They are nature worshippers and do not have temples. They divide their clans by totems named after animals, plants, or flowers, none of which they harm. They are the Uranw aboriginal people of southeast Nepal and theirs is the only Dravidian language in the country. The Uranw now number just 40,000, and most are landless. Though living on the margins of mainstream Nepali society, their unique culture and language is not just surviving, but thriving. Their tenacious existence in the face of modernity is a consistent feature of their millennia old folklore and mythology in the Subcontinent. So is their sense of loss of land, status, and privilege. Girl: You are going to chop the branches of the Karam tree You are running inside crabs' holes Boy: You are going to collect the Kakodo flower You are travelling inside crabs' holes Sung during an important process of the Karam Puja, this is the origin story of the Uranw who believe they were born from crab holes. Their supreme being is Dharmesh who created the world, the earth, water, land, animals, plants, and all living beings.&nbsp; One day, Pachho, the goddess of nature, said to Dharmesh, let us go to the earth and take a look. They came upon a place called Sirasita Nale, which is believed to be the Saraswati River on the banks of which the Indus Valley civilisation once flourished.&nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20231202011248_8781c67f8a58ea312e2ad80e377ae8d06713710fcae6a358fdb184e05f8f1f3e.jpg" data-media-id="editor_0" data-image-id="20231202011248_8781c67f8a58ea312e2ad80e377ae8d06713710fcae6a358fdb184e05f8f1f3e" data-rendition-name="original" width="1600" height="1066" loading="lazy" alt="Uranw in Nepal"> <figcaption>The community with the statues of Dharmesh, Pacho, and the two first Oraon children.</figcaption> </figure>  Dharmesh spotted two crabs inside a hole, a brother and sister. Dharmesh brought them out, and taught them how to live in harmony with nature. The two created and multiplied, and the Uranw are descended from them. The myth links the Uranw to the Indus Valley, a Dravidian civilisation. “It is accepted that the Uranw ruled in Rohtasgadh of Bihar until the sixth century. Then the Mughals came and finally prevailed,” explains Bechan Uranw of the Uranw Adivasi Pratisthan. In their book Oraon of Nepal Janak Rai and Bechan Uranw write that neighbouring kingdoms envied the prosperity of the Uranw nation. They found a vulnerability: the festival to commemorate ancestors during which the men would be inebriated on rice beer.&nbsp; ‘Uranw men and women kept long hair back then. So, it was hard to tell men and women apart,’ the authors write. ‘But the women gathered and routed the invaders. The Uranw fighters led by their princesses Singi Dae and Kaile Dae defeated the Mughals twice.’ The Mughal commanders could not believe that they were defeated by women, and brought in reinforcements and killed everyone with long hair: men and women. Today, Singi Dae and Kaili Dae are worshipped as clan deities. Until the 16th century, the Uranw had a prosperous and powerful kingdom with a king named Uraongan Thakur. After the Mogul defeat, they scattered to Bengal, Assam, and some followed the Kosi River upstream into Nepal, where they have been living since the beginning of the 1700s. The Unranw were immune from malaria and could live in the Tarai jungles, and had a free run of the place. The Shah kings needed the Uranw not just to clear the forest and make the Tarai habitable and fertile, but also to support them.&nbsp; From the Rana regime through to the reign of King Mahendra, hunting brought the Uranw close to the royalty, and also gave them high status, including exemption from the state land tax.&nbsp; The Uranw were also awarded a medal in 1956 on King Mahendra’s birthday, and a postage stamp (pictured) was issued in 1976 depicting them dancing with the caption 'Jhangad Nach'.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20231202011244_c32445580ec4674fdb8d93ba27c6838f4830c10121e627e86e4894f0a5535811.jpg" data-media-id="editor_1" data-image-id="20231202011244_c32445580ec4674fdb8d93ba27c6838f4830c10121e627e86e4894f0a5535811" data-rendition-name="original" width="1500" height="291" loading="lazy" alt="Uranw in Nepal"> </figure>  But hunting and foraging based lifestyle was slowly vanishing across the Tarai, to be replaced by farming. The Uranw did not own the land, so could not prosper.&nbsp; Bechan Uranw and Janak Rai write in their book that settlers from the hills who had access to political power began to appropriate Uranw land through trickery, manipulation or force, relegating the Uranw to be sharecroppers in their own land. Lack of education was a factor in the Urawn not having land titles. “In the past, the Uranw did not want to educate their children. What is the point of education, people asked,” Bechan explains. The fate of the Uranw is similar to many of Nepal’s indigenous communities that lived in the malaria-infested Tarai before outside settlers arrived, and have now been relegated to the margins. In her Master’s thesis, Bina Bhattarai writes that landlessness has driven most Uranw to become day labourers pulling rickshaws or rearing livestock.