The ancient stone sculpture of <a href="https://archive.nepalitimes.com/news.php?id=11342">Uma Maheswar stolen from Dhulikhel</a> 40 years ago, was one of the first sacred objects to be returned to Nepal after it was traced to Berlin’s Museum für Indische Kunst in 2000. But the 900-year-old Shiva-Parvati that had been worshipped for nearly a millennium by devotees in Dhulikhel’s Wa: Tole still languishes in the Patan Museum, waiting to be returned to the community. After futile attempts to restore the divinity back to its original shrine, Dhulikhel Municipality made a replica three years ago and consecrated it to the temple. Ward chair of Dhulikhel-7 Romi Prasad Shrestha says the council does not want to risk bringing the original statue back because it might be stolen again.&nbsp; "How can you just leave a precious thing like that by the side of the road?” he asked.&nbsp; In 1976, a statue of Tara was stolen from Birbhadreswar Temple in Bhaktapur. Nearly 40 years later, it was tracked down to the Yale University Art Gallery and subsequently returned to Nepal in 2022. The statue weighing 83 kg had been worshipped daily for centuries by residents of the Golmadi neighbourhood before it was stolen. Read Also: <a href="https://nepalitimes.com/banner/the-enigma-of-arrival-of-nepals-gods">The enigma of arrival of Nepal's gods</a>, Ashish Dhakal The Tara was returned after years of investigation by the Department of Archaeology (DoA) and heritage conservation activists. The DoA says it is waiting for the local government in Bhaktapur to guarantee security before restoring it to the original temple. Ward 7’s Ukesh Kawan says the process has begun for bringing the Tara home.&nbsp; "After an idol is returned, it should be reinstated in the community but many do not want to risk it being stolen again,” explains Sarita Subedi at the DoA. &nbsp; Kathmandu Valley used to be known as a place with more gods than people and more temples than houses. Antiquities and sacred objects just lay by the roadside, worshipped by both Hindus and Buddhists. No one, not even the government has an inventory of what was stolen over the past decades to be sold to galleries, museums and private collectors by art traffickers.&nbsp; However, there is an exact figure of how many sacred objects have been returned: 143 so far. Of these, only 33 have been restored to their original shrines, the rest are either on exhibit or in storage at the National Museum Chhauni or Patan Museum.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20231108111116_77c6c66c16c67fc45c30b12dacbc764cd2a85dc3c6f8d4c02d216be660ea0a77.jpg" data-media-id="editor_2" data-image-id="20231108111116_77c6c66c16c67fc45c30b12dacbc764cd2a85dc3c6f8d4c02d216be660ea0a77" data-rendition-name="original" width="6000" height="3904" loading="lazy" alt="National museum 2"> </figure>  Some have been consigned to museums because their provenance is not known, or they have not been claimed by the communities from where they were stolen.&nbsp; Jayram Shrestha of the National Museum says it is important to bring the deities back to where they belonged. But there is little interest at the local level to restore the artifacts, he says, adding: “Their lack of confidence in ensuring security is setting a negative precedent.”&nbsp; According to the Local Government Operations Act 2017 municipal and provincial governments are responsible for protecting their archaeological sites and antiquities.&nbsp; Read Also: <a href="https://nepalitimes.com/here-now/nepal-s-gods-return-from-exile">Nepal’s gods return from exile</a>, Alisha Sijapati “The chances of the same idol being stolen again after it has been restored is very low because the figure will be so well documented internationally that no one will risk buying it,” says Sanjay Adhikari, a heritage activist. “It is actually the ones that have not yet been stolen that are in greater danger.” There are communities that have not only restored stolen deities to their original shrines but also ensured that they are not stolen again. An 800-year-old androgynous Laxmi Narayan stele was stolen from Patko Courtyard in Patan in 1984 and was returned after being finally traced to the Dallas Museum of Art in the United States. It is <a href="https://nepalitimes.com/banner/laxmi-narayan-is-home">now back at the Patko shrine</a> (pic, below), and there are alarms at the temple gate and five CCTV cameras to protect it.&nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20231108111116_7b2a3ffcdff9be9e93480b894c6225836141749cf0fda2a7330795eeb7947220.jpg" data-media-id="editor_5" data-image-id="20231108111116_7b2a3ffcdff9be9e93480b894c6225836141749cf0fda2a7330795eeb7947220" data-rendition-name="original" width="1500" height="1000" loading="lazy" alt="laxmi narayan "> </figure>  Similarly, a 16th-century Vajradhar statue that was stolen from Dolakha and traced to an art dealer in Hong Kong was reinstated within days after being repatriated. Activist Anil Chandra Shrestha says this was only possible because the local community and guthi were proactive.&nbsp; The Vajradhar was on display during the recent Indra Jatra festival and is kept in the storehouse of the Bhimeswar Temple in Dolakha. Says Shrestha: “The statue is secure because the police station is nearby and there are CCTV cameras. Locals are also more aware now.” Suresh Lakhe of Patan Museum says western collectors and museums regard the stone and bronze deities from Nepal as ‘art’, while for local communities these are sacred objects to be worshipped as part of a living culture. “It makes no sense to keep these figures as museum exhibits,” he says. The DoA’s Saubhagya Pradhananga agrees: “Our ancestors created these objects to be worshipped, we should not use security as an excuse to confine them to museums. Otherwise, many other stolen deities will not be returned to Nepal. What is the point transferring them from a museum in the West to a museum in Nepal?” &nbsp;

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Nepal’s deities in transit

In search of stolen gods at the Met

<figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221110161144/636d1cda9c7e80680e0af37fjpeg.jpg" alt="" width="1312" height="875"/><figcaption>Photos: AMIT MACHAMASI</figcaption></figure>A huge crowd gathered around the two-tiered temple of Laxmi-Narayan in Patko Tole on this historic day as the sounds of jhyalijhyamta filled the air.70-year-old Chandraprava Shakya, standing next to the temple with a huge smile on her face, said: “Laxmi-Narayan travelled to America, but he missed being home."On Saturday, the 800-year-old stele of Laxmi-Narayan, <a href="https://www.nepalitimes.com/banner/the-homecoming-of-nepals-gods/" target="_blank" rel="noopener noreferrer">stolen in 1984</a>, was finally reinstated to its original plinth. At 11, the Patan Museum courtyard was packed to the walls as devotees and attendees witnessed the handing-over of the statue from the Museum to the residents of Patko Tole.As the 85cm x 48.9cm statue was brought out of the gallery, people rushed to offer their devotion. Laxmi-Narayan was then placed inside a palanquin with gilded roof, and carried around the Darbar Square accompanied by chants of “Laxmi-Narayan ki jay!” When the procession reached Patko Tole, it made three turns of the temple before the god was interred inside.Read also: <a href="https://www.nepalitimes.com/banner/the-enigma-of-arrival-of-nepals-gods/">The enigma of arrival of Nepal’s gods</a>, Ashish Dhakal<img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221110161144/636d1cdd9c7e80680e0af380jpeg.jpg" alt="" width="1375" height="917"><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221110161144/636d1ce09c7e80680e0af381jpeg.jpg" alt="" width="1329" height="886"><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221110161144/636d1ce49c7e80680e0af382jpeg.jpg" alt="" width="1375" height="917"><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221110161144/636d1ce79c7e80680e0af383jpeg.jpg" alt="" width="1430" height="953">Bimal Lal Shrestha, whose ancestors originally built the temple centuries ago, sat outside with his family and the priest to perform the kshyama puja, the ritual yagya between them. “Kshyama puja is done to ask forgiveness for any sin committed during rituals,” said the priest, Basudev Jwalananda Rajopaddhyaya. “And today was chosen because it is aunsi which is auspicious to Laxmi.”Shrestha's family has also been carrying the tradition of worshipping the deity on Nirjala Ekadashi (which falls in June-July) every year.<img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221110161144/636d1cea9c7e80680e0af384jpeg.jpg" alt="" width="720" height="480"><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221110161144/636d1cec9c7e80680e0af385jpeg.jpg" alt="" width="1440" height="960"><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221110161144/636d1cef9c7e80680e0af386jpeg.jpg" alt="" width="1289" height="860"><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221110161144/636d1cf29c7e80680e0af387jpeg.jpg" alt="" width="1440" height="960"><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221110161144/636d1cf59c7e80680e0af388jpeg.jpg" alt="" width="1266" height="844"><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221110161144/636d1cf89c7e80680e0af389jpeg.jpg" alt="" width="1404" height="936">A new wooden door has been fitted to the temple, and CCTV and motion sensors have been installed inside to prevent further theft. The returned statue stands in between the replica on the left and the original stone inscription eroded with age on the right.A special garment and ornaments of copper with traces of gold and silver, which have been in Bimal Lal Shrestha’s family for generations, were fitted to the statue at the end of the puja. He remarked: “We had been unable to use them all these years since they didn’t fit the replica.”Now, back home after 38 years, Laxmi Narayan looks beautiful – content and complete, smiling at last.<img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221110161144/636d1cfc9c7e80680e0af38ajpeg.jpg" alt="" width="1253" height="836"><figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221110161144/636d1cff9c7e80680e0af38bjpeg.jpg" alt="" width="640" height="480"><figcaption> </figcaption></figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221110161144/636d1d029c7e80680e0af38cjpeg.jpg" alt="" width="1440" height="960"><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221110161144/636d1d059c7e80680e0af38djpeg.jpg" alt="" width="2048" height="1536"><figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221110161144/636d1d089c7e80680e0af38ejpeg.jpg" alt="" width="1200" height="1600"><figcaption> </figcaption></figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221110161144/636d1d0b9c7e80680e0af38fjpeg.jpg" alt="" width="1265" height="843">

