On Monday, 16 people were injured in a crowd crush at a Maghi festival in Tundikhel. The crowd was too dense for the last remaining grounds of what was once a vast open space in Kathmandu’s centre.&nbsp; Over the years Tundikhel has been fragmented and encroached upon by the military and other institutions, reducing it to not even 15% of its original expanse. Even as it has shrunk, new projects have been proposed for Tundikhel. The latest plan by Kathmandu Metropolitan City (KMC) under Mayor Balen Shah is to build two football fields at Khula Manch, the part of Tundikhel where historic pro-democracy rallies have been held. &nbsp; “The idea for a football ground came up because local clubs found it difficult to get a field for practice,” says KMC spokesperson Nabin Manandhar, adding that a project report had been prepared.&nbsp; “This will also help to build future athletes,” added Manandhar, who said Machhindra, Sankata, and New Road Team would use it for training, but it would also be accessible to the public. He admits that KMC did not look for alternatives. Shirish Shrestha of Machhindra Football Club said having the field nearby would help build local talent since Kathmandu’s urban sprawl and population density has meant that there are very few open spaces left for them to practice. Read also: <a href="https://nepalitimes.com/here-now/giving-tundikhel-back-to-the-people">Giving Tundikhel back to the people</a>, Sahina Shrestha  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2024011905014_dd898411d6db0be41e1f9828871c1e88675ba0eaa2073ff0836538d539dca40b.jpg" data-media-id="editor_1" data-image-id="2024011905014_dd898411d6db0be41e1f9828871c1e88675ba0eaa2073ff0836538d539dca40b" data-rendition-name="original" width="1500" height="1000" loading="lazy" alt="Khuma Manch NT"> <figcaption>POLITICAL FOOTBALL: Khula Manch on Thursday, where KMC plans to build two new football fields. Photo: SUMAN NEPALI</figcaption> </figure>  But that is precisely why activists are also against turning one of the last remaining bits of Tundikhel into a football ground.&nbsp; They are worried that ultimately the football fields will be out of bounds for the public. “KMC is merely a trustee of Khula Manch. It does not have the right to build over public land,” says Sanjay Adhikari, advocate and spokesperson of Occupy Tundikhel, a citizen-led movement to reclaim Kathmandu’s open spaces. “Its role should be to protect and manage the site, not build it over.”&nbsp; Occupy Tundikhel wants KMC to stop the plan since it will erase the identity of the space. Biren Maharjan of Ward 28 where Khula Manch lies says KMC did not consult local stakeholders before moving ahead with the plan.&nbsp; Says Maharjan: “Khula Manch is public land and it should be accessible for everyone and not just the football clubs.” Activists say clubs can easily use the stadium or Sano Gauchar for training and Khula Manch can be utilised for the purpose it is actually meant for. Business consultant Ashutosh Tiwari of SAFAL Partners posted on Facebook: &nbsp;‘Khula Manch as the name suggests is a stage and has a history just like London’s Hyde Park. It is an open space, civic space and a citizen space. Not a private space. Trying to convert it into a football field is a narrow and useless way of thinking.’ Read also: <a href="https://nepalitimes.com/banner/the-way-we-were">The way we were</a>, Kunda Dixit  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20240119070136_1aebdf17bc52af9f35f35e3f866157bb651f3b46e7158717e46751f41c3c065c.jpg" data-media-id="editor_3" data-image-id="20240119070136_1aebdf17bc52af9f35f35e3f866157bb651f3b46e7158717e46751f41c3c065c" data-rendition-name="original" width="1649" height="639" loading="lazy" alt="Occupation of Tundikhel NT "> </figure>   <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20240119070136_de6b9face976efee2046304207d8443fab1e46645f16d347e75405436353308b.jpg" data-media-id="editor_4" data-image-id="20240119070136_de6b9face976efee2046304207d8443fab1e46645f16d347e75405436353308b" data-rendition-name="original" width="1647" height="622" loading="lazy" alt="Occupation of Tundikhel NT "> </figure>   <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20240119070136_18e82666289ea633465b2c0cd4f22e18627a09c4fdaf65b87fa970a1b18defe0.jpg" data-media-id="editor_5" data-image-id="20240119070136_18e82666289ea633465b2c0cd4f22e18627a09c4fdaf65b87fa970a1b18defe0" data-rendition-name="original" width="1646" height="627" loading="lazy" alt="Occupation of Tundikhel NT "> </figure>   <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20240119070136_f010702f771569782cb9f8b70e22e316b75bd09caca598cca6ce06dc279eba21.jpg" data-media-id="editor_6" data-image-id="20240119070136_f010702f771569782cb9f8b70e22e316b75bd09caca598cca6ce06dc279eba21" data-rendition-name="original" width="1932" height="750" loading="lazy" alt="Occupation of Tundikhel NT "> </figure>   <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20240119070136_ed0910cae224a10f12c03a682a1314080e3ebf609f1f41e2d74d672b6b1f3da1.jpg" data-media-id="editor_7" data-image-id="20240119070136_ed0910cae224a10f12c03a682a1314080e3ebf609f1f41e2d74d672b6b1f3da1" data-rendition-name="original" width="1659" height="642" loading="lazy" alt="Occupation of Tundikhel NT "> </figure>   <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20240119070136_3e56623f40229876e1687033c9adac668691d5f986cbfd4ebf3f976b0917ec79.jpg" data-media-id="editor_8" data-image-id="20240119070136_3e56623f40229876e1687033c9adac668691d5f986cbfd4ebf3f976b0917ec79" data-rendition-name="original" width="1640" height="621" loading="lazy" alt="Occupation of Tundikhel NT "> </figure>  This is not the first time the KMC has proposed a development plan at Khula Manch. Last year, it wanted to build a three-storey underground parking at the site but had to cancel it after public uproar. Read also: <a href="https://nepalitimes.com/here-now/kathmandu-loses-its-open-spaces">Kathmandu loses its open spaces</a>, Tom Robertson and Nilima Thapa Shrestha Khula Manch is located behind the Army pavilion which itself is an encroachment on Tundikhel. And as its name suggests, was a Panchayat-era open air theatre. It has since been the scene for the 1990 and 2006 People’s Movements and political rallies.&nbsp; It is also culturally important as to its northwest is Dui Maju, the goddess of grain which is considered the unseen energy linked to Goddess Taleju. The Newa people of Kathmandu called the open space Tinkhya, which later became Tundikhel. The Nepal Indigenous Legal Society in a letter to the KMC says that the Newa people left the area open for cultural and religious activities, and that encroaching on it is against the United Nations Declaration on Rights of Indigenous People as well as ILO Convention 169, Indigenous and Tribal Peoples Convention, 1989. ‘It is deplorable that Khula Manch is being turned into a football field without conducting research on alternatives. Moreover, setting aside a budget for a task that shouldn’t even be taken up is similar to committing corruption,’ the letter read.&nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2024012310014_ad873f1b0755949e6901614e95b564c61d48b519203b89005834ef9278b60726.jpg" data-media-id="editor_10" data-image-id="2024012310014_ad873f1b0755949e6901614e95b564c61d48b519203b89005834ef9278b60726" data-rendition-name="original" width="1080" height="1920" loading="lazy" alt="Tundikhel"> <figcaption>An aerial view of Tundikhel and the surrounding area. Photo: Kunda Dixit</figcaption> </figure>  Former Defence Minister and MP Bhimsen Das Pradhan who represented Kathmandu-6 says that historically Khula Manch has always belonged to the public and &nbsp;remained open even during the Panchayat. &nbsp; Says Pradhan, “The people of Kathmandu elected Balen as mayor with a lot of expectations but he is going against people’s sentiments. Khula Manch is an integral part of Nepal’s socio-cultural and political history. As before, the people will rise up against turning this into a football ground. If they don't back down we will take them to court." Read also: <a href="https://nepalitimes.com/opinion/let-tundikhel-be-what-tundikhel-was">Let Tundikhel be what Tundikhel was</a>, Anil Chitrakar  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2024011905014_88d7d3d6c3cd120682de0e1fc67190355ebd00cf3cae3d7d880cb07ccbe69b2b.jpg" data-media-id="editor_12" data-image-id="2024011905014_88d7d3d6c3cd120682de0e1fc67190355ebd00cf3cae3d7d880cb07ccbe69b2b" data-rendition-name="original" width="1500" height="1000" loading="lazy" alt="Khula Manch NT"> </figure>  Tinkhya (Tundikhel) was a vast open space set aside by Kathmandu's ancient rulers and indigenous people for social and cultural events. It originally stretched from where the Dasrath Stadium is today to Rani Pokhari in the north.&nbsp; Over the centuries, successive rulers and government agencies fragmented the space.&nbsp; 1671: Malla king Pratap Malla constructed Rani Pokhari on the northern end of Tundikhel.&nbsp; 1956: The southern section of Tundikhel was turned into a stadium to mark the coronation of King Mahendra.&nbsp; 1961: Shahid Gate was built with a road that bifurcated Tundikhel into two halves. The Royal Nepal Army then occupied the northern end for a parade pavilion.&nbsp; 1962: Ratna Park, dedicated to Queen Ratna, was carved out of Tundikhel, and in 1973 the Khula Manch open-air theatre was added. 2010s: The Army took over the southern half of Tundikhel and captured the Thapathali-Bhadrakali road. 2016: The bus park was shifted to Khula Manch and parts were rented out to vendors.&nbsp; 2022: KMC proposed a three-storey underground parking at Khula Manch, but abandoned the idea after public outrage. 2024: KMC now plans to build two football fields at Khula Manch. Read also: <a href="https://nepalitimes.com/opinion/comment/nepali-cities-must-champion-climate-action">Nepali cities must champion climate action</a>, Rastraraj Bhandari and Simone Weichenrieder

Sahina Shrestha

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The occupation of Tundikhel

<figure><img width="1500" height="1000" src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20230112100124/63bfd2809c7e80680e0d3027jpeg.jpg" alt=""/><figcaption>Illegal construction in Khula Manch as seen in this photo from May 2020. All photos: GOPEN RAI</figcaption></figure>Over the centuries, as Kathmandu expanded, the vast open space of Tundikhel that was once on the fringes of the old town has become the heart of the new city.The name comes from the Newa Tinkhya, a ‘khya’ means large open space on the outskirts of town set aside for social and cultural events. As dynasties came and went, Nepal’s rulers used the public space for their own convenience, and <a href="https://www.nepalitimes.com/opinion/let-tundikhel-be-what-tundikhel-was/" target="_blank" rel="noopener noreferrer"> </a><a href="http://archive.nepalitimes.com/news.php?id=5876#.Y4qyrS2B3ow" target="_blank" rel="noopener noreferrer">Tundikhel</a> went from a place for festivals, to supposedly being the largest military parade ground in Asia, and started being occupied piecemeal by the Army.Today, not even 15% of Tundikhel’s original expanse is open to the public. It is fragmented into sections under either institutional and/or military control. After the 2015 earthquake, even the area with public access has mounds of debris and is fenced off to park tipper trucks.In the latest instance of blatant encroachment, Kathmandu Metropolitan City (KMC) under its <a href="https://www.nepalitimes.com/latest/making-kathmandu-great-again/" target="_blank" rel="noopener noreferrer">new mayor Balen Shah</a> has revived the idea of turning Khula Manch in Tundikhel into a parking facility.The area behind the Army pavilion with its Panchayat-era open air theatre has been the site for historical events like the People’s Movements of 1990 and 2006, and political rallies. After the earthquake it housed a tent city for survivors.Earlier this month, the 10th executive meeting of KMC set aside a budget to prepare a detailed project report for a three-storey underground parking in Khula Manch. <figure><img width="1500" height="1000" src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20230112100124/63bfd2849c7e80680e0d3028jpeg.jpg" alt=""><figcaption> </figcaption></figure>Activists and experts are up in arms, saying the decision was taken without proper homework and consultation, and would threaten one of the last remaining <a href="https://www.nepalitimes.com/here-now/kathmandu-loses-its-open-spaces/" target="_blank" rel="noopener noreferrer">open public spaces in Kathmandu</a>.“The authorities have never understood the essence of Tundikhel,” says activist Ganapati Lal Shrestha of <a href="https://www.nepalitimes.com/opinion/let-tundikhel-be-what-tundikhel-was/" target="_blank" rel="noopener noreferrer">Occupy Tundikhel</a>, a citizen-led movement to reclaim encroached open spaces. “We had hoped that at least the newly elected local representatives would understand its importance, but even they have not.”The KMC has not divulged details, but activists are concerned that an underground parking will be detrimental to Kathmadu’s ecology and culture.“Underground parking will disturb the aquifer and water flow in the hiti around the area,” says Shrestha. “If it is about managing traffic, the basement of the commercial buildings which the Mayor previously cleared, and new parking facilities would be enough. Why target Tundikhel? And they should have consulted local stakeholders.” Kathmandu’s historic heart does not have much space left for new development. The plan should have been to use and improve what already exists.“Traffic management in the city core has been a challenge for KMC, and adding parking space makes sense. But from an ecological point of view, underground parking would impact the environment. How much are you willing to compromise on that front is a political decision,” says land and water management engineer Padma Sundar Joshi.Like other open spaces in Kathmandu Valley, Tundikhel plays an important role in the <a href="https://archive.nepalitimes.com/article/nation/water-table-of-kathmandu-valley-falling-fast-recharge-to-replenish,4100" target="_blank" rel="noopener noreferrer">groundwater recharge system</a>  While surface water is replenished every monsoon, deep aquifers need to be recharged. “Underground parking can help in traffic management but there has to be a proper design and it should be carried out only after conducting a geological study,” says Joshi. “If the new mayor does not follow due process and consult the public, how is he any different from the previous mayors?” KMC spokesperson Nabin Manandhar admits that an economic feasibility study and geological investigation has not been conducted. <figure><img width="1500" height="1000" src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20230112100124/63bfd2899c7e80680e0d3029jpeg.jpg" alt=""><figcaption> </figcaption></figure>Apart from the ecological impact, Khula Manch is also culturally important. To its northwest is Dui Maju, the goddess of grain which is considered the unseen energy linked to Goddess Taleju.According to Uddhab Karmacharya, the priest of Taleju temple, Dui Maju is always established where the goddess Taleju Bhawani exists. A special worship for Dui Maju takes place in April to coincide with special puja at Hanuman Dhoka. “The state cannot do whatever it likes, but they need to understand the importance of