&nbsp; Adaptation to the dominant community changed Uranw culture, on the one hand acculturating them to new things, and on the other hand, marginalising them.&nbsp; Sundi Mundi is an important part of the Tihar festival for the Uranw of Nepal, and they share their festival songs with the Mundas. While some of them are in the Dravidian tongue of Kudukh, many of them are in Sadri, an Indo-European language.&nbsp; The Kudukh is the northernmost of the Dravidian languages, and differs from how they are spoken in southern India. Telugu, Kannada and Malayalam have long, documented histories, with Tamil considered India's second oldest language. Their well-developed script and rich literature rival any ancient language in the world. But the Kudukh of the Uranw does not even have a script, let alone written literature or documented history.&nbsp; In areas dominated by Indo-European languages, most Uranws began speaking whatever language community they lived close to – those in Bengal speaking Bengali, those in Assam taking up Assamese, and those in Nepal speaking Nepali. To communicate between and among these languages, they relied on Sadri. “Living with dominant communities naturally impacts language as well, and many of our songs are in Sadri language, or close to Hindi. Constant migration meant that we had to learn other languages along the way,” says Sangeeta Uranw (pictured), a theatre artist.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20231202011248_97fd0737f1bff00e5bdf15c7824d07b6a7fd9f3aa45e08d3878557c0a5266746.jpg" data-media-id="editor_2" data-image-id="20231202011248_97fd0737f1bff00e5bdf15c7824d07b6a7fd9f3aa45e08d3878557c0a5266746" data-rendition-name="original" width="1500" height="696" loading="lazy" alt="Uranw in Nepal"> <figcaption>Sangeets Uranw</figcaption> </figure>  Sadri is close to Bhojpuri and has become the language of the Uranw too. In losing the influence of their language, the Kudukh speakers have also lost the name of their language, and are called Dhangad or Jhangad, as in the 1976 Nepali postage stamp. “Dhangad or Jhangad means a servant who works in rice fields. In Nepal, the name was associated with people who cleared forests (jhadi). It is a disrespectful term given to us by outsiders, so we do not use it,” says Bechan. “Even the name Uranw was given by other communities, but it means 'man’, so we have accepted it. But we continue to call ourselves Kudukh.” Today, the Uranw are striving to improve their lot through education, identity groups like the Uranw Adivasi Janjati Pratisthan, and national and international alliances. In Oraon of Nepal, Janak Rai and Bechan Uranw document another story full of their sense of loss. It also portrays their dreams of a revival of all that they had. The Karam Puja is a major festival of the Uranw community that venerates nature and human connections without any deity, idol, or temple. As with most agrarian communities, the festival is linked to the agricultural cycle and the Karam Puja follows the planting of rice. The Karam tree (Nauclea parvifolia) is central to the festival. Community members plant seeds which will sprout, and on the day of festival branches of the marked Karam tree are brought together with crab flowers. They store them all on the roof of a community leader called Neg. On the evening of the puja, the community members all go to an open ground with offerings of food. “When everyone walks to the same place with lamps in hand, the whole village shines,” says Sangeeta Uranw. <div class="embed-block"><iframe src="https://podcasters.spotify.com/pod/show/raithane-bhakha/embed/episodes/Tales-tell-of-travails---Uranw-folklore-e2auer7/a-aaguqrv" height="102px" width="400px" frameborder="0" scrolling="no"></iframe></div> The Karam branch is brought down from the Neg's house and installed in the middle. It is worshipped with all the offerings, and the people then proceed to sing and dance around the branch through the night.&nbsp; “The Karam Puja contains the Uranw philosophy that work and worship (karma and dharma) must go together,” says Bechan Uranw.&nbsp; The men line up in one row and the women line up in another and dance in sync, changing steps every few minutes to the note of a whistle. Many of these dance steps have found their way into Nepali films, some of them becoming iconic 'folk dance' moves. Men and women of all ages, and relationships participate enthusiastically, and the dance goes on all night, and all next day. “It's so much fun, you don't get tired,” says Sangeeta Uranw. “People come from different villages, boys and girls are smiling at each other and flirting, and maybe your crush is there too, dancing in the group.” The morning after, one group takes the Karam branch and goes from house to house, where people give them food and other offerings they may have. The rest of the people continue to dance until evening. Finally, the Karam branches are let afloat in a nearby river, ending the festival.&nbsp; Sewa Bhattarai’s series, On The Margins, focuses on folk music, folklore, and mythology of Nepal's marginalised communities.

