-z-and-millennials/">Morning Consult</a> showed that three-quarters of American Gen Z and Millennial trust influencers when choosing brands and products. They don’t just trust the influencers more than celebrities, 54% would want to become one if they had the opportunity.On Instagram, someone with less than 50,000 followers is considered a micro-influencer, but if one has around 250,000 followers, they could make nearly $3,800 per post.It is impossible to talk about influencers and not mention Kylie Jenner. In 2019, Jenner was Instagram’s highest-paid influencer earning over a million dollars a post. She has her fair share of haters but Jenner has been so successful as an influencer because she continuously generates aspirational content while maintaining her authenticity. The family name doesn’t hurt either.Jenner’s posts mainly revolve around being a mother, her family and her love for makeup. Brands want to work with her because her use of social media to connect with her fans making them feel heard has turned her into an influencer you can trust. Love her or hate her, she has influencing figured out.But as appealing as it seems to generate an income and become famous by posting content on social media, very few succeed. So what happens to the faceless influencers who fail?Not becoming a successful influencer can negatively affect one’s self-esteem because they put a lot of time and effort into the process. If they cannot reach the status, they question their self-worth. They start estimating their value based on followers and sponsors.“When someone’s self-esteem is so wrapped up in their social media presence, it can be hard for them to see their value outside of that,” says Sindee Gozansky, therapist and founder of “A Simple Therapy” in Maine, USA.Young women start to believe they are not good enough, and failure in the social market is perceived as a rejection at a personal level. “This can also be harmful to a young woman’s mental health, reinforcing the idea that external validation is necessary for self-worth. Lack of influencer status affects self-esteem by causing feelings of inadequacy and low self-confidence,” adds Gozansky.This vicious cycle can lead to depression and anxiety and may also lead to other emotional disorders related to eating, body image and obsessive thoughts.Anisha Joshi, a dermatologist at Healthy Choice Clinic, often consults patients deeply affected by social media. She has had to tell most of her young patients that it is not possible to look exactly like a celebrity or an influencer.“Most patients have unrealistic expectations, and we have to counsel them about the treatments and procedure options regarding the time it takes and the outcome,” she adds.“Most patients I have counselled are not happy with their looks, they want to have perfectly symmetrical faces without any pores or pigmentation, they want fairer skin. And they are ready to go under the knife to achieve that.”The problem with spending too much time on social media platforms hoping to become the next Kylie Jenner is also that rather than thinking about college or career goals, young people get too busy promoting their lifestyle brand, building their audience, and checking their insights to spend time on anything else. And then, if they don’t make it, they can feel lost and without purpose.Social media is a dangerous platform for comparison and self-doubt, and not succeeding as an influencer can affect young women’s self-worth and other aspects of their lives.While some young women do succeed in the field, the danger is how it affects the lives of those who do not. Before putting all your eggs in one basket, it is essential to realise that there is a possibility of failure, and not lose sight of one’s authentic self.Social media analytics is not everything. It is essential not to let social media consume your life and to have a strong identity outside in the real world. Many women have gone on to achieve great things because they didn’t allow their self-esteem to be defined by more online analytics.Adds Gozansky: “Being an influencer is so seductive to young women because of the perceived social value, acceptance and importance it promised. And, what is seductive is not always in our best interest.”Anjana Rajbhandary writes this fortnightly Nepali Times column Life Time about mental health, physical health and socio-cultural issues.

Anjana Rajbhandary

So you want to become an influencer?

One smoggy winter morning in February 2019, Ekta regretted coming to her sculpture class. It was the first day of her period, and the 19-year-old wished she was home, curled up in bed with a hot water bag to soothe her cramps.
Her class was at Kalapremi Ceramic Studio, a dark room on the ground floor of a house in Maharajganj, and Ekta’s teacher was the artist Gopal Das Shrestha ‘Kalapremi’, a noted sculptor.
Two other students were already there, using all their muscle strength to knead the sculpting clay. Ekta, now 24, recalls how Kalapremi asked her if she was feeling all right. She avoided him, as she did not want everyone to know she was menstruating.
Kalapremi repeatedly asked Ekta what was wrong. She finally muttered that she was having her period, after which he grabbed her hand and led her to a partitioned corner of the studio and sat her on a chair. Before she could stop him, he slid his hand under her dress, and started massaging her abdomen.
“I was horrified,” Ekta recalls. “I told him to stop, but he didn’t listen, asking me not to be shy, saying he knew how to relieve my pain. He stopped only after I protested furiously.”&nbsp;
The art tutor then said, “You’re like my daughter. I’m doing it out of love to make you feel better, but you’re so stubborn.”&nbsp;
“Instead of saying sorry he acted like I was the one having crazy thoughts,” remembers Ekta, adding that from April 2016 to August 2020 beginning the time she was 16, the artist sexually abused and harassed her on several occasions. &nbsp;
Now, Ekta and the artist’s other former students are finally sharing their experiences and some are pressing legal charges against him, hoping that others do not have to endure what they did.&nbsp;
Award-winning artist and teacher Gopal Das Shrestha ‘Kalapremi’ (the name means ‘Art Lover’) is known for his ceramic art, sculpture, and contemporary pottery. He was <a href="https://nepalitimes.com/review/the-house-of-kalapremi">profiled in Nepali Times after a collaborative exhibition</a>, ‘Where the Wild Things Are’ at the Siddhartha Art Gallery three years ago.&nbsp;
His pieces, titled Gaalis, featured sculpted female figures with the heads of dogs, sheep, and donkeys (pictured) to depict derogatory terms for women. Some critics said the collection was a satire on feminists.
