Sirjana Sizzu Sirjana Sizzu does not recall having stayed in any one place for any length of time &nbsp;since she left her home in West Rukum to travel to Upper Dolpo in 2020. Sirjana had an affinity for the great outdoors from a young age, and graduated in forestry from a college in Kathmandu. She wanted to get a government job, but was unsuccessful twice.&nbsp; We reached Sirjana on the phone one recent afternoon in Bardia, where she had just returned from a safari. Months earlier she was 4,100m up at Panch Pokhari in Sindhupalchok. “I go where my whim takes me, I might be in one district today and another tomorrow, home is wherever I happen to be,” says the 27-year-old travel content creator. “I did not see a tiger but I definitely heard one, so I think it must have seen me.”&nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20240309040332_dccdfd6dc1d37ad868b43524fd94b58eeb5f722e73f8f63029fcf8c473f76d87.jpg" data-media-id="editor_0" data-image-id="20240309040332_dccdfd6dc1d37ad868b43524fd94b58eeb5f722e73f8f63029fcf8c473f76d87" data-rendition-name="original" width="2000" height="1500" loading="lazy" alt="Women travellers"> <figcaption>Sirjana Sizzu.</figcaption> </figure>  One of the lowest moments in Sirjana's life became a turning point because she had gone off to explore the mountains near her home. Filming and posting videos on YouTube seemed like a natural next step, which was easy because she had posted clips during her forestry field trips.&nbsp; Sirjana began documenting her journeys to little-known destinations in Karnali Province, filming and editing on her phone and posting on YouTube — learning as she went along.&nbsp; <a href="https://www.youtube.com/@sirjanasizzu">Her YouTube channel</a> has amassed more than 100,000 subscribers, placing her among the top Nepali travel vloggers. But the life of a content creator is not easy. Monetisation is complicated, and the lack of connectivity in remote areas is a hindrance. Navigating the intricacies of being a content creator in Nepal is an adventure in itself. Sirjana remembers passing through remote villages in Karnali where people were initially wary of outsiders, but who welcomed her into their homes, and even helped her film. She says, “When a person takes the very first step to unexplored places, it is easier for others to follow because Nepalis always make space after initial &nbsp;apprehension. Even though I travel solo, I am never alone. The people I meet become my companions and my friends.” Vedica Gajurel  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20240309010344_d8025d2bf1724eceda49575a83742356dc9063c9ef409c96255f34152e093fe6.jpg" data-media-id="editor_2" data-image-id="20240309010344_d8025d2bf1724eceda49575a83742356dc9063c9ef409c96255f34152e093fe6" data-rendition-name="original" width="1500" height="2000" loading="lazy" alt="Women travellers "> <figcaption>Vedica Gajurel in Ilam.</figcaption> </figure>  Vedica Gajurel set out alone towards Tadapani from Khopra along a wild and little-travelled trail in the Annapurna region last October. Her phone speaker was on full volume to scare off wild animals when she heard wild animals in the steep undergrowth. &nbsp; Vedica called the owner of the nearest teahouse and told him what was going on. He told her to stay put, he was coming to get her. The noises got louder and closer. It was a pair of bears. The teahouse owner escorted her to Tadapani, telling her it was a good thing she hadn’t encountered the animals since Himalayan black bears can be dangerous. The 30-year-old chartered accountant <a href="https://www.youtube.com/@vedicaofficial">posts vlogs</a> of her domestic and international travels on YouTube, but the encounter with the bear was too scary and she did not film it.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20240309040332_909571b6980be93fd9f72bbb79cd0a5076c38107efa6e234c5571644d8b00715.jpg" data-media-id="editor_4" data-image-id="20240309040332_909571b6980be93fd9f72bbb79cd0a5076c38107efa6e234c5571644d8b00715" data-rendition-name="original" width="2000" height="1125" loading="lazy" alt="Women travellers"> <figcaption>Vedika Gajurel in Annapurna Base Camp.</figcaption> </figure>  Vedica completed high school in Hetauda and did her chartered accountant degree in New Delhi. But even during her internship, she had begun to feel claustrophobic in narrow office cubicles. &nbsp; “I soon realised that corporate life was not for me,” says Vedica, who returned to Nepal in 2018 and worked in banks before calling it quits. “I did not know what I was going to do after I left my job, but I knew I needed to explore.” Vedica did her first journey in Bandipur, and since then has done the Mardi Trek, to Janakpur and Swargadwari, as well as beyond to Thailand, Cambodia, and Laos. She has more than 11,000 subscribers on YouTube.&nbsp; For Vedica, this is more a hobby than a source of income and she pays for her travels through occasional freelance jobs and investments in the stock market. “Earning through content creation is still not sustainable in Nepal,” she says.&nbsp; Travel content creators like Vedica do not let doubts and worry hold them back. Along the way, they have learned to manage everything themselves, from planning to filming and editing to posting. Vedica earliest memories of her travelling alone are of visiting a village of the Lepcha people near Nepal’s eastern border. She was nervous at first, but the villagers organised a welcome program just for her and this put her at ease. Divya Dhakal  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20240309010344_e88619f91205ded90c34f9ca89ea6ab2d7c0921598ae7bb0c6442607e4eb1b5a.jpg" data-media-id="editor_5" data-image-id="20240309010344_e88619f91205ded90c34f9ca89ea6ab2d7c0921598ae7bb0c6442607e4eb1b5a" data-rendition-name="original" width="2304" height="1536" loading="lazy" alt="Women travellers"> <figcaption>Divya Dhakal in Khumai Danda below Machhapuchre.