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The Subcontinent's original people live on in Nepal

https://youtu.be/2h_MNN1I9r4Sangita Uranw describes the first time she saw the inside of a theatre: jaw- dropping. Used to performing street dramas, where passersby jostled to watch her, she had never been inside a proper theatre. She did not know that there were places where plays were staged.Uranw, 22, is the first professional actress from the Uranw, a sidelined and neglected Tarai community.  Few in her native Kuchhita village of Sunsari are educated, and rarely do women leave households. Uranw’s story, therefore, is itself drama in real life, and provides an example of how previously unseen sections of society are now <a href="http://archive.nepalitimes.com/article/Nepali-Times-Buzz/The-Queens,216" target="_blank" rel="noopener">actors on the national scene</a>.“I was interested in acting from a very young age, dressing up and performing at home,”  recalls Uranw (pronounced: Oo-raa-o with a nasal intonation in the ‘raa’). “I got involved in child clubs, and then in street dramas where we spread awareness on issues like child marriage, dowry, sanitation.”When Ghimire Yubaraj, director of Shilpee Theatre, went to Sunsari to give theatre training, he spotted 18-year-old Uranw’s potential talent and offered her a three-month scholarship in Kathmandu.“At first my parents worried about where I would stay, what I would eat. ‘Are you really going to become an actor?’ they would ask. But in the end, my passion convinced them,” says Uranw.<figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221107111152/6368e4289c7e80680e0333c2jpeg.jpg" alt="" width="1400" height="788"/><figcaption>Bikram Rai</figcaption></figure>She first started re-enacting her village life at Shilpi: she created stories, fleshed out characters, and saw dramatic potential in the ordinary.“Sangita created a memorable solo performance in Uranw and Nepali languages, where she acts as ten different characters. Interestingly, the story is told by a crab. She brings her village to life,” says her mentor Ghimire Yubaraj.Making a dramatic crablike entrance, Sangita does a half back flip, lands on her back, and walks backwards on two hands and two feet. A little girl takes the crab home and it narrates how her alcoholic father drinks instead of taking her to the hospital, how her stepmother assigns chores to her, how eager she is for a glimpse of her neighbour’s TV.“As children, we used to go to the paddy fields in monsoon to plant rice, and to look for crabs in the rivers to eat in chutneys,” remembers Uranw.That is what I want to bring to stage: stories that I have seen, felt and experienced. We have so many stories in every village of Nepal, but we rarely see them on stage, and I want to change that.”She found that particular story in the life of her friend, who had a difficult time after her mother passed away. The 30 minute solo performance was scary for her at first, but shows her dedication and passion for the craft: it was praised for capturing the essence of life in the Uranw community after being staged at Shilpee Theatre and travelling to Morang and Jhapa. Her family, including her mother, attended the  play in Biratnagar and were proud to see her perform.While she learns and works at Shilpee Theatre, Uranw is also attending college, and is grateful for her family’s support. “The most important thing for them is that I am getting to study. And, as long as I continue my education, they will not complain,” she says. But for Uranw herself,  theatre always comes first.Over the past three years she has worked in six plays and feels there are many other Uranw youth who have the talent to be on stage and also succeed in many other fields. She says: “There were no actors from the Uranw community, but I succeeded because of my family’s trust and support. There are many others like me, and they can excel in whatever they want to do if they get the opportunity.”Also Read: <a href="http://archive.nepalitimes.com/article/Nepali-Times-Buzz/old-traditions-new-meanings-kartik-nach,3355" target="_blank" rel="noopener">Old Traditions, New Meanings,</a> Rishi Amatya<a href="https://www.nepalitimes.com/here-now/kathmandu-is-stage-for-chekovs-three-sisters/" target="_blank" rel="noopener">Kathmandu is a stage for Chekhov's Three sisters,</a> Raisa Pande<a href="http://archive.nepalitimes.com/article/Nepali-Times-Buzz/play-review-a-midsummer-nights-sapana,2958" target="_blank" rel="noopener">A midsummer night's sapana,</a> Sahina Shrestha