the space for Dui Maju and work to preserve it,” says Karmacharya. “They are turning Kathmandu into concrete with no regard for heritage conservation. They should leave Khula Manch alone.” This is not the first time the KMC has tried to turn the place into a parking lot. A feasibility study was conducted in 2016 for underground parking coverinf 23,133 sq m for 2,000 light vehicles.That year, the KMC started work on the 17-storey Kathmandu View Tower across the road, and moved the bus park from there to Khula Manch. After the bus park moved out, the area became a dumping site for construction material and temporary rooms for contractors. The KMC only acted to clear the area in 2019 after a public outcry by activists and heritage conservationists.The plot belonging to Dui Maju was leased for five years by the Guthi Sansthan to a certain Amrita Bhattarai who was supposed to upkeep the holy site. Instead, she leased the prime real estate to Marin Thakur International which sublet it to vendors. After widespread public protests in 2019, then Deputy Mayor Hari Prabha Khadgi padlocked the gates and announced that the city would take charge of the upkeep and cleanliness of the religious site.Urban Planner and Former VC of National Planning Commission Jagadish C Pokharel says adding underground parking will not ease <a href="https://www.nepalitimes.com/opinion/cars-vs-people-in-kathmandu/" target="_blank" rel="noopener noreferrer">congestion in Kathmandu’s core</a>.“Underground parking is not a good idea in Kathmandu. We must keep in mind the soil condition and seismic aspects, and also how it will impact the water table,” says Pokharel.Concentrated parking there will affect the traffic in the surrounding roads, and it will need other infrastructure to ease traffic flow in and out.“The wiser route to go”, says Pokharel “is to decentralise traffic and study pocket parking areas above-ground with earthquake resistant technology.” <h2>Fragments of Tundikhel</h2> <figure><img width="780" height="1044" src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20230112100124/63bfd28d9c7e80680e0d302ajpeg.jpg" alt=""><figcaption> </figcaption></figure>The first mention of Tundikhel was in a 1709 scripture engraved in Taleju Bhawani temple by Queen Bhuwan Laxmi. This was during the Malla period, when Tinkhyo (Tundikhel) was a vast open space set aside by Kathmandu's rulers for social and cultural events. The Italian Jesuit Ippolito Desderi who visited Kathmandu in 1721 in his chronicles mentions a two- mile long plain. In the 1850s, <a href="https://www.nepalitimes.com/opinion/250-years-of-nepals-history-through-art/" target="_blank" rel="noopener noreferrer">Henry Ambrose Oldfield</a>, the British resident surgeon in Kathmandu, wrote in his book Sketches of Nepal that Tundikhel originally stretched from where the stadium is today to Rani Pokhari in the north. He estimated that it measured 2-3 miles in length, and 300 yards in width. Over the centuries, rulers as far back as <a href="https://www.nepalitimes.com/banner/no-time-like-the-past/" target="_blank" rel="noopener noreferrer">Pratap Malla</a> divided it up for their own convenience. Today only 15% of the space is open to the public. In 1671, King Pratap Malla constructed <a href="https://www.nepalitimes.com/banner/building-back-rani-pokhari-even-better/" target="_blank" rel="noopener noreferrer">Rani Pokhari</a> on the northern part of Tundikhel. In the 1800s and early 1900s the Rana Regime used Tundikhel mostly for military parades and the pronouncements of edicts. When Bhimsen Thapa built a palace for himself in Lagan Tole south-west of Tundikhel, it brought the army even closer to Tundikhel. Barracks were constructed, and a canon foundry went up on the south-western side. Before Jang Bahadur, it used to be Chhauni that military drills were held. Once he returned from England, he turned Tundikhel into a parade ground for the Nepali army. There were two trees that stood at the centre of Tundikhel for many years, and one of them was a Chakala sima (खरीबोट in Nepal) around which a marble platform was later built. The other tree was called Yaka sima, the lone tree. Both are now gone. Major proclamations were made by the Rana rulers from the platform. In 1885, Bir Shumshere proclaimed himself prime minister from there, an in 1924, Chandra Shumshere announced the emancipation of the slave. In 1945, the end of World War 2 in which 20,000 Nepali soldiers fighting for the British Army were killed in action, was announced in the same place. In 1956, the southern part of Tundikhel was turned into a stadium for sporting events to mark the coronation of King Mahendra. In 1960, Sahid Gate was constructed with a road dividing Tundikhel into two halves. The Nepal Army then built a permanent pavilion for parades, and this Panchayat era structure is still used and is fenced off from the public. In 1962, Tundikhel was further fragmented to build Ratna Park dedicated to Queen Ratna and in 1973 Khula Manch was added with an open-air theatre. <h2>The demon of Tinkhya</h2> Tundikhel is steeped in folklore in which demons and deities once inhabited its open spaces <figure><img width="1500" height="983" src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20230112100124/63bfd2939c7e80680e0d302bjpeg.jpg" alt=""><figcaption> </figcaption></figure>One of the more popular stories about Tundikhel begin in the monastery in Itumbaha.Keshchandra came from an affluent family, but was addicted to gambling. Over time he frittered away his posessions until he had no money even to buy food. He went to his sister’s home in Bhagawan Bahal where his sister gave him food in a plate made of solid gold.After eating the food, he gambles away the golden plate. A few days later he goes to his sister’s house again. This time she serves him food in silverware. Keshchandra once again gambles it away.The next time he goes to his sister, she serves him food on the floor. Humiliated and chastised, Keshchandra picks up the food food in a piece of cloth and goes on a pilgrimage to Gosaikunda.A few days into his journey, he becomes hungry and opens the cloth bundle. But the food is mouldy and he goes to sleep on an empty stomach. While Keshchandra is asleep, birds feast on the food. A voice comes from the heavens, ordering the birds to compensate Keshchandra for the food. <figure><img width="1500" height="1000" src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20230112100124/63bfd2989c7e80680e0d302cjpeg.jpg" alt=""><figcaption> </figcaption></figure>The birds offer him droppings which turn into gold flakes. The shrewd Keshchandra pleads with Gurumapa to help him take the gold home, calling the demon his paju (mother’s brother).After much persuasion Gurumapa agrees, but on one condition, Keshchandra must feed him. Keshchandra permits him to eat any child in Kathmandu who cries. The two make their way to Itumbaha, where Gurumapa lived on the top floor of the northern wing of the monastery complex.Gurumapa proceeded to eat disobedient children, terrorising Kathmandu. Mothers would warn their children that if they were disobedient and cried, the Gurumapa would gobble them up.Soon, the demon had devoured most of the children in the town. Keshchandra was not bothered, until one day his own son cried and Gurumapa ate him up as well.Bereft with grief Keshchandra banishes Gurumapa to the open fields of Tinkhya, present day Tundikhel, in return for a feast of rice and buffalo meat.It is said that Gurumapa lived under the yaka sima, the lone tree in Tundikhel. And to this day, every year, in keeping with the deal made in Kathmandu's mythical past, a feast of rice and meat is laid out for him.As told by Amrit Man Shakya, priest of Keshchandrakrit Paarawat Mahavihar.