</figcaption> </figure>  While some content creators prefer to produce longer vlogs on YouTube, many more post shorter content on Instagram and TikTok.&nbsp; Divya Dhakal has woken up to mountain sunrises all her life in her hometown of Pokhara. The 27-year-old has a Master’s in adventure tourism, and works in hospitality while travelling and creating content in her downtime.&nbsp; “Having grown up surrounded by peaks, it was natural to have the urge to travel and explore,” says Divya, who hiked to Poon Hill for the first time in 2015 and then travelled to Tara Lake in 2019. Unlike more spontaneous digital creators, Divya plans her travel carefully, researching places and communities beforehand. She posts short clips on Instagram, providing context and information on her travels through narration and text-on videos.&nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20240309040332_86b6184e417cbf20859a90963db8c4cf39fd677446caa3a6f9afdf1d495a2b5a.jpg" data-media-id="editor_6" data-image-id="20240309040332_86b6184e417cbf20859a90963db8c4cf39fd677446caa3a6f9afdf1d495a2b5a" data-rendition-name="original" width="2000" height="1500" loading="lazy" alt="Women travellers"> <figcaption>Divya Dhakal in Dhorpatan.</figcaption> </figure>  Divya thinks it is better to have financial stability before becoming a full time travel volgger since there is not much money coming in from the posts.&nbsp; “Instagram is more convenient for me, because it takes less time, while YouTube would take more dedication and effort,” explains Divya who has 32,000 <a href="https://www.instagram.com/divyadhakal_/?hl=en">followers on the platform</a>. Most women who travel and vlog say their parents are concerned for their safety, but Divya says now that she has established herself in the field, the worries have diminished.&nbsp; Divya recalls staying in a cowshed with nomadic herders in meadows blooming with wildflowers in Dhorpatan in 2022, one of her most meaningful travel experiences. She adds, “The narratives, culture, and ways of life of such far flung communities, especially in western Nepal, are entirely different from the rest of the country.”&nbsp; Pratikcha Karki  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20240309010348_724949c520c99e79b78fb428ee48cd0e997e78066740ae3c11d99d435c4bb413.jpg" data-media-id="editor_8" data-image-id="20240309010348_724949c520c99e79b78fb428ee48cd0e997e78066740ae3c11d99d435c4bb413" data-rendition-name="original" width="1500" height="2000" loading="lazy" alt="Women travellers"> <figcaption>Pratikcha Karki in Chhomrong, in Annapurna Base Camp.</figcaption> </figure>  Pratikcha Karki was born and raised in Sikkim and had been to Nepal only a few times previously, once as a toddler, and later on to visit relatives in eastern Nepal.&nbsp; “I was never keen on travelling,” says the 26-year-old chemistry graduate who is currently pursuing an MA in English. “My family insisted I get to know the world, so I thought why not establish my independence through travel.” Everything changed after she visited Nepal in 2019, and trekked to Tilicho Lake in Manang. The hike and scenery were so exciting that she decided to focus on Nepal and has been coming here every other month since 2022. Pratikcha documents her travels primarily<a href="https://www.instagram.com/pratikchakarki/"> on Instagram</a>, preferring to let viewers come across her videos organically rather than actively promoting her channel. She now has more than 114,000 followers.&nbsp; “I was quite camera-shy initially, which is evident in my earlier videos in which I preferred to point the camera towards where I was rather than on myself,” says Pratikcha.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20240309040332_d815db611afa69caefb2121620381ca047b77dc766c98fba45950977d6e4b0a3.jpg" data-media-id="editor_10" data-image-id="20240309040332_d815db611afa69caefb2121620381ca047b77dc766c98fba45950977d6e4b0a3" data-rendition-name="original" width="1500" height="2000" loading="lazy" alt="Women travellers"> <figcaption>Pratikcha Karki's picture from Rara.</figcaption> </figure>  She has been in Kathmandu since November, and was planning her next trip to Kakani when Nepali Times got in touch for this story. &nbsp; Pratikcha Karki remembers standing on the edge of Tilicho Lake and looking out into its ink blue expanse below immense icy cliffs, feeling the urge to explore more of the world around her. She says, “No other place has awakened my need for travel like Tilicho has.”&nbsp;

Shristi Karki

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Women on the move

<figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221110121144/636ce48c9c7e80680e0966b8jpeg.jpg" alt="" width="1500" height="1000"/><figcaption>Gaumaya Gurung at the Rainbow Mountain in Peru.</figcaption></figure>Gaumaya Gurung moved to the UK with her family 15 years ago after completing Grade 10. Realising that she had been losing touch with her Nepali roots since then, she created a YouTube Channel with her friend Deevas Gurung.Both are children of former Gurkha soldiers settled in the UK and their channel ‘<a href="https://www.youtube.com/channel/UCm4VT7skAZL3OLcJ8zySK6Q">Khula Akash</a>’ carries travel vlogs, helping them reconnect with the Nepali language, culture, history, as well as with people."I like to visit new places when I go to Nepal," says Gaumaya. “I want to discover what various parts of the country mean to me specifically— what the Tarai is to me, or Dolpa.”There are currently five videos on the channel documenting trips to Gorkha, Shey Phoksundo and Upper Dolpo. “We had hoped that the audience would be inspired when they heard people living outside Nepal speaking the language,” Gaumaya, who is currently in the UK, tells Nepali Times via WhatsApp.While Deevas does much of the behind-the-scenes work, it is Gaumaya’s voice that the audience hears, narrating their experiences in cheerful, precise Nepali.<figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221110121144/636ce4909c7e80680e0966b9jpeg.jpg" alt="" width="1500" height="1000"><figcaption>Gaumaya and Deevas Gurung at Phoksundo lake in Dolpa. The two friends have been documenting their travels across Nepal on YouTube since August 2020.</figcaption></figure>“The older audience who are our grandparents’ age, are also able to understand us,” she says, explaining why the tone of the narration, which reminds us of Radio Nepal stories from the past, is befitting.But while making the vlogs, Gauamaya soon realised that she had to improve her Nepali. Since moving away from Nepal, she hadn’t paid much attention to writing or speaking the language.Her experience with Nepali during her school days has played a role in the difficulty Gaumaya still faces to grasp the nuances of the language.“Since schools typically prioritise the English language, I was always weak in Nepali,” she recalls. “But as I immerse myself deeper into this process, my interest and love for the Nepali language continue to grow.”Now, Gaumaya does quite a bit of research to find out the translations of many English words in Nepali and to pronounce them, always surprising herself while learning. “The Nepali language is wonderful,” she adds. “And I still have a lot more to learn.”Gaumaya got her bachelor’s degree in Optometry after moving to London and started working as a health worker. In 2011, while she was still in university, she was crowned Miss UK Nepal, becoming a public figure among the Nepali diaspora in Britain. Since then, she has been involved in writing, acting, and modelling.Gaumaya has starred in short films on mental health, domestic violence and drug addiction, and has modelled in Nepali music videos. Two films that she is involved in — Gorkha: Beneath the Bravery and Chukul are lined up for release in 2021. Gaumaya also co-stars in the FX TV and BBC-produced television series Black Narcissus, based on Rumer Godden’s 1939 novel.<figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221110121144/636ce4939c7e80680e0966bajpeg.jpg" alt="" width="658" height="384"><figcaption>Gaumaya in the upcoming film Gorkha: Beneath the Bravery.</figcaption></figure>In 2018, Gaumaya led an eye camp in Gorkha’s Chipleti village that benefited more than 450 people.In her speech crowning a new Miss UK Nepal in 2012, Gaumaya had said, "My journey is not over." At the time, she had used the word ‘journey’ figuratively, but over time, travel has become her reality.Even as she led an active and eventful life, Gaumaya had begun to feel an emptiness and disconnect within her work and relationships. It was during that period in her life, in 2015, that she travelled alone to New York to see Niagara Falls.“During my trip to New York, I realised that I was a free, global citizen, and there was still so much of the world I needed to see,” Gaumaya recounts. “After that, I travelled to Austria. I learned to ski and scuba dive.” The trip had quelled her restlessness and made her look at contentment in a new light.Whenever she is home in London, she works as a freelance optometrist, which funds her travels. She has now visited, both for work and pleasure, more than 40 countries over the last four years.<figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221110121144/636ce4949c7e80680e0966bbjpeg.jpg" alt="" width="1280" height="960"><figcaption>Gaumaya takes a picture with children in the Ghanian city of Cape Coast.</figcaption></figure><figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221110121144/636ce4979c7e80680e0966bcjpeg.jpg" alt="" width="1500" height="1000"><figcaption>Gaumaya at Machu Picchu, Peru.</figcaption></figure><figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221110121144/636ce49b9c7e80680e0966bdjpeg.jpg" alt="" width="1500" height="1000"><figcaption>Gaumaya and Deevas at the Uyuni Salt Flat in Bolivia.</figcaption></figure>While their vlogs so far have seen them meet and recount the unique stories of Nepalis, Gaumaya and Deevas now plan to document their travels across the world.“Our next vlog will see us travelling from Manila to the Coron, Palawan in the Philippines, where we saw Bentley vehicles once used by the US military now being used to ferry passengers,” says Gaumaya. “They looked a bit like Nepali trucks.” Indeed, it is Gaumaya's habit to search for similarities in the geography, landscape, people and customs of the countries she has visited.Gaumaya is happy with the progress she has made in reconnecting with her heritage but says she has a long way to go in her search for personal fulfilment.Says Gaumaya: "Now I invest in experiences. My travels have not only brought me closer to my roots, but also helped me to understand other cultures, languages, and experiences.”