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Drama in real life

In the black and white photograph, General Wangdu smiles broadly in front of the dusty cactus garden in Kathmandu’s Annapurna Hotel. With an ill-fitting jacket and shaggy hair he looks benign enough, but this was the last leader of the Tibetan freedom fighters who led the resistance against the Chinese from their remote mountain hideouts in <a href="https://nepalitimes.com/here-now/comings-and-goings-in-mustang">Mustang</a>. Five months later, Wangdu was dead. Snapped in March 1974, I had only recently arrived in Nepal. How did I meet this legendary fighter? Possibly with his devoted camp follower, Lynne Klapecki, and probably in the Om Restaurant near Freak Street which was the preferred <a href="https://nepalitimes.com/banner/hippie-trail-nostalgia-in-kathmandu">hippie hang-out</a>. Om Lobsang and his brother Yeshe were <a href="https://archive.nepalitimes.com/page/earthquake-brings-back-memories-of-camps-for-tibetan-refugees">refugees from East Tibet </a>whose cafe offered a friendly welcome and<a href="https://nepalitimes.com/multimedia/momo-loco"> the best momos</a> - they became my in-laws after I married their eldest brother Tenzin, but that was a decade later.&nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2025052403054_4573b34282b0f5395c007243d6bef12c7ba76bfd520419e994cdcea048d795a1.jpg" data-media-id="editor_4" data-image-id="2025052403054_4573b34282b0f5395c007243d6bef12c7ba76bfd520419e994cdcea048d795a1" data-rendition-name="original" width="1000" height="1583" loading="lazy" alt="The last days of the Khampa NT"> <figcaption>Photo: LISA CHOEGYAL</figcaption> </figure>  Wangdu’s English was enthusiastically rudimentary, but even riding around town with him on the back of an aging <a href="https://nepalitimes.com/here-now/kathmandu-s-new-motorbike-museum">motorbike</a>, he was a commanding presence. Always flanked by armed outriders, impressive scars marked his forearms and a pistol hung from the cord around his neck. A charismatic guerrilla leader, Wangdu was celebrated by his followers for his tough commitment and respected for his measured pragmatism. He seemed so young to have shouldered such a responsibility of command, leading hundreds of hardened <a href="https://archive.nepalitimes.com/article/nation/50-years-after-the%20raid-into-Tibet,1012#google_vignette">Khampa combatants </a>through what had been a particularly <a href="https://nepalitimes.com/news/heavy-snowfall-over-nepal-himalaya">brutal winter in Mustang</a>, the last bastion to hold out against the Chinese invasion of their Tibetan homeland.&nbsp; The freedom fighters of Tibet, known as the Chushi-Gangdruk, had emerged to resist the <a href="https://nepalitimes.com/editorial/territorialism">Chinese takeover</a> of Tibet during the 1950s. Estimated to be 80,000-strong at the time of <a href="https://nepalitimes.com/here-now/what-or-who-after-the-dalai-lama">the Dalai Lama</a>’s final escape to India in 1959, the sheer number of Chinese deployed into Tibet eventually forced the Chushi-Gangdruk to retreat to Mustang, From this high Himalayan stronghold, they continued cross-border raids on the Chinese People’s Liberation Army (PLA) throughout the 1960s.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2025052403054_8a4a935ba25ae79dc3a63bb5c14626927020e5ec098093c45ccb9a5982e009fd.jpg" data-media-id="editor_10" data-image-id="2025052403054_8a4a935ba25ae79dc3a63bb5c14626927020e5ec098093c45ccb9a5982e009fd" data-rendition-name="original" width="1114" height="676" loading="lazy" alt="The last days of the Khampa NT"> <figcaption>Guerrillas known as the Chushi-Gangdruk emerged to resist the Chinese annexation of Tibet during the 1950s. Photo courtesy: MIKEL DUNHAM</figcaption> </figure>  Their Kathmandu base was a small discreet lodge in a back lane near Rani Pokhari. Sipping sweet tea from a blue mug with a chipped lid, I sat bemused in a corner of the Mustang Hotel room whilst Wangdu and his cohorts received a battered brown suitcase from their CIA connection, a tousle-haired American in a leather jacket. Heaved onto the dingy bedspread that covered the thin mattress, it was clicked open to reveal piles of neatly stacked dollar bills.