Right after Dasain festivities, the Surya Nepal Jazzmandu is back in town and this time it is celebrating two decades of the jazz festival. Also known as Kathmandu Jazz Festival, the annual music fest which started in 2002 will run from 24-30 October this year. Over the years, it has established itself as a premier jazz event, pioneering and cultivating the taste of jazz in Nepal.&nbsp; Much like the previous editions, the organisers aim to bring together jazz musicians of different backgrounds and origins, substantiating a platform for cultural interaction simultaneously.&nbsp; “Jazzmandu is an act of love for our city, our audiences, and for the music – and we’ve still got lots more love to give,” says Samir Chettri of Kathmandu Jazz Festival.&nbsp; This year’s five-day musical symposium features a lineup of artists celebrated from across the globe. They specialise not just in jazz but infusing it with different types of music. Eastern Classical featuring Jonisha Paudel, Santosh Bhakta, Roshan Putwar, Nimesh Kapali as well as Gandharva music are something to look forward this edition. <h2>Erik Truffaz (Switzerland)</h2>  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20241023071012_ec1d5abbf4f3be74f7a3298985ff38022f3f4f54627fd8ac51294fa63f24bd0c.jpg" data-media-id="editor_0" data-image-id="20241023071012_ec1d5abbf4f3be74f7a3298985ff38022f3f4f54627fd8ac51294fa63f24bd0c" data-rendition-name="original" width="1200" height="800" loading="lazy" alt="Erik Truffaz"> </figure>  Jazz trumpeter Erik Truffaz’s music has pushed the boundaries of what trumpet-led jazz can be. In his decade-long career, Truffaz has seamlessly blended hip hop, rock and roll and dance music with jazz. Truffaz entered into the jazz scene in the early nineties but it was the 1998 album ‘The Dawn’ that gave him his breakthrough– establishing him as a pioneering force in contemporary jazz. From recording in India on the banks of the Ganga, to collaborations with indie rockers, Truffaz has showcased his ability as a peerless all-rounder and ceaseless innovator. He has given scores to symphony orchestras, and has also written and composed music extensively for cinema.Truffaz is in the ranks of European jazz royalty, continuing to inspire a new generation of musicians and music lovers. Erik Truffaz – Trumpet | Alexis Anérilles – Keyboard | &nbsp;Marcello Giuliani – Bass | Raphael Chassin – Drums <h2>Sheroes (USA)</h2>  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20241023071012_ce7ebb7d4bac391253c5cebfae761dbd2eb027df30b57579c156791d3248ca3f.jpg" data-media-id="editor_1" data-image-id="20241023071012_ce7ebb7d4bac391253c5cebfae761dbd2eb027df30b57579c156791d3248ca3f" data-rendition-name="original" width="2560" height="1369" loading="lazy" alt="Sheroes"> </figure>  This all-female band is an anomaly in the jazz scene where women still remain underrepresented. Sheroes was the brainchild of pianist, composer and arranger Monika Herzig who wanted to bring women jazz musicians together and provide powerful role models on stage and break the lingering gender stereotypes in jazz. The band is celebrating its 10th anniversary this year. The Sheroes ensembles over time have brought together an extended network of talented women jazz musicians. Together, the musicians create music as they navigate their individual skill and style while showcasing an undeniable chemistry. Sheroes continues to elevate some of the top composers and players in jazz.&nbsp; Monica Herzig – Piano | Jamie Baum – Flute |&nbsp; Reut Regev – Trombone | Gina Schwarz – Bass |&nbsp; Rosa Avila – Drums <h2>Alma Naidu (Germany)</h2>  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20241023071012_655281cecef3a041aa0abde2f66cb39deba3a323b37020ae15e01613131a1113.jpg" data-media-id="editor_2" data-image-id="20241023071012_655281cecef3a041aa0abde2f66cb39deba3a323b37020ae15e01613131a1113" data-rendition-name="original" width="2375" height="2560" loading="lazy" alt="Alma Naidu"> </figure>  Described as “one of the most promising singers on the German scene” by Süddeutsche Zeitung, a daily newspaper in Germany, Alma Naidu is a singer, composer and lyricist based in Munich. Naidu boasts an enviable collection of top prizes honouring rising German jazz artists, and has also appeared in various musical theatre and opera productions.&nbsp; Her debut album, Alma, was released in 2022 and comprised almost entirely of her own compositions and arrangements. Relatively an emerging artist among the Jazzmandu’s lineup, has previously performed across Germany, the Czech Republic and France with her touring quartet, which features her on the keys as well as vocals. Alma Naidu – Vocals and piano | Andeas Dombert – Guitar &nbsp;| Ferdinand Schwartz – Bass | Florian Stierstofer – Drums <h2>Antonio Lizana Quintet (Spain)</h2>  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20241023071016_1a0138b8a158fc714b22730390d152d4782ef8480dd780d2387df350a3ab3544.jpg" data-media-id="editor_3" data-image-id="20241023071016_1a0138b8a158fc714b22730390d152d4782ef8480dd780d2387df350a3ab3544" data-rendition-name="original" width="2560" height="1097" loading="lazy" alt="Antonio quintet"> </figure>  Antonio Lizana is a jazz saxophonist and flamenco singer and composer who has blended jazz with flamenco and is one of the most celebrated representatives of new flamenco jazz. Lizana’s quintet have performed in more than 30 countries – including at festivals in London, New York, San Francisco, Shanghai, Madrid, Barcelona and beyond – and has worked on Grammy-winning works with artists such as Arturo O’Farrill and Alejandro Sanz. Lizana’s live shows have been described as a “breathtaking journey from flamenco roots to contemporary jazz”, with his soulful lyrics carrying messages of optimism and sincerity to his audiences access the globe. Antonio Lizana – Vocals and saxophone | Adriano Lozano – Guitar and and backing vocals | Ismael Alcina – Bass and backing vocals&nbsp; | Vincent Thomas – Drums | El Mawi – Flamenco dancing and backing vocals <h2>Afro Dizzi Act (Australia)</h2>  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20241023071016_473edf5ef5fdc479f0c6caf7256cecc3084aba72876ad539150693bec2301e04.jpg" data-media-id="editor_4" data-image-id="20241023071016_473edf5ef5fdc479f0c6caf7256cecc3084aba72876ad539150693bec2301e04" data-rendition-name="original" width="1500" height="1255" loading="lazy" alt="Afro Dizzy Act"> </figure>  Born as an adventurous jam band in Brisbane in the late 1990s, Afro Dizzi Act is known to be one of the best fusion bands to ever come out of Australia, and is celebrated as one of the country’s premier festival bands. From an early sound that blended in hip-hop as well as drum and bass, the band took on influences from jazz and world music as its growing reputation took the musicians to new places, arriving at World Beat Festival that comprises a dizzying variety of musical traditions and a mind-opening global perspective.&nbsp; Afro Dizzi Act has headlined top Australian festivals such as the Big Day Out and the Byron Bay Bluesfest, performed in Dubai, toured the Northeast of India, and played at the first edition of Jazzmandu in 2002. This year, to celebrate Jazzmandu’s 20th anniversary, the band will be performing alongside Navin Chettri of the Cadenza Collective to revive early days of the annual jazz festival. Nick Aggs – Saxophone | Shannon Sol Carroll – Guitar |&nbsp; Oj Newcomb – Bass | Navin Chettri – Drums |&nbsp; Matt Ledgar – Percussions <h2>Cadenza Collective (Nepal)</h2>  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20241023071016_dab2e03a9643141a4b1416a6bc00e8fea59840798b07c631a30190a93f39e7b3.jpg" data-media-id="editor_5" data-image-id="20241023071016_dab2e03a9643141a4b1416a6bc00e8fea59840798b07c631a30190a93f39e7b3" data-rendition-name="original" width="857" height="544" loading="lazy" alt="Cadenza"> </figure>  Cadenza Collective, spearheaded by drummer and composer Navin Chettri, has been blending Jazz, Afro-funk, and Nepali folk into an irresistible sound to get your groove on. Formed in 1998, Cadenza was one of the first bands to experiment with jazz in the Kathmandu Valley, at a time when rock and pop music dominated the music scene. Cadenza broke the mould and has evolved into a mature and experienced collective of musicians and music educators.&nbsp; Their music has pumped vitality into the improvised music scene in Nepal and beyond through regular performances with both classical and western musicians. With 5 albums to date showcasing their original music, their latest, Back to the Roots, won Best Pop/Rock Composition for their song “Namaste”, and Best Pop/Rock Album of the Year at the 2014 Nepal Hits FM Music Awards. Navin Chettri – Vocals and Drums | Rajat Rai – Guitar |&nbsp; Samir Chettri – Bass | InapRaj Shrestha – Tenor Sax |&nbsp; Pravin Chhetri – Alto Sax <h2>Samundra (Nepal)</h2>  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20241023071016_18153f12a84a9e1cc890cad600f0ab3a519be2f563db984e984ec5251e4c7d57.jpg" data-media-id="editor_6" data-image-id="20241023071016_18153f12a84a9e1cc890cad600f0ab3a519be2f563db984e984ec5251e4c7d57" data-rendition-name="original" width="2048" height="1153" loading="lazy" alt="Samundra band"> </figure>  Samundra is a band of musicians and sarangi players known for their performances of Nepali folk fusion music. Formed in 2004, the band stays true to the age-old traditional folk music of the Gandharba community. They recompose authentic Nepali tunes in new forms, updating the cherished old music for contemporary taste. They also educate people on traditional music through their YouTube channel, making it accessible for all. Anil Gandharba also teaches how to use sarangi on their channel. This band is passionate about promoting and preserving the rich cultural heritage of Nepal through their music. Anil Gandharba - Sarangi | Arbajo Buddha Gandharba - Sarangi | Ramkrishna Gandharba - Flute/Arbajo | Samsher Gandharba - Madal | Arjun Gandharba - Madal | Raju Gandharba - Percussion <h2>Dhrupad Gurukul (Nepal)</h2>  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20241023071016_ac99f1d13ac3532016a08227a7592381b03c460fc4df13b06a463059ae0fe24a.jpg" data-media-id="editor_7" data-image-id="20241023071016_ac99f1d13ac3532016a08227a7592381b03c460fc4df13b06a463059ae0fe24a" data-rendition-name="original" width="1280" height="960" loading="lazy" alt="Dhrupad Gurukul"> </figure>  <h2> </h2> Dhrupad is a form of Hindustani classical music that is distinguished by its emphasis on maintaining the purity of ragas and swaras.&nbsp; Vishal Bhattarai joined hands with his gurubhai Inoue Sou to establish Dhrupad Gurukul Kathmandu, and the duo has been performing and teaching Dhrupad in Nepal for the last decade. Their performance at Jazzmandu will be joined by the renowned pakhawaj player Mukesh Shakya, and two students currently training under the Gurukul. <h2>SCHEDULE&nbsp;</h2> Jazz for the Next Generation&nbsp; Thursday, 24 October&nbsp; 11AM- 1:30PM&nbsp; Closed Invitation&nbsp; St Xavier’s School, Jawalakhel&nbsp; Groovin’ at Upstairs Thursday, 24 October&nbsp; 7PM – 9PM&nbsp; Rs1,000 Jazz Upstairs, Lazimpat Valley Jams Friday, 25 October&nbsp; 6:30PM – 9PM Rs800 Simultaneously at:&nbsp; Jazz Upstairs, Lazimpat Electric Pagoda, Thamel Eden, Jhamsikhel La Terrasse, Chundevi Hard Rock Cafe, Durbar Marg Jazz Bazaar Saturday, 26 October 3PM – 10PM&nbsp; Rs1,600 Gokarna Forest Resort Sounds of Flamenco Jazz and Afro-Beat Monday, 28 October 7PM – 9PM Rs2,000 Lawn by Nanglo, Jhamsikhel Jazz at Patan Tuesday, 29 October&nbsp; 7PM – 9PM Rs2,000 Dhokaima Cafe, Patan Jazzmandu Finale Wednesday, 30 October 5:30PM - 10PM&nbsp; Rs1,800 The Malla Hotel, Lainchaur&nbsp;