Gaumaya Gurung going places

Fenerbahçe Beko won the Turkish Airlines EuroLeague finals in Abu Dhabi, held 23-25 May, defeating Monaco 81-70 in the final. Olympiacos, who defeated Panathinaikos 97-93, finished the series in third place. The Most Valuable Player (MVP) of the final match, Nigel Hayes-Davis from Fenerbahçe Beko, received a prize of 1,000,000 Miles&amp;Smiles from Turkish Airlines’ Chief Commercial Officer Ahmet Olmuştur. The carrier has been the title sponsor of the Turkish Airlines EuroLeague, a top tier tournament, since 2010.

Turkish Basketball

Thousands of Nepali students dreaming of an American education have been forced to look elsewhere as the Trump administration’s visa restrictions make their future uncertain.
The US was long considered a top destination for higher studies, making Nepal the 10th biggest country of origin for international students in America.&nbsp;
However, that number has seen a significant decline with the total for Nepali students now at 16,482. Some 8,000 Nepali students obtained no-objection certificates to study in the US from the Ministry of Education in the past year.&nbsp;
India, Australia, Canada, South Korea, United Kingdom and Japan are the other popular destinations for Nepali students. There are no clear numbers for Nepalis going to India, but a slight decline was noted this year after the deaths of two female students.
The US State Department has issued a circular to its embassies not to issue new visas to applicants until further notice. US Secretary of State Marco Rubio in the directive stated that the department planned to expand the screening of applicants' social media.&nbsp;
While new applicants are barred including those applying for visitor visas, students with scheduled interviews are allowed to proceed.
“Many of our students are affected by the new restrictions, but those who had applied for student visas earlier have got interview dates,” one Kathmandu-based college counsellor told us.
Meanwhile, even foreign students with spotless records already in the US have not been spared, as visa scrutiny intensifies under the new policy. In a move that underscores the growing sense of insecurity, many US colleges advised international students to carry their passports and documents at all times, even when traveling locally.
“Me and my friends did not go home this summer because we were not sure we would be allowed back, so we just went to Niagara Falls,” said a Nepali undergrad in Ohio, who like many interviewed for this report did not want her name used for fear of repercussion.
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Nepali students have adopted a cautious stance, with many choosing not to return home during summer vacation due to fear of visa revocations as well as travel bans. Meanwhile, over 7,000 Nepalis with Temporary Protected Status (TPS) will have to come back to Nepal by 5 August or face deportation. Thirty-seven were flown back to Kathmandu on Omni Air last week.
“The US is one of the most sought-after destinations for higher education, and the ban will definitely impact bright students,” says Narottam Aryal of the King’s College in Kathmandu.
Indeed, Nepali undergraduates admitted into Ivy League colleges for the 2025 academic year have been asked to look for alternatives. The entire Fulbright Foreign Scholarships Board resigned on Wednesday citing interference from the Trump administration on the selection of this year’s cohort. Some Nepali students already on Fulbright scholarships have noted disruptions, delays and even cancellation of stipends.&nbsp;
The student visa restrictions were initially just for foreign students admitted to Harvard University, but it was later extended to all Chinese students and now to all students. Universities like Columbia which actively recruit foreign students, face sharp enrolment declines, threatening their financial stability and diversity.
An Indian female PhD candidate at Columbia University had her visa revoked by the US State Department, and said she was targeted on the basis of her social media posts on Israeli military attacks in Gaza. Social media vetting of political activism has raised concerns about privacy and freedom of expression in a country where such rights were a given.
Many students have been informed via email that their visas have been revoked for getting speeding or parking tickets, but even others with no criminal record have been affected. The fear of deportation looms large amongst international students, including those from Nepal.&nbsp;
For most Nepalis who migrate to the US for education, the journey is a high-stakes investment. They come largely from middle-class families, often rely on a patchwork of scholarships, work-study programs, loans, or even the sale of family assets to afford fees.
Most Nepali students pursue STEM subjects which offer extended Optional Practical Training (OPT) periods that help fund their education. But with the US backsliding on education and humanitarian matters, countries like the UK and Canada are becoming more attractive despite their own recent stricter controls on student visas.&nbsp;
The UK universities saw a 63% rise in Nepali students’ admissions in 2024. Japan is another popular destination with 64,816 Nepali students enrolled as of 2024.
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Already, China, Hong Kong and Malaysia are poised to benefit from the increased scrutiny of US student visas. Several Hong Kong universities are offering unconditional admission to affected students, while Malaysian institutions are targeting previously US-bound Asian students. China and India have 330,000 and 280,000 students respectively in America, but the numbers for China have seen a sharp drop in the past year.