Ashish Dhakal

Laxmi-Narayan is home

<figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221110141148/636d01f59c7e80680e0a3655jpeg.jpg" alt="" width="4032" height="3024"/><figcaption>Nepal Embassy in Washington receives the 10th century Uma Maheswar statue from Denver Museum on Monday. The figure was stolen from Patan neighbourhood fifty years ago. Photos: NEPAL EMBASSY WASHINGTON</figcaption></figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221110141148/636d01f89c7e80680e0a3656jpeg.jpg" alt="" width="640" height="853"><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221110141148/636d01fb9c7e80680e0a3657jpeg.jpg" alt="" width="640" height="853">Earlier this year, a <a href="https://www.nepalitimes.com/here-now/bringing-our-gods-home/" target="_blank" rel="noopener noreferrer">10th century stone figure of Uma Maheswar</a>, which had been stolen from Patan’s Gahiti 50 years ago was traced to the Denver Art Museum. This week, the museum handed over the antiquity to the Nepal Embassy in Washington DC.In an exclusive, the <a href="https://www.nepalitimes.com/banner/nepals-gods-return-from-exile/" target="_blank" rel="noopener noreferrer">Nepali Times reported in January</a> that the statue that was an object of daily worship by the local community had been torn out of a shrine in Patan in the 1960s, and had found its way through a private collector to the museum in Denver as ‘art’.Nine months later, in the latest in a slew of stolen artefacts being returned to Nepal from the United States, the Denver Art Museum handed over the statue to Nepal’s Ambassador Yuvaraj Khatiwada in Washington DC on Sunday.The statue had been in the collection of the museum since the 1980s, given by Jane F Ullman and Edwin F Ullman.<img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221110141148/636d01fd9c7e80680e0a3658jpeg.jpg" alt="" width="768" height="549">In an interview with Nepali Times earlier this year, Babulal Maharjan, 82, remembered the deity that had been <a href="https://www.nepalitimes.com/here-now/replicating-nepals-stolen-gods/" target="_blank" rel="noopener noreferrer">stolen</a> from the shrine in his neighbourhood. For the past half a century later, Gahiti residents have continued to preserve the base of the structure below a graffiti-scrawled wall, hoping for its eventual return.When Nepali Times showed Babulal and his 78-years-old neighbour Babukaji Maharjan a photograph of the Uma-Mahesvar that is now in the Denver Art Museum, both immediately recognised the figure.https://youtu.be/XFzMHtqwZ3gThe thieves had failed to steal Uma-Maheswar in the first attempt, and the community managed to restore it to its base. But one morning when devotees came to the shrine to pray they found that their god had vanished.Since <a href="https://archive.nepalitimes.com/article/nation/Nepal-needs-to-be-prepared-for-the-return-of-stolen-religious-figures,986" target="_blank" rel="noopener noreferrer">Uma-Maheswar</a> was stolen more than half a century ago, youth in the community grew up hearing about the theft and knew that the preserved base held an importance, but they learned of its true significance only after the media reports this year that it had been tracked down to the museum in Colorado.<figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221110141152/636d02009c7e80680e0a3659jpeg.jpg" alt="" width="2304" height="1728"><figcaption>The base of the Uma Maheswar statue in Patan's Gahiti that residents have preserved hoping for its eventual return.</figcaption></figure>Babukaji Maharjan had lost all hopes that he would ever see the homecoming of the lost deity Uma-Maheswar again. Even with the recent development, he has a hard time grasping its return.“Due to our economic condition we did not know how to file a complaint with the police, and nobody during the Panchayat era would have taken the theft seriously anyway,” he told Nepali Times. “But I am glad that the statue will now be returned to our shrine. We will celebrate its homecoming.”The Uma-Maheswar is just the latest in a series of objects of worship that have been <a href="https://www.nepalitimes.com/here-now/nepal-wants-stolen-antiquities-returned-from-france/" target="_blank" rel="noopener noreferrer">stolen from Kathmandu Valley</a> and are in private collections or museums in Europe and the United States.<figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221110141152/636d02039c7e80680e0a365ajpeg.jpg" alt="" width="852" height="543"><figcaption></figcaption></figure>In the past nine months, six stolen gods have been successfully handed over to the Nepal authorities. A <a href="https://www.nepalitimes.com/banner/the-homecoming-of-nepals-gods/" target="_blank" rel="noopener noreferrer">12th-century Laxmi-Narayan statue</a> from Dallas Museum of Arts, a 13th century carved temple eave depicting an Apsara, a 14th-century gold seated Buddha in Bhumisparsa Mudra, and a 15th century seated Ganesh repatriated by the Manhattan’s District Attorney’s Office are already in Patan Museum and National Museum in Chhauni, respectively.A 13th-century Chaturmukhi Shivalinga was also handed over by the Art Institute of Chicago in April to the Nepal Embassy in Washington DC.