Giving Tundikhel back to the people

<figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221108151120/636a663d9c7e80680e05996ejpeg.jpg" alt="" width="1500" height="1312"/><figcaption>illustration: DIWAKAR CHETTRI</figcaption></figure>The earthquakes of April 2015 literally shook all of us out of our complacency, and forced us to understand the value of open spaces -- just as after the 1934 earthquake, when tens of thousands of <a href="http://archive.nepalitimes.com/article/Nepali-Times-Buzz/leaving-tundhikhel-shelter-camps,2447">Kathmandu residents moved to the open grounds at Tundikhel</a>, or to Lagankhel in Patan.But memories of disasters are short-lived, and in the past five years instead of protecting the last remaining spaces in Kathmandu Valley, we have allowed them to be encroached upon. At the heart of Kathmandu, Tundikhel represents in a microcosm what is happening across urban Nepal as people move into the cities and real estate prices soar.The land mafia, with its political protection, has infiltrated school management committees and taken over most school playgrounds located on prime real estate. The government created a green belt on the Ring Road -- now it is busy chopping down the last remaining jacarandas. The vehicle lobby is obviously stronger than the tree lobby.This newspaper has been <a href="http://archive.nepalitimes.com/news.php?id=5876#.Xe8odIMza70">covering the shrinking Tundikhel since 2002</a>, and for the first time printed maps showing the army’s steady encroachment into the open space. Since the government seems to be too slow to act, it is the public and communities that need to be vigilant -- which is why the current #OccupyTundikhel campaign is so important.One good way to begin protecting open spaces like Tundikhel would be to have every local government across the country make an inventory of such spaces in its jurisdiction. These should then be added to a national open space protected list, and legislation passed to ensure no one who eyes them can actually get their hands on these invaluable areas.Former Patan mayor Buddhi Raj Bajracharya set a good example by protecting community spaces during his tenure. A national database could be created and made available online so that no one dares to buy, sell or encroach on these open spaces.Rituals and festivals can be important reasons to save many of the Kathmandu Valley’s open spaces from encroachment.  Tundikhel hosts annual festivals like the feeding of the Gurumapa, Ghoda Jatra, Shivaratri and, more recently, the New Year’s Day showcase of numerous ethnic groups from across Nepal.A published calendar of such events could help enhance the feeling of ownership of open spaces across the country. Disaster preparedness drills in places like Tundikhel could also be pencilled in as regular events.Nepal’s stellar performance in the South Asian Games 2019 could be another reason to invest in saving open spaces. Tundikhel can be dedicated to all future Nepali gold medallists at the Olympics, World Cups and Asian Games. Names of all those who win medals for Nepal could be inscribed on a special monument. With only temporary structures allowed, sports could provide an effective incentive to care for these spaces.At a time when many Nepalis believe the way to prosperity is not education or enterprise but politics, open spaces could be protected as places where Nepalis gather and practise free speech. The name Khula Manch, which means ‘open stage’, has always held a Hyde Park connotation in Kathmandu, even during the days of absolute monarchy. It is a place where anyone can say anything and not face prosecution of any kind. The country should designate Khulla Manch(s) in all 753 municipalities, inspired by the first one at Tundikhel.The oral tradition of the Kathmandu Valley tells us that Tundikhel (Tinkhya) was land bought by wealthy Lhasa traders who needed space to unload and load goods and as a camping ground for porters and pack animals. After the Sugauli treaty of 1816, Muktiyar Bhimsen Thapa used Tundikhel to parade the Nepal Army, in a bid to impress the British of the country’s military might.This great open space has shrunk over time. Rana rulers built Bir Hospital and the military hospital and the Panchayat leaders constructed the post office, the RNAC building, NEA and City Hall. These were all within the boundaries of greater Tundikhel. The road around it was widened during the state visit of Queen Elizabeth II in 1962.From charging ground water to impressing the British envoy and from hosting ancient rituals to New Year’s Day celebrations, Tundikhel has served us well. The temporary bus terminal and school have to be moved immediately and the army has to return to the people what rightfully belongs to them. After the next earthquake, let us not be forced to say: “I told you so.”And let us not listen to economists and finance experts who tell us we need to monetise everything. Not everything should be valued in cash. Let Tundikhel be what Tundikhel was. End of the debate.Anil Chitrakar is President of <a href="http://www.siddharthinc.com/">Siddharthinc</a>

Anil Chitrakar

Let Tundikhel be what Tundikhel was

In 2003, the death by police firing of a student protesting a rise in fuel prices pushed Nepal’s student activists to join the प्रतिगमन विरोधी आन्दोलन (Movement Against Regression), which political parties had begun after king Gyanendra’s sacking an elected government a year before. The students’ participation elevated the movement and prompted more Nepalis to join in, leading to the People’s Movement that first sidelined the monarchy and then abolished it in 2008.&nbsp; That took five years to happen. But 12 years later, this month, a youth-led protest forced the prime minister to resign within 30 hours.&nbsp; Police massacred GenZ activists, many of them students, outside Parliament on 8 September. This intensified public anger, leading to targeted attacks, looting, and burning of the homes of political leaders, private businesses, and public buildings.&nbsp; Amid the smouldering ruins of state institutions, young Nepalis chose a new prime minister to lead an interim government and deliver a fresh mandate. All of this happened in five days.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250910140912_019d62de4b62a366299a27d1276e931a7dadefcc674441e7fb3acd503970efaf.jpg" data-media-id="editor_0" data-image-id="20250910140912_019d62de4b62a366299a27d1276e931a7dadefcc674441e7fb3acd503970efaf" data-rendition-name="original" width="8000" height="5760" loading="lazy" alt="Nepal in ashes"> <figcaption>Parliament building up in flames during the GenZ protest on 9 September. Photo: KAMAL PRASAI</figcaption> </figure>  Students have been central to Nepal’s democratic and political process since the mid 20th century. In her 2018 book Making New Nepal, researcher Amanda Thérèse Snellinger traces the history of student activism and politics against a background of &nbsp;Nepal’s socio-political history and party politics.&nbsp; Snellinger examines the interplay of ideology and identity, explores how student activists fit into a political landscape continually occupied by the traditional elite, and details how student leaders have established themselves through relationships with influential actors on local, national, regional, and transnational levels. The Rana regime’s repression caused students to be politically aware. In 1947, students held the first organised protest against the Rana autocracy demanding educational reforms. The breadth of student activism expanded during the Panchayat era after king Mahendra banned political parties, which drove mainstream politicians and parties underground. &nbsp;Student activists then became proxies for multiparty democracy because they were still able to organise.