Elsewhere, branch campuses of American institutions such as NYU in Abu Dhabi, Georgetown in Dubai and Northwestern in Doha are getting more admission applications, and universities in the Gulf region are expanding infrastructure to accommodate those who would otherwise have gone to the US.&nbsp;
Even educational institutions in Nepal are hopeful that the US visa restrictions can be an opportunity to at least keep Nepali undergrads in Nepal, and also attract foreign students from the region.&nbsp;
“Many students might choose to complete their undergraduate degree here in Nepal and then move abroad for their Master’s degree later,” says Aryal of King’s College. “There was a need for quality higher education in Nepal anyway in terms of innovation and opportunities, so this could be the time to reduce our dependence on other countries.”
Nepal’s strategic position between India and China makes it sensitive to US policy shifts. India, a key ally, is also under US scrutiny for potential student travel restrictions. Chinese universities are already offering more scholarships to Nepali talent to capitalise on the US retreat.
American universities have challenged student visa restrictions in the courts. A federal court in Boston revoked the blanket ban on Harvard, and the State Department has ordered the resumption of processing student and exchange visitor visas.&nbsp;
Some are still hoping that President Trump will backtrack on the student visa restrictions, just like he has done with many of his more drastic executive orders.
Even so, the visa see-saw and longer-term uncertainties about living in the United States and its education system means students across the world are making alternative plans.
Says Aryal: “Policies of foreign countries change according to their needs, so excessive dependence was never a good idea. We should work to create different opportunities and choices of higher education within Nepal, so students are retained.” &nbsp;

America no longer prime destination for Nepali students

That winter day in January 1664 marked an exceptional event in the reign of King Pratap Malla of Kathmandu. It was 15 Paush 784 of the Nepal Sambat and for the first time, a historical event was being immortalised on canvas for generations to come.&nbsp; The occasion was the grand Tuladaan ceremony of the King’s youngest son Chakrabartendra Malla from his wife Anantapriya, an Indian princess from Cooch Behar in present-day Assam.&nbsp; During the ritual, the prince was weighed against gold, silver, pearls, and other precious stones, which were then offered to Goddess Taleju Bhavani, the guardian deity of the Malla dynasty.&nbsp; The 170 x120cm painting captures the time of King Pratap Malla in all its splendour and is more than a personal tribute to his son: it is a significant visual historical document. It was evidently completed five years later in 1669, and could be considered a photographic record, with retrospective recreation of the event by the unknown artist. A Tuladaan ceremony is performed to purify one’s karma, quell impending bad luck, or as an act of charity and devotion. Chakrabartendra Malla was not well, and the ritual was performed in hopes of restoring his health. King Pratap Malla had arranged for each of his sons to take turns ruling Kathmandu so they got administrative experience. But Chakrabartendra died just two days after assuming power in 1670 (790 NS). This painting is considered the earliest known example in which the composition is dominated by an architectural landscape: the Taleju Temple. Given the stylistic features such as side-profile facial depictions and the rendering of human forms, it is believed that the Nepali artist was trained by a Rajput master.&nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250615040624_ddad3bc27a327e3f9926c8473287e4f14b53081296c295049009f327a4d97051.jpg" data-media-id="editor_0" data-image-id="20250615040624_ddad3bc27a327e3f9926c8473287e4f14b53081296c295049009f327a4d97051" data-rendition-name="original" width="3248" height="4395" loading="lazy" alt="Tuladaan NT"> </figure>  During that era, there were regular exchanges of artists between Northern India and Kathmandu Valley. The painting is also a melding of Nepali, Tibetan, Mughal, and Rajput art styles of the time. Pratap Malla could have been inspired by a painting of Mughal Emperor Jahangir’s Tuladaan ceremony for his son Khurram in 1607. The Mallas and Mughals shared cordial relations, which is reflected in the cultural influences seen in the art and attire of the period.&nbsp; The clothing of the Malla ruling class, in particular, features colourful tunics, turbans, and jewelry that display strong Rajput and Mughal stylistic elements. The musicians in the upper tier are also dressed in Indian-style clothing, while the ensemble on the lower steps wear local attire, notably without turbans. Their hairstyles also differ, with the lower group wearing their hair tied in a bun at the front. This national treasure is currently in storage at the Collège de France in Paris, and has never been publicly displayed. Nepal’s art scholars like Gautam Vajracharya, Pratap Aditya Pal and Anne Vergati have written about this iconic paubha in the past, but the only detailed study is from the perspective of music history by researcher Richard Widdess who had access to high resolution copies of the original.&nbsp; Widdess from the Department of Music at the School of Oriental and African Studies (SOAS) in London describes the paubha as the most significant and richly detailed documentation of music in Nepali art. He identifies distinct musical ensembles on the terraces of the temple, and remarkably most of them are actively used today. One of them reflects the Mughal naqqārakhāna model — a loud outdoor ensemble typically composed of kettledrums, trumpets, and cymbals, traditionally performed from the gateway of the emperor’s palace to announce his entrances and exits. The depiction of such an ensemble in the tulādāna painting is likely the earliest known representation of a complete naqqārakhāna in Nepal — considered the forerunner of the panche baja, the traditional Nepali ensemble. On the stepped pyramid base of the temple are two groups of musicians playing local instruments: dhimey, bhushya, and dha. They are unmistakably Newar musicians, wearing short skirts and short-sleeved tops, with bare heads and legs—clearly distinguished as local performers.