US returns another antiquity to Nepal

<img width="4916" height="1673" src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221109121136/636b91689c7e80680e06f0e8jpeg.jpg" alt=""/>France’s Bonhams has withdrawn five 600-year-old religious objects stolen from Nepal from an ongoing auction after widespread international pressure.The five gilded bronze statues were among 12 wrenched out of a torana at the Mulchok of Patan’s Taleju temple in the 1970s and 1980s. They were going under the gavel at the<a href="https://www.bonhams.com/search/?q=nepal&amp;main_index_key=lot&amp;fbclid=IwAR08FrLJGybL4CN9zmFKI1jHZhMFs1DHIegVeWPfDBRRsaJOy0u0NbO66H0#/ah0_0=lot&amp;q0=nepal&amp;c0_0=FR&amp;MR0_display=search&amp;m0=0?q=nepal" target="_blank" rel="noopener noreferrer" data-saferedirecturl="https://www.google.com/url?q=https://www.bonhams.com/search/?q%3Dnepal%26main_index_key%3Dlot%26fbclid%3DIwAR08FrLJGybL4CN9zmFKI1jHZhMFs1DHIegVeWPfDBRRsaJOy0u0NbO66H0%23/ah0_0%3Dlot%26q0%3Dnepal%26c0_0%3DFR%26MR0_display%3Dsearch%26m0%3D0?q%3Dnepal&amp;source=gmail&amp;ust=1622902410304000&amp;usg=AFQjCNE6Csuin3rHc_xmc1_3F647kJ8pdg"> Art Bouddhiste et Hindou de l’Himalaya in Bonhams, Paris from 1-10 June through Himalayan Art Online</a> till June at an asking price from 3,000 to 5,000 euros.<a href="https://www.nepalitimes.com/here-now/nepal-wants-stolen-antiquities-returned-from-france/" target="_blank" rel="noopener noreferrer" data-saferedirecturl="https://www.google.com/url?q=https://www.nepalitimes.com/here-now/nepal-wants-stolen-antiquities-returned-from-france/&amp;source=gmail&amp;ust=1622902410304000&amp;usg=AFQjCNHbwvWlCsrL3w5hcyXRmVSA0qNwtw">Nepali Times</a> had reported on the auction sale on Thursday, and this had been followed by Nepal’s Ministry of Foreign Affairs and the Nepal office of the Paris-based UNESCO to put pressure on Bonhams and the French government to return the objects. <img width="595" height="306" src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221109121136/636b91699c7e80680e06f0e9jpeg.jpg" alt="">The anonymous administrator of the group, Lost Arts of Nepal, who first traced the gods told Nepali Times via text, “I am really happy that our gods are returning home, finally all my research is paying off, this has been great teamwork.”In a dramatic turnaround, Bonhams wrote to all officials, reporters, and institutions that had posted about the bronzes that they were being pulled out of the auction. Heritage activists said that if the auction had gone ahead, they would have been bought by anonymous collections and could have vanished forever. <img width="595" height="201" src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221109121136/636b916b9c7e80680e06f0eajpeg.jpg" alt="">On hearing the news, American arts crime professor Erin Thompson said, “Halting this sale sets an important precedent: Paris is no longer the place to go if you want to sell stolen heritage. The case shows that Nepali activists and journalists are paying close attention. The black market in stolen Nepali heritage won't be able to operate in the dark.” The whereabouts of the remaining seven statues from the Mulchok frieze is not known, but the cancellation of the auction has raised hopes that they may soon be traced since they cannot be publicly sold.  The five gilded copper-bronze images of <a href="https://www.bonhams.com/auctions/27185/lot/8/" target="_blank" rel="noopener noreferrer" data-saferedirecturl="https://www.google.com/url?q=https://www.bonhams.com/auctions/27185/lot/8/&amp;source=gmail&amp;ust=1622902410304000&amp;usg=AFQjCNH1drCCwbqC9fl03c_kXIexIpddhA">Nrityanath</a>, <a href="https://www.bonhams.com/auctions/27185/lot/10/" target="_blank" rel="noopener noreferrer" data-saferedirecturl="https://www.google.com/url?q=https://www.bonhams.com/auctions/27185/lot/10/&amp;source=gmail&amp;ust=1622902410304000&amp;usg=AFQjCNHQhQvho-zFlf5H-6WCZVLMvJRTXg">Mahalaxmi</a>, <a href="https://www.bonhams.com/auctions/27185/lot/11/" target="_blank" rel="noopener noreferrer" data-saferedirecturl="https://www.google.com/url?q=https://www.bonhams.com/auctions/27185/lot/11/&amp;source=gmail&amp;ust=1622902410304000&amp;usg=AFQjCNF3yySJPyoBVfHrERybVxRqh0Q6sA">Chamunda</a>, <a href="https://www.bonhams.com/auctions/27185/lot/12/" target="_blank" rel="noopener noreferrer" data-saferedirecturl="https://www.google.com/url?q=https://www.bonhams.com/auctions/27185/lot/12/&amp;source=gmail&amp;ust=1622902410304000&amp;usg=AFQjCNFsTng4-VOHBhly_11FwzmONOQrPQ">Shiva Gana (Bhairab)</a>, and <a href="https://www.bonhams.com/auctions/27185/lot/9/" target="_blank" rel="noopener noreferrer" data-saferedirecturl="https://www.google.com/url?q=https://www.bonhams.com/auctions/27185/lot/9/&amp;source=gmail&amp;ust=1622902410304000&amp;usg=AFQjCNGwnsdz5uB5biY1LNf2TWGzvSxgTQ">Panchmukhi Hanuman (Hanu Bhairab</a>) were among 12 on a 16th century frieze at the south door of the Mulchok of the Taleju Bhavani Temple in Patan.  <img width="2048" height="1722" src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221109121136/636b916c9c7e80680e06f0ebjpeg.jpg" alt="">In Kathmandu, heritage activists including Rabindra Puri got in touch with UNESCO Kathmandu to put pressure on Bonhams since it was time-sensitive. He told Nepali Times, “This reminds me of the cultural repatriation of the one which I was involved in with Christie’s in 2013, the withdrawal was a success due to the teamwork.”This is the latest in a series of repatriations of stolen Nepali objects from collectors and museums abroad. In April, an 800-year old <a href="https://www.nepalitimes.com/banner/the-homecoming-of-nepals-gods/" target="_blank" rel="noopener noreferrer" data-saferedirecturl="https://www.google.com/url?q=https://www.nepalitimes.com/banner/the-homecoming-of-nepals-gods/&amp;source=gmail&amp;ust=1622902410304000&amp;usg=AFQjCNGP0AjkP5Kyu4pLWCphItFKSxpqxg">Laxmi-Narayan figure</a> was returned to Nepal by the Dallas Museum of Art, and will soon be restored to its original shrine in Patan’s Patko Tole. After it disappeared it had been spotted at the Sotheby’s auction in 1990 and vanished again.Four other statues have also been repatriated in the past two months from Art Institute of Chicago, including a 13th century carved Apsara and a 14th century Buddha, a 15th century Ganesh, and a 13th-century Chaturmukhi Shivalinga.<a href="https://www.nepalitimes.com/here-now/replicating-nepals-stolen-gods/#:~:text=A%20museum%20of%20copies&amp;text=Bhaktapur%20architect%20Rabindra%20Puri,many%20of%20its%20religious%20objects." target="_blank" rel="noopener noreferrer" data-saferedirecturl="https://www.google.com/url?q=https://www.nepalitimes.com/here-now/replicating-nepals-stolen-gods/%23:~:text%3DA%2520museum%2520of%2520copies%26text%3DBhaktapur%2520architect%2520Rabindra%2520Puri,many%2520of%2520its%2520religious%2520objects.&amp;source=gmail&amp;ust=1622902410304000&amp;usg=AFQjCNGiOoC5w5M6jYmnliQrIShMAak7nA">Replicas of the 12 idols</a> stolen from Mulchok, including the five that were being auctioned by Bonhams, had been made and installed on the frieze in 2013 during a restoration of the temple by the Kathmandu Valley Preservation Trust (KVPT).Another heritage activist, Roshan Mishra of the Taragaon Museum, said he was surprised Bonhams acted so fast to cancel the auction. He said: “This is a great precedent for the future. It sends the message that Nepal’s antiquities cannot be sold anywhere, anymore.”