&nbsp; Student politics was institutionalised, and unions emerged as vanguard sister organisations of political parties. Student activism, more so than mainstream political parties, played key roles during &nbsp;both major movements in 1990 and the 2000s, as they mobilised the citizenry to join the democratic process.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250924130940_f94cf97fb7ed98b90b48736e1aa8a76466f50337dffc36ec78e9cd5e6927deea.jpg" data-media-id="editor_1" data-image-id="20250924130940_f94cf97fb7ed98b90b48736e1aa8a76466f50337dffc36ec78e9cd5e6927deea" data-rendition-name="original" width="1952" height="2928" loading="lazy" alt="1990 people's movement Nepal"> <figcaption>The iconic image of the 1990 People's Movement agaist the autocratic Panchyat regime of the king. Photo: MIN RATNA BAJRACHARYA</figcaption> </figure>  Through extensive ethnographic research between 2003 and 2015, Snellinger investigates the political coming of age of student activists during the final years of the armed insurgency and their role in and beyond the movement that ultimately abolished the monarchy. Her research revolves around the political journeys of five student activists: Akash and Rishi from the Nepali Congress (NC) student wing Nepal Student Union (NSU), Salini from the UML’s All Nepal National Free Students’ Union (ANNFSU-Akhil), Gyanu from ANNISU-Revolutionary of the Maoists, and Lagan, who began his political journey from Nepal Majdoor Kisan Party’s student wing Nepal Krantikari Bidyarthi Sangathan. The ‘movement against regression’ in 2003 served as the entry point &nbsp;for activists into national party politics. Indeed, it was their &nbsp;participation in the movement that elevated the profile of the main subjects of Snellinger’s research. In the years that followed, the paths of the five activists diverged. Some made it into mainstream politics, even becoming lawmakers. In doing so, they have had to trade idealism for pragmatism, and their attempts realise their previous vision for Nepal’s democracy have been overshadowed by their political opportunism and position. And even decades after they began their journey as student activists, the generation that the book focuses on are still considered &nbsp;‘youth’ leaders. Snellinger quotes a former student leader who joined mainstream politics as saying: “I am still a youth because &nbsp;my aspirations remain unfulfilled.”  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250924130944_7cca095d79fb5ce45cf92c61b77d72c31c5e0931aa744c73e264b6f91efdd29b.jpg" data-media-id="editor_2" data-image-id="20250924130944_7cca095d79fb5ce45cf92c61b77d72c31c5e0931aa744c73e264b6f91efdd29b" data-rendition-name="original" width="1500" height="1004" loading="lazy" alt="2006 People's Movement of Nepal"> <figcaption>A student protester wearing a paper crown and ridiculing Gyanendra with an impersonation, a day after king stepped down and left his palace. Photo: AJAY JOSHI / A PEOPLE WAR</figcaption> </figure>  Meanwhile, the refusal of Nepal’s octogenarian leaders to retire (even after The upheaval this month) has created a surplus of younger adults waiting in the wings, making the word ‘youth’ relative in Nepal’s political trajectory. Other subjects of Snellinger's research have retreated from student and mainstream activism, either in disappointment over their mother party’s retreat from some of their more radical positions, or to &nbsp;continue their work at the community level through education and journalism. One of them has leveraged her political connections to further women-led initiatives after unsuccessful election bids. Nearing the end of her research in 2015, Snellinger observes the disappointment of Madhesi communities whose movement to demand more inclusive provisions of the draft Constitution had gone in vain, even after 45 lives were lost.&nbsp; As the Constitution was promulgated in 2015, TVs were switched off in the Tarai, and there were sighs of resignation. In Kathmandu, Snelllinger noted that the student leaders that entered mainstream politics protesting for inclusive democracy had little empathy for the struggles and similar demands of groups in the Madhes. Despite the students’ role in ending the monarchy, Nepal’s political status quo has remained. The institutions and people that replaced the &nbsp;monarchy have allowed one set of Kathmandu elites to be replaced with another.&nbsp; The socio-political benefits promised during the movement two &nbsp;decades ago have remained tightly controlled by leaders who refuse to give up their hold on power. The political system was overhauled, but without concrete reform. It was only a matter of time before public frustration would boil over. Indeed, Snellinger concludes her book by predicting the inevitability of future movements in Nepal.&nbsp; She writes: ‘Leaders emerge through the andolan … a new generation will emerge shaped by Nepal’s accumulated socio-political heritage, which they will mediate to shape a liveable present and future for themselves in their country, perhaps by continuing the movement.’&nbsp; And that is exactly what happened on 8-9 September. Students marched in the streets demanding an end to corruption and impunity, but this time not as proxies of political parties.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250908120948_8a9acceede487651487c2f15b65e40f900ee6cd390bbf98394eade6b95d05b28.jpg" data-media-id="editor_3" data-image-id="20250908120948_8a9acceede487651487c2f15b65e40f900ee6cd390bbf98394eade6b95d05b28" data-rendition-name="original" width="1600" height="1200" loading="lazy" alt="Gen Z protest"> <figcaption>A student during the GenZ protest against acorruption on 8 September. Photo: SUDIKSHA TULADHAR</figcaption> </figure>  Their desire for socio-political reform was apolitical at a time in Nepal’s history when the nation’s student organisations have weakened and lost credibility, mirroring the erosion of trust in their parent parties. Along with party-based student unions, the Free Student Union (FSU)— the umbrella body all student unions—has lost its reputation due to corruption and embezzlement. That is not to say there are no similarities in movements past and present. Whether political or apolitical, protests have been overshadowed by a lack of unity within the groups that spearhead movements. They have led to destruction of public and private institutions.&nbsp; Leaders of youth and student movements have also had to bear the brunt of the frustration of the people they represent when there is no delivery on their demands. The academics of students have suffered because of frequent lockouts of university and college administration. Youth andolan, whether political or apolitical, has been a rite of passage into Nepali democratic politics — dissensus is an integral part of political regeneration. It remains to be see how the fall &nbsp;from grace of political parties after the GenZ movement will affect their affiliated student unions. As elections approach, student unions and youth collectives will find their own footing in Nepal’s &nbsp;newly emerging socio-political landscape. The youth who took to the streets are asking for a complete overhaul for political parties. Establishmentarian leaders still have not seen the writing on the wall.&nbsp; NextGen leaders in their parties have been waiting for years for their turn &nbsp;to break through the glass ceiling. These established political actors will not go down without a fight in the run-up to March elections.&nbsp; Amanda Thérèse Snellinger perhaps needs a post-script or even a sequel to her book to see how a new generation of leaders, forged by their student activism, will compete in Nepal's new political arena.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250923190928_98d53dd49d56c92950bc34642eaee51dea458fd64312d945a358ad70e5e994bb.jpg" data-media-id="editor_4" data-image-id="20250923190928_98d53dd49d56c92950bc34642eaee51dea458fd64312d945a358ad70e5e994bb" data-rendition-name="original" width="1136" height="702" loading="lazy" alt="Making new Nepal book details NT"> </figure>