Kalapremi started his artistic and teaching career in 1983 and over the years taught at Bhanubhakta School, Kathmandu University School of Arts, Lalitkala Campus and at his private Kalapremi Ceramic Studio. He has also lectured at Jeonju University in South Korea and recently at Tabor Academy in the United States.
Seven of Kalapremi’s former students were interviewed for this story. Five female students said he touched them inappropriately in his studio or at Kathmandu University. Two male students said they witnessed him abuse and harass the women. In all cases, the students struggled to recognise the abuse when it occurred, and the lack of reporting systems left them to cope on their own for years.&nbsp;
Earlier this year, students shared a social media post hinting at Kalapremi’s history of abusive behaviour following which more students of the artist reached out sharing similar experiences. Some students spoke of abuse that happened as long as 20 years ago.
Kalapremi, 60, has denied the allegations. He told Nepali Times: “Some years ago, there was a movement encouraging people to hug and kiss. I used to do it purely out of friendship and love. But after seeing posts on social media last year calling out my behaviour, I realised my actions may have hurt some people. I understand now that I should have been more mindful.”
He added: “I am also an auxiliary health worker, so I know the exact points to massage to relieve menstrual pain. It’s not just menstruation, I take anyone who is ill to the hospital.”
Sexual abuse is much more rampant than reported given how difficult it is to prove it in court. The law defines sexual abuse as occuring when someone touches another’s private parts, coerces them into touching theirs, uses vulgar language, shows degrading images, or behaves indecently towards them without consent.&nbsp;
Ekta and her fellow students are consulting lawyer Suneeta Regmi Pokhrel, who says they know that even if the court decides in their favour, it is difficult to survive after speaking up, and influential men defend themselves saying they are being framed.&nbsp;
“They are in a lot of pain and weep when recalling how he abused them,” Regmi Pokhrel told us. “They are angry and have filed a case against him, but they are also terrified. They know he is a powerful man and they have seen how our society treats women who speak up against abusers. Unless people speak up, perpetrators will be emboldened.”
Art and academia in Nepal simply reflect the power imbalances in society where people with intersecting identities experience worse forms of abuse. Theatre actors Raj Kumar Pudasaini, Rajan Khatiwada, and Sunil Pokhrel were called out during the #MeToo movement in the Nepali theatre scene in 2019. Even after the allegations Pokhrel went on to receive national awards, while others continued to work without repercussions.
“If you speak up against abusers, you gradually get sidelined from projects,” explained a theatre artist who wished anonymity fearing professional setbacks. “The theatre scene in Nepal is quite small, you just have to make peace with the perpetrators and work with them if you want to sustain yourself.”&nbsp;
In academia there is a history of faculty members sexually harassing students and getting away with it. After Tribhuvan University (TU) lecturer Krishna Bhattachan was accused of harassing women students, the university said it would follow Nepal’s sexual harassment law and set up a reporting mechanism. But nothing happened to the professor, who had already retired. Instead, he counter-accused the students of 'attacking the indigenous people’s movement with baseless allegations' as <a href="https://kathmandupost.com/letters/2019/01/29/bhattachan-responds">he told the Kathmandu Post in 2019</a>. He continues to be featured as a prominent speaker including at TU.
Other faculty members previously accused of sexual harassment include Jagadish Murti Koirala from TU, Bishnu Prasad Acharya from Ratna Rajya Campus, and Bodha Raj Tripathee from Lalitpur Madhyamik Vidhyalaya. A woman staff member from TU also filed a sexual abuse complaint against Dambar Chemjong from TU.
Prominent figures like <a href="https://nepalitimes.com/news/the-rise-and-fall-of-nims-purja">mountaineer Nims Purja</a> have been <a href="https://www.nytimes.com/2024/05/31/sports/mountaineering-sexual-harassment-abuse-nims-purja.html">accused of sexual assault</a>, and cricketer Sandeep Lamichhane, actor <a href="https://nepalitimes.com/news/celebrity-rape-case-spotlights-nepal-laws">Paul Shah</a>, and former speaker of Parliament <a href="https://nepalitimes.com/news/mahara-arrested">Krishna Bahadur Mahara</a> have been accused of rape, but society-at-large has let off the alleged perpetrators amdist a larger debate about justice for survivors and punishment of perpetrators.&nbsp;
‘Gaushala-26’ is the court name given to the 18-year-old who accused Sandeep Lamichhane, former captain of Nepal’s national cricket team and skipper of Biratnagar Kings in the <a href="https://nepalitimes.com/here-now/here-comes-the-nepal-premier-league">ongoing Nepal Premier League</a>, of rape. She left the country citing society questioning her character affecting her mental health while Lamichhane got an outpouring of support. In May, the Patan High Court overturned a prior verdict that found Lamichhane guilty of rape and had sentenced him to eight years in prison. During the 23-month legal battle to pursue justice, Gaushala-26 faced threats of gang rape and acid attacks.&nbsp;
Exhausted by the struggle, Gaushala-26 sought to “move to a new world” where she could live free without hiding her identity.
Actress Samragyee Rajya Laxmi Shah in an Instagram video now deleted detailed the harassment she faced from a filmmaker during a movie shoot. She did not name any name but veteran actor Bhuwan KC filed a defamation case against Rana, but the court ruled that the charge lacked sufficient evidence.&nbsp;
Former Kathmandu mayor <a href="https://nepalitimes.com/opinion/theytoo">Keshav Sthapit also mocked the #MeToo movement</a>, calling accusations against him by journalists Rashmila Prajapati and Ujjwala Maharjan “a rape of men’s rights”.