Bonhams cancels auction of Nepali antiquities

<figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221110111148/636cd6ee9c7e80680e092dafjpeg.jpg" alt="" width="1554" height="954"/><figcaption>The original 12th-century Laxmi-Narayan stolen in 1984. Photo: LAIN SINGH BANGDEL In Sotheby’s catalogue in 1990. Photo: ERIN L. THOMPSON The deity in the Dallas Art Museum in 2014. Photo: ERIN L. THOMPSON</figcaption></figure>The stone figure of Laxmi-Narayan had been worshipped at a shrine in Patan’s Patko Tole for 800 years. But on one night of 1984, it disappeared.The holy androgynous composite of the two deities was so important to the community that local people replaced it with a poor replica.In 1990, the <a href="https://www.nepalitimes.com/here-now/replicating-nepals-stolen-gods/" target="_blank" rel="noopener noreferrer" data-saferedirecturl="https://www.google.com/url?q=https://www.nepalitimes.com/here-now/replicating-nepals-stolen-gods/&amp;source=gmail&amp;ust=1614733523195000&amp;usg=AFQjCNGZOp-uVkLUv31wf1lQZfZ8T1ohrg">the 12th-century statue, which is also known as Vasudeva-Kamala</a> was spotted at the Sotheby’s auction house based in New York. After that it disappeared again until American artist <a href="https://archive.nepalitimes.com/article/nation/Narratives-of-Faith-and-Memory-Remembering-the-Lost-Sculptures-of-Kathmandu-exhibition,987" target="_blank" rel="noopener noreferrer" data-saferedirecturl="https://www.google.com/url?q=https://archive.nepalitimes.com/article/nation/Narratives-of-Faith-and-Memory-Remembering-the-Lost-Sculptures-of-Kathmandu-exhibition,987&amp;source=gmail&amp;ust=1614733523195000&amp;usg=AFQjCNEspOXCRr77XIFGQB5cgNO81hoOrQ">Joy Lynn Davis</a> located it via a Google image search to the Dallas Museum of Art.The US Federal Bureau of Investigation (FBI) is finally taking possession of the 70kg figure on Tuesday, and delivering it to the Nepal Embassy in Washington on 5 March, American Art Crime Professor, <a href="https://hyperallergic.com/530848/stolen-deities-resurface-in-a-dallas-museum/" target="_blank" rel="noopener noreferrer" data-saferedirecturl="https://www.google.com/url?q=https://hyperallergic.com/530848/stolen-deities-resurface-in-a-dallas-museum/&amp;source=gmail&amp;ust=1614733523195000&amp;usg=AFQjCNG-w4uPnw1nk_80MuQQmsrAACKjYQ">Erin L Thompson</a>, who has been tracking this and other stolen antiquities, told Nepali Times.“I am happy that the museum saw its retention of the work was unjust,” Thompson said. “I continue to be dismayed that museums and collectors demand the type of proof about the date and circumstances of theft that existed in this case, since this information has so often gone unrecorded elsewhere. No work of Nepali sacred art left the country legally, that is the essential fact.”<figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221110111148/636cd6f39c7e80680e092db0jpeg.jpg" alt="" width="1610" height="1130"><figcaption>The Laxmi-Narayan figure as memorialised by Joy Lynn Davis in 2015. Painting by: JOY LYNN DAVIS</figcaption></figure>Heritage activists and local communities in Nepal say the return of Laxmi-Narayan statue could be the start of a process of repatriating thousands of other religious objects from Kathmandu that are now in Western private collections or museums.“We are glad our god has been located in Dallas and is being returned, but we must also ask ourselves whether we are up to taking good care of it,” Bhairaja Shrestha, a social activist of Patko Tole <a href="https://www.nepalitimes.com/here-now/replicating-nepals-stolen-gods/" target="_blank" rel="noopener noreferrer" data-saferedirecturl="https://www.google.com/url?q=https://www.nepalitimes.com/here-now/replicating-nepals-stolen-gods/&amp;source=gmail&amp;ust=1614733523195000&amp;usg=AFQjCNGZOp-uVkLUv31wf1lQZfZ8T1ohrg">told Nepali Times last year</a>, adding that the community’s festivals and rituals were affected after the god was stolen.The image of the 15th-century deity was first published in Indian historian Krishna Deva’s book Images of Nepal in 1984, followed by Nepal’s art historian <a href="https://www.nepalitimes.com/here-now/bringing-our-gods-home/" target="_blank" rel="noopener noreferrer" data-saferedirecturl="https://www.google.com/url?q=https://www.nepalitimes.com/here-now/bringing-our-gods-home/&amp;source=gmail&amp;ust=1614733523195000&amp;usg=AFQjCNFeA52pRTDl2zmfdFDn_q3kuxEQOQ">Lain Singh Bangdel’s book</a> Stolen Images of Nepal.<a href="http://rememberingthelost.com/repatriations/">Artist Joy Lynn Davis</a> painted Kathmandu’s shrines and depicted the stolen deities in them in gold, and held an exhibition of her work in 2015 that included a painting of the Patko Tole shrine.She says, “The day the Laxmi Narayan arrives in Nepal, I will be the happiest person—so many people and organisations have worked on this. The only way to protect them is to increase awareness about their significance. We have a lot of work to do, Laxmi-Narayan is just the beginning.”<figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221110111148/636cd6f69c7e80680e092db1jpeg.jpg" alt="" width="1330" height="992"><figcaption>Bhairaja Shreshta at the Patko Tole shrine last year, with the replica of the Laxmi-Naryan.</figcaption></figure>The Lalitpur Metropolitan Office has <a href="https://www.himalkhabar.com/news/122418" target="_blank" rel="noopener noreferrer" data-saferedirecturl="https://www.google.com/url?q=https://www.himalkhabar.com/news/122418&amp;source=gmail&amp;ust=1614733523195000&amp;usg=AFQjCNGWCrhYsfr36aTj5vFMyePQQyKU9A">offered to pay for the shipment </a>of the Laxmi Narayan, and to restore it to its original shrine in Patku Tole after a ritual chhama puja.The Nepal Embassy in Washington has said it will start the process of sending the deity back to Nepal, and denied <a href="https://ekantipur.com/news/2021/02/28/161447682183787221.html" target="_blank" rel="noopener noreferrer" data-saferedirecturl="https://www.google.com/url?q=https://ekantipur.com/news/2021/02/28/161447682183787221.html&amp;source=gmail&amp;ust=1614733523195000&amp;usg=AFQjCNHc4H0lu6F3uy0HJKCt2LjPylD9Pg">media reports</a> that it did not have the money for air freight.<figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221110111148/636cd6f99c7e80680e092db2jpeg.jpg" alt="" width="1422" height="942"><figcaption>The 1993 exhibition East Meets West: Sculpture from the David T. Owsley Collection at the Dallas Museum of Art where the Laxmi-Narayan can be seen at centre, right. Photo: Dallas Museum of Art</figcaption></figure>Kumar Raj Kharel, the deputy chief of mission at the embassy, told Nepali Times: “I was misquoted. We have never said that we cannot pay for the logistics, just that we cannot send it to Nepal immediately. We had to look at the cost, insurance, and fulfil the lengthy bureaucratic process of consulting with the ministries of finance, culture, foreign affairs, and the Department of Archaeology in Kathmandu before dispatching it.”Thousands of stolen statues of Nepal to date remain in the display of international museums in many parts of the world and more that are found in the US, some may have provenance and some may not.Kharel added, “We hope the repatriation of the Laxmi-Narayan to Nepal will set a precedent for locating and returning other stolen images.”<figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221110111148/636cd6fc9c7e80680e092db3jpeg.jpg" alt="" width="1500" height="1002"><figcaption>The 12th century Laxmi-Narayan statue stolen from Patan in 1984 has been handed over to Nepal Embassy in the US. Deputy Assistant Director of FBI Timothy N Dunham and Nepal Ambassador to the US Yubaraj Khatiwada were present during the handover. Photos: AMITABH JOSHI</figcaption></figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221110111148/636cd7009c7e80680e092db4jpeg.jpg" alt="" width="640" height="428"><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221110111148/636cd7039c7e80680e092db5jpeg.jpg" alt="" width="1500" height="1002">He said museums and collectors with stolen antiquities from Nepal need to be responsible and abide by the UNESCO’s Convention on the Means of Prohibiting and Preventing the Illicit Import, Export and Transfer of Ownership of Cultural Property.<a href="https://hyperallergic.com/530848/stolen-deities-resurface-in-a-dallas-museum/" target="_blank" rel="noopener noreferrer" data-saferedirecturl="https://www.google.com/url?q=https://hyperallergic.com/530848/stolen-deities-resurface-in-a-dallas-museum/&amp;source=gmail&amp;ust=1614733523195000&amp;usg=AFQjCNG-w4uPnw1nk_80MuQQmsrAACKjYQ">Art Crime Professor Erin Thompson</a> agrees. She says, “Every art lover in America has a responsibility to look at the art we see and ask if it is right for us to have it here.”