&nbsp; Higher still on the temple pyramid are musicians of apparently higher status, positioned close to the king, and his courtiers, possibly professional court musicians from India, well-versed in rāga and tāla. A dāphā group is also clearly depicted, identifiable by their characteristic instruments.&nbsp; Dāphā bhajan is likely the oldest surviving tradition of Newar devotional singing, and this paubha is the oldest visual record of it. Pratap Malla himself is believed to have composed songs that continue to be performed by dāphā groups throughout Kathmandu till today.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2025061211064_d67636730cdc0ec778c02494817aca0b99654f2950d0fae4b95499a61faf7ef3.jpg" data-media-id="editor_1" data-image-id="2025061211064_d67636730cdc0ec778c02494817aca0b99654f2950d0fae4b95499a61faf7ef3" data-rendition-name="original" width="596" height="768" loading="lazy" alt="Priceless paubha in Paris NT"> </figure>  The artist’s thorough attention to musical detail may be attributed to King Pratap Malla’s own deep interest in music. His inscriptions on this painting and elsewhere proclaim his mastery of all branches of knowledge, including music. He is also known as the author of dance dramas and poems, penning his name as Kavindra (king of poets). Some noteworthy elements of new art techniques stand out: for example, the roof of the temple is filled with realistically rendered white doves, pigeons, and crows. This is a rare feature in paubha, where animals and birds are stylised, mythological forms. This remarkably talented unknown artist has managed to also render an orthographic projection: the front and side view of Nepal’s first architectural paubha. The Taleju Temple, with its staggering multi-tiered structure and numerous steps and platforms, is masterfully translated into layers within the painting. This represents a significant artistic achievement of the time, especially considering that dimensional perspectives had not started in deity-based paubha.&nbsp; The artist has also made a meticulous effort to capture architectural details such as the toran (ornamental arch) and temple struts with impressive precision. There are flickering lamps along the steps and some people carrying what appear to be oil pots.&nbsp; It is a full moon night and the dark sky is adorned with all the gods and goddesses, who are depicted as blessing the ceremony while seated on stylised thangka clouds. There is a lot happening in this painting, with people engaged in various activities. The artist has also rendered a forest backdrop behind the temple, complete with deer, trees, and flowers. Could there have once been a royal garden behind the Taleju Temple?&nbsp; More details and clarity can only be achieved if we are able to view the original or a high-resolution scanned version of the artwork. Many countries proudly display art depicting historical events in their national museums with great reverence. France, for example, has The Coronation of Emperor Napoleon and Empress Joséphine by Jacques-Louis David (1808–1822), along with numerous paintings of the Napoleonic Wars. Many were commissioned by Napoleon himself for future generations to remember.&nbsp; For Nepal, the equivalent is the Tuladaan paubha which is a visual record capturing a historic moment involving one of Kathmandu’s greatest kings, on the very day the event took place. Sadly, we await the day when this masterpiece is displayed, shared in high resolution for detailed study, or more rightfully — repatriated to its homeland, where it truly belongs. &nbsp; Shaguni Singh Sakya is the Director of the Museum of Nepali Arts (MoNA) at Kathmandu Guest House in Thamel. <h2>Gods homeward bound</h2> The Nepal Heritage Recovery Campaign and Nepal’s Department of Archaeology are convening the first international conference on the Recovery of Cultural Heritage from 16-18 June in Patan. The conference will address urgent issues of theft, illicit trafficking, the campaign to repatriate looted cultural artifacts, and explore how the return of sacred antiquities contributes to justice, healing, and reconciliation for communities and nations affected by cultural loss. American art crime professor Erin L Thompson and Saubhagya Pradhananga of the Department of Archaeology will deliver the keynote. Meanwhile, author and Nepali Times publisher Kunda Dixit will lead a conversation on Illicit Trafficking: Public Opinion and Role of Media with Erin Thompson, Amr Al Azm, associate professor of Middle East History and Anthropology at Shawnee State University in Ohio, as well as Bradley J Gordon, a lawyer based in Phnom Penh. There will be sessions looking at repatriation perspectives from Cambodia, India, Vietnam, China and Poland, international frameworks for repatriation, emerging digital technologies in the repatriation of cultural heritage, cultural property agreements, museums as well as trends in the art market, and heritage diplomacy and the role of media.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2025061211068_59cfccfa8f5d73bfe8b4c5811a7f53abc09ea04e8cb7c638933d62e5283efdf6.jpg" data-media-id="editor_2" data-image-id="2025061211068_59cfccfa8f5d73bfe8b4c5811a7f53abc09ea04e8cb7c638933d62e5283efdf6" data-rendition-name="original" width="1080" height="1350" loading="lazy" alt="Heritage recovery NT"> </figure>  <h2> </h2> Some of the other highlights include James K. Reap, a professor in the Master of Historic Preservation Program at the University of Georgia who has a session on the US response to illicit trafficking. Art historian Lea Saint-Raymond is taking on “Gods at Auction: The Market for Himalayan Artefacts”, while lecturer of criminology at the University of Glasgow Emiline Smith is delving into transformative approaches to heritage ownership and repatriation. Helena Arose of Antiquities Coalition and Melina Antoniadis of NOSTOS Strategies that specialise on the return home of cultural heritage as well as Hao Liu of International Cultural Heritage Law at the School of Law at Shandong University are some of the others attending. The Nepal Heritage Recovery Campaign was set up in 2020 to develop a coordinated movement to reclaim Nepal’s stolen gods and goddesses, with an aim to ensure that recovered items are returned to their original shrines, niches or sanctums. Ahead of the conference opening organisers have arranged for a film screening of Loot &amp; Return: 4 Documentaries at YalaMaya Kendra in Patan Dhoka between 14-15 June. Following the conference is a multimedia exhibition titled Absent Gods: Nepal’s Lost Heritage from 31 July to 4 August at Patan Museum.