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Jazzing up the town for the 20th time

It is festival season here in Nepal. Along with Dasain, Tihar and Chhat there is also Kathmandu’s very own international jazz festival. This year, Surya Nepal Jazzmandu, the music festival that put Nepal on the planetary jazz map, turns 19. With a brand-new ensemble of musicians from all over the world, it might just be the event to help one do away with Dasain blues and warm up for the festival of lights. “It stemmed from the love of jazz we have,” says Samir Chettri of Nepali jazz band Cadenza Collective, who is part of the organising team. “Many Nepalis cannot afford to go abroad and check out concerts, so we thought why not bring international musicians here.” Artists this year include Plurism, Under the Surface, Lucile Chriqui, Palouse Forro, Himalayan Highway, Samundra Band, Dhrubesh/Friends of Sukarma, Nick Aggs &amp; Cadenza Collective as well as other eastern classical musicians. Jazz has come a long way from the cobbled streets of New Orleans in the late 19th century, it has evolved into Latin jazz, gypsy jazz, Afro-Cuban jazz, and even Nepali jazz. But even though the art form has branched out, improvisation is still its heart and soul.&nbsp; “Jazz is never constant, it is evolving. Culture is important in jazz,” explains Chettri. When the festival was first held in Kathmandu in 2002, very few in Nepal had heard of jazz. Today, Nepalis not only make up half of the audience in the concerts, there are local jazz musicians ready to represent Nepal. There are now jazz schools and students performing jazz. Every year with a host of new artists, the festival infuses new styles and trends into the local jazz scene while showcasing Nepal’s best in jazz. Says Chhetri: “At the heart of the festival, we want to celebrate music and inspire a new generation of musicians.” &nbsp;&nbsp; <h2>Plurism (Switzerland/South Africa)</h2>  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20231102051124_cb84ae7f832ef16a8f29b34edcb813eb38e164c76b5eaf4c1d2184f8fb22224a.jpg" data-media-id="editor_0" data-image-id="20231102051124_cb84ae7f832ef16a8f29b34edcb813eb38e164c76b5eaf4c1d2184f8fb22224a" data-rendition-name="original" width="3000" height="2000" loading="lazy" alt="Jazzmandu 2023"> </figure>  Plurism sees Swiss drummer and band leader Dominic Egli combine forces with the esteemed South African trumpeter Feya Faku and a stellar cast of musicians with a shared friendship as well as musical sensibility. Plurism is anchored in Egli’s intense curiosity about the many colours of African rhythm. The nostalgic sensitivity of his playing is grounded by the bass of Xaver Rüegg, with Faku displaying his uncanny temperament on the trumpet, Mthunzi Mvubu with prolific vocabulary is on the alto saxophone and Sisonke Xonti’s audacious yet vulnerable style on the tenor saxophone. Plurism remains complex yet simple, explosive yet tender, down-to-earth yet otherworldly, with the musicians always drawing out more from each other and the audience. Feya Faku – Trumpet and flugelhorn | Mthunzi Mvubu – Alto saxophone &nbsp; Sisonke Xonti – Tenor saxophone | Xaver Ruegg – Bass | Dominic Egli – Drums and cymbals <h2>Lucile Chriqui (France)</h2>  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20231102051124_f9b3a6ba8890eb21bd03f3bd349644da85a20301831fe86e7e7c1bb7e02f656b.jpg" data-media-id="editor_1" data-image-id="20231102051124_f9b3a6ba8890eb21bd03f3bd349644da85a20301831fe86e7e7c1bb7e02f656b" data-rendition-name="original" width="2000" height="1334" loading="lazy" alt="Jazzmandu 2023"> </figure>  Lucile Chriqui, an award-winning singer-songwriter, is one of the brightest new talents in French Jazz. Blessed with natural musical and vocal flair, she honed her craft training under the American jazz singer Sara Lazarus and the French violinist Didier Lockwood, among others. Her list of collaborators includes rising names in international jazz such as Philippe Baden Powell, Munir Hossn, and Nils Frechilla, and she even shared the stage with renowned French singer Camille Dalmais. She has also worked on numerous stage and film productions, including collaboration with the composer Chassol on music for the Netflix series “En place”. Lucile’s music melds influences from Cuba, Andalusia, Brazil, and more, with daring harmonies that define an inimitable style. Lucile Chriqui – Vocals | Bruno Schorp – Bass | Arthur Links – Guitar | Gaetan Diaz – Drum <h2>Nick Aggs &amp; Cadenza Collective (Australia/Nepal)</h2>  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20231102051124_5d6066f9053da401b6f25abafba52a7aeee8968d161458bede9734cc106d654e.jpg" data-media-id="editor_2" data-image-id="20231102051124_5d6066f9053da401b6f25abafba52a7aeee8968d161458bede9734cc106d654e" data-rendition-name="original" width="2250" height="1604" loading="lazy" alt="Jazzmandu 2023"> </figure>  The Cadenza Collective, headed by the drummer and composer Navin Chettri, is one of the most unique and eclectic bands to emerge from Kathmandu. The group moves seamlessly across jazz, afro-funk, and Nepali folk music, creating a genre-bending sound that’s irresistible to the ears. The Cadenza Collective is joined by the Australian saxophonist and composer Nick Aggs. Hailing from Brisbane, and a key member of the acclaimed Australian fusion band Afro Dizzi Act, Aggs has fronted numerous musical ensembles and performed around the world, collaborating with esteemed musicians such as percussionist Trilok Gurtu, guitarist Jesse Van Ruller, kora virtuoso Jali Buba Kuyateh and many others. The Cadenza Collective already has seven albums of original music to its name—the latest is Himalayan Songlines—and is working on a new single due out soon after Jazzmandu.&nbsp; Navin Chettri – Drums, percussion and vocals | Nick Aggs – Saxophone Rajat Rai – Guitar | Samir Chettri – Bass <h2>Himalayan Highway (Nepal)</h2>  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20231102051124_e0b2a85c0c6afd8ceb8f231dfbe55658df451fc7f5fbac8642338e616de41c84.jpg" data-media-id="editor_3" data-image-id="20231102051124_e0b2a85c0c6afd8ceb8f231dfbe55658df451fc7f5fbac8642338e616de41c84" data-rendition-name="original" width="1944" height="2520" loading="lazy" alt="Jazzmandu 2023"> </figure>  A Nepali-American instrumental fusion band formed in Kathmandu, Himalayan Highway weaves together American Bluegrass and old-time Nepali folk music. Inspired by unexpected similarities in the two traditions, the band’s members put a fresh spin on traditional tunes, with infectious harmonies and catchy beats that bring a unique new collaboration to the global music scene.