US museum returns stolen Nepal god

Two 1,000-year-old stone deities return to Nepal, but hundreds of other stolen objects are still out there<figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/2022110710110/6368c9ad9c7e80680e02f2c5jpeg.jpg" alt="" width="800" height="980"/><figcaption>HOMECOMING: The 12th century Uma Maheswar stele from Tangal Hiti, Patan, stolen in early 1980s.</figcaption></figure>In Yatkha Tole, Krishna Bahadur Tuladhar, 62 shows Nepali Times a brass crown belonging to the Standing Buddha that was stolen from a shrine in his neighbourhood in 1986. His family has worshipped the crown every day ever since the Buddha went missing.On Wednesday, the 10th century Standing Buddha of Yatkha Tole was one of two holy stone sculptures returned to Nepal by The Metropolitan Museum of Art in New York. The other was a 12th century stele of Uma Maheswar stolen from Tangal Hiti in Patan in 1980.“This looks like the same statue missing from our temple,” says Tuladhar looking at the photograph of the Standing Buddha being returned. “If it is the same, the crown should fit it,” he adds.Since the sculpture went missing 30 years ago, the community has installed another statue in its place. But the open space the bahi once occupied has shrunk because of the private houses that tower all around.Shyam Dangol remembers playing in the bahi and praying to the deity when he was a child. “It is the same one that went missing from here,” he says looking at the photograph. “When the idol was stolen, the authorities came with big dogs and even the locals were accused of assisting in the crime. We never found out who did it.”https://www.youtube.com/watch?v=gtN1KiH9Va0The epidemic of idol thefts started soon after the end of the Rana era in the 1950s, as Nepal opened up to the world. Over the next few decades, thousands of deities worshipped in temples and monasteries in Kathmandu Valley were stolen to be sold to collectors and museums in the West. The process accelerated during the 1980s.When Tej Ratna Tamrakar heard about the stone Buddha being returned to Nepal, he had hoped it was another statue from his clan’s Arya Naam Sangiti guthi that was stolen 30 years ago. After the Buddha was stolen from the Agan Chhen (sacred house housing the clan’s god) in Yatkha Bahal the guthi installed a much smaller stone Buddha.“When I heard the news, I thought that our God was coming home,” 70-year-old Tamrakar told us this week, “but this one is not ours. Our Buddha was sitting down in bhusparsa position, this is standing.”The Uma Maheswar was donated to The Metropolitan Museum of Art in 1983 by a collector, and the Standing Buddha was donated in 2015. During the acquisition process of the Standing Buddha, The Met found out from Lain Singh Bangdel’s book Stolen Images of Nepal, published in 1989, that the two figures had been smuggled out of Nepal, and so the process for its return began.In 2017, the Museum contacted the Nepal government and offered to return the sculptures, after which the Consulate of Nepal in New York contacted the Museum to coordinate and facilitate the process. The nose of the Standing Buddha currently looks different from the picture in Stolen Images of Nepal, (where it looks slightly damaged). John Guy, curator of the Arts of South &amp; South East Asia at The Met believes the nose was repaired when sold to the collector about 30 years ago.“When the statues were carved and consecrated, no one would have thought that centuries later someone would try to steal them. That is why they were not anchored securely and were easy to lift off, and that is also why the government did not have an inventory,” says heritage activist Kanak Mani Dixit.Fortunately, the works of Lain Singh Bangdel, Jürgen Schick and later Ramesh Dhungel have sought to fill the gap. Bangdel and Schick separately photographed and documented hundreds of statues in their original place and publishedStolen Images of Nepal and The Gods are Leaving the Country respectively. Dhungel studied the Nepali artefacts in The Met and documented them in The Lost Heritage.“Ramesh Dhungel studied Nepali art in the same museum from where the two idols have been returned, and his book along with the others' shows how many more Nepali idols are still out there,” said Bhesh Narayan Dahal, Director General of Department of Archaeology.Since April 1996, when 19 stolen artefacts were returned from Britain, only a few out of the thousands have been returned to Nepal. And even from those few, many have ended up in museums, rather than the communities where they belong. The two images of the Standing Buddha and Uma Maheswar have also been handed over to the National Museum of Nepal at Chhauni.“The idols have spiritual, psychological and emotional connotation for the people so they need to be returned to the community. The government should help safeguard it,” says Ramesh Dhungel. “When they end up in museums they merely become items of art, which is unfair to the people who believe that the idols have life.”<figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/2022110710110/6368c9af9c7e80680e02f2c6jpeg.jpg" alt="" width="800" height="1200"><figcaption> </figcaption></figure>The communities also want the Gods to be returned to them and not housed in museums. Clutching an old photograph of an idol of Balabhadra stolen from their community 40 years ago, Tirtha Raj Bajracharya, Bishwa Bhakta Malla and Shree Ram Tamrakar of Tangal Hiti want their God back too.“They stole it in the past but now we as a community will look after it now,” says Bajracharya.In Yatkha Tole, Tuladhar told Nepali Times, “It is our God. We should be able to pray to it daily and it should be returned to us.”The Department of Archaeology is positive, “As per the Ancient Monument Preservation Act 1956, the communities can send in an application through the district administration and if we are convinced about the monument’s safety, it will be returned,” Dahal said.As for Tej Ratna Tamrakar he still hopes that his God will also be returned one day. He says: “I am hopeful but not too confident it will happen in my lifetime.”<h2>Homecoming</h2>3 April, 199619 artefacts returned from Britain. Currently in the National Museum, Chhauni.10 September, 19994 artefacts returned from US. Currently in the National Museum, Chhauni.24 October 2003The Kanakmuni Dipanker Buddha stolen from Nagbahal, Lalitpur was brought to the Department of Archaeology. The idol was handed over to the Guthi in Nagbahal.25 June, 2007China returned 28 artefacts stolen from Dolpa. On 15 August, 2007 the idols were returned to Dolpa.16 June, 2017Four idols from the private collection of Leroy Allen Ehrenreich  returned to Nepal. Currently in the National Museum, Chhauni.