Serial Abuse
Back at the Kalapremi Ceramics studio, another former student, 24-year-old Rajiv, says he felt the need to speak out after seeing his female classmates being abused.&nbsp;
“He frequently kissed them on their cheeks,” he told Nepali Times. “Whenever they walked into the studio he flailed his arms like a child asking for a hug. They awkwardly hugged him from the side, but he pulled them closer, held their chin, and kissed their cheeks.”&nbsp;
Rajiv says he also saw Kalapremi pull the women’s bra straps, touch their breasts, and slap their buttocks. The young students would freeze, not knowing how to react, and if they protested, he would say it was “normal in art”. Rajiv, 19 at the time like his classmates, remembers thinking perhaps the well-respected artist was right after all.
Another student, Luna, who took lessons at Kalapremi’s studio from 2020 to 2022 did try to confront the tutor after he made an obscene proposal to her. She recalls: “One day when the other students had left the studio and it was just the two of us, he told me that God had given him special artistic talent and he could transfer those powers to me. But to do that both of us will have to be naked, inside a dark room, and have sex.”
Luna, who was 18 then, was livid and told him she did not want any of his powers, but she says he laughed at her as if he was joking. She did not tell her family about the incident because she thought no one would believe her.&nbsp;
“They were all in awe of this famous artist and felt I should be grateful that to be learning sculpting from him,” she says. “I was scared to be alone with him in case he talked about sex again. My coping mechanism was to be rude so he wouldn’t try to come close to me.”
Seeing how some classmates were standing up to Kalapremi, Ekta too tried to push back against his advances, but she said he found ways to coerce her. Since Ekta, Rajiv, and Luna could not afford Kalapremi’s Rs30,000 monthly fee for lessons, he had offered them all a stipend to assist him in the studio.
“He had spondylosis and took me to his therapy sessions to learn massage techniques, then he often made me and other students massage him,” says Ekta. Whenever she refused, he would feign pain to make her feel sorry for him. “He would insist that I put my hands under his shirt so that I could massage him better,” she adds.
The art tutor often tried to “seduce sympathy” from Ekta by sharing how he had never been loved as a child and was “sexually frustrated” as an adult.&nbsp;
“At 7PM, he would pour himself Signature whiskey and immediately go off again about how he was sex-starved. I didn’t know how to respond. It took me time to realise alcohol was just an excuse to talk about sex,” Ekta says.
If convicted, Kalapremi could face financial penalty and/or a prison sentence of up to three years according to Section 224 of National Penal (Code) Act 2017.&nbsp;
Data suggests that victims of child sexual abuse on average take nearly 24 years to tell someone about their trauma, and some may never disclose it at all.&nbsp;
“In our culture, children are rarely taught about boundaries. They often react, show anger when adults pinch their cheeks. But adults insist they did it out of love, and force the children to accept it,” says Sita Lama, a psychotherapist at Manka Kura. “And even when someone touches them inappropriately they struggle to identify and verbalise it.”
When perpetrators claim to be “acting out of love”, Lama says survivors are likely to perceive it as something safe, rather than recognising it as abuse.&nbsp;
“It may take years for them to realise they were abused,” she explains. "And even when they become aware, the power imbalance with the abuser and the associated shame often prevents survivors from speaking up."
Other former students from the School of Art at Kathmandu University have also come forward years later, saying Kalapremi sexually abused them. As young adults, they felt his behaviour was off but were uncertain if it was inappropriate, illegal, or they did not know how to respond. After having understood that it was indeed abuse, they say they are speaking out now to protect others.&nbsp;
Amina Singh, a visiting faculty member at Kathmandu University, says there is no clause against sexual abuse in contracts of teachers, and there is no formal grievance handling mechanism for the students.&nbsp;
“So the only way students can to deal with sexual abuse is approach someone they trust,” she says.
Eight other former art students of Lalit Kala Campus and Srijana College of Fine Arts of Tribhuvan University and other private art studios in Kathmandu say they were also sexually abused by their art teachers. Three faculty members interviewed from these institutions said they saw the abuse, but felt it was futile to report it given how powerful the teachers were.
In the absence of a formal system, some longtime women artists warned each other about “problematic” artists. They shared &nbsp;a “heads-up” to be more cautious when collaborating with them, and avoided responding to their calls and texts after work hours.
To ensure art institutions are safe for all, galleries, museums, artist studios, and smaller art spaces need to develop policies on sexual harassment. This would include a code of conduct or studio policies that hold the leadership accountable and outline the principles of professional ethics.&nbsp;
Students and employees should inquire about accountability mechanisms for raising concerns, both formally and informally, advocates say.
Three years after Ekta left the ceramics studio, she learnt that Kalapremi had harassed many other women. Still trying to get a footing in the art industry, she attended a workshop in Kathmandu where women artists discussed ways to stay safe in the art sector.&nbsp;
Since it was a close-knit group Ekta opened up about how she felt violated and realised she was not alone, he had been abusing underprivileged students for years, and this was common knowledge among artists in Nepal.