Nepal’s historic youth dissensus

What does a journalist do when young protesters are shot in front of her? Does she do her job and stay neutral? Can you stay neutral?&nbsp; As protests engulfed Kathmandu, Nepal's journalists found themselves reporting a story that was personal. While doing their job, some of them were even targeted by mobs.&nbsp; Dart Asia Pacific Fellow <a href="https://www.linkedin.com/in/arunkarki/" target="_blank">Arun Karki</a> visited their newsrooms and spoke with his colleagues on their experience of reporting the GenZ protests that erupted on 8 September. These are the first-hand accounts of journalists who witnessed the turmoil in the city they call home. Sunita Karki was at a workshop in a hotel on 8 September. She saw the first waves of protests through hotel windows. Curfew alerts flooded her phone, a vehicle belonging to a human rights group sat burning across the road, young boys were taking their wounded friends on motorbikes to the Everest Hospital, and police were beating a teenager with hands raised up.&nbsp; “I cried a lot,” she said, but the tears were not out of fear -- they were because she felt guilt. “I couldn’t write the news. We were witnessing these scenes from a five-star hotel.” By evening, the death toll had reached 19. On 9 September at about 3:35 p.m. &nbsp;her outlet, the Annapurna Post's office in Tinkune, Kathmandu, was set on fire. Staff had to leave the building as parts of the newsroom burnt down.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250924040948_e1cc49c9e4fcc4bd4cd3c0163c782fc4e9956bf633cff7b53a63cf8e2dd74cff.jpg" data-media-id="editor_1" data-image-id="20250924040948_e1cc49c9e4fcc4bd4cd3c0163c782fc4e9956bf633cff7b53a63cf8e2dd74cff" data-rendition-name="original" width="1333" height="1000" loading="lazy" alt="Dart Centre Asia Pacific"> </figure>  When she knew her office was burning, she anxiously told her husband that she would resign from the job: "If we have to hide our identification cards in every protest, what kind of journalist am I?" she asked herself. She filed a story the next day, but her emotions kept bouncing between that of a journalist’s duty and shock. She said that in moments like this, it’s hard to feel truly neutral. After watching the police beat people, she felt a strong urge to step in, not just stand back and report. The first real calm came later, when people came to the street and lit small candles together. “This was a sort of victory procession. I felt some relief after brutal days,” she said. <a href="https://www.linkedin.com/in/angaddhakal/" target="_blank">Angad Dhakal</a> a photojournalist who works at Kantipur National Daily, was standing outside his office building when protesters stormed in and set parts of it on fire. He had already been informed that protesters were planning to torch his office building and &nbsp;rushed to his office hoping to save his hard drives containing ten years of photography work. He failed. He raised his camera and "forcefully" pressed the shutter - more to document the scene than out of "professional enthusiasm or duty".&nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250924040948_ebafaacb85c4ea045c41f2c63f1eff06fee9a4ddb5fbf419724e1a5d533781fa.jpg" data-media-id="editor_3" data-image-id="20250924040948_ebafaacb85c4ea045c41f2c63f1eff06fee9a4ddb5fbf419724e1a5d533781fa" data-rendition-name="original" width="1333" height="1000" loading="lazy" alt="It is hard to feel neutral NT"> <figcaption>Photo: GAURAV POKHAREL</figcaption> </figure>  “My office was burning. What should I photograph?” he recalled. A few moments later, a protester noticed the “PHOTO” label on his yellow Press jacket. Dhakal deflected it by saying he was an early career freelancer and YouTuber. So that protesters wouldn't find out, he went to one corner and took his jacket off. When it comes to covering street protests, &nbsp;Angad usually stands near the police because it feels safer. But on 8 September, fire and gunshots made even that area unsafe. A rubber bullet hit his friend Dipendra Dhungana that badly injured him.&nbsp; He thought, “Where do we go now? If we stay here, we’ll be hit.” After witnessing two days of protests, violence, and killings, and seeing his own office burning, he couldn't sleep for days. The same afternoon that government buildings burned and Kantipur was attacked, a message in a protest Discord forum talked openly of 'attacking Kantipur'.&nbsp; Rumours spread to other outlets. Outside OnlineKhabar's office, where <a href="https://www.linkedin.com/article/edit/7376157229248528384/?author=urn%3Ali%3Afsd_company%3A79132377#" target="_blank">Gaurav Pokharel</a> works, the newsroom manager saw “very suspicious people were walking around”. They lowered blinds, avoided windows, locked the front gate and dispersed staff to other places across the city. The outlet was threatened and effectively locked down, but not torched. Pokharel hid his press ID. “ I never showed the ID card. Sometimes I had to enter the crowd shouting slogans, just to blend in among the protesters,” he said. He watched people fall under gunfire, he helped pull one surrounded journalist out of a hostile crowd.&nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250924040948_3b335eee57280373cb51f460534ca4476df23f89c787ba9e4a66d116a537b1a3.jpg" data-media-id="editor_5" data-image-id="20250924040948_3b335eee57280373cb51f460534ca4476df23f89c787ba9e4a66d116a537b1a3" data-rendition-name="original" width="1333" height="1000" loading="lazy" alt="It is hard to feel neutral NT"> <figcaption>Photo: GAURAV POKHAREL</figcaption> </figure>  As a freelancer, Gaurav also contributed articles for international outlets. Later, while transcribing an interview of a young protest organiser, he wrote to his editor at an international outlet : “This was very hard to write. I cried many times while doing it.” He had been working at a stretch for days battling bouts of exhaustion and low blood pressure.&nbsp; Protesters vandalised and set fire within the Singha Darbar complex housing Nepal Television and Radio Nepal. They tried to disrupt public broadcasting.&nbsp; Surendra Paudyal began the day with his press ID hanging on his neck, thinking it would let him move freely. But when he reached Singha Darbar around 3:30PM, the situation felt dangerous.&nbsp; He put the ID in his pocket. When asked what mattered most, he answered without pause: life comes first. In that moment, he felt real fear and a strong duty to protect his team.&nbsp; His focus narrowed to basic things: stay calm, find exits, get everyone out safely. Later, they were able to keep the 8 pm news on air through a regional link. He felt mixed emotions and a sense of relief that the broadcast continued, but also sadness and anger that their own studio had come under attack. Reprinted with permission from the Dart Centre Asia Pacific, a regional hub that provides trauma-informed support and advice to journalists.