Sahina Shrestha

Bringing our Gods home

In the black and white photograph, General Wangdu smiles broadly in front of the dusty cactus garden in Kathmandu’s Annapurna Hotel. With an ill-fitting jacket and shaggy hair he looks benign enough, but this was the last leader of the Tibetan freedom fighters who led the resistance against the Chinese from their remote mountain hideouts in <a href="https://nepalitimes.com/here-now/comings-and-goings-in-mustang">Mustang</a>. Five months later, Wangdu was dead. Snapped in March 1974, I had only recently arrived in Nepal. How did I meet this legendary fighter? Possibly with his devoted camp follower, Lynne Klapecki, and probably in the Om Restaurant near Freak Street which was the preferred <a href="https://nepalitimes.com/banner/hippie-trail-nostalgia-in-kathmandu">hippie hang-out</a>. Om Lobsang and his brother Yeshe were <a href="https://archive.nepalitimes.com/page/earthquake-brings-back-memories-of-camps-for-tibetan-refugees">refugees from East Tibet </a>whose cafe offered a friendly welcome and<a href="https://nepalitimes.com/multimedia/momo-loco"> the best momos</a> - they became my in-laws after I married their eldest brother Tenzin, but that was a decade later.&nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2025052403054_4573b34282b0f5395c007243d6bef12c7ba76bfd520419e994cdcea048d795a1.jpg" data-media-id="editor_4" data-image-id="2025052403054_4573b34282b0f5395c007243d6bef12c7ba76bfd520419e994cdcea048d795a1" data-rendition-name="original" width="1000" height="1583" loading="lazy" alt="The last days of the Khampa NT"> <figcaption>Photo: LISA CHOEGYAL</figcaption> </figure>  Wangdu’s English was enthusiastically rudimentary, but even riding around town with him on the back of an aging <a href="https://nepalitimes.com/here-now/kathmandu-s-new-motorbike-museum">motorbike</a>, he was a commanding presence. Always flanked by armed outriders, impressive scars marked his forearms and a pistol hung from the cord around his neck. A charismatic guerrilla leader, Wangdu was celebrated by his followers for his tough commitment and respected for his measured pragmatism. He seemed so young to have shouldered such a responsibility of command, leading hundreds of hardened <a href="https://archive.nepalitimes.com/article/nation/50-years-after-the%20raid-into-Tibet,1012#google_vignette">Khampa combatants </a>through what had been a particularly <a href="https://nepalitimes.com/news/heavy-snowfall-over-nepal-himalaya">brutal winter in Mustang</a>, the last bastion to hold out against the Chinese invasion of their Tibetan homeland.&nbsp; The freedom fighters of Tibet, known as the Chushi-Gangdruk, had emerged to resist the <a href="https://nepalitimes.com/editorial/territorialism">Chinese takeover</a> of Tibet during the 1950s. Estimated to be 80,000-strong at the time of <a href="https://nepalitimes.com/here-now/what-or-who-after-the-dalai-lama">the Dalai Lama</a>’s final escape to India in 1959, the sheer number of Chinese deployed into Tibet eventually forced the Chushi-Gangdruk to retreat to Mustang, From this high Himalayan stronghold, they continued cross-border raids on the Chinese People’s Liberation Army (PLA) throughout the 1960s.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2025052403054_8a4a935ba25ae79dc3a63bb5c14626927020e5ec098093c45ccb9a5982e009fd.jpg" data-media-id="editor_10" data-image-id="2025052403054_8a4a935ba25ae79dc3a63bb5c14626927020e5ec098093c45ccb9a5982e009fd" data-rendition-name="original" width="1114" height="676" loading="lazy" alt="The last days of the Khampa NT"> <figcaption>Guerrillas known as the Chushi-Gangdruk emerged to resist the Chinese annexation of Tibet during the 1950s. Photo courtesy: MIKEL DUNHAM</figcaption> </figure>  Their Kathmandu base was a small discreet lodge in a back lane near Rani Pokhari. Sipping sweet tea from a blue mug with a chipped lid, I sat bemused in a corner of the Mustang Hotel room whilst Wangdu and his cohorts received a battered brown suitcase from their CIA connection, a tousle-haired American in a leather jacket. Heaved onto the dingy bedspread that covered the thin mattress, it was clicked open to reveal piles of neatly stacked dollar bills.&nbsp; I cannot think why Wangdu allowed me to witness this handover but I was clearly no threat, a newly arrived world traveller with no understanding of the stakes nor any Nepali or <a href="https://nepalitimes.com/multimedia/tibetan-music-in-nepals-sacred-valley">Tibetan language</a>. Despite armed guards in the corridor,Wangdu radiated confidence and bravado, and there was a practiced familiarity to the tense transaction. This deadly dance for many years had been funded by the Americans, tolerated by <a href="https://nepalitimes.com/here-now/the-kingdom-within-a-republic">Mustang’s residents</a>, and permitted by King Mahendra and the Nepali authorities who it suited to turn a blind eye.&nbsp; But Mahendra died in 1972, and times were changing. Richard Nixon’s ping-pong diplomacy thawed the cold war and signalled a fresh entente with China. Nepal’s yet-to-be-crowned <a href="https://nepalitimes.com/here-now/if-birendra-was-alive-nepal-could-still-be-a-monarchy">King Birendra </a>was under pressure to curb the irritating incursions against the PLA launched from the Nepali territory of Mustang. Keen to appease his northern neighbour, on several occasions the King summoned Wangdu for peace talks but, despite increasingly overwhelming odds, Wangdu refused to surrender.&nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2025052403054_a8efd5cfb92cd997bd7cb74296a936fef46e2f7428f9cd642b03f1ac4ea11ecb.jpg" data-media-id="editor_14" data-image-id="2025052403054_a8efd5cfb92cd997bd7cb74296a936fef46e2f7428f9cd642b03f1ac4ea11ecb" data-rendition-name="original" width="1055" height="885" loading="lazy" alt="The last days of the Khampa NT"> <figcaption>General Wangdu flanked by two Tibetan resistance fighters in Mustang in the 1970s. Photo courtesy: MIKEL DUNHAM</figcaption> </figure>   <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2025052403054_75969125a745847a2ef82b6fe8b9106c0b21a116d85b8efdf5d2ee89a347bb31.jpg" data-media-id="editor_15" data-image-id="2025052403054_75969125a745847a2ef82b6fe8b9106c0b21a116d85b8efdf5d2ee89a347bb31" data-rendition-name="original" width="1044" height="792" loading="lazy" alt="The last days of the Khampa NT"> <figcaption>King Birendra with General Wangdu (right in dark glasses) taken in 1974 possibly in Mustang after one of their few attempts at negotiation. Photo courtesy: RAJRNDRA KUNWAR</figcaption> </figure>  While I naively rode pillion around Kathmandu in the spring sunshine, Wangdu was in the midst of what turned out to be his final round of negotiations with the Nepal government. Refusing to cease hostilities with the Chinese, Wangdu must have suspected the cost of his decision, making his cheerful smile in the photograph all the more poignant and brave. It was only much later that I appreciated the significance of the moment. Wangdu had been sent to replace the first resistance leader in Mustang, Baba Gen Yeshe, a much derided corrupt character who stole money meant for his troops and exploited fleeing refugees by seizing their treasures. Baba Gen Yeshe never forgave Wangdu,and sought revenge in May 1974 by betraying him and his commanders to the Nepal authorities. Renewed Chinese incursions from the north, active PLA collusion with the Nepali forces under the new King, and treachery from within the Chushi-Gangdrukranks combined to seal their fate.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2025052403054_e0987a7c90d76431b0d7d5e6115ebfe3dbda7ab939e5941e079c18d722e884c0.jpg" data-media-id="editor_16" data-image-id="2025052403054_e0987a7c90d76431b0d7d5e6115ebfe3dbda7ab939e5941e079c18d722e884c0" data-rendition-name="original" width="1400" height="769" loading="lazy" alt="The last days of the Khampa NT"> <figcaption>British television journalists George Patterson and Adrian Cowell embedded themselves with Khampa guerrillas and accompanied them from Tsum Valley on a cross border raid on a Chinese Army convoy in 1964. Photo: ESSAYS ON NEPAL / SAM COWAN</figcaption> </figure>  Mikel Dunham, renowned author of Buddha’s Warriors, writes: ‘It is possible that Wangdu was waiting for some cue from the Dalai Lama’s government-in-exile in Dharamsala, India. It is equally possible – during that last, <a href="https://nepalitimes.com/multimedia/the-human-cost-of-nepal-s-yarsa-gold-rush?fbclid=IwZXh0bgNhZW0CMTEAAR31-Cqw8oyIwMPzf_35e4Skr0ululJvLf3_vDkzHn-AYG2h8uPw2rqqErg_aem_tGVn5coY1-jA7fze_xqhew">desolate winter </a>– that he made the decision to go out in glory rather than admit defeat. Over the last fifteen years, Wangdu had experienced Tibet’s organized resistance being squeezed and shoved around by every conceivable outside force.&nbsp; First they had been pushed out of their own country by the PLA; then they had been refused sanction while on <a href="https://nepalitimes.com/opinion/borderlines/nepal-india-trans-boundary-bonds?fbclid=IwAR0PpJ5zUEbwdug3g_U3ar6FUugngRY0S8Tl2v_7wqzrsHmXWcXsKjvL4t4">Indian soil</a>; then they were abandoned by the Americans because, apparently, Nixon wanted to make friends with Wangdu’s mortal enemies, the communists; then they had been betrayed by the vampiric Baba Gen Yeshe – a Tibetan and, even worse, a fellow Khampa; and now, finally Wangdu’s army was being evicted by the Nepalis. One thing was certain: Wangdu was a warrior. To imagine Wangdu simply giving up and settling down in the pacific squalor of a <a href="https://nepalitimes.com/here-now/elderly-left-in-bhutan-refugee-camp">refugee camp </a>was unthinkable.’  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2025052403054_8fc1ffef4ae751628b90ae781b66e11e51e4fdde2787207c9042efbee345ce49.jpg" data-media-id="editor_20" data-image-id="2025052403054_8fc1ffef4ae751628b90ae781b66e11e51e4fdde2787207c9042efbee345ce49" data-rendition-name="original" width="500" height="746" loading="lazy" alt="The last days of the Khampa NT"> <figcaption>The much derided Baba Gen Yeshe, the first Tibetan resistance leader in Mustang, who betrayed Wangdu for personal gain. Photo courtesy: MIKEL DUNHAM</figcaption> </figure>   <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2025052403054_b1d833cdb00d3ac4416b844d8730475cd88c238caaaf8da69889a584eea229a3.jpg" data-media-id="editor_21" data-image-id="2025052403054_b1d833cdb00d3ac4416b844d8730475cd88c238caaaf8da69889a584eea229a3" data-rendition-name="original" width="500" height="656" loading="lazy" alt="The last days of the Khampa NT"> <figcaption>Aditya SJB Rana of the Royal Nepal Army whose team ambushed Wangdu and his cohorts at the top of Tinker Pass in Darchula, West Nepal. Photo courtesy: GAUTAM SJB RANA</figcaption> </figure>  By August 1974 the game was up. Wangdu and six of his exhausted party were killed on their horses by <a href="https://archive.nepalitimes.com/news.php?id=7270">the Royal Nepal Army</a> on the brink of escape. The officer in charge, Aditya SJB Rana, cleverly predicted their route into India after they failed to silence a police radio in Yari. A carefully laid ambush trapped them near the summit of the Tinker Pass in Darchula,at 5,000 meters the highest military operation of its time. Wangdu’s body was helicoptered to Kathmandu, and a big show made of the royal Nepal victory.&nbsp; The Tibetan armed insurgency against China had reached its end.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250524030520_3ff9c6fc85a65bc9a2c3afe9736d9f5f9413de752e790a5d9dca0981ea94f9b4.jpg" data-media-id="editor_23" data-image-id="20250524030520_3ff9c6fc85a65bc9a2c3afe9736d9f5f9413de752e790a5d9dca0981ea94f9b4" data-rendition-name="original" width="1136" height="702" loading="lazy" alt="The last days of the Khampa NT"> </figure>