Ekta says that even after she quit, Kalapremi continued sending her text messages like ‘I am thinking of you’, ‘Why have you stopped speaking with me’, or ‘I am waiting for your call’.&nbsp;
But what really forced her to act was when Ekta found out that he was sending similar texts to her younger sister.&nbsp;
“I’ve had enough,” she told us. “He abused me all these years but I won’t let him abuse my sister.” &nbsp;
Ekta, Rajiv and Luna are not the real names of the students.&nbsp;

‘Art Lover’ accused of sexual abuse

It was 8:15 in the evening of 25 March 1968 when everyone in the village of Batulechaur near Pokhara heard a deafening sound like thunder as a bright flashing object hurtled down to land in a field.&nbsp; That field belonged to Kul Timilsina, and the next morning he retrieved a sheet of metal about 2m by 1m and carried it home with the help of a few others, thinking it would be useful for his buffalo shed.&nbsp; Before he died at age 83 three years ago, Timilsina had told photo archivist Sunil Ulak that the black metal sheet was not rectangular and had rounded corners. There are a few witnesses still alive who have a clear recollection of the object that fell from the sky that night.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2024120707128_75cc85aac56b9cc4a77366471f058d7b3eb6868776811b0923845c2d0a61f014.jpg" data-media-id="editor_0" data-image-id="2024120707128_75cc85aac56b9cc4a77366471f058d7b3eb6868776811b0923845c2d0a61f014" data-rendition-name="original" width="1170" height="601" loading="lazy" alt="UFO over Pokhara"> <figcaption>The field in Batulechaur belonging to Kul Timilsina where fragments of a flying object fell from the sky in 1968.</figcaption> </figure>  One of them is Timilsina’s wife Gyanu, who was 22 at the time. She had been at home, and remembers hearing the big bang and the sky becoming very bright. “We saw the thing in the field in the morning,” she told us. “It looked like a lid, a covering of some sort. The way it was stuck in the ground, it must have fallen from the sky. We thought we could use it to dry clothes on, and took it home.”&nbsp; Another witness is Kul Narayan Paudel. “I was only eight then. We ran to the field to see what had fallen. It was a four-sided metal sheet. The elders took it away, and I don't know what happened to it.” &nbsp; Ram Bahadur Baniya, a teacher at the local school, says he had heard the sheet had been brought to the school, and later handed over to the Zonal Commissioner at the time, Nanda Prasad Malla. “But that is all hearsay,” he says.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2024120707128_0bf207a12063fb8155b3c8d9a00a94887b126380c9e0627527c84cf5e1101f54.jpg" data-media-id="editor_1" data-image-id="2024120707128_0bf207a12063fb8155b3c8d9a00a94887b126380c9e0627527c84cf5e1101f54" data-rendition-name="original" width="1170" height="610" loading="lazy" alt="UFO over Pokhara"> <figcaption>Gyanu Timilsina, wife of Kul Timilsina.</figcaption> </figure>  There are two versions of what happened to Kul Timilsina’s metal sheet. One is that an American Peace Corp Volunteer teaching at the nearby Bindyabasini School took it, and another is that it was handed over to the government. Recently declassified Central Intelligence Agency (CIA) and US State Department documents from the time say that the US Embassy in Kathmandu tracked down the object two years later and had it shipped back to the US. A telegram from the Department of State and Department of Defense tagged as ‘MOON DUST / Space Fragments’ dated 1 March 1972 stated: ‘1. Restored space fragment will be on board Embassy support flight 115 arriving Kathmandu on or about March 10. Fragment is packed in shipping crate (cargo no. 72-33365) marked in care of DAO.&nbsp; 2. State and Defense representatives examined fragments prior to shipment finding restoration acceptable.’  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20241207071212_929d903ee06d41baa4f6040e981cd7c7d7bd75cc9c37c9b617d307fc8538d2df.png" data-media-id="editor_2" data-image-id="20241207071212_929d903ee06d41baa4f6040e981cd7c7d7bd75cc9c37c9b617d307fc8538d2df" data-rendition-name="original" width="856" height="568" loading="lazy" alt="UFO over Pokhara"> <figcaption>Declassified CIA documents about the investigation into the object sighted in Pokhara. </figcaption> </figure>  The documents show that the US government, military and intelligence agencies investigated this incident thoroughly when it occurred, and have continued to revisit it ever since, as recently as five years ago. What is even more intriguing is that the object that fell in Pokhara was not the only unidentified space object that fell to earth that year. There were similar sightings of objects falling from the sky in Ladakh, Sikkim and Bhutan between 19 February and 25 March 1968.&nbsp; These mysteries were the subject of a CIA investigation in 1968 titled ‘<a href="https://www.cia.gov/readingroom/docs/CIA-RDP81R00560R000100070007-8.pdf">Sighting of Unidentified Flying Objects in Ladakh, Nepal, Sikkim and Bhutan</a>’, and the report is part of the recent online declassification of 800,000 top-secret documents from the period.&nbsp; &nbsp;Although unidentified flying objects (UFOs) have a connotation now of being alien craft, it could be pieces of satellite, missile, rocket or even aircraft. The CIA report documents six sightings in 1968 and quotes local sources as describing all of them having similar characteristics: bright blue or red streaks in the sky accompanied by loud sounds like lightning and thunder and objects falling to the ground. Aside from the metallic object that was found in Batlechaur, there were other items also found nearby in Tallakot, Tureypasal, Armalakot and Maidan. Whatever the object was, it seems to have disintegrated even before it hit the ground.