&nbsp; I cannot think why Wangdu allowed me to witness this handover but I was clearly no threat, a newly arrived world traveller with no understanding of the stakes nor any Nepali or <a href="https://nepalitimes.com/multimedia/tibetan-music-in-nepals-sacred-valley">Tibetan language</a>. Despite armed guards in the corridor,Wangdu radiated confidence and bravado, and there was a practiced familiarity to the tense transaction. This deadly dance for many years had been funded by the Americans, tolerated by <a href="https://nepalitimes.com/here-now/the-kingdom-within-a-republic">Mustang’s residents</a>, and permitted by King Mahendra and the Nepali authorities who it suited to turn a blind eye.&nbsp; But Mahendra died in 1972, and times were changing. Richard Nixon’s ping-pong diplomacy thawed the cold war and signalled a fresh entente with China. Nepal’s yet-to-be-crowned <a href="https://nepalitimes.com/here-now/if-birendra-was-alive-nepal-could-still-be-a-monarchy">King Birendra </a>was under pressure to curb the irritating incursions against the PLA launched from the Nepali territory of Mustang. Keen to appease his northern neighbour, on several occasions the King summoned Wangdu for peace talks but, despite increasingly overwhelming odds, Wangdu refused to surrender.&nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2025052403054_a8efd5cfb92cd997bd7cb74296a936fef46e2f7428f9cd642b03f1ac4ea11ecb.jpg" data-media-id="editor_14" data-image-id="2025052403054_a8efd5cfb92cd997bd7cb74296a936fef46e2f7428f9cd642b03f1ac4ea11ecb" data-rendition-name="original" width="1055" height="885" loading="lazy" alt="The last days of the Khampa NT"> <figcaption>General Wangdu flanked by two Tibetan resistance fighters in Mustang in the 1970s. Photo courtesy: MIKEL DUNHAM</figcaption> </figure>   <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2025052403054_75969125a745847a2ef82b6fe8b9106c0b21a116d85b8efdf5d2ee89a347bb31.jpg" data-media-id="editor_15" data-image-id="2025052403054_75969125a745847a2ef82b6fe8b9106c0b21a116d85b8efdf5d2ee89a347bb31" data-rendition-name="original" width="1044" height="792" loading="lazy" alt="The last days of the Khampa NT"> <figcaption>King Birendra with General Wangdu (right in dark glasses) taken in 1974 possibly in Mustang after one of their few attempts at negotiation. Photo courtesy: RAJRNDRA KUNWAR</figcaption> </figure>  While I naively rode pillion around Kathmandu in the spring sunshine, Wangdu was in the midst of what turned out to be his final round of negotiations with the Nepal government. Refusing to cease hostilities with the Chinese, Wangdu must have suspected the cost of his decision, making his cheerful smile in the photograph all the more poignant and brave. It was only much later that I appreciated the significance of the moment. Wangdu had been sent to replace the first resistance leader in Mustang, Baba Gen Yeshe, a much derided corrupt character who stole money meant for his troops and exploited fleeing refugees by seizing their treasures. Baba Gen Yeshe never forgave Wangdu,and sought revenge in May 1974 by betraying him and his commanders to the Nepal authorities. Renewed Chinese incursions from the north, active PLA collusion with the Nepali forces under the new King, and treachery from within the Chushi-Gangdrukranks combined to seal their fate.