The Last Days of the Khampa

The newly-formed Himalayan Art Council is set to launch Nepal’s National Art Protection Platform that seeks to preserve <a href="https://nepalitimes.com/banner/the-history-of-heritage">Nepal’s unique cultural heritage </a>using<a href="https://nepalitimes.com/here-now/artificial-censorship"> AI-powered tools</a>. The Council seeks to safeguard <a href="https://nepalitimes.com/banner/nepali-art-going-places">Nepali art works</a> from neglect, theft and counterfeiting as well as preserve existing artwork and celebrate living masters by giving them a cultural space to continue the <a href="https://nepalitimes.com/banner/sacred-survival">sacred art traditions</a>. "We are introducing a new digital platform designed to preserve, verify and elevate <a href="https://nepalitimes.com/banner/nepals-new-generation-of-alternative-artists">Nepal’s art for generations to come,</a>” says a statement from the Council, adding that the digital platform will use AI told for authentication and blockchain to keep track of works of art. Artists can now be protected by <a href="https://nepalitimes.com/multimedia/ayo-ai?fbclid=IwAR1uwmTVq4gUB70ljfRezjzukD9ArWXPuMnUikopeQ8PoiZMjicToPSwhKE&amp;=1">AI tools</a> that detect forgeries, identify their work even when unsigned, and ensure they receive proper recognition and credit. The archives will be searchable with translated inscription and interactive guides. Says curator Meena Lama: “AI and blockchains are tools that give us the power to detect fakes and identify unsigned paintings and track every piece. With these tools we can restore trust, secure authorship and give artists the dignity they deserve.”  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250514170544_2ab58f6313c0458f75114a692b0016bd9efb3b59d5f8f07f0da72e1e37b82f53.jpg" data-media-id="editor_6" data-image-id="20250514170544_2ab58f6313c0458f75114a692b0016bd9efb3b59d5f8f07f0da72e1e37b82f53" data-rendition-name="original" width="1300" height="1000" loading="lazy" alt="Artwork at the Traditional Art Exhibition at Patan Museum."> <figcaption>Artwork at the Traditional Art Exhibition at Patan Museum.</figcaption> </figure>  The Council is also holding an exhibition of Nepali cultural masterpieces with 50 historical <a href="https://archive.nepalitimes.com/article/Nepali-Times-Buzz/Buzz-the-art,671">thangka and paubha </a>by past masters and <a href="https://nepalitimes.com/review/between-the-sacred-and-everyday">contemporary works by current artists</a>. This curated collection is a living tribute to <a href="https://nepalitimes.com/here-now/when-yaks-go-so-does-culture">Himalayan culture</a> with economic depictions of deities, mandala and sacred narratives. The exhibition at <a href="https://nepalitimes.com/multimedia/a-portal-into-patan-s-past-and-present">Patan Museum</a> also provides an opportunity to meet painters and custodians of art and culture. Read also: <a href="https://nepalitimes.com/review/golden-deities">Golden deities</a>, Sewa Bhattarai ‘The exhibition is only the first step in a long journey to ensure that Nepali art is no just seen but fully understood, <a href="https://archive.nepalitimes.com/article/nation/Narratives-of-Faith-and-Memory-Remembering-the-Lost-Sculptures-of-Kathmandu-exhibition,987">protected and remembered</a>,’ the Council says. Artist Kailash K Shrestha of Artudio has spent decades promoting thankha and paubha traditions because of their beauty and devotional meaning. But he also says artists are underpaid, exploited and ignored. He adds, “AI and blockchain are not just buzzwords, they are powerful tools that can protect Nepal’s artists from fraud, verify authenticity and build a permanent record of provenance.” Traditional Art Exhibition Till 17 May Patan Museum