&nbsp; The CIA report records the first sighting on 19 February 1968 in various parts of Sikkim and Olangchung Gola and Ghunsa in eastern Nepal. The light was said to be ‘long and thin’ and giving out ‘green and red light’. &nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20241207071212_c3c825027d966a2aedc846970390eebe063957503c7eacc8e01e0517843f9bbb.png" data-media-id="editor_4" data-image-id="20241207071212_c3c825027d966a2aedc846970390eebe063957503c7eacc8e01e0517843f9bbb" data-rendition-name="original" width="892" height="596" loading="lazy" alt="UFO over Pokhara "> </figure>  Two days later on 21 February, a soundless blue object was seen traveling fast across the sky above Thimphu in Bhutan. Then on 4 March there were multiple daytime sightings or white streaks in the sky at Chang La Pass, Fukche and Koyul in Ladakh. There were more sightings in Ladakh on the very day fragments fell near Pokhara on 25 March 1968.&nbsp; After the sightings in Pokhara, rumours started flying in Kathmandu that these were aliens trying to land on Earth, it could be Russian or Chinese spy planes or satellites, and some even say it as a sign from heaven that the end of the world was near. This was at the height of the Cold War. The Russians and Americans were testing their thermonuclear devices as well as intercontinental ballistic missile delivery systems. The Washington-Beijing rapprochement had not yet happened, and China was making quick progress testing atomic bombs. Within two years after its first atomic test, in 1966 China exploded its first hydrogen bomb at the Lop Nur site in Xinjiang, 3,000km to the north from Nepal. After neary six decades, what is still intriguing is that all the sightings within a few months of each other in 1968 were along the Himalayan arc bordering Tibet: from Bhutan, Sikkim Nepal, to Ladakh. The US military intelligence seems to have concluded that this was not a coincidence and there were frequent research trips to the site in Pokhara by American officials in the months after the incident. With the help of the Royal Nepal Army, the region north of Pokhara was thoroughly searched.&nbsp; A confidential memo dated 25 June 1968 by Jerry C Trippy to a ‘Mr Farley’ mentions that the US Air Force’s Foreign Technology Division had decided that the debris could be important because it may be related to a Chinese missile test or a Soviet ‘Vehicle Venik’ rocket.&nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20241207071216_feb5425692dc36b20187de4e4fcc2ce9fd12b6d9e1b8724398e50bcdbf9032fe.jpg" data-media-id="editor_5" data-image-id="20241207071216_feb5425692dc36b20187de4e4fcc2ce9fd12b6d9e1b8724398e50bcdbf9032fe" data-rendition-name="original" width="1500" height="1000" loading="lazy" alt="UFO over Pokhara"> </figure>  On 28 August 1968 the US Embassy in Kathmandu sent a letter to Washington DC saying that the object could be of Soviet origin, possibly from when the rocket carrying the ‘Kosmos 208’ satellite re-entered the atmosphere. But why were the fragments falling to earth several weeks apart, and in the same region? No one knows where the metal sheet that Kul Timilsina recovered is now. It was definitely packed in a crate and taken to the US, and although it is rumoured that it was returned that is not very likely. Archivist Sunil Ulak heard from the Timilsina family that CIA officials had returned to the site five years ago. &nbsp; Interest in UFOs peaked in the US in the 1950s, with the Cold War space race and tests of atomic weapons and delivery rockets. CIA and scientists were being sent to investigate sightings, both publicly and privately. Could the Pokhara fragments as well as the sightings in Ladakh and Bhutan actually be alien craft falling to earth? The renewal in interest in space travel in large part due to Elon Musk’s SpaceX, UFOs and sightings are again subjects of public interest.&nbsp; Even 57 years later, even if there was definitive proof about whether the Batlechaur fragment was from a Chinese missile or a soviet rocket, it has not been made public in documents declassified so far. We may never know.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20241207071216_b6938795f40731e7657fd6dcbb3cf460a326186a15eb11d4f832f602201ff598.jpg" data-media-id="editor_6" data-image-id="20241207071216_b6938795f40731e7657fd6dcbb3cf460a326186a15eb11d4f832f602201ff598" data-rendition-name="original" width="642" height="320" loading="lazy" alt="UFO over Pokhara"> </figure>  Sunil Ulak speculates if the debris actually came from an American aircraft, perhaps on an intel mission upon China. “Which could explain why they were so thorough in collecting the fragments in Pokhara,” he says. But that still does not explain the multiple sightings weeks apart in 1968.&nbsp; Indeed, US military aircraft were at that time flying frequent night-time missions from air force bases in India to supply weapons to Khampa guerrilla camps in Nepal located north of Pokhara in Mustang. It could very well be that the Chinese shot down one such aircraft. The other sightings could have been contrails of US spy planes, or Chinese anti-aircraft missiles.&nbsp; There were quite a few developments regarding UFOs in 2024. In a US congressional hearing in July, former intelligence officer David Grusch claimed that the government had long been involved in a program to investigate and retrieve non-human craft crashes, and then try to reverse engineer them. However Grusch did not show any evidence.&nbsp; The UAP Disclosure Act of 2024 was signed into law by Joe Biden in December 2023. It plans to oversee the public disclosure of UFO information. However, there is a clause in it that prevents disclosure if it would cause threats to military defense, intelligence operations or foreign relations.&nbsp; It is unlikely that the declassified documents about sightings in the Himalayan will cause any real surprise about definite evidence of alien life even if it was found. It seems humanity will continue, at least for now, to wonder about curious lights in the sky and whether there is anybody out there.&nbsp;

UFO over Pokhara