&nbsp; Prince Nepali – Sarangi | Zoe Levitt – Mandolin Anish Tamang – Guitar | Yuson Maharjan – Percussion&nbsp; <h2>Palouse Forro (USA)</h2>  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20231102051124_f9a2414e455e976e959abe5792e04f59d3880f68b8da7c15afdd12787dcdc03d.jpg" data-media-id="editor_4" data-image-id="20231102051124_f9a2414e455e976e959abe5792e04f59d3880f68b8da7c15afdd12787dcdc03d" data-rendition-name="original" width="2250" height="1457" loading="lazy" alt="Jazzmandu 2023"> </figure>  Drawing its name from its home base in the Palouse region of the northwestern United States and the forró music of northeastern Brazil, the Palouse Forró brings to the world a much-beloved Brazilian genre that is yet to get its international due. The band is led by American accordion player Adrian Crookston, who has played with forró ensembles such as Gente Boa, Xaxado Mission, and Forró de Quintal, and has taken his music to audiences across the United States, Europe, South America, and Asia. Adrian Crookston – Accordion and vocals Navin Chettri – Drums | Rajat Rai – Guitar <h2>Under the Surface (Netherlands)</h2>  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20231102051124_616277fbf48f67c8354e88742a3fc72079bf40d7e6e0b11d7c7b92d7aa48f861.jpg" data-media-id="editor_5" data-image-id="20231102051124_616277fbf48f67c8354e88742a3fc72079bf40d7e6e0b11d7c7b92d7aa48f861" data-rendition-name="original" width="2250" height="2812" loading="lazy" alt="Jazzmandu 2023"> </figure>  Under the Surface is an extraordinary combination of three generations of Dutch musicians seeking communion in improvisation. Sanne Rambag’s voice rhymes, whispers and sings over the melodic lines of Bram Stadhouders’ guitar and the subtle percussion style of Joost Lijbaart, transporting listeners into an almost dreamlike new reality. Their music offers both intellectual and emotional pleasure, springing from unshackled improvisation yet far from abstract, adopting surprising forms akin to thoughtful composition. Their eponymous debut album, released to great acclaim in 2017, was nominated for the Edison, an annual Dutch award for outstanding musical achievement. The group’s live album Trinity, from 2019, captures the essence of a sound they have shared with audiences at major festivals across Europe, Asia, South America, Africa, and the Middle East.&nbsp; Joost Lijbaart – Drums and percussion | Sanne Rambags – Vocals Bram Stadhouders – Guitar and electronics <h2>Samundra Band (Nepal)</h2>  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20231102051124_32a9090130f97fabf3d9d2a4aa39ce9380183e111f19a6a24933c1c523155cd1.jpg" data-media-id="editor_6" data-image-id="20231102051124_32a9090130f97fabf3d9d2a4aa39ce9380183e111f19a6a24933c1c523155cd1" data-rendition-name="original" width="2250" height="1776" loading="lazy" alt="Jazzmandu 2023"> </figure>  Formed in 2004, Samundra celebrates and safeguards the Gandharba community’s long tradition of performing Nepali folk music. Holding firm to typical folk instruments, the ensemble plays age-old Nepali tunes recomposed in new forms, updating cherished old music for contemporary tastes. Anil Gandharba – sarangi | Subash Gandharba – bansuri Pujan Gandharba – madal | Ramkrishna Gandharba – arbajo Buddha Gandharba – kartal <h2>Eastern Classical Musicians (Nepal)</h2>  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20231102051124_1994ff06190b57547f1dd5618c06657fcc120f763295fe77e1c6f93ed4950e47.jpg" data-media-id="editor_7" data-image-id="20231102051124_1994ff06190b57547f1dd5618c06657fcc120f763295fe77e1c6f93ed4950e47" data-rendition-name="original" width="2250" height="1260" loading="lazy" alt="Jazzmandu 2023"> </figure>  Jonisha Poudel – Vocals As a gifted exponent of khayal, the preeminent genre of Hindustani classical music, Jonisha Poudel has already made a deep mark at a young age. Trained under the guidance of Shree K.C., one of Nepal’s most respected khayal and dhrupad vocalists, she has won multiple honours and performed at many prestigious classical music festivals.&nbsp; Santosh Bhakta – Ishraj Santosh Bhakta Shrestha has dedicated himself to the ishraj for two and a half decades and has achieved tremendous mastery of this classical instrument. A pupil of Mohan Joshi, Shrestha has performed and toured in Nepal and abroad and has contributed to hundreds of recordings. Dhan Bahadur Gurung – Flute Dhan Bahadur Gurung began his training in the flute at the Kalanidhi School of Music – the same school where he is a teacher today. He has honed his skill with the legendary Ustaad Hariprasad Chaurasia and was selected as the best &nbsp;flautist in the Shastriya Sangeet Samiti competition in 2008. <h2>SCHEDULE</h2> Concert for Students Thursday, 2 November 11am-1:30pm Venue: St. Xaviers School, Jawlakhel Entry by invitation only. &nbsp; Grooving at Upstairs Thursday, 2 November 7pm-9pm Venue: Jazz Upstairs, Lazimpat Rs900 Gates open at 6:30pm Valley Jams Friday, 3 November 7pm-9pm Rs700 Gates open at 6:30pm and close at 7pm. Venues: Jazz Upstairs, Lazimpat Electric Pagoda, Thamel Evoke, Jhamsikhel EDN, Sanepa Jazz Bazaar Date: Saturday, 4 November Time: 3pm-10pm Venue: Gokarna Forest Resort Price: Rs1,500 Gates open 2pm and close at 7pm. &nbsp; Sounds Of Latin Jazz Monday, 6 November 7pm-9pm Venue: Mulchok, Baber Mahal Revisited Rs1,800 Gates open at 6pm and close at 8pm. Masterclasses Tuesday, 7 November 11am-1:30pm Venues: The Music Room, Bhatbhateni Yalamaya Kendra, Patan Dhoka FREE ENTRY (limited seating) &nbsp; Jazz At Patan Tuesday, 7 November 7pm-9pm Venue: Yalamaya Kendra, Patan Dhoka Rs1,800 Gates open at 6:30pm and close at 8pm. Seated by 6:45pm. Jazzmandu Finale Wednesday, 8 November 5:30pm-10pm Venue: Hotel Yak &amp; Yeti, Darbar Marg Rs1,500 Gates open at 4:30pm and close at 8pm.