Digital protection for Nepal’s art

<a href="https://www.instagram.com/prabalgurung/" target="_blank">Prabal Gurung</a> left Nepal for New York in 1999 to escape years of bullying, sexism and homophobia, and to pursue his dream of becoming a fashion designer. He <a href="https://www.youtube.com/watch?v=KqN0VaoAI5w" target="_blank">realised his dream</a>, but did not escape discrimination and racism in the new world. Propelled by passion for fashion, Gurung overcame everything America threw at him. He has attained <a href="https://www.vanityfair.com/style/story/prabal-gurung-recalls-his-first-met-gala-when-zoe-saldana-was-at-his-side?srsltid=AfmBOooy-H0oGgxMit864FnW_Pmw8mUnV8rYrh-co-f6OyYK6m2ip5hP" target="_blank">fame and recognition</a> for his haute couture dress designs while remaining true to his Nepali roots, and is even more resolute in <a href="https://www.youtube.com/watch?v=dSmNauyzACk" target="_blank">fighting prejudice</a> in all its forms. Prabal Gurung’s newly-released memoir <a href="https://www.amazon.com/Audible-Walk-Like-Girl-Memoir/dp/B0DG11HCDQ?fbclid=IwY2xjawKZfpxleHRuA2FlbQIxMQABHuZcIJO2OXyXcRm1oq1iG6wzeoF7VJFrQ7GXOFI0YxuZZ4id_CNvSZSZZIna_aem_pG_mOKG73RTnYvN8JaC4fA">Walk Like a Girl</a> is a saga of harrowing abuse in boarding schools in Nepal and India, only finding himself facing a different kind of bullying in the US. He prevails over it all to be where he is today: an award-winning American fashion designer with his own label. Walk Like a Girl was launched last week in New York at a time when everything Gurung fought for — tolerance, inclusion and diversity — are in retreat in his adopted country because of a president who has espoused a culture of bullying. The book is a searing, raw exposé of how cruel and abusive people can be even at a young age in school. On the other hand, it also shows that there are generous, compassionate and open-minded souls out there. In his book, <a href="https://www.youtube.com/watch?v=K4le_uWX7YE">Prabal Gurung</a> calls out those who tormented and tried to hold him back (some of their names have been altered). The moral of his story is: resist, never stop believing in yourself, do not let others define you, never lose sight of your dream, and help those who have been kept out. “Walk like a girl” was a slur used by bullies back in school in Nepal and India for Gurung’s effeminate ways. He fought back then, and he is still resisting by turning those words into something to be proud of.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250519170544_4ffc9c3f565dd2cfa754d10b224816897b82bb31ebaee91b6d79d469fc96f14e.jpg" data-media-id="editor_6" data-image-id="20250519170544_4ffc9c3f565dd2cfa754d10b224816897b82bb31ebaee91b6d79d469fc96f14e" data-rendition-name="original" width="1000" height="1253" loading="lazy" alt="Prabal Gurung NT"> <figcaption>Prabal Gurung at home in Kathmandu in the 1990s.</figcaption> </figure>  “Living through it all was one thing, but writing about it is one of the hardest things I have done in my life,” admitted Gurung during the launch. “I broke down constantly during the six-year writing process.” He continues: “I did not want this to be a victim’s book. I did not want to burden my readers with my emotions. I wanted my struggle to be an inspiration for others facing what I faced. I am grateful to those who bullied me in school, they made me a stronger person ready to face the world.” Indeed, this book is a departure from his earlier one titled simply, Prabal Gurung (Abrams, 2019), which was a lush pictorial autobiography of his career in fashion. Walk Like a Girl is not a typical fashion book, it is an intimate tale of <a href="https://archive.nepalitimes.com/news.php?id=16997">Gurung’s travails and triumphs</a>, and how he willed himself to succeed. Prabal pays a lavish tribute to his mother Durga Rana. We find out she is a descendant of the first wife of the eldest son of Jang Bahadur Rana who was banished to Palpa in the late 19th century. Prabal’s father served in the Singapore Police and that is where he was born before the family returned to Nepal when he was four. Gurung relates with brutal honesty about the violence his mother endured from his father. Durga raises three children as a single mother in Nepal, and Prabal credits her for his fierce determination to resist patriarchy and injustice, which in time manifests itself in his hyper-feminine and subversive dress designs. Writing the book has been a cathartic experience for Gurung, who says he is now relieved of the burdens of his past. It no longer haunts him, and he does not have to prove anything to anyone anymore. Walk Like a Girl has life lessons not just for the <a href="https://www.instagram.com/p/DJmOcSgxdWz/" target="_blank">fashion industry</a>, but for every other profession. How can my job serve a greater cause? Gurung tells us his work is <a href="https://asiasociety.org/blog/asia/why-designer-prabal-gurung-doesnt-want-just-stick-fashion" target="_blank">bigger than just making clothes</a>, it is about making the world a better place because it could do with a lot of improvement.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250519170544_d75296ad8bfdc00d88935f40d23543c6fea3d4d6a10e61a99d6cfc6127f2ee5b.png" data-media-id="editor_10" data-image-id="20250519170544_d75296ad8bfdc00d88935f40d23543c6fea3d4d6a10e61a99d6cfc6127f2ee5b" data-rendition-name="original" width="1516" height="1000" loading="lazy" alt="Prabal Gurung"> </figure>  This story of chasing the American dream may sound familiar to many immigrants: knocking on doors for jobs, rejections, trying to survive from day to day on expensive rent, and dealing with subtle racism in white America. Gurung finds racism is rife, and he is often mockingly called ‘gaysian’. He writes: ‘There was a strong hypocrisy — this idea of independence felt like a marketting ruse … and for all the talk of feminism in America, these high society women were trapped by the patriarchy just like in Nepal and India.’ After a trek to the Khumbu region in 2013, Gurung is inspired to use the colours, palette and textures of Nepal for his collection exhibited on Manhattan’s 8th Avenue. A major buyer tells him bluntly: “Stick to making pretty dresses … if I need to see a collection like this, I could buy a copy of National Geographic.” The New York Times was equally dismissive: ‘The designer tries to draw connections between blistered techo-fabric used to construct it and the topography of his homeland, Nepal. But, at the moment, he has lost his map.’ One potential investor tells Gurung he cannot design for Americana because “you do not look American”. Gurung wants to use expletives, but restrains himself. After a fundraiser in New York for the Nepal earthquake in 2015, some belittled his effort, saying: “Here comes the saviour."&nbsp; Read also: <a href="https://nepalitimes.com/review/prabal-gurung-by-prabal-gurung">Prabal Gurung by Prabal Gurung</a>, Kunda Dixit The Gurkha DNA must be dominant in Prabal Gurung’s genes because he does not take such mistreatment lying down. When asked by a fashion publicist why he was designing clothes for fat people, he snaps back: “Because of people like you.” He joins the Black Lives Matter and #MeToo movements, launches the Shikshya Foundation charity in Nepal, and has powerful allies among celebrities who wear clothes he designed: Michelle Obama, Oprah Winfrey, Sara Jessica Parker, Kamala Harris, Deepika Padukone … it is a long list.&nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250519150556_48a5f4211991a23fa85b64bbd5377575ca7081d97309d7542035591dda5180fe.png" data-media-id="editor_12" data-image-id="20250519150556_48a5f4211991a23fa85b64bbd5377575ca7081d97309d7542035591dda5180fe" data-rendition-name="original" width="1114" height="1534" loading="lazy" alt="Being Prabal Gurung by design"> <figcaption>Nigerian novelist Chimamanda Ngozi Adichie wearing Atelier Prabal Gurung’s design for Met Gala 2025 in which the theme was ‘Superfine: Tailoring Black Style’. </figcaption> </figure>  “I don’t dress women to look beautiful, they already are,” Gurung says. “I try to bring out their innate strength and grace.” <a href="https://www.instagram.com/stories/highlights/17908766880140171/" target="_blank">Admirers</a> tell Gurung he makes it all look so easy, but he used to put up a strong facade to not show his own vulnerabilities in public. “I was closed because of my childhood experiences,” he says. “I was always on guard to defend myself because I never knew where the next punch would come from.” But in <a href="https://www.youtube.com/watch?v=PPVepzPA210" target="_blank">Walk Like a Girl,</a> Gurung comes to terms with his vulnerability, and bares his soul. It has not been easy, it took sustained will power and support from his mother, sister Kumudini and a circle of close friends. “I made unbelonging my power,” he says. “Nepal is where I still have my heart and soul. Nepal grounds you. It is where people go to find themselves. But I escaped.” Recently appointed vice-chair of the <a href="https://cfda.com/about-cfda" target="_blank">Council of American Fashion Designers</a>, Gurung says: “I can’t believe I am here, it feels like it is happening to someone else. Writing this book, the healing has finally begun.” <h2>‘Everything is better in color’</h2> The Met Gala was two weeks later, and my table was an example of everything I’d been fighting for all these years as my guests represented everything I believed in: dynamic, powerful, influential women who were unapologetically original and unabashedly graceful. I was grateful to Anna for inviting me to host and dress a table that reflected my ethos—and for her guidance in doing so. I was also aware of the privilege as one of the first-­ever Asian fashion designers—not just from Nepal, but from the entire continent— to get the opportunity to do so. That fact was not lost on me. I reached out beyond the expected Hollywood celebrities and well-­known socialites to curate a table of exceptional women who inspired me. I invited Deepika Padukone and Alia Bhatt for their first-­ever Met Galas, as well as Michelle Yeoh, Mindy Kaling, Camila Cabello, Ashley Park, Denée Benton, KiKi Layne, Quannah Chasinghorse, and Grace Elizabeth. Together we checked many boxes: Asian, Black, Latinx, and Indigenous, each woman undeniably chic and powerful, a dazzling array of skin tones and experiences that proved my decades‑in‑the-­making hypothesis: everything is better in color. Excerpt from Walk Like a Girl Viking © 2025 by Prabal Gurung  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250519170520_6b91d560e9f072c37d16876901058c073a51ffa05e7ad1b9461d19e1c9c28215.jpg" data-media-id="editor_16" data-image-id="20250519170520_6b91d560e9f072c37d16876901058c073a51ffa05e7ad1b9461d19e1c9c28215" data-rendition-name="original" width="1136" height="702" loading="lazy" alt="Prabal Gurung book details NT"> </figure>   <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250519170520_345240c21be400e2ce2ec629b52bd82bb53890e5bd86fe95b48340d84b5f1748.jpg" data-media-id="editor_17" data-image-id="20250519170520_345240c21be400e2ce2ec629b52bd82bb53890e5bd86fe95b48340d84b5f1748" data-rendition-name="original" width="1136" height="702" loading="lazy" alt="Prabal Gurung book details NT"> </figure>  &nbsp;

Being Prabal Gurung by design

Starting 17 September Turkish Airlines will fly daily to Seville, one of Spain’s major tourist draws. This is Turkish’s sixth destination in Spain after Madrid, Barcelona, Valencia, Malaga, and Bilbao. Seville is in the Andalusia region on Spain’s south coast with a rich Moor history. There are approximately 30,000 Nepalis living in Spain.&nbsp;

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