"It is hard to feel neutral"

Among the songs GenZ protesters were chanting at the Mandala on 8 September was Amrit Gurung’s folk-rock rendition of the Panchayat-era patriotic song, <a href="https://www.youtube.com/watch?v=0iXnL31W93c">रातो र चन्द्र-सुर्जे जङ्गी निशान हाम्रो</a>. But amidst waving double pennants that day in Kathmandu were strands of Gopal Yonjan singing <a href="https://www.youtube.com/watch?v=N7D8P-g3Uw4" target="_blank">बनेको छ पहराले</a> and <a href="https://www.youtube.com/watch?v=57SlGf4m7R4" target="_blank">देशले रगत मागे</a>. The irony is that the message of Nepali nationalism the musician was trying to convey 50 years ago with his lyrics carries a new resolute relevance in today's context: I am a son of Nepal who will never kowtow to anyone.&nbsp; You can behead me, but I will never bend the knee. &nbsp; I can withstand fire, but will not stand injustice.&nbsp; If the nation demands blood, I will sacrifice myself. My mother will not weep, for she is the daughter of a Nepali. This was pure patriotic poetry that only someone like Gopal Yonjan could write. They are inter-generational and immortal — speaking as much for the GenZ today, as it was for the early days of nation-building when they were recorded in vinyl and broadcast over Radio Nepal.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2025092210094_4d5f65bf3ba2d2823e3da8aff6a77f2b9aa4eff4b1e1b6a8eeed8c0bcb58e47b.jpg" data-media-id="editor_3" data-image-id="2025092210094_4d5f65bf3ba2d2823e3da8aff6a77f2b9aa4eff4b1e1b6a8eeed8c0bcb58e47b" data-rendition-name="original" width="2000" height="1600" loading="lazy" alt="Gopal Yonjan NT 1"> <figcaption>Gopal Yonjan was an adept flautist from a young age in Darjeeling.</figcaption> </figure>  Those two songs together have over 20 million views on the Music Nepal YouTube channel, and many of the comments have been posted after the 9 September massacre and the raging conflagration at the epicentre of the Nepali state&nbsp; They attest to the emotional depth of Nepali nationhood and love of motherland in every citizen of every generation no matter how dreadful the circumstances — and especially when the future looks fragile and uncertain.&nbsp; The release of Gopal Yonjan: The Man &amp; His Music by his wife Renchin could not have come at a more momentous time in Nepal’s history to celebrate this iconic legend of modern Nepali music. Yonjan would have been 82 today, and as a poet, lyricist, singer innovated and improvised using Nepal’s folk traditions to infuse modern arrangements, meld melody with harmony, and lend them words that made the songs eternal.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2025092308098_76c4e4df756de0c1bea9858e1da0bcb6acb8145f27963e1679f5509a6ac2f078.jpg" data-media-id="editor_4" data-image-id="2025092308098_76c4e4df756de0c1bea9858e1da0bcb6acb8145f27963e1679f5509a6ac2f078" data-rendition-name="original" width="2712" height="3900" loading="lazy" alt="Gopal Yonjan Narayan Gopal"> <figcaption>Narayan Gopal with Gopal Yonjan, the ‘Gopal Duet’ at Swayambhu circa 1963.</figcaption> </figure>  HOMECOMING Renchin Yonjan brings us an intimate family album of historic photographs of Gopal growing up in school in Darjeeling, his arrival in Kathmandu and the decision to make Nepal his home. She quotes Gopal: ‘I was deeply moved by the very glimpse of Nepal. I was enchanted by the greenery of Kathmandu, the gentle nature of the people, their pure thoughts, and their hospitality … how wonderful it would be to spend my live in such a beautiful and serene place.’ It was a kind of homecoming for Gopal Yonjan, the land his ancestors left to migrate to British India. In Kathmandu he found kindred spirits and musicians as passionate about their craft as himself: Narayan Gopal, Nagendra Thapa, Ratna Shumsher Thapa, Shiva Shanker, Pushpa Nepali  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250922100920_99a97f6cd76c130d5df91a38ac236906bcb21ba6fc2d2d693ba51e0a97c045d4.jpg" data-media-id="editor_5" data-image-id="20250922100920_99a97f6cd76c130d5df91a38ac236906bcb21ba6fc2d2d693ba51e0a97c045d4" data-rendition-name="original" width="1500" height="1071" loading="lazy" alt="Gopal Yonjan"> <figcaption>Gopal Yonjan arriving at Kathmandu airport in 1963 and greeted by Nepali singers Pushpa Nepali, Dilmaya Khati, Shiv Shanker Shrestha, among others. </figcaption> </figure>  Gopal Yonjan and Narayan Gopal hit it off right away, complementing and inspiring each other with their shared love for meaningful music. They came to be known as the ‘Gopal Duet’, and Yonjan wrote in Nepali in his diary on 21 April 1963 about their first meeting: ‘I was immediately struck by his talent and presence. There was something in both his artistry and demeanour that drew me in. It didn’t take long for us to draw close.’ Towards the end of his life, Gopal Yonjan drifted away from themes of patriotism and unity to celebrate music in its purest form in his Gopalaya Studio in Kathmandu. It became art for art’s sake.&nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250922100912_f9aeec8d96049c580a4b63789664e1ae80971d3be3c7809acfe51b84e3e31cd1.jpg" data-media-id="editor_6" data-image-id="20250922100912_f9aeec8d96049c580a4b63789664e1ae80971d3be3c7809acfe51b84e3e31cd1" data-rendition-name="original" width="2000" height="1304" loading="lazy" alt="Gopal Yonjan"> <figcaption>Gopal Yonjan at his Gopalaya Studio in Kathmandu in 1992.</figcaption> </figure>  The words of his song <a href="https://www.youtube.com/watch?v=D8ZHg3wkvzw" target="_blank">मेरो गीत मेरै प्रतिविम्ब होइन</a> immortalised by Narayan Gopal has lines that give goosebumps to anyone who listens to them: मेरो गित भन्ने अधिकार छैन, गित को पो म हूँ मेरो गित होइन (I have no right to call this my song. This song does not belong to me. I belong to this song.) &nbsp; In Nepal, Gopal Yonjan also found a more complicated story. There were grand historical narratives of nationalism, bravery and glory, but there was an undercurrent of fear and control. Renchin writes in the chapter, Tell Me Where My Country Lies: ‘[Gopal saw] national pride slowly erode in the face of social exclusion, political silence, and economic disenfranchisement.’  