Just Jazz in Kathmandu

The winter air pollution season started early this year with emissions, Diwali firecrackers and crop residue burning making the air unbreathable across north India. Much of the pollution was transboundary, with prevailing winds carrying the suspended particulates from Pakistan, across India to Nepal and beyond. All this pollution and domestic emissions killed 41,300 in Nepal in 2023, and 85% of all deaths were because of noncommunicable diseases such as heart and lung disease, lung cancer, diabetes, and dementia, according to the State of Global Air (SoGA) 2025 report released Thursday. With the onset of winter, Kathmandu Valley’s own emissions are trapped in a surface inversion layer and as in previous years will have some of the worst air quality in the world.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20251023131016_7c42a4e8b0dce01dfeeaaf89dbb10dbfa036b41163f3ebada88c7ce17dbded49.png" data-media-id="editor_0" data-image-id="20251023131016_7c42a4e8b0dce01dfeeaaf89dbb10dbfa036b41163f3ebada88c7ce17dbded49" data-rendition-name="original" width="921" height="850" loading="lazy" alt="Air pollution killing season starts early NT"> </figure>  The SoGa report says air pollution has now become the leading risk factor for deaths in Nepal, ahead of tobacco and high blood pressure. Interestingly, while the health impacts due to environmental risk factors such as unsafe water and sanitation have reduced significantly since 2000, the opposite is true for ambient PM2.5 (particles smaller than 2.5 microns). Globally, 7.9 million deaths were attributable to air pollution– about 1 in 8 deaths – in 2023. Of this total, 4.9 million deaths were attributable to PM2.5 exposure, 2.8 million were from household air pollution, and 470,000 were from ozone. Similarly, dementia attributable to air pollution resulted in 626,000 deaths and 40 million healthy years of life lost. And 95% of air pollution attributable deaths in adults over the age of 60 are due to noncommunicable diseases. The burden of noncommunicable diseases in relation to air pollution is rising worldwide and in Nepal. The SoGA report shows that nearly nine of ten global air pollution deaths are from chronic ailments, and half of all respiratory disease deaths are attributable to air pollution.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20251023131020_8577f464b4a73007de5dd018b8ac91dae3a9c732dbb81a44b6aa5a0ced7df3df.png" data-media-id="editor_1" data-image-id="20251023131020_8577f464b4a73007de5dd018b8ac91dae3a9c732dbb81a44b6aa5a0ced7df3df" data-rendition-name="original" width="1080" height="1080" loading="lazy" alt="Air pollution killing season starts early NT"> </figure>  In Nepal, air pollution is responsible for three out of four COPD deaths, one out of three heart deaths and one out of five diabetes deaths. More than one third of lower respiratory infection deaths were due to air pollution. “The data presented in the State of Global Air report highlight the significant impacts of poor air quality on the health and well-being of billions of people around the world, especially those living in Asia and Africa,” says Pallavi Pant of the Boston-based Health Effects Institute (HEI) that released the report in collaboration with the Institute for Health Metrics and Evaluation and the NCD Alliance. She adds: “Growing momentum on air quality management across those hard-hit locations, including expansion of air quality monitoring, adoption of air quality regulations, and sector-specific interventions are yielding improvements for those most impacted.” Low- and middle-income countries stand to gain most by reducing air pollution, with particularly strong impacts on children, older populations, and people with pre-existing health conditions. Indeed, of the 41,300 air pollution deaths in 2023 in Nepal, 31,600 were in adults over the age of 60 years and 3,500 in children below five years. Death rate for air pollution in Nepal, which is 178 per 100,000, is more than 10 times higher than high-income countries, which is at 17 per 100,000.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20251023131020_604e852aed4ffde0dc7d1df72fcd3e73d904136dfb1bb2407e53b7445f3ef72c.png" data-media-id="editor_2" data-image-id="20251023131020_604e852aed4ffde0dc7d1df72fcd3e73d904136dfb1bb2407e53b7445f3ef72c" data-rendition-name="original" width="1078" height="423" loading="lazy" alt="Air pollution killing season starts early NT"> </figure>  “Win-win solutions for air pollution and NCDs exist, with added benefits for climate, physical activity, nutrition, and many other global development priorities,” says Alison Cox, Policy and Advocacy Director at the Geneva-based NCD Alliance. “These policies are effective and deliver a strong return on investment - for the sake of our people and the planet we need to implement them faster.” Fine particle pollution (ambient PM2.5) is the largest driver of air pollution’s burden of disease worldwide as kit attributed to 4.9 million deaths and 124 million healthy years of life lost in 2023. Vehicles, power plants, factories, and homes, as well as agricultural and industrial activities, waste burning and wildfires are some of the biggest sources of pollutants. South Asia is among the regions of the world with the highest exposures to ambient PM2.5 , while more than 36% of people around the world live in areas where PM2.5 levels do not meet even the least stringent interim target. As per the report, 78% of Nepal’s 30 million population lives in areas where annual PM2.5 exposure exceeds the least stringent WHO Air Quality Interim Target of 35 µg/m3. Meanwhile, exposure to household air pollution due to the use of solid fuels for cooking remains an important driver for the disease burden in the country. “Ongoing efforts to meet global development goals are not achievable without directly addressing air pollution,” says Maria Neira, Commissioner of Our Common Air. “Countries and cities must focus their efforts toward reducing air pollution emissions, including household air pollution, which has particularly severe impacts on young children and older people across Asia and Africa.”