Priceless paubha in Paris

While Nepal was hosting the Sagarmatha Sambaad international climate conference in Kathmandu this month, on Mt Everest it was pretty much business as usual.&nbsp; The signs of climate breakdown are all there: a river now runs through Base Camp in summer, the Khumbu Icefall is more unstable, and there are more &nbsp;frequent avalanches. When expeditions arrived in March, the mountains were bare: it had not snowed since September, but then blizzards dumped unseasonal snow in May. And despite climate worries, such is the pull of Himalayan mountaineering that the Everest Industry showed no signs of slowdown. More than 600 international climbers and their Nepali guides had made it to the summit of the world’s highest mountain. At one point there were an estimated 2,000 people in the tent city on the Khumbu Glacier. All the ropes and ladders on the Icefall came down on Thursday, marking the official end of the spring climbing season, and just in time to avoid a monsoon cyclone approaching from the Bay of Bengal. It has been an action-packed season. One factor could be that Everest fees will go up from September: each foreign climber needs to pay a $15,000 royalty, up from the present $11,000. The cost for a Nepali climber on the South Col route will also go up: from Rs75,000 to Rs150,000.&nbsp; The fee to climb Everest in autumn is $7,500 (up from $5,500), but most climbers still prefer spring. Winter permit fee (December-February) is only $3,750 per person and the mountain is now also open for monsoon (June-August) climbs, when the fee is ever lower at $2,750. The revised rule also makes it mandatory for every two climbers on an 8,000m peak to hire one Nepali mountain guide.&nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2025053004050_67f856fe52714e4bdcf21ae7d45c6f18c82117b9d0a5f73ed1efa04c96de1046.jpg" data-media-id="editor_0" data-image-id="2025053004050_67f856fe52714e4bdcf21ae7d45c6f18c82117b9d0a5f73ed1efa04c96de1046" data-rendition-name="original" width="931" height="732" loading="lazy" alt="The Everest Industry graph 1"> </figure>  In addition, climbers also have to pay for porters and guides, equipment, Base Camp costs, Ice Fall and fixed rope team fees, so climbing Everest does not come cheap. But such is the draw of climbing the world’s highest peak that some say the increased fees will not diminish the crowds next year. The government has tried to spread expeditions out to other seasons and other 8,000ers, but with not much success. Earlier this year, Nepal unilaterally increased the number of 8,000m peaks to 14 by adding six more sub-summits to broaden the choice for climbers. Added were: Yalung Kang (8,505m), Yalung Kang West (8,077m) &nbsp;Kangchenjunga Central (8,473m), Kangchenjunga South (8,476m), Lhotse Middle (8,410m) and Lhotse Shar (8,400m).&nbsp; The announcement could go against the accepted topographic criteria that a stand alone peak has to be at least 300m higher than an adjoining prominence, and at more than 3km isolation from it. The UIAA (Union Internationale des Associations d'Alpinisme) still recognises only 14 mountains as eight-thousanders, and only eight of those are in Nepal, or on the border with China. Nepal’s revised mountaineering regulations also increased the insurance coverage of high-altitude workers to protect porters and high altitude guides who usually take more risks on the mountains. Rescue teams and clean-up campaigners to collect trash and remove bodies of dead climbers up to Camp IV of Mt Everest do not need permits.&nbsp; The Sagarmatha Pollution Control Committee is now using drones to fly down trash in 20kg sacks. Each climber is also required to bring down at least 6kg of waste and not just their own, but this rule is erratically enforced. With five fatalities on Everest and Lhotse, Spring 2025 had a historically low death toll. Another five climbers died on Annapurna, Kangchenjunga and Makalu.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2025053004050_38681de22f0fefb6faa12b01755566d09c5064d0ff84e12ccc7b5d68ea9ba38a.jpg" data-media-id="editor_1" data-image-id="2025053004050_38681de22f0fefb6faa12b01755566d09c5064d0ff84e12ccc7b5d68ea9ba38a" data-rendition-name="original" width="665" height="740" loading="lazy" alt="The Everest industry graph 2"> </figure>  Journalist Ben Ayers who ran the Everest Live social media channel from Everest Base Camp with daily updates credited the low death rate to dramatic rescues of climbers from the ‘Death Zone’ by their Nepali guides and longline helievacs — the visuals all uploaded on YouTube.&nbsp; “Ironically, this perception of safety is bringing more and more inexperienced climbers to the mountain, and they need more rescues,” Ayers said in one of his dispatches.