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250922100912_57578ebebc7e405cf6ad3080611366893bee30cfc071567e6509038da866b2f2.jpg" data-media-id="editor_8" data-image-id="20250922100912_57578ebebc7e405cf6ad3080611366893bee30cfc071567e6509038da866b2f2" data-rendition-name="original" width="1500" height="1043" loading="lazy" alt="Gopal Yonjan"> <figcaption>Renchin and Gopal Yonjan in their garden in Kathmandu in the late 1980s.</figcaption> </figure>  Gopal Yonjan’s song <a href="https://www.youtube.com/watch?v=Zru8yWSuRCI" target="_blank">भनिदे नेपाली दाइ मेरो देश कहाँ पर्यो</a> is ‘as much an elegy as a manifesto’ with searing lines like ‘Where is the river that ran red with Nepali blood? Where is the battlefield where our defenders wiped their khukri?’ Gopal Yonjan sings this song himself, reminding Nepalis of the sacrifices made to forge this nation, and for us not to squander them.&nbsp; In his song <a href="https://www.youtube.com/watch?v=_pVKpsK6Wy8" target="_blank">लाहुरे</a>, Yonjan celebrates Nepal’s illustrious history written in blood both to keep the nation free and then spilling it to defend other countries. Today, the same song takes on added meaning of Nepali lahure shedding not blood but sweat and tears as they toil abroad to send money to families back home. It evokes the pain of separation, and an anger at an uncaring state that drives them to leave. Gopal Yonjan died aged 53 in 1997 in a New Delhi hospital, leaving a legacy that still defines the Nepali nation in ageless musical compositions. The US-based <a href="https://www.gopalaya.org/" target="_blank">Gopayala</a> and the Gopal Yonjan Foundation have worked to remaster some of the tapes and recordings that are in safekeeping at Cornell University’s Carl A Koch Library.&nbsp; Renchin Yonjan has collected some of that valuable documentation in her book, Gopal Yonjan: The Man &amp; His Music. Her concluding paragraph sounds prescient because of what Nepal has just been through: ‘Gopal’s patriotic compositions remain timeless not because they repeat old slogans, but because they ask new questions, and demand that we answer not with our voices, but with our lives.’  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2025092210090_3d0b5ecad2313b09e83e0de91bf510004f1ff836d7e66f0543ccd49432bb6386.jpg" data-media-id="editor_12" data-image-id="2025092210090_3d0b5ecad2313b09e83e0de91bf510004f1ff836d7e66f0543ccd49432bb6386" data-rendition-name="original" width="1136" height="518" loading="lazy" alt="Gopal Yonjan"> </figure>

Gopal Yonjan’s immortal songs

Harry Jackson was on an epic adventure ‘from Thailand to the UK on 2 wheels’ when he ran into the ultimate sidequest. Having just visited Zangla in Ladakh, Jackson had only landed in Kathmandu when he found himself in the middle of GenZ protests earlier this month. ‘<a href="https://www.youtube.com/watch?v=Slq6zWu9o9w">Arriving in Nepal - Chaos, Protest &amp; Curfews</a>’ is the title of his first video (<a href="https://www.youtube.com/@wehatethecold/videos">wehatethecold on YouTube</a>) about the protest. He shoots police as they shoot at protesters outside Parliament. Jackson is riding a Honda CT125, a retro lightweight motorbike with off-road capabilities. Strapped to the bike is his sparse luggage, flute, and a faded Union Jack. People are rioting on the streets and there is a heavy armed police presence as he makes his way to his hostel in Thamel. His vlog the day after on 9 September has 29 million views. In ‘<a href="https://www.youtube.com/watch?v=IyxSqeFrlp0">The side of Nepal the media won’t show you</a>’, Jackson rides his bike straight at the crowd just past the Parliament building into Old Baneswar.&nbsp; He parks it and walks among the protestors, documenting it all: from the police firing capsules of tear gas into the crowd to the burning Parliament building as well as the jubilant, victorious crowd in the premises as they destroy police vehicles and dance. “I’m shocked at the scenes I’ve witnessed here today. I have truly witnessed history on a stupid trip from Thailand to England on a f***ing moped!” exclaims Jackson as he leaves the scene for the day, heading back to his hostel to edit the footage. The hostel is in direct contrast to the raucous scenes of the protest, as tourists and Nepalis sit and lounge at tables. ‘KUIRE VLOGGER’ Nepalis quickly called him the ‘kuire vlogger’, and attribute his skin colour to his popularity. Objectively, the videos are well made. Jackson goes full gonzo journalist, putting himself right in the heart of the action, talking directly to the people, all while narrating the events as they unfold. Despite being cut together in an entertaining way, the footage retains a raw, unpolished quality that outdoes what most professional journalists with a heavy duty camera crew could do. At a time when legacy media has been seen to be pushing biased narratives, Jackson wants to see for himself what happened, and make up his own mind.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250925120956_f7141e06c72655502fc4b2e56120d084b0f5ae111078d66df4fd0415adf8d376.jpg" data-media-id="editor_3" data-image-id="20250925120956_f7141e06c72655502fc4b2e56120d084b0f5ae111078d66df4fd0415adf8d376" data-rendition-name="original" width="2880" height="1604" loading="lazy" alt="WehateTheCold"> </figure>  This kind of video journalism takes a lot of skill and a certain personality. Many people, almost everybody, had their phones out at the protests, but only a handful were like Jackson. He interviewed people firsthand, edited the clips and uploaded them the same day. Jackson continued his vlogging over the next few days as the curfew was first put in place and then lifted. He explores the city as the Valley rebounds. By this time, Nepalis recognise him everywhere he goes. Jackson had achieved moderate fame as a 23-year old DJ in Birmingham, but what he has done in Nepal is something else. Almost everyone he talks to has already seen his vlog, and they are all eager to interact. He has been on multiple podcasts in Nepal too, and most videos online on the protests reference his vlogs. Before his Nepal blogs, Jackson had a modest 16k subcribers on YouTube, but after Nepal figure is now almost 700k, gaining over 100k each through 11-13 September. Most of them are Nepali viewers. “I’m just a regular dude who just did what he wanted to do,” says Jackson on a podcast. “I wanted to go on an adventure, learn about history, and learn languages. And I wanted to film it, document it, and have a wicked film for my life to show future generations.” &nbsp;