Air pollution killing season starts early

Nepal needs to enact and enforce animal law

This year, the <a href="https://nepalitimes.com/opinion/quo-vadis-un-80-9vthn7mg">United Nations is marking its 80th anniversary</a> and it is being celebrated with special events across the world to commemorate its establishment on 24 October 1945. It has also been 75 years since the first UN adviser, the Swiss geologist Toni Hagen, was sent to Nepal to explore development opportunities. In 1950, there were no roads and Hagen walked on foot across the length and breadth of Nepal’s mountains, valleys and plains. This year also marks the 60th anniversary of the United Nations Development Program (UNDP) in Nepal, and much of Hagen’s work laid the basis for the UN’s involvement in education, health, and connectivity in Nepal’s future development. Despite frequent changes in government and political system, Nepal has made remarkable progress. The poverty rate has gone down by half in the past 30 years to 20.27% of the population. Much of it has to do with remittances from Nepalis working overseas, but it is also a result of the Nepal government’s investment in education, health care and social welfare.&nbsp; There have been special initiatives like the Prime Minister’s Employment Program that have provided jobs to nearly 800,000 people in the country’s 743 municipalities — especially in those areas with lower Human Development Index (HDI) like the far-west and the Tarai.&nbsp; This year’s HDI report by UNDP shows that Nepal’s score had risen to 0.622, whereas it was only 0.404 in 1990. In the past 33 years, the average lifespan of Nepalis has risen by 15.6 years to 70.4 years, whereas it was only 54.8 in 1990. However, the country’s HDI ranking is still 145 among the world’s 193 countries. “Yes, there has been significant improvement in living standards in the past 60 years, road connectivity has improved, the maternal mortality rate has gone down dramatically, almost everyone has phones, there are schools,” says Saru Joshi of the thinktank Nepal Policy Institute. But, she adds: “It is still difficult to get citizenship papers, especially in the name of the mother, and this has excluded many women from banking services, inheritance. After all our progress in physical infrastructure, Nepal now needs to prioritise inclusive social development.”&nbsp; Some of this is also happening. Eighteen years ago, Nabaraj Subedi, 49, of a village in Baglung decided not to join his peers &nbsp;fleeing the Maoist conflict to find work overseas. He invested Rs500,000 to buy a diesel generator and start a small furniture business.&nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20251024071044_eeef308e19a73de507a425b2c6afc47269884549cf4c8fac07ca9a4898c8e031.jpg" data-media-id="editor_1" data-image-id="20251024071044_eeef308e19a73de507a425b2c6afc47269884549cf4c8fac07ca9a4898c8e031" data-rendition-name="original" width="1500" height="1000" loading="lazy" alt="Nawaraj Subedi"> <figcaption>Nawaraj Subedi, 49, proprietor of Tarakhola Furniture Factory. </figcaption> </figure>  Today, with the installation of the 380 kilowatt small hydroelectric plant, he does not need to depend on his unreliable generator to power his equipment anymore. There is now a road connecting his village, and Subedi has generated local jobs, opened a sales branch in the city, and gets orders from as far away as Pokhara and Chitwan. “My costs have gone down drastically because of the electricity, and sales have gone up because of the road connecting my furniture to markets. My business has expanded,” Subedi says. Back in 1960 in a report he prepared for the Nepal government on behalf of the United Nations, Toni Hagen had emphasised just this: investing in electricity generation and connectivity to uplift the remote rural areas of Nepal.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20251024081024_188ab121dc3cf2816ee71a72cb3687493eda37ab99ecc04802d647c8c9b4cd2d.jpg" data-media-id="editor_2" data-image-id="20251024081024_188ab121dc3cf2816ee71a72cb3687493eda37ab99ecc04802d647c8c9b4cd2d" data-rendition-name="original" width="1500" height="1000" loading="lazy" alt="Tarakhola Furniture Factory"> <figcaption>Subedi's staff at the Tarakhola Furniture Factory.