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2025052403054_e0987a7c90d76431b0d7d5e6115ebfe3dbda7ab939e5941e079c18d722e884c0.jpg" data-media-id="editor_16" data-image-id="2025052403054_e0987a7c90d76431b0d7d5e6115ebfe3dbda7ab939e5941e079c18d722e884c0" data-rendition-name="original" width="1400" height="769" loading="lazy" alt="The last days of the Khampa NT"> <figcaption>British television journalists George Patterson and Adrian Cowell embedded themselves with Khampa guerrillas and accompanied them from Tsum Valley on a cross border raid on a Chinese Army convoy in 1964. Photo: ESSAYS ON NEPAL / SAM COWAN</figcaption> </figure>  Mikel Dunham, renowned author of Buddha’s Warriors, writes: ‘It is possible that Wangdu was waiting for some cue from the Dalai Lama’s government-in-exile in Dharamsala, India. It is equally possible – during that last, <a href="https://nepalitimes.com/multimedia/the-human-cost-of-nepal-s-yarsa-gold-rush?fbclid=IwZXh0bgNhZW0CMTEAAR31-Cqw8oyIwMPzf_35e4Skr0ululJvLf3_vDkzHn-AYG2h8uPw2rqqErg_aem_tGVn5coY1-jA7fze_xqhew">desolate winter </a>– that he made the decision to go out in glory rather than admit defeat. Over the last fifteen years, Wangdu had experienced Tibet’s organized resistance being squeezed and shoved around by every conceivable outside force.&nbsp; First they had been pushed out of their own country by the PLA; then they had been refused sanction while on <a href="https://nepalitimes.com/opinion/borderlines/nepal-india-trans-boundary-bonds?fbclid=IwAR0PpJ5zUEbwdug3g_U3ar6FUugngRY0S8Tl2v_7wqzrsHmXWcXsKjvL4t4">Indian soil</a>; then they were abandoned by the Americans because, apparently, Nixon wanted to make friends with Wangdu’s mortal enemies, the communists; then they had been betrayed by the vampiric Baba Gen Yeshe – a Tibetan and, even worse, a fellow Khampa; and now, finally Wangdu’s army was being evicted by the Nepalis. One thing was certain: Wangdu was a warrior. To imagine Wangdu simply giving up and settling down in the pacific squalor of a <a href="https://nepalitimes.com/here-now/elderly-left-in-bhutan-refugee-camp">refugee camp </a>was unthinkable.’  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2025052403054_8fc1ffef4ae751628b90ae781b66e11e51e4fdde2787207c9042efbee345ce49.jpg" data-media-id="editor_20" data-image-id="2025052403054_8fc1ffef4ae751628b90ae781b66e11e51e4fdde2787207c9042efbee345ce49" data-rendition-name="original" width="500" height="746" loading="lazy" alt="The last days of the Khampa NT"> <figcaption>The much derided Baba Gen Yeshe, the first Tibetan resistance leader in Mustang, who betrayed Wangdu for personal gain. Photo courtesy: MIKEL DUNHAM</figcaption> </figure>   <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2025052403054_b1d833cdb00d3ac4416b844d8730475cd88c238caaaf8da69889a584eea229a3.jpg" data-media-id="editor_21" data-image-id="2025052403054_b1d833cdb00d3ac4416b844d8730475cd88c238caaaf8da69889a584eea229a3" data-rendition-name="original" width="500" height="656" loading="lazy" alt="The last days of the Khampa NT"> <figcaption>Aditya SJB Rana of the Royal Nepal Army whose team ambushed Wangdu and his cohorts at the top of Tinker Pass in Darchula, West Nepal. Photo courtesy: GAUTAM SJB RANA</figcaption> </figure>  By August 1974 the game was up. Wangdu and six of his exhausted party were killed on their horses by <a href="https://archive.nepalitimes.com/news.php?id=7270">the Royal Nepal Army</a> on the brink of escape. The officer in charge, Aditya SJB Rana, cleverly predicted their route into India after they failed to silence a police radio in Yari. A carefully laid ambush trapped them near the summit of the Tinker Pass in Darchula,at 5,000 meters the highest military operation of its time. Wangdu’s body was helicoptered to Kathmandu, and a big show made of the royal Nepal victory.&nbsp; The Tibetan armed insurgency against China had reached its end.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250524030520_3ff9c6fc85a65bc9a2c3afe9736d9f5f9413de752e790a5d9dca0981ea94f9b4.jpg" data-media-id="editor_23" data-image-id="20250524030520_3ff9c6fc85a65bc9a2c3afe9736d9f5f9413de752e790a5d9dca0981ea94f9b4" data-rendition-name="original" width="1136" height="702" loading="lazy" alt="The last days of the Khampa NT"> </figure>