Four international names in architecture, Shigeru Ban, Rem Koolhaas, Tadao Ando and Louis Isadore Kahn, all left their mark in Nepal. But despite their best intentions, the ambitious designs fizzled out. Ban, Koolhaas and Ando won Pritzkers, the best known international award for architecture, and Kahn could have won it had the prize been given in his lifetime. But their designs fell short of transforming Nepali architecture and did not help inspire local architects.&nbsp; Why were these four ‘starchitects’ unable to pull off their Nepal projects and enrich the country with exemplary contemporary designs? The failure, especially the violation of Kahn’s design, also raises larger questions about how much contemporary architecture is valued in Nepal.&nbsp; Whereas Sri Lanka had Geoffrey Bawa and Bangladesh had Mazharul Islam, the pioneers of contemporary architecture in Nepal have had far less public appreciation. One wonders if Nepali architecture only refers to the monuments and heritage of the past. Nepal does have examples of outstanding modern architecture such as the &nbsp;पाङ्रे घर ‘Wheel House’ and खुट्टे घर &nbsp;‘House on Legs’ by Shankar Nath Rimal in the 1960s. These are the best examples of how some Nepali designers successfully tailored modern architecture to the Nepali context.&nbsp; Ten years ago, Nepal had three architecture magazines, SPACES, praXis and Business Architecture, but none of these survived. This newspaper has prominently covered contemporary architecture, and the built environment, but these are exceptions in Nepal’s media. There have been a few encouraging signs. The 2024 exhibition Modern Encounters in Architecture in Kathmandu Valley (1945-1985) at the Taragaon Museum had many visitors and its accompanying book is a seminal document.&nbsp; In 2023, the Mountain Architecture Dialogue (MAD) that focused on examples of good-practice sustainable contemporary architecture for the mountainous terrains of Nepal was a packed event with over 300 young architects, engineers, environmentalists and architecture students. <h2>Shigeru Ban</h2>  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2024122003128_8bb8dde080c5698c2585966bef27ce4c08e4ee488d3432b2caac98b9de762dfe.png" data-media-id="editor_0" data-image-id="2024122003128_8bb8dde080c5698c2585966bef27ce4c08e4ee488d3432b2caac98b9de762dfe" data-rendition-name="original" width="990" height="1074" loading="lazy" alt="Forgotten international starchitects in Nepal NT"> </figure>  Shigeru Ban had already built a name for himself in post-disaster construction when he came to Nepal following the 2015 earthquakes in which 500,000 people lost their homes. The basic design and its 3D-rendered images were reviewed in upbeat articles on DOMUS, Architectural Review, Dezeen, and Arch Daily.&nbsp; But his signature cardboard tubes could not handle the monsoon and the roof structure had to be re-designed with timber. Only two shelters were completed in Sindupalchok, and only one of them still stands at the Hyatt Regency grounds today, as Ban’s souvenir to Nepal.&nbsp; <h2>Rem Koolhaas</h2>  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2024122003128_58afec9b57accfa38327af0936648c6eb2f2e11ff18f1af8ca27383dc57dc222.png" data-media-id="editor_1" data-image-id="2024122003128_58afec9b57accfa38327af0936648c6eb2f2e11ff18f1af8ca27383dc57dc222" data-rendition-name="original" width="750" height="722" loading="lazy" alt="Forgotten international starchitects in Nepal NT"> </figure>  The designs of Dutch architect Rem Koolhaas have a specific signature: bold shapes and an intriguing architectural typology that challenges standard building blocks. Some designs even seem to defy gravity, like the CCTV headquarters in Beijing: an angular, continuous geometry of glass and steel.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20241220031216_a18dc8a8d6b97bc6fa9d590036cf374f9dc3709c699fe5c5787304bbd05cb17d.png" data-media-id="editor_2" data-image-id="20241220031216_a18dc8a8d6b97bc6fa9d590036cf374f9dc3709c699fe5c5787304bbd05cb17d" data-rendition-name="original" width="1812" height="1168" loading="lazy" alt="Forgotten international starchitects in Nepal"> <figcaption>Rem Koolhaas' design for Ullen's School in Khumaltar.</figcaption> </figure>  Koolhaas was commissioned by Belgian billionaire Guy Ullens to design a new building for Ullens School in Khumaltar. The most prominent feature is its vertical glass block staircase. Some interior spaces have lowered windowsills, which provide ample views and daylight. But the school building has gone unremarked in Nepal. <h2>Tadao Ando</h2>  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20241220031212_cc16bd6feb8be07a7198285b847a45d2126dc3a479e0cc7370331861fc544675.png" data-media-id="editor_3" data-image-id="20241220031212_cc16bd6feb8be07a7198285b847a45d2126dc3a479e0cc7370331861fc544675" data-rendition-name="original" width="626" height="628" loading="lazy" alt="Forgotten international starchitects in Nepal"> </figure>  Doctors providing aid to victims of the Great Hanshin earthquake in 1995 in Japan requested Tadao Ando, who had donated his Pritzker money to the victims, to also make a design for a hospital in Butwal.&nbsp; Ando’s contribution would be pro-bono and the construction was funded by the Hanshin Earthquake victims and by the popular Japanese newspaper Mainichi, as a tribute to Nepali doctors. The first block that Ando designed for the Siddhartha Children and Women’s Hospital (SCWH) was the out-patient department. He quickly realised that he would not be able to pull off structures with his typical style of smooth-finished, high-quality concrete.&nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20241220031216_73ec0950d52320277ccc81d4a66fa6aa6acb38141e7b7633683e4cf8179dc579.png" data-media-id="editor_4" data-image-id="20241220031216_73ec0950d52320277ccc81d4a66fa6aa6acb38141e7b7633683e4cf8179dc579" data-rendition-name="original" width="1594" height="958" loading="lazy" alt="Forgotten international starchitects in Nepal"> <figcaption>Tadao Ando's Siddhartha Children and Women Hospital in Butwal.