</figcaption> </figure>  Subedi’s furniture factory gets its electricity from the nearby Tarakhola Hydropower, a company set up eight years ago with financial and technical support from UNDP’s Renewable Energy for Rural Livelihood (RERL) project. &nbsp; “The project completely transformed living standards in this village,” says municipality chair Dhan Bahadur BK. “It has helped create jobs locally, there is now money to invest in education and healthcare. Households can pay their electricity fees electronically through smart billing.”&nbsp; After working with the government on rural electrification, UNDP is focussed on using that power for local employment creation. A women’s group, for example, has bought an electric-powered potato processing machine that can produce chips.&nbsp; “We are 12 of us mothers, daughters, daughters-in-law who process, package and market the potato that we grow ourselves, and it has raised our income,” says Sukmaya Roka, 57, who chairs the group.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20251024071044_70b22418699178bcdd0abb0aa308796980ecd29634bcda6ff113a7624e709751.jpg" data-media-id="editor_3" data-image-id="20251024071044_70b22418699178bcdd0abb0aa308796980ecd29634bcda6ff113a7624e709751" data-rendition-name="original" width="1500" height="1000" loading="lazy" alt="Sukamaya Roka"> <figcaption>Sukamaya Roka, 57, chair of Sipa Aalu Chips Utpadan Samuha from Tarakhola Rural Municipality, Baglung. </figcaption> </figure>  Today, 6.1 million households in Nepal (92.2% of total) have electricity in their homes, up from 17.9% 30 years ago. Access to electricity has not just brought lights to homes, but improved everything from productivity, quality of education, healthcare and phone connectivity.&nbsp; “To see what electricity and roads can do, just look at our municipality,” says chair Dhan Bahadur BK, “citizens have become more self-reliant, more aware of the outside world.”&nbsp; NETTLES INTO CASH&nbsp; Just a little bit of training, resource backup and local empowerment can uplift the living standards of Nepalis. The progress made in harvesting abundantly-available allo (nettles) and turning it into household products is an example. When a landslide swept away his home and farm in a flood 40 years ago, Buddhi Purja of Parbat became destitute. But he took part in a government training program supported by UNDP and Australia to harvest the wild nettles that grew on mountain slopes and turn the fabric into bags.&nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20251024071048_56c440c478dffbc13911369b6f4133baf658cc3667773cdb44b7c40e006463ce.jpg" data-media-id="editor_4" data-image-id="20251024071048_56c440c478dffbc13911369b6f4133baf658cc3667773cdb44b7c40e006463ce" data-rendition-name="original" width="1500" height="1000" loading="lazy" alt="Rhitu Saugat Handicraft"> <figcaption>A worker at Rhitu Saugat Handicraft making a bag out of nettles.</figcaption> </figure>  “After the landslide, we had to go hungry if we did not get a day job,” Purja recalls, “but after this training we have found that we can turn nettles into cash.” His allo bags are now hanging in tourist shops in Pokhara Lakeside and Thamel.&nbsp; The idea that nettles can be processed into useful fabric has not spread across the country, and new ecologically conscious consumers in Europe and elsewhere now import Made in Nepal nettle products.&nbsp; Purja started out with an investment of Rs500,000, and had a Rs20 million business that employed 25 workers. The Covid crisis in 2020 affected the sales, but Purja has recovered from it, sent his daughter off to study abroad, and is thinking of diversifying his product range.&nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20251024071044_ab6d15abcbb9a643e12a384f4bc488b7e210a8c95303fbe1b2f77716d26eede9.jpg" data-media-id="editor_5" data-image-id="20251024071044_ab6d15abcbb9a643e12a384f4bc488b7e210a8c95303fbe1b2f77716d26eede9" data-rendition-name="original" width="1500" height="1000" loading="lazy" alt="Buddi Purja"> <figcaption>Buddi Purja, proprietor of Rhitu Saugat Handicraft in Pokhara.</figcaption> </figure>  While UNDP’s project has made successful businessmen out of people like Purja, nationwide it has created 187,000 jobs in rural medium-scale industries. Much of what has worked in Nepal has been at the community level with decentralised projects like these that use the entrepreneurship of people like Buddhi Purja, Navaraj Subedi, and Sukmaya Roka. It is tantalising to imagine how much more progress Nepal would have made if their work could be replicated nationside and upscaled to the state-level.