The Last Days of the Khampa

Starting 17 September Turkish Airlines will fly daily to Seville, one of Spain’s major tourist draws. This is Turkish’s sixth destination in Spain after Madrid, Barcelona, Valencia, Malaga, and Bilbao. Seville is in the Andalusia region on Spain’s south coast with a rich Moor history. There are approximately 30,000 Nepalis living in Spain.&nbsp;

Turkish to Seville

The newly-formed Himalayan Art Council is set to launch Nepal’s National Art Protection Platform that seeks to preserve <a href="https://nepalitimes.com/banner/the-history-of-heritage">Nepal’s unique cultural heritage </a>using<a href="https://nepalitimes.com/here-now/artificial-censorship"> AI-powered tools</a>. The Council seeks to safeguard <a href="https://nepalitimes.com/banner/nepali-art-going-places">Nepali art works</a> from neglect, theft and counterfeiting as well as preserve existing artwork and celebrate living masters by giving them a cultural space to continue the <a href="https://nepalitimes.com/banner/sacred-survival">sacred art traditions</a>. "We are introducing a new digital platform designed to preserve, verify and elevate <a href="https://nepalitimes.com/banner/nepals-new-generation-of-alternative-artists">Nepal’s art for generations to come,</a>” says a statement from the Council, adding that the digital platform will use AI told for authentication and blockchain to keep track of works of art. Artists can now be protected by <a href="https://nepalitimes.com/multimedia/ayo-ai?fbclid=IwAR1uwmTVq4gUB70ljfRezjzukD9ArWXPuMnUikopeQ8PoiZMjicToPSwhKE&amp;=1">AI tools</a> that detect forgeries, identify their work even when unsigned, and ensure they receive proper recognition and credit. The archives will be searchable with translated inscription and interactive guides. Says curator Meena Lama: “AI and blockchains are tools that give us the power to detect fakes and identify unsigned paintings and track every piece. With these tools we can restore trust, secure authorship and give artists the dignity they deserve.”  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250514170544_2ab58f6313c0458f75114a692b0016bd9efb3b59d5f8f07f0da72e1e37b82f53.jpg" data-media-id="editor_6" data-image-id="20250514170544_2ab58f6313c0458f75114a692b0016bd9efb3b59d5f8f07f0da72e1e37b82f53" data-rendition-name="original" width="1300" height="1000" loading="lazy" alt="Artwork at the Traditional Art Exhibition at Patan Museum."> <figcaption>Artwork at the Traditional Art Exhibition at Patan Museum.</figcaption> </figure>  The Council is also holding an exhibition of Nepali cultural masterpieces with 50 historical <a href="https://archive.nepalitimes.com/article/Nepali-Times-Buzz/Buzz-the-art,671">thangka and paubha </a>by past masters and <a href="https://nepalitimes.com/review/between-the-sacred-and-everyday">contemporary works by current artists</a>. This curated collection is a living tribute to <a href="https://nepalitimes.com/here-now/when-yaks-go-so-does-culture">Himalayan culture</a> with economic depictions of deities, mandala and sacred narratives. The exhibition at <a href="https://nepalitimes.com/multimedia/a-portal-into-patan-s-past-and-present">Patan Museum</a> also provides an opportunity to meet painters and custodians of art and culture. Read also: <a href="https://nepalitimes.com/review/golden-deities">Golden deities</a>, Sewa Bhattarai ‘The exhibition is only the first step in a long journey to ensure that Nepali art is no just seen but fully understood, <a href="https://archive.nepalitimes.com/article/nation/Narratives-of-Faith-and-Memory-Remembering-the-Lost-Sculptures-of-Kathmandu-exhibition,987">protected and remembered</a>,’ the Council says. Artist Kailash K Shrestha of Artudio has spent decades promoting thankha and paubha traditions because of their beauty and devotional meaning. But he also says artists are underpaid, exploited and ignored. He adds, “AI and blockchain are not just buzzwords, they are powerful tools that can protect Nepal’s artists from fraud, verify authenticity and build a permanent record of provenance.” Traditional Art Exhibition Till 17 May Patan Museum

Digital protection for Nepal’s art

Fenerbahçe Beko won the Turkish Airlines EuroLeague finals in Abu Dhabi, held 23-25 May, defeating Monaco 81-70 in the final. Olympiacos, who defeated Panathinaikos 97-93, finished the series in third place. The Most Valuable Player (MVP) of the final match, Nigel Hayes-Davis from Fenerbahçe Beko, received a prize of 1,000,000 Miles&amp;Smiles from Turkish Airlines’ Chief Commercial Officer Ahmet Olmuştur. The carrier has been the title sponsor of the Turkish Airlines EuroLeague, a top tier tournament, since 2010.

uranw-community

The Subcontinent's original people live on in Nepal

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The Last Days of the Khampa

Turkish to Seville

Digital protection for Nepal’s art

Turkish Basketball