&nbsp; American expedition chronicler and summiteer Alan Arnette suspects there is a lot of under-reporting given that the jet stream and storms were lashing Everest even till late in the season. He told us: “I heard a lot about frostbite and rescues that were not made public. It’s become practically impossible to cover the details on Everest. All the teams report nice news, and they don’t talk about bad stuff to avoid hurting businesses.” Although trash on Nepal’s mountains makes headlines, what does not receive as much attention is the climate impact of so many expeditions. The Sagarmatha Sambaad conference sidestepped this issue, which is ironic given that the impact of climate breakdown is most evident on Himalayan peaks and their glaciers.&nbsp; <h2>Need for Speed</h2> The big stories this year have been about speed-running from their home cities to the top of Everest. Ukrainian entrepreneur Andrew Ushakov flew out of JFK on 15 May at 10:15AM Nepal time, and was on the summit 3 days, 23 hours, and 7 minutes later on 19 May at 9:22AM.&nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250601080640_1c5cc6fc991307861768f07037ed9d30930fb20f35dbb57dc31c9a92a9e1a885.jpg" data-media-id="editor_2" data-image-id="20250601080640_1c5cc6fc991307861768f07037ed9d30930fb20f35dbb57dc31c9a92a9e1a885" data-rendition-name="original" width="1440" height="1800" loading="lazy" alt="The Everest Industry"> <figcaption>Andrew Ushakov at the summt. Photo: ELITE EXPED</figcaption> </figure>  “I could never find the time for the traditional 40-50 days of acclimatisation,” Ushakov explained matter-of-factly. His ‘Everest Sea-to-Summit’ climb was possible because he spent 400 hours in hypoxic sleep tents over the past four years in New York. However, Ushakov did use ropes already fixed, hired four Nepali guides, helicoptered to Base Camp, and used much more oxygen than an average climber. And after the climb, Ushakov was arrested at Kathmandu airport for being in possession of $20,000 of undeclared cash and spent a night in jail and fined $60,000.&nbsp; The other speedsters were Garth Miller, Alastair Cairns, Anthony Stazicker, and Kev Godlington, all former British Army commandos. They left London and summited five days later on 21 May, and flew right back. They also used hypoxic tents to simulate the thin air high on Everest.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250601080644_90c8dd5cc07b4b43f2989b1dc0c0650ab80f10ebb06680c25a6909c519957bd8.jpg" data-media-id="editor_3" data-image-id="20250601080644_90c8dd5cc07b4b43f2989b1dc0c0650ab80f10ebb06680c25a6909c519957bd8" data-rendition-name="original" width="810" height="668" loading="lazy" alt="The Everest Industry "> <figcaption>All four members of the Furtenbach team at the summit. Photo: Sandro Gromen-Hayes</figcaption> </figure>  But more controversial was their use of xenon gas therapy in a German hospital to ramp up the production of oxygen-carrying haemoglobins in their blood. Xenon is banned by the World Anti-Doping Agency for being performance enhancing in sports. Expedition leader Lukas Furtenbach said this rule does not apply to mountaineering, as it is not a regulated sport like swimming. Nepal has no rules about xenon, but the Department of Tourism said it was launching an ‘investigation’ to decide on future policy since it is difficult to ban xenon, but allow oxygen. The controversy has also divided the mountaineering community, with some climbers saying they just want to maximise their chances of survival. Spending less time on the mountain could make climbing safer by reducing avalanche risk. It would also mean less trash on the mountains, but it would reduce the income of Nepal’s expedition industry. It is also unclear how much of the success was due to xenon therapy and whether the ex-special forces were already in good physical shape.&nbsp; The need for speed hides the fact that climbing in the Himalaya is dangerous business, and climbers cannot sprint to the top just by huffing xenon. But ultra-fast climbs could be charged more, and the revenue generated can be used to establish state-of-the-art rescue operations, and increase pay and insurance for guides. Two other speed chasers this season were Swiss-Ecuadorian Karl Egloff and American Tyler Andrews, both on Everest without oxygen. Andrews choppered to Base Camp to catch a weather window, but turned back from 8,500m due to high winds. Heavy snow and wind also forced Egloff to descend from 7,000m. Slow and steady climbers like Anja Blacha from Germany did make it to the summit without oxygen, while Kami Rita Sherpa broke his own record with his 31st Everest summit as he led a 26-strong Indian Army group. There were 468 permits issued for foreign climbers from 48 expeditions to Everest this spring. Nepal’s other eight-thousanders together had only 17 expeditions. Nepal has more than 1,000 peaks above 6,000m, and has opened only 476 of them for climbing.&nbsp;

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