</figcaption> </figure>  Ando wrote in the online architectural catalog Architectuul, that the two main problems with the project were costs and the availability of local technology. ‘It became a facility that has a slightly different expression from the buildings I have completed so far,’ he wrote. He designed a colonnade for the west façade that would provide shelter from harsh sunlight, and the exposed brick walls were locally manufactured bricks.&nbsp; The hospital is characterised by modernist cuboidal massing, but the outer brick façades now appear unintentionally badly weathered by monsoons. The interiors lack both sufficient natural light and natural ventilation. <h2>Louis I Kahn</h2>  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2024122003128_612e199d62fb3e72b6b8f6a936b0fa0451d8c0aa3d831c071320bf423ee3d67f.png" data-media-id="editor_5" data-image-id="2024122003128_612e199d62fb3e72b6b8f6a936b0fa0451d8c0aa3d831c071320bf423ee3d67f" data-rendition-name="original" width="694" height="926" loading="lazy" alt="Forgotten international starchitects in Nepal NT"> </figure>  American architect Louis I Kahn had experience of projects in South Asia, and several were under construction when he died suddenly in 1974. Amongst these were the National Assembly complex in Dhaka, the Indian Institute of Management in Ahmedabad and the Family Planning and Maternal Child Welfare Centre in Kathmandu.&nbsp; Kahn had started the USAID funded project in Nepal by developing a master plan for the government institutional zone in Kathmandu, which included a building for the Health Ministry. The building’s façade in exposed brick has deeply recessed vertical windows for shading.&nbsp; The balancing of accentuated horizontal lines in the brickwork with the verticality of the larger composition is the work of a master. The brick walls rise up into punctured parapet walls at the roof level. These square apertures ‘frame the sky’.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20241220031216_69c2e4972dbe38773e0a3a3f1129485c9c87033ee84cd454e24ae0dc772d05cf.png" data-media-id="editor_6" data-image-id="20241220031216_69c2e4972dbe38773e0a3a3f1129485c9c87033ee84cd454e24ae0dc772d05cf" data-rendition-name="original" width="1924" height="1242" loading="lazy" alt="Forgotten international starchitects in Nepal"> <figcaption>Louis Kahn's plan for the Ministry of Health.</figcaption> </figure>  When Kahn died, only the eastern half of the building was finished. The Western part was never built and Nepal’s bureaucrats decided that without paint, the exposed brick façade was not finished. Then in 1995, citing roof leakage and a space crunch, the Health Ministry added a floor.&nbsp; The frames-to-the-sky in the roof parapet were converted into windows and topped off with a sloping roof of corrugated steel sheets, whose only virtue was that it was cost-effective.&nbsp; Kahn’s orthogonal composition, which clean horizontal and vertical lines, was desecrated despite a public outcry and legal challenges from architects and cultural organisations. A version of this article was first published in HIMAL Southasian. Illustrations by Varun S Bapu.

Forgotten international starchitects in Nepal

When Rastriya Swatantra Party (RSP) president Rabi Lamichhane was arrested in October on charges of defrauding depositors of cooperatives, the party’s vice president Swarnim Wagle gifted him Fareed Zakaria’s book, Age of Revolutions.
Since then, Lamichhane has been shunted around from Kathmandu to Pokhara to Chitwan and back to Pokhara to attend police investigations and court proceedings. He was being flown to Birganj via Kathmandu on Buddha Air on Monday. There is another pending case in Janakpur.
Human rights groups and civil society have criticised the government for hounding Lamichhane with inhumane treatment that borders on physical torture. The two parties in the coalition, Nepali Congress (NC) and the UML, see Lamichhane’s RSP as a potentially formidable challenge to their power.
Even if the fraud charges against Lamichhane are true, the Nepali public is increasingly looking at the government’s actions through the police and courts as political vendetta.
Despite all the travelling, sometimes by plane and often by road at night, Lamichhane appears to be in high spirits, waving to supporters who often gather if they know he is going to be driven around. A social media video shows him giving high fives to fellow passengers on a recent flight to Pokhara.&nbsp;
In the past weeks, streets in Pokhara have erupted with parallel protests by Lamichhane’s supporters as well as depositors of cooperatives who lost their savings to the scam.&nbsp;
Although family visits are allowed, prison officials in Pokhara told Nepali Times that not many people visit Lamichhane these days. He added, “When he does get visitors, he asks them to bring him books.”
Lamichhane is currently Nepal’s most high-profile public figure in custody, and highlights the stark difference between how influential prisoners are treated compared to ordinary inmates.
There are six prison cells at Kaski District Police Office’s two-story detention centre, three on each floor. And while authorities pack prisoners into already overcrowded cells, Lamichhane has an entire room on the second floor to himself.&nbsp;
He has also been allowed to call his family every few days. Other prisoners are not permitted phone calls except for emergencies.
Meanwhile, Lamichhane’s former business partner Chhabilal Joshi, an ex-Deputy Inspector General of Police with whom he established his Gorkha Media Network, is in custody under the same charges in the prison cell next to him.
Lamichhane is accused of siphoning off depositors' money to the tv network in which he was part-owner and anchor. &nbsp;
Both Lamichhane and Joshi are able to buy food from the police canteen instead of being served the regular meal like other prisoners. Joshi has also given his statement to authorities in Rupandehi and Kathmandu for his alleged role in the scam. Lamichhane is yet to be presented in Kathmandu for questioning.