Think locally, invest locally

Public anxiety about immigration has become a powerful political currency across many liberal democracies. In Australia, as elsewhere, legitimate concerns about housing and economic fairness can be, and increasingly are exploited by anti-democratic actors who frame migration not as a policy issue but as a cultural threat.&nbsp;
When these narratives move from online spaces to public rallies, they do more than divide opinion; they erode the social trust and pluralism on which democracy depends. Understanding how populist and far-right movements weaponise migration debates is crucial to recognising the early challenging signs of liberal democracy.
Immigration has become one of the most politically charged issues in Australia, not only because of the numbers but because of its entanglement with cost-of-living pressures, housing shortages, and rent spikes.&nbsp;
The latest Household, Income and Labour Dynamics in Australia (HILDA) <a href="https://www.unimelb.edu.au/newsroom/news/2025/september/how-we-live-latest-hilda-data-gives-insight-into-a-changing-australia">data</a> shows rising household financial stress as Australian households spending more on rent and income tax. These changes likely reflect a mix of economic and policy factors but create a lot of room for people to hold inaccurate and occasionally contradictory attitudes on these issues.&nbsp;
While net overseas migration has started to decline from its post-pandemic peak, public concern remains high, amplified by populist rhetoric. Some surveys have <a href="https://www.theguardian.com/australia-news/2025/feb/04/australians-want-less-migration-but-oppose-cutting-international-student-numbers-study-finds">revealed</a> a nuanced picture: most Australians want lower migration overall but oppose cutting international student numbers, and support targeted skilled migration to address workforce gaps.&nbsp;
As former Home Affairs Minister Clare O’Neil <a href="https://minister.homeaffairs.gov.au/ClareONeil/Pages/how-australia-broke-its-migration-system.aspx">argued</a> in 2023, Australia’s migration system is “broken and un-strategic”, not delivering for business, for migrants, or for the larger population. This is a situation that frustrates both sides of the debate and makes immigration an easy political flashpoint.
The recent <a href="https://marchforaustralia.org/">March for Australia</a> rallies turned these anxieties into street-level mobilisation. Tens of thousands <a href="https://www.bbc.com/news/articles/czjmre371l1o">protested</a> at what they called ‘mass immigration’, while far-right groups seized the opportunity to inject xenophobic slogans and calls for ‘remigration’ into the public space. These demonstrations were not only about visa caps or housing and jobs; they became performances of who is entitled to belong.&nbsp;
When immigration is framed not as a policy question but as a cultural test of Australianness, it risks shrinking the demos, the very community that democracy is meant to represent.
What made the March for Australia so striking was not only its size but its composition. Recent investigative reporting <a href="https://www.theage.com.au/politics/victoria/don-t-mention-hitler-and-you-re-sweet-the-great-march-for-australia-deception-20250909-p5mtlc.html">revealed</a> that neo-Nazi groups were not merely present at the March for Australia rallies but played a role in covertly organising them. They amplified messaging online, coordinated attendance, and sought to mask their involvement to broaden appeal.&nbsp;
This highlights that democratic erosion is rarely spontaneous; it requires actors who deliberately exploit social grievances, mistrust, and polarisation to mobilise anger for their anti-democratic ends. The banners reading ‘<a href="https://www.theguardian.com/commentisfree/2025/sep/01/how-do-i-feel-safe-after-march-for-australia-anti-immigration-protest-ntwnfb">Stop Immigration</a>’ revealed that public hostility towards migrants, <a href="https://www.afr.com/politics/federal/pressure-mounts-for-price-to-apologise-to-indian-australians-20250908-p5mt7x">particularly</a> from the Indo-Pacific, is growing.
For many migrants, these displays are more than conceptual debates about white national identity. They are experienced emotionally. Writing shortly after the rallies, Melbourne-based writer Jafrin Kabir <a href="https://www.theguardian.com/commentisfree/2025/sep/01/how-do-i-feel-safe-after-march-for-australia-anti-immigration-protest-ntwnfb">reflected</a> that she had never felt so foreign on Australian soil. She pays taxes and inflated rents, contributes skills in the national interest, cheers for the Tillies and calls Melbourne “home”, yet suddenly felt unsafe because of the origin and colour of her skin.&nbsp;
Similarly, Chinese national interviewed by media outlet <a href="https://www.scmp.com/news/china/diplomacy/article/3325127/i-feel-insecure-chinese-nationals-australia-blindsided-anti-immigration-marches">reported</a> cancelling weekend plans and feeling “blindsided” by the scale of the marches.
Scapegoating migrants especially in times of economic stress is an age-old phenomenon and is not just limited to Australia. Across the democratic world, from the United States to the UK and parts of Europe, hostility toward migrants and minorities has become a route for anti-democratic forces. Populist actors often <a href="https://www.theguardian.com/australia-news/2025/mar/27/peter-dutton-keeps-blaming-migration-for-the-housing-crisis-but-can-it-really-be-that-simple">use</a> cultural anxiety and demographic change to justify illiberal and undemocratic measures, claiming to restore order while actually dismantling checks and balances.
By analysing democratic decay, scholars like Lydia Khalil at the Lowy Institute, <a href="https://interactives.lowyinstitute.org/features/democratic-erosion/">argue</a> that democracies rarely break down at once. Instead, they incrementally weaken through vicious cycles: declining trust in institutions, entrenched division based on hate, the normalisation of political violence, and the bit by bit removal of norms and guardrails.&nbsp;
Though some of the conditions are present in Australia to be exploited by anti-democratic actors, for example, almost two-thirds of Australians believe their leaders intentionally mislead them, according to the <a href="https://www.edelman.com/au/trust/2025/trust-barometer">2025 Edelman Trust Barometer</a>, &nbsp;but their presence is not determinative.
Australia’s democratic guardrails remain strong: independent courts, transparent elections run by the AEC, and a free press continue to hold power to account. Federalism and active civil society further diffuse power and create space for contestation.&nbsp;
But if public trust continues to erode and social divisions deepen, these safeguards will come under strain. Early recognition and action are crucial to ensure that today’s street-level hostilities do not translate into institutional regression.
Preventing such outcome requires a socially embedded understanding of migration, an understanding that goes beyond simplistic optimistic and pessimistic views. Policy makers should go beyond Push-Pull models, functionalist and neoclassical and historical-structural theories.&nbsp;
Consulting the work done by <a href="https://www.guilford.com/books/The-Age-of-Migration/Haas-Castles-Miller/9781462542895#:~:text=International%20Population%20Movements%20in%20the%20Modern%20World,-Hein%20de%20Haas">Hein de Haas</a> et-el, migration should be conceptualised as an intrinsic part of broader processes of development, social transformation and globalisation rather than a 'problem to be solved'. We need more nuanced views that have an eye for the complexity of migration processes and the diversity of its causes and impacts.
Sohail Akhtar is a Melbourne- based researcher focusing on governance, public policy, and migration. He contributes to Lowy Institute Sydney.
This article was issued by the Toda Peace Institute and is being republished from <a href="https://toda.org/global-outlook/2025/is-street-level-hostility-a-challenge-to-liberal-democracy-reflections-from-australia.html">the original</a> with their permission.

surya-nepal-jazzmandu

Jazzing up the town for the 20th time

Just Jazz in Kathmandu

Air pollution killing season starts early

Nepal needs to enact and enforce animal law

Think locally, invest locally

Is street-level hostility a challenge to liberal democracy?