While he was in custody at the Kathmandu District Police Complex, Joshi expressed his desire to sleep in a police officer’s office, reportedly assuring authorities that he would not run away and he was entitled to certain facilities as a former officer of the law.
“He seemed to be under the impression that he is still a police officer,” says a source at the Kathmandu District Police. “We made it clear to him that as someone accused of a crime, he was not entitled to special treatment.”
Former ministers Balkrishna Khand and Top Bahadur Rayamajhi, and ex-home secretary Tek Narayan Pandey, who were arrested in connection with the fake refugee scam last year, were similarly housed in the offices of law enforcement officials instead of prison cells. Khand has since been released after six months in jail.
While there is no legal provision to keep high-ranking officials in separate detention centres when they are arrested, authorities granting them special facilities is not uncommon. Law enforcement officials say VIP detainees expect preferential treatment while in police custody.
Among those is former Kosi Province minister Lila Ballav Adhikari, who was arrested from Biratnagar on 10 November over his alleged involvement in human trafficking and brought to Kathmandu. Adhikari had flown to Japan without government approval with three individuals on 29 October to attend a cultural conference, but had been sent back to Nepal from Narita.&nbsp;
His three companions were arrested at Kathmandu airport upon their arrival, but Adhikari was able to exit unscathed from the VIP lounge. Adhikari had resigned as the Kosi Province Minister for Internal Affairs and Law when it became public that his companions had been taken into custody, and was himself arrested shortly after. He has since been cleared by the courts.
Throughout his detention, Adhikari was kept separately from other inmates. Senior Superintendent of Police (SSP) Basant Rajouri, head of the Bhadrakali complex, says that while there is no separate detention area for VIPs, some detainees are kept separately depending on the nature of their crime.
However, sources say that arrangements were made for retired judges and others to visit Adhikari frequently worked at the office of a Deputy Superintendent of Police (DSP) during his time in custody.&nbsp;
“He used to constantly pester the authorities to let him sit outside in the sun, and to be able to use the police officer’s shower area,” added an officer.
Adhikari was released on 25 November after the government prosecutor’s office decided not to charge him in a move that was seen to expose the government’s double standards.
Over at Kathmandu’s Dilli Bazar Prison, former Kist Bank CEO Kamal Gyawali emerges from his prison cell into the courtyard of the prison’s ‘Ka (क)’ block every morning with a thick book in his hands, ready to give his daily sermon.
With his long beard, Gyawali, who is serving a prison sentence for banking fraud, looks the part of a religious guru as he implores his rapt listeners to “walk the right path, abandon bad thoughts and turn to scripture and spirituality”.&nbsp;
Afterward, the attendees gather to discuss politics and current affairs. Inmates at his daily sermons at the prison include other high-profile detainees, including former MP Ichchha Raj Tamang, who is in jail for money laundering and cooperatives fraud, former joint secretary Chudamani Sharma, who was convicted of corruption, as well as NC leader Chandra Bahadur Lama and Krishna Bahadur Upreti of the UML both of whom are on trial for embezzling billions of rupees.
Victims of the cooperatives scam that former lawmaker Tamang was involved in have made trips to the prison and requested visits, but he has refused to meet with any of them.
“Tamang often complains that the state has prevented him from returning the money to the victims by locking him up,” says a police officer at the Dili Bazar jail.
“All you hear every day from the VIP prisoners is that they have been framed,” adds the officer. “No one admits that they were involved in misdeeds.”
But while most high-profile prisoners complain about prison conditions, one exception is former provincial lawmaker Deepak Manange, who is serving a sentence at Dilli Bazar Jail for attempted murder.
“He is the happiest prisoner here,” says a warden. “Unlike the others, he doesn’t claim to have been framed, in fact he doesn’t seem to care that he is in prison.”
Manange is detained in the ‘Kha (ख)’ block of the prison complex, which he renovated at his own expense. The block previously housed female prisoners, but Manange used his influence to transfer them elsewhere. He faces no shortage of visitors, who range from political leaders to people from the underworld.
Along with Manange, other well-known prisoners in this block include Nepal Telecom Managing Director Sunil Poudel, and former executive director of the Surakshan Printing Centre Bikal Poudel, who are serving time for corruption.
Former prisoners at Dilli Bazar prison include ex-ministers Khum Bahadur Khadka and Shyam Sundar Gupta, NC leader Ganesh Lama, Maoist MP Balkrishna Dhungel, Nagarik Unmukti Party leader Resham Chaudhary, as well as former IGs Ramesh Chand Thakuri, Om Bikram Rana, and Hem Bahadur Gurung.
Section 54 of Nepal’s Prison Act assigns each prison’s internal administration the
responsibility of governing its prisoners, which means the more favourable the jail management is, the more comfortable it is for prisoners.
Dilli Bazar prison has been the prison of choice for many high-ranking prisoners, especially those convicted of white collar crimes, due to its more accommodating administrators. The prison, which has the capacity to house 700 inmates, is also less crowded than other jails.
Anuj Bhattarai, spokesperson of the Department of Prison Management, says that there is no legal classification in Nepal for felons to be assigned prisons based on the nature of their crimes.
“That Dilli Bazar Jail has a higher number of prisoners convicted of crimes like corruption is most likely a coincidence,” says Bhattarai. “There is no provision for influential people to be able to choose where they will be incarcerated.”&nbsp;
Translated by Shristi Karki from the Nepali original published in himalkhabar.com

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